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CK Baker Oct 2017
dust cloud heavy
in an apricot sky
cottonwood mucker
under ambrose pale
whippet and shepherd
mill at the earth patch
yellow birch hangs
over red bench park

combine shavings
in crack rust brown
scissors chips fall
at the back stop
whiskey jack looters
sing patented chords
siblings (and 2 wheel enthusiasts!)
give thanks

joyous retrievers
master the criss cross
bare maples stand
at settlers way
barred owl and blue jay
whistle in the fore-wind
ghosts
and goblins
pull on the seeds

wind gusts belt
over the west gulch
a blood rush churns
in the chilling fall morn
hallowed grounds still
at the midday
quiet reflections
of the afghan
and hound

jumpers unite
at the oxbow
route runners bend
(on a sultry foray!)
meadows exposed
in the framework
ball parks empty
with pennants past

barrel dirt favors
the brew house
crimson and copper
find bracken ridge gate
harvest hands savor
the honey and hops
blankets of color
for a winter's hatch

brush fire kept
under steady peruse
bark bites fly
and embers glow
pine cones drop
from the timber tops
3 wick candles
grace the dinner place

shiver and ******
at the piper's call
cob web dew
on the shadowy gates
a chilled mist mellows
the season's return ~
poets and artists
and dreamers awake
Peter Cullen May 2014
Raindrops,
falling on water
that was still.
Creating sweet unbalance
at one with natures will.
Timeless moment,
wanting nothing from the world.
I listen to its whispers
to see what I might learn.
And the mallard,
his cheeky little eyes
are throwing me a knowing look
as he glides on by.
I watch it now in motion.
I wonder bout his world.
All that he embodies,
with no one to serve.
A sense of truth
a sense freedom,
which seems out of human reach.
I watch the world around me
to seek what it may teach.

There's anger in the bracken
and anger in the grass.
It sweeps down from the valley
and kicks me in the ****.
It plays with my emotions,
as sometimes anger can,
and then it asks me questions
about the fruitless quests of men.
It leads me to an ancient ruin
where time has took its toll,
there's anger in the mortor,
and anger in the stone.
It wraps itself around me
with a promise to let go,
if I can live a truer life
if I can learn to grow.
It leaves me with an energy,
yet tired on the sand,
it told me it may still return
for anger is unplanned.
It leaves me with a message,
as only anger can.
Yes anger is an energy,
an energy unplanned.
CRESTINE CUERPO Aug 2017
Simula ng makilala ka,
Buhay ko'y sumisigla,
Lagi akong masaya,
Nalaman ko ang tunay na kahulugan ng tuwa at ligaya,
Aking pagsinta,
Bakit nga ba?

Naranasan ko ang mga pambihirang bagay,
Ang mundo ko'y naging makulay,
Binuhay mo ang diwa kong matamlay,

Ikaw ang aking lakas,
Pinakita mo ang aking magandang bukas,
Mula sa simula, gitna, dulo at wakas,
Ang isip at puso ko'y iyong pinatalas,

Madapa man ako'y iyong hinawakan,
Binangon mo ako mula sa lupang aking kinasasadlakan,
Napuntahan ko ang dulo ng kalawakan,
Ang mga puno't halaman,
Ang berdeng kagubatan,
Ang ganda ng kabundukan,
Lahat ng ito'y aking nasisilayan,
Daan ka nga ng pakikipag-ugnayan,
Ika'y gamit sa pakikipagtalastasan,
Daan tungo sa kaunlaran,
Ngunit ako'y nanghihinayang,
Dahil ika'y di kilala ng maraming kabataan,
Sabi nga nila hindi ka magandang pagmasdan,
Di nila namamalayan,
Ika'y maaari nilang maging kaibigan,
Taglay mo ang naiibang kapangyarihan,
Ika'y iniregalo ni Rizal sa kanyang buthing may bahay,
Kay Josephine Bracken ika'y ibinigay,
"Kempis "ka kung tawagin,
Ika'y,"Tagalog Christ"  naman para kay Ferdinand Blumentritt.


Alam kung di matatawaran,
Ang iyong kasiyahan,
Kapag ang mga pahina mo'y binubuksan,
Mabuti kang sandigan!
Sayo nagmumula ang di matatawarang panindigan,
at di-natitinag na katwiran,

Mabuti kang larawan,
Nagsisilbing huwaran,
Magpakailanman!
Maipagmamalaki kahit saan,
Pangako ko ika'y aking dadalhin,
Pupurihin, I-ingatan at papahalagahan,
Hanggang sa aking huling hantungan,
Sayo lamang...... Minamahal kong----aklat!
Nakakalungkot isipin nakaka-unti na lamang sa mga kabataan ang nagbabasa ng aklat. Ang aklat ay magandang libangan na maghahatid sa atin sa rurok ng kaunlaran at tugatog ng tagumpay.
Sean M O'Kane Sep 2018
Robert Frost once talked of taking the ‘road less travelled’.
Well, I didn’t.
When the time came, I blindly went and took the safest road.
A very long path where the pitfalls were plenty.
I stumbled in the bracken. Stymied by the darkness that fell quickly as I ambled along.
The soul bruised, battered and exhausted at every infrequent stop.
It was not apparent then that in this venture there was a bleak dead end ahead.
I plowed on even though something inside was telling me again and again to turn back.
But, slowly, a gleaming light of hope crossed my vista beckoning me home.
I crawled. My strength regained as the light intensified.
Then the end was in sight - the portal was within grasp.
And so, yes, I now take that road less travelled.
Standing tall and proud as I gleefully stride down its glowing thoroughfare.  
Smiling at the diverse and playful changes that cross my pathway.
All told, it’s never too late to trust your instincts and make a difference.
Just ask me.
And Robert Frost.
I do not ask for youth, nor for delay
in the rising of time's irreversible river
that takes the jewelled arc of the waterfall
in which I glimpse, minute by glinting minute,
all that I have and all I am always losing
as sunlight lights each drop fast, fast falling.

I do not dream that you, young again,
might come to me darkly in love's green darkness
where the dust of the bracken spices the air
moss, crushed, gives out an astringent sweetness
and water holds our reflections
motionless, as if for ever.

It is enough now to come into a room
and find the kindness we have for each other
— calling it love — in eyes that are shrewd
but trustful still, face chastened by years
of careful judgement; to sit in the afternoons
in mild conversation, without nostalgia.

But when you leave me, with your jauntiness
sinewed by resolution more than strength
— suddenly then I love you with a quick
intensity, remembering that water,
however luminous and grand, falls fast
and only once to the dark pool below.
CA Guilfoyle Jan 2015
By these woods I've come, wildly green
mossy step of days, long the forest rain
refresh my breath, breathe deep of trees
hovering grey ghostly steam
the smoking warmth of sun that comes
to sing with birds, perched upon
soft sword and leather fern
laced with berries wild
and faeries good
sing green of home
they wildly roam, safe amid
the bracken woods
Iris Proctor Jan 2018
Saturday
Sounds like the pattering
Of bare feet
On a dusty concrete yard,

Smells of chimney smoke
And jagged coal heath,
Sheep-scent and
Wiry wool on a barbed fence,

Saturday
Is a jangly guitar
In a rickety truck
On a gravel road,

With a gravel voice
Rough as grit,
Deep as the caverns
Between the peaks,

Saturday
Is sunlight on an enamel ***,
A tin kettle
And its blood metal tea,

It is blackberry-bitten legs
and iodine streams,
A canopy of heady bracken
Below penny-marked trees,

Then Sunday,
Slantwise
Against the setting sun
Away again.
Universe Poems Oct 2022
Bracken
Rich but still part of nature's pips
Fronds contain toxic compounds
Nature's non - chemical intervention rounds,
means digging crushing cutting out,
could be labour intensive no doubt
A traditional method used,
was part of nature's moves
Run boar on bracken,
root them up
Broadleaf habitat
Coniferous woodlands,
near farmland in fact
Large head long narrow snout,
with small ears about,
but certainly connected,
to the nature cycle,
already in clout
Who keeps it natural without frout
Bracken you know the seasons well,
you start to turn brown,
under the autumn spell

© 2022 Carol Natasha Diviney
Wheer 'asta bean saw long and mea liggin' 'ere aloan?
Noorse? thoort nowt o' a noorse: whoy, Doctor's abean an' agoan;
Says that I moant 'a naw moor aale; but I beant a fool;
*** ma my aale, fur I beant a-gawin' to break my rule.

Doctors, they knaws nowt, fur a says what 's nawways true;
Naw soort o' koind o' use to saay the things that a do.
I 've 'ed my point o' aale ivry noight sin' I bean 'ere.
An' I 've 'ed my quart ivry market-noight for foorty year.

Parson 's a bean loikewoise, an' a sittin' ere o' my bed.
"The amoighty 's a taakin o' you to 'isen, my friend," a said,
An' a towd ma my sins, an' s toithe were due, an' I gied it in hond;
I done moy duty boy 'um, as I 'a done boy the lond.

Larn'd a ma' bea. I reckons I 'annot sa mooch to larn.
But a cast oop, thot a did, 'bout Bessy Marris's barne.
Thaw a knaws I hallus voated wi' Squoire an' choorch an' staate,
An' i' the woost o' toimes I wur niver agin the raate.

An' I hallus coom'd to 's choorch afoor moy Sally wur dead,
An' 'eard 'um a bummin' awaay loike a buzzard-clock ower me 'ead,
An' I niver knaw'd whot a mean'd but a thowt a 'ad summut to saay.
An' I thowt a said what a owt to 'a said, an' I coom'd awaay.

Bessy Marris's barne! tha knaws she laaid it to mea.
'Siver, I kep 'um, I kep 'um, my lass, tha mun understond;
I done moy duty boy 'um, as I 'a done boy the lond.

But Parson a cooms an' a goas, an' a says it easy an' freea:
"The amoighty 's taakin o' you to 'issen, my friend," says 'ea.
I weant saay men be loiars, thaw summun said it in 'aaste;
But 'e reads wonn sarmin a weeak, an' I 'a stubb'd Thurnaby waaste.

D' ya moind the waaste, my lass? naw, naw, tha was not born then;
Theer wur a boggle in it, I often 'eard 'um mysen;
Moast loike a butter-bump, fur I 'eard 'um about an' about,
But I stubb'd 'um oop wi' the lot, an' raaved an' rembled 'um out.

Keaper's it wur; fo' they fun 'um theer a-laaid of is' faace
Down i' the woild 'enemies afoor I coom'd to the plaace.
Noaks or Thimbleby--toaner 'ed shot 'um as dead as a naail.
Noaks wur 'ang'd for it opp at 'soize--but *** ma my aale.
Dubbut loook at the waaaste; theer warn't not feead for a cow;
Nowt at all but bracken an' fuzz, an' loook at it now--
Warn't worth nowt a haacre, an' now theer 's lots o' feead,
Fourscoor yows upon it, an' some on it down i' seead.

Nobbut a bit on it 's left, an' I mean'd to 'a stubb'd it at fall,
Done it ta-year I mean'd, an' runn'd plow thruff it an' all,
If godamoighty an' parson 'ud nobbut let ma aloan,--
Mea, wi haate hoonderd haacre o' Squoire's, an' lond o' my oan.

Do godamoighty knaw what a's doing a-taakin' o' mea?
I beant wonn as saws 'ere a bean an yonder a pea;
An' Squoire 'ull be sa mad an' all--a' dear, a' dear!
And I 'a managed for Squoire coom Michaelmas thutty year.

A mowt 'a taaen owd Joanes, as 'ant not a 'aapoth o' sense,
Or a mowt a' taaen young Robins--a niver mended a fence:
But godamoighty a moost taake mea an' taake ma now,
Wi' aaf the cows to cauve an' Thurnaby hoalms to plow!

Loook 'ow quoloty smoiles when they seeas ma a passin' boy,
Says to thessen, naw doubt, "What a man a bea sewer-loy!"
Fur they knaws what I bean to Squoire sin' fust a coom'd to the 'All;
I done moy duty by Squoire an' I done moy duty boy hall.

Squoire 's i' Lunnon, an' summun I reckons 'ull 'a to wroite,
For whoa 's to howd the lond ater mea that muddles ma quoit;
Sartin-sewer I bea, thot a weant niver give it to Joanes,
Naw, nor a moant to Robins--a niver rembles the stoans.

But summun 'ull come ater mea mayhap wi' 'is kittle o' steam
Huzzin' an' maazin' the blessed fealds wi' the Divil's oan team.
Sin' I mun doy I mun doy, thaw loife they says is sweet,
But sin' I mun doy I mun doy, for I couldn abear to see it.

What atta stannin' theer fur, an' doesn bring me the aale?
Doctor 's a 'toattler, lass, an a's hallus i' the owd taale;
I weant break rules fur Doctor, a knaws naw moor nor a floy;
*** ma my aale, I tell tha, an' if I mun doy I mun doy.
Don Moore Dec 2016
The springs bracken fronds swish and sway and yet there is no wind
Lying on the soft verdant grass and observing the fern, there is movement
From between the intense greenness appears a black nose followed by a snout
Shades of grey, with a little black and as the head with observant eyes appears
There is white, although a ***** one, for it is Badger who appears
No announcement, no fanfare, in fact quite the opposite, for he has much to fear
His strong shoulders follow through as he pushes out into the field
He has a muscular body, built for digging and his nose snuffles as he tests the air
Behind him, but a little shy, his sow close by his heels as she enters the scene
For a moment both stand shoulder to shoulder, their noses both a quiver
He is first; he shuffles off into the meadow in search of food, worms and snails
The sow is wary, and well so as her cubs join her at the edge of uncertainty
They, a boy and a girl are not so worried, for life to them is full if surprises now
But they have not yet met the many who would take them for their dinner
Their mother and father are a different game, but presently Fox would like a go
There is weasel and stoat and owl floats above with buzzard and hawk
These hunters all like a youngster of any breed, and if there was chance of dinner
And so, as they gambol and play upon the grasses, their mother stands on watch
These cubs, they must be taught, taught playing does not feed their stomachs
Taught that food is not free and must be hunted each and every night or die
And the food they seek, there are also many others who feel their need to gorge
With one eye above, mother seeks the juicy worm, and tries to teach her cubs
Her youngsters eat all she can deliver, fat juicy snails and the odd slug or two
And then, upon the air although very scant, a smell most awful and rank
It would appear the lord of the hedgerow is nearby, and he will be out hunting
He wears a shiny coat of red; he carries a most bushy tail and fangs of yellow
At this time of year, he will have a family of his own and need extra food
His home is not near, or the Brock badger would know and challenge
Now the sow is worried where her husband is, and if he is near to protect them
The scent becomes harder and her lips peel slowly from her teeth and she hisses
Lifting from the ground over the green grass she dimly spies a red coat skulking
The evening light is falling fast, her eyes are poor, but she can smell her enemy
She hears the pad of his paws as he draws ever near, his coat brushed by grasses
Hissing she draws her cubs to her side, the decision quickly made to fight here
Speedily they run beneath her upraised body, her scent comforting she is mother
And on comes Fox, he’s not so stealthy now, he knows he has been seen
He skirts the trio out on the meadow; he knows she cannot be guarding two
And here he thinks is a quick early evening meal, he is confident, he is Fox
Near and ready he crouches to the ground, choosing his meal with care
Now ready decision made, he rushes in, his jaws open to grab a tender morsel
His eyes are centred on one cub that wanders from his mother’s belly fur
Bam out of the blue Fox is shunted away, the brock has returned, his teeth ready
There’s a fierce tussle and this Fox learns his lesson, to leave Brocks children alone
The male Badger returns his teeth bloodied, his teeth full of fur, but triumphant
His wife greets him, his cubs adore him, then he leads them back to the bracken in the night.
Observations from my childhood, and which led to my book of a Cornish Faery Tale.
Through frost-thick weather
This witch sidles, fingers crooked, as if
Caught in a hazardous medium that might
Merely by its continuing
Attach her to heaven.

At eye's envious corner
Crow's-feet copy veining on a stained leaf;
Cold squint steals sky's color; while bruit
Of bells calls holy ones, her tongue
Backtalks at the raven

Claeving furred air
Over her skull's midden; no knife
Rivals her whetted look, divining what conceit
Waylays simple girls, church-going,
And what heart's oven

Craves most to cook batter
Rich in strayings with every amorous oaf,
Ready, for a trinket,
To squander owl-hours on bracken bedding,
Flesh unshriven.

Against ****** prayer
This sorceress sets mirrors enough
To distract beauty's thought;
Lovesick at first fond song,
Each vain girl's driven

To believe beyond heart's flare
No fire is, nor in any book proof
Sun hoists soul up after lids fall shut;
So she wills all to the black king.
The worst sloven

Vies with best queen over
Right to blaze as satan's wife;
Housed in earth, those million brides shriek out.
Some burn short, some long,
Staked in pride's coven.
Edmund Grimketel Oct 2014
Betwixt the shrub and hubabubb
'neath bracken's shadowed scowl
came a Wren pop-hopping when
arrested by a yowl

He spied another grovely bird
chattering with the gloom
realising it had been observed
it screeked with spittled spume

Stay back, stay back
alack, alack
I've nothing left to give
and should you shake the life from me
unhappy you shall live


Like him the grovely had a one leg
and too the veshy eye
and when he flexed his deeker wings
he knew this bird must die.

The unctuous Wren popped back and forth
as did the groveley bird
and there they stood 'twix shrub and earth
exchanging not a word.

Just this once I'll let you go
announced the cautious Wren
he turned his fractious beak to blow
and was never seen again.
A timid bird encounters his own reflection
C Dec 2010
My body was found in an autochthonous cranny stinking of death,
between the hookers legs; burned
with a magnesium flash- of the bulb popping.
It illuminates mere shapes
resembling humans only remotely;
the way a copse of bracken burnt conifers' resemble matchsticks.
I am quiet, I am serene, I am wind and fire, I am, a queen. I am breathe and voice, I am heart and beat, I am sounds you cradle, I am the sole of your feet. I am carrier and word, I am thought and mistrust, I am heat and ice, I am *** and lust. I am fallen and hit, I am, sleep, I am dominant and stubborn, I am crushed and defeat. I am bells that toll, I am a philistine, I am hushed and centred, I am thou and thine. I am pulled, I am broken, and torn, I am consciousness and lost, I am reborn. I am woman, I am words and tongue, I am here and present, I am bullet and gun. I am wolf and fierce, I am protector of all, I am belief and faith, I am short and tall. I am fever, I am skin, and bone, I am a hug at night, I am a place you call home. I am sleep, I am dream, I am sufficient and loud, I am sewn and seam. I am lover and beauty, I am incredible and bereft, I am walk and talk, I am dumb and deaf. I am depth and substance, I am creator of life, I am misdeeds, I am trouble and strife. I am siren, I am power, I am forbidden fruit, I am the choir. I am fear, I am fright, I am creep and gentle, I am sense of right. I am tree, I am creature, I am autumn leaves, I am life's student and teacher. I am stop and halt, I am impe-tuous, I am starving, I am ra-venous. I am pelt, I am growl and claw, I am raven and rook, I am hammer and saw. I am flight, I am graceless, I am mercy, I am faceless. I am duty, I am bound, and enslaved, I am soar and breeze, I am story and fade. I am *******, I am almighty power, I am she, I am the tick, tock, tick, in your hour. I am beseeched, I am judged and shunned, I am a rough ****, I am powder in your gun. I am movement, I am forward, and pause, I am magic and mystic, I am the air in applause. I am brake light, I am crash and burn, I am wanton and demanding, I am 'when will you ever learn?', I am ex, I am honesty, and offence, I am lying naked and marked, I am dreaded intense. I am baker, I am cook, I am carer, I am all you took. I am forest, I am howl, and fang, I am bracken and bush, I am sung and sang. I am heave and sigh, I am a look of disgrace, I am tortured thought, I am disappointed face. I am halo, I am the barren chest, I am fortitude, I am armour and breast.  I am hot, I am spice, and flavour, I am between and in, I am reverence and saviour. I am bold red, I am bright and hue, I am sought and hidden, I am me, not you. I am the edge of forever, I am precipice and knife, I am forged steel, I am husband and wife. I am hedonism, I am beautifully free, I am arms wide open, I am everything of me. I am thought, I am prayer, I am darling, my darling, I am awake and aware. I am the trigger, I am a white flag of peace, I am the mother, I am desist and decease. I am climbing up higher, I am builder of bridges wide, I am swung high and low, I am by your side. I am cut grass, I am burnt toast, I am broken crystal glass, I am what you love to hate the most. I am a lady, I am a lover in the day and the night, I am restart, renew, I am a flame burning bright. I am gay and straight,  I am dual and nigh, I am man-lover undercovers, I am the apple of my eye. I am au-revoir in the morning, I am the last goodbye, I am something untold, I am the last time I cry. I am ******, I am drugged and tired, I am pain, I am high, and wired. I am level, I am calm and content, I am wink and thumb, I am the mortgage and the rent. I am fumble and tumble, I am drop and slip, I am smash and grab, I am slide and trip. I am laughter wide open, I am smile and teeth, I am depression and loss, I am the widow in grief. I am inner child, I am hurt and abused, I am friend and lover, I am wasted and used. I am survivor, I am strong in spirit and mind, I am a force to be reckoned with, I am resiliently kind. I am nature and nurture, I am tribe and race, I am society and people, I am colour and taste. I am within, I am without, I am shadow and hand, I am thought and doubt.
I am but, me. I am not.
Lora Lee Sep 2017
Within the salty swirl of foamy loam
where depths collide with rushing tides
mystical creatures' hearts do roam
their secret desires, they so carefully hide

But one day among crystalline shadows of light
in shades of turquoise and emerald,
two beauties emerge from dark into bright,
and in their meeting a shared destiny heralds.

One with a voluptuous feminine grace,
swaying hips, fullness of ******* and velvet thighs
auburn-haired, with lips made of cherry
and her mellifluous voice her treasured prize.
The other a magical alchemy
of shapely woman and magnificent fish
her violet eyes and iridescent smile
would fulfill Poseidon's deepest wish.
With gemlike scales and long, lithe limbs
a glow lights up her mystic aura
yet behind it a sadness and longing for love
hide behind the coral reef's gentle flora.

Chancing upon each other,
at first hazy shadows
in the blue-green light
the Siren and the Mermaid
started to discover
that they shared a similar plight.

"Are my eyes really seeing what I think?"
breathed the Siren into the salt
"I've never seen a more beautiful creature,
I thought the chances would be nought"
"My name is Nerine," said the Mermaid. "For a sea nymph I truly am
who has roamed the oceans day and night
feeling more empty the harder she swam"
"And I, am Ula," declared the Siren, in a voice like crystals , fine-tuned
"They say that my voice is as clear and smooth as a sapphire
which is why I am called a 'sea jewel.'"
The two embraced and began to talk, speaking of their pasts,
their present and future
and both realized that they wished for spiritual and ****** mates
to mend their hearts that were achingly sutured
"Oh darling," said Ula
"Let us journey to the land of the forests
for surely as they day I was born
we may find our blessing a-waiting us
in the spell of the wondrous Unicorn"

And so a sacred pact was made
as they swore unto each other
that their vigour would not fade
until they found their one-horned lover
and with knowing eyes,
pressed palm to palm
the beauties made their choice
Nerine would give up her tail for legs
and Ula her singing voice

Foreheads together, arms raised in light
their prayer was spun to sky
and suddenly, the two enchantresses
found themselves on land, quite dry

Excited, giggling like nymphets
they jumped and twirled in delight
and set off for the forest green
For their hearts they were ready to fight

I feel their presence first
a Fey being knows another Fey being.
The magic of the Otherworld,
announcing arrival long before seeing.

Into view they came walking along the forest path,
fluid movements hinting at an elemental source.
Chitter-chattering, the same way that finches laugh,
feet strong, steady, never straying from their course.
Two carefree girls, making trails through my Green,
I feel a purpose brooding, so sound out a call.
They stop, gracious, as if surprised to be seen,
whispering these words as on their knees they fall.

“We are Sea-sisters of the ocean,
we are here to follow our notion.
Searching the forest in gentle kind,
for the Unicorn we wish to find”.

Hark! Hear your wild Lord speak,
listen as your mind he frees,
leading you on a fantasy journey,
through valleys and betwixt the trees.
His stories weave a forest dreamscape,
a sylvan land of purest Green,
leading you by a cautious hand,
he'll show you things you've never seen.
Twisted hazel and the mighty oaks,
meadows and glades of sweetest light.
Streams that catch the moons cool rays
and secrets held within the night.
But the Unicorn, a law unto himself,
is one thing this Lord cannot show,
a creature to be sought for alone,
so off through the forest you must go.

Following deer tracks and mystical ways,
strange paths that turn and twist.
Deep into the woods the wanderers stray,
yearning the fabled Unicorn to exist.

Then it happened, inclement weather,
rain soaked the bracken and heather.
So Nerine and Ula, a decision made,
took to shelter in a canopied glade.
The irony was, to them, quite plain,
creatures of the sea hiding from rain.
The forest floor did start to steam,
creating an eerie warm sylvan dream.

And the girls so excited hugged and kissed
as a mighty beast emerged from the mist.
Slowly coalescing and so taking its form,
the raw masculine power of the Unicorn.

I had felt their presence as soon as they touched land,
emerging from the foaming waves, crawling hand in hand.
I heard the echoes on the ether, as they made their Sacrifice,
the resonance throughout feydom as they gladly pay the price.
I knew their wandering had led them a merry crooked dance,
and now they shivered before me, they think as if by chance.
But I am a law unto myself, the Unicorn of the trees,
roaming at will in the forest, showing myself to whom I please.
So these Maidens come from the sea where they were born,
two adventurous girls' brave quest to find the Unicorn.
Nerine and Ula looking awestruck statues in my presence,
rooted to the spot, rigid liked scared and paralysed pheasants.
Their deepest wish fulfilled, they marvel at my existence,
and I in turn marvel at their resilience and raw persistance.
But the Sacrifice means that the sea is no longer home,
tied well to the land, destined now to forever roam.
And what of love, their desires and lust to find a mate?
Well, for Nerine there is no choice, feelings came so late.
Parting from the Forest Lord, latent attraction she had felt,
and knew she would return his way, in his arms to melt.
The Siren Ula was very quiet, looking frightened and forlorn,
her greatest dream had always been to follow the Unicorn.
So now we walk together through glades beneath the Moon,
my primal urge keeps calling for her to sing a tune.

Sacrifice made, quest fulfilled, to her Lord, Nerine has gone.
Ula happily rides me, never once missing her Sirens Song.
And here, for now, is where this story sadly ends,
Nerine and Ula Sacrificed their gifts, forever sister-friends.


© Pagan Paul & Lora Lee (25/09/17)
Thank you, PP, for your time, flexibility and patience! This has been a lovely creative process. The end result was worth waitng for  :)
Put the saddle on the mare,
For the wet winds blow;
There's winter in the air,
And autumn all below.
For the red leaves are flying
And the red bracken dying,
And the red fox lying
Where the oziers grow.

Put the bridle on the mare,
For my blood runs chill;
And my heart, it is there,
On the heather-tufted hill,
With the gray skies o'er us,
And the long-drawn chorus
Of a running pack before us
From the find to the ****.

Then lead round the mare,
For it's time that we began,
And away with thought and care,
Save to live and be a man,
While the keen air is blowing,
And the huntsman holloing,
And the black mare going
As the black mare can.
David Barr Dec 2013
Parental affiliations shroud the perimeters of sociological desperation. Like a gorgeous eye which cries in Gaelic rainstorms. Feel the texture of bracken, as she scrapes her tangible beauty against your pale and excited skin. But hold your breath, my ever-connected member of covenantal being. Do not let go of the tantric touch of spatial awareness.
Clive Blake Jun 2017
Coastline, rocky, rugged, proud,
Crumbling cliffs in ozone shroud,
Sun-kissed drifts of desert sand,
Golden frame of a sea cradled land.

Fishing village, atmospheric hub,
Brass band playing, outside quaint old pub,
Boats, all sizes, rest near harbour wall,
Wading birds sift through tide-filled pool.

Foliage explosion of a Cornish hedge,
Country lanes snake, and young birds fledge,
Ruminants, punctuating, quilted hill,
Buzzards soar and wise hares are still.

Tin mine engine house, towering stack,
Roof caved in, gorse and bracken’s back,
White clay peak, geometrical and sleek,
Earth’s riches gouged, canyon deep.

Moor-land, open, untamed, granite strewn,
Wild ponies dance to a skylark’s tune,
Tor and beacon, barrow and mound,
You’re in God’s own country, when you walk this ground.
Sarah Spang Mar 2015
Blackberries, fat with summer rays,
Burst sure and true, like ocean waves
Against my tongue they carry too
The scent, the touch, the taste of you.

Each bramble stripped with greedy hands
Felt no qualm from scarlet brands
Those such marks would wash away but
Stains of you will still remain.

The scratches heal, I’ll brush away
Those nettle prongs that stick and stay
I’ll brush the bracken, soothe the sting
But thoughts of you will always cling.

Those onyx beads, their shiny spheres
Imbued with Sunshine, wet with tears;
The taste is fading from my mouth
Their waves of sweetness drawing out.
Like my poems? Toss a penny my way

gofund.me/Sarahquil
Nigel Morgan Mar 2013
this small lake where only the breeze is present on
the water’s surface where only the ducks and moorhens
chatter about us silent hills and the shadows of clouds
passing  passing dark shapes passing over the snow streaks

horses suddenly four dark cobs sturdy travellers’ beasts
grazing a golf course gentle souls quietly padding
moving close by inspecting us for food I touch a coat
black as black as short as the sheep-clipped grass

distance everywhere spreading out into a haze of a lowering
sun fold upon fold of field and pasture walled tree-lined
disturbed by dwellings grey stone white-walled even
red-roofed disappearing into trees nestled next to barns

flow of the hill the hills flow long stretches of stunted grass
upwards to nearly snowlines where fissures of white fingers
reach down towards the sheeped grass a few tops nearly
mountains brilliant white

suddenly finding troubled thoughts are nowhere gone away
left somewhere perhaps on the train journey north passing
out of the windowed view and now just the present present
resting in the cool to breathe cool air

strange that so many images now mind-snapshots conjure
past-thoughts sharp memories your blue figure almost
motionless sketching with charcoal and finger ends
kneeding texture into the paper so still still

the track beyond this farm is an unrolled pattern towards
the higher hills across the meadows winter has almost
drained of colour to disappear the once green becoming
nearly neutral but going further before a surprise in store

a valley revealed after reaching the hill’s brow there a
river’s part-song flows across a tree-accompanied edgeland
before a sleight village there’s a road one vehicle
passing in the half hour you sit and draw

there is colour here autumnal shades though nearly spring
the earth sandstone-red bracken fit to be burnt and there
very distant a line of smoke following a crease in  the
southern hills rising and spreading horizon-ward

every time birds crows starlings gulls lift from a field
a wood a hillside my heart lifts with them to glide with
unexpected joy that this should be so that such movement
should make this landscape sing

walking westward sunward into the sun’s setting haze
distant Lakeland distant Ullswater somewhere in the
gathering purple corrugated sheets of rising hills in the
almost empty sky promising a cold night

and later in the warmth of resting as the sky reddens
and dusk falls the snowdrop rich woodland from our
window captures the westward light and birds roost
as we roost on our bed we might not sleep in tonight

but we are to stay and later walking the night-dark road
leaving the small town behind the stars bend down to the
very edge of nearer horizons the cusp of close fields so
sharply bright bold alarums of once-worlds everywhere

to see you sew is to witness peace I often imagine dream
of close my eyes to see those quiet fingers press and touch
and move so later I bring my own fingers into a play of  
unclothing to stroke and press and bring close

and morning there is frost fielded to a curve of a pasture
edged with what seem to be trees but are distance-belied
falsely distant felt too close extraordinary I pull the curtain
just a little to gaze that I see it so

my darling there is more and it is more than I know how
to place on the page my notes now run to not-quite sense
but I discern to be full of walking’s pleasure to grasp a
freedom paced together to tread to be under the soft sky still
Appleby-in-Westmoreland is a small market town in the Eden Valley famous for its annual Horse Fair attended each June by over 10,000 travellers from across Europe.
You go up the long track
That will take a car, but is best walked
On slow foot, noting the lichen
That writes history on the page
Of the grey rock. Trees are about you
At first, but yield to the green bracken,
The nightjars house: you can hear it spin
On warm evenings; it is still now
In the noonday heat, only the lesser
Voices sound, blue-fly and gnat
And the stream's whisper. As the road climbs,
You will pause for breath and the far sea's
Signal will flash, till you turn again
To the steep track, buttressed with cloud.

And there at the top that old woman,
Born almost a century back
In that stone farm, awaits your coming;
Waits for the news of the lost village
She thinks she knows, a place that exists
In her memory only.
                         You bring her greeting
And praise for having lasted so long
With time's knife shaving the bone.
Yet no bridge joins her own
World with yours, all you can do
Is lean kindly across the abyss
To hear words that were once wise.
This scent of you, it clings to my skin,
it clings like a rash that's boiled over from within.
I scratch at this poison that has marked my flesh,
the scent of you, at your very ****** best.
I throw off the covers and hit the wall with my fist;
should lust be a sin, if lust is like this?
And no matter what with who, how, what or where,
everytime i sleep i can feel your ****** stare.
And the weight of your fingers on the back of my neck
drives me to nightmares, and meaningless ***.
Tinged by the moment and forgotten by the hue,
my arms are brusied easily by the scent of you.
I'm running wildly through bracken and fire,
i'm running as a beast would run from apathy and desire.
I, the lone wolf, i'm moonlit, i scratch and i howl,
at the memory of your face, and your sneering sharp scowl.
I, the lone rider, in flight fearless, reckless and abused,
I jump fields, catch branches, torn, bleeding and bruised.
I hide in the woods, and float in the sea
I'm hiding myself from the deepest memory of me.
You're the poision ivy to my deepest forest of bark,
You're the drifting snow to my deepest vision of dark.
This scent of you, it clings to my lips
and i bite my tongue as i stretch my fingertips.
There is no sense in this dirt that flies through my hands
my thoughts are lost as stone is lost in beached sands.
I rip at my skin and i tear at my voice
I made this my dealing, at my beck, at my choice.
I draw upon my body like a breeze skims the ground,
there is no more wanton whimper, than there is my sound.
And at night when the nightmares come and i scream in my sleep,
the scent of you overwhelms my body, and i sow what i reap.
I lightly collect my feelings and throw them in a box,
I wrap in chains and cover it in locks.
I have been fooled, i have been fooled and blinded by you
and this scent lingers, in a memory of a distant bluish hue.
I watch as you walk away, your hips sway, tail high
And i howl and i scream and i sit and i cry.
And whilst i linger alongside this sharp vivid movie scene,
i count my bruises and feel quietly serene.
I sought for my happiness over the world,
Oh, eager and far was my quest;
I sought it on mountain and desert and sea,
I asked it of east and of west.
I sought it in beautiful cities of men,
On shores that were sunny and blue,
And laughter and lyric and pleasure were mine
In palaces wondrous to view;
Oh, the world gave me much to my plea and my prayer
But never I found aught of happiness there!

Then I took my way back to a valley of old
And a little brown house by a rill,
Where the winds piped all day in the sentinel firs
That guarded the crest of the hill;
I went by the path that my childhood had known
Through the bracken and up by the glen,
And I paused at the gate of the garden to drink
The scent of sweet-briar again;
The homelight shone out through the dusk as of yore
And happiness waited for me at the door!
When I see birches bend to left and right
Across the lines of straighter darker trees,
I like to think some boy’s been swinging them.
But swinging doesn’t bend them down to stay.
Ice-storms do that. Often you must have seen them
Loaded with ice a sunny winter morning
After a rain. They click upon themselves
As the breeze rises, and turn many-coloured
As the stir cracks and crazes their enamel.
Soon the sun’s warmth makes them shed crystal shells
Shattering and avalanching on the snow-crust
Such heaps of broken glass to sweep away
You’d think the inner dome of heaven had fallen.
They are dragged to the withered bracken by the load,
And they seem not to break; though once they are bowed
So low for long, they never right themselves:
You may see their trunks arching in the woods
Years afterwards, trailing their leaves on the ground,
Like girls on hands and knees that throw their hair
Before them over their heads to dry in the sun.
But I was going to say when Truth broke in
With all her matter-of-fact about the ice-storm,
I should prefer to have some boy bend them
As he went out and in to fetch the cows—
Some boy too far from town to learn baseball,
Whose only play was what he found himself,
Summer or winter, and could play alone.
One by one he subdued his father’s trees
By riding them down over and over again
Until he took the stiffness out of them,
And not one but hung limp, not one was left
For him to conquer. He learned all there was
To learn about not launching out too soon
And so not carrying the tree away
Clear to the ground. He always kept his poise
To the top branches, climbing carefully
With the same pains you use to fill a cup
Up to the brim, and even above the brim.
Then he flung outward, feet first, with a swish,
Kicking his way down through the air to the ground.
So was I once myself a ******* of birches.
And so I dream of going back to be.
It’s when I’m weary of considerations,
And life is too much like a pathless wood
Where your face burns and tickles with the cobwebs
Broken across it, and one eye is weeping
From a twig’s having lashed across it open.
I’d like to get away from earth awhile
And then come back to it and begin over.
May no fate willfully misunderstand me
And half grant what I wish and ****** me away
Not to return. Earth’s the right place for love:
I don’t know where it’s likely to go better.
I’d like to go by climbing a birch tree
And climb black branches up a snow-white trunk
Toward heaven, till the tree could bear no more,
But dipped its top and set me down again.
That would be good both going and coming back.
One could do worse than be a ******* of birches.
Jessica Fowler Mar 2012
There are crackles and scratches woven here;
bridges and highways where little things run.

Over tangles of brambles and berries
a bud’s coming out; a hand lying open in grass.

There is bracken crisping; brown and dry;
shaded by waxy leaves where water ***** roll.

There are bees in the air, flitting around.
Air which is thick with nectar and pollen.

It’s dense in here; cramped thorns twist,
ears are twitching, claws scratch on bark.

When the light goes away eyes start to shine,
the scurrying gets furious, noises in darkness.

An owl glides down and a mouse hurries up
but quicker than light, he’s swept from the ground.

Spiralling up from his hawthorn nest
He’s stolen away; into the night.

Sparrows whistle, a feather snags on a branch
and the moon bows down to the lilac dawn.
Liz Jul 2022
Tea stained blotches
Slowly spread across
thick green leaves
as July is pulled into
August. Fat blackberries
Are scattered into hedgerows of
Cow parsley.
Brambles reach out their forked
Fingers and nettles swallow the pathways.
I am looking forward to autumn
When I am no longer in a busy emerald city
But instead in cool quiet
Trudging through golden bracken.
Looking forward to autumn
Nick Moore Feb 2012
What did I Glimpse
In the woods
That day?
Amongst the bracken
And
Bluebells that sway

Something wonderful
Is all
I can say,
Thinking about it,
As I
Pass this way
Maia Chisholm Oct 2011
Remnants
  of a plastic world
    haphazardly dropped
      in the duff of pinecones and bracken
        litter this redwood path.

Our thoughtless leavings -
  shiny mylar strings
    and red straws -
      must sadden the bluejays
         watching from hidden branches.
Santa Cruz Mountain walk, May, 2011
Ben Jones Apr 2014
Peter built a paper boat
To set afloat upon the sea
And visit spots of hidden coast
Where not a ghost of man would be
He painted letters on her bow
Which soon would plough and skip and trot
Between the waves which rose and fell
The letters spelled ‘Forget Me Not’

He bid his love a fond goodbye
The tide was high when he embarked
And drifted from his lonely cove
While weather drove and seagulls larked
His course was set, horizon bound
For solid ground and ****** shore
When darkness fell he made a bed
'Goodnight' he said and nothing more

His fast was broken elegantly
Delicately poached, his eggs
His freshly laundered morning clothes
Were hung in rows on paper pegs
He cut a furrow, straight and true
Across the blue, towards the sun
But in the distance, lightning spat
As thunder rattled, eddies spun

The tempest threw a wall of ice
Like careless dice, they clattered down
The sails dropped amid the squall
The hatches all were battened down
A curse was uttered through the storm
Its evil born on salty spray
With gusting arms of icy wet
It threw Forget Me Not away

He coughed awake, all caked in sand
Upon a strand of desert beach
Forget Me Not had run a-ground
But safely found the water's reach
He walked ashore and found a glade
Within it, made a paper home
And origami wings, he built
To never wilt and ever roam

He felled the tree and smote the ground
A frame, he wound of paper string
His garden flourished all around
Each sight and sound of ever-spring
The flowers jostled in their beds
And turned their heads to follow him
He kept his distance from the blue
In case the view should swallow him

An evil creature stalked the trees
It dined on bees and butterflies
On owls and cats, it liked to sup
To gobble up and gluttonize
With paper sword, he killed the beast
And cooked a feast to celebrate
A rain cloud sought to disagree
But quick was he to remonstrate

He flew his island, shore to shore
And kept a score of fire flies
They hung imprisoned in a glass
The light they cast could hypnotise
With nothing left to see or do
He flew up to the highest spot
And carved into a single tree
Remember me, forget me not

His boat remade and set a-sail
The heavens pale with early dawn
Upon his bed, he sat inert
With paper curtains neatly drawn
His charts uncharted, compass blunt
A currant bun, to satiate
A world of peril out to sea
To skillfully negotiate

Some time to contemplate the past
And backward cast the here and now
The Merfolk sang a siren song
And leapt along beside his bough
They guided him to foreign ports
Where shady sorts in cider soak
The tales they told were sizeable
And risible, the words they spoke

He folded down his paper boat
Into a coat of paper lace
And set the ocean to his back
The open track, he turned to face
The way he took was through a copse
The swaying tops of mighty pines
Leant form and rhythm to his pace
Upon his face were thoughtful lines

To either side, the shadows grew
No more, the blue shone through the boughs
And branch and bracken, driven wide
Were cast aside as careless vows
He chanced upon a quiet nook
A winding brook, it scurried by
It seemed a place where time would bide
While either side it hurried by

So dining sparse on only bread
He laid his head upon the ground
A lullaby the branches sighed
Was far and wide, the only sound
He deftly pitched a paper tent
And in it, spent a weary night
A whisper echoed in his ear
It lingered near, beyond his sight

So many weeks of rambling
Through bramble and through briar patch
And pausing for an hour at best
With feet to rest and breath to catch
The summer season on the wane
With autumn rain, attention pinned
To pounce on unsuspecting shoulder
Ever colder rose the wind

Above the adolescent fruit
Fed by the roots of ancient trees
Gave promise of a juicy crop
But yet to drop, they simply tease
Upon a morning laced with dew
A shadow grew and fell across
The spongy ground rose underfoot
And boulders jutted through the moss

The space between the trunks expanded
Saplings stranded on the scree
And whispers carried on the air
From places where they couldn't be
A sheer cliff now blocked the way
A ***** gray and smothering
Against, there thrived a mess of vines
With jagged spines their covering

He found a cave and ventured in
A desperate grin upon his lips
His chattering of nervous teeth
Was lost beneath the endless drips
Reverberating ceaselessly
Increasing with each fall of foot
A passageway and crooked path
By wrath of ancient water, cut

The arid air was felt to shift
And Peter sniffed a musky trace
The passage opened wide and tall
It sprawled into a massive space
The walls were smooth as beetle hide
But all inside was bathed in black
The flies were putting up a fight
But solid night was biting back

A tower carved from stalactite
In spite of probability
Was looming from the cavern top
And from it dropped futility
A spring of purest liquid gloom
Within, there bloomed an evil thirst
For those who drank a thimble worth
Would tread the earth, forever cursed

The cavern floor was laced with dust
A powdered crust of rotted skin
As Peter neared the central spire
The fire flies grew weak and thin
But all across the distant dark
There lit a spark and sprang a flame
That burst from ancient blackened lamp
To banish damp and shadow shame

A scrabbling amid the murk
As forward, lurked a breaking wave
Of decomposing denizens
The citizens of Evergrave
With sinew bared through rotted hide
The flesh inside was yellowing
From every throat that still remained
There shot a baneful bellowing

They forced him to the tower's tip
From which the drip of night was thrown
Gruesome stairs he climbed in haste
Of interlaced and knotted bone
A dire tunnel led within
The light was thin and shadow thick
A deathly door he tumbled through
And fell into a bloodied slick

Within was rank and heavy air
Like foxes lair where hunters slept
The walls, from living flesh, were stitched
The carpet twitched as Peter stepped
The Zombie Queen sat on her throne
Of flesh and bone of Underlands
She rested on its gory arms
Which raised their palms and held her hands

The creature laughed and cocked her head
A single thread of drool there hung
Between her lips and fear crowned
The single sound which echoes sung
The living walls, they tensed and strained
As terror reigned and ichor dripped
And when the monarch of the dead
Inclined her head, the stitches ripped

She spoke in harsh and bitter tones
As withered crones do curses bloom
The fate of Peter turned to dread
His soul, the dead would soon entomb
A single card he had to play
On such a day, in such a spot
He grinned and bid the rotting queen
‘Your time has been, forget me not’

His folded coat he casted wide
And from inside, a paper storm
Within the flurry, shapes were made
As wings were splayed and talons formed
A paper dragon rustled forth
And in his jaws, the queen he caught
He turned on the assembled dead
Within his head, a single thought

Peter climbed between the wings
Where paper rings he’d fastened there
Gave safety for the coming fight
And all the night, he nestled there
Until the dragon fell asleep
Upon a heap of smitten foes
And Peter robbed the deathly hoard
Each room explored on stealthy toes

He shunned the dark and met the day
And made away for higher ground
Along a path of narrow ledges
Razor edges, upwards wound
A trail, he scaled around the peak
Of Raven’s Beak the mighty mount
Up slopes which claimed so many lives
And widowed wives beyond his count

He stood atop the pinnacle
Where clinical, the ****** snow
Reflecting in the autumn light
Lent all a white and eerie glow
The frost had chilled his fleshy core
His eyes absorbed the scenery
A distant shoreline tugged his soul
A long unfolding memory

Of home and of his fireside
His future bride would tarry there
The tiny church upon the sand
He’d always planned to marry there
He took his dagger from his sock
Into the rock at just that spot
He carved upon the highest stone
I turn to home, forget me not

The knotted land that lay between
Had never been abode to man
The name it took was infamous
And ominous: The Neverspan
Its valleys tinkered with the eye
A fractured sky shone crookedly
Above a wood of vacant trees
That clawed the breezes hookedly

The setting sun would lead the way
Through lands which lay in wait for him
To bare him forth, a paper horse
To keep a course and gait for him
The blackness trickled from the bark
The  tangled dark enshrouded him
And songs in long forgotten tongues
About him hung and clouded him

He journeyed through the Ebonmire
Though fire failed to kindle there
His breath before him writhed in blight
And turned to fight the rancid air
Through many months of loneliness
And bitterness of solitude
He conquered the abandoned wood
And silent stood in gratitude

He forayed through the hill and plain
As on the wane the winters hold
The grass had shaken off the snow
Its Icy glow had turned to gold
A paper hat he now prepared
For as he fared, the rain endured
His horse was crumpled in the wet
No living vet would see it cured

The seasons tumbled mindlessly
And rivalry removed his haste
A sallow band of Neverbeast
By shadow greased and interlaced
With paper sword, he lay in wait
To penetrate each haggard hide
And when their blood was deftly spilled
A phial he filled for sake of pride

The sun became his only guide
His face belied his weariness
With little left to raise his soul
Above the cold and dreariness
Until the second summer passed
And sunset cast a silhouette
The outline of a tiny church
Was perched beside a maisonette

A flutter leapt about his heart
And wide apart, his eyes were flung
As Peter ran with tired limbs
The heavens dimmed and crickets sung
He reached his open garden gate
His face elated, turned to woe
As through the window he could see
His bride to be would not be so

A gentleman stood at her side
His bride adorned in happiness
And though it burned in Peter’s chest
His wrath would rest in idleness
So with a final fleeting peek
He turned to seek a worthy cause
Before he left he knelt before
His former door and seemed to pause

He fled upon his paper wings
As many things he’d yet to see
A myriad of foreign faces
Distant places he should be
He sailed the sky and sought the sand
His native land he soon forgot
Behind, he left a single note
And on it wrote: Forget me not
A Slow Heyoka Aug 2019
What do you know
I'm full of surprises
I'm glad it made you laugh
When I talked of love and setting suns

I don't know what to call it
So difficult to read
Presented with your affection, the attention
Then eat the dust you leave behind

Get close to the rock
That won't sweat your crazy smiles
Want what I can't give you
The new range without a brand

Get closer to the wild
She's bracken for the lonely
Want what you cant give me
A sunrise in loves demand

Sit and cheer me on
These dive trails were for you
Every note I hummed this year
A part of every sad smile melody

I thought I might make this rhyme
But that wouldn't be our way
Reject whats needed deep within
As soon as the other gives up the game

Get close to the rock
That won't sweat your crazy smiles
Want what I can't give you
The new range without a brand

Get closer to the wild
She's bracken for the lonely
Want what you cant give me
A sunrise in loves demand

The best of me is yours
I've had to stop to catch my breath
I'll save the scissors for later
When you come mining for my skin again

A hernia in a basement
No nurses are to tend to me
I'll save the pencil for my lyrics
Believe in me -
I'll pay for it in skipping beats

Get close to the rock
That won't sweat your crazy smiles
Want what I can't give you
The new range without a brand

Get closer to the wild
She's broken for the lonely
Want what you cant give me
A sunrise in loves demand

So stand and cheer me on
These dive trails, they were for you
Every note I hummed this year
You're part of every sad smile melody

I don't know what to call it
A warrior in defeat crying "Axios" up wind
Presented with your affection, the attention
Our script must be lost along the way

Get close to the rock
That won't sweat your crazy styles
Get closer to the wild
She's broken for this homie
Get close to the rock
That won't sweat your tender smiles
Get closer to the wild
She'll take your heart and run a mile
Lyrics by: A Slow Heyoka Written on Aug 3rd 2019
Who's that walking on the moorland?
Who's that moving on the hill?
They are passing 'mid the bracken,
But the shadows grow and blacken
And I cannot see them clearly on the hill.

Who's that calling on the moorland?
Who's that crying on the hill?
Was it bird or was it human,
Was it child, or man, or woman,
Who was calling so sadly on the hill?

Who's that running on the moorland?
Who's that flying on the hill?
He is there -- and there again,
But you cannot see him plain,
For the shadow lies so darkly on the hill.

What's that lying in the heather?
What's that lurking on the hill?
My horse will go no nearer,
And I cannot see it clearer,
But there's something that is lying on the hill.
Sarah Spang Dec 2015
Yesterday, all things were dark
Like burning candles in the dusk.
Hibiscus, pear, and witches brew
And dragon's blood caught in the musk

Notions now, seemed **** then
And stealing out into the dark
I dreamt I was the highway man
After my Bess's fickle heart.

The moon above; cycloptic eye
Watched reverently as I crept
Across the mud and bracken path
Where willow trees once stooped and wept.

The musician crickets, with violin legs
Stroked their notes under the sky
And chirping peepers, peeking out
Sang louder in their sweet reply.

A long forgotten hidden grove
That bore the markers of the dead
Was where, for peace, I stopped to roam
Over the grass, to clear my head.

And there- amongst the silent mass,
Who find repose under the land-
I listened to their noiseless words
The silence, which I understand.
Nigel Morgan Jun 2014
A suite of fourteen poems

for Alice, always

I

Cutting for Silage

Seen
on the path close to the field edge
a swathe of green grass cut,
Left
in the wake of the machine
to dry in the hopeful sun,
Rich
in a profusion of grasses,
glimmers of wind flowers,
weeds and tares.

Seen from afar
the cut fields partition this landscape
with stripped overlays
packaging the valley,
dark green rows revealing
the camber and roll of
a naked field shorn,
Dark upon light.

II

Walk to Porth Oer

Where the sand whistles
and windy enough today
for the tinnitus to set in,
we’ll walk the curve of its dry fineness
left untouched by the tide’s daily passage
up and back

before
and along cliff paths,
from the mountain
past secret coves
whose steep descents
put the brake on all
but the determined,
beside shoulders of grasses
bluebelled still in almost June
now hiding under the rising bracken
up and down

we’ll walk to a broad view
of this whispering bay
where below on the sandy shore
dots of children
tempt the slight waves.


III

Cold Mountain

Whether  a large hill
or officially a mountain
it’s cold on this higher place
wrapped in a land-mist,
the sea waiting in breathless calm
where the horizon has no line,
no edge to mark the sky.

Any warmness illusory,
in sight of sun brightening a field
far distant, but not here,
where waiting is the order of the day,
waiting for grass to shine and sparkle,
for bare feet to be comforted
by sweet airs.

Meanwhile the sheep chomp,
the lambs bleat and plead,
the choughs throaty laugh
a shrill punctation, an insistence
that all this is how it is.


IV


China in Wales

In my hermitage
on this sea-slung place,
a full-stop of an island
back-lit illuminated always,
I view the distant mountains,
a chain of three peaks
holding mist to their flanks,
guarding beyond their heights
a gate to a teaming world
I do not care to know.


V


Wales in China

O fy nuw, I thought
my valley only owned such rain,
but here it teams torrential
taking out the paths on this steep
mountain side. Mud
everywhere it shouldn’t be.
Everything I touch damp and dripping.
No promise of pandas here.
And there’s this language like the chatter of birds,
whilst mine is the harsh sibilants of sheep
on the hill, the rasp of rooks on the cliffs.


VI


Boy on the Beach

Heard before seen
the boy on the beach,
a relentless cry
of agrievement, of
being badly done to.
This boy on the beach

following his mother
at a distance
then no further.
‘I hate you, ‘ he screams,
and stops,
turning his back on the sea,
folding his arms,
miserableness unqualified,
no help or comfort
on the horizon he cannot see.
It is attrition by neglect.
He becomes silent, and called
from a distance, relents
and turns.


VII


The Poet

Austere, his mouth
moved so little when he spoke,
you felt his words
were always made in advance,
scripted first
and placed on the auto-cue.
Ask a question: and there’s a long pause

as though there lies
the possibility of multiple answers
and he’s running through the list
before he speaks, his antenna
trained on the human spirit,
full of doubt, doubting even
belief itself.


VIII


A Gathering

Thirty, maybe forty
and not in a lecture room
but a clubhouse for the sailing
look you. And we did,
out of the patio doors
to the sun-flecked sea below us,
here to honour a poet’s life and work
in this village of the parish he served
at the end of the pilgrim’s path .

Pilgrims too, of a kind, we listened  
to the authoritative words
of scholarship where ironing
the rough draft found in the bin,
explaining the portrait above the bed,
balancing the anecdotal against the interview,
reading the books he read
become the tools of understanding.

But the poems, the poems
silence us all, invading the space,
holding our breath like a fist.



IX


In the Garden

He came alone to sit in the garden
and remember the day
when, with the intimacy of his camera,
he took her, deep into himself;
her look of self-possession,
of calmness and confidence,
augmented by butterflies
motionless on the wall-flowers,
and the soft breath of the blue sea,
her soft breath, her dear face,
freckled so, his hand trembling
to hold the focus still.


X


The Couple from Coventry

Young beyond their years
and the house they had acquired
but only to visit at weekends for now,
they drove four hours to open the gate
on a different life, a second home
requiring repairs on the roof
and replastering throughout.

With their dog they were walking
the mountain paths, checking out the views,
returning to the quiet space
their bed filled in an upstairs room
echoing of birth and death:
to experiment further with loving
before the noise and distraction
of children swallowed up their lives.


XI


On Not Going to Meeting

There was an excuse:
a fifteen mile drive
and a wet morning.
He had a book, a journal
that might focus his thoughts
towards that communion of souls:
a silence the meeting of Friends
sought and sometimes gathered.

These experimental words
of a man who felt he knew
‘I had nothing outward
to help me,’ who then, oh then,
heard a voice which said,
‘There is one, even Christ Jesus,
that can speak to my condition
. . .  who has the pre-eminence,
who enlightens and gives grace
and faith and power.’


XII


New Life

From behind its mother
the calf appeared
tottering towards the gate,
but after a second thought,
deeming curiosity inappropriate,
turned back to that source
of nourishment and life.


XIII


A Walk on Treath Pellech

Good to stride out.
Good to feel unencumbered
by the unconfining space
of beach and sea, a shoreline
littered with rocks and shallow pools,
sea birds flocking at the tide’s edge.

Alone he sought her small hand
and wished her there over time and space
so to observe what lay at his feet,
that he might continue to look
into the distance with a far-flung gaze.


XIV


The Owl Box

James put it there.
One of forty
all told but
empty yet.
‘We live in hope,’
he said.

Slung from a bough,
bent and bowed,
on a wind-shaped tree,
a hawthorn blossoming still,
(inhabited by choughs a’nesting)
the box hangs waiting
for its owl, her eggs,
her fledgling young
who are not hatched together
but are staggered as though
to give the mother owl some
pause for thought.

Meanwhile the nesting choughs
tear the air with tiresome croaks,
a bit of rough these black characters,
neighbours soon to the delicate mew,
the cool, downy white of the Athene noctua.
The poet celebrated in this suite of poems is R.S.Thomas.
rachel burch Nov 2012
These trees are like creatures;
Singing earth held songs of ancient
Untold time
Bracken Moss Fuelled
Stories run down the mossy
Branches and slide into
My humble thoughts
Sitting here amongst such
Quiet shouting knowledge

And I wonder when mere words
Are done with
And the world again speaks
Again with wild language
What these earth bound trees will say of us
To the starred heavens above
Pagan Paul Sep 2017
.
Within the salty swirl of foamy loam
where depths collide with rushing tides
mystical creatures' hearts do roam
their secret desires, they so carefully hide

But one day among crystalline shadows of light
in shades of turquoise and emerald,
two beauties emerge from dark into bright,
and in their meeting a shared destiny heralds.

One with a voluptuous feminine grace,
swaying hips, fullness of ******* and velvet thighs
auburn-haired, with lips made of cherry
and her mellifluous voice her treasured prize.
The other a magical alchemy
of shapely woman and magnificent fish
her violet eyes and iridescent smile
would fulfil Poseidon's deepest wish.
With gemlike scales and long, lithe limbs
a glow lights up her mystic aura
yet behind it a sadness and longing for love
hide behind the coral reef's gentle flora.

Chancing upon each other,
at first hazy shadows
in the blue-green light
the Siren and the Mermaid
started to discover
that they shared a similar plight.

"Are my eyes really seeing what I think?"
breathed the Siren into the salt
"I've never seen a more beautiful creature,
I thought the chances would be nought"
"My name is Nerine," said the Mermaid. "For a sea Nymph I truly am
who has roamed the oceans day and night
feeling more empty the harder she swam"
"And I, am Ula," declared the Siren, in a voice like crystals , fine-tuned
"They say that my voice is as clear and smooth as a sapphire
which is why I am called a 'sea jewel.'"
The two embraced and began to talk, speaking of their pasts,
their present and future
and both realized that they wished for spiritual and ****** mates
to mend their hearts that were achingly sutured
"Oh darling," said Ula
"Let us journey to the land of the forests
for surely as they day I was born
we may find our blessing a-waiting us
in the spell of the wondrous Unicorn"

And so a sacred pact was made
as they swore unto each other
that their vigour would not fade
until they found their one-horned lover
and with knowing eyes,
pressed palm to palm
the beauties made their choice
Nerine would give up her tail for legs
and Ula her singing voice

Foreheads together, arms raised in light
their prayer was spun to sky
and suddenly, the two enchantresses
found themselves on land, quite dry

Excited, giggling like nymphets
they jumped and twirled in delight
and set off for the forest green
For their hearts they were ready to fight

I feel their presence first
a Fey being knows another Fey being.
The magic of the Otherworld,
announcing arrival long before seeing.

Into view they came walking along the forest path,
fluid movements hinting at an elemental source.
Chitter-chattering, the same way that finches laugh,
feet strong, steady, never straying from their course.
Two carefree girls, making trails through my Green,
I feel a purpose brooding, so sound out a call.
They stop, gracious, as if surprised to be seen,
whispering these words as on their knees they fall.

“We are Sea-sisters of the ocean,
we are here to follow our notion.
Searching the forest in gentle kind,
for the Unicorn we wish to find”.

Hark! Hear your wild Lord speak,
listen as your mind he frees,
leading you on a fantasy journey,
through valleys and betwixt the trees.
His stories weave a forest dreamscape,
a sylvan land of purest Green,
leading you by a cautious hand,
he'll show you things you've never seen.
Twisted hazel and the mighty oaks,
meadows and glades of sweetest light.
Streams that catch the moons cool rays
and secrets held within the night.
But the Unicorn, a law unto himself,
is one thing this Lord cannot show,
a creature to be sought for alone,
so off through the forest you must go.

Following deer tracks and mystical ways,
strange paths that turn and twist.
Deep into the woods the wanderers stray,
yearning the fabled Unicorn to exist.

Then it happened, inclement weather,
rain soaked the bracken and heather.
So Nerine and Ula, a decision made,
took to shelter in a canopied glade.
The irony was, to them, quite plain,
creatures of the sea hiding from rain.
The forest floor did start to steam,
creating an eerie warm sylvan dream.

And the girls so excited hugged and kissed
as a mighty beast emerged from the mist.
Slowly coalescing and so taking its form,
the raw masculine power of the Unicorn.

I had felt their presence as soon as they touched land,
emerging from the foaming waves, crawling hand in hand.
I heard the echoes on the ether, as they made their Sacrifice,
the resonance throughout feydom as they gladly pay the price.
I knew their wandering had led them a merry crooked dance,
and now they shivered before me, they think as if by chance.
But I am a law unto myself, the Unicorn of the trees,
roaming at will in the forest, showing myself to whom I please.
So these Maidens come from the sea where they were born,
two adventurous girls' brave quest to find the Unicorn.
Nerine and Ula looking awestruck statues in my presence,
rooted to the spot, rigid liked scared and paralysed pheasants.
Their deepest wish fulfilled, they marvel at my existence,
and I in turn marvel at their resilience and raw persistance.
But the Sacrifice means that the sea is no longer home,
tied well to the land, destined now to forever roam.
And what of love, their desires and lust to find a mate?
Well, for Nerine there is no choice, feelings came so late.
Parting from the Forest Lord, latent attraction she had felt,
and knew she would return his way, in his arms to melt.
The Siren Ula was very quiet, looking frightened and forlorn,
her greatest dream had always been to follow the Unicorn.
So now we walk together through glades beneath the Moon,
my primal urge keeps calling for her to sing a tune.

Sacrifice made, quest fulfilled, to her Lord, Nerine has gone.
Ula happily rides me, never once missing her Sirens Song.
And here, for now, is where this story sadly ends,
Nerine and Ula Sacrificed their gifts, forever sister-friends.


© Pagan Paul & Lora Lee (25/09/17)
.
To Lady Lora Lee : A long pregnancy, labour of love, and we have given birth to a wonderful story poem :) Thankyou for writing with me <3 PPx
.
cheryl love Feb 2015
Up through the golden bracken
a stem of bright green can be seen
Soon a serenade of trumpets
with bells of blue crashing in-between.

White bells, pink bells
Deep yellow trumpet flowers to top it all
I cannot wait till the spring arrives
and to hear the Cuckoo's call.

So I await with patience
for the Cuckoo and his merry band
for the daffodils and the bluebells
Life could not be more grand.
Antony Glaser Nov 2021
After the rain settles
the Fieldfare appear one by one
The fledging Sun paints shadows,
clouds part themselves
Barefoot,
on cold bracken
we look for the threadbare
stumps and leaves
Winter cold,deep
against its snare, snaps.

— The End —