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nyant Nov 2021
Went to my magwinya lady today,
she's contained at the canteens on north campus,
As she rose up her left eye was bluish ****** grey,
A lump in my throat formed not as big as the one on her face,
my eyes secreted their salty solution,
my mind quickly processed confusion,
"M-m-m-m-may i-i-i p-p-lease have five magwinyas"
She smirked at my muttered utterance as she began to fill the thin transparent plastic with the oily flour-filled *****,
I reluctantly asked "What happened to your eye?"
She responded in Xhosa reasonably assuming my common cocoa coating meant our tongues matched until I told her otherwise.
Eventually she simply said, "Fight".
I said, "you got in to a fight?"
She said "Mmm".

I went over to my banana lady and said the magwinya lady has a black eye and she casually claimed, "Her boyfriend beat her yesterday."
Confirming what my teary eyes and lumpy throat knew to be true when I saw my sweet magwinya lady with a swollen eye ****** grey and blue.

Frustrated at the nothing I could do.
Powerlessly pirched on a brown bench as the black sparrows chirped pleading for a piece of my last magwinya,
Should I tell her to escape?
Is that even my place?
How many black eyes are blotched on this bruised land i, a fearful foreigner, trace?
I'll bury my brain in my book,
somewhat cowardly crook,
I'll see what i saw but take no second look,
like a camel's head in the sand,
I'll timidly tell myself these things are just too hard to understand.
Megan Hundley Jul 2012
I began to notice the
Fade.
Blotched ink, frayed seams
yet those who can't see
can't care

It was most familiar to a weary box
Which spent weekdays and nights
Traveling
To warm faces and comfort Sundays

I struggled when the
torch of permanent portions was passed to
me. Each word felt unworthy and full of
stain
I always strived for
realism

I used to clutch the cloth
carefully folding and unfolding
fearing the sendoff, knowing the return
would become rare
If at all.
it was a pricked finger and
remembrance

It was right to hideaway
At the time
I crumbled under the stage lights
The audience was expecting
More
All I could provide was
Myself

And like a spoiled child
I still pout
Demanding fame under my demanded
Street Lamps

Faded
Donated

What is, is

But. I do remember. Even if you figure the pants don't fit
The uniVerse Oct 2018
In bed, I lay
upon my cushioned existence I stay
but outside the world's at play
birds swimming in the sky
and trees that gently sway
dancing the day away
and I continue to lie
the distant sounds
of yawning grounds
two parched lips
as the Earth does rip
let the rain come
so we may take a sip
heavens nectar
falls upon a discarded deckchair
striped like candy cane
blotched with the rain
scattered upon sandy dunes
could this be a monsoon
ironically late
but still worth the wait
paid patience admission at the gate
one ticket to wet wet wet
this is what patience gets
just need a raincoat
so I can appear in the matrix
how can you hate this
a neopolitan sky
dripping with colour
if I were a scholar
I could espouse on its many virtues
instead, I turn up my collar
and tip my hat
a little milk won't hurt you
an umbrella swung round a lamppost
and now I'm Gene Kelly
still wearing a raincoat
but dancing
romancing the moonlight
for night has snuck in the back door
like an absent teenager
but this too shall pass
soon the dunes turn to grass
and I too return to task
a new day
at play.
This is what happens when you don't get up straight away.
https://www.instagram.com/p/BylHKJZnHBA/
Rockie Nov 2014
Tears;
Fallen, unchecked,
Onto red blotched cheeks;
Won't someone wipe them away?

Tears;
Stray for the dead,
Ones who have gone;
Won't someone wipe them away?

Tears;
What good they do,
For you,
And me,
Won't someone wipe them away?
Ground smolders and smokes

Luminescent men, humps at the front

**** and poke

The air acrid, the smell of burning stone

On a wall three boys

Gaze, eyes wide, mouths

Marleyesque, dropping

Bewitched as the florescent men

Smooth and calm the steaming earth

Spraying water from a can

To quench its thirst

The seething, black

And exhausted ground

Murmurs in sick response

To its own fragmented curse

A yellow dragon near by

Belches black blood

Oozing from its innards

Through Gothic gargoyle mouth

The lime coloured men shovel

This toxic *****, smear it

Across the gasping earth

That lies, ripped like a jagged

Wound on a dying man

The lime colored men

Mount the yellow dragon

Speed off, leaving

The scorched ground

Burning and hissing,

With sulphurous smoke

A million sizzling angry snakes

The three boys run away in freight

Dropping playthings as they fumble

And tumble in their horrified flight

The black earth cries, bubbles

And consumes their toys

Passes sentence

Makes them L'Enfant Commune

The lost boys

Then there is a quiver

A tedious tremble, a treble;

That played like stretched

Elastic flicked with

Forefinger and thumb

Making the heart numb

Extracting false confessions

A stench of putrid untruth

*** charades of delicate

Ravaged faced youth

A drole de ménage

Slave to the hunger

Of the unknown demand

The French grooming

Of horses, that may charm

The curious but leaves curiosity

Still smouldering in the

Hidden depths of the

Universal mind

Sanumbolists in the

Fullness of a dream of

Ineffable torture consume need

The boys cry out, for the

Earth has stolen a liars tongue

Branded them abominable

With decaying enormities

Detestable, enamelled eyes

Lurk and peer from

Behind gauzed curtains

A corpse of understanding

That inspects the invisible

Images of imbeciles

Parchments dripping in powdered

Crystalline drops smear the pavements

The boys wave their arms

But no-one sees them

There is the rise and fall of cryptic waves

That ebb and flow scorching

A shore of silent sorrows

Lapping feverously at the

Arc of a whirlpool

Whose decreasing concentric

Circles **** the boys down

Into an eternity of hot tears

Leaves them without parents

Gives their brothers and sisters

Into a slavery of barbarous belief

A ferocious language

Banning the boys from all beaches

Provides tyrannical pilgrimages

To black robbed priests

Possessors' of serpents' hearts

The yellow dragon returns

Lemon coloured men spill

From its foaming mouth

The boys hide behind

Dead rose bushes

Ah, but their tenebrous

Trembles creak in the

Blotched and bloodied

Butchers sawdust

A fabulous elegance cradles them

Making the smoking dragon angry

It spews molten bile taken

From the bloated stomachs

Of white beasts

The luminosity of the

Lemon coloured men

Increases to blindness

They wave tattered antediluvian

Bark and scream from

Their dark, deceitful, anchored armchairs

From railed and spiked alters

Spitting bitterest gall

The lemon coloured men

Butcher the fabulous elegance

Leaving the boys naked

Prey to the perfections of

Puerile generosities

That vows to extinguish

Their human desire

Vacant eyes with

Nauseating sight strut

A cruel distortion

Terrifying voices offer

Demonic destruction

The boys weep, but

no-one hears them

A violent paradise

Of popular poses tries,

But fails to caress them

The dragon burns the boys

But no-one smells them

Their terror turns to molten flesh

The lemon coloured men

Spread it over the earth

The beast' heart beats

Joyfully in its bulbous belly

Sacred men smile while

Pitiless priests provide

A comedy

The boys become a hallow

Antique night their left

Legs held up for all

To see

Delirium devours the minds

Of a subjugated people

The deadly hissing of the earth

Like a silken spectre rises

Making scintillating shudders

Through the spiked splinters

Of time

Intelligence is reduced

To the rubble of religious

Intolerance

Lime, yellow, lemon drips

Heated plastic from false eyes

There are cries, sights and sounds

But no-one hears, sees or speaks

No real people are left

Similar boys watch from a wall

Huddle together and weep
Janine Jacobs Jul 2015
everyone has a story.
some, beautifully written.
others with torn pages and blotched ink.
you read, absorb, comprehend.
you learn
the fears and hopes and well hidden pain
the mountain of anger and regrets
the beautiful smiles masking lonely hearts.
after awhile you realise
that empathy,
in its cold uncomfortableness,
hurts if you give too much.
still you grow,
strong enough to love the world
yet empty enough to dine with its demons.
AJ Robertson Mar 2013
bespeckled, blotched & blokey
feminine in aspects
only little ****** hair patches
two chins,
or rather a sloped one
the front evenly declining to the middle of the throat
a gradual ***** from the tip, for juices to run if his manner and situation allowed him to be as casual and sloppy as his laziness chose,

torso without form, so there was no curvature on the buttocks or the fly region.
a mass
a blob of bulges on spindly legs

he leans on the wall
stubby in hand he balks
(he means jovial but unintentionally he vocalises mockery)
at the suggestion that the Pies will do better
& that Eddie is a clever man due for thanks, who has done his club well (apparently a straight Aussie arrow tried and true!)

the man ***** his head back & cackles
(the trebly popping bubbles of a gala crackle outwards as the man cackles)
& decides his arms need a rest,
(a long day of up and down they have had indeed, they deserve respect, or rest (or a benching))
  so he places his beer down
on a sloped surface,
& therefore it slips down….

he sees it plummeting, he stretches toward it's tragic trajectory,
…..but he is too slow
it smashes
on his foot (the shards) the beer bottle it transfigures,
and the shards they impart their misery on his toes.  
The shards they intrude on his relaxed state of wellbeing, they intrude on the security sanctioned within the casual footwear of a man at a barbecue; taking it easy.
he swears and hops, reaching in indignation for his bleeding toes
he holds the wound cursing; resisting the impulse to begin convulsive throws
(an oscar worthy performance from a usually suburbaly urbane individual)

the moisture feels degrading
(as it would within a man's pants)
the pain from the cuts it is worsened
by the smirking gazes of others about

he hobbles, disregarding his thong in the wreckage of the scene

off to retrieve a band aid
to mend his ego
and his foot
simultaneously
Nota: man is the intelligence of his soil,
The sovereign ghost. As such, the Socrates
Of snails, musician of pears, principium
And lex. Sed quaeritur: is this same wig
Of things, this nincompated pedagogue,
Preceptor to the sea? Crispin at sea
Created, in his day, a touch of doubt.
An eye most apt in gelatines and jupes,
Berries of villages, a barber's eye,
An eye of land, of simple salad-beds,
Of honest quilts, the eye of Crispin, hung
On porpoises, instead of apricots,
And on silentious porpoises, whose snouts
Dibbled in waves that were mustachios,
Inscrutable hair in an inscrutable world.

One eats one pate, even of salt, quotha.
It was not so much the lost terrestrial,
The snug hibernal from that sea and salt,
That century of wind in a single puff.
What counted was mythology of self,
Blotched out beyond unblotching. Crispin,
The lutanist of fleas, the knave, the thane,
The ribboned stick, the bellowing breeches, cloak
Of China, cap of Spain, imperative haw
Of hum, inquisitorial botanist,
And general lexicographer of mute
And maidenly greenhorns, now beheld himself,
A skinny sailor peering in the sea-glass.
What word split up in clickering syllables
And storming under multitudinous tones
Was name for this short-shanks in all that brunt?
Crispin was washed away by magnitude.
The whole of life that still remained in him
Dwindled to one sound strumming in his ear,
Ubiquitous concussion, slap and sigh,
Polyphony beyond his baton's ******.

Could Crispin stem verboseness in the sea,
The old age of a watery realist,
Triton, dissolved in shifting diaphanes
Of blue and green? A wordy, watery age
That whispered to the sun's compassion, made
A convocation, nightly, of the sea-stars,
And on the cropping foot-ways of the moon
Lay grovelling. Triton incomplicate with that
Which made him Triton, nothing left of him,
Except in faint, memorial gesturings,
That were like arms and shoulders in the waves,
Here, something in the rise and fall of wind
That seemed hallucinating horn, and here,
A sunken voice, both of remembering
And of forgetfulness, in alternate strain.
Just so an ancient Crispin was dissolved.
The valet in the tempest was annulled.
Bordeaux to Yucatan, Havana next,
And then to Carolina. Simple jaunt.
Crispin, merest minuscule in the gates,
Dejected his manner to the turbulence.
The salt hung on his spirit like a frost,
The dead brine melted in him like a dew
Of winter, until nothing of himself
Remained, except some starker, barer self
In a starker, barer world, in which the sun
Was not the sun because it never shone
With bland complaisance on pale parasols,
Beetled, in chapels, on the chaste bouquets.
Against his pipping sounds a trumpet cried
Celestial sneering boisterously. Crispin
Became an introspective voyager.

Here was the veritable ding an sich, at last,
Crispin confronting it, a vocable thing,
But with a speech belched out of hoary darks
Noway resembling his, a visible thing,
And excepting negligible Triton, free
From the unavoidable shadow of himself
That lay elsewhere around him. Severance
Was clear. The last distortion of romance
Forsook the insatiable egotist. The sea
Severs not only lands but also selves.
Here was no help before reality.
Crispin beheld and Crispin was made new.
The imagination, here, could not evade,
In poems of plums, the strict austerity
Of one vast, subjugating, final tone.
The drenching of stale lives no more fell down.
What was this gaudy, gusty panoply?
Out of what swift destruction did it spring?
It was caparison of mind and cloud
And something given to make whole among
The ruses that were shattered by the large.
How sweet and pleasant grows the way
Through summer time again
While Landrails call from day to day
Amid the grass and grain

We hear it in the weeding time
When knee deep waves the corn
We hear it in the summers prime
Through meadows night and morn

And now I hear it in the grass
That grows as sweet again
And let a minutes notice pass
And now tis in the grain

Tis like a fancy everywhere
A sort of living doubt
We know tis something but it neer
Will blab the secret out

If heard in close or meadow plots
It flies if we pursue
But follows if we notice not
The close and meadow through

Boys know the note of many a bird
In their birdnesting bounds
But when the landrails noise is heard
They wonder at the sounds

They look in every tuft of grass
Thats in their rambles met
They peep in every bush they pass
And none the wiser get

And still they hear the craiking sound
And still they wonder why
It surely cant be under ground
Nor is it in the sky

And yet tis heard in every vale
An undiscovered song
And makes a pleasant wonder tale
For all the summer long

The shepherd whistles through his hands
And starts with many a whoop
His busy dog across the lands
In hopes to fright it up

Tis still a minutes length or more
Till dogs are off and gone
Then sings and louder than before
But keeps the secret on

Yet accident will often meet
The nest within its way
And weeders when they **** the wheat
Discover where they lay

And mowers on the meadow lea
Chance on their noisy guest
And wonder what the bird can be
That lays without a nest

In simple holes that birds will rake
When dusting on the ground
They drop their eggs of curious make
Deep blotched and nearly round

A mystery still to men and boys
Who know not where they lay
And guess it but a summer noise
Among the meadow hay
He was known as the local Mycophagist
In the dales, the woods and the hills,
What happened was sad, for he wasn’t so bad
Just a tad underdone, Toby Gills,
They say that the cord was around his neck,
He was born with a carroty mop,
And a pale white head, he was almost dead
When the doctor had called out ‘Stop!’

They cut the cord and they let him breathe,
The damage was already done,
The blood had been stopped to his carroty top
So they said that he’d always be dumb.
But he found a niche where the fungi creeps
And went out collecting the spore,
In a year or two he knew more than you
And the college Professor next door.

He studied his mushrooms with loving intent,
He knew about hen of the woods,
He knew about bracket and shaggy manes, magic
And paddy straw, they were the goods;
He fostered his lobster and hedgehog and oyster
And coral fungi and stinkhorns,
But didn’t discern between fly agarics
And toadstools that grew in the lawn.

He grew his spore in a deep, dark cellar
And sold to the folk who came by,
And never would judge between Widow Weller
And the ordinary witches of Rye,
He’d sell death caps, and pigskin puffballs
Not thinking to question them why,
Or who would be eating his laughing Jim’s
And whether they knew they would die.

The air was thick and the air was damp
And he fell in the dark one day,
Scattering toadstools into the air
And their spores had floated away,
He breathed the spores right into his lungs
For he hadn’t been wearing a mask,
But ****** them in right over his tongue
And they came to his lungs, at last.

I happened to see him out in the street
He was finding it hard to breathe,
He could only take a couple of steps
Then sit on the kerb, to heave,
I tried to help but he waved me away
And his eyes were yellow and cruel,
Then I saw what he’d thrown up on the kerb
Some yellow and red toadstools.

The man was a walking toadstool spore
They were popping up out of his hair,
Pushing their way though his carroty top
In a bid to get to the air,
And his skin was blotched like a puffball, he
Looked up at me, and he cried,
As a giant toadstool grew from his throat
And he lay on his side, and died.

David Lewis Paget
june ivy Nov 2022
i want to peel the skin from my limbs
strip by strip
with broken glass making jagged incisions
then watch the blood drip
down my body
dark red is pretty.

i want to scratch my eyes out
i've seen too much now
they'd look better splattered on the floor
just like *****, blotched decor

i want to pluck my nails out from the beds of my fingers and toes
and with a torch burn it all, melt the cartilage off my ears and nose
its too much extra baggage
for when i jump off the ledge
i like to mutilate myself
i’m a ******* as well

i love slicing deep into my skin
or puncturing myself, with a needle or pin.
seeing my blood escape captivity
makes me feel more alive than if it was still inside me
even more so when i carve out an artery
it falls so gracefully down to my feet

i want to display my own bones in my home
and replace them in my body with metal poles
i think feeling pain is better than feeling nothing
and seeing a sharp razor to grate my skin is always enticing
i love how it stings.

blood is the liquid of life yet symbolizes death
i corrupted my soul, now an expired body is left
i want to reach inside my chest
and grab my heart
and squeeze so hard
it oozes like jello through my fingers
and stops beating forever.
RW Dennen Sep 2014
Fashionable entourage
people dance in step
to the beat of hidden
native rituals
Hidden here and there
seeing a pair clad up to the hilt
with colored shades
cool as mountain glades
that never
shakes or simmers
on fire
a real deep desirous searching soul

Rapping about nothing
even though
face to face
words bounce off expressions
as cool as mountain glades
that soon melt-fade
into the distance

Rap, tap, clap
never nap
the cannibus-filled room
embellished by flashing lights
on nights
that take spatial flights
into another world that enters upon
lounging everywhere
people lost in space,
in time,
in androgynous acts

In vogue, you speak to me
about fashions
that dazzle, frazzel, razzle,
and lip curl
and eye twinkle
me to you,
in real
but unreal
cannibus-sweet-dusky-dreamy-rooms
MTV blotched, bleached
Sergio Valente dungarees,
then a real feeling child cries
in the background
and is soon hustled off to bed
And never a hurt we laugh
and smile
   and smile
A frozen smile grin;
take it on the chin sport
Keep up the good front
Keep up the grinning fort sport
A sported fort fortified Disneyland
and life's forever
carousel ride
and sweep the dirt under the carpet

A speak about profits
And speak about"ME" yuppie things;
about golden rings
that wrap around ears, around wrists, and cattle noses

Seek time entwined
to search geometrically
the advertisements
that lead you
and nobody but you to you
A love ballad between
one and no one but you
You and you
        and you
         and you
Being good you
                     you being good to you,
Being good to nar-sa-see-you
                                            you being good to only you,
to yoou
     to yoou
                    to yoooooooooou
A typical narcissistic tendency,
the dialogue between one
The Maple with its tassell flowers of green
That turns to red, a stag horn shapèd seed
Just spreading out its scallopped leaves is seen,
Of yellowish hue yet beautifully green.
Bark ribb’d like corderoy in seamy screed
That farther up the stem is smoother seen,
Where the white hemlock with white umbel flowers
Up each spread stoven to the branches towers
And mossy round the stoven spread dark green
And blotched leaved orchis and the blue-bell flowers—
Thickly they grow and neath the leaves are seen.
I love to see them gemm’d with morning hours.
I love the lone green places where they be
And the sweet clothing of the Maple tree.
Ceida Uilyc Aug 2014
And,  I smiled at my own nakedness.
Pouring down my thighs,
With the *****,
I stood stark ****.
Unbounded of the brassieres
And support of the *******,
It was a plain freedom.
But, I.
I felt the air quench horror down.
The tingling of the copulation
And, its sweaty remnants glued the ***** soil,
Onto my tender body,
While crouched further into the ground.


It was very dark.
And, two limelight.
I could see me in one.
Bare.
Shaved
And dripping.

And, in the other,

A he,
Was not there.
Two dozen men stood
In front of me.

All those acquaintances it seemed like
The new age resultant of a dozen
Photoshop-ed faces reflecting the crimson of  
Familiar intimacies of all the swallowed *****,
It seemed as if.
Well, I could recognise all of them.
I had slept with each, once upon.


The beautiful ***, the sneering *******,
The-neourotic-awesome one, the pro-marriage one,
The sweet one, the afraid one, the older one,
The browny,
The passionately wild and genuine one,
The drugged one,
The fat ****
And the **** guy.
All in front of me.
While I was nubile,
Begging in clasped hands,
A tear of joy.
Of thankfulness.
Of a heavy thankfulness.
For having worshipped my innards
My ejaculations, perpetually wet vaginal facades
And escapades.

For the li'lest that time they did.

But, then.

Yes.

Ya, I was grateful,
I was simply grateful
For having been objectified.

For having been indebted to those zillion
Dissolved and
Disposed tissues in their garbage bins
That was blotched with my vaginal smear, ***** and mucous.

Time never felt necessary
A romantic forgetfulness!
For love had,
Taught me co-existence.
And only,
Co-existence.
Which, would come to use only if I'm shipwrecked, alone.


I stood up.
Yes, I stood UP ON MY LEGS.
My ******* panted off
the last bit of sweat,

The wind was pleasant,
But strong.

I couldn't feel the cold.
My fingers Icy cold I wrapped against the warm elbows,
And nails,
Gushing with an ablaze of bloodiest red of
A life so dead white.

And, the sweat had disappeared.

The ***** too.


I was drought, clean.

I was done.

A heavy tornado of misandry
Came buy,
And I jumped in.

And howled with the wind.


Loud, clear.
And, red.

And, howled the world to howl with me.

For the celestial lesions up above,
to buy my rage.


Because the effervescent stake was
Too holy a scent
For my scanty dermis.

I Howled,
Through my rusted lance
And swamped hips,
Too dry.

To Spike my cramps
And howl into my knee-caps a full blow of pure kush for the empty cavities.

Ha ha.

Entrap the last ounce of warmth
Of a paranoid agony.

And howl the misandry.

Around. And around.
And around.

Around.


Till it comes back,
Around n round n round.
N round.



Misandry, my toska.
My final Toska.
Toska is a Russian Word that is inexplicable to translate to English.
Amber S Nov 2013
There is a blue stain from my pajamas blotched upon the white wall from where you pushed me up against. From when your hips gridded against my thighs, a graph with linear equations that doubled and doubled and tripled. From when your fingers found the furrows inside my skin, planting seeds I am eager yet scared to see blossom.

There is a blue stain from my pajamas specked upon the wall, from when our hunger was too ravenous for even the wolves I tried to suppress. From the sweat I licked off and tasted sweeter than gumdrops coated with honey. From when my legs found your waist, squeezing, Medua’s hair demolishing a man too good, too tasty. From where your palms collided with my wrists, blacks and blues and yellows shooting through closely knit pores.

There is a blue stain from my pajamas splattered upon the wall, and I pass it with a smirk, feeling the presence of you. What will be our next victim, I wonder
cheryl love Jun 2013
Picture this: salmon coloured coral with tangerine
Bordering an atoll, and fencing it in.
Emerald clear waters blotched with aquamarine
Crystal clear like porcelain.
Fish as red as berries stewed with damson
Or as yellow as a canary made from brass
Some resemble amber blushed with crimson
And roses with sap spilt on the grass.
Picture a kingfisher as blue as the sea
Brick red wings as sharp as blades
He perches on an old olive tree
With bark as black as the ace of spades.
Picture a raspberry ripple sky
Peaches and lemons draped in-between
Fields as gold as a baked cherry pie
And a rainbow settling on the green.
Savio Mar 2013
“i wonder what she looks like naked” he thought
it was 11pm
he had been in the shower for 10 minutes now
letting the water get hot
turning his face and skin red
he had sat down
he stared at the blue rags in the corner of the shower
one was used to wash his back
the other to wipe his *** when he ran out of toilet paper
another to scrub his face
Now they've grown mold
They've almost grown together into one big rag
He stared at the hairs on his legs
He stared at his ***** hairs
he closed his eyes and let the hot water cleanse him
He felt good
Looking through the Showers obscured glass
he was able to see the toilet
it was Blotched
zig zagged
smudged by the glass's perception
He felt good in here
he understood things looking through the showers glass
He understood that things were there
but are in many forms all at once
and that perception
is the most beautiful thing

standing up he grabbed a plastic cheap blue razor
sat back down
avoiding the molded rags
and shaved his face
Chin
Left cheek
Right cheek
Above the lip
Neck

He Felt Clean
He felt like a boy
a newborn baby
Unsure of the things around him
but understanding
the unsure was nothing to be afraid of
nothing to worry over
That the unsure was good
It meant you were still curious
He stood up
turned the water off
stepped out
stared at his naked hairy body in the mirror
looked at his face
it was clean and smooth
The things outside of the shower glass  window were smooth and cleanly perceived
But the understanding
was the same as a man, naked with bright blue eyes
looking through his warped shower glass window
wondering what her ******* and legs look like.
Vaampyrae Feb 2021
Blotched
ink
blotched paper
Blotched
everything
It’s not easy to
Write
Sometimes

I’m afraid that’s all I’ll ever be.
But you won’t.

Because you’re good enough for you, and you’re good enough for me.
Laurel Elizabeth Oct 2013
I caught that blush
you sly mountainous expanse.
He flirted with you-
breathing light his
nimbus whimsy on your cheeks and now
you sit frosted
defiled and iced
with clear
crystalline fancy.

your rouge smile
left a stain on my mind
your craggy laughter
spreads adventure on my soul.

The light cannot leave you alone
he battles with the clouds
to illuminate your colorful features.
his envious gaze leaves
your autumn blotched cheeks
radiant with reflection
of his affection

Oh mountain of mine,
you stick out in this landscape as
the only maiden worth pursuing-
the strongest mark upon the horizon
and I too,
am in love with you.
Lauren Leal Jun 2015
My hand shakes gripping the quill
Shaping and warping words at will
The ink is the blood of my heart
for it is where the fire for my poems start

I cut and carve my life in rhyme
blotched on the paper trapped in time
Life Death Loss and Love
Spilling and splashing to the paper, all of the above

The heart dances as the fire rages
The quill scratches and drips as words come alive off the pages
Throwing you into the realm of my mind
You will exit leaving nothing behind

For poetry is a passion
I am not of any fashion
I merely feed the fire
That my heart will forever desire.

For every poem you read
Is what my heart is willing to bleed
Passion
Mickey Rat Mar 2013
Five March, Березень, пятый, these
clouds, butterflies, this old anger and
this rotten coffee ***. Mold and clouds.
The insufferable beauty of potholes, we walk Yulitsa Kikvidze
and note buildings blotched with satellite dishes
(mushroom sprouts from Soviet brick) concrete
proof that we exist. Yesterday, I say
I will not be a prime squared again
for seventy-two years: happy birthday, маленькая кошка! Snowlit
clouds, ice and broken asphalt, springtime in Kiev is all
disappointed dogs, life after love.
Lunar Nov 2015
it's acidic, sour and bitter.
You feel it bubbling within you.
Sometimes you want to ***** it out.
Or let it seep from your eyes.
You might opt for bleeding it with ripped skin or blotched ink on paper.
And after I've done my best to throw sadness out,
I feel full of emptiness.
What do i really feel... it's like i cant discern between happiness and sadness anymore. Im neutral feeling.
Seán Mac Falls Oct 2014
Love is a flower open to the sun,
Hate is a cavern, a hole, craven,
Black, empty, a dank drowning,
Under light.  Love is one season,

Hate is transitory. Love is eternal,
Of vast nebulas, to outer reaches
In galaxy are nurseries with stars
Being born, light, alive with light.

Love is the lasting of conquerors,
The first line, defense, existence,
Love takes all in one communion,
Breaking the dark as the morning
Sun.  Love is conundrum, love IS.

Hate is a construct, the blotched
That bleeds where life is seeding,
Rot better to cut, spoil unneeded,
Hate will come to nothing, for life
Is love, love is all and everything.
Fletcher Oct 2013
Stale yellow teeth spaced between crookedly straight gaps,
constantly inspected with your little finger for forgotten bits of your last meal.
Thinning grey-brown hair combed every morning with dignity,
and a permanent scowl,
which twists into a grin at the most unexpected moments.
The Bulldog is what they used to call you,
though I never found out why.
Old age took your strength and unassuming dignity with which young men relieve themselves
free of painful swollen prostates.
Beneath your sun-blotched skin and flesh-colored hearing aids,
You're the same.
Ready to introduce anyone who gives your family the wrong look
to the glory of Heaven, or the fire of Hades
With your ******* fists.
"A gem" is what grandma always called you.
As though you were the most precious object in her life.
I look at you and see your hunch-backed figure
twisted with time and arthritis.
So un-gemlike.
Yet a gem, just like she said.
Anyone Sep 2018
"My head's a whirlwind" you said.
And I was at the centre.
Blown apart by gale forces, we were,
Without escape, rendered

Crippled. We had to be
Euthanised, so you say.
Whatever happened to
A brand new page

To the chronicles of us?
There was no ink
That blotched this page.
Who was to think

A whole  pen cartridge would snap
And spill tar black paint
On this clean white page?
And then you hesitate

To wipe away the river
On the paper, and streaming
Down, from your eyes,
Tinged like the ink, screaming

At me, no words being spoken.
Your salty cheeks
Were never neat. But the eye
Of the storm, is a quiet place to be.

It wasn't the decision that hurt.
It was the reaction of inaction.
And the now set in feeling
That I was never more than a distraction.
Happy anniversary.
EJR Jan 2016
before you, sad poems are all i know
words that bleed
pages blotched with tears

my poems were colder than snow
words that plead
torn pages of fears

i thought misery is all i need
to write poems from the soul
until you came

you changed my writing creed
this broken girl felt whole
now my poems will never be the same

thank you for changing the game
i thought sadness was the only reason why i can write songs and poems but you proved me wrong.

thank you, Jett Chuaquico.
Nigel Morgan Dec 2012
My five fingers meet
Your five fingers become
Our ten fingers joined
Together as hands’ kiss*
 
 As they turned into the lane he said to her, ‘May I hold your hand?’ Giving him one of her brightest smiles she said, ‘Of course.’ So he did, slipping his fingers between hers and thinking immediately how their hands fitted so exactly, because at first they hadn’t. There was this physical unmatchedness, a tension that prevented their fingers achieving that delicious kiss that held hands can achieve. How often at this moment, when that ‘kiss’ took place, had he thought of their first such ‘kiss’? And particularly here, under the same hills where it had happened three years past.
 
It was late: they had come to his studio after supper and sat together on the sensible sofa under a single standard lamp. There had been music: the A minor Quartet of Robert Schumann, a work full of love for his Clara. Stretching out she had lain calmly, her legged limbs resting across his thighs,, her feet on the sofa’s arm, and all with that graceful attitude with which he had now become familiar. But then . . . a little claustrophobic, he moved to sit by his table and into the semi-darkness outside the lamp’s thrown light, his heart too heavy with that cocktail love and passion blends. As the music came to an end he had gone to kneel beside her, seeking a kiss with the lips: she had refused. Yet she kissed him with her eyes and the opening and closing of her lips as they talked.
 
Later, when they began to walk home to the guesthouse, it had been so dark outside that he could not actually see her, only sense her presence close by. So he had found her hand, and with that the moment arrived, when, under a veil of practicality, he had become joined to her and she to him. It was enough: more than he could ever have hoped it would be.
 
Now, walking up this narrow lane as the day cleared grey skies into evening’s clarity, and after only a few steps, he drew her close and into a passionate kiss. He held her: to feel the whole length and shape of her body, pressing himself to her in love’s abandon – and, and, and she was embarrassed that he should so suddenly do this, that he should declare himself in this way. Realising this, he immediately kissed her again as if to say ‘Don’t you understand?’ trying, trying, trying not to say ‘I love you so’, attempting to put all his words into a single kiss. But she was elsewhere . . . and so his passion fell away. He wanted to look at her, again, again, again, drink deep draughts of her beauty, the delicacy of her mouth, her hair’s fine confusion, the dear fall of her ******* under the dress he loved (and when he had first seen her wear it he had experienced an extraordinary desire – as it seemed to speak to him of the curves and secret places he had come to know, had come to touch.).
 
But, as she needed to be elsewhere, he didn’t look at her again. He released his hand from hers and, stopping at a gate that led onto a field of recently cut grass, looked beyond the field to the tableau of the hills that drew the eyes upward to the clouds, clouds no longer opaque but blotched with a faint blueness and the slight pink refraction of a now day-distant sun.
 
Was there a time, he wondered as he stood leaning on the gate, when lovers stopped holding each other’s hands? Perhaps, as age and familiarity grew ever onwards, it was only in the occasional passion of the bedroom that fingers might lace into fingers. He remembered one such occasion, feeling faint as the sensuous images flashed past him. Her hand lay on the pillow, cast behind her head up turned, at rest, fingers curled slightly as one occasionally sees in a Rodin sculpture. He had placed his hand on her forearm and moving towards her wrist brought the pads of his fingertips into her hand’s palm. He remembered feeling those destiny lines etched into her palm’s surface. He had let his index and middle fingers travel her life’s journeys. Then, then, then he had moved closer and pressed his hand closer, closer to her fingertips, towards the smooth pads of her fingers . . . until they met. There were no words, only shallow breathing, her sweet breath, the tickle of her hair on his nose, the press and press of their fingers.
 
And all this was when they had sought each other in the spell of a late afternoon in winter, had interrupted all business and the day’s completion of lists to be in each other’s arms, to press their hands together, to experiment with passions’ chemistry.
 
Such times he treasured still, and, as they walked back to their cottage, he put these thought-gifts away in the plain sandalwood box he kept on a shelf in her room, a room he had furnished for her in the only home he had – his mind’s imagination.
Black Swan Mar 2010
I am the *****,
The hideous, maimed, disfigured--
You look at me with frowns.
My skin, with many tones,
Too scarred and blotched--
Always offensive to your eye.
You laugh at me,
I am one of your many clowns--
Sent to earth for your amusement.
You view me like a sinner--
God punished me and spared you.
I am the oddity, not quite right,
A freak of nature,
A distortion of the Creator’s beauty,
A sacrilege to your righteous self.  
I am the mold by which you judge
All imperfection.  
I am an outcast, an infidel, a curse,
An illegitimate child of heaven sent
As image of what you could have been--
Cast into the world to be
Looked at as half-human,
Made to feel less than whole, and
Knowing I will never be even a part.
My afflictions are your blessings,
My pain, your joy,
My tears, your happiness.
In me, you have a reason to be thankful.
Yes, I am the ***** and this I know for sure:
My fate was to be different;
My destiny unfolds, but not before
Your prying eyes; and
Most of all, I find great joy
Knowing that regardless my plight,
I will be always be me and
Never be like you.
Black Swan © 2006
Mateuš Conrad Dec 2015
audio me in... tell the b.t. off standards
to change the connection to lie to get to syria...
i wanted to become a butcher too...
not butchering people though...
onomatopeias of resonance of blah... blah...
you know... woollen trill...
i want the target bacon, i want to target bacon
on that ****... head-banging with a pony
while blowing a sheen into a rodin marble
for the glisten of a haircut mare...
dark ivory like purple of a grenade of indigo
blotched with blood...
and spanked / spiked by kandinsky...
i told you i woz a barking gimmick, a barking cult-piece of mafia...
you’ve been warned dear bouncer allotment and semi-detached...
hey kieran - had his kidneys transplanted aged 15...
took to having a ****** aged 16 on the south park fence
when two ******* eyed us and the boys came to make cake...
oi boys r’ us you mention st. petersburg anywhere south of the thames?
i thought so...
make that spelling spaghetti for a kebab of dead meat
appealing:
it’s making headlines, people are fed fat but sugar headlines...
when fat headlines... people will be fed sugar...
salt will never compromise the use of steroids for balloon pop protein
for a mere attire of the bow tie undone with laze.
Seán Mac Falls Jan 2013
Dear Pablo, as I look over
my soaking body, wet, with patches
of dirt, blotched and raw bleeding,
the clouds turn in my yellowed eyes
in order to love you, my Pablo.  
You, who made me feel radiant.  
As I am the sea,  I fish for you,
rolling in mud, and becoming
mountain, I topple for your toes
who'd dig in deep and itch my aching

breast to sleep.  My dreamful-drowsy
birds, rake the skies, rush-out like nets
wanting you on their wings, my poem.
Pablo, I loved you so when you said,
my flowers were little stars to pick,
and that loneliness was a train who waits
in a far-away station, and how, my most
minuscule attributes — a cat, a pear,
the atom, you praised, in odes, heaped
like showers hailed from heaven, as fresh-

water you reigned from the other side
of tears, and temper'd my salt, my green,
murky life.  Dearest Pablo, since you've gone,
my breath has the emptiness that hides under
stone.  And the blue-winds crossing, my life-
less age, they are nothing but long waves,
keening,   —  Nay   —  rood   —   ahhh!
Since you have left me.  And my trees,
they forget how to grow,
my song, my only,
Pablo.
Anna-Lynn Mar 2013
Your face is a naked palette my dear, it has yet to be blotched with colours of wonder, love, hate and fear. You shower yourself in innocence and write your feelings on the walls.

You are too young to believe in reality, and far too naive to realize that dreams don't come true.
Rockie Feb 2015
Not too long ago,
Facebook and Twitter and other Social Networks
All seemed a novelty
A truce amongst unimaginative
Teens and kids and adults too

Whatever happened
To romantic paper printed notes
The blotched ink that actually meant something

Now it is loveless postings
And fake marriages
And fake relationships

This is all thanks
To the brain-cell killing
'Media'
Well it's true, isn't it?
Zara Oct 2013
Quivering lips
Teary eyes
Blotched face

All these, honey
Are symptoms
Of heartbreak
TheDenouement Aug 2014
Magnetic seas, ****-fissures - mild peril,
frenzied light - cosmic bore,
crystalline-scope - heat warped eyes ; trip-blur
argon-beaten ; neon fanatics - breath-burn,
radio-venom ; searing vellum,
extra-terrestrial sickness - nebula-rain
peroxide stars blotched rose-swell,
tattoos of space-sadism
Seán Mac Falls Nov 2013
Dear Pablo, as I look over
my soaking body, wet, with patches
of dirt, blotched and raw bleeding,
the clouds turn in my yellowed eyes
in order to love you, my Pablo.  
You, who made me feel radiant.  
As I am the sea,  I fish for you,
rolling in mud, and becoming
mountain, I topple for your toes
who'd dig in deep and itch my aching

breast to sleep.  My dreamful-drowsy
birds, rake the skies, rush-out like nets
wanting you on their wings, my poem.
Pablo, I loved you so when you said,
my flowers were little stars to pick,
and that loneliness was a train who waits
in a far-away station, and how, my most
minuscule attributes — a cat, a pear,
the atom, you praised, in odes, heaped
like showers hailed from heaven, as fresh-

water you reigned from the other side
of tears, and temper'd my salt, my green,
murky life.  Dearest Pablo, since you've gone,
my breath has the emptiness that hides under
stone.  And the blue-winds crossing, my life-
less age, they are nothing but long waves,
keening,   —  Nay   —  rood   —   ahhh!
Since you have left me.  And my trees,
they forget how to grow,
my song, my only,
Pablo.
B Young May 2016
Love lies on a razor
shoots through the clouds
as a lazor.
Please don't let me down, I look up.
Blink at the raining blossoms.

I convalesce in my self-made imaginary infirmary,
a red sphere floating firm above
a Japanese blotched black ink dove.
Blink up at the raining roses
Squint up at the blinking blossoms.

Love built the cross,
it also built the atom bomb.

Roses rain down in flurries.
Blossoms blink down in a hurry.

It would be sin for us to scurry,
even as the love spoken previous
beams down from heaven, is impossible
for us to bury.
If this is my truth, let it be conjoined, to become our truth.
And,
with outstretched skinny fists protruding out from the clouds above.
I watch as the Rose petals float fluttering down in a
flurry.
I blink up at the rolling, bowling, balling, beautiful blossoms....falling.

As the the is dawning.
As the sun is dawning

— The End —