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"balustrade" poems
satin black robe, maroon nails, my cold palms on a colder marble balustrade, the moon soaked rose garden, and crying angels of that medieval fountain; Beethoven creeping in the background but still my heart didn't strung a sound; All I did to find inspiration still I'm going blank for years words won't splendidly fill my unfinished fiction; But still I'm here grasping onto the midnight smoke trying to give colours to my drunk imaginations; My tired sighs now wished that it'd be easy to come up with words, a missing lover or a ballroom ****** or a heartbroken maiden with empty goblets filling her scars; anything would do now; As long as this melancholic sonata goes on, And before this cooing midnight disappears into a blinding dawn, You would find my impassive face and desperate gaze capturing floating words to give a meaning to this new found romanticism;
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Aug 26, 2023
Aug 26, 2023 at 1:44 AM UTC
romanticism
To the tune of "Red Lips" Lonely in my secluded chamber, A thousand sorrows fill every inch of my sensitive being. Regretting that spring has so soon passed, That rain drops have hastened the falling followers, I lean over the balustrade, Weary and depressed. Where is my beloved? Only the fading grassland stretches endlessly toward the horizon; Anxiously I watch the road for your return.
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2.7k
Tz'u No. 6 (Waiting For You)
Manhattan by line, by subway track purr, by foot in a midwinter fresh, gale force air. The dying battery in Times Square's wristwatch, halts hands in mid air, each hailing the second taxi that comes to them every next minute; definitely in the next ten. Buried benches in thigh high snow look lost, with only their branching tops on display for the tourist's show, tramping through this January snow. Double-back, back past the Chipotle store, where diners stand and eat, stand and greet, stand with napkins to appear neat, stand near the radiator to warm their feet, stand-in-the-corner-and-text-your-wife-saying-you'll-be-home-late-because-this-meaty-wrap-is-pleasurable-to-eat. He was with another woman, kissing her cheek. Manhattan is a horizon of horizontal lines, drawn by pencil lead, led up a page to create this fascinating portrait that a point-and-click-camera cannot comprehend, let alone negotiate. We can go unnoticed there, like most others in this gale force air, but billboard boys- the ones that braid ****** building hair, window panes and balcony balustrade- are the famous ones of Broadway, with nothing more than their commercial stare.
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Jan 22, 2013
Jan 22, 2013 at 10:33 AM UTC
ANOTHER NEW YORK POEM
Arched across the balustrade, Silently keening A poignant, broken elegy Unceasing refrains and requiems; Touch of death unveiled Ever so gentle, Wicked in its false lies And beguiling sweet façade. Crimson, staining Seeping through the depths, Oh how savage, Cruelly taunting, vicious. And yet all that we saw, Was a halo shining bright A bringer of of life and death In calming repose, an angel.
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Sep 9, 2012
Sep 9, 2012 at 6:16 AM UTC
Death Angels
Restless in bed, the stir of warmth blossoming in his heart, the girl he loved has gone, drifted from his house to the field of vacant stares. Rainstorms brew in his mind, shifting from one end to the other, the current forming into a large sheet of distance damp with disconnection. He thinks of fire. As he rolls out of bed. Grabbing a cigarette from his ashtray, he lights up. Old habits stay kept in the roof of his mouth. Fresh air permeates through his nostrils as he steps out onto the front porch. He props his elbows on the balustrade, brushes against the grainy wood tarnished from the skywater. The sun droops below the gray cluster of clouds hanging over a horizon colored with blues, reds, and yellows. While he smokes on his cigarette he remembers the girl. Her name is a wrinkled photograph stored in a dusty shoe box. She has green eyes and curly red hair. Her body is shaped in an hourglass figure. She's tall and gaunt, but her legs are toned from running several miles on her treadmill each morning before the dark slips away into the fog of light. He grounds the cigarette out on the porch. He steps onto the driveway. There's a red Honda CRV parked across from the two-car garage. He hops in. The key turns. Booming engine roars out loud. The wheels churn backwards. He pulls out of the cul-de-sac. And he drives, drives, until he can remember the road map, the one that she stole from him to follow her dreams, and hopes, the aspirations that he had once shared with her. A thin, white film of mist belays across the windshield. And for a short second he wishes that he were dead. Dead so that he could have the perspective of an omniscient narrator to oversee everything, and everyone. But where is his girl? She's not the one who got away, she's the one who abandoned him, the night after he ate the sweet nectar, the fruit, little drops of dew splashing onto the back of his tongue. The red Honda CR-V careens down the interstate, windows down, subwoofers pumping with something similar to apprehension, tense with overwrought poems. The substance lacking from trying too hard, for something that wants nothing to do with him.
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May 25, 2016
May 25, 2016 at 11:25 AM UTC
Drive
Restless in bed, the stir of warmth blossoming in his heart, the girl he loved has gone, drifted from his house to the field of vacant stares. Rainstorms brew in his mind, shifting from one end to the other, the current forming into a large sheet of distance damp with disconnection. He thinks of fire. As he rolls out of bed. Grabbing a cigarette from his ashtray, he lights up. Old habits stay kept in the roof of his mouth. Fresh air permeates through his nostrils as he steps out onto the front porch. He props his elbows on the balustrade, brushes against the grainy wood tarnished from the skywater. The sun droops below the gray cluster of clouds hanging over a horizon colored with blues, reds, and yellows. While he smokes on his cigarette he remembers the girl. Her name is a wrinkled photograph stored in a dusty shoe box. She has green eyes and curly red hair. Her body is shaped in an hourglass figure. She's tall and gaunt, but her legs are toned from running several miles on her treadmill each morning before the dark slips away into the fog of light. He grounds the cigarette out on the porch. He steps onto the driveway. There's a red Honda CRV parked across from the two-car garage. He hops in. The key turns. Booming engine roars out loud. The wheels churn backwards. He pulls out of the cul-de-sac. And he drives, drives, until he can remember the road map, the one that she stole from him to follow her dreams, and hopes, the aspirations that he had once shared with her. A thin, white film of mist belays across the windshield. And for a short second he wishes that he were dead. Dead so that he could have the perspective of an omniscient narrator to oversee everything, and everyone. But where is his girl? She's not the one who got away, she's the one who abandoned him, the night after he ate the sweet nectar, the fruit, little drops of dew splashing onto the back of his tongue. The red Honda CR-V careens down the interstate, windows down, subwoofers pumping with something similar to apprehension, tense with overwrought poems. The substance lacking from trying too hard, for something that wants nothing to do with him.
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43
I laid on my bedroom floor and sunk my face into my elbow. There was nothing. No sound. No movement. There was Blackness. I was engulfed, I did not feel my heart and I did not feel my lungs. Time went on, unscathed, but I remained in the Black. I do not know anything. I do not know who came in my room. I do not know what they said. I do not know what I said. The jarring crash of a constant sound kept pulling me away. Every labored second time bore forth, I was unaware. I had gone somewhere so far that I was nowhere. The dust lined the back of my throat. Then I knew everything. I desperately wandered around looking for the Black. I had no provision but the Black. I had been unaware. Perfectly unaware. But I could not find the Black. So I was aware: no salt ever was so tasteless, no liquid was ever so dry. No pain was ever so miniscule, no mucus was ever so breathable. No, there was nothing. Not in the Black.This prejection of perfection, I could not emulate. I close my eyes and there was black. It had ears, a mout, eyes, a nose, and touch. There was a pit in the middle of my soul, somewhere between the bottom of my rib cage and my pants. I tried to find the Black there, but it was gone. Instead there was grinding and crashing. There was color. There was noise. I was refusing to really acknowledge it. There was aching and burning; there was pressure and banging. There was blue and there were barbells. There was a bed; a Bible and many books. There were bandaids and bottles and bows and bespeckled things. There was a blue monster and blue shirt. There was blue gatorade and black cords, and there was black shoes and black clothes. But there was no Black. There was brokeness and bruises; beige and bumps.There was a bunny and beauty products; a balustrade and a bathroom door. But there was nothing, and with it was no Black.
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Sep 23, 2012
Sep 23, 2012 at 11:48 AM UTC
My Bedroom Floor
I laid on my bedroom floor and sunk my face into my elbow. There was nothing. No sound. No movement. There was Blackness. I was engulfed, I did not feel my heart and I did not feel my lungs. Time went on, unscathed, but I remained in the Black. I do not know anything. I do not know who came in my room. I do not know what they said. I do not know what I said. The jarring crash of a constant sound kept pulling me away. Every labored second time bore forth, I was unaware. I had gone somewhere so far that I was nowhere. The dust lined the back of my throat. Then I knew everything. I desperately wandered around looking for the Black. I had no provision but the Black. I had been unaware. Perfectly unaware. But I could not find the Black. So I was aware: no salt ever was so tasteless, no liquid was ever so dry. No pain was ever so miniscule, no mucus was ever so breathable. No, there was nothing. Not in the Black.This prejection of perfection, I could not emulate. I close my eyes and there was black. It had ears, a mout, eyes, a nose, and touch. There was a pit in the middle of my soul, somewhere between the bottom of my rib cage and my pants. I tried to find the Black there, but it was gone. Instead there was grinding and crashing. There was color. There was noise. I was refusing to really acknowledge it. There was aching and burning; there was pressure and banging. There was blue and there were barbells. There was a bed; a Bible and many books. There were bandaids and bottles and bows and bespeckled things. There was a blue monster and blue shirt. There was blue gatorade and black cords, and there was black shoes and black clothes. But there was no Black. There was brokeness and bruises; beige and bumps.There was a bunny and beauty products; a balustrade and a bathroom door. But there was nothing, and with it was no Black.
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1
You complete me in every sound you now mouth, every movement of your tongue, every muscle’s adjustment to effect fresh shape to each phrase, in every quick, shallow breath giving sudden pause and turn to the next silence. You complete me at this reading. I had been deaf to the closing, blind to the ending you now gift me and ignorant of the next stair with no balustrade to steady where you leave the first me to rise to find, first-hand, the landing that now completes me.
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Mar 23, 2022
Mar 23, 2022 at 2:51 PM UTC
to the reader
to have been lead through slumbering paddocks by held hands; hope, the deity, nonexistent and relentless, i felt alive- was i but the subject of her meticulously-planned humour? was i the joke, or the punchline? boldly ripening into mistaken aphasias, i find my melting thoughts matriculating into sharp movements in the dark: curves patterned, ribcages' separation, a gaussian blur of intertwined epidermal rivulets, your soft, slow imaginings becoming tiny flecks of graphite smeared a page's width, intricately sown across skin, that light trickles through a sliver in the curtains to wordlessly illuminate. seventh memory: a peeling away, a mandarin on the kitchen counter. watching stars disappear from atop the balustrade, we sit mere fragments apart, yet at great distance, like the fog of the cities we carry out the moments of our regularized lives, within. finally, i become translucent. yet, what have the stars become?
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Nov 4, 2013
Nov 4, 2013 at 10:33 PM UTC
any day's opacity
from the balustrade, the canopy, comprised of leaves and rooftops and a diminishing colour-set above tastes of retreat. familiarity. she came down to my level, spelling out instabilities and inscrutinabilities, like a vague ruffle sent through harmonious and imperfect hairlines: this slight haze of separation, a delicate circling lust, the vulture of the ninth; lying in wait, i sit, still, in the corner, watching the ceiling for hours, singing sadnesses like, oh no, it won't happen this way, when have i ever learnt? winning's a single blackout, but i'm still awake, still stuck stuck stuck stuck, already given up and out. still awake, seven hundred and fourteen days, a list of crimes, a handful of loose opinions, a devastating need; never had i felt as if i couldn't live, without something i never meant to want, this much. with rainfall, she rescinds, she's discovered i am but dust. from dust, i'm made rain.
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Nov 26, 2013
Nov 26, 2013 at 4:49 AM UTC
nocturne, set to four bars of reception
I was contemplating On a hot sunday late-morning On things where I went wrong. Should have's, shouldn't have's; They seemed to be what went wrong Until I got back to the present, On the dining table Where I was seated in front of, When a lizard was now staring at me, Perhaps disappointed with how I did not feel him inching towards me Or maybe wondering Why I never notice The things happening before me. Now is this bird Who just perched on the balustrade And gave me a quick tip of the head Then flew away, Telling me to instead contemplate On parts of me where I went wrong?
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Sep 28, 2013
Sep 28, 2013 at 11:46 PM UTC
What's Wrong With You, Human?
My neighbour is on her balcony shaking out blankets. It's nearing Easter and her family is coming to visit. She stands motionless for a moment to watch the blossom being snatched by sudden gusts, then settling as a skittering of ivory snow. It's always blustery at this time of year, that's Nature's way of getting rid of rotten fruit. She drapes the blankets over the balustrade, then secures them with wooden clothes pegs. That's when I wave to her. Usually, the cleaner comes in, but today she wants to do it herself, to prove that she still can. It's a small thing that makes her happy. She says there's not enough time left to be bored. So twice a week, she drives into town to meet for coffee with other people like herself. Her car is very reliable. She remembers her husband telling her to get things checked before there was a chance of developing anything faulty. He died last year, but life has to go on – for her own sake. In this country, when a partner passes away, the one that's left behind wears black - that's why she wears her pink dress - just to let them know she has a mind of her own. She loves her life here, but misses her grandchildren growing up - that's why they come. Last year, one of the boys told her she'd shrunk! But it was he who'd shot up like a flowering pea, putting out tendrils to test an adult world. When solitude becomes too much for her, she comes round. “You could die in your sleep here,” she tells me “and no one would find you for weeks. When they eventually did, they'd carry you off in a pretense of black to a place where everyone's forgotten.” That's why today, she's shaking off her blankets. copyright © Caroline Grace 2013
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Mar 28, 2013
Mar 28, 2013 at 6:52 AM UTC
Preparing for Easter.
My neighbour is on her balcony shaking out blankets. It's nearing Easter and her family is coming to visit. She stands motionless for a moment to watch the blossom being snatched by sudden gusts, then settling as a skittering of ivory snow. It's always blustery at this time of year, that's Nature's way of getting rid of rotten fruit. She drapes the blankets over the balustrade, then secures them with wooden clothes pegs. That's when I wave to her. Usually, the cleaner comes in, but today she wants to do it herself, to prove that she still can. It's a small thing that makes her happy. She says there's not enough time left to be bored. So twice a week, she drives into town to meet for coffee with other people like herself. Her car is very reliable. She remembers her husband telling her to get things checked before there was a chance of developing anything faulty. He died last year, but life has to go on – for her own sake. In this country, when a partner passes away, the one that's left behind wears black - that's why she wears her pink dress - just to let them know she has a mind of her own. She loves her life here, but misses her grandchildren growing up - that's why they come. Last year, one of the boys told her she'd shrunk! But it was he who'd shot up like a flowering pea, putting out tendrils to test an adult world. When solitude becomes too much for her, she comes round. “You could die in your sleep here,” she tells me “and no one would find you for weeks. When they eventually did, they'd carry you off in a pretense of black to a place where everyone's forgotten.” That's why today, she's shaking off her blankets. copyright © Caroline Grace 2013
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26
In dying day we trust dismay Like scent of edible death, it marks the forlorn path that marks the traveler that marks the soul that feeds the beast. I cry upon the balustrade I climb the walls assail the roof! I cling to hope and tidings sweet... but hope, she fades away In misty day haze thick with ire like defiling spear it pierces the shepherd who ushers the flock who bicker and bark who worship the beast. I thirst 'pon fetid ocean amidst mustard fog oar strokes batter the brine frost clogs the air, my freedom, my heart while the sun hides his face for shame of the world every other face is a mask, and beneath it a mask their truths are lies and their confessions are lies so I brave the ocean, seeking her wholesome face Her voice is the bedrock of countless miracles. I peer into the cloud that hugs the sea her face smiles in the obscurity I reach out to touch her visage but hope, she fades away. For years I sought her company I wished for odes to reveal the residence of her testimony Her word would defend, like steel! Yet when I finally found her, my grasp bound death's door I realized I was the hope that no one will know anymore. As hope, I fade away.
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Oct 20, 2017
Oct 20, 2017 at 3:12 PM UTC
She Fades Away...
Walking through a dim lit street, recent rains pleasant stench lurks in puddles, and the puddles, which reflected softest starlight, the odd cars steady rumble as it passes, the softening heart in the loneliness, that when he leant upon the sandstone balustrade, delicately ornate along the rivers edge, and watching the canal boats drift on by, as did time. he in his depth and solitude, pondered all his steps, wondering which step was wrong or simply, out of place. He had lost that which he had placed the most value, and sadly it beat him down. Tho' the starlit riviera, of this damp town, was a quick relief to his aching heart, which were torn asunder, from a ill-thought blunder. Oh well he thinks, as he walks down the lengthy path, beside the starlit reflective river.
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Feb 1, 2012
Feb 1, 2012 at 6:02 AM UTC
Untitled II.
I was sat in a Tavern in Pompey Town, Sipping a tipple of *** When I watched a Jack make an axe attack, Chop off his finger and thumb! I couldn’t believe the blood that flowed From the cut of that rusty blade, But the barmaid Flo, said ‘You’ve done it, Joe, Now look at the mess you’ve made!’ She cleaned it up with a swill of ale, Walked off with the finger and thumb, ‘I’ll nail these up on the balustrade With the rest that have been as dumb.’ But Joe sang out when he’d had a drink ‘It’s better than being a tar! I spent three years, under the lash On His Majesty’s Man o’ War.’ ‘They ‘pressed me when I was still a kid And treated me like a dog, I suffered scurvy and couldn’t work, The answer to that, was flog.’ ‘They flogged me around the Southern Cape, They flogged me a-ship and ashore, Whenever I thought that I might escape They dragged me onboard for more.’ ‘And Cap’n Foggett’s abroad tonight With his cut-throat parcel of rogues, Impressing the able-bodied men, They’re lining them up in droves.’ ‘For Nelson’s lying abaft the lee With barely a half a crew, He needs more men for the ‘Victory’, And that means me and you!’ ‘In every tavern they’re moving in, In every alley and quay, At first they offer the King’s shilling, To war with the enemy.’ ‘But the Frenchies rake with the carronade That will rip the flesh from your bones, And the decks run red from the men who bled Impressed from their wives and homes.’ ‘They say he sails on the tide tonight So they’re doing a quick Hot Press, Even a gen’lman walking late Won’t meet with their gentleness.’ ‘A cudgel whack on a squire’s head Then dragged to the bilges, free, They’ll never know ‘til they all wake up That they’re headed on out to sea.’ ‘That Nelson’s got but a single arm, He’s got but a single eye, If that’s not enough to be alarmed By God, then I wonder why!’ The Press Gang came to the Tavern door But couldn’t come on inside, They tried to sell me a Man o’ War But Joe had made me decide. I took a gulp of Jamaica *** And I steeled myself to the task, ‘The Press are waiting outside,’ I cried, ‘Just hand me that rusty axe!’ David Lewis Paget
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Dec 15, 2014
Dec 15, 2014 at 10:27 AM UTC
Before Trafalgar
I was sat in a Tavern in Pompey Town, Sipping a tipple of *** When I watched a Jack make an axe attack, Chop off his finger and thumb! I couldn’t believe the blood that flowed From the cut of that rusty blade, But the barmaid Flo, said ‘You’ve done it, Joe, Now look at the mess you’ve made!’ She cleaned it up with a swill of ale, Walked off with the finger and thumb, ‘I’ll nail these up on the balustrade With the rest that have been as dumb.’ But Joe sang out when he’d had a drink ‘It’s better than being a tar! I spent three years, under the lash On His Majesty’s Man o’ War.’ ‘They ‘pressed me when I was still a kid And treated me like a dog, I suffered scurvy and couldn’t work, The answer to that, was flog.’ ‘They flogged me around the Southern Cape, They flogged me a-ship and ashore, Whenever I thought that I might escape They dragged me onboard for more.’ ‘And Cap’n Foggett’s abroad tonight With his cut-throat parcel of rogues, Impressing the able-bodied men, They’re lining them up in droves.’ ‘For Nelson’s lying abaft the lee With barely a half a crew, He needs more men for the ‘Victory’, And that means me and you!’ ‘In every tavern they’re moving in, In every alley and quay, At first they offer the King’s shilling, To war with the enemy.’ ‘But the Frenchies rake with the carronade That will rip the flesh from your bones, And the decks run red from the men who bled Impressed from their wives and homes.’ ‘They say he sails on the tide tonight So they’re doing a quick Hot Press, Even a gen’lman walking late Won’t meet with their gentleness.’ ‘A cudgel whack on a squire’s head Then dragged to the bilges, free, They’ll never know ‘til they all wake up That they’re headed on out to sea.’ ‘That Nelson’s got but a single arm, He’s got but a single eye, If that’s not enough to be alarmed By God, then I wonder why!’ The Press Gang came to the Tavern door But couldn’t come on inside, They tried to sell me a Man o’ War But Joe had made me decide. I took a gulp of Jamaica *** And I steeled myself to the task, ‘The Press are waiting outside,’ I cried, ‘Just hand me that rusty axe!’ David Lewis Paget
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61
Maybe because we are the youngs, We believe we are entitled to tongues. That we shall be heard, To you it is absurd. Like the beetle, you roll the dung. You think us silly children, Yet inside lies the cauldron That shouts the time of the youth. Forsaken by the booth, We begin our costly sojourn. Our eyes reveal our mind ambitious. Your eyes see through silicasacious Perception of a generation passed. Culture imposed in the manner of caste. I condemn you to be philosophically abstemious It is directly simple, comrade We have jumped from the time balustrade You a little early, Us, a little burly Yet, it was all meant for a crusade This is an adage for thinkers To ensure we and you never wear the blinkers. This is my warning, To stay awake until morning Remember that we eventually rest with clinkers.
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Nov 3, 2010
Nov 3, 2010 at 4:17 PM UTC
The Saints are Silent
the droning image before me, a wetted silhouette hushed in loincloth. all are tiny currents with their immediacy; confound careless grace for warmbound sweat of the swollen world in the heat of an uncollected moment. dartle I may in delight of frenzy, cold air nibbling at my feet. river runs pale in the narrow grey-faced street. knee-deep into the water of no rain, simply a dream of wide hours. mind you in the **** of minutes and fine-tune this machine infected with body english; basking in the flood of midnight – this swirling fish in the permeable navy: a nautical breath tender in its rasp; a trifle on the things and their undulations. remember you in that stolen night, face to face with walls their blackened meanings faces pining away in transit – if the plenitude of voices in the station would merge and form a whole new world, are we to drown in the sound and emerge mute with wonder? I squint at the city across the balustrade, its sibilant air of disgust – I recognize mooned tapestries and see myself as one of the lights, the appropriate tension of hands that have their own silences held to themselves like how I ***** you in light.
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Mar 9, 2016
Mar 9, 2016 at 11:53 PM UTC
Slow Moon Over Manila
There is something to be said about humor. I think it’s a wide judgement, and no cruel word to say I knew that once and I identify And identiFLY Took it and ran, took it and flew Who even cares these days what’s a word’s a word And a sound is just as well Until some guy who says Get off here... you... Even if this is what you’re about, don’t fathom Because I do what I want! I’ll get you till I’ll get you And when you’re mine you’re mine Maybe beautiful but maybe an ******* It’s easy to say we should be rational and think but I say take to the sky, even though he makes me Sick! Sick! Sick! He was so kind that time I collapsed on the balustrade And said shall I come? Declining, a walk, a step, in the Dark was my way Appreciating non Apathy But recognizing distrust It’s my time to wander, to pant to breathe in unhappiness Just let me do it, as you say... You
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Dec 17, 2014
Dec 17, 2014 at 4:54 AM UTC
pant
im wrapping these lights around the balustrade? of my stairs and i thought they looked beautiful but now that im stepping off my chair they don't look that nice um they look sloppy and tacky like the ones off the side of a Mexican restaurant i wonder how natalie portman decorates her christmas lights. they must be nice. i used tape she probably gets someone else to stick it up anyways but the tape is pretty when the light hits it and the colors blend and stutter like it's trying to short circuit the tape but the tape is swimming in it even though there is only light in glass in light i stick the tape on the wall. there is something psychedelic about holding a handful of rainbow lights alone on a chair until they start spilling over and you tilt your neck to see where they go but there is only the ground there is only the ground there is no where to fall into but the light is moving again because you are the tape and you are standing on the chair where the glass blooms with filaments that you touch and suddenly you are swimming in colors that don't seem sloppy and tacky anymore. you pull the plug. the house is bright again.
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Nov 20, 2018
Nov 20, 2018 at 8:24 PM UTC
hanging lights
Jesus wore sandals, you wear sandals. The heat from the flames seared from out the window of the black Buick. Emails from job recruiters are trying to make you work for them. Work for the man. Don’t use your brain. Be my slave. You do not exist. You exist for me. Washington D.C. has a neighborhood; and walking deeper and deeper into its trap will lead to the retelling of the Conrad’s Heart of Darkness. My GPS is my angel, pointing me in the right direction. A cliché, yes, but how very true. The Washington Post stand is blocking the entrance to the corner store like a trusted guide. There’s a lock on the box that holds the newspapers. I’m a Vietnamese American man. Man, Whites, black, Hispanics, Asians; they, all give me weird looks. Emotions course through the stem. Sleep awaits, but NaS said, “sleep is the cousin of death.” There is this beauty-skin book sitting on the balustrade of light green row-house, propped against a neat, white fence that holds in the pink magnolias. Rain drops on the book. Pattering along the cover, the raindrops, slipping, now running down the cracked brick, seeping into a cigarette **** This is the neighborhood. The book is hope. Allah, God, Buddha The can from the soda company is in the grass in the D.C. Neighborhood. Who put it there? It is raining, cleaning my body. The rain is pouring and I feel like I’ve found my calling. It is to form the language. And as that epiphany smacks me in the face, my left side of my brain starts hurting. What does this mean? Am I truly waking up from the dream? I understand. You’re listening to me. The raindrops fell on my glasses and I felt my vision was changing. The cloudiness disappeared from the lenses. Cay’s pain-stricken face turned into a smile, full of happiness, full of friendship. He’s a good friend. I’m the bad one. I want to be good. I want to be good. It’s change. For the better, for real. When it was raining, The lightbulb popped up outside. And I finally had the lightbulb speak to me for the first time. I knew I was a bad person and now I needed to change into a good person. The car stops moving forward, I turn the engine off, And go back to the beginning.
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Sep 29, 2016
Sep 29, 2016 at 3:01 PM UTC
TV Ad for Intelligent Beings
Jesus wore sandals, you wear sandals. The heat from the flames seared from out the window of the black Buick. Emails from job recruiters are trying to make you work for them. Work for the man. Don’t use your brain. Be my slave. You do not exist. You exist for me. Washington D.C. has a neighborhood; and walking deeper and deeper into its trap will lead to the retelling of the Conrad’s Heart of Darkness. My GPS is my angel, pointing me in the right direction. A cliché, yes, but how very true. The Washington Post stand is blocking the entrance to the corner store like a trusted guide. There’s a lock on the box that holds the newspapers. I’m a Vietnamese American man. Man, Whites, black, Hispanics, Asians; they, all give me weird looks. Emotions course through the stem. Sleep awaits, but NaS said, “sleep is the cousin of death.” There is this beauty-skin book sitting on the balustrade of light green row-house, propped against a neat, white fence that holds in the pink magnolias. Rain drops on the book. Pattering along the cover, the raindrops, slipping, now running down the cracked brick, seeping into a cigarette **** This is the neighborhood. The book is hope. Allah, God, Buddha The can from the soda company is in the grass in the D.C. Neighborhood. Who put it there? It is raining, cleaning my body. The rain is pouring and I feel like I’ve found my calling. It is to form the language. And as that epiphany smacks me in the face, my left side of my brain starts hurting. What does this mean? Am I truly waking up from the dream? I understand. You’re listening to me. The raindrops fell on my glasses and I felt my vision was changing. The cloudiness disappeared from the lenses. Cay’s pain-stricken face turned into a smile, full of happiness, full of friendship. He’s a good friend. I’m the bad one. I want to be good. I want to be good. It’s change. For the better, for real. When it was raining, The lightbulb popped up outside. And I finally had the lightbulb speak to me for the first time. I knew I was a bad person and now I needed to change into a good person. The car stops moving forward, I turn the engine off, And go back to the beginning.
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He will build you a liquid castle, and you'll dive into it, because you love shiny things. We all do. You'll swim the moat 'till the chlorine burns your eyes and sears your liver 'till it doesn't hurt. Then nothing will hurt (and hurt and hurt and hurt) as he tells you how beautiful you are with your flushed face and mind (and laugh and laugh and laugh). When his breath warms the mortar on your neck, your castle is on fire and it wasn't even yours. The fire is sweet (and sweet and sweet). He'll sink soft teeth into the balustrade, whispering your drawbridge open. You want (and want and want) to embrace this siege: Crumbling walls mend so **** wonderfully when you want them to. Your crumbling castle has kept you captive, but you're freeing your feeling, feel your face; your face is on fire but you're freed and falling off the edge of even your edges, and you'll land in the lava lining your lover, but it heals you and he'll never know it. You can forge your failures into ferocity here and have him help if he's helpful, have him leave if he leaves. Only then will he know you forged a castle of steel under his archer's eye. You won this battle.
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Jun 20, 2017
Jun 20, 2017 at 10:50 PM UTC
Steel From a Crumbling Castle