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RAJ NANDY Jul 2017
THE LEGEND OF HOLLYWOOD IN VERSE
Dear Readers, I have tried to cover the salient features of this True Story in free flowing verse mainly with end rhymes. If you read it loud, you can hear the chimes! Due to the short attention span of my readers I had to cut short this long story, and conclude with the
Golden Era of Hollywood by stretching it up to the 1950's only. When TV began to challenge the Big Screen Cinema seriously! I have used only a part of my notes here. Kindly read the entire poem and don't hesitate to know many interesting facts - which I also did not know! I wish there was a provision for posting a few interesting photographs for you here. Best wishes, - Raj Nandy, New Delhi.  

                 THE LEGEND OF HOLLYWOOD :
                        THE AMERICAN  DREAM
                             BY RAJ NANDY

           A SHORT  HISTORICAL  BACKGROUND
Since the earliest days, optical toys, shadow shows, and ‘magic
lanterns’, had created the illusion of motion.
This concept was first described by Mark Roget in 1824 as  
the 'persistent of vision'.
Giving impetus to the development of big screen cinema with its
close-ups, capturing all controlled and subtle expressions!
The actors were no longer required to shout out their parts with
exaggerated actions as on the Elizabethan Stage.
Now even a single tear drop could get noticed easily by the entire
movie audience!
With the best scene being included and edited after a few retakes.
To Thomas Edison and his able assistant William Rogers we owe the invention of Kinetoscope, the first movie camera.
On the grounds of his West Orange, New Jersey laboratory, Edison
built his first movie studio called the ‘Black Maria’.   (1893)
He also purchased a string of patents related to motion picture
Camera; forming the Edison Trust, - a cartel that took control of
the Film Industry entire!

Fort Lee, New Jersey:
On a small borough on the opposite bank of the Hudson River lay
the deserted Fort Lee.
Here scores of film production crews descended armed with picture Cameras, on this isolated part of New Jersey!
In 1907 Edison’s company came there to shoot a short silent film –
‘Rescue From an Eagle’s Nest’,
Which featured for the first time the actor and director DW Griffith.
The independent Chaplin Film Company built the first permanent
movie studio in 1910 in Fort Lee.
While some of the biggest Hollywood studios like the Universal,
MGM, and 20th Century Fox, had their roots in Fort Lee.
Some of the famous stars of the silent movie era included ‘Fatty’
Arbuckle, Will Rogers, Mary Pickford, Dorothy and Lillian Gish,
Lionel Barrymore, Rudolph Valentine and Pearl White.
In those days there were no reflectors and electric arch lights.
So movies were made on rooftops to capture the bright sunlight!
During unpredictable bad weather days, filming had to be stopped
despite the revolving stage which was made, -
To rotate and capture the sunlight before the lights atarted to fade!

Shift from New Jersey to West Coast California:
Now Edison who held the patents for the bulb, phonograph, and the Camera, had exhibited a near monopoly;
On the production, distribution, and exhibition of the movies which made this budding industry to shift to California from
New Jersey!
California with its natural scenery, its open range, mountains, desert, and snow country, had the basic ingredients for the movie industry.
But most importantly, California had bright Sunshine for almost
365 days of the year!
While eight miles away from Hollywood lay the port city of Los Angeles with its cheap labour.

                        THE RISE  OF  HOLLYWOOD
It was a real estate tycoon Harvey Wilcox and his wife Daeida from
Kansas, who during the 1880s founded ‘Hollywood’ as a community for like-minded temperate followers.
It is generally said that Daeida gave the name Hollywood perhaps
due to the areas abundant red-berried shrubs also known as
California Holly.
Spring blossoms around and above the Hollywood Hills with its rich variety,  gave it a touch of paradise for all to see !
Hollywood was incorporated as a municipality in 1903, and during
1910 unified with the city of Los Angeles.
While a year later, the first film studio had moved in from New
Jersey, to escape Thomas Edison’s monopoly!    (1911)

In 1913 Cecil B. De Mille and Jesse Lasky, had leased a barn with
studio facilities.
And directed the first feature length film ‘Squaw Man’ in 1914.
Today this studio is home to Hollywood Heritage Museum as we get to see.
The timeless symbol of Hollywood film industry that famous sign on top of Mount Lee, was put up by a real estate developer in 1923.  
This sign had read as ‘’HOLLY WOOD LAND’’ initially.
Despite decades of run-ins with vandals and pranksters, it managed to hang on to its prime location near the summit of the Hollywood Hills.
The last restoration work was carried out in 1978 initiated by Hugh
Hefner of the ******* Magazine.
Those nine white letters 45 feet tall now read ‘HOLLYWOOD’, and has become a landmark and America’s cultural icon, and an evocative symbol for ambition, glamour, and dream.
Forever enticing aspiring actors to flock to Hollywood, hypnotised
by lure of the big screen!

                     GOLDEN AGE OF HOLLYWOOD
The Silent Movie Era which began in 1895, ended in 1935 with the
production of ‘Dance of Virgins’, filmed entirely in the island of Bali.
The first Sound film ‘The Jazz Singer’ by Warner Bros. was made with a Vitaphone sound-on-disc technology.  (October 1927)
Despite the Great Depression of the 1930s, this decade along with the 1940s have been regarded by some as Hollywood’s Golden Age.
However, I think that this Golden Age includes the decades of the
1940s and the 1950s instead.
When the advent of Television began to challenge the Film Industry
itself !

First Academy Award:
On 16th May 1929 in the Roosevelt Hotel on Hollywood Boulevard,
the First Academy Award presentation was held.
Around 270 people were in attendance, and tickets were priced at
$5 per head.
When the best films of 1927 & 1928 were honored by the Academy
of Motion Production and Sciences, or the AMPS.
Emil Jennings became the best actor, and Janet Gaynor the best actress.
Special Award went to Charlie Chaplin for his contribution to the
silent movie era and for his silent film ‘The Circus’.
While Warren Brothers was commended for making the first talking picture ‘The Jazz Singer’, - also receiving a Special Award!
Now, the origin of the term ‘OSCAR’ has remained disputed.
The Academy adopted this name from 1939 onwards it is stated.
OSCAR award has now become “the stuff dreams are made of”!
It is a gold-plated statuette of a knight 13.5 inches in height, weighing 8.5 pounds, was designed by MGM’s art director Cedric Gibbons.
Annually awarded for honouring and encouraging excellence in all
facets of motion picture production.

Movies During the Great Depression Era (1929-1941):
Musicals and dance movies starring Fred Astaire and Ginger Rogers provided escapism and good entertainment during this age.
“Ginger Rogers did everything Fred Astaire did. She just did it
backwards and in high heels,” - the Critics had said.
This compatible pair entertained the viewers for almost one and
a half decade.
During the ‘30s, gangster movies were popular starring James Cagey, Humphrey Bogart, and Edward G. Robinson.
While family movies had their popular child artist Shirley Temple.
Swashbuckler films of the Golden Age saw the sword fighting scenes of Douglas Fairbanks and Errol Flynn.
Flynn got idolized playing ‘Robin Hood’, this film got released in
1938 on the big screen!
Story of the American Civil War got presented in the epic ‘Gone With The Wind’ (1939) with Clarke Gable and Vivian Leigh.
This movie received 8 Oscars including the award for the Best Film, - creating a landmark in motion picture’s history!
More serious movies like John Steinbeck’s ‘Grapes of Wrath’ and
John Ford’s  ‘How Green Was My Valley’, were released in 1940 and 1941 respectively.
While the viewers escaped that depressive age to the magical world
of  ‘Wizard of Oz’ with its actress Judy Garland most eagerly!
Let us not forget John Wayne the King of the Westerns, who began
his acting career in the 1930s with his movie ‘The Big Trail’;
He went on to complete 84 films before his career came to an end.
Beginning of the 40s also saw Bob Hope and the crooner Bing Crosby, who entertained the public and also the fighting troops.
For the Second World War (1939-45) had interrupted the Golden Age of Hollywood.
When actors like Henry Fonda, Clarke Gable, James Stewart and
Douglas Fairbanks joined the armed forces temporarily leaving
Hollywood.
Few propaganda movies supporting the war efforts were also made.
While landmark movies like ‘Philadelphia Story’, ‘Casablanca’, ‘Citizen Kane’,
‘The Best Years of Our Lives’, were some of the most successful movies of that decade.  (The 1940s)
Now I come towards the end of my Hollywood Story with the decade  of the 1950s, thereby extending the period of Hollywood’s Golden Age.
Since having past the Great Depression and the Second World War,  the Hollywood movie industry truly matured and came of age.

                        HOLLYWOOD  OF  THE  1950s

BACKGROU­ND:
The decade of the ‘50s was known for its post-war affluence and
choice of leisure time activities.
It was a decade of middle-class values, fast-food restaurants, and
drive-in- movies;
Of ‘baby-boom’, all-electric home, the first credit cards, and new fast moving cars like the Ford, Plymouth, Buick, Hudson, and Chevrolet.
But not forgetting the white racist terrorism in the Southern States!
This era saw the beginning of Cold War, with Eisenhower
succeeding Harry S. Truman as the American President.
But for the film industry, most importantly, what really mattered  
was the advent of the Domestic TV.
When the older viewers preferred to stay at home instead of going
out to the movies.
By 1950, 10.5 million US homes had a television set, and on the
30th December 1953, the first Color TV went on sale!
Film industries used techniques such as Cinemascope, Vista Vision,
and gimmicks like 3-D techniques,
To get back their former movie audience back on their seats!
However, the big scene spectacle films did retain its charm and
fantasy.
Since fantasy epics like ‘The Story of Robin Hood’, and Biblical epics like ‘The Robe’, ‘Quo Vadis’, ‘The Ten Commandments’ and ‘Ben-Hur’, did retain its big screen visual appeal.
‘The Robe’ released on 16th September 1953, was the first film shot
and projected in Cinema Scope;
In which special lenses were used to compress a wide image into a
standard frame and then expanded it again during projection;
Resulting in an image almost two and a half times as high and also as wide, - captivating the viewers imagination!

DEMAND FOR NEW THEMES DURING THE 1950s :
The idealized portrayal of men and women since the Second World War,
Now failed to satisfy the youth who sought exciting symbols for rebellion.
So Hollywood responded with anti-heroes with stars like James Dean, Marlon Brando, and Paul Newman.
They replaced conventional actors like Tyron Power, Van Johnson, and Robert Taylor to a great extent, to meet the requirement of the age.
Anti-heroines included Ava Gardner, Kim Novak, and Marilyn Monroe with her vibrant *** appeal;
She provided excitement for the new generation with a change of scene.
Themes of rebellion against established authority was present in many Rock and Roll songs,
Including the 1954 Bill Hailey and His Comets’ ‘Rock Around the Clock’.
The era also saw rise to stardom of Elvis Presley the teen heartthrob.
Meeting the youthful aspirations with his songs like ‘Jailhouse Rock’!
I recall the lyrics of this 1957 film ‘Jailhouse Rock’ of my school days, which had featured the youth icon Elvis:
   “The Warden threw a party in the county jail,
     The prison band was there and they began to wail.
     The band was jumping and the joint began to sing,
     You should’ve heard them knocked-out jail bird sing.
     Let’s rock, everybody in the whole cell block……………
     Spider Murphy played the tenor saxophone,
     Little Joe was blowing the slide trombone.
     The drummer boy from Illinois went crash, boom, bang!
     The whole rhythm section was the Purple Gang,
      Let's rock,.................... (Lyrics of the song.)

Rock and Roll music began to tear down color barriers, and Afro-
American musicians like Chuck Berry and Little Richard became
very popular!
Now I must caution my readers that thousands of feature films got  released during this eventful decade in Hollywood.
To cover them all within this limited space becomes an impossible
task, which may kindly be understood !
However, I shall try to do so in a summarized form as best as I could.

BOX OFFICE HITS YEAR-WISE FROM 1950 To 1959 :
Top Ten Year-Wise hit films chronologically are: Cinderella (1950),
Quo Vadis, The Greatest Show on Earth, Peter Pan, Rear Window,
Lady and the *****, Ten Commandments, Bridge on the River
Kwai, South Pacific, and Ben-Hur of 1959.

However Taking The Entire Decade Of 1950s Collectively,
The Top Films Get Rated As Follows Respectively:
The Ten Commandments, followed by Lady and the *****, Peter Pan, Sleeping Beauty, Bridge on the River Kwai, Around the World in Eighty Days, This is Cinerama, The Greatest Show on Earth, Rear Window, South Pacific, The Robe, Giant, Seven Wonders of the World, White Christmas, Twenty Thousand Leagues Under the Sea, Sayonara, Demetrius and the Gladiator, Peyton Place, Some Like It Hot, Quo Vadis, and Auntie Mame.

Film Debuts By Rising Stars During The 1950s :
The decade of the ‘50s saw a number of famous film stars making
their first appearance.
There was Peter Sellers in ‘The Black Rose’, Marlon Brando in
‘The Men’, and actress Sophia Loren in ‘Toto Tarzan’.
Following year saw Charles Bronson in ‘You Are in the Navy Now’,
Audrey Hepburn in ‘Our Wild Oats’, and Grace Kelly, the future
Princess of Monaco, in her first film ‘Fourteen Hours’. (1951)
While **** Brigitte Bardot appeared in 1952 movie ‘Crazy for Love’; and 1953 saw Steve Mc Queen in ‘******* The Run’.
Jack Lemon, Paul Newman, and Omar Sharif featured in films
during 1954.
The following year saw Clint Eastwood, Shirley Mc Lean, Walter
Matthau, and Jane Mansfield, all of whom the audience adored.
The British actor Michael Cain appeared in 1956; also Elvis Presley
the youth icon in ‘Love Me Tender’ and as the future Rock and Roll
King!
In 1957 came Sean Connery, followed by Jack Nicholson, Christopher Plummer, and Vanessa Redgrave.
While the closing decade of the ‘50s saw James Coburn, along with
director, script writer, and producer Steven Spielberg, make their
debut appearance.

Deaths During The 1950s: This decade also saw the death of actors
like Humphrey Bogart, Tyron Power and Errol Flynn.
Including the death of producer and director of epic movies the
renowned Cecil B. De Mille!
Though I have conclude the Golden Age of Hollywood with the 50’s Decade,
The glitz and glamour of its Oscar Awards continue even to this day.
With its red carpet and lighted marquee appeal and fashion display!

CONTINUING THE HOLLYWOOD STORY WITH FEW TITBITS :
From Fort Lee of New Jersey we have travelled west to Hollywood,
California.
From the silent movie days to the first ‘talking picture’ with Warren
Bros’ film ‘The Jazz Singer’.  (06 Oct 1927)
On 31st July 1928 for the first time the audience heard the MGM’s
mascot Leo’s mighty roar!
While in July 1929 Warren Bros’ first all-talking and all- Technicolor
Film appeared titled - ‘On With The Show’.
Austrian born Hedy Lamarr shocked the audience appearing **** in a Czechoslovak film ‘Ecstasy’!  (1933)
She fled from her husband to join MGM, becoming a star of the
‘40s and the ‘50s.
The ‘Private Life of Henry VII’ became the first British film to win the  American Academy Award.  (1933)
On 11Dec 1934, FOX released ‘Bright Eyes’ with Shirley Temple,
who became the first Child artist to win this Award!
While in 1937 Walt Disney released the first full animated feature
film titled - ‘Snow White and the Seven Dwarf ‘.
The British film director Alfred Hitchcock who came to
Hollywood later;
Between 1940 and 1947, made great thrillers like 'Rebecca', ‘Notorious’, ‘Rear Window’, and ‘Dial M for ******’.
But he never won an Oscar as a Director!

THE GOLDEN GLOBE AWARD:
This award began in 1944 by the Foreign Correspondence Association at
the 20th Century Fox Studio.
To award critically acclaimed films and television shows, by awarding a
Scroll initially.
Later a Golden Globe was made on a pedestal, with a film strip around it.
In 1955 the Cecil B. De Mille Award was created, with De Mille as its first
recipient.

THE GRAMMY AWARD:
In 1959 The National Academy of Recording and Sciences sponsored the
First Grammy Award for music recorded during 1958.
When Frank Sinatra won for his album cover ‘Only The Lonely’, but he
did not sing.
Among the 28 other categories there was Ella Fitzgerald, and Count Basie
for his musical Dance Band Performance.
There was Kingston Trio’s song ‘Tom Dooly’, and the ‘Chipmunk Song’,
which brings back nostalgic memories of my school days!

CONCLUDING HOLLYWOOD STORY  WITH STUDIOS OF THE 1950s

Challenge Faced by the Movie Industry:
Now the challenge before the Movie Industry was how to adjust to the
rapidly changing conditions created by the growing TV Industry.
Resulting in loss of revenue, with viewers getting addicted to
their Domestic TV screen most conveniently!

The late 1950s saw two studios REPUBLIC and the RKO go out of business!
REPUBLIC from 1935- ‘59 based in Los Angeles, developed the careers of
John Wayne and Roy Rogers, and specializing in the Westerns.
RKO was one of the Big Five Studios of Hollywood along with Paramount,
MGM, 20th Century Fox, and Warner Brothers in those days.

RKO Studio which begun with Fred Astaire and Ginger Rogers in the ‘30s,
included actress Katherine Hepburn who holds the record for four Oscars
even to this day;
And later had Robert Mitchum and Carry Grant under an agreement.
But in 1948, RKO Studio came under the control Howard Hughes the
temperamental Industrialist.
Soon the scandal drive and litigation prone RKO Studio closed, while
other Big Four Studios had managed to remain afloat!


PARAMOUNT STUDIO:
Paramount Studio split into two separate companies in 1950.
Its Theatre chain later merged with ABC Radio & Television Network;
And they created an independent Production/Distribution Network.
Bing Crosby and Bob Hope had been Paramount’s two biggest stars.
Followed by actors like Alan Ladd, William Holden, Jerry Lewis, Dean
Martin, Charlton Heston, and Dorothy Lamour.
They also had the producer/director Cecil B. De Mille producing high-
grossing Epics like ‘Samson & Delilah’ and ‘The Ten Commandments’.
Also the movie maker Hal Wallis, who discovered Burt Lancaster and
Elvis Presley - two great talents!

20th CENTURY FOX:
Cinema Scope became FOX’s most successful technological innovation
with its hit film ‘The Robe’. (1953)
Its Darryl Zanuck had observed during the early ‘50s, that audience  
were more interested in escapist entertainments mainly.
So he turned to FOX to musicals, comedies, and adventure stories.
Biggest stars of FOX were Gregory Peck & Susan Hayward; also
stars like Victor Mature, Anne Baxter, and Richard Wind Mark.
Not forgetting Marilyn Monroe in her Cinema Scope Box Office hit
movie - ‘How to Marry a Millionaire’, which was also shown on
prime time TV, as a romantic comedy film of 1953.

WARREN BROTHERS:
During 1950 the studio was mainly a family managed company with
three brothers Harry, Albert, and Jack Warren.
To meet the challenges of that period, Warren Bros. released most of
its actors like James Cagney, Humphrey Bogart, Oliver de Havilland, -
Along with few others from their long-term contractual commitments;
Retaining only Errol Flynn, and Ronald Regan who went on to become
the future President.
Like 20th Century Fox, Warren Bros switched to musicals, comedies,
and adventure movies, with Doris Day as its biggest musical star.
The studio also entered into short term agreements with Gary Copper,
John Wayne, Gregory Peck, Patricia Neal, and Random Scott.
Warren Bros also became the first major studio to invest in 3-D
production of films, scoring a big hit with its 3-D  suspense thriller
‘House of Wax’ in 1953.

MINOR STUDIOS were mainly three, - United Artists, Columbia, and
The Universal.
They did not own any theatre chain, and specialized in low-budgeted
‘B’ Movies those days.
Now to cut a long story short it must be said, that Hollywood finally
did participate in the evolution of Television industry, which led to
their integration eventually.
Though strategies involving hardware development and ownership of
broadcast outlets remained unsuccessful unfortunately.
However, Hollywood did succeed through program supply like prime-
time series, and made-for-TV films for the growing TV market making
things more colorful!
Thus it could be said that the TV industry provided the film industry
with new opportunities,  laying the groundwork for its diversification
and concentration;
That characterized the entertainment industry during the latter half  
of our previous century.
I must now confess that I have not visited the movie theatre over the last
two decades!
I watch movies on my big screen TV and my Computer screen these days.
Old classical movies are all available on ‘You Tube’ for me, and I can watch
them any time whenever I am free!
Thanks for reading patiently, - Raj Nandy.
**ALL COPYRIGHTS ARE WITH THE AUTHOR RAJ NANDY OF NEW DELHI
JV Beaupre May 2016
Canto I. Long ago and far away...

Under the bridge across the Kankakee River, Grampa found me. I was busted for truancy. First grade. 1946.

Summer and after school: Paper route, neighborhood yard work, dogsbody in a drugstore, measuring houses for the county, fireman EJ&E railroad, janitor and bottling line Pabst Brewery Peoria. 1952-1962.

Fresh caught Mississippi River catfish. Muddy Yummy. Burlington, Iowa. 1959. Best ever.

In college, Fr. ***** usually confused me with my roommate, Al. Except for grades. St. Procopius College, 1958-62. Rats.

Coming home from college for Christmas. Oops, my family moved a few streets over and forgot to tell me. Peoria, 1961.

The Pabst Brewery lunchroom in Peoria, a little after dawn, my first day. A guy came in and said: "Who wants my horsecock sandwich? ****, this first beer tastes good." We never knew how many he drank. 1962.

At grad school, when we moved into the basement with the octopus furnace, Dave, my roommate, contributed a case of Chef Boyardee spaghettios and I brought 3 cases of beer, PBRs.  Supper for a month. Ames. 1962.

Sharon and I were making out in the afternoon, clothes a jumble. Walter Cronkite said, " President Kennedy has been shot…”. Ames, 1963.

I stood in line, in my shorts, waiting for the clap-check. The corporal shouted:  "All right, you *******, Uncle and the Republic of Viet Nam want your sorry *****. Drop 'em".  Des Moines. Deferred, 1964.

Married and living in student housing. Packing crate furniture. Pammel Court, 1966.

One of many undistinguished PhD theses on theoretical physics. Ames. 1967.

He electrified the room. Every woman in the room, regardless of age, wanted him, or seemed to. The atmosphere was primeval and dripping with desire. In the presence of greatness. Palo Alto, 1968.

US science jobs dried up. From a mountain-top, beery conversation, I got a research job in Germany. Boulder, 1968. Aachen, 1969.

The first time I saw automatic weapons at an airport. Geneva, 1970.

I toasted Rembrandt with sparkling wine at the Rijksmuseum. He said nothing. Amsterdam International Conference on Elementary Particles. 1971.

A little drunk, but sobering fast: the guard had Khrushchev teeth.
Midnight, alone, locked in a room at the border.
Hours later, release. East Berlin, 1973. Harrassment.

She said, "You know it's remarkable that we're not having an affair." No, it wasn't. George's wife.  Germany, 1973.

"Maybe there really are quarks, but if so, we'll never see them." Truer than I knew.  Exit to Huntsville, 1974.

On my first day at work, my first federal felony. As a joke, I impersonated an FBI agent. What the hell? Huntsville. 1974. Guess what?-- No witnesses left! 2021.

Hard work, good times, difficult times. The first years in Huntsville are not fully digested and may stay that way.

The golden Lord Buddha radiated peace with his smile. Pop, pop. Shots in the distance. Bangkok. 1992.

Accomplishment at work, discord at home. Divorce. Huntsville. 1994. I got the dogs.

New beginnings, a fresh start, true love and life-partner. Huntsville. 1995.

Canto II. In the present century...

Should be working on a proposal, but riveted to the TV. The day the towers fell and nearly 4000 people perished. September 11, 2001.

I started painting. Old barns and such. 2004.

We bet on how many dead bodies we would see. None, but lots of flip-flops and a sheep. Secrets of the Yangtze. 2004

I quietly admired a Rembrandt portrait at the Schiphol airport. Ever inscrutable, his painting had presence, even as the bomb dogs sniffed by. Beagles. 2006.

I’ve lost two close friends that I’ve known for 50-odd years. There aren’t many more. Huntsville. 2008 and 2011.

Here's some career advice: On your desk, keep a coffee cup marked, "No Whining", that side out. Third and final retirement. 2015.

I occasionally kick myself for not staying with physics—I’m jealous of friends that did. I moved on, but stayed interested. Continuing.

I’m eighty years old and walk like a duck. 2021.

Letter: "Your insurance has lapsed but for $60,000, it can be reinstated provided you are alive when we receive the premium." Life at 81. Huntsville, 2022.

Canto III: Coda

Honest distortions emerging from the distance of time. The thin comfort of fading memories. Thoughts on poor decisions and worse outcomes. Not often, but every now and then.

(Begun May 2016)
Martin Narrod Apr 2014
12 Monkeys
17 Girls
127 Hours
2 Days in New York 2012
2 Days in Paris 2010
2001 A Space Odyssey
360
A Beautiful Mind
A Bridge Too Far
A Few Good Men
A Single Man
A Perfect Getaway
A Serbian Film
A Very Long Engagement
A.I.
Absolute Power
Adaptation
Airborne
Air Force One
Airplane 1
Airplane 2
Albert Nobbs
Alex Cross
Alpha Dog
American Beauty
American Gangster
Amorres Perros
Amour
Anchorman
Andy Warhol's Bad 1977
Andy Warhol's ******* 1964
Andy Warhol's Eat 1964
Animal Kingdom
Annie Hall
Anti-Christ
Apocalypse Now Redux
Apollo 13
Arachnophobia
Apt Pupil
Armageddon
Babel
Backdraft
Bad Company
Bad Education
Badlands 1973
Barton Fink
Basquiat
Before Night Falls
Being Flynn
Beneath Hill 60
Beyond the Black Rainbow
Billy Madison
Biutiful - Spanish
Blade 1
Blade 2
Blade 3
Blade Runner Final Cut
Blades of Glory
Blood Work
Blue Valentine
Breach
Broken Arrow
Born on the Fourth of July
Boyz in the Hood
Bullet
Bulworth
Brothers
Caddyshack 1 & 2
Career Opportunities
Carlos The Jackal The Movie
Carne by Gaspar Noe - French
Cashback
CB4
Charlie Wilson's War
Chelsea Girls 1966
Cherry
Chinatown
Ciao Manhattan ft. Edie Sedgewick 1972
Cinema Paradiso
City of God
Clear and Present Danger
Closely Watched Trains - Czech
Contact
Corpse Bride
Courage Under Fire
Crazy Stupid Love
Dark Shadows
Dave 1993
Daybreakers
Days of Heaven
Dazed and Confused
Dead Presidents
Defiance
Desperately Seeking Susan
Despicable Me
Detachment
Die Hard Quadrilogy
**** Tracy
***** Harry
Django Unchained
Dogtooth - Greek
Dogville
Doubt
Dracula, Bram Stoker's
Dragonheart
Dream House
Drive
Drop Zone
Dumbo
Dune Extended Edition
Ears Open, Eyeballs Click
Easier With Practice
Easy Rider 1969
Edward Scissorhands
Empire of the Sun
Encino Man
Enter the Void by Gaspar Noe
Eraser 1999
Eyes Wide Shut 1999
Face Off 1997
Fallen
Fantastic Mr. Fox
Fast Times at Ridgemont High
Fight Club
Fill the Void
Fish Tank
Fitzcarraldo
Five Minutes in Heaven
Flickan 2009 - Swedish
Flubber 1997
Folks!
Forbidden Planet 1956
Fracture
Friday 1995
Friday After Next 2002
Frost Nixon
******* Amal - Swedish
Full Metal Jacket
Funny Farm 1988
Funny Games
Fur- An Imaginary Portrait of Diane Arbus
G.I. Jane
G.I. Joe Retaliation
Gangs of New York
Gangster Squad
Garden State
Get Rich or Die Tryin'
Ghostbusters 1
Girlfriend
Girl, Interrupted
Glengarry Glen Ross
Gomorra - Italian
Great Expectations 1998
Greenberg
Grindhouse Death Proof
Grindhouse Planet Terror
Groundhog Day 1993
Grumpy Old Men
Grumpier Old Men
Gummo
Gus Van Sant's Last Days
Half Nelson
Hannibal
Havoc
Haywire
Heartbreak Ridge
Heat
Hell on the Pacific 1986
Hesher
Hitchcock
Holy Rollers
Hook
Honey I Shrunk the Kids
Hyde Park on Hudson
I Am Curious Blue
I Am Curious Yellow
I Heart Huckabees
I Stand Alone by Gaspar Noe - French
If Looks Could **** 1991
I'm Not There
In Bruges
In The Line of Fire
Inglorious Basterds
Inland Empire
Innerspace 1987
Innocence
Interview With the Vampire
Jacob's Ladder
James Bond - Diamonds Are Forever 1971
James Bond - From Russia With Love 1963
James Bond - Goldfinger 1964
James Bond - Never Say Never Again 1983
James Bond - On Her Majesty's Secret Service 1969
James Bond - Thunderball 1965
James Bon - You Only Live Twice 1967
Jane Eyre
Jeremiah Johnson 1972
JFK
Joe Versus the Volcano
Johnny English 2
Julien Donkey-Boy
Juno
Just Cause
Kapringen aka A Hijacking - Icelandic
Ken Park
Killing Season
Killing Them Softly
Kindergarten Cop
Kingpin
Koyaanisqatsi
Krippendorf's Tribe
Kiss the Girls
La Vie En Rose
Last Night
Last of the Dogmen
Leon: The Professional
Leonard Pt. 6
Les Miserables
Lie With Me
Life of Pi
Lincoln
Lions For Lambs
Little Children
Lord of the Rings Trilogy BR Extended
Lord of War
Lost Highway
Love and Other Drugs
Love in the Time of Cholera
Love Liza
Lovers of the Arctic Circle
Mad Max 1979
Mad Max 2 1981
Mad Max 3 1985
Major Payne
Malcolm X
Man on Fire
Manhunter
Maverick 1994
Meet Joe Black
Melancholia
Menace II Society DIrector's Cut 1993
Mesrine 1 Killer Instinct - French
Mesrine 2 Public Enemy - French
Milk
Minority Report
Mission Impossible Ghost Protocol
Mister Lonely
Money Train
Moonrise Kingdom
Moulin Rouge
Mr. and Mrs. Smith
****** By Numbers
Munich
My Sassy Girl 2008
Naqoyqatsi Life As War
National Lampoon's Christmas Vacation
National Treasure Book of Secrets
Never Cry Wolf
Never Let Me Go
New Jack City
New York I Love You
Night on Earth 1991 - Italian
Nixon
Not Fade Away
Notes on a Scandal
O Brother, Where Art Thou
October Sky
Olympus Has Fallen
Ondskan - Swedish
One False Move
Out of Africa
Outbreak
Palmetto
Paris Texas Criterion 1984
Passenger 57
Paths of Glory 1957
Perfect Sense
Peter Pan
Philadelphia 1993
Pinocchio
Pirate Radio
Platoon 1986
Pleasantville
*******
Project X 1987
Proof
Quiz Show
Rabbits
Revolver
Robocop Trilogy
Robot and Frank
Rolling Stone's Gimme Shelter
Romance and Cigarettes
Romeo and Juliet 1996
Sahara
Saving Private Ryan
Schindler's List
Searching For Bobby Fischer
Secretary, The
Seven Years in Tibet
Sgt. Bilko
Shame 2011
Shine
Shooter
Shopgirl
Sid and Nancy
Sin City
Sky Captain and The World of Tomorrow
Skyfall
Slackers
Sleepers
Sleeping Beauty 1959
Sleeping Beauty 2011
Sleepy Hollow
Snow White and the Seven Dwarfs
Somewhere
South Central
Sphere
Spread
Spy Game
Stand Up Guys
Stay
Summer Hours - French
Sweeney Todd - The Demon Barber of Fleet Street
Synecdoche, NY
Syriana
Talk To Her - Habla Con Ella
Taken 1 & 2
Takers
****
Taxidermia
Tetro
Thank You For Smoking
That Thing You Do!
The Adjustment Bureau
The Age of Innocence by Martin Scorcese 1993
The Bad Lieutenant - Port of Call New Orleans 2009
The Basketball Diaries
The Beach 2000
The Believer
The Beverly Hillbillies
The Black Dahlia
The Blue Lagoon 1980
The Book of Eli
The Boxer
The Constant Gardner
The Conversation
The Curious Case of Benjamin Button
The Darjeeling Limited
The Dark Knight
The Dark Knight Rises
The Day of the Jackal
The Diving Bell and the Butterfly
The Fifth Element
The Flock
The Flowers of War
The Fountain
The Getaway
The Girl With the Dragon Tattoo 2011
The Golden Compass
The Good Shepherd
The Good The Bad and The Ugly
The Goonies
The Green Mile
The Grey
The Help
The Hudsucker Proxy
The Hurricane
The Hurt Locker
The Ice Storm
The Ides of March
The Illusionist
The Imaginarium of Doctor Parnassus
The Impossible
The Informers
The Invasion
The Iron Lady
The Island of Dr. Moreau
The Jackal
The ****
The Killer Inside Me
The Kingdom
The Legend of Bagger Vance
The Lost Boys
The Lost Boys The Tribe
The Lost Boys Thirst
The Machinist
The Mask
The Man Who Fell to Earth 1976
The Master
The Mechanic
The Money Pit
The Naked Gun 1
The Naked Gun 2
The Naked Gun 3
The New World
The Pelican Brief
The Place Beyond the Pines
The Prestige
The Queen
The Raven
The Reader
The Red Balloon
The Right Stuff
The Road
The Rock
The Rocketeer
The Rules of Attraction
The *** Diary
The Saint
The Shawshank Redemption
The Silence of the Lambs
The Skin I Live In - Mexican
The Soloist
The Talented Mr. Ripley
The Thin Red Line
The Town
Transformers Trilogy
The Tree of Life
Tron Legacy 2010
The United States of Leland
The Usual Suspects
The Way Back
There Will Be Blood
There's Something About Mary
Three Days of the Condor
Three Kings
Tinker Tailor Soldier Spy
To the Wonder
To Rome With Love

Tombstone
Total Recall 1990
Trainspotting
Trash Humpers
True Lies
Two Lovers
Two Weeks in September(Brigette Bardot) 1967
Tyrannosaur
Unbreakable
Uncle Buck
Unforgiven
Unleashed
Unstoppable
V for Vendetta
Varsity Blues
Vertigo
Vicky Christina Barcelona
Videodrome
Virtuosity
Wag the Dog
Wake Up Ron Burgundy The Lost Movie
Walkabout
Wall Street 1987
Wall Street 2010
Wanderlust
Water World
Wayne's World 1 & 2
We Are The Night
War Witch
We Need to Talk About Kevin
Weekend by Jean-Luc Godard - French
Weekend 2011
West of Memphis
What Doesn't **** You
What's Eating Gilbert Grape
When Harry Met Sally
Where the Wild Things Are
White House Down
White Material Criterion 2009
White Oleander
Who is Harry Nilsson?
Wolf 1992
Womb
You Will Meet a Tall Dark Stranger
Zardoz 1974


Documentaries & Music Videos


BBC - Life in Cold Blood
BBC - Planet Earth
BBC - Rolling Stones Crossfire Hurricane
BBC - Great Bear Steakout
BBC - Ice Age Giants
BBC - Insect Worlds
BBC - Life on Earth 1979
BBC - Lost Cities of the Ancients
BBC - Operation Snow Tiger
BBC - Penguins: Spy in the Huddle
BBC - Polar Bear: Spy on the Ice
BBC - Richard Hammond's Miracles of Nature
BBC - The Life of Birds
BBC - Wonders of Life
David Blaine Collection
**** Proenke Collection - Alone and Solitude, The Frozen North
Encounters at the End of the World 2007
Nanook of the North
National Geographic Wild Kingdom of the Oceans Giants of the Deep: Whales
Shine A Light - The Rolling Stones
Vladimir Horowitz - Der Ietzte Romantiker
Vladimir Horowitz - Live in Vienna 1987
Vladimir Horowitz - The 1968 TV Concert
Whale Adventure with Nigel Marvin
Paul Hansford Sep 2018
Many people write a "bucket list" of things they want to do before they die.  Now in my 80th year, I don't have the time or the energy to do things that others might aim for, but I have during my life visited many places, seen many things, and enjoyed many experiences that I would have been sorry to miss. There have also been some events that I would have preferred not to experience, but which have enriched my life in different ways, and which I remember with a kind of sad affection.  
Some of these are very personal to me, and would not be interesting to most people, but read the note if you wonder why I chose them.

Here then is what I might call  
                                                My Reverse Bucket List

Towns and cities – architecture & atmosphere
   Barcelona, Spain
   Venice, Italy
   Oxford, England
   Jerusalem, Israel
   Luxor, Egypt
   Varanasi, India
   Hiroshima, Japan
   Pompeii, Italy

Other locations
   Galápagos islands, Ecuador
   Great Barrier Reef, Australia
   North Woolwich, London

Churches
   St Paul's Cathedral, London
   Sagrada Familia, Barcelona
   Coventry Cathedral
   Córdoba Cathedral, Spain
   Blue Mosque, Istanbul

Other structures
   Taj Mahal, Agra
   Auschwitz concentration camp, Poland
   Royal Festival Hall, London
   London underground system (because it was the first, and I rode it for a long time).  Also the more splendid underground railways of Mexico City and Moscow.
   Avebury Ring, Wiltshire, England (the largest prehistoric stone circle in the world, and much more primitive than Stonehenge)
   Bayeux Tapestry 
   "Angel of the North" statue, Gateshead, England
   "Christ the Redeemer" statue, Rio, Brazil

Events
   Messiah at Royal Festival Hall, Feb 1959, with the girl later to be my wife
   St John's night, Spain, early 1990s (?)
   Death and funeral of Diana, Princess of Wales, Aug 1997
   Oberammergau passion play, 2010
   Destruction of World Trade Centre, Sept 2001
I haven't added explanatory notes, but a lot of them are easy enough to look up, and if you message me about any mysterious items, I'll answer as best I can. There are poems in my stream connected with some things on the list, though not all are obvious.
RAJ NANDY Aug 2017
Dear Readers, I have tried to cover the salient features of this True Story in free flowing verse mainly with end rhymes. If you read it loud, you can hear the chimes! Due to the short attention span of my readers I had to cut short this long story, and conclude with the
Golden Era of Hollywood by stretching it up to the 1950s only. When TV began to challenge the Big Screen Cinema seriously! I have used only a part of my notes here. Kindly read the
entire composition during your Spare Time dear Readers. I wish there was a provision for posting a few interesting photographs for you here. Best wishes, - Raj Nandy, New Delhi.  

                THE LEGEND OF HOLLYWOOD :
                      THE AMERICAN  DREAM
                              BY RAJ NANDY

               A SHORT  HISTORICAL  BACKGROUND
Since the earliest days, optical toys, shadow shows, and ‘magic
lanterns’, had created the illusion of motion.
This concept was first described by Mark Roget in 1824 as  
the persistent of vision.
Giving impetus to the development of big screen cinema with its
close-ups, capturing all controlled and subtle expressions!
The actors were no longer required to shout out their parts with
exaggerated actions as on the Elizabethan Stage.
Now even a single tear drop could get noticed easily by the entire
movie audience!
With the best scene being included and edited after a few retakes.
To Thomas Edison and his able assistant William Rogers we owe the invention of Kinetoscope, the first movie camera.
On the grounds of his West Orange, New Jersey laboratory, Edison
built his first movie studio called the ‘Black Maria’.   (1893)
He also purchased a string of patents related to motion picture
Camera;
Forming the Edison Trust, - a cartel that took control of the Film
Industry entire!

Fort Lee, New Jersey:
On a small borough on the opposite bank of the Hudson River lay
the deserted Fort Lee.
Here scores of film production crews descended armed with picture Cameras, on this isolated part of New Jersey!
In 1907 Edison’s company came there to shoot a short silent film –
‘Rescue From an Eagle’s Nest’,
Which featured for the first time the actor and director DW Griffith.
The independent Chaplin Film Company built the first permanent
movie studio in 1910 in Fort Lee.
While some of the biggest Hollywood studios like the Universal,
MGM, and 20th Century Fox, had their roots in Fort Lee.
Some of the famous stars of the silent movie era included ‘Fatty’
Arbuckle, Will Rogers, Mary Pickford, Dorothy and Lillian Gish,
Lionel Barrymore, Rudolph Valentine and Pearl White.
In those days there were no reflectors and electric arch lights.
So movies were made on rooftops to capture the bright Sunlight!
During unpredictable bad weather days, filming had to be stopped
despite the revolving stage which was made, -
To rotate and capture the sunlight before the lights started to fade!

Shift from New Jersey to West Coast California:
Now Edison who held the patents for the bulb, phonograph, and the Camera, had exhibited a near monopoly;
On the production, distribution, and exhibition of the movies which made this budding industry to shift to California from New Jersey!
California with its natural scenery, its open range, mountains, desert, and snow country, had the basic ingredients for the movie industry.
But most importantly, California had bright Sunshine for almost 365 days of the year.
While eight miles away from Hollywood lay the port city of Los Angeles with its cheap labor.

                        THE  RISE  OF  HOLLYWOOD
It was a real estate tycoon Harvey Wilcox and his wife Daeida from
Kansas, who during the 1880s founded ‘Hollywood’ as a community for like-minded temperate followers.
It is generally said that Daeida gave the name Hollywood perhaps
due to the area's abundant red-berried shrubs - known as
California Holly!
Spring blossoms around and above the Hollywood Hills with its rich variety,  gave it a touch of paradise for all to see!
Hollywood was incorporated as a municipality in 1903, and during
1910 had unified with the city of Los Angeles.
While a year later, the first film studio had moved in from New
Jersey, to escape Thomas Edison’s monopoly!    (1911)

In 1913 Cecil B. De Mille and Jesse Lasky, had leased a barn with
studio facilities.
And directed the first feature length film ‘Squaw Man’ in 1914.
Today this studio is home to Hollywood Heritage Museum as we get to see.
The timeless symbol of Hollywood film industry that famous sign on top of Mount Lee, was put up by a real estate developer in 1923.  
This sign had read as ‘’HOLLY WOOD LAND’’ initially.
Despite decades of run-ins with vandals and pranksters, it managed to hang on to its prime location near the summit of the Hollywood Hills.
The last restoration work was carried out in 1978 initiated by Hugh
Hefner of the ******* Magazine.
Those nine white letters 45 feet tall now read ‘HOLLYWOOD’,  has become a landmark and America’s cultural icon,
And an evocative symbol for ambition, glamour, and dreams!
Forever enticing aspiring actors to flock to Hollywood, hypnotized by lure of the Big Screen!

                     GOLDEN AGE OF HOLLYWOOD
The Silent Movie Era which began in 1895, ended in 1935 with the
production of ‘Dance of Virgins’, filmed entirely in the island of Bali.
The first Sound film ‘The Jazz Singer’ by Warner Bros. was made with a Vitaphone sound-on-disc technology.  (October 1927)
Despite the Great Depression of the 1930s, this decade along with the 1940s have been regarded by some as Hollywood’s Golden Age.
However, I think that this Golden Age includes the decades of the
1940s and the 1950s instead.
When the advent of Television began to challenge the Film Industry
itself !

First Academy Award:
On 16th May 1929 in the Roosevelt Hotel on Hollywood Boulevard,
the First Academy Award presentation was held.
Around 270 people were in attendance, and tickets were priced at
$5 per head.
When the best films of 1927 & 1928 were honored by the Academy
of Motion Production and Sciences, or the AMPS.
Emil Jennings became the best actor, and Janet Gaynor the best actress.
Special Award went to Charlie Chaplin for his contribution to the
silent movie era and for his silent film ‘The Circus’.
While Warren Brothers was commended for making the first talking picture ‘The Jazz Singer’, - also receiving a Special Award!
Now, the origin of the term ‘OSCAR’ has remained disputed.
The Academy adopted this name from 1939 onwards it is stated.
OSCAR award has now become “the stuff dreams are made of”!
It is a gold-plated statuette of a knight 13.5 inches in height, weighing 8.5 pounds, was designed by MGM’s art director Cedric Gibbons.
Annually awarded for honoring and encouraging excellence in all
facets of motion picture productions.

Movies During the Great Depression Era (1929-1941):
Musicals and dance movies starring Fred Astaire and Ginger Rogers provided escapism and good entertainment during this age.
“Ginger Rogers did everything Fred Astaire did. She just did it
backwards and in high heels,” - the critics had said.
This compatible pair entertained the viewers for almost one and
a half decade.
During the ‘30s, gangster movies were popular starring James Cagey, Humphrey Bogart, and Edward G. Robinson.
While family movies had their popular child artist Shirley Temple.
Swashbuckler films of the Golden Age saw the sword fighting scenes of Douglas Fairbank and Errol Flynn.
Flynn got idolized playing ‘Robin Hood’, this film was released in 1938 on the Big Screen.
Story of the American Civil War got presented in the epic ‘Gone With The Wind’ (1939) with Clarke Gable and Vivian Leigh.
This movie received 8 Oscars including the award for the Best Film, - creating a landmark in motion picture’s history!
More serious movies like John Steinbeck’s ‘Grapes of Wrath’ and John Ford’s  ‘How Green Was My Valley’, were released in 1940 and 1941 respectively.
While the viewers escaped that depressive age to the magical world
of  ‘Wizard of Oz’ with its actress Judy Garland most eagerly!
Let us not forget John Wayne the King of the Westerns, who began
his acting career in the 1930s with his movie ‘The Big Trail’;
He went on to complete 84 films before his career came to an end.
Beginning of the 40s also saw Bob Hope and the crooner Bing Crosby, who entertained the public and also the fighting troops.
For the Second World War (1939-45) had interrupted the Golden Age of Hollywood!
When actors like Henry Fonda, Clarke Gable, James Stewart and
Douglas Fairbanks joined the armed forces temporarily leaving
Hollywood.
Few propaganda movies supporting the war efforts were also made.
While landmark movies like ‘Philadelphia Story’, ‘Casablanca’, ‘Citizen Kane’, ‘The Best Years of Our Lives’, were some of the most successful movies of that decade.  (The 1940s)
Now I come towards the end of my Hollywood Story with the decade  of the 1950s, thereby extending the period of Hollywood’s Golden Age.
Since having past the Great Depression and the Second World War,  
The Hollywood movie industry truly matured and came of age.

                        HOLLYWOOD  OF  THE  1950s
Backgroun­d:
The decade of the ‘50s was known for its post-war affluence and
choice of leisure time activities.
It was a decade of middle-class values, fast-food restaurants, and
drive-in- movies;
Of ‘baby-boom’, all-electric home, the first credit cards, and new fast moving cars like the Ford, Plymouth, Buick, Hudson, and Chevrolet.
But not forgetting the white racist terrorism in the Southern States!
This era saw the beginning of Cold War, with Dwight D. Eisenhower succeeding Harry S. Truman as the American President.
But for the film industry, most importantly, what really mattered  
was the advent of the Domestic TV.
When the older viewers preferred to stay at home instead of going
out to the movies.
By 1950, 10.5 million US homes had a television set, and on the
30th December 1953, the first Color TV went on sale!
Film industries used techniques such as Cinemascope, Vista Vision,
and gimmicks like 3-D techniques,
To get back their former movie audience back on their seats!
However, the big scene spectacle films did retain its charm and
fantasy.
Since fantasy epics like ‘The Story of Robin Hood’, and Biblical epics like ‘The Robe’, ‘Quo Vadis’, ‘The Ten Commandments’ and ‘Ben-Hur’, did retain its big screen visual appeal.
‘The Robe’ released on 16th September 1953, was the first film shot
and projected in Cinema Scope;
In which special lenses were used to compress a wide image into a
standard frame and then expanded it again during projection;
Resulting in an image almost two and a half times as high and also as wide, - captivating the viewers imagination!

Demand For New Themes During The 1950s :
The idealized portrayal of men and women since the Second World War,
Now failed to satisfy the youth who sought exciting symbols for rebellion.
So Hollywood responded with anti-heroes with stars like James Dean, Marlon Brando, and Paul Newman.
They replaced conventional actors like Tyron Power, Van Johnson, and Robert Taylor to a great extent, to meet the requirement of the age.
Anti-heroines included Ava Gardner, Kim Novak, and Marilyn Monroe with her vibrant *** appeal;
They provided excitement for the new generation with a change of scene.
Themes of rebellion against established authority was present in many Rock and Roll songs,
Including the 1954 Bill Hailey and His Comets’ ‘Rock Around the Clock’.
The era also saw rise to stardom of Elvis Presley the teen heartthrob!
Meeting the youthful aspirations with his songs like ‘Jailhouse Rock’!
I recall the lyrics of this 1957 film ‘Jailhouse Rock’ of my school days, which had featured the youth icon Elvis:
   “The Warden threw a party in the county jail,
     The prison band was there and they began to wail.
     The band was jumping and the joint began to sing,
     You should’ve heard them knocked-out jail bird sing.
     Let’s rock, everybody in the whole cell block……………
     Spider Murphy played the tenor saxophone,
     Little Joe was blowing the slide trombone.
     The drummer boy from Illinois went crash, boom, bang!
     The whole rhythm section was the Purple Gang, Let's rock...

Rock and Roll music began to tear down color barriers, and Afro-
American musicians like Chuck Berry and Little Richard became
very popular!
Now I must caution my readers that thousands of feature films got  released during this eventful decade in Hollywood.
To cover them all within this limited space becomes an impossible
task, which may kindly be understood !
However, I shall try to do so in a summarized form as best as I could.

Box Office Hits Year-Wise From 1950 To 1959 :
Top Ten Year-Wise hit films chronologically are: Cinderella (1950),
Quo Vadis, The Greatest Show on Earth, Peter Pan, Rear Window,
Lady and the *****, Ten Commandments, Bridge on the River
Kwai, South Pacific, and Ben-Hur of 1959.

However Taking The Entire Decade Of 1950s Collectively,
The Top Films Get Rated As Follows Respectively:
The Ten Commandments, followed by Lady and the *****, Peter Pan, Sleeping Beauty, Bridge on the River Kwai, Around the World in Eighty Days, This is Cinerama, The Greatest Show on Earth, Rear Window, South Pacific, The Robe, Giant, Seven Wonders of the World, White Christmas, Twenty Thousand Leagues Under the Sea, Sayonara, Demetrius and the Gladiator, Peyton Place, Some Like It Hot, Quo Vadis, and Auntie Mame.

Film Debuts By Rising Stars During The 1950s :
The decade of the ‘50s saw a number of famous film stars making
their first appearance.
There was Peter Sellers in ‘The Black Rose’, Marlon Brando in
‘The Men’, and actress Sophia Loren in ‘Toto Tarzan’.
Following year saw Charles Bronson in ‘You Are in the Navy Now’,
Audrey Hepburn in ‘Our Wild Oats’, and Grace Kelly, the future
Princess of Monaco, in her first film ‘Fourteen Hours’. (1951)
While **** Brigitte Bardot appeared in 1952 movie ‘Crazy for Love’; and 1953 saw Steve Mc Queen in ‘******* The Run’.
Jack Lemon, Paul Newman, and Omar Sharif featured in films
during 1954.
The following year saw Clint Eastwood, Shirley Mc Lean, Walter
Matthau, and Jane Mansfield, all of whom the audience adored.
The British actor Michael Cain appeared in 1956; also Elvis Presley
the youth icon in ‘Love Me Tender’ and as the future Rock and Roll
King!
In 1957 came Sean Connery, followed by Jack Nicholson, Christopher Plummer, and Vanessa Redgrave.
While the closing decade of the ‘50s saw James Coburn, along with
director, script writer, and producer Steven Spielberg, make their
debut appearance.

Death During The 1950s: This decade also saw the death of actors
like Humphrey Bogart, Tyron Power and Errol Flynn.
Including the death of producer and director of epic movies the
renowned Cecil B. De Mille!
Though I have conclude the Golden Age of Hollywood with the 50’s Decade,
The glitz and glamour of its Oscar Awards continue even to this day.
With its red carpet and lighted marquee appeal and fashion display!

CONTINUING THE HOLLYWOOD STORY  WITH  FEW TITBITS
From Fort Lee of New Jersey we have traveled west to Hollywood,
California.
From the silent movie days to the first ‘talking picture’ with Warren
Bros’ film ‘The Jazz Singer’.  (06 Oct 1927)
On 31st July 1928 for the first time the audience heard the MGM’s
mascot Leo’s mighty roar!
While in July 1929 Warren Bros’ first all-talking and all- Technicolor
Film appeared titled - ‘On With The Show’.
Austrian born Hedy Lamarr shocked the audience appearing **** in a Czechoslovak film ‘Ecstasy’!  (1933)
She fled from her husband to join MGM, becoming a star of the
‘40s and the ‘50s.
The ‘Private Life of Henry VII’ became the first British film to win the American Academy Award.  (1933)
On 11Dec 1934, FOX released ‘Bright Eyes’ with Shirley Temple, who  became the first Child artist to win this Award!
While in 1937 Walt Disney released the first full animated feature film titled - ‘Snow White and the Seven Dwarf ‘.
The British film director Alfred Hitchcock who came to Hollywood later;
Between 1940 and 1947, made great thrillers like ‘Rebecca’, ‘Notorious’,‘Rear Window’, and ‘Dial M for ******’.
But he never won an Academy Award as a Director!

THE GOLDEN GLOBE AWARD:
This award began in 1944 by the Foreign Correspondence Association at
Terry Collett Apr 2015
Here Kid take this what is it? whats it look like? its a prayer book thing yes so take it and hide it under your jumper why? just hide the **** thing so Benedict hides the  black book with red ends under his jumper and follows Anne into the grounds out of the French windows Anne crutches herself across the grass and makes towards the round white table and chairs and plonks herself down in a chair tossing her crutches aside Benedict sits down in the next chair looking back towards the nursing home do you think we were seen? seen doing what Kid? walking across the grass no doubt liberating Sister Dumb-arses prayer book no Anne says Benedict turns around and stares at her dont keep looking around Kid or the penguins will guess youve been up to no good me been up to no good it was your idea to take the prayer book but youve got it Kid not me but you said take it and you did well done Kid Anne says smiling she rubs her leg stump and pulls the blue skirt down further what do we do now? Benedict asks looking at Anne tempted to turn around and look behind him sit tight Kid sit tight but I cant hide the book under my jumper all day he says pass it under the table to me so he passes the prayerbook to Anne under the white table and she opens it in her lap he looks at her his stomach tightening guess whose it is? Anne asks he shrugs dont know its only Sister Bridgets how do you know? has it got her name in it? no they dont own personal property its just that it has this prayer card in it with an image of St Bridget on one side and a prayer on the other and on the top shes scrawled Sr Bridget in her bird-**** hand writing God shell go ape he says looking round at the nursing home what do we do? shush Kid what do want them to know weve got it? he stares at the building imagines the nun galloping across the lawn towards them her black robes billowing behind her like Batman turn round Kid youll look suspicious he looks round and stares at her sitting in the chair as if butter wouldnt melt in her mouth on a hot day where are you going to put it? he asks out of the sight of their eyes she says where though? she pulls up her blue skirt and tucks the black prayer book in her navy blue underwear and pulls down the skirt and brushes out the any signs you cant keep it there he says why not my knickers she says are they going to search me there? she says now just go get my wheelchair and  we can go visit the sea out the back gate he sighs and wanders back towards the home trudging across the lawn leaving Anne sitting in the chair like some royal queen on her throne she lifts up her skirt and adjusts the book more securely just as well I wore the passion killers Mum bought me she says to herself and lets down the skirt again and sits staring towards the home as she sits a few of the kids come out and make their way to the swings and slide they know her and avoid her like a plague a nun comes out too Anne stares at her its Sister Lucy a young one green as grass more ****** that the Blessed ****** herself Anne says under breath the nun walks towards Anne her hands inside her black habit how are we today Anne? the nun asks smiling my ****** leg aches Anne says o dear the nun says looking at Annes leg visible under the table have you seen Sister Paul about some pain killers? no not yet Anne says anyway its not this leg its the one not there my stump leg o I see Sister Luke says staring at the unseen stump beneath the blue skirt I could pray for your leg if you would like me to the nun says might help Anne says putting on her pious pose its hurts so much I feel like crying she allows tears to dribble out of her eyes(shes an expert of conjuring tears out of her eyes) o my dear child the nun says coming around the table and placing a hand around Annes shoulders Ill ask Sister Paul about some tablets the nun says thank you Anne whimpers feeling the prayer book move slightly as she moves in the chair she tries to adjust it with her hand to a more secure position Benedict comes across the lawn pushing the wheelchair he sees the nun and his eyes enlarge and he senses danger have they suspected Anne already about the missing prayer book? he wheels the chair behind Anne the nun looks at him arent you a good boy she says yes hes my best friend Anne says smiling through the glassy eyes the nun smiles well I best get back Ill see Sister Paul about those pills the nun says and walks off towards the home that was close Benedict say she didnt mention the prayer book Anne says she just came about me and the ****** leg and offering prayers o I see he says gazing at the stump area thinking about the stump of her leg hes seen many times are you going gawk at my stump all day or are you going to help get in the ****** wheelchair? o right yes he says and helps her get from the chair and into the wheelchair holding it steady at the back make sure the prayer book doesnt slip out of my knickers Kid she says as she rises from the chair and plonks into the wheelchair she moves the book to a more comfortable position and pulls her skirt down pass her knee just as they were about to move away Sister Bridget comes across the lawn towards them like a rhino on heat hang on Kid here comes the penguin wait wait the nun says raising a hand Benedict pauses pushing the wheelchair and stares at the approaching nun keep cool Kid Anne says under her breath act innocent as the Pope at a nudist colony Benedict feels himself perspire the nun stands in front of Anne in the wheelchair a prayer book has gone missing the nun says gazing at Anne has it? Anne says in an innocent tone yes it was taken from the Common Room shall we help look for it? Anne asks have you seen it? the nun asks no not that I know of whats it look like? Anne asks as if butter wouldnt melt a prayer book is what it looks like the nun says eyeing Anne with her suspicious eyes black cover with red ends no cant say I have Anne says Benedict looks away at the trees behind of them at the avenue between them and you Benedict have you seen it? the nun asks staring at him her eyes over him like maggots he shudders no sister not seen it at all he hates lying to  a nun he feels as if she looks into his soul and at the minor sins lurking there like naughty children then the nun looks down in Annes lap gazes at the outline of the leg stump not hiding it are we? the nun says hiding what? Anne says my stump? no I tried hiding it but its always there each morning I wake up the nun screws up her eyes and peers at them both no I mean the book where is it? no idea Anne says Benedict looks down at Annes lap where have you hidden it? the nun says havent seen it Anne says one of the children says she saw you take it the nun says me? Anne says you cant take the word of child I believe what the child tells me Benedict looks at the outline of the leg stump the child says you have it about your person she saw you from the upper bedroom window the nun says sternly must be mistaken must have seen me rub my stump they always watch me rubbing it so nosey the nun sighs and gazes at Annes lap and at the stumps outline show me your leg stump? the nun says hands on her hips Anne pulls up her skirt to reveal the stump Benedict looks too wondering if the book outline could be seen under the knickers the nun looks away where have you put it? put what? the book the prayer book the nun says I havent seen it Anne says as innocent as she can muster innocence lies will get you to Hell the nun says and walks off across the grass like a bad tempered bear what now? Benedict says Anne takes the book out of her knickers and hands it to him warm and scented what do I do with it? he asks shove it on that other chair under the table and were off to the beach so he puts the book under the table and pushes Anne off in the chair off out of reach.
A BOY AND GIRL IN  A NURSING HOME IN 1959 SUSSEX.
Terry Collett Jul 2014
Bring out the pottery boy
Mr A said
bring it out front
so the other boys can see

your work
I took out my clay pottery
attempt to the front of class
and stood there

holding the pottery
on a wooden tray
Mr A gazed at me
through his black framed

Beatnik glasses
his eyes like huge marbles
what you call this
huh boy?

I looked at the hand rolled
clay ***
haven't called it
anything yet

I said
thinking of a name
he went stern eyed at me
are we attempting wit

as well as pottery?
He said
a mild titter
from some boys

in the class
here
he said
in a raised voice

like a failed actor
here we have
an example how not
and I repeat NOT

to make a ***
the classroom went quiet
I stared at my ***
lopsided and brown

like a rushed ****
what were you attempting?
Mr A asked
whatever it was

it most certainly was not
a ***
I said nothing
I gazed at him

in his snot green jumper
and Beatnik beard
and brown
corduroy trousers

and sandals
I don't know
why I bother
with pupils like you boy

he said
waste of my time
I stood looking
passed him at Danny

who was boss eyed
and pulling a face
I suppressed a smile
and looked dull

go back to your place
and spare me
the sad boy look
so I returned to my desk

with my ***
leaning further east
and placed it down gently
as if it were some work

of modern art
Mr A then poked
Eddie in the back
and held up his ***

which went in and out
like armless model
of Greek design
worse

Mr A said
than mine.
BOY IN A POTTERY CLASS IN 1959.
Taylor St Onge Nov 2014
There is a man from my city that spent his nights
killing and ******* men for the hell of it.  Sometimes I worry that
his blood might be in the water like 160 year old cholera
or 30 year old cryptosporidium.  Sometimes I worry that
I breathed in the stardust from which he was made, that I
swallowed the ashes from which he burned.  I do not think that
I will ever be American ****** enough to fit the bill, and
this might be my one true happy thought:
at least I am not a serial killer.

I closed my eyes in August and saw the dried up teeth of my
estranged grandmother floating in a pool of blood and thought about
how the phone works both ways.  I opened my eyes in
October and thought about spitting up the chicken bones I had
been choking on since second grade, when my father
helped prepare dinner for the last time.   (I think I might have
                                          sacrificed a couple people to the devil
                                                        without actually meaning to.)

I find the numbers
             13,               16,               and               18
to be unlucky and I am beginning to fear that the pattern
will continue, that 19 will be the year I finally get bitten by
poisonous snakes outside of my dreams.  God whispered in my ear
and told me that a different Helter Skelter was coming.  He told me to
keep breathing easy, to trust in his light, but when I
asked my Magic 8 Ball if I should quake like the Earth in 1960, the
day after Satan released Dahmer from Hell, all I got was a
bright blue, “Better not tell you now.”

The séance I conducted last year in a blackened, decaying cemetery
did nothing but rattle ghosts, and the four-year-long pity party I held prior
did nothing but chain those ghosts to the floorboards.  I have
never been good at abandoning my thoughts and feelings.  

Some mornings I wake up face down in the Green River or
with my head severed and on display in a refrigerator of a house that
is not mine.  Other times I awake buck-naked in Death Valley—
sand coating my tongue, my tonsils, my esophagus; burning
and scratching into my flesh—and I know that I will never
be able to forgive my father for destroying everything
he ever made or his mother for turning into everything that’s
just      out of                     reach.
There has never been a time when I have been
good at letting go of grudges.  I am far too aware of my own existence.

At least I am not a serial killer.
identity poem I wrote for my poetry class portfolio.
Vladimir Lionter May 2020
I
Colonel Zaev(1), our commander,
Lived seventeen years in Angolian land.
There are no Luanda’s(2) experts better
Than him- he met its ambassadors two hundred
Times. He smashed UNITA(3) and weakened SAR’s (4)
Power. He supported Fidel Castro(5)
And he became famous for counter-attacks.
The Angolians call him Victor-Pastor:
He does always set the young on the right path:
Aoi!

II
Roberto Holden6 was the foe of Neto
He was a monarcho-tribolist.
And he happened to declare vendetta
To foes. His aim’s to banish socialists.
He invited China’s instructors to teach his
Soldiers the skill of fighting retreating under
Kifangondo(7), he’d not swiftly yield positions
Colonel Callan(8) retreated farther
With him. He was a cruel and fearless
Rascal, he was good at arranging ambush in
Woods. He fought hand-to-hand many times
But he was taken prisoner by the Guard
He declared political indifference but the court
To his grief didn’t believe him so that
Then he was quickly and publicly shot.
Aoi!

III
Savimbi Jonas(9) continued that war
Robin Holden quitted his Motherland –
It’s hard to revise views. What’s to be done for
Tearing a half away for his Fatherland?
He went to America, got a Baptist,
As preacher – he was the lost’s lecturer.
He didn’t wish just to be a pessimist
He wanted to live till times more fair.
Savimbi Jonas founded UNITA –
He made up his mind to go underground
MPLA’s detachments were defeated
By the Cubans but they were free quite
For diversions in the city. A new spiral
Of resistance began – two ideologies’
Confrontation took place and in final
It did cost life to many people for this.
Aoi!

IV
Our Victor Zaev, the commander
Of marines often trained us tirelessly
And all of us were not up to laughter
In gas-masks. We loaded incessantly
Our guns, we crossed the equator, anyway
In a moment Poseidon glorifying
By recompense. We stuck to the right fairway,
Neptun’s Day(10) became a great undertaking.
Aoi!

V
Coming to Luanda was usual rather,
The port’s scenery was bright, beautiful.
“Well, beauty!” exclaimed Igor, a warrant officer,
Zaev added: “It’s, brothers, very wonderful!”
Our councilor climbed up a deck as
Head of the Soviet military legation
He tried to explain the situation to us
Continuous seemed to be his Head’s duration.
Then the Cubans’ crew met us, their commander,
Did happen to know Russian at his fingers’
End. He valued the bearing of our landing
Force. And he was called Francisco Ortis.
Aoi!

VI
Here Agostino Neto came with
His suite consisting of twelve grandees
The President was cordial and gay. This
Day was marvellously fine, in his
Speech he praised the ******’s guard arranged
To meet him. He’d not fail to give his regiment
For it. “What an array!” admired said
Antonio. And at this moment
Tanks floated forward out of the hold
To display Agostino manoeures
Antonio began to sweat: old
Allies can always surprise friends, of course.
The Angolians were invited to dinner
And contented officials were standing
But “No!” was Neto’s serious answer,
“We should return for the fight’s resuming!”
Aoi!

VII
We reached Kanton on cruisers. A warrant
Officer cried: “Sound urgently bells”
The Angolians didn’t let us on to the port,
We anchored no outer roads. What was else?
Mattheu Kureku visited us then.
The President of far mountains of Benin,
And we’d appreciate his being of those men
Who were as modest as Ibn- Sina.
We displayed him gifts and even more
Than we wanted: hand- to- hand fight,
The landing force’s landing to the shore.
Mattheu said us his warm good- bye after that.
Aoi!

VIII
Soon we headed for Luanda, how
Long an action had been fought in its suburbs
And suddenly we saw a fishing scow
Six fisher- men were rowing in the ocean’s
Water catching the sight of us they began
To row faster knots increasing as
If punishment waited them but the race did happen
To be transitory. But cruisors’ powers
Are not boats’ powers equal and at last
We caught them, their fish fell to our lot.
The fish’ reserves were enough for a month.
We said with thankfulness: “Thank you a lot!”
The meeting was pleasant for them and us.
Aoi!

IX
Suddenly came order of the day:
To bring in an identification prisoner. Stas
A secrete service man, volunteered. Anyway,
His own fist was of the bull’s head’s size.
And Grigory, head naval petty officer
Then did volunteer to follow Stas.
“Well, who is else?” were the sailors asked after
It. Silence. It’s better to live on deck. At last,
Watching this the captain himself intervened
In it. His bas was heard even in far hold: “Oh,
You, cowards, I’ll feed you to whales, mind it!”
And phrases were not necessary any more.
Thus six more sailors gathered together – they were
Superheroes as if they were handpicked
The detachment of sound, strong men. Chernomor
Himself would take them so quick-witted.
There are not more safe people in the fleet,
There were not, there won’t be, indeed!
Aoi!

X
Here the scouts came down from the deck and they
All went so deep into a foreign land
A hundred verst’s was their sailing away
From the port. Ships from their Motherland
Were seen. Their commander
was the major lieutenant
And he said: “Motherland is calling us!”
In the fleet he was just called Kostya Brandt –
He did lead the scouts bravely forwards!
Aoi!

XI
The detachment marched into woods being dense,
The jungle were rustling around Luanda. It
Was raining cats and dogs, there was entrance
There, there was no exit for retreat!
They covered their necessary ten versts
More on that day they heard their foes’ voices.
They thought: it’s, perhaps, one of hostile posts.
A good luck attended them! The members
Of UNITA waited for them ahead
Savimba knew of Brandt’s group so dare –
Devil. He was warned by an Angolian friend,
The general had friends everywhere.
Aoi!

XII
Even Kostya Brandt didn’t know it
And he led his vanguard through a marshy path
Sailors were like brothers in the detachment.
Everybody was ready to sacrifice
Himself! And suddenly they saw in front:
Tents standing in forty meters from them and
And something went pit- a pat in Kostya Brandt
And he stretched his hand to a pistol hard.
They stole up to the last one, went into it:
It was empty, there were only playing- cards
There: and perhaps it seemed to them far, indeed?
On the ground there were three machine-guns.
Aoi!

XIII
Meanwhile Savimbi Jonas gathered troops
And he made such a speech when warriors gathered
Together: “We’ll die for freedom as heroes
We do not want another Motherland!
We will repulse all the Cuban occupants
We’ve recently sacked all the colonists!
The Soviet landing force’s scouts
Are going here. Near are the communists!
We’ll organize ambush for them behind the tent –
I’m sure they will go into it a at once.
I was informed that there are less than ten
Of them. We’ll **** the foes at once
We’ ll win because there are much more of us”
And selecting one hundred and forty men,
The strongest ones, Savimbi encircled the scouts.
Aoi!

XIV
“Well, that’s all, forward”, Kostya said strictly
The tent’s bed- curtains having half- opened
By his hand. But suddenly he was slightly
Taken aback- he saw foes get in his road
And he did cry: “We shall die for Russia-
Not disgracing ancestors or the Motherland!”
He stepped forward like a sent messia
He had no right to run away like a coward.
Aoi!

XV
Ours defended each other by backs hard
The battle was hot as it was hand- to- hand.
Two sides’ supporters did not know fright
This region was home for the partisans. And
Brandt fought as an ancient lion Neimeyan –
No pistols’ bullets could reach him at all.
He was a mighty, stately warrior European –
UNITA’s terror and poets’ idol!
The partisans had also a strong warrior –
He was called Manuel by Luanda’s citizens
When hunting he became a hero of yore –
He could hit varios marks without miss.
He took aim at the lieutenant’s back so that
A sharp bullet could pierce his heart. He pressed
The sear. And it did hurt Konstantin and
Shroud overshadowed his consciousness
And a celestial disk burning low, meciless
It’s opening a picture before his eyes:
His own mother’s meeting him and he is
Whispering her: “Mum, I’m going to the skies ”
And fell onto the ground Kostya breathless:
People’s blood was shed as the river around
But ours fought desiring nevertheless
To be gone with foes in the palace. Wounded
Stas’ll hit and three of them’ll fall without
Life’s signs. When he hits on the right–eight
Of them’ll fall at once although there are a few
Epic heroes all of them are heroes dead.
The dead can’t be responsible anew.
Aoi!

XVI
They all were dead. There were
three times more foes
Ours and UNITA collected the dead.
And that very day happened to be worth
A week. Bitter news of blood that was shed
Killed us. Our ship was anchored for five days more
We covered Cuban troops from the sea there.
On the sixth day we sailed from the shore,
Painful grief left an after- taste in their
Mouths. And Victor Zaev, our bold
Colonel, was silent in painful sadness,
He had done the last deed for the dead of old.
He presented them with rewards: “For service”
Putting them on each of coffins. All the ******
Were standing being in their low spirits.
Aoi!

XVII
Thus the song of Luanda came to an end
We paid our duty to military Motherland.
We’d drawn up and the commander said:
“Fine fellows! I wish your life to be quiet!”
Then he sailed not a little, I must say.
He waged war in seven companies. “Glory!”
Cry we to him in Navy Day today.
That is the end of the Luandian story.
Aoi!
The Civil war in Angola represented armed confrontation between
quarelling with each other groups: MPLA (People’s movement for
Angola’s liberation, the Labour’s Party), (port.Movimento Popular de
Liberaçao de Angola- Partido de Trabajo, MPLA), UNITA (port. Uniao
Nacional para a Independencia, Total de Angola, UNITA). The war began
in 1975.
1.Victor Zaev is the main hero of the given poetical work, he is an
invented personage;
2. Luanda (port. Luanda)- Angola’s capital;
3. UNITA – see above;
4. SAR – South African Republic;
5. Fidel Castro – Fidel Alejandro Castro Rus; he was born in August,
13, 1926; Biran, province Oriente , Cuba. He’s a Cuban revolutionary,
party and political figure, Chairman of Ministers’ Council and Chairman
of the State Council of Cuba (president) in 1959- 2008 and 1976- 2008.
6. Roberto Holden- Holden Alvaro Alberto (port. Holden Roberto;
January, 12, 1923, Mbanza- Kongo(its former name is San- Salvadordu- Kongo)- August,2, 2007, Luanda). He was also Jose Gilmore, an Angolian founder and many- year leader of the National Liberation’s Front (FNLA). An active participant of the war for Independence and of the Civil war in Angola. He’s a conservative monarcho-tribolist, anticommunist.
He was a member of the Angolian Parliament.
7. “…under Kirfangongondo…” – this battle was from October, 23
until November,10, 1975 in Angola. It was the first common victory of MPLA and the Cubans.
8. the colonel Kallen… – he is also “colonel Callan, a British service
man, corporal of parachute troops’ regiment’s corporal.” He’s an ethnic
Greek and Cypriot (Greek. Kώozaç Γιώργιoν). He’s a participant of the
Angolian’s Civil war, on FNLA’s side. He was executed according to the
court’s sentence in Luanda, on July,10, 1976.
9. Savimbi Jonas Maiheiro, (August, 3, 1934- February, 22, 2002),
an Angolian political and military figure, a partisan leader, the rebel
movement’s founder and the political Party UNITA’s founder from
March,13, 1966 to February, 22, 2002. He was an active participant of the
Angolian war for independence and of the Civil war. He was candidate
for President in Angolian elections in 1992. He was a prominent figure
of Cold War and world anti- communist movement.
10 Neptun’s Day-Nepptun’s holiday, sometimes it’s called “Neptun’s
Day”. It’s a water show. Sailors founded this tradition after their crossing
of the equator.

{2018}


ПЕСНЬ
I
Наш командир – полковник Виктор Заев(1)
Семнадцать лет прожил в стране Ангольской.
Страну Луанду(2) он отлично знает –
Встречал раз двести местное посольство.
Разбил УНИТА(3) и ЮАР(4) ослабил,
Поддержку оказал Фиделю Кастро(5)
В контратаках. И себя прославил.
Зовут его ангольцы Виктор-Пастор:
Он молодых советом наставляет.
Аой!

II
Роберто Холден(6) был врагом для Нето –
По убеждению – монархо-трайболистом.
И объявил противникам вендетту,
Поставив цель – изгнать социалистов.
Он пригласил инструкторов Китая
Учить своих солдат уменью драться.
Под Кифангондо(7) в битве отступая,
Он не хотел стремительно сдаваться.
С ним отступал назад полковник Каллэн(8) –
Головорез жестокий, но бесстрашный.
Засады ставил он в лесах умело,
Не раз бывал и лично в рукопашной.
Но был пленён он гвардией. И вскоре
Всем заявил свою аполитичность.
Но не поверил суд ему на горе –
Он был расстрелян быстро и публично.
Аой!

III
Савимби Жонаш(9) ту войну продолжил,
Роберто Холден родину покинул –
Переосмыслить взгляды очень сложно:
Как оторвать Отчизне половину?
В Америку уехал, стал баптистом,
Как проповедник – лектором заблудших.
Он не желал быть просто пессимистом
И до времён хотел дожить до лучших.
Савимби Жонаш основал УНИТА –
Борьбу свою он перевёл в подполье:
Отряды МПЛА кубинцами разбиты,
Но для диверсий в городах – раздолье.
Второй виток пошёл сопротивленья –
Противоборства двух идеологий.
И жизнями платило населенье –
Война тогда коснулась очень многих.
Аой!

IV
Наш Виктор Заев – командир морпехов -
Тренировал нас часто, неустанно:
В противогазах было не до смеха -
Мы заряжали пушки беспрестанно.
Пересекли в один момент экватор,
Прославив Посейдона воздаяньем,
Наш путь лежал на правильный фарватер.
Нептуна день (10) – большое начинанье!
Аой!

V
Приход в Луанду очень был обычным,
Пейзаж портовый – яркий и прекрасный.
«Ну, лепота!» - воскрикнул Игорь-мичман.
Добавил Заев: «Это, братья, классно!»
На палубу советник наш поднялся –
Глава советской миссии военной.
Он обстановку дать нам постарался,
Поскольку был там, кажется, бессменно.
Затем кубинцев встретила команда –
Их командир знал русский в идеале.
Он оценил всю выправку десанта –
Франсиско Ортис команданте звали.
Аой!

VI
Вот Агостиньо Нето подошёл
Со свитою двенадцати вельмож.
Был Президент приветлив и весёл,
И день был удивительно хорош!
Он похвалил матросский караул,
Поставленный наверх его встречать.
«За них бы полк отдать не преминул, –
Антонио сказал, – вот это рать!»
Из трюма танки выплыли вперёд –
Маневры Агостиньо показать.
Антонио пробил холодный пот:
Союзники умеют удивлять!
Ангольцев пригласили на обед –
Чиновники довольные стоят.
Но Нето отвечал серьёзно: «– Нет,
Нам возвращаться надобно назад!»
Аой!

VII
На крейсерах в Катону мы приплыли
И крикнул мичман: «Склянки срочно бейте!»
Но в порт ангольцы нас не пропустили –
На якорь встали мы на внешнем рейде.
Затем нас посетил Матье Куреку –
Сам Президент из дальних гор Бенина –
Заметим в дань ему как человеку –
Он скромен был как мудрый Ибн Сина.
Ему мы показали все таланты –
И даже больше, чем хотели сами:
Бой рукопашный, высадку десанта.
Матье тогда тепло прощался с нами.
Аой!

VIII
И взяли курс мы снова на Луанду –
Велись бои давно в её предместьях.
Вдруг видим мы рыбацкие шаланды –
По океану плыло ровно шесть их.
Завидев нас, они быстрей поплыли,
Узлов прибавив, будто ждёт их кара!
Не долгими, однако, гонки были.
Любая лодка крейсеру не пара!
Догнали их. И нам досталась рыба –
Запасов тех на месяцы хватило.
Сказали мы признательно: «Спасибо!»
И после встречи всем приятно было!
Аой!

IX
Нежданно вдруг пришёл такой приказ:
Любой ценой доставить языка.
Тут вызвался морской разведчик Стас –
Его кулак был с голову быка.
И главный корабельный старшина
Григорий захотел идти за ним.
– «Ну, кто ещё?» – спросили. Тишина.
Уж лучше быть на палубе живым.
Тогда вмешался лично капитан –
Был даже в дальнем трюме слышен бас:
– «Ну, трусы! Всех скормлю сейчас китам!»
И больше не понадобилось фраз.
Так набралось ещё шесть моряков –
Супергерои – все как на подбор –
Отряд здоровых, крепких мужиков.
Их взял бы даже Дядька-Черномор!
Надёжнее людей на флоте нет
И не было, не будет и вовек!
Ушло в разведку восемь человек.
Аой!

X
Вот с палубы разведчики сошли
И углубились в даль чужой земли.
На сотню вёрст от порта отошли –
Уж не видать родные корабли.
Руководил всем старший лейтенант.
И молвил он: «Нас Родина зовёт!»
Его на флоте звали Костя Брандт –
Он храбро вёл разведчиков вперёд!
Аой!

XI
Отряд вступил в дремучие леса –
Вокруг Луанды джунгли шелестят.
Льют воду каждый день тут небеса –
Зашёл туда и нет пути назад!
Прошли они ещё десяток вёрст,
Услышали чужие голоса.
Подумали: возможно, вражий пост –
Счастливая настала полоса!
Унитовцы их ждали впереди.
О группе Брандта сам Савимби знал –
Его ангольский друг предупредил:
Имел везде знакомых генерал.
Аой!

XII
Сего не ведал даже Костя Брандт
И вёл отряд болотистой тропой.
Любой матрос в отряде был как брат.
Готовы все пожертвовать собой!
И вдруг увидел каждый впереди:
Стоят палатки метрах в сорока.
У Кости что-то ёкает в груди
И к пистолету тянется рука.
Подкрались к крайней и в неё зашли:
В палатке пусто, карты на столе –
А может, померещилось вдали?
Три автомата было на земле.
Аой!

XIII
Меж тем собрал Савимби Жонаш войско
И речь сказал собравшимся такую:
– «Мы за свободу все умрём геройски,
Ведь не желаем родину другую!
Дадим отпор кубинским оккупантам –
Прогнали ведь недавно колонистов!
Разведчики советского десанта
Идут сюда. Уж близко коммунисты!
Устроим им засаду за палаткой –
Они войдут в неё, уверен, сразу.
Мне донесли: их менее десятка.
Возьмём числом: врагов положим разом!»
И отобрав сто сорок самых сильных,
Пошёл Савимби окружать разведку.
Аой!

XIV
«– Ну, всё, выходим!» – Костя молвил строго,
Палатки полог приоткрыв рукою.
Но только вдруг... опешил он немного,
Когда врагов увидел пред собою.
И закричал: «Умрём же за Россию –
Не посрамим и предков, и державу!»
Шагнул вперёд, как посланный миссия –
Он не имел бежать позорно право.
Аой!

XV
Стояли наши все спиной друг к другу,
Был жаркий бой, поскольку рукопашный.
Из двух сторон никто не знал испуга –
Для партизан был этот край домашним.
И бился Брандт как древний лев немейский –
Его не брали пули пистолетов!
Могуч и статен воин европейский –
Гроза УНИТА и кумир поэтов!
У партизан был тоже сильный воин –
Его луандцы звали Мануэлем.
Он на охоте сделался героем –
Без промаха стрелял по разным целям.
Прицелился он лейтенанту в спину,
Чтоб сердце пуля острая пробила.
Нажал на спуск. И больно Константину,
И пелена сознание затмила.
И тут картину взору открывает
Небесный диск, на небе догорая:
Родная мать с войны его встречает,
А он ей шепчет: «Мама, умираю…»
Упал на землю Костя бездыханно:
Людская кровь лилась вокруг рекою.
Но бились наши – было им желанно
Нести в чертог жизнь вражью за собою.
Изранен Стас: ударит – лягут трое,
Направо стукнет – лягут сразу восемь.
Богатырей хоть мало, все – герои
Погибшие. А с мёртвых долг не спросят.
Аой!

XVI
Все полегли. Врагов – в три раза больше.
Забрали павших наши и УНИТА.
И день тот был иной недели дольше.
Мы были горькой новостью убиты.
Ещё пять дней на якоре стояли –
Мы части Кубы прикрывали с моря.
На день шестой под вечер отплывали –
Осадок был от тягостного горя.
И Виктор Заев, наш полковник смелый,
Молчал угрюмо в тягостной печали.
Последнее для павших сделал дело –
Он «За отвагу» им вручил медали.
На каждый гроб он положил награду –
Все моряки в унынии стояли.
Аой!

XVII
Так завершилась песня о Луанде.
Отдали долг мы воинский Отчизне.
Наш командир сказал тогда команде:
– «Вы молодцы! Желаю мирной жизни!»
Он по морям потом немало плавал.
И воевал ещё в семи кампаньях.
В день ВМФ кричим ему мы: «Слава!» –
На том конец Луандского сказанья!
Аой!
{31.12.2015}

Гражданская война в Анголе представляла собой вооружён-
ное противостояние между враждующими группировками: МПЛА (Народное движение за освобождение Анголы – Партия труда (порт. Movimento Popular de Libertação de Angola — Partido doTrabalho, MPLA), ФНЛА (порт. Frente Nacional de Libertação de Angola,
FNLA) и УНИТА (порт. União Nacional para a Independência
Total de Angola, UNITA). Война началась в 1975 году, а завершилась
в 2002 году.
1. Виктор Заев – главный герой данного поэтического произве-
дения, вымышленный персонаж;
2. Луанда (порт. Luanda) – столица Анголы;
3. УНИТА – см. выше;
4. ЮАР – Южно-Африканская республика
5. Фидель Кастро – Фиде́ль Алеха́ндро Ка́стро Рус (исп. Fidel
Alejandro Castro Ruz; род. 13 августа1926; Биран, провинция Орьенте, Куба) – кубинский революционер, государственный, политический и партийный деятель, который являлся Председателем Совета министров и Председателем Государственного совета Кубы (президентом) в 1959 – 2008 и 1976 – 2008 годах.
6. Роберто Холден – Холден Альваро Робер-
то (порт. Holden Roberto; 12 января 1923, Мбанза-Кон-
го (тогдашнее название – Сан-Сальвадор-ду-Конго) –
2 августа 2007, Луанда), он же Жозе Жилмор (порт.José Gilmore)
– ангольский политик, основатель и многолетний лидер Национального фронта освобождения Анголы (ФНЛА). Активный участник войны за независимость и гражданской войны в Анголе. Консерватор, монархо-трайбалист, антикоммунист. В 1992 – 2007 годах– депутат парламента Анголы.
7. «…под Кифангондо в битве…» – это битва при Кифангондо,
которая произошла с 23 октября по 10 ноября 1975 г. в Анголе и стала первой совместной победой МПЛА и кубинцев.

8. «…полковник Каллэн» – настоящее имя Костас Ге-
оргиу (греч. Κώστας Γιώργιου, англ. Kostas Giorgiou; 1951 –
1976), он же «Полковник Каллэн», Colonel Callan – британский военный, капрал парашютно-десантного полка. Этнический грек-киприот. Наёмный участник гражданской войны в Анголе на стороне ФНЛА. Казнён по приговору суда в Луанде 10 июля 1976 года.
9. Савимби Жонаш – Жо́наш Малье́йру Сави́мби (порт. Jonas
Malheiro Savimbi; 3 августа 1934 – 22 февраля 2002) – ангольский политический и военный деятель, партизанский лидер, основатель повстанческого движения и политической партии УНИТА. Лидер УНИТА c 13 марта 1966 по 22 февраля 2002. Активный участник ангольской войны за независимость и гражданской войны. Кандидат в президенты Анголы на выборах 1992. Видный деятель Холодной
войны и мирового антикоммунистического движения.
10. «Нептуна день…» – Праздник Нептуна, иногда –
«День Нептуна». Водное представление. Берёт основы от тради-
ции моряков при пересечении экватора.

Translator - I. Toporov
Kurt Carman Jan 2016
Snow-day 1959

Monday, 6:00AM clock radio trips,
And WTRY Sounds off one of those top 40 hits.
I half hear the School Closings for Monday 12/12,
Sitting straight up in bed.....Was that Greenport Elementary do tell?

"Here are those school closings one more time kiddies"........
"Hudson HS Closed".... Oh Please God let me hear my city.
"Greenport Elementary...Closed" my Hands Raised Victorious..
I think I can hear Mrs Healy's entire 3rd grade class celebrating gloriously!

Just as I settle in for an uninterrupted, relaxing snow day in my room,
I hear my Mom yell, "young man come get this dust mop and broom"
"Oh snap"! "what shall I do with these dearest mother" I inquire
"Clean that pig sty you call a bedroom or your gonna feel some hellfire!"

Seeing that there we were only 10 days before Christmas
I decide Its to my advantage not to put up a fuss.
So clean I do.....pulling dust bunnies and underwear from beneath my bed
A miss matched sock and a couple bugs that were dead.

And to my surprise I find that fake dog **** I been looking for,
Time for a stealth mission to Mom's special bedroom behind that closed door.
Doing my best army crawl I make my way to Ma's special place
And put that rubbery dog **** on that bedspread made of lace.

"Hey Ma come quick the dog crapped on your lacy bedspread"!
I don't think Ma hit one step climbing those stairs she was seein' red!
And with a gasp she began to rub that dogs nose in the mess,
I'm like Mom it's just fake dog **** relax and don't stress"!
We both had a good laugh that day at our little corner house on Janis Street and Ten Broeck Avenue in Greenport USA. I miss you so much mom.

Looking for you in distant galaxy.
Stick with me, friend.
I’d like to make a distinction:
I revere writers but do not deify them.
My heroes and role models must be grounded,
Must have so-called feet of clay.
And there’s always something more in my craw,
Whenever I see scribblers carved in marble,
Glorified to the point of divinity and magic.
Because in my heart of hearts,
Reverence for writers,
Is an odyssey of disillusionment and

I fancy myself a man of letters,
Although “Humanoid of Keystrokes,”
Might be more apt; an appellation,
Digitally au courant.
I am a man on verbal fire,
Perhaps, I am of a Lost Generation myself.
And don’t you dare tell me to sit down, to calm down.
You stand up when you tell a story.
Even Hemingway--even when he was sitting down--knew that.
Let us go then you and I.
Moving our moveable feast to Paris,
To France, European Union, Earth, Milky Way Galaxy.
(Stick with me, Babaloo!)
Why not join Papa at a tiny table at Les Deux Magots,
Savoring the portugaises,
Working off the buzz of a good Pouilly-Fuisse
At 10:30 in the morning.
The writing: going fast and well.

Why not join that pompous windbag ******* artist?
As he tries to convince Ava Gardner,
That writers tienen cajones grandes, tambien—
Have big ***** too—just like Bullfighters,
Living their lives all the way up.
That writing requires a torero’s finesse and fearlessness.
That to be a writer is to be a real man.
A GOD MAN!
Papa is self-important at being Ernest,
(**** me: some lines cannot be resisted.)
Ava’s **** is on fire.
She can just make him out,
Can just picture him through her libidinous haze,
Leaping the corrida wall,
Setting her up for photos ops with Luis Miguel Dominguín,
And Antonio Ordóñez, his brother-in-law rival,
During that most dangerous summer of 1959.
Or, her chance to set up a *******,
With Manolete and El Cordobés,
While a really *******,
Completely defeated & destroyed 2,000-pound bull,
Bleeds out on the arena sand.

Although I revere writers,
I refuse to deify them.
A famous writer must be brought down to earth--
Forcibly if necessary--
Chained to a rock in the Caucasus,
Their liver noshed on by an eagle.
In short: the abject humiliation of mortality.
Punished, ridiculed and laughed at.
Laughing himself silly,
******* on one’s self-indulgent, egocentric universe.
If not, what hope do any of us have?

Writing for Ernie may have been a divine gift,
His daily spiritual communion and routine,
A mere sacramental taking of dictation from God,
But for most of us writing is just ******* self-torture.
The Hemingway Hero:
Whatever happened to him on the Italian-Austrian front in 1918
May have been painful but was hardly heroic.
The ******* was an ambulance driver for Christ’s sake.
Distributing chocolate and cigarettes to Italian soldiers,
In the trenches behind the front lines,
A far cry from actual combat.
Besides, he was only on the job for two weeks,
Before he ****** up somehow,
Driving his meat-wagon over a live artillery shell.
That BB-sized shrapnel in his legs,
Turned out to be his million-dollar wound,
A gift that kept on giving,
Putting him in line for a fortunate series of biographic details, to wit:
Time at an Italian convalescent hospital in Milano,
Staffed by ***** English nurses,
Who liked to give the teenage soldiers slurpy BJs,
Delirious ******* in the middle of the night,
Sent to Paris as a Toronto Star reporter,
******* up to that big **** Gertrude Stein,
Sweet-talking Sylvia Beach,
At Shakespeare & Company bookstore,
Hitting her up for small loans,
Manipulating and conning Scott Fitzgerald—
The Hark the Herald Jazz Age Angel—
Exploiting F. Scott’s contacts at Scribners,
To get The Sun Also Rises published.
Fitzgerald acted as his literary agent and advocate,
Even performing some crucial editing on the manuscript.
Hemingway got payback for this friendship years later,
By telling the world in A Moveable Feast,
That Zelda convinced Scott he had a small ****--
Yeah, all of it stems from those bumps & bruises,
Scrapes & scratches he got near Schio,
Along the Piave River on July 8, 1918.
Slap on an Italian Silver Medal of Valor—
An ostentatious decoration of dubious Napoleonic lineage—
40,000 of which were liberally dispensed during WWI—
And Ernie was on his way.

Was there ever a more arrogant, world-class scumbag;
A more graceless-under-pressure,
Sorry excuse of a machismo show-horse?
Look: I think Hemingway was a great writer,
But he was a gigantic gasbag,
A self-indulgent *****,
And a mean-spirited bully—
That bogus facade he put on as this writer/slash/bullfighter,
Kilimanjaro, great white hunter,
Big game Bwana,
Sport fishing, hard drinking,
Swinging-****, womanizing,
*** I-******-Ava-Gardner bragging rights—all of it—
Just made him a bigger, poorer excuse for a human being,
When the chips were finally down,
When the truth finally caught up with him,
In the early morning hours,
Of July 2, 1961, in Ketchum, Idaho.
I can’t think of a more pathetic writer’s life than
Hemingway’s last few years.
Sixty electric shock treatments,
And the ******* still killed himself.

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So why am I still mesmerized by,
The whole Hemingway hero thing?
That stoicism, the grace under pressure,
That real men don’t eat quiche,
A la Norman Mailer crap?
I guess I can relate to both Hemingway the Matador,
And Hemingway the Pompous *******,
Not to mention Mailer who stabbed his second of six wives,
And threw his fourth out of a third-floor window.
One thing’s for sure: I’m living life all the way up,
Thanks to a steady supply of medical cannabis,
And some freaky chocolate chip cookies
From the Area 51--Our Products are Out of this World—Bakery
(“In compliance with CA prop 215 SE 420, Section 11362.5,
And 11362.7 of CA H.S.C. Do not drive,
Or operate heavy equipment,
While under the influence.
Keep out of reach of children,
And comedian Aziz Ansari.”)

So getting back to Hemingway,
I return to Cuba to work on my book.
During the day--usually in the early morning hours--
When “the characters drive me up there,”
I climb to my tower room,
Stand up at my typewriter in the upstairs alcove.
I stand up to tell my story because last night,
Everyone got drunk and threw all the ******* furniture in the pool.
By the way, I’m putting together my Nobel Prize acceptance speech.
I can’t decide between:
“I may be defeated but I’ll never be destroyed,” or
“You can destroy me but you’ll never defeat me.”
The kind of artistic doublespeak they love in Sweden.
Maybe: “Night falls and day breaks, but no one gets hurt.”
God help me.
I need to come up with a bunch of real pithy crap soon.
Maybe I’ll just smoke a joint before the speech and,
Start riffing off the cuff about literary good taste:

“In my novel, For Whom the Bell Tolls, for example, I had Maria tell Pilar that the earth moved, but left out the parts about Robert Jordan’s ******* and the tube of Astroglide.”

Stockholm’s only a month away,
So I’m under a lot of pressure.
Where’s Princess Grace under Pressure when I need her?
I used to work for the Kansas City Star,
Working with newspaper people who advocated:
Short sentences.
Short paragraphs.
Active verbs.
Authenticity.
Compression.
Clarity.
Immediacy.
Those were the only rules I ever learned,
For the business of writing,
But my prose tended to be a bit clipped, to wit:
A simple series,
Of simple declarative sentences,
For simpletons.
I’m told my stuff is real popular with Special-Ed kids,
And those ******* that run
The International Imitation Hemingway Competition,
AKA: The Bad Hemingway Contest.
The truth is: I always wanted to get a bit more flowery,
Especially after I found out I got paid by the word.
That’s when the *** and **** proved mighty useful.
        
I live at La Finca Vigia:
My house in San Francisco de Paula,
A Havana suburb.
My other place is in town,
Room #511 at the Hotel Ambos Mundos,
Where on a regular basis I _
(Insert simple declarative Anglo-Saxon expletive)
My guantanmera on a regular basis.
But La Finca’s the real party pad.
Fidel and Che and the rest of the Granma (aka “The Minnow”) crew
Come down from the mountains,
To use my shower and refresh themselves,
On an irregular basis.
At night we drink mojitos, daiquiris or,
The *** & coke some people call Cuba Libre.
We drink the *** and plan strategy,
Make plans for taking out Fulgencio Batista,
And his Mafia cronies,
Using the small arms and hand grenades,
We got from Allen Dulles.

Of course, after the Bay of Pigs debacle,
You had to go, Ernesto.
Kennedy had the CIA stage your suicide,
And that was all she wrote.
And all you wrote.
Never having had a chance,
To tell the 1960s Baby Boomers about class warfare in America.
Poor pathetic Papa Hemingway.
Lenin and Stalin may have ruined Marxism,
But Marx was no dummy.
Not in your book.
Or mine.
amidst cavorting delightfully, enjoying thorough
frolicking gingerly, foreign hick hating ******>hip-hopping insouciantly sustaining row

biological status quo
kvetching lamely moreso mother became pro
naturally physically rumbling,
   heard all the way in Oslo

   supposedly twerking, undulating vivaciously
wantonly x2c wisely yielded – nada no
   zona pellucida anchored byte size ******,
   potent embryonic fetal moe
newlweds nocturnal merriment
   moma's ****** marked march 1959

   lovingly joyusly, insemination happened ha low
bullseye clenched diploid fertilization
   guaranteed germinating heiress
   while squaqking lichen Apache at Diablo
   ma late mother did should know

upon awakening upon tautly stretched exertion
   during dilating ******, which jiggled like jello
three score orbitz round el sol, warmed cockles

   and muscled away brutally cold degrees
   tab billed an igloo,
   or circa six decades
   drafted exuberant **...**...**...
cuz, i.e. thencee at 362nd day

   baby in belly did fully grow
December first nineteen fifty seven
   sanctioned newly minted papa  
   to sing a capella for he's a jolly good fellow

   quintessential nascent
   kickstarter heady everflow
though wintry dark,
   a “hi” beam illuminated
   newborn girl with dayglow

sans, mechanical engine ear
   papa (an honorably discharged army vet)
   all spit and shine groom,
   who wed a bride somewhat callow

first time parents with giddiness did saul fully bellow
Boyce and Harriet Harriet countenance
   twas (like an elf on Christmas eve) all aglow.
--------------------------------------------------------
D­ear Sis – I knew not what else to do
thus, this poem crafted fur ewe
a doe ting maternal gal – whose time on Earth flew
Terry Collett Jun 2015
On the beach
in the sun
Anne sits

in her chair
her one leg
hanging down

her leg stump
out of sight
she's beside

Skinny kid
who reclines
in a small

blue deckchair
other kids
sit around

fussed over
by three nuns
from the home

the tides out
so some kids
paddle out

ankle deep
listen kid
I hear one

of the nuns
had you in
to question

in secret
what'd they ask?
Anne asks

it's secret
Benny says
I know that

but tell me
I'm your friend
Anne says

Benny looks
around him
about you

they asked me
about you
Benny says

Anne frowns
about me?
Benny nods

what'd they ask?
what you did
what you  said

and did you
make me do
anything

Benny says
what'd you say?
I said you

were my friend
my best friend
Benny says

what'd they say?
Sister Blaise
the fat nun

said it was
a big sin
to tell lies

what'd you say?
Anne asks
I told her

I guess so
was that all?
can I go?

Benny says
Anne smiles
good work Kid

keep the ****
penguins stumped
and things hid.
A BOY AND A ONE LEGGED GIRL AT HOME IN 1959
Terry Collett May 2015
Anne stands
on crutches
in the queue

to be weighed
by a nun
in the home

for sick kids
Skinny Kid
she whispers

to the boy
just in front
if I win

the choc bar
I'll share it
just with you

if you win
who will you
share it with?

you of course
he replies
in soft voice

other kids
up the front
fail to put

on more weight
so don't win
the choc bar

it's you now
Benedict
a nun says

Skinny Kid
stands steady
on the scales

you've put on
5 ounces
she tells him

he gets off
of the scales
and Anne

crutches up
on one leg
her stump swings

underneath
her red dress
steady now

the nun says
Anne stands
as steady

as she can
you've put on
7 ounces

the nun says
so you win
the choc bar

Anne smiles
and crutches
herself off

of the scales
the nun puts
the choc bar

in Anne's
dress pocket
let's go Kid

Anne says
and they go
out the back

on the lawn
she crutching
to the far

white table
and white chairs
with the Kid

beside her
making sure
she's ok

he pulls out
a white chair
and she sits

the Kid sits
beside her
and they share

the choc bar
between them
12 ounces

gained in weight
between them.
A BOY AND GIRL IN A NURSING HOME IN 1959.
John F McCullagh Dec 2011
I woke up that Christmas morning,
that year that I turned five.
Everything was blurry
due to an infection in my eyes.
The Christmas tree with colored lights
cast an aura in the room.
A half warm teabag on my eye
gave some relief from haze and gloom.
My brother set up his Lionel trains
on a wood board on the floor.
Any other brother might have resented
that I had so much more
than he did when he was little
growing up in times of war.
We all heard Mass at nine o’clock
at Saint Ann’s on the Hill.
Then back home to break the fast
Presents would have to wait until.
Simple gifts were cherished then,
not all bought in a store.
My parents were the working class
we had enough, not more.
The gifts may have been simple
but love came brightly wrapped.
Before sleep my father told me stories
as I nestled on his lap.
I’m thankful for the memories
which remain  undimmed by time.
but my eyes still get a little blurry
when I think back on Fifty Nine
a bit of Nostalgia
Terry Collett May 2015
Anne crutches herself onto the green lawn of the nursing home and sits at one of the metal white painted tables and in one of the white metal chairs and drops her crutches beside her Benedict whom she called Skinny Kid follows her and sits at the same table looking at her his hazel eyes focusing on her on her black straight hair and dark eyes other children are playing on the swings and slide or sitting at other tables a distance away don't want none of those other sick kids here Kid Anne says they're sneaks and tell tales and moaning Minnies and such but you Kid you're all right you’re possibly the only one here I can tolerate and O those pesky nuns ****** penguins walking about poking their noses into things saying have you had a motion today? have you passed water? yes I said to Sister Agnes I did a dance on one leg as a motion and I passed the running water tap on my way to breakfast what did she say​?Benedict asks she said manners Anne we must have manners and asked me again and I said both and plenty of them and she went off in a huff her black habit gown flapping behind her like some ****** bat one of the kids comes to the table and says can I sit here? of course you can sit you've an **** on you but no you may not Anne says shooing the girl away like she was a dog the girl went off looking back pulling a face how's your leg? Benedict asks missing and aching and driving me to distraction Anne says the ****** stump throbs and gets hot and it makes me a miserable sod can I see it Benedict asks what its like? you're a one aren't you always after seeing my stump later maybe not here with the nosey penguins gawking at everything we do a nun walks down to the table her eyes like black dots behind her wire spectacles ah Anne have you been upsetting the other children again? are you asking me or telling me? Anne says rubbing her leg eyeing Benedict Lina says you swore at her and told her to sit elsewhere the nun stares at Anne then at Benedict well? what happened the nun asks I never swear Sister I never swear I just said she could sit elsewhere be better for her I may have an illness she may catch and may bring her out in yellow spots the nun doesn't smile or move a muscle in her face her dark eyes move over Anne then Benedict well Benedict were you here? what happened and I want the truth or you'll not go to Heaven if you lie the nun says eyeing the boy scarily she didn't swear the boy says just said to go elsewhere the nun stares at Anne do not be horrible to other children they've as much right to sit here as you do now behave or I’ll report you to Sister Paul and then you'll know it the nun says and walks off like a rook unable to fly Anne farts and smiles sums her up that she says Benedict nods and looks at the table want to go to the beach? I can push you in the wheelchair? how old are you Kid? she asks ten nearly eleven he says she muses looks at him do you know how old I am? she asks eyeing him his quiff of hair the hazel eyes the skinny frame no idea Benedict says I’m twelve Kid although my mother says I’m big for my age got ******* and such Benedict looks past her head at the avenue of tree behind and the path to the beach got ***** hair too she adds to see if he'll blush what's that? he asks what’s what? Anne says ***** hair? he says that'd be telling wouldn't it spoil the surprise although you could always ask the good sisters and say dear Sister Paul what's this ***** hair stuff? she laughs to herself well Kid go get the wheel chair and off we go to the beach the boy smiles and gets up and walks quickly towards the nursing home Anne watches him go she winces and rubs her stump with her hands backwards and forwards she watches the other kids at play at the nuns walking here and there then Benedict comes across the grass pushing the wheelchair at a fair speed she smiles as he comes up to the table here we are one wheelchair he says slightly out of breath right bring it round here Kid and so he pushes the wheelchair next to her and manages to get herself in comfortably and rocks about until she's settled right then Kid did anyone stop you? yes he says Sister Agnes asked me where I was going with the wheelchair and I said you had need of it and she pulled a face then walked off with a face like a pinched behind Benedict says good on you Kid now let's' to the beach and away from the peasants and sickly she says so Benedict gets behind the wheelchair and pushes away from the table his arms outstretched his hands gripping the handles and off they go over the grass and onto the pebbly path between the trees and the sound of birdsong and the smell of the sea filling their noses and out the back gate and onto the path along by the sea the sounds of sea rush and waves and gull cries and people calling out and laughter and kids calling and crying and she says O this it Kid this is ******* living breathe in that air breathe in deep and Benedict breathes in deeply as he pushes her along the path smooth and easier and his thin legs pushing along the pathway and as he pushes he gazes down at her black haired head then at the red dress with the one leg sticking out the stump not visible but only the outline of it being there and the smell of the sea and salt in the air.
A ONE LEGGED GIRL AND A BOY IN A NURSING HOME IN 1959
Brian O'blivion Jun 2013
tracing circles within circles
on a blue eyed afternoon
concentric breaths inhaled
on a current laced with bloom

into August morning tides
where the pull is slack
inside memories’ fading weight
receding half past black

how thoughts flicker in a circular motion!
how breezes cut the vernal flow
hyacinths whistle their devotion
of God’s reflected glow

perfect circles of a hometown summer
born of heat and light and haze
perfect circles in the ether
spherical stay the solstice days
Ashvajit Mar 2012
Every morning I rise and wash,
And dress and eat, and parents greet,
I talk with friends and teachers too,
Hoping always for something new.
I do what’s set, no duties shirk,
But what’s the point of all this work?
Day is done and dreams they come,
Then death, and all’s to do again.
Terry Collett Jun 2015
Hey Kid
Anne says

Benny follows
to where
she calls him

what is it?
he asks

go get my chair

your wheel chair?

yes my wheel chair
what other kind
of chair do I have

ok
he says
and goes off
over the green lawn

passing kids
on the swing and slide

pass the skinny nun
who has just come
whom Anne says
looks like a clarinet
she's so thin

in through
the French windows
passing a girl
who has ****** burns
but who manages
to smile at him

in down the hall
into the girl's dormitory
and takes hold
of Anne's wheel chair
and is just about he
to wheel it out

when Sister Blaise
stops him
where are you going
with that Benny?
she asks

he looks at the nun
with her stern features
and icy blue eyes

it's for Anne
he says

did she ask you
to get it?

he looks at
the crucifix
on the wall
behind the nun's head

no I saw she was
struggling
and thought it best
to bring it to her
he says

taking in
the Crucified's head
leaning to one side
eyes half open
as if He were
looking at him

is that the truth?
the nun asks

he nods
and puts on
his Mr Innocent face

all right off you go
she says
eyeing him
as he wheels the chair
along the passageway

and out through
the French windows
and across the lawn
at full belt

until he comes
to where Anne stands
propped painfully
on her crutches
any problems?
she asks

no
he replies
trying to get
the nun's
icy blue stare
out of his eyes.
A BOY IN A NURSING HOME IN 1959.
Terry Collett Jun 2014
Myfanwy Price plopped in the armchair, sipped at her drink, gazed at the ceiling with a slight squint; spotted a drawing pin that broke up the off-white space like a boil on the buttocks. If Joshua Jones thinks he can drop me like a hot coal he can think again, she moaned to the room in her alto voice that clung to the air around her dark-haired head like a bad smell. Thinks he can do that to me, does he? I’ll show him, she mused darkly, holding the glass above her head, peering down at her slippered feet that lay there like sleeping puppies. After all I’ve done for him, the po-faced prat, she muttered, bringing the glass down to her lips, taking a sip as though it were poison. Just like her dad, dreary as dripping, chapel bred born and dead, at least in the head, she mused, crossing her legs disturbing the puppies, peering through the glass, imagining Dai Davies coming through the door of her bed-sit with an armful of flowers and chocolates, a cuddly kiss with a promise of more, as the evening sky grew dim as her brother Bryan, the kiss lingered in her mind and over her fantasy lips. Mum was right about men, she groaned, wondering if poison was too quick for Jones the Bones or whether she could smother him with a pillow as he laid sleeping in that squat flat of his, where she’d slept once in the single bed that smelt of onions and rotting flesh. She scratched her fleshy thigh, gave a sigh, pulled a face at her reflection in the darkening window, wanted more than wanton ***, the sight of Jones the Bones hanging from the window with his trousers round his skinny ankles, his buttocks bare for all of Cardiff to see and stare. She stood, poured herself another drink, placed a record on her gramophone. Buddy Holly’s Peggy Sue, a daydream of being in his manly arms, and being squeezed, and adding her alto groan to that of young Buddy’s baritone or tenor or whatever. She waltzed the room with her partnered glass gave it kiss and squeeze. Remembering her dad’s stern face; his sermon voice that rattled timbers, she kicked her leg like a dancer, spun it round and round until it got dizzy; plopped in the armchair with a fit of giggles; spilt drink on her dress that seeped to her drawers; sniffing and sighing she poured it all down in a drunken swallow; watched the evening sky darken like her mood and tangled hair. Jones the Bones would pay, she sighed. He’d not lay her aside like an empty glass; go off for another to kiss and cuddle in his dingy flat with its onions and flesh, rotting and foul, she mused sadly, rubbing her breast, pulling her bra that had slipped in her dancing. Mum was right about men, with their ***** thoughts, their wanton ways, wandering hands over hills and stays. She stared at the glass; with a deep dark sigh, she crossed her legs; let the sleeping slippered puppies lie.
A WELSH GIRL IN 1959 AND HER FURIES.
Tupelo Mar 2015
Take me to your tallest tower
Peer over its edges
The rivers below us
This bed sheet of a winter
I have fallen for a woman
One with arms and legs
Suitcases in her closet
and a quiver upon her lips
Bella Dec 2019
(Meant to be read in the voice of a child)
Grandma says, that she grew up in the water
She says that she lived on the edge of a place called Myrtle Beach
That she could drive 15 minutes and then jump into the sea

She says- that the smell of sea salt and seagrass is the smell of home
And that she can still hear the sounds of crashing waves on an empty beach
She says that the best feeling was sinking under a wave and watching the crisp clear current pull the water over her--

I told her that I went to a beach too!
Momma took me back to where she used to live
To get to the beach we had to cross two bigggg rivers
Grandma said that one of those was a creek when she was my age.
That men dug the other-- by hand a long time ago 90 feet across
But they are much bigger now!

I told Grandma that when I got to the beach, there were a bunch of buildings, right there in the water
I said it was silly of people to leave buildings in the water like that.

I asked-- if we tried to keep those buildings out of the water
And she said no...

I asked-- if we knew they were gonna get so wet
Grandma said-- that we knew since the 1950’s
She told me about a scientist named Edward Teller
Who gave a big speech to the important people
He predicted the future in 1959
And told them the ice was going to melt.

I asked why we let it melt...
and then grandma got real quiet...


...I’ve-- seen pictures of the ice in school.
--We learned about polar bears and penguins
We even went to visit them in the zoo
My teacher said they only live in zoos now.

We-learned-about-coral-too!
We learned-- that they are animals that look
kind-of like rocks
-Or like plants!
-Or like jellyfish!
We learned that fish like to live there-
Fish like the ones in NEMO!
My teacher said there’s not much coral left...

I asked--
why the coral at the aquarium
didn’t look all bright and colorful like the movies
I asked-- why there were no Nemo’s in the aquarium
I asked-- what that big ocean current was called
I asked-- if sea turtles still ride in the E..ast Austra...lian current

She said that the Clown fish died when the coral was bleached
-And there aren’t many sea turtles
-And there is no more current
-Because the waters are too warm

I asked how the water got so warm,
I asked-- Who Did It!
She said Everyone
And I didn’t understand that

I asked grandma if she did it!
She said yes-I said How

She said every time she drove her car
And every time she flew on an airplane
And every time she used a plastic cup
She released carbon into the environment

I asked how all those things made carbon
She said that carbon comes from burning things
She said that we burn things to make energy

I asked if we could make good energy
She said that we can
We can use water, wind, and sunlight to make
~Clean~ energy

I asked if we made clean energy
Grandma said that only 15% of our energy was clean

I asked how carbon made the water hot
Grandma told me that when carbon goes into the air
It traps heat near the earth
Kind-of like a blanket
And it makes the air warmer

She said that the ocean
and the ocean animals
try really hard to absorb the carbon,
But too much carbon is bad for them

I asked why it was so bad
She said that carbon was an acid
~like lemons~
And when the ocean absorbs the carbon,
The ocean becomes more aaa-cidic
And most fish can’t live in a-cidic water


I remember learning that plankton
can’t live in acidic water either
My teacher said that plankton are very important
They make oxygen
And they feed the fishes
I even heard they used to make the water green

I told grandma
about the field trip my class took to the Smithsonian
There was a new shellfish exhibit
The teacher said
that everything in the room was extinct or endangered
There were *****- and oysters- and corals

The sign said that-
“these shells can’t form in acidic water”
I asked the teacher if ***** and oysters and things were important
She said that they were an ess...ential-
Source of food for coastal communities

I asked if they were so ess...ential--
than why didn’t we protect them…

She told me that some people tried to help
She said people talked about it
and bought less plastic
And supported sus...tan...iable companies
She said that there weren’t enough of those people

I asked-- what could have protected them
She said-- that poli...ticians and CEOs could have protected them
She said-- that if there were laws
restricting or banning fossil fuels
Or carbon emissions
We could have kept the ***** alive

I asked why the poli...ticians didn’t make those laws
She said that the poli...ticians were good friends
With the oil companies
She said that if they made those laws
Their friends would lose money

But that doesn’t make sense because-
Grandma told me
We ended up spending more money
Reacting to climate change
Than it would have taken
To prevent climate change.

I just don’t understand so much--
It doesn’t make sense...

Grandma--
I wanna know why there’s more plastic in the ocean than fish
I wanna know why we wear air masks when we go outside
I wanna know why there are so many hurricanes
And fires
And droughts
And floods
I wanna know why your old house is underwater
I wanna know what waves looked like without trash in them
I wanna know why lady liberty is drowning
I wanna know what hawaii was
I wanna know why california is on fire
And why Charleston doesn’t exist
I wanna know why there’s no coral
Or fish
Or pandas
Or tigers
Or butterflies
I wanna know why there are so many wars over food
I wanna know why we’re out of water
I wanna know why there are walls in the ocean
I wanna know why you didn’t listen to the scientists---

I wanna know why you didn’t do anything to fix it!
I thought this was a compelling way to discuss climate change because of the emotional tie. I hopped writing this poem from the voice of a child (and more specifically the future grandchild of mine or of the reader’s) would make the reader think about how their climate impact will affect their own children and children's children. Hopefully this could cause readers who wouldn’t normally be concerned with climate change to empathize with the writing. Using the voice of a child also helped me to tie in so many different topics (because children are so scatterbrained). I hope this is able to reach a larger demographic than the typical climate change essay or journal. (ps. I based this off of 50 years in the future just for reference to accuracy).

— The End —