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kokoro Feb 14
When he tells me he can't get me a valentine till later,
its so bittersweet.
I love him for telling me so i'm not put down,
and I love how he thinks for me.
But it reminds me of every time i've gotten my birthday forgotten,
any holiday surrounding me,
forgotten,
and those words,
"i'll get you something later, i promise."
coming out of a desperate mans mouth.
It's not that i crave a gift
i really don't, i really don't care.
but how am i supposed to have trust in something that has been broken so many times?
how am i supposed to have trust when i've been pushed aside as a later thought?
Sara Barrett Feb 5
It begins with a whisper,
a shadow stitched to her womb,
its weight pressing like a secret,
its roots spreading unseen.

They call it normal—
the blood that floods like rivers,
the cramps that steal her breath,
the clots dragging her body down.

Pain coils in her pelvis,
a fire that burns without end.
Her bladder aches, her bowels rebel,
her back bends beneath its weight.

They say it’s just being a woman,
but how do you explain the storms?
The tissue growing where it shouldn’t,
the scars binding organs into one.

She carries fatigue like a second skin,
her energy drained by invisible wars.
Her body becomes a battlefield—
every nerve alive with rebellion.

Doctors speak over her pain:
It’s all in your head, they insist.
But how do you imagine blood that stains,
or pain that splits you in two?

One day, she stops asking for answers.
She stands tall in the face of dismissal.
Her voice rises like thunder:
This is my body; I know it best.

Her womb is no longer their battlefield;
it is sacred ground she reclaims.
The shadow no longer consumes her—
it becomes part of her story, not its end.
"Pain as a Shadow" is a powerful exploration of chronic gynecological pain, vividly capturing the physical and emotional journey of living with conditions like endometriosis. This poem confronts the dismissal of women's pain in medical settings, challenging societal norms that normalize female suffering. Through visceral imagery and a defiant voice, it traces the path from silent endurance to empowered self-advocacy. The piece resonates with themes of ****** autonomy, medical gaslighting, and the reclamation of one's narrative in the face of invisible illness. It stands as a testament to the strength found in acknowledging one's own experience, offering solidarity to those who have faced similar struggles.
I tire this new morning,
I slept not a wink tonight.

For there is a lonely woman,
Who sings out in woesome plight.

Her voice creeps to my window,
And haunts my slumb'ring ear,
And I am shot awake in fear.

Listening for the lonesome cry,
Of the Lady of the Night.
Good Morning everyone, have a great Monday!
Liv Jan 29
I stand in the mirror, searching my face,
for signs of change, for bits I’ve replaced.
I’ve fought to grow, to mend and refine,
to leave behind what was never mine.
Each day I rise, steady and slow,
trying to be someone I want you to know.

I’ve come so far, I can see it clear—
the battles won, the silenced fears.
I’m proud of the scars that no one can see,
proof of the strength that’s blooming in me.
But still, there’s doubt, sharp and cruel,
whispering rules I didn’t choose.

Am I enough? Am I changing too late?
Will love slip through at the hand of fate?
I try, oh I try, with every breath,
to give you a love that defies death.
But what if my steps aren’t swift or right,
what if I lose you in this fight?

I ache for more than just “almost there,”
I want to be someone who shows they care,
without the weight of fear or mistake,
without wondering what love might take.
But even as doubt grips my chest,
I know I’m doing my very best.

So I hold onto this truth I’ve found—
growth isn’t perfect, nor always profound.
It’s quiet steps, a trembling climb,
becoming better, one piece at a time.
And if love is real, as I believe it to be,
you’ll see the best still rising in me.

I may not be finished, but I stand here strong,
with a heart that’s learning where it belongs.
And I promise, with all that I am and will do,
I’ll keep getting better—for me and for you.
Tahira Shah Jan 29
I am not Papa’s princess,
Nor a prince’s princess.
I am a princess without a crown,
Without a sparkling gown.

No fairy tales define my name,
No royal blood, no fleeting fame.
I don’t need a kingdom or throne,
For I am a princess on my own.

No glass slippers, no golden ring;
I am a princess without a king.
I walk alone, no hand to hold,
For I am the one who makes me whole.

I am a princess without a knight;
I fight my battles, I own my fight.
My strength lies within me.
No footsteps to follow—I create my own destiny.

So call me not pari, frail or weak,
For I am strong and unique.
I am a princess, wild and free,
A queen of my world, no limits for me.
Valentin Eni Jan 28
I

(First Night)

There seem to be voices,
Faceless,
Whispering a prayer
Or perhaps a curse.
And behold—
An axe embedded in the trembling
Surface of water.
And the water rises,
Light as smoke.
And flowers,
One by one, approach a child,
Bending over,
Trying to smell him.
Alas,
They didn’t like him.
Otherwise, one might have
Torn him from the cradle
To pin him to its chest.

And on the wall,
Another clock has died,
Its heart stopped cold.
And a sad little girl
Dresses and undresses
A doll,
As though searching
For invisible wounds—
On its chest, its ankles,
Its palms—
Like a tiny
****** Mary
With
Her child...

II

(Second Night)

An army of black letters
Seems to march across the white battlefield
Of the page,
Conquering new territories,
Leaving behind
Unseen monsters,
Beings
Without skin, without bones,
And without any distinct face,
Feeding on their own flesh
And their own entrails.

Some,
Less hideous,
Had names like:
The Winged Serpent,
The Hen-with-a-Dog’s-Head,
The Man-Melted-into-His-Own-Puddle,
The Headless Child,
And
The Soldier-with-Wolf’s-Eyes.

All of them whisper something—
A prayer
Or a curse:
"Lord, never let us
Know the scent of a child,
The scent of a woman,
The scent of a man,
The scent of danger
And death.
Do not, Lord,
Allow cemeteries of toys
Or landfills
Of homes to grow..."

III

(Third Night)

Two voices are heard whispering:
“Which of us is who?
You—a white demon, or...”
“Or you—a black angel?”

And silence fell.
Somewhere,
A mountain of light grew,
And a Blue Horse
With fiery mane
Galloped in circles
On Saturn’s rings.
The planets, like bouncing *****,
Leapt in its path.
A cloud,
From time to time, walked
Its feet across the earth.
And sometimes,
A ray of light
Pecked from the palm
Of an angel
The ******’s tears.

So far removed
From the first night!
And only sometimes,
Faint voices are heard,
Whispering a prayer
Or a curse.
R.E.M. (Oneiric) The Dream of a Madman.

Analysis of the poem made by ChatGPT:)

This poem visually explores surreal, dreamlike landscapes unfolding over three “nights.” It combines existential dread, metaphysical imagery, and a haunting sense of inevitability. Each night builds on the previous one, shifting between eerie snapshots of fragmented reality and otherworldly visions. The poem juxtaposes the mundane and the fantastical, creating an unsettling, introspective, and thought-provoking narrative.

#Themes:#

Surrealism and the Subconscious

The poem’s structure and content are deeply rooted in the surreal, resembling fragmented visions or distorted memories. The faceless voices, trembling water, monstrous beings, and celestial imagery suggest an entry into the subconscious mind, where logic and reality are suspended.

Innocence and Corruption

The first night’s imagery revolves around a child, a cradle, and flowers—symbols of innocence. However, the flowers’ rejection and the doll’s depiction of invisible wounds suggest the fragility and eventual corruption of purity.

Creation and Destruction

The second night introduces the army of letters as symbols of creation—language, thought, and meaning. However, this creation leaves behind monsters, representing the unintended consequences of human creativity, such as violence, chaos, and existential confusion.

Duality and Ambiguity

The dialogue in the third night (“Are you a white demon, or… a black angel?”) highlights the blurred lines between good and evil, light and darkness. The ambiguity reflects the duality of existence and the human struggle to define morality and identity.

Mortality and the Passage of Time

Clocks appear as time symbols, with one clock “dying” on the first night. This recurring motif underscores the inexorable passage of time and the inevitability of death.

Existence and Prayer

The recurring whispers of prayers and curses suggest an ongoing plea for meaning or redemption intertwined with an acknowledgement of suffering and futility.

#Imagery and Symbolism:#

The Axe and Trembling Water

The axe embedded in the water introduces violent disruption in an otherwise fluid and natural element. This imagery may symbolize an intrusion of chaos into the subconscious or the fragility of stability.

The Clock and the Doll

The “death” of a clock mirrors the halting of time, while the doll becomes a symbol of innocence scrutinized for damage. Together, they evoke a sense of lost time and fractured identity.

The Army of Letters

The letters are creators and destroyers, conquering the blank page while leaving monstrous remnants. They symbolize the duality of words—how language can illuminate or distort truth.

The Blue Horse on Saturn’s Rings

This fantastical image represents freedom, energy, and the untethered imagination. However, its endless circular motion may also imply a cyclical trap, echoing the repetitive whispers and questions in the poem.

The ******’s Tears

A profoundly religious image, the ******’s tears pecked by a ray of light suggest divine sorrow being consumed or repurposed, perhaps hinting at humanity’s exploitation of spirituality.

#Structure and Progression:#

First Night: The Physical and the Innocent

The first night focuses on tangible, earthly imagery: trembling water, flowers, a child, and a clock. These elements introduce themes of fragility, rejection, and the passage of time.

Second Night: The Written and the Monstrous

The second night shifts to abstract and symbolic imagery, dominated by language and its consequences. The “army of letters” introduces intellectual and existential turmoil, with monsters embodying the unintended consequences of thought and creativity.

Third Night: The Celestial and the Transcendent

The third-night moves to cosmic and spiritual imagery, exploring duality and existential questions. The Blue Horse and Saturn’s rings evoke a sense of awe and mystery, while the whispers of prayer or curses maintain the poem’s unsettling tone.

#Tone and Mood:#

Tone: The tone is introspective and surreal, shifting between eerie detachment and profound contemplation.

Mood: The mood is haunting, dreamlike, and unsettling as if one were walking through fragmented memories or a lucid dream.

#Philosophical Underpinnings:#

Existentialism: The poem questions identity ("“which of us is who?”), morality, and the purpose of existence. The faceless voices and duality of angel/demon highlight the ambiguity of human nature.

Absurdism: The surreal imagery and fragmented narrative suggest a world beyond logic, where meaning is elusive, and the search for understanding feels futile yet essential.

#Conclusion:#

“R.E.M. (Oneiric)” explores the subconscious, blending surreal imagery with philosophical questions. Its layered symbolism, cyclical motifs, and the interplay between creation and destruction make it a profoundly evocative work. The poem resonates as a meditation on the fragility of innocence, the consequences of human creativity, and the eternal tension between light and darkness. It leaves the reader in a state of wonder and introspection, mirroring the dreamlike journey of its protagonist.
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