She was told to get to a nunnery;
Warned not to get involved,
To step aside.
His love was inconstant as the moon,
Defined by worthless trinkets
And very poor poetry.
Instead,
She went lily picking,
Broke her mirror on the bank
(is that a belly bump sinking),
Shattered him to despondency.
It's time for poison and rapiers:
The royal family's dead;
The stench is lifting.

how easy it is to write a poem
of unrequited love
an ode to that insatiable hunger
that lives unwelcome in the pit of
my stomach
and slowly eats away at me
gnawing a black hole into that space
an emptiness i couldn't look at
its darkness burned brighter than
the eclipsed sun
who always called with the most
beautiful voice and promised that
if i simply stopped averting my eyes
i would most certainly become one with you
and i forsake my sight
to have your heat
your radiation from all parts of the spectrum
to burn my traitorous eyes right out of their sockets.

how different it is to write
of contentment and perhaps even
a love that i can reach out and touch
without having it sublimate each atom of my being
and reduce me to a radioactive ash
scattered to the wind.

it's a love that i can submerge myself in
it presses in all around and the
mega-Pascals of pressure simply reach
a placid equilibrium with my porous skin
i breathe it in and my lungs
somehow learn to pull the oxygen from
the molecules of liquid desire and vitreous joy
and it fuels my body
infiltrating and inhabiting every cell
feeding my muscles as i
sensuously move my body
fluid as the frigid water around me.

Oh, to gently enter the water’s embrace,
to be weighed down by
something other than my grief.
The currents look strong, the water rushing
and swirling, voracious in its appetite.
One by one, I drop the flowers into the water,
their petals leave the stems,
they are so bright and pretty against the clear blue swirling currents.
I am on the branch of a tree, gazing down after them,
my ***** blonde hair in my eyes.
Slowly, I prize my fingers off the branch,
and swing my legs over one side.
I jump.
The water is chilling, exhilarating.
I have never felt so alive.
My white dress gathers tightly around my ankles
and I can’t kick them free,
so I lean back, gazing at the green canopy above me,
looking at the bright glow of the flowers
swirling about my head.
Rosemary for remembrance,
pansies, rue and columbine,
daisies, sweet and innocent, like how I used to be.
The water rushes over my head;
I meet my watery grave; I think no more.

My friend Amelia (real name, of course, redacted)
is something of a pained Ophelia.
The play's the thing, the part brilliantly acted;
She stands alone by Hamlet's side,
She sighs and moans and pouts and pines,
and waits for him to be attracted.

But Hamlet I know; He's a friend of mine,
and for her heart, he doesn't pine. He's out to solve his father's ******;
Let him go, Ophelia. It's all right. He won't be dissuaded by your ardour;
your love won't keep him long distracted.

Senpai; My Liege; it all rings far more familiar than it aught.
"Notice me!"
"Notice me!"
or then again...
                           not.

Let my love bleed
let me leave my lipstick on your neck
Let me wrap my hands around your neck
Now it’s your turn, boy

Let my love die
Pull my hair and bite my neck
Hit me and whisper you love me
Stay with me till the morning

And I will take my clothes off
And my body is on fire
And your neck kisses are so earthly
Yet so heavenly
Because it’s irespressible passion

Let my love burn
Let me hit your head with a gun
Let me smack your neck
Now it’s your turn, boy

Let my love drown
Swallow my howling tears
And drown me in your sadness ocean
Drown me
Drown me

And I will take my clothes off
And my body is on fire
And your neck kisses are so earthly
Yet so heavenly
Because it’s irespressible passion

And I will take my clothes off
And my body is on fire
And your neck kisses are so earthly
Yet so heavenly
Because it’s irespressible passion

You died too young
Your angels' voice
Your deep deep sorrow
Don't you know how I need you?

You left too soon
Your wicked heart
Yourdrunk drunk love
Don't you know how I need you?

You are from the black gold era
Black is for your melancholy
Gold is for your inexpressible soul

You said goodbye too young
Your golden tears in the paradise
Your rousing heartbreak
Don't you know how I need you?

You passed away too soon
Your mysterious disappearance
Your breathless dream brother
Don't you know how I need you?

You are from the black gold era
Black is for your melancholy
Gold is for your inexpressible soul

You fell asleep too young
Your American breath
Your rootless trailer trash
Don't you know how I need you?

You gone to glory too soon
Your curly dark hair
Your heavenly muse
Don't you know how I need you?

Ophelia has
flower petals
growing beneath
her tongue, and
I can taste
honeysuckle
when I kiss her.

There are highways
in the grooves
of her hips.
I like to trace them,
and get lost
somewhere between
intimate whispers and
an unsteady heartbeat.

Ophelia has a
mocking jay stuck
in her throat, and
it sings to me
when she finds
herself stuck in
tangled vines and
dwindling
self-confidence.

She weeps at least
an ocean a day,
and that's more
than my diminutive
hands can catch.
I think I'd like to
spend a few eternities
exploring the peculiar
jungles of Ophelia.

The dusty lampshade hung crookedly
as if peering into the next room in anticipation.
Down the hallway were three empty rooms and one wall scuffed where the remote shattered into pieces.

Above her bed used to be a dark spot where she pressed with her little finger
night after night
to quiet the breaking cups, the slamming doors, the shrill, the wordless, the maddening…

When father stopped sleeping
and mother’s slight figure disappeared completely,

She wandered into the backyard, cobblestone steps sizzling like coals in summer,
put her legs in the green pool,
that climbed with moss and grey spume, frothing,
And touched Ophelia’s reflection through the abyss.

There she was, her eyes bright and shining buried in her rosy complexion of which was indecently shown through the discharge of the temperate winds longing like lost military men to taste a woman's sweet words once again. She held in her delicate fingers, thin and unsteady, a chain of sweet nothings that trailed after her scrupulous footstep as if solely existing for the chance to be in her superlative presence. Gladiolus, Poppies, Aster, Delphinium, Orchid, Peony all linked together in a perfect array of scent and color reflecting the consummate image of the girl that led them. The world accompanied her to a cliff looking down on a cold river, the scene smothered with the orange glow of sunset and the sky clear of all but the unwavering flap and call of the birds who claimed it as their own immovable kingdom. She walked to the edge of the land and twisted around, her heels grazing the edge of everything and nothing; life and death; to fall and to walk. Slowly she tipped and her gaze caught mine. I cried out in my head Ophelia, but nothing came to my lips, cold and thin. As she hit the icy drink she smiled, her flowers cast above her about to disappear forever along with all other sweetness worth living for in Denmark.

Dearest Destined Jewel,
                                         Of longest heartfelt yearning, Bestow on thee, Hamlet awaits, Ophelia picking flowers, Magnolia branches speaking, Beautifications of Spring.

Supreme buds of new life,  Magnoliaceae of Queen bees, An enterprise of wonder, Symbolic child's enchanted play, Faeries in flight whisper attractions, Fondness, Les fleurs du mal.

Ample blossoms, Bosoms of delight, Devouring light, Little birds sing, Nestling, Chirping a languishing cacophony, Blissful unawareness, Nature nurture the soul.

A slip then fall, Nearby church bells distract, Into abyss fallen, Elevated body all at once, Floating amidst flora, Drowning, Petticoat woven dress, Resting on fresh valley water, Immersion, No contention, Hamlet awaits.

© Sia Jane