what happen to him
did he go down with the ship
or was it, someone who, got over on him

they say he was, a good guy
as nice as, they come
and everyone liked him
and he liked everyone

was he taken down
by some bad guy
who just did it, for the fun-of-it?
or was it, illicit monetary funds
that was involved

Everyone was upset
and some even cried
the day they hear
Mr. Vic Tim
could have died

Way down yonder in the paw-paw patch
Bang in the first measure
Came the congenital seizure
Skewing the first invention from scratch.
The campfire skied its sparks
Into the ghost-ridden void,
The skittish tchotchkes
Of paradox and entropy
Quirks and tics as dumb as bricks
Until a headstrong mongoloid
Started groping for rhythm
In the quavering spasms.

Oh, but it was a jawdropper
A bang-up tour-de-force
A horrorshow time-warper
Of Luke and Kirk and spice,
The good apple ran the table
Till the old goat hacked the matrix
And the young hawks did their mind-tricks
Of a tessellated cat’s cradle...
And paparazzi made the odyssey
From planets Claire to Z
To dish how cosmic *******
Trysted protomolecule
As the major ghosted ground control...
In all, a very large array
Of bingeworthy groundhog days.
Lukewarm confabulation
Of the smoking embers
From the essential tremor
Ceaseless oscillation
Between good cop and bad copper.

And the girl scouts chorus
With cheeks full of S’mores
“For all of your fables
Of hobbits and hubbles
And sabering at windmills
You will never untie the volition
Riddled into the convulsion,
Nor how the campfire kindles
Nor be one of us.
You will always ***** the pooch
Halfway to the paw-paw patch.”

Nurse Dipso-Etheromaniac
And Dr. Thorazine-Brainiac
Shoved their two-part invention
Cold turkey into the clockworks,
Cleft lip
Fetal eyes
Flipper-fingered
Riddled with the shakes
Cold-shouldered him to another dimension
Where muggles punk ETs,
And their whiskey wizards
Serve up mock elixirs
Not some hair of the dog to undistemper
The secondhand DTs,
His doggo superpower.

Bill Grogan’s goat
(Bam bam bam bam!)
Was feeling frisky
(Bam bam bam BAM!)
Chased three red skirts
Across the galaxy...
“I knew you were one of the ***** boys
But why do your hands shake like that?
They flipper and gibbet all over the keys”
The sour-smelling teacher spat.

And the mean girls echoed
With tongues of acid
“See how they lurch and squirm!
You will never get to the paw-paw patch
You will never find dear little Susie
She will never teach you to hulu
And you will never two-step
With dear old Johnny
With fists of wiggle worms.”

He touched off the fireworks
Torching all your pomp and cirque
In some skullduggery
Of **** and villainy.
I, Dropout
Outcast
Clonetrooper
Mutineer
Hitched a ride north of the watchtower
Where imperial walkers with hooves of ice
Stomped the land flat, and late-blooming
Summer never shakes the phantom menace
Of the winter that is always coming.

Somewhere in the interstellar distances
Of Kantian prairie perturbed by auroras
Like those night-blooming skyflowers
I glimmered back into existence.
I drank with wildings dropped with the dead
And vaped the contrails of the mad rocketeers
(Kid Rambo, Def Louie, Jedi Freddy and Manny
Steampunk Sal and Wig Out Johnny)
But never found sweeter ******
Than the next bridge to burn.
I, callow flamethrower
Of Shiva, the destroyer.

Marshall Gunpowder Jehoshaphat Miller
The bad apple of the force
Hatchet-faced and porkpied
Dead by ****** suicide
Born again old-schooler,
Packing halitosis
From ossified canon
Skywalked me down.
Gospeled me like Luke
And knee-capped me with a curse
Shame; the oldest mind-trick in the book.
I served out my prodigality
In Ludovico therapy
Which for a half-life, somewhat took.

Headlong into retrograde
I crashed the zero-sum arcade
Fed a quarter into the supercollider
And with some crazy tic of the wrist
Spooked the ball’s trajectory
So it champagne supernovaed
And spat out the shabby ghost
Of a birthright lottery.
Thirteen golden statues.
But as the digits flipped
And the mission crept
As it does to one and all
Faster than a cannonball
I flashed back to renegade.

And the made girls chorused,
With cheeks full of Botox,
From their partial-view suites
And partner-track perks
Of bottomless cups
Of shut the **** up,
“You nearly made the grade, you!
But then you had to mouth off job-hop Hulk
Out, which finally betrayed you.
Now Security Guard Miller
Will escort you off the premises
For a reckoning with your nemesis
Regret, the silent killer.”

True, for a season I was a bluepilled moon
Marooned with space junk
And cypherpunk
Doomscrollers
Of deadend might-have beens,
Like the lunar sonata’s
Primal whisper of futility,
Until it tripolars
Into ultraviolent agitato
And hits escape velocity

Now loosed from orbit of the Goldilocks planet
I tumble through space in dumbstruck rapture
Of hurricaned stars and thundercloud nebula
I tremble in the thousand-parsec stare
Of the headless horde of dark riders
That stampede the stony hobbits,
Through the looking-glass of lightyears past
I see monstrous galaxies in ungainly copulation
Blushing Hiroshimas of atrocious release
And multi-sunned planets where misbegotten
Beings shudder into self-consciousness,

While I drift toward the event horizon
To be gobbled into the enigma
With a little gasp of gamma
Hammerstricken wires frisson.
Where the eleventh measure of the first invention
Counterclockwise corkscrews
Way down yonder in the paw-paw patch,
After a very long array of groundhog days
My skeleton crew bunch into alignment
Like that hunch of spooky entanglement
Or just possibly like that eternal dissonance
Quelled by a quanta of true arrogance,

In a clockwork grotto
Grows a chrysalis F-sharp
Where fingers at last Goldilock
Into queasy equilibrium,
To my dumb surprise
The dark sac butterflies
And there is Susie
A little tipsy
On hard compatibilism,
With hips of pulsars
And hands of auroras
She hulus like the time warp
Not spasm without rhythm
But otherworldly vibrato.

Verse 1:
We try to find answers looking towards the sky
All wanna know what happens when we die
As much as I'd like to sprout wings and to the heavens fly
Ain't no halo reserved for me when I say goodbye
Long ago I once believed that lie
Misunderstanding losses
Asking why
Demanding a reason for grief in my heart
Only heard silence
Faith fell apart
Sometimes asked why it's so hard to believe
Say maybe the rest of the world is just too easy to deceive
It's true when they tell you ignorance is bliss
Truth isn't what we want to hear so instead we just dismiss

Hook:
If dying before I wake
Give the darkness my soul to take
Please do not cry
Know that I
Forever am thankful
If I die while I'm asleep
Soul I give the reapers to keep
I'm ready for my funeral

Verse 2:
Beneath the starlight contemplating life
Restless heart beating the question why
Wondering in Morse code if I will be all right
Stuck wandering line
Between wrong and right
But don't trust the route everybody else takes
Hear outside opinions about decisions I should make
In the end do what's best for my heart's sake
Eyes and ears will have to learn from my own mistakes
No matter how high flown eventually I'll fall
Mind is in a race with my feet
Both seem to hardly crawl
Below surface of my skin have trouble dealing with it all
Hanging hopes above my head until I crash into a brick wall

Hook x2

Outro:
I'm ready for
For the funeral x3
I'm ready for
Ready for it
Ready for the funeral

Can we go back to a time when music was good?
When songs were made for quality over quantity,
And words were so meticulously chosen to make  a bar so elegant,
and eloquent,
And mixed so perfectly with the music that it felt nice on the ear drums

Can we go back to when words held weight?
To when diss tracks were 5 minutes and 13 seconds long?
That made the two coasts split even more than just distance?

Take me back to when, rnb actually put people in their feelings,
When you can communicate through music,
And stories were told through rhythm and lyrics.

When every problem became a waterfall that shouldn’t be chased, and a “scrub” was added to the slang dictionary.

When album of the year was actually worked for, and the winning album was not just for songs sung over,
When music videos were good, and not filled with air bending, and **** shaking,
Less sampling,
And real story telling,

Can we steer away from killing bill, and focus on being at your best?
Or being serenaded in candy rain instead of hearing what youngboy says?
Can we go back to a time when music was good?
Because this, this is no where close where it once stood

shifting winds blow tenderly
revealing all that they're covering
unearthing old tunes so lovingly
brushing over their edges and caressing
gentle notes of sand rush softly

Ah, silent wordless love,
Sweet smiling melancholy,
Solitary, symphonic,
Saying nothing, answering nothing.

All the while your tireless arms
Nurse my trembling life,
Caress the gleaming cosmos,
Bringing close the happy heart of God.

We’re on October break, which is a 6-day weekend. For the last two weeks, everyone’s been making plans.
“What do you think of Cancún?” Sunny’d asked me.
“The only people going to Mexico are on the cheap or trapped in a trunk.” I’d answered.

After two weeks of weighing every conceivable terrestrial destination, amenities and available attractions, we (there’s six of us suitemates - Sunny, Lisa, Leong, Anna, Sophy and I) settled on good old Manhattan, where you’ll find us in adjoining-suites atop the Plaza hotel (thanks, Grandmère).

Things went CrA-CrA (crazy with a capital K) right off the bat. Sunny, as it turns out, KNOWS people here, and we decided to ‘walk on the wild side’ for one or two nights and check out a few fem-facing clubs. Now I know how sensitive we all are about pronouns, and what-not, but I’m going to try to simplify for a broad audience. These are lesbian clubs.

One thing I like about Music is sharing it with friends. Communities have always formed around art in whatever form. There are book clubs, film societies, Trekkies, Swifties and apparently, wild-*** lesbian dance clubs.

On our first night in Manhattan, the sun had barely set when Sunny said, “Ok then, let’s go!” And off we went to a “Femmquerade Ball”. I think that’s a combo of ‘feminine, queer and masquerade.’ She’d told us beforehand what to wear, “Take sweatshirts, those will come off - it gets hot in there - otherwise t-shirts, jeans and ballet flats - no purses.”

You know, I thought punk music was dead, ideating its death somewhere in the 90s. I was wrong, it’s ALIVE.
You know, when everyone’s feelin’ it, when two hundred people are rocking as one, club-life is transcendent. The club vibe was interesting too, there was a safety and freedom to it. You're in a crowded club, somehow without the limitations of the banal male gaze, with its sexist expectations. I don’t know how else to describe it.

I don’t think music has to have a message to earn its place as art. Folk romance music’s ok, jazz has its reach, opera is still happening and of course there’s regular dance music - cause sometimes, you’ve just gotta jiggle it.

That being said, there’s a saying that “Punk is truth” and that comes from its rawness and authenticity.
Punk has a ‘low barrier of entry’, as the academics say. It’s a game anyone can play. Punk isn’t autotuned, the bands use second-hand guitars, there are no synthesizers, the speaker stacks were shared, the vocalists lacked training, and I’d guess that none of the players were burdened with unpaid Juilliard tuition.

Punk’s always been outsider art, a scream along, you can’t go wrong, fire and every punk song is a garage invitation to joyously rage. As we drove to the club, Sunny had said, “Think of punk as dance music without inhibitions. It's straightforward and unapologetically for the people who can’t bother to keep to the dance steps and aren’t above getting in each other’s precious space.” Every word of that was true.

Punk lyrics are about the problems and issues of real-world people. It’s a roll call, a manifesto, implicit and explicit in stylish screaming. I’ve always called it scream-0. The point being, that while the rest of the world is restrained, heteronormative and reduced to a corporate gray backdrop, there’s still room for comradery, agency, outrage, pumpkin-Jello-shots (@ $16 each) and a bit of winking fun.

We DID have fun but I’ve been hoarse all day today. As we’d climbed into the car, last night, for the ride back to the Plaza, Mr. & Mrs Charles pointedly removed ear plugs from their ears - the kind they give to airport workers who work around jet engines all day. Charles laughed and said something, but I couldn’t hear him.
My ears were still ringing.
.
.
Songs for this
Rebel Girl by Bikini ****
Hash Pipe by Weezer