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Life isn't fair for all, that much is true,
There's a path for me and everyone of you.
In the brevity of our days,
We're tasked with choosing life's ways.

Forgive who hurt, let grudges fade,
Memories to linger, they've been made.
Stay true to self, in every deed,
For authenticity is what humans need.

Make peace with ghosts of yesteryears,
They're but echoes in our ears.
Comparison is a thief of joy,
Each life is its own unique floy.

A engine, the brain, and heart too,
Powering thoughts and desires anew.
Happiness lies within your grasp,
No other holds that sacred clasp.

Time is the great healer, stitches wounds,
Turning sorrow into tunes.
Embrace your quirks, be eccentric,
In diversity, find the magic.

Life's a journey, not a race,
Laugh, love, and find your grace.
Believe in miracles, they're near,
In every smile and in every tear.

Envy breeds resentment, it's true,
But your journey's yours, others cannot pursue.
My friend, the best is yet to unfold,
In our stories which should shine as gold.

It's never too late to seize the day,
To chase your dreams, come what may.
So let these truths light your way,
In the dance of life, let's sway.

By
Sanji-Paul Arvind
Le Toad Mar 25
Gift of The Magi

Were I, Magi,
I might toss the runes,
Look across the sweeping sands
And marvel at the dunes.
Read the words of poets
Who have courted many moons,
Search the far horizon
For signs of passing.

This sense of great sadness
Moves through the midnight air.
I ask a lone stranger, but they
Just look at me and stare.
And if I stare right back at them,
Their stare becomes a glare.

So I look across the sweeping sands,
And marvel at the dunes,
Open up my velvet bag,
And again, I toss the runes.
preston Mar 24
a story of firelight, clarity, and the homecoming of a soul back to herself


There are some who carry a fire
so quietly,
you’d only see it
if you’d known the dark yourself

It lives beneath silence
Beneath poetry
Beneath the long, slow ache
of having been kept in pieces
by those who only wanted her
that way

She once danced barefoot in sea foam.
She once laughed without apology
But the world found her too wild,
too bright

And so, her flame was hidden
Tucked beneath beauty
Tucked beneath obedience
Tucked beneath seduction,
where it could be wanted
without being understood

There were those who praised her darkness
not to heal it,
but to keep it fragmented..
Passed around, from man to man;
each, feeding off her trauma
like wine at communion

They spoke her name like a spell,
fed her flattery disguised as reverence,
called her “muse”

while binding her
to their emptiness—
keeping her soft enough
trying to wrap her back
   in velvet fog

   to possess
   but never  protect



But the truth was always there:
a longing not to be touched,
but to be known

And far from their fog,
in the wide, holy silence of the desert,
a fire had been lit—
long before she was ready
Not to summon
Not to ******
But to wait

She didn’t arrive quickly
Clarity is never quiet
And when she moved toward it,
their voices rose
A full court press of shadows—
pulling, twisting,
offering her everything
except herself

But she remembered
Not all at once..
Just enough

She remembered the fire.

And she came.

Not with promises
Not with plans
Just barefoot
Just brave
Just her

And someone else came too—
not a child,
not a man,
but a sacred presence
she’d known since the nights
she almost didn’t make it

The Mediator

He did not speak in poems
He chanted something deeper
He dismantled pinecones
like prayers
He did not explain
He existed

   And in his eyes,
   her divided selves
   saw each other again—

—the one who had hidden,
who had been used by those  bringing
their passion-veiled hidden love of  Iblīs
in to her room..  into her father's house
as she burned quietly behind closed door
under the floorboards of her life;

—and the holy one of God,
the one they feared,
the one  she  feared,
the one that could not be claimed
or chained
or cast in velvet light

The sacred and the shattered
stood before the fire
and did not turn away

And the one who had waited—
he never moved toward her
He simply tended the flame,
making room
without demand

When she finally spoke,
he answered with a voice
that sounded like something
she used to believe in

She asked,
“Why didn’t you come find me?”

He said,
“Because you weren’t lost.
You were divided.”


And she wept,
not from sorrow—
from recognition

Later, as dawn whispered at the edge of the sky,
she asked what no one else had ever let her ask:

“Is there a place for me?”

And he said:
“You don’t have to be finished
to be home.”


And that’s when she stood.
Not to flee.
Not to perform.

But to become.

The sacred self took the hand of the shadow self.
The dark one was no longer exiled.
The holy one was no longer alone.

And together—
they walked toward the sea.

She could see her father on the water,
laughing in his little boat,
calling out to her to bait the hook again.

And she laughed—
really laughed.

Because she was no longer
just surviving.
No longer  the little girl
forced to apologize
for her very own existence.

Or exploited  by others
for the beauty that is within her

   She was whole.

She didn’t need the fire to keep burning.
She carried it now.
Inside.
One flame.
One name.
One woman.

At last,
the sign wasn’t moved.
The arms were real.
And she walked toward freedom
as herself--

   Never again
   to be pulled down
   to the ground

   by her hair...

   for the "horrible offence"
   of simply  shining too bright



Looking down on empty streets
All she can see
Are the dreams all made solid
Are the dreams made real

All of the buildings
All of the cars
Were once just a dream
In somebody's head

She pictures the broken glass
Pictures the steam
She pictures a soul
With no leak at the seam

(Let's take the boat out
Wait until darkness..
Let's take the boat out
Wait until darkness comes)

Nowhere in the corridors
Of pale green and gray
Nowhere in the suburbs
In the cold light of day

There in the midst of it
So alive and alone
Words support like bone

Dreaming of Mercy Street
Wear your inside, out

Dreaming of mercy
In your Daddy's arms again

https://youtu.be/DYw9UrsFJa4?si=6KZ6M2h1mbm58dCn


I love you, beautiful Sand-child❤️
xoxo
preston Mar 17

She stands at the Well.
But she is not alone.

A voice speaks—
"You have no husband, do you?
Not just one—not two—but many.
And still, you are thirsty."


She freezes.
Because the voice is true.
Because she is seen.

But she resists.

"It’s not just the men…"
Her hands tighten.
"There is another ‘her’ inside me.

She fights. She *****.
She wants destruction and hunger and chaos.
She doesn’t listen. She doesn’t stop.
She is the one who makes me want to throw myself from a cliff
just so I don’t have to deal with her anymore."

"She’s gonna do something crazy,"
she whispers.
"And I’ll be gone. Like I was never even here."

The voice does not flinch.
"Then let Me meet her."

Silence.

A storm brews behind her ribs.

The "her" within her stirs—
The dark one. The wounded one.
She crouches behind the rocks, clutching her shame.

The other "her"—the one who still believes—
She wades into the water, hands lifted, reaching for salvation.

One moves toward the Light.
One remains in the shadows.

"You see, Lord? She does not belong to me.
She belongs to the dark."


A pause.

"No," The Spirit says.
"She belongs to Me."

The rocks begin to shake.
The water ripples.

Behind the trees, the dark "her" presses her back against the bark,
watching the water, watching the other "her" wade in.
She wants to believe.
She wants to step forward.

But she remembers.

The love of man is dishonest.
The world swallows and devours.
Every time she has trusted, she has been burned.

"The water will steal me," she whispers.
"The light will dissolve me. I will disappear."

But the Spirit does not demand.
It does not chase.
It does not force.

It only knows.

"You are afraid that surrender will erase you," the Spirit says.
"But you have already been erased."

The words cut deep.
Because they are true.

"You live divided.
One ‘her’ in the shadows.
One ‘her’ in the light.
Neither whole.
Neither free."


The dark "her" clenches her fists.
"You don’t understand her," she spits.
"She needs me."

"No," the Spirit says.
"She needs  Me."

The trees begin to shake.
The wind rises.

"Come, little one.
I have been waiting for you."


She takes a step forward.
The trees do not stop her.
The rocks do not hold her.

The dark "her" and the one who waits—the one who believes—
They are not enemies.
They are not strangers.

They are two halves of the same soul.

And Love—
Love has come to bring them both home.



The Art of Salvation

River running..
That rushing sound in these parts
spell out the words, crystal-clear..
Tree-lined banks, giving way
to the Dark Hills,  upslope

Giving way,  to
granite-rocked outcroppings
giving way to  elk-hidden quakeys
Surrendering their holy-huddle's
pristine stances
to tall  prairie-grass, waving
wild raspberries  and tall pines

    And I,  myself..
    am surrendering also
She is watching the water, believing
That as it flows,
she will not lose herself in it
That it will not steal,  but heal

That I will not  rage again
within my fear

I am watching her,
watch the water
I am watching the water--  believing
That as I give  of myself
further  into the flow

that I will not become  diffused
by humanity
By the love  of man
and all  of its dishonesty

and all  of its  diabolical treachery

Of its  lack of concern,
or understanding
Or ability to break through
its own,  self-centeredness

Or its need  to swallow me up
    into the mundane.
Her hands are in the air now,
praising..

Worshipping
the true nature  of the flow,
Believing..
that I will let all of this, go
And as she  wades in
I ease, back--

Retreating
up the Dark Hills, *****
Clutching tightly..
To granite-rocked outcroppings,
  weeping.

Hiding in the quakeys,
among the majestic elk
Begging for the tallgrass, cover
among the wild raspberries.
   Now, fully concealed
   in  tall pines.

Her hands
are stretched out,  now..
as if hovering  over the waters,
participating

While I hide  from it all

While I hide,  from humanity;
From the fallen,  love of man

    She is wading in,
    Believing
.    
As I am leaving;
Believing

    As the cloud-hidden sky,
    starts raining--

playing the most incredible, of tunes..
https://youtu.be/PgRafRp-P-o?si=1A3rb7ajt_ZPlMW2

xox
https://hellopoetry.com/poem/4407079/the-art-of-salvation/


"Little Spirits  were born
with their little  freedoms  intact--
In freedom.. they are only
drawn out  by Love"

youtu.be/i-kHleNYIDc

            ❤️❤️

https://hellopoetry.com/poem/4736547/children-of-the-quakies/
xo
If she is not beautiful,
Nothing is,

If her eyes are not deep,
Than the ocean is a puddle,

If her kiss is not a blessing,
There is no magic in anything else,

If her taste is no wine,
Than no drug will entrance me.
She is
irinia Mar 11
light lingers on stones
I love to be a spectator
women's hair hallucinates sunflowers
time is hitting the walls
today our ribs/smiles don't hurt
these pavements are the custodians
of wind's secrets
our eyes see without effort
a strange divination possesses this journey
from egg to coffin

light travel through us as if through
an ocean of bones
a poem dreams its exile into words
the trees let us see the seeds of time
we confuse happiness
with the boutique of dreams
and that's alright
some magic was saved on Noah's ark

springtime smells of women's hands
a young man conjures an intact eden
silence is grinding the air
at the end of things, the root of water
No soul paid witness,
To the burst of light,
At the beginning of time.

No soul saw the magic,
As it grew, forming the light,
Forming the dark.

No soul heard the heavenly spirits call,
From the risers of the stars,
Down to earth to raise the first dawn.

So all we have is faith,
A lone tie to what we failed to see.
Whether or not there was magic or God, there was something amazing, and that is what faith holds on to.
Before you left,
I was a paradise,
A magical land of prosper and beauty.
When you left,
The rains stopped coming,
All the magic dried up to sandstone.
Then you came back,
With a river running wide,
Eroding the armored stone of my heart.
I prefer the sequel
Maryann I Mar 3
Click your heels, darling—
red as fresh-spilled secrets,
lacquered in the longing
of a girl caught between worlds.

The shoes gleam under studio lights,
a crimson promise, a whispered lie.
Tread lightly—the yellow bricks burn,
hot as stage-lamp sunbursts.

Magic is a contract signed in dust—
not fairy dust, but the kind that coats lungs,
turns breath to wheezing lullabies,
fills dreams with silver-flecked scars.

The witch shrieks, fire swallows her whole—
the flames don’t wait for cut.
She vanishes, but the burns stay,
seeping beneath the green of her skin.

The Tin Man rattles, hollow but breathing,
lungs stiff with powdered metal.
His tears are made of oil now,
his smile a polished afterthought.

Toto limps off set, paw trembling—
no curtain call for the crushed.
The monkeys drop like fallen stars,
wires snapping mid-flight.

And Judy—oh, Judy—
her laughter is stitched together,
a patchwork of amphetamines and exhaustion,
eyes wide as if searching for Kansas
but only finding the next scene.

Still, the shoes sparkle.
Still, they tell you to click.
Because every girl wants to go home—
even when home is a fairytale
built on broken bones.

Click, click—
but the magic is only real if you believe.
This poem was inspired by the tragedies underlying The Wizard of Oz—because there is a very hidden suffering beneath that magic. From disastrous injuries on set to the exploitation of Judy Garland, the film’s glamour was built on real-life suffering. The red heels transform into a haunting symbol — not only of escape, but of the price of illusion.
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