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Your hand in mine, a fragile weight,
a thread unraveled, pulled too thin.
The clock still moves, the seasons change,
but time won’t weave you back again.

I speak your name, the air stands still,
as if it dares not let you go.
But silence hums a bitter truth—
some echoes fade, some rivers flow.

So take this breath, this fleeting glance,
before you slip into the past.
For love remains, though you depart,
a haunting ache that’s meant to last.
10. The Final Goodbye
Vianne Lior Feb 14
Stone lion mourns deep,
etched in grief, yet standing proud,
bravery carved wide.
A lion falls, yet duty stays,
Carved in stone, his honor sways.
For king and cause, they stood, they died,
Their silent valor, petrified.
The Lion of Lucerne stands as a testament to the bravery of the Swiss Guards who gave their lives in 1792, embodying the timeless bond between duty and sacrifice. Its mournful yet proud figure immortalizes their heroism, carved in stone for generations to remember.
You do not belong to this soil,
not the way they did—
feet sinking into peat,
lungs lined with salt and prayer,
bodies turning to moss before memory.

But still, you stand here,
four generations late,
hands in your Primark pockets,
mouthing names you were never meant to carry,
even as they sit inside you,
your first name stamped with their last,
a borrowed relic you never earned.

Your brother gripped the wheel like a lifeline,
right-side driving out of Dublin,
left shoulder braced against muscle memory,
like he expected the road to turn on him.
Mom rode shotgun,
printed-out censuses fanned across her lap,
highlighted, annotated, dog-eared—
a roadmap made of the dead.

You sat in the backseat,
cheek against the window,
watching Ireland unfold in slow exhales—
stone walls dividing nothing from nothing,
a horizon stitched with ruins,
the color of a postcard left too long in the sun.

Mom recited their names like prayer beads,
rolling them through her fingers,
waiting for recognition
that did not come.

And then you were there—
the grass, damp and grasping,
twined around your ankles,
softened under your weight,
pulling you down like something remembered.

The graveyard was older than the road that brought you there.
Headstones leaned like tired men,
softened by wind, by rain,
by the weight of a hundred years unspoken.
Their names smoothed into murmurs,
the dates washed into dashes.

And at every grave,
a small stone sign,
half-buried in moss,
letters chipped but certain:
KNEEL AND PRAY.
Not a suggestion. A sentence.

You did not kneel.
You touched the name instead,
ran your fingers over the grooves,
over the letters that built you
without ever knowing you would come.

A crow clicked its beak from the low wall,
watching the three of you like it had seen this before,
like it knew how this ended.

You whispered something you could not name.
The wind took it from your mouth,
tucked it into the tall grass,
laid it at their feet.

And then you left,
but the wet earth held its claim,
clinging to your soles,
like it knew you’d be back.
You are not the first to stand here,
shifting your weight from heel to toe,
listening for something that won’t answer.

This was someone’s altar once—
iron-veined and humming,
burning red under the weight of hands
that bent it to their will,
knuckles split and salted,
prayers exhaled through gritted teeth.

They worked like men who had no choice,
backs arched into the shape of tomorrow,
sleeves rolled past their elbows,
skin browned with the kind of sweat
that never washes off,
that seeps into the ground
like blood, like proof.

You were born too late to know them,
but their bones remember you.

You carry their names in pieces:
a slanted initial in your passport,
a jawline that sharpens the same way,
a craving for salt, for silence,
for anything that lingers—
but never long enough.

Time has worn them down
to a Sunday ghost,
a muttered grace before supper,
a name no one says right,
a thing you promise to remember
but never write down.

The rails are rusting,
but still they hold.
The ties are rotting,
but still they grip the earth.
The past is splintering,
but still it snags your skin.

You wonder if their hands ever ached
the way yours do,
or if the ache was different—
deeper, heavier,
rooted in something you can’t name.

You wonder if they knew
they were building a road
no one would walk back down.

And you wonder if they’d still have done it,
knowing they would fade into dust
long before you came looking,

long before you ever thought to ask,
before the rust reached the marrow,
before their prayers turned to silence,
before you let their stories slip
like sand through your teeth.
Lostling Feb 2
I sit on a hill
Grass poking into my palm
The night air woven in ice
The sky is filled with glittering stars
Nestled within the frozen void
Like little jewels in black velvet

Such beautiful corpses
The light of stars will still be visible from earth for a long time even after they die.
Sairs Quinn Jan 31
sometimes, stories outlive their storytellers - and that's okay. it's a circle of creation.

it is, then, a true testament of time, when such stories blossom and grow without the atmosphere of conception.

history in the making, or, rather, the thought that is a constant of the Human Condition:

history repeats itself.
i recently found this in my old scribbles and notes. i have no idea when i wrote it, but the handwriting suggests i was merely 16.
Bekah Halle Jan 21
On my walls hang two pieces of art;
large canvases boldly splashed
with colour, stroke upon stroke formed vivid arcs.

I wish I had kept my father's paintbrushes,
they were tools of masterpieces.
From them, my strokes could have made faces flush
and inspired songs and poetry; love?

*
But, perhaps ‘twas a blessing to create with unique expression and freedom.
Jim Vaughn Jan 14
She bled the day the universe was built,
walking on tissue so broken
she called it art

Broadcasting cryptic wartime stump speeches,
in the morning she picked flowers
and read the part

The tired eyes awaited their salvation,
a release into salted balms
of letting go

But she persisted into the encore,
owning the role forged over a
lifetime ago

Soup lines turned to soup cans in the fallout,
merits grew with city limits
over lost bones

While music trespassed sunken hunting grounds,
mounds of soil and debt would not rest
with plastic thrones

When a hasty destiny came to pass,
and art turned to desperate prayer
she learned to wait

And now her brazen footsteps mark the halls,
the air tastes of tales that once were
hers to make
Michael Jan 12
One day, when I’m old
And the skin on my hands
Is thin and dark with bruises,
Like burnt paper.
When I look back
on my legacy
Will I be remembered,
for my friends
Or my vendettas?
What will my legacy be?
An aggregation
of meaningless treasure
Or commemoration,
Of treasured times?
fish-sama Jan 7
Greek heroes fall
Down and down again.
Years of glory,
Birthdays, family
Gone in a
single push
in a single
sun-burnt wing.

Will you fall tomorrow
As well?
Fear of death
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