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Valentine Aug 2024
the answering machine let out a beep
with a message soon following
just words stringing together sentences
phonetics, tongues branching the space
between syllables
not a voice, a sound decorated with an accent
created by a language that has taken
all of history to form

and i slept through it all

you can hear the transmission towers
around my house
buzz if you walk underneath them
electricity with somewhere to be
shoving breakfast in its mouth
and rushing out the door
to my neighbors and their 32 inch
flatscreen TV

and i slept through it all

the DVD player will keep replaying
the film if you don't unplug it
one continual loop all night long
scene after scene, cinematic sequences
following quickly in succession
without a hitch, without fault
one actor triggering the other
one domino falling upon another

crashing and burning

spiraled far into the nighttime
i woke up
to unfamiliar noises and unseen voices
people made of black and white splotches
projected from a box aflame with static
and i decided right then
a starring role in the world wasn't for me
falling back into sleep

the movie continued on forever
and i slept through it all
loosely inspired by a childhood memory of mine where i fell asleep in front of the tv and woke up hours later to the movie restarted and playing the exact scene i fell asleep to. pretty eerie to 9 year old me haha.
Norman Crane Aug 2024
of what's a house built,
tatami mats without
figures, ghosts within walls,
haunted by the absence
of anyone of substance who calls,
ozu, can you hear me? in
these rooms of noh occupants,
transients staying only a night,
staging a performance for no audience,
except me, turning slowly to dust,
late spring in tokyo twilight,
floating weeds in an empty house,
by a projector's light.
Kiernan Norman Jul 2024
Cut to me: tempting his anger with my white-knuckled grip and words so honest they could make a saint scream.

Cut to him: choking on his own twisted tongue and front-door fear.

Cut to me: still holding the reins of the wreckage, still not letting go-

Cut to him: saying sort yourself out, saying he’s broken women far stronger, saying anything he can to turn me against him, saying he’d pay for my own heart to be sealed.

Cut to me: a daisy in my mouth, a blackbird in my hand, a shattered window in my chest. I have this feeling that I'm not supposed to be here, I have this feeling that I’m only half-way through this story.

Cut to him: six feet tall, and each one a cellblock of quiet anguish.

Cut to me: cutting my feet on breaking branches, scraping my fingers on the rough bark of a tree. The poems don’t say anything, the tears never come. The rain falls in the wrong places, the daffodils die for the wrong reasons.

Cut to him: new job, new state, new life. Starting from scratch but still scratching at the itch that looks like me, still licking wounds from the daggers aimed at my hope that ricocheted back to his own. What does he do with his hands when he thinks of me? How does he deal with his guilt when it claws up his throat and he’s afraid to spit it out?

Cut to me: dreaming him with long hair. I don’t know where to imagine him when I imagine him; a topographic map of unknowing in my mind- an uncured landscape and rough terrain. I see him as a question mark in the wilderness; forging his own labyrinth of twisted truths and hop-scotching the minefield he planted.

Cut to him: Not really in the wilderness, probably in a condo in a mid-sized city. I think if he meets a nice girl who tags him in her Facebook posts, I’d have to **** myself.

Cut to me: demolishing the both of us, casting his secrets like seeds in the dirt, watching scandal bloom, and his character rot in the high noon sun.

Cut to me: imagining annihilation, holding his hand while leading us to slaughter, destroying us both, and having a marvelous time doing it. I’d make sure they slit my throat first; he’d have to hold me while I bleed out, stroke my face as it loses color, and tell me it’s going to be okay as I fade away.

Cut to me: doing none of these things. I don’t have it in me; when I told him I’d never hate him, I meant it. Wading through summer defanging the snakes in my belly, hoping he’s declawing the tigers in his mind. I won’t admit that I’m waiting, but the story's just half-told. Our plot is paused, and I’m sitting alone, but what if it’s merely intermission, and he’s just at the bar, getting us drinks?
Zywa Jun 2024
Perfect images,

captured, just for a moment --


Already passed by.
Film "Les magnétiques" ("The magnetics" / "The audiotapes", 2021, Vincent Maël Cardona)

Collection "On the fly"
Kj Kennedy May 2024
Aguirre travels savage lands
through jungle vines and streams
in search of some deceivers dream

guided by an unseen hand
he judges men from where they stand
clears a path towards his goal
a city lined with streets of gold

now a king he cannot fail
madness steeped in divine detail
chasing shadows arrows abound

Aguirre, you held the wrath of god
Aguirre, now you stand alone

Aguirre listen real close
You'll hear the devil laugh
he can smell your ego
your soul is burn'in for a foolish task

Aguirre, you held the wrath of god
Aguirre, now you stand alone
Aguirre, you held the wrath of god
Aguirre, now you stand alone

the dream is now soiled your body is boiled
taken by cannibals in the wild
Carlo C Gomez Mar 2024
~
His latest greatest film,
Spa Days Before Life Support,
welcomes back misanthropy,
ventures with vultures
--tasteless exchange--
a depraved ideology
that drains the heaven inside
his lead actress.

Straw men,
watching the storm clock
on opening night,
praise its framework
even if hollow within.

Visits to the ***** carnival
next to the reconstruction site,
leave the pamphleteer
with no options other than
filling silk pockets.

And his trophy wife,
good for the press conference,
bad for the environment.

Let the ladies know
empowerment
is another name for
imprisonment.

~
Carlo C Gomez Jan 2024
Morning drops like a parachute,
circumnavigating
the irrational things within her.

She drew the grim cartwheel
--crayoned images of kids in closets,
and blackens them into
illustrations of war.

She sleeps on bleak days
with young cameras,
Lucy under the tongue,
rosaries at the border
feel like pins and needles
to an adrenaline sorceress
in giallo approach,
her eye in a labyrinth,
the eye she lost in the Crusades,
filming streets below
the color of dark Roman wine.

It's a staring contest,
waiting on rooftops
in stages of collapse,
there she lives or dies
at the dividing line with the grave.
Carlo C Gomez May 2023
hand cranked
re-imagined 35mm slides
Rough Trade posters
on the wall
Pepsi and premade sandwiches
on the counter

aperture: wide open
he sees her often at the multiplex
there she flirts
from the third row; second seat
sheer blouse
hands in elliptical motion
pointing toward
silk chiffon shells
the invite in a tilt of her mouth
lip; gloss
eyes hidden from the light

a prayer before intermission
celluloid reliquary
reveals God's plans
lest her trifling with him
cause a miss in changeover
enraging his self-regarded audience
the walk back to his car
one long montage of her lacing up
Carlo C Gomez May 2023
Man.
Woman.
Ghost.
Little wind in their sail.

Boat.
Watercraft.
Impulse.
Limited space on board.

Free from heart. Free from clothes.
Drunk together for a swim.
Errant, disinterested kiss, planted
under the keel.
A sparse ****** isosceles is struck.
Parts are muted and slit-eyed.
Parts are surface tension.
Parts are counterparts.
She pulls away, running below deck
and vigorously brushing her teeth
before weeping.
The razor of night struggles to sleep.
The sharp object thrown overboard.
No one wants to be first or last.

"We're out of words and moons and stars, there's no tenderness in us..." she said. "When did our love become the stab of ultimatum?"
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