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chelsea cj Nov 17
The sunlight bounced of the windows in a way that not even me or Bryon could find a way to describe.
Caw , call , caul ,
the bird , mermaid birth ,
it reclined over the Childe's
face .
Striga and born with a shirt ,
carefully the child shifted it
to one side .

An earthly lord ,
transcending a hero's
archetype .
Fly wastrel to enchanted
faerie kingdom ,
and watch a whole world
pass away .
Byron was born with a caul ... the slang names for which are listed in the first stanza .
In times not very much before his , it was thought a child thus born was a
' faerie ' child or even the sign of a witch ( striga ) or vampire .
i confess you like a sin
my friends are getting sick of it
and i'm quoting you like Byron
and i’m just getting sick
like a song in my head
if god existed
like a bruise on my neck
we would have discussed it
so I just quote you again
and it's still obsolete
cause Byron's got nothing
and I'm doomed to repeat it
Carlo C Gomez Jun 2021
~
Ada's got a scheme
a flying machine
constructing wings of
paper, oilsilk, wires, and feathers
faster than light
in all kinds of weather
Ada's going to fly

~
For Augusta Ada King, Countess of Lovelace (née Byron; 10 December 1815 – 27 November 1852), daughter of poet Lord Byron and renowned mathematician. She valued metaphysics as much as mathematics, viewing both as tools for exploring "the unseen worlds around us."
annh Apr 2021
|small gee for god; big bee for byron|
Strikes a chord with you, does it?
This shambling poverty of thought,
Insta-rated and underwhelming;
Thank god for Byron.

|keats versus shelley|
Sparing no injury to his phthisicky frame,
Keats lies atop a make-believe of cherry trees
Searching among the clouds
For wealth, health and a Grecian urn,
While Shelley does Venice
And blows himself a hookah.

|o poesy! for thee I grasp my pen|
Panning the wayward sky for inspiration,
A hope, a word, a beginning;
A versification so ecstatic as to transfix the senses and pierce the heart,
A lightning phrase capable of uprooting all commonality,
As outrageous a miracle in the minds of men as crucified immortality.

|requiem|
Unlike the wilting rose which has no higher calling
Than to bloom and die upon the stem,
And having relinquished its last perfumed petal
Retreat from memory again,
I fear that I shall linger,
Tethered to this eternal moment
By shudd’ring will and breath combined,
A brighter shade of myself than what of me I have left behind.
An extremely weird mix of tone and content! Started out as one thing (a dig at the samey sameness of Instagram poetry) and ended up as something else (a celebration of Keats). Not to mention the “Bright Star” scene review somewhere in the middle. Never mind - better luck next time!!

‘When old age shall this generation waste,
Thou shalt remain, in midst of other woe
Than ours, a friend to man, to whom thou say'st,
“Beauty is truth, truth beauty, - that is all
Ye know on earth, and all he need to know.”’
- John Keats, “Ode on a Grecian Urn”
Liz Rossi Mar 2020
You wanted a love story, sweetheart—
    well, I’m an unwritten tragedy;
  hand me a skull and I’ll monologue
while Rome burns.
      We’re two acts in and falling fast,
         we’re half a city down and soon
            there’ll be nothing but ashes.

          You wanted a love song, baby—
        I’ll sing to you in a minor key,
harmonies in the rain under neon stars,
            screaming in tune with flowers in your lungs
      and blood in your hair
and city lights and city lights and
                                               city lights.

You wanted a love letter, honey—
“Dear Heartbreak,
   I’ve got purple bruises on my chest
     where my prose hits me. I’ve got
       a mess of clichés and a dark and stormy night
         and a pinch of melodrama,
           no talent but I’m trying, honest.
             I don’t suppose you could maybe
              unravel me a little?
               Cut me open like a knife through butter?
                Maybe then I’ll bleed words;
                 maybe then the poems will spill out of me,
                  entrails unravelling.”

You wanted a love poem, darling—
                meet me in your aspect and your eyes
               at ten o’clock tonight. Rome’s burning, baby,
              and all our lions are loose. No time for
    sonnets; we’ll climb the Colosseum with
    our flowers and our songs and
                             we’ll deny the gaudiness
                                                     of the day.

You wanted love, sweetheart—
I’ll give you everything I am:
           a burnt-out city,
           a soliloquy in G minor.
               I’ll play til my fingers bleed,
                     sing til my voice gives out and
                                                             ­            maybe—
maybe
it’ll do.
byron’s “she walks in beauty“ is the one i’m wittering on about in the fourth stanza.
Eleanor Apr 2019
And did they hear, those on-looking distant
Rules, hear did they what was said to the world?
That story must be told by one “me,” can’t
Have a sonnet without that one letter mold—
First person voice, and make it beautiful,
Can’t have a sonnet that doesn’t love,
That doesn’t speak from a mouth of its own
That doesn’t rhyme, that does not resolve
Can’t call it a sonnet if it won’t grow old,
Not Shakespeare but Brooks, not Byron but Stein
And here— the words that did not do what they were told
And here— rules fall, away in line in line
But author? Who author, who inspire? Who make?
Un-sonnet, un-sung it, not claimed. Not take.
Jenny Gordon Mar 2019
Keats swooned over a world that never was, except in dreams, and I've no use for that.



(sonnet #MMMMMMMDCCLXIII)


In lieu of aught we know:  blue skies t'avail
Sans blot of clouds 'til puddles mirror thence
Heavn's eye...take up the chalice to drink hence
That fragrant draught which yields as if to scale
More heady visions than we've drunk, t'exhale
Like sailors on the faerie seas, pretense
Our dainty meat; as lovers swoon for sense
Oer plighted troth, not as we know; sans bail.
Go into raptures likeas Keats would stir
And Byron knew to write, as Shelley drew
Up in his Ode, faint cuz ye know in tour
What minstrels sang in ballads, weaving to
Effect those silken strands to snare souls fer
The Devil's heights.  Cuz what we have won't do.

11Mar19c
NOTE:  Who knows of L.E.L. ie Letitia Elizabeth Landon?  I prefer reality though it's far too shallow.
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