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r  Oct 2013
The Saddle Preacher
r Oct 2013
He was baptized in whiskey
and gunsmoke aroma
Took up with a Cherokee woman
Quite friskey
Down in the Territory of Oklahoma
Tired of one too many killings
He took his side iron off
Wrapped it in its holster folded
Inside a gun oiled rag
Replaced it with his Mother's Bible
From within his saddle bag
Listened to that smart Indian woman
Who said he'd hung around the Territory
Too long
And if we don't skeedaddle
You'll be hangin' longer than you want
Smartest woman he'd ever known
She'd heard there's no law or religion
West of the Pecos and beyond
So they headed out to Texas
To preach the gospel to outlaws
****** and poor Mexican Catholics
Wrote off the Oklahoma Territory Baptists
Whose thick hides hide drunken sinners
Ridin' hard and fast her buckskin skirt
Above her thighs
Ridin' with a winner
Dark hair flowing behind
Ridin' hard to in his sight keep her
Such beauty that could stir the
***** and mind
Of even an old saddle preacher

r
An old one lost and recovered by my friend Lane Richard.  First posted 16 Apr 2013.  Thanks, Lane.
Bunhead17 Nov 2013
[Intro]
Ain't this what they've been waiting for? You ready?

[Verse 1]
I used to pray for times like this, to rhyme like this
So I had to grind like that to shine like this
In a matter of time I spent on some locked up ****
In the back of the paddy wagon, cuffs locked on wrists
See my dreams unfold, nightmares come true
It was time to marry the game and I said, "Yeah, I do"
If you want it you gotta see it with a clear-eyed view
Got a shorty, she try'na bless me like I said, "Achoo"
Like a ***** sneezed, ***** please before them triggers squeeze
I'm gettin' cream, never let them hoes get in between
Of what we started, lil' ***** but I'm lionhearted
They love me when I was stuck and hated when I departed
I go and get it regardless, draw it like I'm an artist
No crawling, went straight to walkin' with foreigns in my garage
Got foreign ******* menaging, ******', suckin', and swallowin'
Anything for a dollar, they tell me get 'em, I got 'em
I did it without an album
I did **** with Mariah
Lil' ***** I'm on fire
Icy as a hockey rink, Philly ***** I'm fly-er
When I bought the Rolls Royce they thought it was leased
Then I bought that new Ferrari, hater rest in peace
Hater rest in peace, rest in peace to the parking lot
Phantom so big, it can't even fit in the parking spot
You ain't talkin' bout my ****** then what you talkin' bout?
Gangstas move in silence, ***** and I don't talk a lot
I don't say a word, I don't say a word
Was on my grind and now I got what I deserve **** *****
Hold up wait a minute, y'all thought I was finished?
When I bought that Aston Martin y'all thought it was rented?
Flexin' on these ******, I'm like Popeye on his spinach
Double M, yeah that's my team, Rozay the captain, I'm the lieutenant
I’m the type to count a million cash then grind like I’m broke
That Lambo, my new *****, she'll ride like my Ghost
I'm ridin' around my city with my hand strapped on my toast
Cause these ****** want me dead and I gotta make it back home
Cause my momma need that bill money and my son need some milk
These ****** tryna take my life, they **** around get killed
You **** around, you **** around, you **** around, get smoked
Cause these Philly ****** I brought with me don't **** around, no joke
All I know is ******, when it comes to me
I got young ****** that's rollin' I got ****** throwin' b's
I done did the DOAs I done did the KODs
Every time I'm in that ***** I get to throwin' 30 G's
Now I'm hanging out that drop head, I'm riding down on Collins
They like, my ***** back home that young ***** be wildin'
We young ****** and we mobbin' like Batman and we're Robin
This 2-door Maybach, with my seat all reclinin'
I'm that real ***** what up, real ***** what up
If you ain't about that ****** game then ***** ***** shut up
If you diss me in yo' raps, I'll get your ***** *** stuck up
When you touchdown in my hood, no that tour life ain't good
Catch me down in MIA, at that Heat game on wood
With that Puma life on my feet, like that little engine I could
Boy I slide down on your block, bike on twelve o'clock
And they be throwing dueces on the same ***** they watch
And I'm the king of my city cause I'm still calling them shots
And these lames talking that ******* the same ****** that flopped
I'm the same ***** from Berks Street with them ***** braids that lock
The same ***** that came up and I had to wait for my spot
And these ****** hating on me, hoes waiting on me
Still on that hood ****, my Rolls Royce on E
They gon' remember me, I say remember me
So much money have ya friends turn into enemies
And when there’s beef I turn my enemies to memories
With them bricks they go from 40 ain't no 10 a key, hold up
Broke ***** turn rich, love the game like Mitch
And if I leave you think them pretty hoes gon' still **** my ****?
It was something 'bout that Rollie when it first touched my wrist
Had me feeling like that dope boy when he first touched that brick
I'm gone
I love this song its so beautiful. "Dreams and Nightmares" by Meek Mills ****. The Beat Bully
#young kings
Nathan Squiers Jul 2014
Look, I was gonna go easy on you not to hurt your feelings, but I’m only going to get this one chance!
Something’s wrong… I can feel it.
Just a feeling I got, like something’s about to happen… but I don’t know what.
If that means what I think it means, we’re in trouble—big trouble—and if he’s as bananas as you say I’m not taking any chances!

(You are just what the doc ordered)

I’m beginning to feel like a write god (write god).
Can all the readers out there who think I’m right nod, right nod.
Now here I am again for another rap talk, rap talk…
They said I write like a monster, so call me scribe-star,
But for me to write like a beast means I’m a demon at least;
I got a devil kept in my pocket,
On my shoulder’s when I rock it.
Talkin’ of killin’ and of thrillin’; won’t stop it!
Write a demon doorway, now knock on it!
Ever since the dark days when I’d just lost it,
Way back when the world would pace and chant “Nutcase!”
I’m a ******, but I’m charming;
Yes, a crude, rude dude, but I’m still disarming.
Using syllables to **** ‘em all with this
empowering empire of powerful vampires.
The writer-type clackin’ back with typewriters, like way back, right?
Clackity-clack!
Rockin’ stack after stack, clackin’ out more attacks,
Ideas tacked out while hacks hack out their crap (but ******* spew **** all the time),
so I perform written parkour tricks so you’re not bored; strike a chord.
Show you Stryker’s tortured life of suicide ‘n strife turnin’
to strength and a fiery passion burnin’ while readers’ guts are churnin’—
teary eyes all burnin’.
Their fears are returnin’ from a story I turned out when I got turned on
to my own life.
Now I drop F-bombs;
exploding real-life scenes—
these ain’t your G-rated dreams, so take your outdated themes—
It’s the **** I’ve seen; don’t make me obscene.
I’m mean, I mean, it’s my means to screen a scene between a matte sheen.

‘Cause I’m beginning to feel like a write god (write god).
Can all the readers out there who think I’m right nod, right nod.
Now here I am again for another rap talk, rap talk…
They ask me to thaw out these oily blocks called ink-wads, ink-wads.
There’s a body in everybody , but not all bodies have a brain that makes them feel sane.
Like a train—just the same—
Might be runnin’ but we still cast blame,
The loading docks of our thoughts; they’re locked-up in a box,
And they’re stackin’ up like blocks
That turn the stacks to empty tracks (****!)
Trainees blame their brainees when it’s not easy training brains, see?
But the boarding isn’t boring—training brains; not trading pains—
Remember: the station’s self-exploration!
Me? I’m a hodgepodge! From train station to abandoned lodge;
Bully dodgin’, fully locked-in when I freaked out, fattened-up and then I geeked out,
Told “keep it down” but then peaked when I peeked deep down.
Creepin’ up, now, and keepin’ up (WOW!)
I swear it up and tear it up scribbled swords,
And now I wear awards for slingin’ words;
Offered praise; a chance to forget about the craze that once darkened all my days,
But I write that way—say “that’s okay ‘cuz it helps me write this way—each and every day!
And hacks think I act this way just to seem this way, ‘til come the day when the cray-cray takes the doubt away.
Demon obsessed? I’m possessed! Can’t own what you don’t possess!
“Hey, devil-lookin’ boy!”
So ***** for my honey I’m rockin’ horns, look here boy!
A Literary Dark Mass-acre,
Like the devil laid waste to a church on the page, looker boy!
They got a gold star, and a high five,
Felt so alive to see their own scribes make it to Momma’s fridge, ****** boy!
Hey, schnook-ah boy, looky here, looker boy,
I’m held up by The Legion, book-it boy!
Had to push for every word—every page—had to swallow all the rage,
Now you want out of your cage, schnook-ah boy?
I’m legendary—literary—and you’re literally just a *****, little boy!
So sell out while I’m bought out, ******-boy!

‘Cause I’m beginning to feel like a write god (write god).
Can all the readers out there who think I’m right nod, right nod.
The way I’m burnin’ through these pages, call me Dark Lord, Dark Lord!
But they’d rather burn my books, so start a fire war, fire war!
Can’t get it through your head? Words are more than Edward! He’s dead! WORD!
Let me drag you off to meet Dracula; take you back to the dawn of the dark lord, yea?
Fast forward to the foreword where the F-word’s “fangs” (you’re welcome);
This is my Hell, come! Be free!
Part Morningstar; part Morpheus! I throw up a kiss and jot down the kills like they’re red-apple pills.
Go ask Alice back at my palace what you should read to feed your head.
Sentence structure so smooth they call me FE-line, and my cat’s got better plot lines,
That the hacks will all call “sublime” (it’s “sub-fine”)
But me?
My **** scenes are brutal,
And my romance? Not frugal. I don’t saturate—I arrogate—
But I don’t condemn my characters to *******!
I wanna make readers care—if readers dare—
To connect and feel and follow where they can find some hope and power there.
While also giving them a place somewhere that isn’t here—though filled with fear—
A place where they don’t feel jeered or feel weird.
Horror ain’t just movie monsters, or gore-****** scopin’ sponsors!
You speak French? C’est de la merde, monsieur!
You look unsure! But I have the cure in the written word!
And though you once were achin’ for a rockstar author cravin’ bacon,
The role has since been taken by your man, Squiers.
And like a pair of pliers, I can reach into readers’ brains and cross all sorts of wires!
I’m settin’ cranial fires behind the eyes of all my buyers!
And while I’m growing Ghost Riders—ridin’ shotgun on the bullet-train ‘tween the pages—
There’s a horde of haters harboring growing rages
With a narrow gaze of who scribes pages.
They say I can’t write ‘cuz of my tattoos or my gauges
So allow me to assuage this: y’all can’t cage this!
If you don’t like it, let me show you where the grave is!
You’re well-aged, but I’m ageless!
Like the undead through the ages!
And like Shakespeare took to stages you can find me where the page is:
I’m hip to a script, I’m at home with a poem and feeling groovy writin’ movies; and I’ll be EZ on your TV.
You write normal? **** being normal!
What a novel theory! So very dreary!
Why the **** are they so leery, they say “Writing fear? We don’t want to hurt no feelings.”
Feelings? Setting up ceilings! Just more limits! It’s life! Live it!
Set the roof on fire!
Plot is getting hotter than a 24/7 squatter on a ***** channel!
So what if some **** gets a hair up ‘er ****? Don’t make it ****!
They wanna say “Hey you, we’re here to stifle!”
‘Cuz I mentioned rifles? Do they really want to trifle?
So I say:
“Better bring a sweater ‘cuz this thriller’s gonna chill ya—sure hope it doesn’t **** ya—and ya gonna get’a fill o’ all the ***** that I don’t give, ‘cuz I don’t live to let ******* quip or give me lip about my lit.
I’m entertaining and elating and also demonstrating how devastating a stream of escalating scenes can be so penetrating—although frustrating—to a mind that’s celebrating what it means to be vacationing between the pages; wading through the stages of a war that forever wages; meditating through the escalations now that they know what TRUE rage is!
“Oh, he’s too ******!”
That’s right! Ain’t right. That’s life: not nice; it’s strife.
It’s not just me; it’s we.
I just found a better way to show it:
Monsters that aren’t monsters;
Abuse put to good use; bred virtues!
“I don’t know how to plot plots like that;
I don’t know what words to use.”
Did it really never occur to them that to read a book—just to take a look—and THEN take up the pen?
You read King if you want to be king, strictly speaking.
A writing mind that isn’t a reading mind is a weakling; a weak link.
I’m a scholar—not a bawler—so I’m a flyer where there’s fallers;
Raised on Goosebumps and Creepy Crawlers so I’d Stine while others whined.
Got a dark side, but that’s The Dark Side on my side; counter haters with my Vader:
“I would be your father… but your dog beat me over the fence.”
No offense. Pretense: incorporate comedy and film; common sense.
Suicide pushed aside, though I still burn inside. **** myself on
the page each day so my readers can feel what it’s like to be alive.
It’s okay to hide.
Only your own devil knows what’s inside.
I own mine; he’s my co-pilot when I write. My demonic side; my demonic scribe.
Flipping my words to the birds—‘cuz, you see, that’s how I wing it—and flipping the bird while I throw down and sing it:
“Tiger, Tiger, burning bright,
My words are my roar and tonight I write!”
The fights are in your sights like you were seated inside a movie theater;
You’d see Xander and Estella—wouldn’t you want to meet her—
Have a front row to the creatures in a feature presentation…
But ‘til then
Eat some Rice An’ read a piece by a man who
Had an “Interview with a Vampire”—
I’m a fiction author, why would I lie to ya?
Prince of lies? I ain’t Satan!
Close friends, but I’m Nathan.
Judged for appraisal—I’m priceless—I’m  nice: no; charming: yes.
Got a razor-sharp and Shining wit like a crown left
on a King… but not.
Why be a left king, when I’m a write god.
So I did a lyrical re-write of Eminem's "Just Lose It" that wound up being pretty popular, so when I heard "Rap God" for the first time I knew I had to do the same. While I hope it's entertaining on its own, I think those who have heard the song will enjoy that I remained true to the source material in terms of flow, rhythm, and syllable count (Marshall Mathers is really quite an astounding wordsmith in his lyrical writings).

Hope you enjoy ^_^
You see her on every corner
Giving every nigguh a disease
Then they end up with coroner
But im just a foreigner
To this place everytime i look
In her face
I think of a disgrace
Take a step back and retrace
My steps
Setting setting stones
Knocking meat off the bone
She got us in a love jones
Ya drowl im not a fool
I play it cool
So dont **** with a rabbit hole
Silly silly stay away from lil red
Riding ***
brandon nagley Jun 2015
My wild love went ridin'
She rode all the day
She wrote to the devil
And asked him to pay
The devil was wiser
It's time to repent
He asked her to give back
The money she spent

My wild love went ridin'
She rode to the sea
She gathered together
Some shells for her head
She rode and she rode on
She rode for a while
Then stopped for an evenin'
And lay her head down

She rode on to Christmas
She rode to the farm
She rode to Japan
And we entered a town
By this time the river
Had changed one degree
She asked for the people
To let her go free

My wild love is crazy
She screams like a bird
She moans like a cat
When she wants to be heard
My wild love went ridin'
She rode for an hour
She rode and she rested
And then she rode on
Ride, c'mon
Some clichty folks
don't know the facts,
posin' and preenin'
and puttin' on acts,
stretchin' their backs.

They move into condos
up over the ranks,
pawn their souls
to the local banks.
Buying big cars
they can't afford,
ridin' around town
actin' bored.

If they want to learn how to live life right
they ought to study me on Saturday night.

My job at the plant
ain't the biggest bet,
but I pay my bills
and stay out of debt.
I get my hair done
for my own self's sake,
so I don't have to pick
and I don't have to rake.

Take the church money out
and head cross town
to my friend girl's house
where we plan our round.
We meet our men and go to a joint
where the music is blue
and to the point.

Folks write about me.
They just can't see
how I work all week
at the factory.
Then get spruced up
and laugh and dance
And turn away from worry
with sassy glance.

They accuse me of livin'
from day to day,
but who are they kiddin'?
So are they.

My life ain't heaven
but it sure ain't hell.
I'm not on top
but I call it swell
if I'm able to work
and get paid right
and have the luck to be Black
on a Saturday night.
jeffrey robin  Dec 2014
cowboy
jeffrey robin Dec 2014
(                                           

                                           )                      



^^^

Ride em cowboy
Yer on yer own

Endless prairie

Ain't goin nowhere
Least not home

Every song you ever sung
It too is drifting


In the wind

Keep on smilin
It's just begun

/////

Day
It never seems too end

Yer eyes see everything

The livin and the dead

YE keep on riding

The mountain's always

Up ahead

///

Little girl
Alley street

The boy yer lookin for ?
Well

So are the police

Ain't it funny
In yer head

Ya see a lonesome cowboy
Like in a dream

Ridin ridin

Makes YE smile

Yer just like him

//

Ride em cowboy

Still free

Just like she is
Just like me

Ridin tall
Ridin high

The endless prairie

That which never dies

Never dies
Eleni  Jul 2017
Cowpoke Couple
Eleni Jul 2017
With her cowpoke
She went riding out with him
One dark and windy day.

The desert had forsaken their love and left their hearts astray.

As sharp as a cactus' spine, her lips did pine for days.

They sat around their victim's pyres tasting burnt bone, curdled blood.

She saw the mess of her cowpoke, blonde and brown beauties layed in the mud.

She asked why must these girls die
If their looks were truly good
He mumbled that his heart had been broken by the stormy flood.

So they swept across Arizona with it's bright windy haze
And withdrew their revolvers with eyes that met in gaze

They downed a couple of beers in the dusky saloon
Until right in front of them was the old rusty moon

Tonight she will riding out in the ****** lands
Where with her man she'll be soaking her rigid hands

In wine that oozes from the corpses in the sands
And in the sheets ridin' she'll take command.
Just a crazy cowboy song I wrote inspired by 'Riders in the Sky'. It basically describes a cowpoke couple who are murderers in the desert and their anti-platonic, ****** relationship.
A note of seeming truth and trust
                      Hid crafty observation;
                And secret hung, with poison’d crust,
                      The dirk of defamation:
                A mask that like the gorget show’d
                      Dye-varying, on the pigeon;
                And for a mantle large and broad,
              He wrapt him in Religion.
                   (Hypocrisy-à-la-Mode)


Upon a simmer Sunday morn,
     When Nature’s face is fair,
I walked forth to view the corn
     An’ ***** the caller air.
The risin’ sun owre Galston muirs
     Wi’ glorious light was glintin,
The hares were hirplin down the furrs,
     The lav’rocks they were chantin
          Fu’ sweet that day.

As lightsomely I glowr’d abroad
     To see a scene sae gay,
Three hizzies, early at the road,
     Cam skelpin up the way.
Twa had manteeles o’ dolefu’ black,
     But ane wi’ lyart linin;
The third, that gaed a wee a-back,
     Was in the fashion shining
          Fu’ gay that day.

The twa appear’d like sisters twin
     In feature, form, an’ claes;
Their visage wither’d, lang an’ thin,
     An’ sour as ony slaes.
The third cam up, hap-step-an’-lowp,
     As light as ony lambie,
An’ wi’ a curchie low did stoop,
     As soon as e’er she saw me,
          Fu’ kind that day.

Wi’ bonnet aff, quoth I, “Sweet lass,
     I think ye seem to ken me;
I’m sure I’ve seen that bonie face,
     But yet I canna name ye.”
Quo’ she, an’ laughin as she spak,
     An’ taks me by the han’s,
“Ye, for my sake, hae gien the ****
     Of a’ the ten comman’s
          A screed some day.

“My name is Fun—your cronie dear,
     The nearest friend ye hae;
An’ this is Superstition here,
     An’ that’s Hypocrisy.
I’m gaun to Mauchline Holy Fair,
     To spend an hour in daffin:
Gin ye’ll go there, you runkl’d pair,
     We will get famous laughin
          At them this day.”

Quoth I, “With a’ my heart, I’ll do’t:
     I’ll get my Sunday’s sark on,
An’ meet you on the holy spot;
     Faith, we’se hae fine remarkin!”
Then I gaed hame at crowdie-time
     An’ soon I made me ready;
For roads were clad frae side to side
     Wi’ monie a wearie body
          In droves that day.

Here, farmers ****, in ridin graith,
     Gaed hoddin by their cotters,
There swankies young, in braw braidclaith
     Are springin owre the gutters.
The lasses, skelpin barefit, thrang,
     In silks an’ scarlets glitter,
Wi’ sweet-milk cheese in mony a whang,
     An’ farls, bak’d wi’ butter,
          Fu’ crump that day.

When by the plate we set our nose,
     Weel heaped up wi’ ha’pence,
A greedy glowr Black Bonnet throws,
     An’ we maun draw our tippence.
Then in we go to see the show:
     On ev’ry side they’re gath’rin,
Some carryin dails, some chairs an’ stools,
     An’ some are busy bleth’rin
          Right loud that day.


Here some are thinkin on their sins,
     An’ some upo’ their claes;
Ane curses feet that fyl’d his shins,
     Anither sighs an’ prays:
On this hand sits a chosen swatch,
     Wi’ *****’d-up grace-proud faces;
On that a set o’ chaps at watch,
     Thrang winkin on the lasses
          To chairs that day.

O happy is that man and blest!
     Nae wonder that it pride him!
Whase ain dear lass that he likes best,
     Comes clinkin down beside him!
Wi’ arm repos’d on the chair back,
     He sweetly does compose him;
Which by degrees slips round her neck,
     An’s loof upon her *****,
          Unken’d that day.

Now a’ the congregation o’er
     Is silent expectation;
For Moodie speels the holy door,
     Wi’ tidings o’ salvation.
Should Hornie, as in ancient days,
     ‘Mang sons o’ God present him,
The vera sight o’ Moodie’s face
     To’s ain het hame had sent him
          Wi’ fright that day.

Hear how he clears the points o’ faith
     Wi’ rattlin an’ wi’ thumpin!
Now meekly calm, now wild in wrath
     He’s stampin, an’ he’s jumpin!
His lengthen’d chin, his turn’d-up snout,
     His eldritch squeal and gestures,
Oh, how they fire the heart devout
     Like cantharidian plaisters,
          On sic a day!

But hark! the tent has chang’d its voice:
     There’s peace and rest nae langer;
For a’ the real judges rise,
     They canna sit for anger.
Smith opens out his cauld harangues,
     On practice and on morals;
An’ aff the godly pour in thrangs,
     To gie the jars an’ barrels
          A lift that day.

What signifies his barren shine
     Of moral pow’rs and reason?
His English style an’ gesture fine
     Are a’ clean out o’ season.
Like Socrates or Antonine
     Or some auld pagan heathen,
The moral man he does define,
     But ne’er a word o’ faith in
          That’s right that day.

In guid time comes an antidote
     Against sic poison’d nostrum;
For Peebles, frae the water-fit,
     Ascends the holy rostrum:
See, up he’s got the word o’ God
     An’ meek an’ mim has view’d it,
While Common Sense has ta’en the road,
     An’s aff, an’ up the Cowgate
          Fast, fast that day.

Wee Miller niest the Guard relieves,
     An’ Orthodoxy raibles,
Tho’ in his heart he weel believes
     An’ thinks it auld wives’ fables:
But faith! the birkie wants a Manse,
     So cannilie he hums them;
Altho’ his carnal wit an’ sense
     Like hafflins-wise o’ercomes him
          At times that day.

Now **** an’ ben the change-house fills
     Wi’ yill-caup commentators:
Here’s cryin out for bakes an gills,
     An’ there the pint-stowp clatters;
While thick an’ thrang, an’ loud an’ lang,
     Wi’ logic an’ wi’ Scripture,
They raise a din, that in the end
     Is like to breed a rupture
          O’ wrath that day.

Leeze me on drink! it gies us mair
     Than either school or college
It kindles wit, it waukens lear,
     It pangs us fou o’ knowledge.
Be’t whisky-gill or penny-wheep,
     Or ony stronger potion,
It never fails, on drinkin deep,
     To kittle up our notion
          By night or day.

The lads an’ lasses, blythely bent
     To mind baith saul an’ body,
Sit round the table weel content,
     An’ steer about the toddy,
On this ane’s dress an’ that ane’s leuk
     They’re makin observations;
While some are cozie i’ the neuk,
     An’ forming assignations
          To meet some day.

But now the Lord’s ain trumpet touts,
     Till a’ the hills rae rairin,
An’ echoes back return the shouts—
     Black Russell is na sparin.
His piercing words, like highlan’ swords,
     Divide the joints an’ marrow;
His talk o’ hell, whare devils dwell,
     Our vera “sauls does harrow”
          Wi’ fright that day.

A vast, unbottom’d, boundless pit,
     Fill’d fou o’ lowin brunstane,
Whase ragin flame, an’ scorching heat
     *** melt the hardest whun-stane!
The half-asleep start up wi’ fear
     An’ think they hear it roarin,
When presently it does appear
     ’Twas but some neibor snorin,
          Asleep that day.

‘Twad be owre lang a tale to tell,
     How mony stories past,
An’ how they crouded to the yill,
     When they were a’ dismist:
How drink gaed round in cogs an’ caups
     Amang the furms an’ benches:
An’ cheese and bred frae women’s laps
     Was dealt about in lunches
          An’ dauds that day.

In comes a gausie, **** guidwife
     An’ sits down by the fire,
Syne draws her kebbuck an’ her knife;
     The lasses they are shyer:
The auld guidmen, about the grace
     Frae side to side they bother,
Till some ane by his bonnet lays,
     And gi’es them’t like a tether
          Fu’ lang that day.

Waesucks! for him that gets nae lass,
     Or lasses that hae naething!
Sma’ need has he to say a grace,
     Or melvie his braw clathing!
O wives, be mindfu’ ance yoursel
     How bonie lads ye wanted,
An’ dinna for a kebbuck-heel
     Let lasses be affronted
          On sic a day!

Now Clinkumbell, wi’ rattlin tow,
     Begins to jow an’ croon;
Some swagger hame the best they dow,
     Some wait the afternoon.
At slaps the billies halt a blink,
     Till lasses strip their shoon:
Wi’ faith an’ hope, an’ love an’ drink,
     They’re a’ in famous tune
          For crack that day.

How monie hearts this day converts
     O’ sinners and o’ lasses
Their hearts o’ stane, gin night, are gane
     As saft as ony flesh is.
There’s some are fou o’ love divine,
     There’s some are fou o’ brandy;
An’ monie jobs that day begin,
     May end in houghmagandie
          Some ither day.
Dougie Simps Apr 2015
I'm ridin' down in my old school Chevy (yeah)
Owh, she can get it.. (Mhm)
Bad little shawty,
So thick and pretty,
Girl come sit with me,
Ride out and see the city,
Let the lights hypnotize ya
It ain't no biggie, (word)
I'm young man searching,
Looking for a queen
A woman who takes full control
Both in and out the sheets

Now babe let's ride till they dim the city lights,
I'm not lookin for a right now,
I'm lookin for a wife
The kind that holds me down
And picks it up slow
So if you down, come around
Baby girl let me knowwww


Queen of hearts, Queen of hearts
Tryna play my cards right
Queen of hearts, Queen of hearts
Can I hold you down tonight?
Queen of hearts, Queen of hearts
A one of a kind in this deck
My Queen of hearts, yes
Can you put my heart in check?


Now I'm sweatin and shakin
Tryna see if she's bluffing,
Am I just another dealer?
Just another man cuffin?
Does this card mean nothing?
So why do I play it so close to my heart?
Is this the moment that I reshuffle? Redo the deck and restart?
Man this the hardest part,
Imma take my odds
Gamble on her smile,
Bid on this work of art,
Cause love is a game,
You only win if you play
So I ask this Queen of hearts
"Baby is this my lucky day?"

Now babe let's ride till they dim the city lights,
I'm not lookin for a right now,
I'm lookin for a wife
The kind that holds me down
And picks it up slow
So if you down, come around
Baby girl let me knowwww


Queen of hearts, Queen of hearts
Tryna play my cards right
Queen of hearts, Queen of hearts
Can I hold you down tonight?
Queen of hearts, Queen of hearts
A one of a kind in this deck
My Queen of hearts, yes
Can you put my heart in check?


Layin on the beach,
It's me and my Queen
Whispering sweet nothings in her ear
And she gently kisses my cheek,
Then she climbs on top of me
As we watched the sunset
This was more than two loves
This was more than just ***
It was passion from the ocean
And the heat from the sun
It was crazy, stupid, love
It was a blessing up above
It's feet deep in the sand
Till we both walked hand in hand
She was my only Queen of hearts
And I was her loyal kingsman.

My Queen of hearts, yeah...
Oh, oh. Oh yeah
My Queen of hearts yeah...
Oh, oh, ohh
She's simply one of a kind
My Queen of hearts....
Oh, tell me will you be mine?

(Singing fades out)
My first song I've written with a bridge and hook. I'm still learning. Copyrighted - Douglas Bland Simpkins
Everybody knows
Reading, Writing, and Arithmetic
as the Three "R's" you need
Without them
you'll go nowhere
and never will succeed

Writing...that's a W
and Arithmetic an A
so, who ever came up
With "Three "R's"
was having a bad day

Now, go and ask a cowboy
what the three "R's"
are to him
You'll get a different answer
I'll bet you
one to ten

Ropin', Ridin' and Rodeo
The cowboy's three R list
Reading, Writing, Arithmetic
the big three that I missed

But if they do not have the first three
They are not a cowboy
not a chance
they're just another townie
just another fancy pants

So, to be a proper cowboy
there's six "R's"
they must know
the first three
along with
ridin', ropin, and
rodeo
ethyreal Aug 2013
heavy head, ****** and tired sleep echoes through my corridor head. love, a treasure, buried deep within my x-marked chest; i stuck blades of grass in a picture frame, because everything else went away: like the cleaning lady outside my door, vacuum like a pet dog, pawing at carpet, grooming it with its soft, snuffly nose. mess cleaned and she went away. vacuum like a pet dog, hip-hugging, man's best friend.

lines in the bathroom, lines out the back. waiting and shaking with a crazy laugh filled with warmth like a smile radiating from my muscles. powder leaves the plastic surface, like the cleanin lady outside my door, and her sniffling, snuffling vacuum-dog. ****** into a ten dollar bill, with a whimper and a sigh, the pup hops away with its owner, the cleaning lady off to brush along some other fool's corridors.

on the cold steel, the train slows down, a mile out from the station. up hill, down hill, steam choking carriage, searching for thrill in the click clack, crazy rails of a cool powder train. in the bathroom crushing pills to get you up hill, down hill, with a steam choked carriage and that cleaning lady outside my door, she brought that dog, and he was barking real loud, makin' a fool out of me, in the bathroom of that click clack, crazy powder train. hands scritch' scratchin' on the white sheets, until in a moment, it all crumbles to dust, ridin' on the wind's back, leaving like they all do, like the cleaning lady outside my door, and that pet vacuum-dog of hers.

— The End —