i just remembered when it all began to fall apart i was in mid-thirties weary of taking advantage of women i wanted to change grow become better person more compassionate find loving respectful relationship maybe marriage i knew i needed to step away stop

chicago 1985 Odysseus is a stranger to himself living someone else’s life does he really want what Mom Dad Chris want? is he lying to everyone else or himself? he snorts another line of ******* moves on to next girl in dizzy way he is having time of his life so much occasion to waste doors to open slam rooms to pass through “In the room the women come and go, talking of Michelangelo, and time yet for a hundred indecisions, and for a hundred visions and revisions” thank you t.s. elliott his ****** liaisons carry on from several weeks to several months begin with him adoring some girl or she adoring him little fires that burn themselves out for his part infidelity is rarely in question instead typically he or she feels let down by some personal response or character trait and simply stops calling in actuality no girl ever bothers to stick around they follow his lead and evaporate his mind draws a blank he wonders what do girls want? Deep inside he knows nothing in life is greater than the love of a woman he would have liked all those girls to be just one girl but she is missing where is she? occasionally he will run into one of his ex-lovers on street she wears an expression that hints why didn’t you phone me back? why did you stop calling? he suspects she is playing victim in self-satisfying charade in fact Odysseus crosses into new territory it is difficult to go back he hones his edge no longer is he wonder-stuck child possessed by curiosity for girls he requires **** and kink longer buildups then urgent bursts of effort drawn out climaxes nameless girl wearing tight jeans cowboy boots braids whom he meets in drake hotel elevator pushes stop button she ***** him off he has **** *** with tan-skinned french-canadian female tourist in telephone booth on north avenue gorgeous longhaired creole girl from new orleans ***** him on fire escape stairs **** *** with skinny punk girl in dark alley dutch foreign exchange student gives him ******* between parked cars on clark street weird awkward *** with goth girl in graveyard ****** by older blond woman who positioning herself underneath table in ritzy restaurant he has *** with chatty college sorority girl in jet lavatory he goes down on nerd girl wearing thick glasses in criticism section of depaul’s library he gets ****** ****** by perfect stranger in lake michigan each evening before he goes out prowling he looks in mirror wonders what strange female he will have *** with tonight it always surprises him what a person might not admit to or accept but allow or give in to if the right moment or if the right person is there not that he is particularly the right person rather he stumbles onto an astonishing streak there is the paris/milantokyo fashion model with stylish french haircut who possesses astonishing beauty perfect ***** and haughty temper after night of too many ***** martinis and ******* she announces “you and your friends are going nowhere  you’re all second-rate artist losers! and your cousin and his group are obnoxious *******” she flips him the finger then shoves him he shoves back resulting in dual arrests and domestic violence charges there is the tall blond stripper who totally fulfills his ****** desires once she lets him insert garden hose up her **** laughs uproariously as stream of water shoots out on another occasion she requests he *** in her *** he begins to believe he will marry her she insists she is too low class for his family one night she drunkenly hurls champagne bottle gives him black eye drives away crashes her car there is blue-eyed sweetheart with divine ****** loving touch who after months of sleeping with Odysseus confesses she is ******* some other guy and swears she will be faithful in the future she begs for his forgiveness as he loses it pushes her out door throwing her clothes after her one girl lights candles gives him full body massage ******* another girl holds him tight cries pushes him away one girl writes confessions with permanent markers on walls of closet another girl slaps him yells why? why why why! one girl runs to toilet pukes passes out on floor another girl sits up all night talking teasing never relieving him another girl falls asleep snores while he is in conversation one girl makes fun of small left ******* later gossips to her girlfriends he meets girl who will do anything except allow him to enter her ****** he meets girl who is professional escort she offers to do him for free she has lots of toys videos he declines they mess around she gets him off with ******* he meets girl whose ***** hair grows to mid-thigh she incessantly calls for her dog Bertram! he meets girl who shivers moans furiously cries laughs when he climaxes he meets girl with self-inflicted scars on arms legs who only wants it up her **** he meets girl who likes gagging deep-******* him to skull-**** her harder the better he meets girl whose ******* are so fierce she loses complete control drenching him sheets with her fluids excrement he meets girl who wants ******* squeezed so tightly he fears he will draw blood he meets girl who likes to talk ***** slaps his face as he is reaching ****** he meets girl with gargantuan ***** ******* as large as thumb she gurgles hot breaths later tries to steal string of beads he meets girl who enjoys lactating on his thighs while she gives him head he meets girl who knows how to contract vaginal muscles so tightly all he does is sustain ******* inside her in order to reach ****** he meets girl who pees tiny squirts while he penetrates her **** she laughs wildly he meets girl with furry mound who requests he **** on her as she masturbates he declines she reproaches him accusing you’re not nearly as freethinking as you pretend to be in fact you’re full of ****! he meets girl who wants him to act out **** they struggle he meets girl who desires to be ******* whipped he is not into inflicting pain he meets large strong girl who forces him he never tells anyone about incident he becomes mindful many females are more depraved than him women remain puzzle to Odysseus he is repeatedly astounded shocked can never predict about girl what her ******* ****** will look like whether she has eager *** or what are her secret desires he is explorer women are vast mystery he wonders are females as sexually driven as males? are they as vulnerable? is their **** like tiny *****? he speculates if completely unknown attractive woman walks up to any average man grabs his crotch many possibly most men will willingly allow it are women that weak? more than anything what most excites Odysseus is female lust handjobs are test of adequacy distinguishing character having masturbated thousands of times he thrills in having girl do it he delights in watching her arousal just staring at his ******* is captivated by method of her fingers hands revitalized by degree of her determination throughout he needs to ****** her ******* ****** *** titillated as she licks lips after swallowing ***** he realizes if he were female he would be total nymphomaniac yet he finds it difficult to imagine desiring men are all so like him women are so strange fascinatingly different he craves their otherness Odysseus loves women more than they love themselves smell sight of them sends him into frenzy problem is he fears their power over him

it’s been 25 years since those days i live alone for many years in tucson arizona have not been with a woman for long long time last relationship 2001 with crack ***** i hang my head cry wish for love wonder do i deserve to be loved pray to be forgiven

In the mid-1990s I worked as a bartender
on the second floor of a local hotdog joint
near the University of Pittsburgh.
I poured beers and mixed simple drinks
for working class drunks.
The felons always had a game or a magic trick
they’d use to milk rubes for a free gin and tonic.
College students mostly stayed away,
but the ones who stumbled in ordered drafts,
paid for by daddy’s allowance
or the petty drug rackets they ran on campus.
In the summer, the best ***** came around,
**** pushed out of their tops,
*** cheeks crept below their skirts.
They knew how to find action
every single night.

Except one overweight girl named Susie
from the all girl’s school down the road.
She’d come to the bar alone,
her lips caked with dark red lipstick.
Like many students, Susie wanted to be older.
She’d order ***** martinis,
drink quietly, and she’d patiently wait
for one of the older drunks to make a move.
It never happened.

Sometimes Susie complained to me
about other girls at her college,
that they were aggressive lesbians.
All of them wanted to eat her ******.
‘Those ******* are as bad as the men,’ she’d say.
But then she’d laugh it off.
‘I really love ****,’ she told me.
‘I think about **** and *** all the time.’

One night Susie owed the bar $27.50.
She always tried to flirt her way past the tab.
I never let her get away with it.
‘Do you like me?’ she said.
I laid down my trademark response,
‘You’re the best.’
‘No, do you really like me?’
I figured she deserved a real compliment.
‘You have the sexiest lips here.’

She climbed off the barstool
and walked to the backdoor, the fire escape.
She then curled her finger at me to join her.
Outside on the small rusted iron landing,
above the roach-filled dumpster,
Susie crouched between my legs.
Both of us worked to unbuckle my belt.
A swarm of hands pulled down my jeans.
I looked up at the few stars between buildings
as those red lips and soft tongue became my drug,
a back alley escape from a ******* life.
When I unloaded, she refused to let go.
She swallowed it all. $27.50 paid in full,
plus tip.

That’s how we went for a while.
I gave Susie small escapes from lesbians.
Susie gave me small escapes from life.
Eventually, she stopped coming around.
I figured she graduated.
Perhaps her classmates finally got their wish.
Either way, I never saw her again.

You always read about it:
the plumber with twelve children
who wins the Irish Sweepstakes.
From toilets to riches.
That story.

Or the nursemaid,
some luscious sweet from Denmark
who captures the oldest son's heart.
From diapers to Dior.
That story.

Or a milkman who serves the wealthy,
eggs, cream, butter, yogurt, milk,
the white truck like an ambulance
who goes into real estate
and makes a pile.
From homogenized to martinis at lunch.

Or the charwoman
who is on the bus when it cracks up
and collects enough from the insurance.
From mops to Bonwit Teller.
That story.

Once
the wife of a rich man was on her deathbed
and she said to her daughter Cinderella:
Be devout. Be good. Then I will smile
down from heaven in the seam of a cloud.
The man took another wife who had
two daughters, pretty enough
but with hearts like blackjacks.
Cinderella was their maid.
She slept on the sooty hearth each night
and walked around looking like Al Jolson.
Her father brought presents home from town,
jewels and gowns for the other women
but the twig of a tree for Cinderella.
She planted that twig on her mother's grave
and it grew to a tree where a white dove sat.
Whenever she wished for anything the dove
would drop it like an egg upon the ground.
The bird is important, my dears, so heed him.

Next came the ball, as you all know.
It was a marriage market.
The prince was looking for a wife.
All but Cinderella were preparing
and gussying up for the big event.
Cinderella begged to go too.
Her stepmother threw a dish of lentils
into the cinders and said: Pick them
up in an hour and you shall go.
The white dove brought all his friends;
all the warm wings of the fatherland came,
and picked up the lentils in a jiffy.
No, Cinderella, said the stepmother,
you have no clothes and cannot dance.
That's the way with stepmothers.

Cinderella went to the tree at the grave
and cried forth like a gospel singer:
Mama! Mama! My turtledove,
send me to the prince's ball!
The bird dropped down a golden dress
and delicate little gold slippers.
Rather a large package for a simple bird.
So she went. Which is no surprise.
Her stepmother and sisters didn't
recognize her without her cinder face
and the prince took her hand on the spot
and danced with no other the whole day.

As nightfall came she thought she'd better
get home. The prince walked her home
and she disappeared into the pigeon house
and although the prince took an axe and broke
it open she was gone. Back to her cinders.
These events repeated themselves for three days.
However on the third day the prince
covered the palace steps with cobbler's wax
and Cinderella's gold shoe stuck upon it.
Now he would find whom the shoe fit
and find his strange dancing girl for keeps.
He went to their house and the two sisters
were delighted because they had lovely feet.
The eldest went into a room to try the slipper on
but her big toe got in the way so she simply
sliced it off and put on the slipper.
The prince rode away with her until the white dove
told him to look at the blood pouring forth.
That is the way with amputations.
The don't just heal up like a wish.
The other sister cut off her heel
but the blood told as blood will.
The prince was getting tired.
He began to feel like a shoe salesman.
But he gave it one last try.
This time Cinderella fit into the shoe
like a love letter into its envelope.

At the wedding ceremony
the two sisters came to curry favor
and the white dove pecked their eyes out.
Two hollow spots were left
like soup spoons.

Cinderella and the prince
lived, they say, happily ever after,
like two dolls in a museum case
never bothered by diapers or dust,
never arguing over the timing of an egg,
never telling the same story twice,
never getting a middle-aged spread,
their darling smiles pasted on for eternity.
Regular Bobbsey Twins.
That story.

The girl with purple hair is sitting at my bar again.
I think she is beautiful. And not in a way that I wanna have awesome *** with her but in a way that I want to drink chocolate martinis with her
and go shopping for christmas vests that have tinkly bells and possibly polar bears with hats on them.
She is having a full-body cry. I am the worst bartender, simply
because I don't know how to counsel people without crying back at them.
She is crying about the state of women.

I know that we come from the same rotting wood, so all I do is nod.

"How is it that three quarters of the women I know have been ***** or molested?
What does that say about the men that I know?
**** is not a man behind a bush with a knife, she laughs
It's kissing you on the mouth like whiskey at a nice bar."
The girl with purple hair and I are holding hands now,
"I only wanted an apology,
an acknowledgement of what occurred."
Grappling as artists, as girls, as ships in bottles,
how do we change any of it?
I tell her I am going to write a poem.
She says no one wants to hear a **** poem.

And I know she's right.

Have you ever seen a stampede of horses?
Do you wonder what the hooves look like from underneath?
Have you ever tasted the blood from biting your own lips because you couldn't say no enough?
"I never fought back. I kept my thighs tight and
closed, but once he's inside you, you wish you were the streetlamp, the
store clerk, a street lamp, a bed of calla lilies-

anything but a woman.

In that moment, our eyes glaze over, and they stay that way for years.
That's when you've lost.

I'm sitting here in a club that's very
Well it's dark,
But it's not a place for women.
And who knows,
I think it might be the thirties.

I'm surrounded by men,
All in impeccably fine suites,
I'm drinking countless martinis,
I never have to light my own cigarette,
I know this is what I do every single night.
Everyone fawns over me.

I know that I'm very powerful.
I have the power of a man.
So I act like a man.
Not *****,
Just unashamed.


Maybe I have a rich father?
That sounds right for the time.
I can tell that I am very powerful,
I already know that I am
"Breathtakingly gorgeous".

Everyone eats out of the palm of my hand,
I am fun.
I am free.
I am the untamable soul.

You know?
The one they right novels about.
The one that "got away",
Because she was a song bird,
And one that wouldn't fit in her cage.

And I am to be a married woman.
Someone will disburse my power.
I will become a miserable housewife.
I will have four children.
I will bake apple pies,
I will let my husband
Please himself using my body.
I will help with church bake sales.
I will drink.
I will drink.
I will drink.....

Overthinking is like waking up in a labyrinth.
Its like mental war.
Its a sea where, you cant float on your own,
its getting lost in a foggy path
Overthinking made you a killer of your own mind.
You are now wanted.
Questions like when, how, and why ?
Becomes a rope around you neck.
Whats your escape plan?
Do you got one?
How many walls do you got to hit,
Till you meet a solution.
Maybe another position will perhaps
Give you a new perspective of life
You not a bartender
Don’t make martinis with all these lemons thrown at you
You’ll realize
The twisting part of it all is that the only way out, is to overthink.

Martini glasses chime with floating olives,
Cocktail dressed, and music playing,
Clamoring voices and velvet hands.
Will I measure my life in coffee spoons? -
Or plastic sticks where olives used to be.
Salty sweet like the sweat of angels,
You hand me my drink,
Electricity passes through your fingertips.
I am shocked.
You sweep me into your arms,
We glide over the floor,
The rock songs play but we waltz.
“Take your time, Love”
I tell you but you never listen.
Will you ever learn,
Or will I?
We do this dance around
All the questions we will ignore,
Just for one more moment.
One more dance.
Just one.
The martini glasses clank.
Cheers to the moment,
It hangs in the air,
Wafting, dispersing, infecting our clothes,
it lingers.

This was last Saturday night. We were at a rooftop party in downtown New Haven thrown by ‘DocHouse.’ Doc-House is kind of a frat-house, owned by Dr. Melon, where he and seven doctoral students live. My BF Peter lived there once - before he graduated and took a job in Geneva - that’s how I met Dr. Melon. I think Peter asked Melon to ‘keep an eye’ on me - because he texts me an invitation every week and people with multiple doctorates and doctoral students don’t usually hang with lowly undergraduates.

The invitation said ‘rooftop’ but we’re mostly on the third floor - not on the actual roof - because it’s about 39°f and windy out there tonight. The floor space was about seventy by a hundred feet, there were pillars but no walls. The space was lit by a million strings of white Christmas lights.

The party was packed and loud - so loud I was wearing ear plugs. Beach chairs and card tables were the furniture. There were foosball, pool and two ping-pong tables (one of those being used for "Beer Pong"). A karaoke machine patched into two Marshall amps and speakers acted as a DJ.

Of course, there was a bar. Everyone was supposed to bring something. We brought two bags of ice, two magnums of Gordon's gin, two fifths of Cinzano vermouth, a jar of large green olives and a box of toothpicks, because there’s always room for the proper anesthetic. Martinis aren’t a shiny, new hobby with me - they’re a lifelong passion that I only indulge in on weekends and in psychologically safe environments.

There were 7 in our party - Sunny, Lisa, Leong (three of my suitemates), Lisa’s BF David (a Wall Street M&A man), Andy (a carrot-topped chain-smoking divinity-school undergraduate friend of Sunny’s), Charles (our escort, and driver) and me.

We’d been there about 30 minutes when Jordie, a guy I’ve been sort of crushing on for several months, showed up - alone. Lisa turned to me and yelled, “Uuu, lookie lookie,” when she saw him - I barely heard her - but I read her lips. I’d never really talked to Jordie, but when I looked at him, through the warm, martini mist, my tummy felt like Jello-excitement.

As the night wore on, Jordie and I started hanging out. We lost at foosball, 8-ball and ping-pong before we went up on the roof to get some air. The silvery ½-moon crescent was obscured, off and on by clouds, like a shell game where the moon was a jewel on blue velvet. You could almost hear the operator’s smooth, practiced patter, “now you see it, now you don’t, place your bets.”

It was quiet up there, so we actually talked. Somehow, the vast night seemed intimate. As we talked, the conversation was delicate and careful, like the words were made of crystal.

A while later, Jordie and I were back downstairs dancing. The entire floor was coated with that gray-speckled covering - so you could dance anywhere - but a rectangle of police tape in that flooring defined the official ‘dance floor’.

Two hours later, we were watching Sunny sing karaoke while holding a fuchsia martini (just add raspberry liqueur) in one hand. When Sunny goes, she totes commits and belting out an angry, screamo version of ‘Ain’t it fun’ by Paramore, she tried for a Beyonce-like head-spin (don’t try this at home), and slung half of her drink on the crowd - but it didn’t slow her, or them, down. After finishing, to huge applause, she took several bows and coming back to our table, she asked Andy, “How was I?”
Andy held out his hand and lampooned her by waffling it, in a so-so gesture.
As Lisa handed Sunny a replacement cocktail, she told Andy “You don’t get it - it’s supposed to be awful.”
“Then it’s the best version of the song I’ve ever heard.” he replied, holding up his hands like she had a gun.

Jodie and I danced some more and after a while, someone played a slow song. As we moved close together, his subtle, boy musk was torturous and intoxicating. How come guys smell better when they’re all sweaty and I smell like a horse? Eight weeks of lonely boredom and three martinis (4?) were almost enough to churn the sweat of desire into the intoxicating liquor of consent. In my secret heart I wanted him. Badly. I wanted to take him home and smash against him for hours. Alas, I have a (missing) boyfriend and I don’t believe in oopsies.

At that very moment I saw Charles, standing silhouetted in one of the dance floor lights - he had our coats in hand. I swear, that man can read my mind. I glanced at my watch, 2:30am. I stopped close dancing with Jordie and stepped back. “I gotta go,” I told him.
“It was fun,” he said, shrugging and smiling.
“It WAS fun,” I agreed, taking my coat from Charles who’d come over. “(I’ll) See you next week,” I added, as everyone in our little caravan started to move.

for Sylvia Plath
O Sylvia, Sylvia,
with a dead box of stones and spoons,
with two children, two meteors
wandering loose in a tiny playroom,
with your mouth into the sheet,
into the roofbeam, into the dumb prayer,
(Sylvia, Sylvia
where did you go
after you wrote me
from Devonshire
about rasing potatoes
and keeping bees?)
what did you stand by,
just how did you lie down into?
Thief --
how did you crawl into,
crawl down alone
into the death I wanted so badly and for so long,
the death we said we both outgrew,
the one we wore on our skinny *******,
the one we talked of so often each time
we downed three extra dry martinis in Boston,
the death that talked of analysts and cures,
the death that talked like brides with plots,
the death we drank to,
the motives and the quiet deed?
(In Boston
the dying
ride in cabs,
yes death again,
that ride home
with our boy.)
O Sylvia, I remember the sleepy drummer
who beat on our eyes with an old story,
how we wanted to let him come
like a sadist or a New York fairy
to do his job,
a necessity, a window in a wall or a crib,
and since that time he waited
under our heart, our cupboard,
and I see now that we store him up
year after year, old suicides
and I know at the news of your death
a terrible taste for it, like salt,
(And me,
me too.
And now, Sylvia,
you again
with death again,
that ride home
with our boy.)
And I say only
with my arms stretched out into that stone place,
what is your death
but an old belonging,
a mole that fell out
of one of your poems?
(O friend,
while the moon's bad,
and the king's gone,
and the queen's at her wit's end
the bar fly ought to sing!)
O tiny mother,
you too!
O funny duchess!
O blonde thing!

Little boxes on the hillside,
Little boxes made of ticky tacky,
Little boxes on the hillside,
Little boxes all the same.
There's a green one and a pink one
And a blue one and a yellow one,
And they're all made out of ticky tacky
And they all look just the same.

And the people in the houses
All went to the university,
Where they were put in boxes
And they came out all the same,
And there's doctors and lawyers,
And business executives,
And they're all made out of ticky tacky
And they all look just the same.

And they all play on the golf course
And drink their martinis dry,
And they all have pretty children
And the children go to school,
And the children go to summer camp
And then to the university,
Where they are put in boxes
And they come out all the same.

And the boys go into business
And marry and raise a family
In boxes made of ticky tacky
And they all look just the same.
There's a green one and a pink one
And a blue one and a yellow one,
And they're all made out of ticky tacky
And they all look just the same.

Moving amidst my Ramona chapter books,
I make out your movement, M, the moody turns
Of your mounts and valleys, the moniker of

Family names, you marked me like a maternal
Emblem of the generation’s matriarch,
You mingled amid reminiscences of former matrons  

Maria Helena from the Midwest,
Who crossed the mountains in a wagon,
Madeleine, a migrant from Marseilles,

Who baked warm loaves in San Francisco,
And her own daughter, my Mimi,
Who muttered merde while she drank martinis.

In my own time, you materialized in
Marjorie, my nana, and Maria, my mom,
The women in which I knew you growing up,

Then Molly, who made dreams out of
Magic and Movies and Marie Antoinette,
You embellished my most favorite things.

In my monogram, you aimed my impulses
in your masts’ diametric directions
Towards competence, towards imagination.

In your middle ‘s mysterious compartment I make snug
With magazines and novels and mugs of hot milk.
You nuzzled me in moments of melancholy, then motivated me

To meander among your fundamental family,
The sumptuous L of melt and mélange,
The meticulous N of man or monk or money.

Even W, which matches your mien in mirror
It warped wicked witch while you
Milled maidens and damsels, so I imagined

The mutilation of those two majuscules formed
My image of womanhood. M, Molly Smithson materialized
From a meek mademoiselle into the mistress of mischief.

As the café fills
with youthful chatter
and screechy laughter
I wonder
what it’d be like to have a friend.

At the billiards
hip teens lovingly roast each other—
their style and form
bring warmth to my lonely day.
Would I ever play billiards
or is that game
reserved for people who have friends?

I sip my strawberry tea
and imagine
having a good friend
To unwind with storytelling and gossip

We'd drink pink martinis
and be so chic in black.
And we'd be loud and open.
I'd be so happy
That I'd never have to write poetry again.

As the fantasy fades
I smile into my strawberry tea
Not too pink, but plenty of sweet.
This is alright. This cold drink is a friend.

250 Surf

And into the driveway it takes it for a ride, come on take on this lifeline, and feel it from below, moving up and moving jag, one more for free when I buy nine won’t you put it in the bag- the people are freezing, the zig is at the zag, all the people are screaming, won’t you let them in the back? Come on won’t you feed them, and tease them with a zap, catastrophe seething, relaxing in the bath, suffering or maybe ******* squeezing, pick me up from the airport we’ll go driving in the Jag, you’re already mostly in the bag, I light up a square and light a second for you man, light one up for the girl whose sitting in the back. Her hands are freezing, her lips are turning black, a lamp standing on a suitcase, Earl Grey and Lavender, she’s got ***** packs and sunglasses, she’s gotten ready for morning class, it’s a gas, a blast, from the past, trash and she’s ******* reeling for a squeeze, she just wants a taste of the past, I laugh, I laugh, I laugh. Put a stamp on her legs, touch them and turn up the volume on the amp. She’s got it, she’s not it, she’s winning playing tag-

Come on won’t you feed them, and tease them with a zap, catastrophe seething, relaxing in the bath, suffering or maybe ******* squeezing, pick me up from the airport we’ll go driving in the Jag, you’re already mostly in the bag, I light up a square and light a second for you man, light one up for the girl whose sitting in the back.

We’ve arrived wearing new things, they think we’re in the band. We order tater tots and martinis, and get our gear so we can get ourselves together in the van. It’s a plan, let’s advance Peter Pan, lift off, touch-down, get a spotlight, and then let’s have a dance. I’ll hop out of the pram, catch a lamb, with just one single hand, greet the grand, then do three somersaults, before we go on tour from 250 Surf Street and perform our second jam, we’re the coolest of the new acts streaming from Japan.

Come on won’t you feed them, and tease them with a zap, catastrophe seething, relaxing in the bath, suffering or maybe ******* squeezing, pick me up from the airport we’ll go driving in the Jag, you’re already mostly in the bag, I light up a square and light a second for you friend, light one up for the girl whose sitting in the back.

In the movies, monsters chase the heroes down. Is there a series of numbers that will release our hunter so she can catch those monsters by the horns. It’s a storm moving forwards, a disaster itching to come back, it’s the sound of a nightmare kicking dirt and bounding down the path. They’re alone but I hear her, the dangers coming fast. This olfactory mainstay, of juggernauts searching for something of a snack, even just a pack of peanuts in their sacks. A sample coming quickly, a set of kissing wizards sniffing cotton candy from a bag. The ache of a Tuesday, where seduction leads our pack. This is merely an act, this is merely an act, it’s just merely an act. Tombs enacted, coffins still they can’t resist, feeding sorceries and eating whims.

But then this is nothing, their stories quickly held in suspense. Their fingers numb with the words, they continue to forget. The strangers are wanting for this alphabet, the laws of the marshal that summer soon upsets.

An alert for the clouds,  across the sky to the stains on their affair, her man ******* pleading, love please put back on your underwear. The girl is screaming, in the governments’ undertow, and the ache of her sexuality can bring her skirt back down. Then there’s this season sweeping, there’s this garden you remember from back home.  the flowers topped upon the stem, thorns dipped in poisons, they keep our heart rate in suspense. Into the river  a surge of disbelief, where the cranberry serums overtake those 15th Century reliefs.

Then there’s the neighbors of evil, they’ve brought up the bags, pairing off with a 40oz and a joint of sticky hash. They carry their guns, and they carry with numbers. The master of art dying on a chariot or gurney. A satyr boost by easy flow, dances for tips at a Go-Go. Drinking up with idle stars, smoking cigarettes at outdoor but covered bars. Drinks for her friends. Drinks to get rid of the bends. Something to carry them through, something to carry after them too. Pleased and pleasing.

This is just the story of easy. This is just the state of disbelief. This is just the nuisance of riding a cable car, and performing with a chisel some religious affiliates relief. Then it’s the garden, 64-bit software coming down. He passes the lighter back to the girl sitting quietly observing, while the minister’s teeth are quickly falling out. So please me please me. Please me appease me and send me out. If the bagel is 99 cents and a drink is a dollar ten, we should have enough to sit on the bench before we start to go. Just *** and please me, just scream and shut the doors up top. I spin in circles riding Brooklyn rooftops, while the neighbors try to stop us from jumping down. I guess somebody died last week from jumping down, I guess somebody died from jumping down. I think he died from being alone. You and I wont die from falling down, we’ll never die from being alone.

Come on won’t you feed them, and tease them with a zap, catastrophe seething, relaxing in the bath, suffering or maybe ******* squeezing, pick me up from the airport we’ll go driving in the Jag, you’re already mostly in the bag, I light up a square and light a second for you man, light one up for the girl whose sitting in the back. She asked me if I was gay, I touched her leg, and put my lips to her mouth. We sat in the car past morning, whispering and never coming down.