The Sacristy

A pastoral palace
A haven for servants of God
A prep room for the clergyman.
A probationary clergyman,
At his knees in prayer before the lord.

Roars of thunder rattle the room,
Clashes of lightening illuminate,
Through a stained-glass window.  
He is alone,
Father Bernard Benedict,
At the mercy of the lord.

Bernard

Forgive me, Father, for I have sinned greatly,
Questioning his own fate,
never before today.
I am full of fear, Father.
Terrified of what will become of me,
if my betrayal of you progresses.
I’m scared of what won’t become of me,
if I remain loyal.

Father, all I know for sure,
is that I’m very confused,
And I need guidance.
It is a sin to deny thy lord,
in any circumstance,
but it is my own twisted irony
to have doubts and...
To have doubts,
And yet seek your guidance...

The Voice

And just what kind of doubts are you having,
my son?
What is it that you seek?
Confide in thy father,
As you are my child,
My dearest little one.
Unleash your desires,
Unravel your pain,
Lend me your soul.

Bernard

…Father?

The Voice

Yes, my son?
My son,
I’m here.
Speak to me,
All ears are wide,
Wide and open.

Bernard

It is you, isn’t it?
May I see your face?

The Voice

I’m afraid that is not possible,
I’m afraid it is not so.
I do apologize,
My son.

Bernard

Why?
Is my wish not your command?
Is it not your mission,
To aid in my suffering?
Why is it that I cannot see you?
Why is it that I cannot experience you?

The Voice

Because I don’t exist.

Bernard

Just what kind of a game,
Just what kind of a game are trying to play?
Father?
Manifest yourself!
Allow me to lay my tearful eyes,
Upon your entity.

The Voice

...If you insist...

The Storm
Wooshing,
Roaring,
Angrily little clouds,
Zigzags of electric,
Blowing window shrouds.

Maroon Man

Howdy do,
Father Bernard,
Hiya,
Howdy do?

Bernard

Who…
Who are you?
Who are you,
And how did you…
Do?

Maroon Man

I’m him,
I’m him,
He,
Who is I.

Bernard

Father?
Son?
Holy Ghost?
Of any, all,
And everything at most?
Dressed to the nines,
Maroon and Red shoes,
That shine?

Maroon Man

Him?
Him?
Oh, please,
Heavens, no.
I’m merely that,
Other him,
You know,
He who should not be named.

Bernard

It can’t be,
Possibly,
Can’t be,
He,
The monster in my nightmares,
The monster of my dreams.
You’re not…

Maroon Man

Carrying a pitchfork?
Hovering with horns?
I left such things at home.
Silly little stereotypes,
Little legends in the books.

Bernard

What is it that you want from me?
What is it that you seek?
I’m merely faithful to my lord,
Not you, that man,
So foul,
You reek.

Maroon Man

I want to talk about your plans,
I want to talk your pain,
I want to talk your suffering,
Your losses and your gain.
Unleash your lonely grievances,
Unload your pesky thoughts.

Bernard

I don’t condone your evil,
I don’t condone your sin,
Allow me to my thoughts in peace,
And never tread within.

Maroon Man

No,
No,
Of course, you don’t condone me,
That’s why you’re so conflicted,
Struggling and buckling,
about your future,
spreading the good love of faith,
because you’re dead-set on,
not disobeying the almighty.

Bernard

Why,
Oh why,
Why is it that you’re here?

Maroon Man

I’m here to merely guide you,
I’m here to simply help,
My son you haven’t yet seen,
The things that I can do.


Bernard  

I don’t need your guidance,
Not your friendship,
Or your help,
Banished from this House of God,
Exiled from this home of holy.

Maroon Man

Don’t you?
Do you?
I hear you’re at a crossroad,
You need guidance,
You DO need guidance,
correct?



Bernard

Not from you,
Never from you,
I’d rather convert or follow none,
Than worship the likes of you.

Maroon Man

Why is that?

Bernard

Because you’re wicked.
You’re ghastly,
You are the symbol,
of all evil.
You are the reason why there is suffering,
and death in this sinful world.
You construct hate and pain,
and spread it like a virus.
You are a virus.

Maroon Man

Flattery will get you nowhere,
Father Benedict.
You’re merely reading,
A resume,
An eternity of achievement.

Bernard

I don’t care what you have to say,
I can’t indulge you,
I won’t indulge you,
To indulge you,
Is to lose me,
And to lose him.

Maroon Man

From what I can tell,
you’re uncertain of your faith.
Isn’t that correct?
Isn’t that so?
Tell me I’m wrong.

Bernard

No,
Not at all,
Not entirely so.
I know what I believe in,
I know what is so,
I just don’t...

Maroon Man

Just don’t,
what?
Speak!
Release what it is,
That has you in such shambles.

Bernard

I just don’t know,
I just don’t know,
if I want to devote my life,
to my faith.
My faith,
My faith,
Where’s the faith in me?
To devote this life,
To everything,
In terms of he?
I feel this way,
And ache this way,
Knowing full well,
That I will burn in hell,
For feeling this way.

Maroon Man

What is it that you have to sacrifice,
in order to become a soldier of Christ?
What is it that you give,
What is it that you gift?

Bernard

Time,
Time,
And life after time.

Maroon Man

Time, yes,
But there’s more to it,
than just time,
What else are you risking?
What is that you sacrifice?
We both know the answer to that,
We both know it true,
You’re risking freedom, you see,
if you pursue a life of pure faith,
you will never know what the beauty of…
pleasure is like.
Freedom is pleasurable,
isn’t it?
Pleasure,
Fulfillment,
Taking that first sip of bourbon in the morning-time,
Taking that long drag from a burning cigarette,
Truly knowing what it’s like,
to make love to a woman,
feeling every bit of passion and pleasure that…
comes with it.
You lack character in this world
and that’s because you are
unfulfilled.

Bernard

You...
You see right through me,
You see right through my pain,
Every ounce and every air,
Of all that I fail to obtain.

Maroon Man

Even he can,
He isn’t stupid,
He knows these are things you want,
But is he allowing you to do so?
No,
his words forbid such action.
Why?
Because,
all he really wants is recognition and obedience.

Bernard

You lie,
You lie,
and you lie,
You can’t possibly know,
what the lord truly wants.

Maroon Man

Don’t forget,
Don’t you ever lose sight,
I once fought alongside him,
the same way you are now,
and look where it got me,
once I realized that there is more,
more to it than just spreading peace,
and tranquility through him.
True peace is in pleasure.
He hates pleasure.
He craves order.

Bernard

And what makes you think,
that I want anything more than,
peace and tranquility?

Maroon Man

Because you wouldn’t be doubting,
your path to priesthood,
if you didn’t desire the very things,
He tells you not to desire.
Even desiring is a sin, you see.
To him,
desire is greed.
Take some initiative for yourself,
and humor me.

Bernard

I can’t.

Maroon Man

Why not?
You can,
Don’t you see?
I can show you.
I can show you,
Fruitful things.
I can show you all,
That he forbids.
Remember the girl?

Bernard

What girl?

Maroon Man

You know,
You know what girl,
Don’t tell me that,
You don’t remember,
The girl.

The Photograph

A framed image,
A portrait of beauty,
Her,
Gorgeous blonde locks,
A lovely little maiden,
Her,
God’s crafted angel,
Dearly Departed,
Cecelia.

Maroon Man

Cecilia,
She is why you are doing this,
aren’t you?
She died,
Tragically,
Overdosed, even.
A talented musician,
who got wiped away,
because of her desires.
Like blowing out a candle.
You think it was me?
You think it was me,
who took her away from you?

Bernard

Yes,
Yes,
I blame you,
You,
Foul old you,
You’re the reason why she’s gone,
You are the cause of pain.

Maroon Man

Wrong,
Wrong,
Wrong again, Bernard,
It was him, Bernard.
He who forbade,
Pleasure,
Mortality was her punishment,
for seeking such pleasures.
It was him, Bernard.
It’s much too easy,
Too easy to pin the blame on anyone,
but the true culprit.
It’s no coincidence,
that I’m here this evening,
Bernard.
I’ve been watching you,
I know you inside and out,
Better than you know yourself.
Do you now trust me?
We’re waiting, Father!
(beat)
Just as I thought.
You know that it’s better to have loved,
and lost,
then to never have loved at all.



Bernard

****… you…

Maroon Man

Profanity,
Profanity,
Is profanity not a sin?

Bernard

Why are you doing this to me?
Why are you here?
What is it that you aim to accomplish,
Foul, ghostly beast?

Maroon Man

If you’d just humor me,
If you’d just listen,
If you’d just dip your toes,
Into my point of view,
I can give you it all.

Bernard

What is it,
that you’ll do,
if I indulge you?

Maroon Man

You can have her,
She would be yours
for all eternity,
You can have everything,
you desire.
Only if you come with me.

Bernard

Can I talk to her?
Can I hold her?
Can I smell her scent?
Can I taste her lips?
Can I…

The Action

Maroon Man smiles,
Maroon Man nods,
Maroon Man grants,
And twirls his fingers,
At invisible atmospheric dials.

Outside the window,
Stood Cecelia dressed in black,
Bernard sniffs a soulful tear,
His love and lust had come for her,
It had unapologetically come back.

He raced outside the holy place,
And wandered in the fields,
To find his lovely little,
Cecelia May,
Waiting for his warm embrace.

dilaw na dyaket ang suot mo noon
habang ako ay nananahimik
hindi makaimik
at pinagmamasdan ang bawat sinag ng dapithapon
na sinasala ng kinulayang bintana
kung saan ay sa aking mga mata na ngayon lamang nakakita ng ganda ay biglang napatunganga

dilaw na dyaket ang suot mo noon
at ang unang naitala
sa listahan ng mga napuna ng aking mga mata at biglang napatunganga na nga

nang dahil sa bawat tupi ng manggas
at bawat kusot ng bulsa ng dilaw na dyaket **** naisipang ipakita sa silid ng mga kaluluwa

mga kaluluwang akala ko ay mabibigyan kong buong pansin ngunit heto, napatitig na rin

ako'y napatitig na rin

napatitig sa dilaw na dyaket mo
at hindi ko mawari kung paano
pero ang dilaw na dyaket **** nakabalabal sa iyong kay liit na katawan ay humihila pababa sa iyong mga balikat
nakakibit
hindi man lang kayang mapaakyat ang iyong pagpapakalálo
napapaliit
ang tikas ng iyong pagkatao

hindi ko rin mawari kung paano
pero ang dilaw na dyaket mo ay para bang napabalabal na rin sa akin
at mula noon, ang bawat tupi ng manggas at bawat kusot ng bulsa ng aking puso ay handa nang aminin na ikaw ay naging isang

anghel

ang dilaw na dyaket mo ay naging iyong halo
at ang bawat tupi ng manggas at bawat kusot ng bulsa nito ay naging mga pakpak mo at ikaw ay naging isang

anghel

ika'y naging
anghel sa aking isipan
marikit na imahe sa aking kaloob-looban
munting sigaw sa buong kalawakan
o, munting anghel ko, nais ko na sanang isigaw:
nakikita mo ba?
nakikita mo ba kung paano kita nakikita?
nakikita mo ba kung paano kita sinasamba?
nakikita mo ba kung paano kita sinisinta?

oo, sinisinta, dahil
munting anghel ko, o, mahal kita
mahal kita, o, munting anghel ko

mahal kita
at ang bawat tupi ng manggas at bawat kusot ng bulsa ng iyong pagkatao
mahal kita
at ayaw kong manatili ka lamang sa isipan ko
mahal kita
at nais kong ako ang magpabalabal sa iyong puso
at nais kong ako ay maging iyo

at nais kong mahalin mo rin ako

ngunit, o, munting anghel ko, natakot ako
natakot ako na
kung ilalahad ko ang lahat ng mga ligaw na alaala ko sa iyo
ay huhusgahan mo ako
kung hayaan kong buksan mo ang aking mga pinto
ay matatakot ka nang makita mo ang nilalaman nito
kung ipakita ko sa iyo ang lahat ng mga tupi ng manggas at mga kusot ng bulsa ng aking puso
ay magugulat ka at lilisanin mo ako

kaya heto, ang munting anghel ko ay nanatili sa isipan lamang
ang marikit na imahe ko ay nanirahan sa kaloob-looban lamang

ang munting sigaw ko ay naging bulong lamang
isang bulong na nagsasabing:
o, munting anghel ko, mahal kita,
o, munting anghel ko, pangarap kita,
ngunit, o, munting anghel ko, natatakot akong sa piling mo'y ako'y madulas
at tuluyang mawala ka.

maroon na dyaket ang suot mo kanina
noong ako ay naarawan ng sikat ng umaga
at ng tawa ng ilang mga kahalubilo't kasama
at naroon sa gitna ng aking sariling mga tawa ay nakita kita
ngunit may kasamang iba

at siya'y ika'y inakbayan
at ika'y siya'y nginitian
at ako'y napaisip nang biglaan
kayo ba?
kayo ba?
kayo ba?

napakwento ang kaibigan ko:
alam mo ba,
ganun na nga
sila na
magdadalawang-linggo na.

hindi naman sa nasaktan ako
pero parang ganoon na nga.

hindi naman sa napatigil bigla ang tibok ng puso ko
pero parang ganoon na nga.

hindi naman sa nadurog ako nang mapansin ko na ang sukat ng maroon na dyaket mo ay mas sakto sa iyo at hindi niya nahihila pababa ang iyong buong pagkatao at siguro ito ay dahil siya ang kasama mo at hindi ako kaya para bang siya na ang nakabalabal sa iyong puso at ang bawat tupi ng manggas at bawat kusot ng bulsa ng kaniyang puso ay napaibig na sa iyo—

pero parang ganoon na nga.

ganoon na nga
dahil kayo na nga

kayo na
kayo na
kayo na.

ganoon na nga
dahil siya ang kasama mo

hindi ako
hindi ako
hindi ako.

siguro kung hindi ako natakot

siguro kung hindi ako natakot na ilahad ang lahat ng mga ligaw na alaala ko sa iyo
ay hindi ka na mananatili lamang sa isipan ko

siguro kung hindi ako natakot na hayaang buksan mo ang aking mga pinto
ay mapapabalabal ko na ang iyong puso

siguro kung hindi ako natakot na ipakita ang lahat ng mga tupi ng manggas at mga kusot ng bulsa ng aking puso
ay ako na'y magiging iyo

siguro kung hindi ako natakot na madulas sa piling mo
ay mamahalin mo na rin ako

ngunit ayan na nga, o, munting anghel ko, natakot ako
at ayan na nga, o, munting anghel ko,
lahat ng ito ay hindi ko na nasabi sa iyo
at ayan na nga, o, munting anghel ko,

baka tuluyan nang mawala ang dilaw na dyaket mo sa buhay ko

maroon na dyaket na ang suot mo
ngunit ang dilaw na dyaket mo pa rin ang nakatatak sa isipan ko
at ang bawat tupi ng manggas at bawat kusot ng bulsa ng dilaw na dyaket mo ay nakabalabal pa rin sa aking puso

aking puso na nadurog, at patuloy na nadudurog hanggang ngayon
nang dahil sa dilaw na dyaket na suot mo noon

dahil sa dilaw na dyaket na suot na ng iba ngayon

one o'clock in the morning
switch switch clack clack
there's a train and it's streaming swirls of
steamy illumination
clack clack
eyelids drifting; icebergs, somewhere, melting.

there's a part of my brain and it's
it's drifting back to you
you're walking on those steaming lights
palm on palm and eyes on eyes on faces
creased and turned
with curiousity
and the beginnings of devotion

there was a past, storied; perhaps too complicated
and it's faded; I have managed to turn my head
painfully removed,
toward blue jackets being pulled on
blue and maroon
blue and maroon

you're different, and she's absolutely different
I do not know how I missed the mark
(but oh I hope that she does worse)
blue and maroon
when patched together minds of mine
**** backwards and--
I can't feel you anymore, I can only think
so maybe this is better

blue and maroon
he's getting better; he's not perfect in the same way
but you weren't either in a big way
his faults don't rattle my teeth in my head
and blister my fingertips completely out of bitterness
my eyes don't bleed of acid when he strikes an ill-planned chord
you're gone
and I am staring at this train
eyelids drifting
thinking of blue and maroon

Blood dripped from my eyes like tears.
Maybe they were just tears.
It dripped from my mouth and I dug my nails into my palms, wishing it would stop.
Blood began to drip from my palms too.
Something stung my side.
I put my hand to it and pulled it away, now completely covered in red.
Although it was not exactly red.
It was dark, making the red more of a black maroon.
I was drowning in black maroon.
You'd think being covered in blood would be enough to wake me up completely.
But sadly it wasn't.
Laying in half-consciousness, my blanket slowly soaking in black maroon.
Tangling around my legs and around one of my arms, I couldn't get it off.
Suffocating in a wet blanket, crying with closed eyes, wanting to die.
I heard music.
A piano.
I didn't know who was playing, or why, or where.
I stopped struggling long enough to listen, it was happy and loud.
'What is there to be happy about?'
I wondered, no one is coming to save me.
I heard a little girl laughing.
"Play my favourite, James!"
She had an accent I couldn't identify, but her request changed the song.
The music stopped for a moment, then when it started again, it was soft and sweet.
But also sad.
I could feel the music creating cracks in my heart.
Someone was walking towards my room.
I turn so I'm laying on my other side, now facing the door.
A pool of black maroon was spreading on the floor.
My breath stopped as I froze.
No one could ever bleed that much.
The door began to open and she walked in.
She couldn't have been much older than I, tall and so thin I thought she would snap, she walked in with a grace and balance so fine it couldn't have been human.
Then I saw her hands.
Her palms were metal, shining in the light from the hall.
Her fingers each a long thin blade.
I felt my heart stop completely.
I looked up and wish I hadn't.
Her face was so sunken in you could see every bone, her eyes hollow shadows.
She was beautiful.
Until she lunged for me and I heard my own screaming echoing inside me as I sat up in bed.
I was shaken but standing.
But broke when I saw the right side of my face covered in dried black maroon, and the matching stain that covered half of my pillow.

Your truck knows it all
It contains our whole relationship
It knows the beginning, middle and end

I loved seeing those lights
Knowing you were driving to come pick me up
It made me really happy
And sometimes
Even a little nervous
But in a good way

In the summertime
We had the windows rolled down because it was hot
In the winter it was cold
But we'd find a place to park and make it July warm
I almost lost my innocence in that passenger seat

We did so much in that truck
We talked
Laughed
Shared
Kissed
Argued
Cried
Stressed
Freaked out
Held each other
Loved

That truck knows it all
Those camouflage seat covers still hold our passionate sweat
The drooping brownish red ceiling absorbed all our words, feelings and keeps them there
Even today
The plastic in front of the gas gauge doesn't feel as whole without one of my pictures covering it
The center console probably still holds one of my notes
Saying how much I love about you
Who knows, the glovebox still may hold my garter
The lace with a tear on it from prom
When the truck heard you say you didn't care anymore

That truck holds everything
All the feelings and emotions
Maybe not so close to the surface anymore
But it will never forget the stuff you've let yourself unremember
That maroon Chevy still loves me
Even if you don't.

I think of you in colours that don't exist --
     that's not to say that I don't think of you at all,
          because, of course, technically every colour exists:
Even the ones we cannot imagine,
   Even the ones we cannot see.
Even the ones either side of the spectrum that light up the notes used for money, not music, because the notes used for money
   are
      not
         always
            real.
Even the ones either side of the spectrum that light up the heat of your body like your presence does the room
      and your eyes do my smile
           and your smile does my eyes;
You tell me that technically every colour exits,
   even if we cannot see it,
   even if we cannot imagine it –

For think of it now.
          Imagine in your head a colour that does not exist.
                    Now describe it to me.
Is it a splash of red with tints of a yellowy-blue?
Is it a pinky-purple hue,
    a hint of green, turquoise, maroon, sapphire, olive, violet?
Does it already exist in colours we already have names for,
      have we lived so long that every thought we think is no longer our own,
            every thought we think has been thought of before,
I think of you in colours that don’t exist
   but so has everyone else.

We cannot see it,
      we cannot imagine it.
But if we cannot imagine something that does not exist
   simply because we are confined to describing it
      in the words of an already existent language,
   what does that say about us?
We can imagine a waterfall of chocolate,
       a glass elevator bursting through the roof;
   shrinking potions and growing potions and talking rabbits.
We can imagine standing on the top of a building
      looking out over the greying city lights
            with lungs full of water
            a noose round our necks
            and the sole belief in our heads that we are jumping to fly
We can rewrite the future and make up the past
We can imagine wizards and witches and fairies and goblins
We have unicorns, ******* it,
     we have God.

And yet when I present to you a lover,
   an artist,
      standing in front of you now,
         yearning to make you his canvas,
You are too scared to fall in love,
              too scared to admit that you don’t have the words in your encapsulating little language to describe the things that you feel towards him.
For he does not need language,
   he does not need words.
He will stand here now,
   in front of you,
      and let you grace his collarbones with a diamond noose,
                          crown his withered corpse in a wreath of daisies,
                          dress his bones in slashes of rubies.
He will tear himself apart for you,
     for you,
     for you to watch galaxies flow out of his veins,
  velvet red blood screaming unwritten poetry,
  a torrent of unimagined colours pouring into him and out of him
          and with his one last remaining breath
              and a trembling hand,
he picks up his paintbrush
      and draws you into orbit,
  and like his fingers used to trace your shattered ribcage
    like the keys of an ivory piano,
he traces the outline of your lips.
And at last you draw breath,
         to whisper his name, to whisper your love, and all that remains
   is silence.
And you choke on the air and sound is still
         for all words exist so none can be spoken and suddenly everything
   is black.
And I think of you in colours that don’t exist
     like the wolf howls in lament of the side of the moon he will never see
          for all colours exist, and when I think of you,
there are none.

                                                      *-j.­s.

long white knives
that peirce through the
skin
of their prey
first they softly
puncture
thrickles of blood
dripping from the
fresh
pink
wound
then, they dig deeper
slowly
blood runs
faster
as the predator
***** it in
a maroon mess
finally
it lets go
and pulls the once
white teeth
now
decorated in royal red

~
O Painter
with thy own eye
                        would thee
paint me in mine own natural hue
prithee paint me as i am,
imperfections
            and blemishes true

Load thy brush
                      with colors sundry
to maketh yond first pure sweep
across the ****** frieze,
fill'd with pangs of hunger.
paint me as i standeth
                  bethought, in deep

With mine own love and mine own desire,
blurring the edges unclean
with mine own regrets
                  and mine own mental gyre,
in mine own natural age,
               of deep forest green

O Painter
Paint me sinister turquoise,
in lavender and maroon,
combine the amethyst and amber
blend the iceberg
       and the indigo moon.

Paint me as i standeth,
       prithee see with thy eye
a mistress in yond lady plight
Prithee paint me all i am
i cullionly
a mistress in all yond lady might

Paint me in the optimistic
                             silv'r of dawn,
but don’t miss the purple
to shade the bruise
                              of the bygone.
paint me in the sky blue journal

O Painter
Paint me as a unique template
smudge black white and grizzled
merging all the colors of thy palette.
col'r me a rainbow
                            in a rainy drizzle

Paint me tall so yond i standeth
loftier than any mountain
Paint me as a dram bird, delicate
with soft feathers silken

Paint me harmony, as a violin
so yond i can sing thy solitary tune
paint me as thy poetry
         with song and melody
wrapp'd in a cocoon

O Painter
paint me as a dream yond rises
                               in did saturate colors
with a steady upbeat flight awry
tint, a fluttering
             of a quite quaint butterfly

Portray me with endurance
imbue so bold and bright
doth not hesitate
                to depict mine own mind
in profound fuchsia and white.

Useth the colors yond thee would borrow
Thy palette not yet exsufflicate
Paint mine own loss and mine own sorrow
in search of a shade so ******

Adorn mine own heart in glowing garnet
at which hour thee paint mine own love
add a true broken blue shade
of the cloud and the rain above;

Study mine own dry sorrow
                              in mine own soul
useth any shade thee plaited
soften the edges of control
in a tinge of xanthene.

O Painter
Prithee paint me
Mine own passion and mine own spirit
shall has't a crimson r'd hint
mine own remorse and mine own regret
shall reflect an ink stain print

Paint me in mine own eye so true
O Painter
but add a dash of courage too
~

Because I wanted to be the shade of lace
that hugged at my arcs and ridges,
blushing deeper as you peeled it away
from my skin.

Maroon,
because it painted the
the constellation,carefully planted
down
my
spine

and coloured the speckles of tiny stars,
huddling beneath the fortress of my jaw,
while the others were lost,
but cradled safely
in the dimple of my collar bones.

The boy with the maroon sweater
You took her heart and threw it in the gutter

The boy with the maroon sweater
She tried her best but you were always better

The boy with the maroon sweater
She knew you were smart but you were an early quitter

There was a house fire on my street last night …well… not exactly my street, but on a little, sketchy, dead-end strip of asphalt, sidewalks, weeds, and garbage that juts into my block two houses down. It was on that street. Rosewood Court, population: 12, adjusted population: 11, characterized by anonymity and boarded windows, peppered with the swift movements of fat street rats. I’ve never been that close to a real, high-energy, make-sure-to-spray-down-your-roof-with-a-hose-so-it-doesn’t-catch­ fire before. It was the least of my expectations for the evening, though I didn’t expect a crate of Peruvian bananas to fall off a cargo plane either, punching through the ceiling, littering the parking lot with damaged fruit and shingles, tearing paintings and shelves and studs from the third floor walls, and crashing into our kitchen, shattering dishes and cabinets and appliances. Since that never happened, and since neither the former nor the latter situation even crossed my mind, I’ll stick with “least of my expectations,” and bundle up with it inside that inadequate phrase whatever else may have happened that I wouldn’t have expected.



I had been reading in my living room, absently petting the long calico fur of my roommate’s cat Dory. She’s in heat, and does her best to make sure everyone knows it, parading around, *** in the air, an opera of low trilling and loud meows and deep purring. As a consequence of a steady tide of feline hormones, she’s been excessively good humored, showering me with affection, instead of her usual indifference, punctuated by occasional, self-serving shin rubs when she’s hungry. I saw the lights before I heard the trucks or the shouts of firemen or the panicked wail of sirens, spitting their warning into the night in A or A minor, but probably neither, I’m no musician. Besides, Congratulations was playing loud, flowing through the speakers in the corners of the room, connected to the record player via the receiver with the broken volume control, travelling as excited electrons down stretches of wire that are, realistically, too short, and always pull out. The song was filling the space between the speakers and the space between my ears with musings on Brian Eno, so the auditory signal that should have informed me of the trouble that was afoot was blocked out. I saw the lights, the alternating reds and whites that filled my living room, drawing shifting patterns on my walls, ceiling, floor, furniture, and shelves of books, dragging me towards the door leading outside, through the cluttered bike room, past the sleeping, black lump of oblivious fur that is usually my boisterous male kitten, and out into the bedlam I  had previously been ignorant to. I could see the smoke, it was white then gray then white, all the while lending an acrid taste to the air, but I couldn’t see where it was issuing from. The wind was blowing the smoke toward my apartment, away from Empire Mills. I tried to count the firetrucks, but there were so many. I counted six on Wilmarth Ave, one of which was the awkward-looking, heavy-duty special hazards truck. In my part of the city, the post-industrial third-wave ***** river valley, you never know if the grease fire that started with homefries in a frying pan in an old woman’s kitchen will escalate into a full-blown mill fire, the century-old wood floors so saturated with oil and kerosene and ****** and manufacturing chemicals and ghosts and god knows what other flammable **** that it lights up like a fifth of July leftover sparkler, burning and melting the hand of the community that fed it for so many decades, leaving scars that are displayed on the local news for a week and are forgotten in a few years’ time.



The night was windy, and the day had been dry, so precautions were abundant, and I counted two more trucks on Fones Ave. One had the biggest ladder I’ve ever seen. It was parked on the corner of Fones and Wilmarth, directly across from the entrance into the forgotten dead-end where the forgotten house was burning, and the ladder was lifting into the air. By now my two roommates had come outside too, to stand on our rickety, wooden staircase, and Jeff said he could see flames in the windows of one of the three abandoned houses on Rosewood, through the third floor holes where windows once were, where boards of plywood were deemed unnecessary.



“Ay! Daddy!”



My neighbor John called up to us. He serves as the eyes and ears and certainly the mouth of our block, always in everyone’s business, without being too intrusive, always aware of what’s going down and who’s involved. He proceeded to tell us the lowdown on the blaze as far as he knew it, that there were two more firetrucks and an ambulance down Rosewood, that the front and back doors to the house were blocked by something from inside, that those somethings were very heavy, that someone was screaming inside, that the fire was growing.



Val had gone inside to get his jacket, because despite the floodlights from the trucks imitating sunlight, the wind and the low temperature and the thought of a person burning alive made the night chilly. Val thought we should go around the block, to see if we could get a better view, to satisfy our congenital need to witness disaster, to see the passenger car flip over the Jersey barrier, to watch the videos of Jihadist beheadings, to stand in line to look at painted corpses in velvet, underlit parlors, and sit in silence while their family members cry. We walked down the stairs, into full floodlight, and there were first responders and police and fully equipped firefighters moving in all directions. We watched two firemen attempting to open an old, rusty fire hydrant, and it could’ve been inexperience, the stress of the situation, the condition of the hydrant, or just poor luck, but rather than opening as it was supposed to the hydrant burst open, sending the cap flying into the side of a firetruck, the water crashing into the younger of the two men’s face and torso, knocking him back on his ***. While he coughed out surprised air and water and a flood of expletives, his partner got the situation under control and got the hose attached. We turned and walked away from the fire, and as we approached the turn we’d take to cut through the rundown parking lot that would bring us to the other side of the block, two firemen hurried past, one leading the other, carrying between them a stretcher full of machines for monitoring and a shitload of wires and tubing. It was the stiff board-like kind, with handles on each end, the kind of stretcher you might expect to see circus clowns carry out, when it’s time to save their fallen, pie-faced cohort. I wondered why they were using this archaic form of patient transportation, and not one of the padded, electrical ones on wheels. We pushed past the crowd that had begun forming, walked past the Laundromat, the 7Eleven, the carwash, and took a left onto the street on the other side of the parking lot, parallel to Wilmarth. There were several older men standing on the sidewalk, facing the fire, hands either in pockets or bringing a cigarette to and from a frowning mouth. They were standing in the ideal place to witness the action, with an unobstructed view of the top two floors of the burning house, its upper windows glowing orange with internal light and vomiting putrid smoke.  We could taste the burning wires, the rugs, the insulation, the asbestos, the black mold, the trash, and the smell was so strong I had to cover my mouth with my shirt, though it provided little relief. We said hello, they grunted the same, and we all stood, watching, thinking about what we were seeing, not wanting to see what we were thinking.

Two firefighters were on the roof by this point, they were yelling to each other and to the others on the ground, but we couldn’t hear what they were saying because of the sirens from all the emergency vehicles that were arriving.  It seemed to me they sent every firetruck in the city, as well as more than a dozen police cars and a slew of ambulances, all of them arriving from every direction. I guess they expected the fire to get really out of hand, but we could already see the orange glow withdrawing into the dark of the house, steam and smoke rippling out of the stretched, wooden mouths of the rotted window frames. In a gruff, habitual smoker’s voice, we heard

                                      “Chopper called the fire depahtment

We was over at the vet’s home

                He says he saw flames in the windas

                                                                                                                                                We all thought he was shittin’ us

We couldn’t see nothin’.”

A man between fifty-five to sixty-five years old was speaking, no hair on his shiny, tanned head, old tattoos etched in bluish gray on his hands, arms, and neck, menthol smoke rising from between timeworn fingers. He brought the cigarette to his lips, drew a hearty chest full of smoke, and as he let it out he repeated

                                                “Yea, chopper called em’

Says he saw flames.”

The men on the roof were just silhouettes, backlit by the dazzling brightness of the lights on the other side.  The figure to the left of the roof pulled something large up into view, and we knew instantly by the cord pull and the sound that it was a chainsaw. He began cutting directly into the roof. I wasn’t sure what he was doing, wondered if he was scared of falling into the fire, assumed he probably was, but had at least done this before, tried to figure out if he was doing it to gain entry or release pressure or whatever. The man to the right was hacking away at the roof with an axe. It was surreal to watch, to see two men transformed from public servants into fingers of destruction, the pinkie and ring finger fighting the powerful thumb of the controlled chemical reaction eating the air below them, to watch the dark figures shrouded in ethereal light and smoke and sawdust and what must’ve been unbearable heat from below, to be viewing everything with my own home, my belongings, still visible, to know it could easily have gone up in flames as well.

I should’ve brought my jacket. I remember complaining about it, about how the wind was passing through my skin like a window screen, chilling my blood, in sharp contrast to the heat that was morphing and rippling the air above the house as it disappeared as smoke and gas up into the atmosphere from the inside out.

Ten minutes later, or maybe five, or maybe one, the men on the roof were still working diligently cutting and chopping, but we could no longer see any signs of flames, and there were figures moving around in the house, visible in the windows of the upper floors, despite the smoke. Figuring the action must be reaching its end, we decided to walk back to our apartment. We saw Ken’s brown pickup truck parked next to the Laundromat, unable to reach our parking lot due to all the emergency vehicles and people clogging our street. We came around the corner and saw the other two members of the Infamous Summers standing next to our building with the rest of the crowd that had gathered. Dosin told us the fire was out, and that they had pulled someone from inside the gutted house, but no ambulance had left yet, and his normally smiling face was flat and somber, and the beaten guitar case slung over his shoulder, and his messed up hair, and the red in his cheeks from the cold air, and the way he was moving rocks around with the toe of his shoe made him look like a lost child, chasing a dream far from home but finding a nightmare in its place, instead of the professional who never loses his cool or his direction.

The crowd all began talking at once, so I turned around, towards the dead end and the group of firefighters and EMTs that were emerging. Their faces were stoic, not a single expression on all but one of those faces, a young EMT, probably a Basic, or a Cardiac, or neither, but no older than twenty, who was silently weeping, the tears cutting tracks through the soot on his cheeks, his eyes empty of emotion, his lips drawn tight and still. Four of them were each holding a corner of the maroon stretcher that took two to carry when I first saw it, full of equipment. They did not rush, they did not appear to be tending to a person barely holding onto life, they were just carrying the weight. As they got close gasps and cries of horror or disgust or both issued from the crowd, some turned away, some expressions didn’t change, some eyes closed and others stayed fixed on what they came to see. One woman vomited, right there on the sidewalk, splashing the shoes of those near her with the partially digested remains of her EBT dinner. I felt my own stomach start to turn, but I didn’t look away. I couldn’t.

                                                                                It was like I was seven again,

                                in the alleyway running along the side of the junior high school I lived near and would eventually attend,

looking in silent horror at what three eighth graders from my neighborhood were doing.

It was about eight in the evening of a rainy,

late summer day,

and I was walking home with my older brother,

cutting through the alley like we always did.

The three older boys were standing over a small dog,

a terrier of some sort.

They had duct taped its mouth shut and its legs together,

but we could still hear its terrified whines through its clenched teeth.

One of the boys had cut off the dog’s tail.

He had it in one hand,

and was still holding the pocket knife in the other.

None of them were smiling,

or talking,

nor did they take notice of Andrew and I.

There was a garden bag standing up next to them that looked pretty full,

and there was a small pile of leaves on the ground next to it.

In slow motion I watched,

horrified,

as one of the boys,

Brian Jones-Hartlett,

picked up the shaking animal,

put it in the bag,

covered it with the leaves from the ground,

and with wide,

shining eyes,

set the bag

on fire

with a long-necked

candle

lighter.

It was too much for me then. I couldn’t control my nausea. I threw up and sat down while my head swam.

I couldn’t understand. I forgot my brother and the fact that he was older, that he should stop this,

Stop them,

There’s a dog in there,

You’re older, I’m sick,

Why can’t I stop them?

It was like