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Trife  May 2015
Hardcover
Trife May 2015
Her personality reminds me that of a hardcover book,
tough and undescriptive on the cover,
but soft and vast of layers to discover inside.
Ember Evanescent Oct 2014
You're a hardcover novel I can't seem to put down with charming tea stains on your pages, endearing creased corners and torn edges I look upon fondly but I can't open you far enough to break the bind of your spine. I’ll keep trying though as I soak in and inhale every toxically flawless inky letter you are composed of, scribbling quotes from your chapters onto my wrists so I feel like I always have you with me until I know your story inside and outside, forwards and backwards, by heart. You have and immensely lovely and irresistible sleeve around you and a fascinatingly stirring summary for your description on the back but I’m more interested in what’s inside. It’s an incomplete tale though so I hope I get the chance to rewrite the rougher parts like the heartbreaking paragraphs of your past and maybe I’ll get to be a co-author for typing out your happy ending.

Please repost if you have ever experienced or are experiencing the budding beginnings of puppy love
Please comment! I love to read any thoughts you have on my poetry or poetry itself as an art! :)
Please repost if you have ever experienced or are experiencing the budding beginnings of puppy love
Please comment! I love to read any thoughts you have on my poetry or poetry itself as an art! :)
This world has me in transitions
From good to bad
But deep in my roots
I'll always be good
This image is just a shield
Protecting me from unnecessary pain
You say you know who I am
You say you're reading me
Yet you haven't opened a page
My hardcover may be misleading
But what it contains
Is nothing but a blank
Undecided in a society of pressure
With no identity I roam free
Of becoming anything I want to be
Omar Kawash Jun 2015
I miss my cargo green canvas backpack

Shredded with the mass of three
science textbooks: biology,
classical history, chemistry.

Not like backpack was meant for
several colossal three hundred page
hardcover books.

When it was empty,
it was light,
barely anything, tugging
on my shoulders;
but I insisted the friend come with me.

But I used backpack
for study,
drudgery,
play.
The linen wore
with every use.

It was my safety blanket,
under loose cloth
that contained
sacarine
orange glucose
tablets that I hoped
to never need

Inside the main large pocket,
there was a secret
zipper, within held
a pack of cigarettes,
an excuse,
to pardon myself into a realm of aloneness-
with little questions asked

There were strings that adjusted
its position on my back that
I would pull down,
using tension to fling myself
terminal to terminal

More than fifteen times, I lost
count, of my partner traversing
across oceans, gently cradling my laptop and phone-
my trusted links
with the outside world

Nervousness alleviated by the tassels
in my mouth, I bite and chew
on the cloth, but it holds steadfast
as I ponder how to approach
what's next,
the bittersweet coffee they fell into
rehydrates with my salivating mouth,
hungry for adventure
but a stomach empty
knots itself
anxious
for what's to come

My backpack weighs
on my shoulders, empty or full,
but it's trained my body
to carry the load thoughts in my
head bring upon me

But it yielded to what was to come,
the seams at the bottom gave out.
Backpack let me know: I needed to
learn to carry on
without reliance.
An old poem I wrote dedicated to something that used to be inseperable from me. In other news, I have a new backpack that resembles this old one, but is a bit hardier because for those who know me, they would ask if this current one ripped and no, not yet. (; This is an ode to the first one I had that I was known for and had for an innumerable amount of years.
Mateuš Conrad Mar 2017
war took mine, i was sold  playing tenchu
on level 6... just before i was to
assassinate this ***, and he practised all
his bow skill in private, then it was made public
by a ninja... i only completed final
fantasy 7
with a walk-through...
i hate the fact that i stuck to
the schooling narrative...
  but hose were the PS1 days,
those days are gone, gone gone gone,
bye bye gone...
                 the **** was that?!
an oscar for best actor at the gladiator premier?!
why isn't more gaming mentioned in poetry?
where is raziel, and the the legacy of cain:
soul reaver, and the story about how he
squashed his brothers:
dumah, melchiah, rahab, and zephon?
oh look: the geek in me!
                 100 years from a youtube video...
i'm bound to do the bristol d'uh and say:
i've never been to south america...
nor ever...
                        me go sort out this avalanche
if that's o.k. with you, hmm?
this is the thrill you get when seeing peoiple
play a reincarnation of gameboy,
i.e. candy-crush saga... if you moved beyond
the PS1 universe you won't get it...
if you remember PS1 games, you'll probably
remember SEGA and sonic,
and age of empires 2, and sim city 3000...
**** me! but you won't probably remember the
weathergirl... who was becky mantin
when this was written...
           odd, that little gray box of saturdays
and sometimes sundays, but definitely
saturday mornings...
                    it gone... and i don't feel like owning
an update of it, because games have become
overtly narrative prone, they only allow thise gameplay
that's too narrated... i switch on the console
and i want mario bros. calculator type of dynamism...
instead i get this really complex story
when i should be reading a book...
   no, really, when did gaming become so
****** engrossing that i try to become distracted by
brick walls?
           when did i or when didn't i take to playing
chess? well... when i started playing dominos
with 6 cigarette stumps and a black hardcover
philosophy book... maybe around then.
books i great, believe me...
but this nook of counter-arcade games?
i woke up at 9am as if about to go to school
and played that japanese fetish for hours...
so much if our culture in nearing the post-20th
century culture was axis... it was almost all japanese...
you can't take that fact out and replace it
concerning: god intervened at Giza and yawned
at chichén itzá...
because you would... still, i thankfully retired
from the gaming experience (when did PS2 come out?
i wanted it for about 2 years and still didn't
get it)...
    1998? 1997?
                      thankfully i get to mention computer
games like novels... SEGA mega drive?
yep, owned that.
                   and yes, i can cite an ATARI,
and ****, **** **** me!
   that original NINTENDO?!
              and that shooting mallard simulation
against a screen of televisions that could
still issue you with van der graaf static
   of "levitating" hair?
(when televisions were still 3D and played
you remnants of the big bang
       in televised black and white khrrr sound,
all dicta fidgety, like looking through the eyes
of a bluebottle fly)... or
    the original prince of persia?
     those two dimensional ferns rotating round and
round when approached in the original tomb raider?
oh forget the cone-****-madonna...
shaid the ish cream van man to shaun shoonery...
cheap ****: said the dead with charlie
at the head of their horde of entertainment's flops.
i retired from the gaming world though,
left it when PS1 expired...
and morphed into PS2...
           i'm half sad and half saying: i can understand
candy crush, because i can understand
the origin: TETRIS.
like i can understand why i can't do crosswords,
my father just said: even i can't do them,
the clues are all a bit of a wanking to comprehend...
it's as if they only based them on the thesaurus...
   we're good on sudoku though, that can be solved
without problems...
        i miss those games though,
i finished final fantasy 7 with a walkthrough
though... tenchu was also fun to complete,
crash bandicoot? anyone remember him?
           now for not faking it...
                                     i'm glad that's over,
i'd hate the gaming experience as i hate interactive
t.v. thesedays... all this pause and rewind?
  thanks to it i sometimes press the STOP
button when listening to the radio and wonder
why it just keeps running... oh right: this isn't
a c.d. transmission... funny though, the gaming experience
translated into t.v. really has made advertising
ultra competative or utterly useless....
   you just end up pausing before a break, and then
scrolling past the advertisers' airtime...
next thing i'll be buying is when they make
an advert for shoepaste.
Nick Moser Jan 2016
I HAVE FINALLY RE-EDITED AND FINISHED MY FIRST BOOK, FROM CRO MAGNON TO PRO AVERAGE MAN: AN ASSORMENT OF POEMS!!!!!

Well, I have officially made my first book of poetry. The book is entitled From Cro Magnon to Pro Average Man: An Assortment of Poems. This was the first time I ever attempted making a book, and finally I have pulled it off!!! I made this book through the website: www.bookemon.com. Just a few minutes ago, I actually published the book on Bookemon for the whole world to buy! So, if you’ve wanted a copy all along, are interested in reading it now, and/or just want to help me keep chasing my dream of becoming a known-poet by paying for the book, YOU CAN!! Here’s what you do:

You go to www.bookemon.com

You enter “From Cro Magnon to Pro Average Man” into the search bar in the upper-right hand part of the screen.

When you hit “Search,” my books should pop up!! MY books! I actually made it.

There are two types of the book. A hardcover and a softcover version. It will say which version is which under the title. The hardcover version sells for $28.72, plus tax. And the softcover version sells for $18.07, plus tax.

If you would be so awesomely-amazing to buy a copy, just hit ADD TO CART, Then scroll down and hit PROCEED TO CHECKOUT. Hit CONTINUE under GUEST CHECKOUT, and enter your information there.

NOW, I KNOW THE BOOK IS KINDA PRICY, BUT BOOKEMON SETS THE PRICES THEMSELVES. MY APOLOGIES.

Or, if you don’t have any money to spend and just want a little preview of the book, you can hit READ beside the book and get a free 20 page preview!!

Again, thank you to everyone who has supported me through this long process of self-publishing my first book of poetry. And thanks in advance to anyone who is willing to buy the book and actually does. THAT WOULD MEAN THE LITERAL WORLD TO ME.
Thank you all again. Now I have all my time devoted to the continuing and making of my second book, Pocket Change for Priceless Memories. It’s coming soon!!

Thanks again everyone!

Nick
Thank you to everyone for your support.
Glenn McCrary Feb 2012
Pixelated bitmap e-mares



Digitized be mementos cached



Her 8 bit vocal vintage freeware



Transfers recurrent electric draughts







The bitrate of virtual seduction



Intrusively hacks my bones



Taste be my lips of data eruption



Elicited from her tone







Physique a stimulating software



Upon my Ethernet she crafts sparks



A gem society deemed quite rare



Though she possessed a vibrant bark





Her bandwith I yearned to fiddle



'Twas encrypted with die-hard lust



She moans in esoteric riddles



Keen I decode them whilst I ******





Pizazz eclipsing our veins



A billion megabytes colliding



Satiated we crash free of rein



Unforeseen servers uniting

© 2012 (All rights reserved)





This poem is featured in the poetry collection “Technicolor” as written by Glenn McCrary



The collection is currently available in paperback and hardcover editions for purchase on Lulu.com

.
Mateuš Conrad Nov 2015
that's what i found so problematic in
understanding thought,
but concerning the idea of a flux
i found the stasis point in it,
it was better translated by the cartesian basis
of inquiry, i can't negate thinking
because the ontology of thought
is primarily synthetic to pass the time,
rarely analytic unless professional,
so i dropped the a priori / a posteriori
compounding crap and came up with
good enough reasons for cognitive analysis
and cognitive synthesis...
i can relax now, i guess...
so wrote something in a hardcover by horace
to remind me of the origins of biases and bases...
kindergarden swing tactic and pendulum continuum,
i hate to break it to you, but my thought
has no megaphone in the 18th century,
but my words have a place in the 22nd century
given the 21st century provide the images
i'm bound to decipher...
i guessed the asian girl was a robot...
and subsequently i thought all those things
i wrote in the poem prior...
imagination is hard to insist with regards to successful
usage... it uses no patent geometry or
skeletal phoneticism of reminder...
you will not remember a picasso to say something...
but i bet you'll remember an m to utter the sound
em em mmm mumble, funny how it works.
we're not in art gallery... we're just buying
potatoes for home-made *****...
we're living under martial law in poland
before the anticipated soviet invasion and we're happy...
not like now... the silicon god of the microchip
chopped our limbs and we lost the amazon
green for london grey cement and cemetery...
we're here, there's not point poking fun at my grimace
with a flashlight.
so losing the timing of knowledge... the spacing
of knowledge is an onion metaphor for a working
car engine: drilling team in arabia,
the pirates of somalia,
the cargo ships from scandinavia,
the flirty whipping rich boy scouts asking for
a next **** mojito of fever...
well... i did the opposite to english...
i allowed "*****" words into the vocabulary i use
rather than allow dirt images to weave a spiderweb
enclosing the spider...
i rather censor images than censor words...
poor tactic to censor images...
sometimes a nibble of sadism will penetrate
this whole provision of safe *****,
censor "*****" word usage and you'll only
allow dirtier than the ***** words to enter via
images... my god... you must be a sensitive cubist!
we'll allow **** cannibalism and squares...
but we won't allow the representative of
seasonal cannibalism of spring eating autumn
with the tetragrammaton's H & H (twinned temperament
in coordinate starting vector 0ºC
then donning the appropriate clothes while
the trees change their muscles leaving the skeletal exposed),
or acknowledging that there's only a definite
capital delta / y in writing -
we synthesised the square the circle the triangle...
we got π and pythagorean equation...
we gave these shapes the thesis categorisation of scalpel...
we cut with them...
but then they cut us... mathematicians committing
suicide with drills over the π-continuum
that's anti-trigonometric surrounding anti-matter...
but as society goes... courtesy in speech
doesn't necessarily provide courtesy and chivalry
in action...
censor the words ****... and then watch the emerging show
that's antonymous to the majority of time
spent in commute: dumb gloom & grey fancy
to create a rainbow like a shaman.
girl diffused Oct 2017
Everything in the home is new
She curls her toes against the wooden grain of the floorboards
Rain pelts against the window pane, her fingers flex
The dog moans somewhere beyond the walls
She feels like a phantom, her feet light on every surface
Untraceable, she finds him reclining on the couch
Curled in on himself, eyes, half-lidded
Heavy with sleep, pearled water on his eyelashes
She kisses his cheek, presses her lips against his wet forehead
His eyelids flutter open, his hands pass over the thick hardcover
A poet's book in his hand, pages dog-eared on 352, he opens it
Drowsily reads a poem, her words that she'd written late at night
Dripping from his lips, not mendacious, but holding a deeper truth in his mouth

-

This is where she would end up, in this soft-white-walled home
Everything is new and bright
The cat, curled up on the windowsill, seemingly peering into a divided world
Separated by the gentle pattering of falling rain
Everything outside is gray and cloudless
The computer is on but its light emitted is muted
She seats herself next to him, folds her legs underneath her
His hand grasps hers gently, turns it over, gleaming on her finger is the ring
The quiet and unselfish promise

*

The quiet and unselfish promise
His hand grasps hers gently, turns it over, gleaming on her finger is the ring
She seats herself next to him, folds her legs underneath her
The computer is on but its light emitted is muted
Everything outside is gray and cloudless
Separated by the gentle pattering of falling rain
The cat, curled up on the windowsill, seemingly peering into a divided world
Everything is new and bright
This is where she would end up, in this soft-white-walled home

-

Dripping from his lips, not mendacious, but holding a deeper truth in his mouth
Drowsily reads a poem, her words that she'd written late at night
A book in his hand, pages dog-eared on 352, he opens it
His eyelids flutter open, his hands pass over the thick hardcover
She kisses his cheek, presses her lips against his wet forehead
Heavy with sleep, pearled water on his eyelashes
Curled in on himself, eyes half-lidded
Untraceable, she finds him reclining on the couch
She feels like a phantom, her feet and fingers light on every surface
The dog moans somewhere beyond the walls
Rain pelts against the windowpane, her fingers flex
She curls her toes against the wooden grain of the floorboards
Everything in the home is new
énouement
n. the bittersweetness of having arrived here in the future, where you can finally get the answers to how things turn out in the real world—who your baby sister would become, what your friends would end up doing, where your choices would lead you, exactly when you’d lose the people you took for granted—which is priceless intel that you instinctively want to share with anybody who hadn’t already made the journey, as if there was some part of you who had volunteered to stay behind, who was still stationed at a forgotten outpost somewhere in the past, still eagerly awaiting news from the front.

About this poem - a girl gazes into her future once, then again, in reverse.
Glenn McCrary Feb 2012
Pictographs concoct



Quaint flavors



An appetite blooms





Ginger locks descend



Passion skates



A micro death sparks





Pixels synthesize



Collections



Of synchronized whines





Lips laced with temptation



Eyes descending sunsets



Elements of resolution



© 2012 (All rights reserved)





This poem is featured in the poetry collection “Technicolor” as written by Glenn McCrary



The collection is currently available in paperback and hardcover editions for purchase on Lulu.com

.
Valora Brave  Aug 2015
Last July
Valora Brave Aug 2015
Ants carried cubes out the front door
piling into a cube truck
until I could see the living room floor
Everything moved and tucked
into my earthy living space
I packed you in envelops
put you away, but never to erase

I learned about the things you'd done
to keep our bread from molding
to replace a broken ladder rung
but you couldn't keep from folding
along the premade creases in your sheets
I couldn't stop you from holding
Five year plans separated by five day weeks

I woke up as someone I didn't recognize
belonging to the street lamps
instead of the summer sun rise

I fell asleep against computer screens
and hardcover books
Learned how the world never leens
to fit your perspective or new outlooks

I tried to place you in a cookie cutter
but you didn't fit the mold
so I let you spread and run like melted butter
along the creases, you naturally fold

I waited for you to stand on your own
then I learned about how being alone
doesn't feel like
icy hands in the morning
single cup coffee, crescent moons
or long car rides east in the afternoons

I could feel emptiness in your fumes
how the distance in our shared bed
made you wait for the darkness of new moons
So you could wander the sheets clearing your head
in the blanket of the night.

I thought you were searching for a light
to help guide you through
the galaxies between us
in our electric room

You pulled art we bought in markets
off the wall
You drifted in the reservoir, plunging under
to avoid my call
You took half the books
So I piled and stuffed my things in nooks
of the little room we moved into last July
we set up our first house
and knew it was a short-lived lie.

— The End —