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Terry Muldoon Jan 2015
Just 15 years, 2 months, and 18 days ago, we made a promise
A vow of unconditional love and devotion to each other
A pact, united as one, made to simply protect one another
Our memories are woven together,
Thread by thread and line by line
To crate a single human being
Made of the body and the mind
My soul is my immortal, heaven-sent and never whole
And my bones, my skin, my body— just a temporary home
This home has been broken, held up by the white beneath my skin
Mistreated by my soul’s selfish beating called sin
You have sealed up all the windows, and locked all the doors
You have trapped me inside of myself, creating a series of civil wars
This is a letter to you, my punching bag, my security blanket, my
       canvas, my betrayer
This is a letter to you
My body

A movement of the mouth, a gasp for air,
A mutter of sound, and two legs moving as a pair.
A thought occurred to us, just children, learning to control ourselves.
We are able to go on, now, speaking aloud what the story tells.
As a single being, united as one,
We are able to understand what we see,
We are able to dance, and sing, and run.
We are able to let the words crawl through our veins
Just to spill out of our hearts to cope with our own pain.
We are able to create,
We are able to live.
We, a body and a mind, are able.

We transform from child to a teenager,
As a single human being
Our souls change from a whole, to a one with a hole
Leaving a trench where our innocence had been.
The mind convinces itself that you, my body, is jailing me, innocent girl for a crime she had never committed.
The mind convinces you, that if you try to stand, every bone in your legs will shatter into a million pieces.
The mind convinces my eyes that the person I see in the mirror is an unknown face, string back at me.
The mind convinces itself and you that the only way to fill up this crater of demons inside; Is by torturing your beautiful skin and drowning the evil in every drop of blood, and every tear ever shed.
The mind convinces itself and you, my body, that there is no reason to be.
There is no reason,
To create
To dance,
To sing,
To run.
To live.

Time passes by, and the years go on,
We simply survive the life we are meant to live.
As one being, we venture through the valleys of hell,
My immortal being strives for the heaven it craves from the inside of this cell.
The mind imagines a place it has yet to find,
But our legs are unable to jump just that high.
So we envision a staircase.
Step by step we climb up, until they come to a stop—
We’ve fallen from grace.
Our bones, cracked, and all out of place
Our hearts, crushed under the weight,
Of our broken souls, ripped open and stripped of any hope,
Leaving us in the control of an evil fate.
We are irreversibly broken.
And we have no reason to be fixed.

In the back of our mind,
Even as the time has gone by,
I’ve thought about apologizing, but our mouth always responded with a sigh.
Now, I, eternal and never whole, realize that there has always been a doubt in my soul.
Maybe it is my fault.
I am sorry. I truly am.
I am sorry for taking you for granted when you took me as your own
I’m sorry for kicking you out when all you needed was a home.
I’m sorry for every time I stare at the mirror and never like what I see
Because you are content with me, and only me.
I’m sorry for telling you to shrink, shrink, shrink, when all you wanted to do was grow.
I’m sorry for concealing your light when all you waned was to show your natural glow
I’m sorry for not thanking you every time you healed my skin to seal and protect my soul, and I want you to know that you, and only you, can make me whole.
I finally realize that although I always hurt you,
We did make a promise.
We made a vow of unconditional love and devotion, and protection for one another.
A body with a mind, and a soul with a heart,
We, as a single human being, are able.
This is a letter to you, to my beautiful painting, my sweet salivation, and my armor through the fight, my torch when there is no light.
This is a letter to you,
My body.
I read it at an open mic night...I know its long, but i hope you'll read it through!
Joseph S C Pope Feb 2013
I

Wonderlandia, torn off the submerged lung
of a daydream diary.                   Reoccurs
as she does with silver eyes, weary Alice
during tea time--bullets burning past her
                                     like flowing nations.
Everyday similar tsunamis fund
                                     the lack of 20/20.
Nose to tail--the surge of angry engines
splits the ends of her blonde strands.
    Each one the last witness to maddening hospitality
--utopia never sweats as it talks and withers.
Amnesia blots,
new aspirin machines
vaporize apples and ***
on the other end of spectrum,
                                                     trans-positional labels--

Guillotine gargling teapots
       have no patience
         to the bushes of Olympus opiates
                                      bound in yellow barrier tape,
                     five o' clock traffic
               welcomes her back to what we are facing.


II


Dreary weather of late fall                       and her beautiful,
              powdered face

great mouth of atomic hell,
         when she speaks--80,000 deficiencies boil alive
                                                   --Trinity's teething test
                                                           on the tired bones
                                                   of a story-teller's raspy cards--

"None the wiser," she speaks,
                                "during the transition of ships
                   vermin turn into krakens culturing
                               on the surface of a raindrop.
    Heroes, villains, animals frozen together
                 after now eating for four days.
     The transition of one genocide
                                                        ­  to the other,
                the delineation of cat-and-mouse,
   mingle too long
   with the dead
   and its necrophilia."

                 Blind Alice wanders off the highway,
leaves her brewed cup of steamy static
on top of the unimportant saucer, sticks pins in her *******,
             and enjoys the sound of Cleopatra
             rolling over in reincarnation.


III

      Dear Alice smells
sunbathing, studded tangerines
                      assimilating liquor within the vast,
       empty, glowing nausea that is--
                        the warm germ

Oil                                    and                 ­          water
               rippled glass too silly for skulls
              made humid by distant salt water,

blood, acid, enzymes,
cheating probability
that runners with drunk kids
have blood between their toes.
                                                      Death­ to the distillation within
                                                    --the chronic diamond too polished
                                                       in *** to see the roses in her *****
    She curses these wood songs,
             heritage patriots with the pelts of wild lions
             with antlers over their heads,
                                                  faces advertising war paint
                                                applied by gargoyle hands
                    --sad memoirs always drink people
                                                  that use God as a cookie jar.


IV


  Gorgeous names
  on graffiti institutions give her a home
                                                         a market
                                                         a nickname
           still                  Alice only accepts Alice.

Grace periods where she misses tyranny
                  rise and fall like endorsed breathing.
    Now Alice feels her dress fall off,
                                  extinct years message future occupancy
                                  about what to wear.
New era, this era, past eras plead guilty
in a      clinic museum
             of forcing demons
              down the medical
              throats
of first graders. Court adjourns at 9:01 PM, Saturday

             The populus can sleep now,
                          but not her.
                 No one gave her clothes
                 to cover up the drained monochrome.


V

Instead she celebrates her flesh,
                                        the broken glass,
   and quakes and leads off to expose
           others to its potential vital prosperity.

         Instead
                     headlines like bumper cars read
                     about the beheading of weeks,
                     failing rescue missions,
                     and debates on teenage tolerance.

Nicotine intoxication points Alice
to over-extended memories--wards of music
sequenced to point out the extinction of marble tigers.
                        Only 550 expected to understand
                         tethered to millions able to survive.

  Flood waters look at moral standards, a mean hurricane
                                   that collapses the death toll
     all patented 50 states
     have a dating service
     and huff paint as a way
                              to pray to art.
                                                      Double­-canvas faces
                                                      dyed in pixel     hope
                                                       that the media levees hold,
             but volunteer to herd sheep into poppy seed fields.
                                            She refuses to stay,
                    to watch the long night
                    of castration on men with mud-covered ankles.
                                      Television says eunuchs want
                                       to be prodigal's children,
                                       everyone wants to come back home
                                       to mom and dad, safe zones, away
                                       from themselves.
                                                     ­                 It says our ancestors want
                                                            ­          this for all of us. They worked
                                                          ­            so hard to tie up the hair
                                                            ­          out of Aphrodite's face.

                                     They treasure the silver eyes of Alice,
                                          but call them blue,
                                                  they issue her high cholesterol
                                          but pump sweet ****** into he stomach,
                                                  they tell her to put down the drill,
                                            so she can finish their orchestra--

her lightning
    is
     a
  string
     of
  souls



VI


     She decides to depart Sunday,
to discover the ordinary beginning,
                        painting WHY? on its delirium.
re-arrangeable viewers become
                      inserted sounds under percussion and piano.

       Caging various important charts
                                          undetermined
   ­                           as finished attention.
                                                      ­              Three movements in flux
open end the people                     vacuuming
                            craftsmanship blocks
                   from                                dogs and zen.

                                                 The
                                 suspended letter               is happening in 1951
   drenched in existential white                                            spacing
        ­                                                   the viewer
                        from integrated architecture.

Down
the
bell is a structure called
"the quarantined wheelchair."
                               Dead ignorance changes pattern
                               after six movements of the second hand.
Alice speaks, "To you all, know
                                       that this is an un-dramatic situation.
          Everyday windows with the same
           participants have girls drinking
                                                     orange juice, activate fluid,
                    both exist as objects
                    and caught propaganda."

                                                   ­                      Six tunnel
                                                          ­      audiences are watching
                                                        ­        drown in the plastic silk
   her                                                       built by the motorized collage
                                                         ­                                        spider.

          Alice, a kinetic mannequin pop star
                        is limp in the glass point.
             Rhythmic flux is objectified war torture
                         censored in fitness magazines
by simple toilet literature.

                                        Six tunnels worth of eyes
                                 latch to the *******
                                           as a way to bury **** protesting.
                                  A coat of pepper spray
                                   works in front of the exhibition.
This stage is shaded by moans.


VII


      Alice the female, has a door-to-door friend
                                                          ­    over the sea
of the cathedral's ceiling               who died of disemboweled
pulchritude             at the mutilated nuclear other-place.
                     Her friend was a synthesized example
                     of staged catastrophes. Her friend is her, silver-eyed
                                                     ­                                             Alice.

            ­                     She performs herself and herself
                                 but they are played by polished, scored poets.

Everyone of them incorporates the events
                                 of a dancing gunshot. Everything rests
                                                           ­ at an intermission

               but after fifty minutes of pondering,
          the lost audience remembers
         her name is Alice.
                   So it comes back on with a shower of sweat
                  and this clear
                                  substance
               ­                                 called
                         ­                              patience.
       This composing, peering vulnerability
                        psychologically destroys the flux tension
              like analog genocidal dictators.
                                   Ultimately this is dream liquor

     commentating war to the war tree
      using trauma and chairs as humor.



VIII


               Patience on the water level lives translucent
                                            on networks that brand flesh
                                            with displaced identity.
Alice convinces us all that pickled ***
                                                             ­               takes eight years
                     to ****** and we accuse it
                                         of being fake. Afterwards, her character dies
in confident silence.


IX


     Not majestic, but she does cough
                  to mock the earth.
        The seeds of Alice are ripe,
                        harvested early, and now her children come out and dine
        like speaking tongues on gibberish.
                          The room is fat with hair

and kindness. Feeble, mundane hands chew on each other,
                                                         feet stand proud.
We even call her Alice or "the beautiful *******,
                                             a black cloud feasting
                                             in orange."
                       Everyone feasts on the nectar
                                                         she has, but never the rye
which makes her round. Juice is squeaking and her children laugh
                         as in competition.

     It's a distinguishable game as the mixed
                                                           ­      couple up front
              begin to play whistles as
                                         everyone eats
                   the pride of the silver-eyed Alice's children.


X

                                                ­ The children's souls
                                                       bow and say
                                           "Thank you for barely growing."
                                                   and dissipate after five minutes.

          "Curiouser                                   ­                                      and
           Curiouser"                                                       ­                   they
           say                                                              ­                        as
           they                                                             ­                       leave
           this                                                             ­                         homage.
                  The decimal backbone
                     of each of sweet Alice's
                                   blonde strands
                   divorced by the gust/ of a green light's/ allowance.


XI Epilogue*


  The day crawls away
                   a vigilant pest
     of the nocturnal project
                   --suns beam down still, like
                  stomachs of grinning felines
                           at Valentine's day.

toxic-dyed fingers
                        soldered
to bodies pittering across rainy streets

--legionnaires with hearts on stones
                         we are waiting for her orders,

     thistled-teeth clench,
                                         but did she
                                          actually
          ­                                ever come?
Tobias Engkvist Sep 2012
The next to empty train
Roars through the mist of dawn
As it passes the lakes and elves
The dark and mystic pines
-forests that once told of horrors
To keep the ones like me
From crossing the line-

This box, this crate
A testament of the modern man
To whom which it serves
It is somewhat of a time traveller
When it breezes the land
That years have made its own

And yet there are scenes from my window
That I know are proofs
Of exceptions to the rule that reads,
“time will take its toll”

All the brooks and oaks
And even more so
Every bolder and stone
Convinces my heart and soul
That I need not be marred and scorned
Broken and torn
By the thistles and thorns
And all the bourdons that the lions
Of this glass world
Convict me to *****

Since there is a side
To the manic and indecisive puzzle that is I
A side of realism and cynicism
Thus I am well aware of my mortality
And the scarcity of the time that is mine

My existence is an indirect unwritten vow
To never bend my back and bow
To never fall in line
And receive my share of coals
To fuel this machine down the rusty tracks
In a race against nature or God
A race to prove one or the other
Or even both wrong
A race we’ve already lost
She is not a sub
And may never be
Her inner voice
Convinces her of
A different choice

But her spirit wails
And her body lusts
For hard physical passion
Power exchange
Seed and submission

If you play with her
Deliver strength
Back her to a wall
Kiss her hard
Command her jaw

Use her
Discipline her
Drop her to her knees
It’s what she needs, and
She loves to please
a fun little D/s poem about power exchange
Frustrated Poet Sep 2014
Man and woman, though different
Are equal in the eyes of God.
inexplicable though true but still
Unacceptable for some perhaps

Man is the highest of all creations
Woman is the most sublime of all Ideals.
God made for a man a throne,
for a woman an altar.
the throne exalts,
The altar sanctifies.

Man is the brain.
woman is the heart.
The brain fabricates light while
The heart produces love.
light fecunds,
Love resuscitates.

Man is the code.
Woman is the gospel.
The code corrects
As the gospel perfects.

Man is the genius while
Woman is the angel.
The genius is undefinable
And the angel is immeasurable.

Man is strong in reason
but woman is invincible in her tears.
Reason convinces the most stubborn
Just as tears soften the hardest of mortals.

Man is the ocean
And the woman is the lake.
The ocean has it's pearls that adorn;
The lake has its poems that dazzle.

**Man stands where the earth ends;
And woman where heaven begins.
This was made by my mom when she was in college. She asked me to post this. Im so proud. Love you mama! ❤
Erin C Ott Jun 2018
She says she doesn’t have the strength within herself to write poetry.
Yes, her. The one who so often nourished me with song
til my soul began to learn how to hunt for itself,
whose word carried weight in leading me to pick my own instrument,
albeit one of a different tone,
as the key in keyboard became prominent for the first time
and the sound of purposeful fingers upon it could be considered,
only in the right light,
synonymous to the plucking of strings, just as rooted in emotion.

Yet she's the first to say that she herself can't do it.

Thing is, I suppose we’re politely at odds on the matter.
She favors poetry that’s sharper, with a cleaner cut,
that’s message is immediate and jarring
as a conduit running from soul through skin,
or a loose-lipped diary finally freed from lock and key.
And when she declared it, I started to consider what my poems seem to me:
Blackberry bushes (but kinder, I hope)
that snag and immerse just long enough
to make me feel I’ve had an effect.
I’ve used writing to expel my most gnarled feelings
to any passerby who’s maybe felt the same.
Like crying in a mirror:
alarming, but oddly refreshing,
and an indefinite reminder that our aches are never only our own.

Still, I'm not sure why it blows my mind
to hear that even the most glamorous hearts,
who wear confidence as a summer breeze that's always in their favor
and who inspire, from beau gestures to sleight of hand,
are included in those who find themselves pacing back, back and forth,
begging curbside at the dime store
for a scrap of the same feed that convinces a heart to pump ink.

But she says that any art that's enjoyed is worth it.
So while she seeks out words that bare the bones,
I’ll stay and make a meal of the marrow,
hollowing them so that the poetry may have a rightful place
to reverberate as hymns in a universal monastery.

But hell, like I’m any old soul.
I dress nicer than I otherwise would,
turn to the mother who told me I don’t meet her lowest standards,
and ask for a critique.
All for the moment when she greets me at the door with a legendary G#.

...Now please, could you spare a dime?
Dedicated to Elise, who, when faced with my tangled mouthful of flattery, somehow saw through to the part of me that’s actually worth a ****.
Syifa  Nov 2013
Forever Friend
Syifa Nov 2013
Sometimes, in life you find that special friend. Someone who changes your life by just being a part of it. Someone who makes you laugh until you’re crying. Someone who makes you believe that there is always something good in life. Someone who convinces you that there is an unlocked door somewhere that is waiting for you to open it. Someone who reaches out for you to help you stand up again.

That is a forever friendship. When youre down, and your world seems dark and empty, your forever friend lifts you up and suddenly makes your dark and empty world seem bright and full. Your forever friend gets you through hard times, sad times, and confused time. Also the happy time, your forever friend is there.

If you turn around and walk away, your forever friend follows. If you lose your way, your forever friend guides you and cheers you up. Your forever friend holds your hand and then tell you that everything is going to be okay. And when you find such a friend, you feel happy and complete because you had nothing to worry about. I want you to please keep them forever.

You have a forever friend, and forever has no end.
Chinedu Dike Jan 2020
In a wayward adventure in curiosity —
lured away from savvy of cooler judgment,  
he oversteps the bounds of reality 
into a state of altered awareness.

Overwhelmed by a rapid beginning
of a buzzing sensation — The Rush;
emanating from deep inside him, 
surging along the veins streaming 

euphoria through cells of his entire body:  
inside the body, with warm pleasure waves
flushing over the by now tingling skin
soughing off all unpleasant feelings.

Mouth numbed, limbs heavy, and eyeballs 
rolling back from hitherto an unimaginable
state of bliss, he savours the calm explosions
of the pulsating bubbles in his head.

A magical moment of sheer ******* 
rapture—that ends in a lasting sedation—
during which he's dazed with wonderment
while covered by a cozy blanket of content.

He falls in love with the insidious drug.
And he begins to relish its sweet fruition
in a seemly pattern of use that is put
in the shade to protect his best interests.

A stake in normalcy that seeks to confine
his usage of the opioid to a social occasion.
But soon enough he drifts towards a regular
recreational use; indulging on weekends,

floating, flying, and soaring in wonderful
ripples of pure delight, feeling very mellow
and satisfied, in an illusionary paradise of
forgetfulness where nothing hurts any more.

Bit by bit as time goes by his body builds up
a tolerance for the sedative, prompting his
intake of higher and more frequent doses
to feel as well as to sustain the desired effect.

This occurs because his body attempts to
adapt to the presence of the drug by quickly
breaking it up and purging it out of the system,
thus making it less potent as it was before.

At this stage of his drug abuse he's still able to
control whether to use the stuff or not, where
and when to use it, without stress. He could
also abstain from the opioid fairly responsibly.

But at the limits of his body's flexible response
to the dangerous substance, he begins to suffer
from its unpleasant side-effects that show up
a short period of time following his last use.

The pleasurable, but short-term, therapeutic
effects of the hard drug are now being
overshadowed by several of its undesirable
withdrawal symptoms that manifest as:

fatigue, irritability, cold chills/sweat, itchy skin,
muscle spasms and tremors, body ache, and
stomach cramps among others, with an
increase in his body's cravings for the opioid.

The onset of these torturous side-effects of
the stimulant marks the beginning of his body's
physical dependence on it, as he now relies
on the drug to fend off the terrible affliction.

He has bitten at the bait of pleasure oblivious
of the hook beneath it. The once casual user,
who had thought he could quit the habit at will
without stress, has advanced to problematic use.

The drug has become an integral part of a daily
routine that is gradually heading towards chaos.
Regardless, he's still able to go to work and
take care of his day to day responsibilities.

In time, a new sickness begins to fester inside
him: the opioid is tightening its grip on him,
as his body's physical dependence on it
is now generating his addiction to the drug.

This psychological dependence on the drug
has set in with anxiety disorder accompanied
by emotional and behavioural problems:
the duo classic signs of a progressive disorder.

The drug has become something he needs
to sleep or to fully wake up. His sleeping
pattern has also been altered; up at night
and intermittently dozing off during the day.

As dosage of the narcotic rises, so does
the torture of the painful lows and other
symptoms of addiction, making his cravings
for the sedative increasely more intense.

As it is, he's needs several hits of the drug to
make it through the day. All at once he wants
to use! He begins to look forward to using.
He would ingest the drug in risky situations

such as, while at the wheels of his car or
working at his job; always desperate to avoid
withdrawal symptoms as well as to revel in
the bliss of the drug's comforting warmth.

At times he'd skip work 'chasing the dragon':
pursuing the out-of-reach elation levels of
his initial euphoric high, swinging between
feelings of mediocrity and that of ecstasy.

Always, his body would afterwards crash
below baseline, barely able to cater for his
daily needs. The habit has long ceased
to be the fun that it was intended to be.

Like a vicious cycle the relief from the opioid,
which is not justified by external reality,
is being obtained at the cost of the
worsening addiction and a spike in distress

whenever his body is low on the drug.
The more he indulges on the sedative
to calm his racing mind, the more
its comfort zone seems to be desired.

Disoriented in the rigours of his vice,
he strays in the abyss of drug addiction:
a dark, weary place where priority disorder 
is dictated by events outside of his control.

It is this corrupted impulse control that
causes his sick obsession with the narcotic,
rendering him unfit to articulate rational
thoughts: a chronic brain disorder.

In this harmful shift away from reality,  
utmost in his mind is the insidious drug:
over and above his job, his goals, family,
love, friends, hobbies and personal hygiene.

Oddly enough the foremost essentials of life
like water, food, and sleep are also not spared.
He could be ill and he won't care.
No other thoughts can cohabit in his world.

Emotionally invested in his fantasy world,
the toxic substance has kindled in him
an inner turmoil — setting off an overriding
feeling of emptiness that aches in his heart.

The habit much harder to lose than it was
to find: an ongoing effort to wean himself off
the drug is being crushed by a dysphoric mood
and a sickly feeling that intensify in severity.

These horrifying withdrawal symptoms
are a result of the sedative's induced
alterations in the biochemistry of his
brain's system of reward and punishment.

Instead of a mild, blissful flow of the brain's
happy hormones, as is experienced while
one is indulging in a tasty food, on receiving
a great news, or while engaged in any other

kinds of novelty that fill us with a delicious
pleasure, the opioid whose chemical structure
is similar to that of the natural chemical
messengers of the brain, Happy Hormones,

by mimicking these primary drivers of the
brain's reward system the psychoactive 
drug sends a false signal of euphoria to
the complex *****, triggering an instant

and fast secretion of an abnormally large
amount of the 'feel-good hormones', that
begin to surge along its pleasure pathways
overwhelming the reward centre of the brain.

It is this huge outpouring of happy hormones
in the region that elicites in him a sudden
burst of energy, a pleasant state of mild
drowsiness, mental alertness, relaxation, ...

This already intense, euphoric effect of the
opioid is further amplified by the drug's
blocking of the pain partways of the reward
system, thus dulling his emotions and worries

by eliminating any feeling of sorrow, regret,
guilt, fear, or loneliness. Upon intake of the
mood-altering drug, he would feel warm when
cold, calm when angry, bright when grumpy,

filled when hungry and happy when irritable,
with almost a total refrain from the tendency
to view anything in bad light. This dramatic
result makes every normal thing look better

and brings forth a deep sense of satisfaction
as though all his needs have been met.
However, this almost perfectly desirable 
body and mind experience is an artificial

feeling that only lasts a few hours at most.
When the drug's effects wear off, because
the brain, which has come to rely on the steady
supply of happy hormones, cannot adjust

all at once, it gets stuck in overdrive which
results in the withdrawal symptoms. It is so
because his brain, whose system of reward
and punishment has been tampered with,

seeks to counteract and accomodate for
the sweet thrills of the drug's euphoric high,
by secreting much less happy hormones while
the foodgate of pain hormones is thrown open.

Just like a huge surge of happy hormones
elicits unnatural levels of euphorical pleasure,
a spike in flow of pain hormones produce
in him the torturous withdrawal symptoms.

These unwanted side-effects whose rise and
fall are subject to drug levels in the system,
is the debt he has to pay for the supreme
bliss that is relished during his opioid highs.

It is all about his brain seeking to maintain
Homeostasis: a normal, healthy body function.
Once he's able to amerce with penance due,
he'll feel good again with no need for the drug.

Another flip side of the illicit habit is that over
time, the regular surge in happy hormones
disrupts the resilience of the reward region
of the brain, causing physical changes that

have drastically reduced his brain's ability
to produce the 'pleasure juices', or respond
to any stimulus other than the one being
triggered by the psychoactive substance.

This is clearly seen in his lost of interest in
activities that he once enjoyed, since his brain
suffers from lack of happy hormones which
influence one's capacity to be in a good mood.

Because the narcotic has also disrupted
activities in the control region of the brain,
his whole thought pattern, perspective and
behaviour, all radically change along with it.

It is this reprogramming of his brain that has
altered the interior reality of his mind, in ways
that result in him going into 'survival mode'
in the absence of the drug during a withdrawal.

While in this irritable, aggressive and erratic
state, he would forego anything and everything
to obtain the narcotic because he's thinking
of his drug use the same way an individual 

who is parched with thirst thinks of water.
This desperation in seeking out the drug as
a vital lifeline is due to his compromised brain
'thinking' it needs it as a matter of survival.

A habit he had maintained at the outset
because it made him feel extremely good
has tuned against him, quite often, coercing
him to use for the avoidance of pain.

The sedative as dear and painful to him
as an imbecilic child is to its mother,  
he continues on the foreboding route 
for which he has no power of deviation.

Despairing in the clutches of addiction,
the drugs traumatize him, they infuse
toxins into his spine, and he wouldn't
know whether he's coming or going.

He's kept on saying to himself, 'I'm going
to quit for good after using one last time.'
But that remains to be seen as the drug
goes on dulling his inner light day by day.

In a downward spiral that stuns those 
acquainted with him, he loses his job,
his car is repoed, and he's evicted from
a nice home that had been stripped bare.

Drowning in unpaid bills and desperately
in debt having blown an entire life-savings
on the drug, the loss of everything and a few
remaining friends leaves him fatally devastated.

The dangerous drug has evoked a negative
ripple that is felt throughout all that he's
part of. An awful realization that settles in
with cold clarity, eliciting a lurch of dismay

over his dire ignorance about the drug
which has led to the ugly entrapment.
In deep, sorrowful thoughts consumed
with self-loathing he puts a curse upon

the day he first laid eyes on the hard drug.
With the best resolve he's able to muster,
driven by exasperation to kick the habit,
he strives to make his will like stone —

a facade that is soon razed by his urgent need
for the ****** to stave off withdrawal. With a
burden of guilt and shame that can't be faced
he retreats into the haze of his own misery.

With more problems and stresses than ever
he plunges from troubled life to no life,
completely losing touch with reality as the
disorder assumes a more dangerous form.

His fixation on the ****** has taken a turn for
the worst. Besides his strong cravings for it
to ward off withdrawal as well as to experience
its euphoric high again, it has become more

crucial than ever for him to keep his emotions
constantly desensitised to life, by numbing
the agony of living to ease the passage of
day with purchased relief from the sedative.

Locked in this highly destructive pattern
of drug use, he would stop at nothing
to feed the habit: he would cheat, steal,
lie or betray no matter who to get his 'fix'.

Like the spreading of cancer in the body,  
his affliction has metastasized way 
beyond him, chipping away at the sense
of wellbeing of everyone around him.

As frequent and ready targets for theft
his family have to always watch out for him,
in a resentful relations in which they never
could feel at easy with him around their home.

Wallets, jewellery, gadgets, or any other
easy to carry household valuables, that are
not safely locked away, will go missing.
For days at a time he, too, will vanish.

He'd eventually return like the 'prodigal son'.
Always, he's found the door open after
prolonged periods of avoiding home, even
on occasions when he'd been kicked out.

In the many months gone since losing his
source of livelihood, he's been pushed
into a number of rehabilitation facilities,
but as yet has failed to clean up his act.

He's also been in and out of rehab thrice
following hospital discharges for drug
overdose. On the last occasion, he was
found passed out in the family's bathtub.

Timely arrival of the paramedics had saved
his life. Notwithstanding, a nagging urge
to 'use' continues to feed and reinforce
the habit after each discharge from rehab.

It's been most upsetting to the parents
who have had to watch him visibly change
before their eyes: from a good, healthy
son, who had always had his act together,

to as it is, a thin, patchy-skinned loner with
a baffled demeanour — who buries his head
in low self-esteem to conceal the frequent
dilated and glassy pupils from mutual gaze.

Nothing points more to the helplessness 
of the family's plight than having to finally
admit to their little, or no influence, over
the ravages of the stigmatized disorder.

A harrowing experience for a household
whose life-savings, along with compassion
for him, have completely been exhausted
with no more tears remaining to shed.

The hurting family at the end of its tether
confronts him with an ultimatum:
to get his life in order or face the music.
Coldly, they all watch him leave home.

His descent into the final stages of rock-
bottom has been swift. He starts by crashing
on fellow addicts' couches and floors,
but soon his welcome quickly wears out.

Now among the ranks of the homeless the
hobo would wake up feeling sick, and his day
would consist of shoplifting, petty thefts,
begging, and struggling to find others ways

to obtain money in order to feed the habit.
At nights, even on stormy ones, the rough
sleeper would crash wherever there's shelter,
never worrying about waking up the next day.

A hellish existence on the street that has
provoked a string of run-ins with the law. 
Nabbed stealing on ill-fated occasions,
he's manhandled in a most indecent way.

Tired, hungry and sick, the erstwhile ray of
hope, who once had a strong sense of self,
is currently a nervous wreck who envisages
life through the lens of opioid stupor.

Much beyond his ability to ask for help, 
his hurting family proceed to rescue him.
Under the humbling load of drug addiction
he staggers into another rehab facility.

But the often slippery climb to recovery
is never easy. It's yet another chance for him
to submit to a slow and delicate therapy on
his brain, whose structure and functions are

badly impacted by years-long use of the drug.
The healing process is a labour of discipline
and commitment, coupled with patience
in order to allow the brain to adapt back

toward normalcy by gradually regenerating
and rebalancing itself. In a gruelling task he's
expected to learn to care for a body that
now must struggle to work in a different way.

Desiring to put their lives back together many
druggies have been able to crawl their way out
of the murky shadow — a big chunk of them
through the guiding light of structured help.

Amongst them were 'walking corpses' whom
possessed by their 'enough is enough', were
enabled to find the inner fire vitally needed
to rekindle the cold embers of self-image.

There's the fella cast adrift feeling wholly
disconnected from self and the world.
He's mourning the loss of a vital lifeline
that has always helped him cope with life.

He had been through it many times before,
the fatigue, stomach cramps, aches, itchy skin, ...
But, he's in the early stages of withdrawal when
cravings for the narcotic are at their worst.

This initial withdrawal agony is the biggest
hurdle any addict has to overcome in the often
stop-start journey to recovery. If he could
somehow find the courage to suffer through it,

the fierce and ceaseless cravings for the drug
would be considerably reduced, making
them easier for him to deal with. Eventually,
they will dissipate the longer he stays sober.

He's being offered a way out of his captivity,
but he's unable to embrace the opportunity
with open arms because the addiction,
which convinces him the only option available

is to indulge on the drug, is blocking him from
seeing the available escape route. It has shut
off his ability to get up on the inside to face
the seeming overwhelming barriers to sobriety.

Like one in the grip of Stockholm Syndrome,
he has developed a type of trauma bonding
with the treacherous drug: the more it hurts
him, the more his irrational affection for it.

With his consciousness constantly revolving
around the insidious substance, he just
can't imagine a chronic user like him
being sober and happy again without it.

That being the case, he fails to see any point
in struggling to remain sober when in such
times he's beset by an awful illness attended
by a serious depression that is no help.

Regardless of the wreckage of his past,
everything that is dear to him plus the very
essence of life on the line, he's left convinced
that giving up the destructive habit would

mean endless suffering and feeling deprived
for the rest of his already sad existence.
More than any other reasons, he just
won't quit because he's powerless to resist.

In default of any dreams of ever recouping
losses that are manifestly out of reach,
the drug with a firm grip on him serves 
as a buffer to keep his ugly reality at bay.

All that he wants is to return to the 'loving
arms' of the opioid, very much aware that
the feeling of the drug's high now that he's
in pain can be one of the best things ever.

But even so, as tempting as the desire to jump
the healing process may be, he's bitterly
mindful of the horrors of street life that
loom upon him with such frightening aspect.

Savagely trapped with no good choices he
slips into a real fear of relapse. In anguish
withdrawal and cravings plague him daily,
and they won't allow him a moment's peace.

Utterly incapable of rising from the ashes 
to hold it all together—no hope—
nothing to hope for—everything out 
of focus—mind spiraling out of control.

In a fit of extreme anxiety the now rampaging
urge to 'use' prods him, closer and closer,
to the brink of a nervous breakdown. Suddenly,
his need for a 'hit' becomes most vital as.

Sweating profusely and trembling all over
with fear clutching a pilfered smartphone,
forgetful of future suffering the rehab
jumper hurries along the forbidden path.

All alone with the merciless companion: 
nowhere to go and no one to turn to. 
Wretchedly wretched in additive agony
the ****** fades away into nothingness.








AUTHOR'S NOTE


The Abyss Of Drug Addiction is written in 112 non-rhyming quatrains.

The rendition is a poignant story depicting the sad existence of many drug users. The verse uncovers and illuminates, step by step, the different stages of drug addiction and the mental processes of the unable to function drug users.

The paramount aim of the work is to shed some light on the sinister shadow of drug addiction: to unveil to all and sundry, especially teenagers and the youths, the hazards of drug abuse and the vicious downward spiral that can be caused by it. 

Just as the euphoric experience of all kinds of hard drugs differ significantly, so are their withdrawal symptoms. Despite their seeming surface unrelatedness, whichever hard drug it may be, the creation of an illegal and dangerous dependency in users is a common denominator.

[The Rush is described as a feeling very much like a heightened and prolonged ****** ******. A great relieve of tension. It is mostly felt when ****** or any of it's derivatives opioids/opiates is administered intravenously].

In quite a disturbing hyperbole a ****** addict described the drug's EUPHORIC RUSH as follows:
"Take the best (******) ****** you've ever had, multipy it a billion and you're still no where near it... "
Kewayne Wadley Jul 2018
It is possible.
To leap beyond where fear takes us.
Surely so many things happen.
By contrast
We stand still.
Wound up in total curiosity.
To dream in wonderment.
With each twirl we captivate the essence of someone else.
A sort of inspiration that convinces us that we are more than what we believe.
Beginning to walk,
Our other functioning parts come to life.
Embraced in true courage.
Spun around and round.
This huge metal behind it's back.
Suddenly this obstacle isn't what it seems.
First finding what is important.
The touch of someone else
Through encouragement.
The wind-up doll begins to move
No longer incapable by what we define as fear,
But enormous faith.
To place all of it's self in another
Without fear of adding another chip to it's face.
It waddles along.
Moments later,
Pride interferes.
It's movements stop.
To be spun up again and again
Falling to the floor
Seconds at a time
Molly Rosen Aug 2013
I drop my pencil under a guy's chair and my friend convinces me to ask him for it back because "he's nice I promise" so I work up the courage to call his name as loud as I dare and I just start talking so I can tell him what happened before I lose my nerve, but halfway through I notice he's not listening at all and instead of asking for my pencil I ask him to ignore me. He does.
I met a boy and he was intriguing and clever and sarcastic and not unattractive and I thought he had potential but I waved in the hall and he didn't wave back and he didn't want to sit next to me in class.
I invite a boy I've known since 3rd grade to sit next to me in class, and he does, but then his friend shows up and there's a wistful look in his eyes. He doesn't talk to me, and he switches his seat the next day.
I sit at a crowded lunch table full of people I don't like because the people I do are outcasts. I don't have time to eat all my food.
I switch lunch tables to sit with my crush, by invitation of a friend. They ignore me to talk to each other. I try to join. I ask what's so funny. They shake their heads. He's sitting almost on top of me because the tables are so small but he never even turns to look at me.
Last year he sat with us and talked mostly to me and her table was having drama and fighting and now they all wear skirts to school and look pretty and my eyes are puffy and my legs have a light layer of fuzz which is easy to see because I'm still so pale.
I was the only person to sit alone on the first day of biology class and when I walked in the second day a girl who's never been particularly nice to me and wasn't in the class yesterday is there. She's excited to see me. She asks me to sit next to her. She looks at my paper while I write. I don't say anything because I don't want to sit alone anymore.
I'm stressed out by the second day. Unprepared.
718 more days.
Kagey Sage  Dec 2013
Seep
Kagey Sage Dec 2013
And someday the truth will seep
Schizos, and friends who took too much, will be right
Truth seeping from the sewers and dampening
the carpet (basement first, upper floors later)
Then it will seep through our eyes
and our ears, some veins may burst
with all we found out
Our dark eye lidded friends holding the cigarettes
their stories will be true
There’s a New World Order being crafted
We didn’t land on the Moon. No sky
just a big planetarium around
The relatives of politicians, their children, etc.
picked out for some reason (which hasn’t seeped to us yet) from
random families at the hospital, or homeless on the street
Plastic surgery happens, so they all look believable as a family
and then everyone gets hypnotized not to tell, with pills and chanting
Cause secrets are never safe
just look how they seep
They live in satellites (watchtowers within the planetarium sky)
and wear nothing but white and clip their fingernails perfect, everyday
They think they know all
But he’s not as close
as yogi bear guru atop a peak point
that seeps up his ****** hole
He collects his bark and snow
at what the men in the tower label, 4 AM
then he sits and convinces himself
that everything’s fake, even himself
Convinces, for the least amount of reason possible
michelle hicks  May 2010
Tina
michelle hicks May 2010
Captivating hazel eyes, smooth light brown skin
Beautiful girl, short curly hair and a figure too thin
Classy style, a contagious smile, an annoying drunk, a sometimey friend

Full of talent, lacks self control, a troubled soul lost within

Alienated by sisters, cherished by only brother
Intoxicating to her married lover, Pops pills with her mother,
She and I can't stand each other,
but understand one another

Something not right with her desire to conversate every night
Hearing her voice daily with no vision of her in sight
Something not right with her desire to no longer fight
And us now becoming tight

Whereabouts unknown, eerie quiet background convinces me she's all alone
She is holding a secret, I can tell it in the pauses as she talks to me on the phone
She's silently crying I can sense it in her tone
I dismissed it as a sober experience she wants to get through on her own

Six months later she surfaces looking like a different lady
The sudden curvy figure, suspicious behavior convinces me she's done had a baby
When asked, her reply was "No!" then changed to maybe
Rumors confirmed that the whole disappearing act was very shady and she did indeed have a baby

Never could figure out why the secret since she was 25 years old,
But where did the baby go, No one seems to know,
Another secret she isn't letting go on why no baby to show
Why she gave birth on the down low, No one will ever know

Everyone moved on, believing that is one thing she will take to her grave
She moved on back to the wine, Vicodins and Xanaxes she craved
Back with a vengeance to the rude way she used to behaved
Which I easily forgave because adopting out your baby is depressing and very brave

Again, she stops coming around
I wait for her calls and not a sound
People are asking about her, but she is nowhere to be found
I knew she was on a rebound, but still, she calls when she's feeling down

Three days later, there she was right at home
On the floor naked with her rigor mortis hand in the air reaching for the telephone
Blood dried on her mouth and nose, and left to die all alone
Dead, holding yet another secret because her death is still unknown

All ten fingers missing their rings
Before bringing out her body, her missing car, a suspicious friend brings
The cause of death the coroner can't determine from a number of things
An accidental overdose, suicide or foul play from one of her ****** flings
We don't know, Rest in peace Tina girl,
You finally got your wings
copyrighted

— The End —