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Bad Luck Jul 2018
In a wakeful contradiction, it lays fact between my fiction,
Tangling subatomics, it unravels as its tricks spin
deeper toward the outward...
                                      it won’t let up, 'til I give in.

Over matter, lay my mind…
I tell a lie to pass the time...
But there’s no reason nor a rhyme --
                                            Less still, a purpose?
I search for something to remind my mind
                     that there’s truth that isn’t worthless…

But as always, failure appears;
                              in a sort-of amnesic continuity.
And my reality lies to my own mind
                              Just as well
                              as it succeeds in its futility.
With destruction as its manifest,
It tells me that I stand my tallest
                              Upon two buckled knees.

And just as faith will find one’s doubt --
                  a search within has left without.
It seems that an answer, once sought out,
                  will be left lacking its question.
My truth divides itself,
                   as a product of infinite misdirection.

I try to substitute a reason for a rhyme.
But with no lies left to pass the time...
                              I swallow a dose of ignorance.
It goes down smoother than the truth.

In a war that started with a truce,
This world betrayed my faith to show me:
                                 that I'm only tall enough
                                 Once I’ve been
                                                         cut
                                                             down
                                                                ­     slowly.

A pill too large to swallow,
                I think I’m choking on myself . . .
Or the irony of asking,
                     “How could I be so careless?”
Here I stand, Barely standing,
                   Consumed almost entirely
By my own dry-heaving self-awareness...

Left to fight the fears that my nightmares create;
I’m still running from my past,
                          yet, haunted by my fate.
They walk beside me always,
                          shadowing wholeheartedly —
Existing as a duality, both apart from,
                         and a part of me.

These ghosts have taught me very little...
                                    Aside from what I hate.
But, I've come to learn not to fear
                                    The forceful hands of fate.
For I shudder not at the thought of destiny,
                                    Or the inevitable in time...
Instead, I fear the eventuality of the choices
That were solely, and entirely, mine.

I fear that my will may be of enough influence, alone...
That fate itself may collapse beneath decisions like my own.
Or that I, myself, might be constructing
What destruction I will find
Among my shattered spirits and convictions,
In these depths to which I climb.

"Bad Luck: In a Wakeful Contradiction" is now available on Amazon in paperback!

Link: https://www.amazon.com/dp/1691941182
Trang Nguyen Sep 2013
Municipal Gum was written by Oodjeroo Noonecaal. Municipal Gum is about the changes in society and the tendency of people to want to control everything. Oodjeroo uses various techniques to convey this idea.

At the beginning of the poem Oodjeroo is addressing the tree. This immediately creates empathy for both the tree and her people. By the last line she has emphasised this with the pronoun “us” to show that they suffer a similar fate.

This poem expresses how life in Australia has changes especially for Aboriginal people. In the first half of the poem Oodjeroo is talking about how life was for her and others. It explores the changes in society and the displacement of the Aboriginal people from their land.

“Whose head hung…Its hopelessness”, the author uses this as further re-iteration of the immorality of the situation and by the use of analogy comparing the tree to her people to further emphasise the shame and lack control of that the Europeans have inflicted upon her and the environment.

Oodjeroo uses extended metaphor technique in the very first line of the poem ‘Hard bitumen around your feet’. This means that the gumtree has been placed in the city scape where it is suppressed and not allowed to spread out and be unique in its own way. This is clear and immanently direct link to the pain and suffering endured by the Aborigines post European settlement.

Oodjeroo uses vivid language to present these ideas. For example the use of the word castrated is very effective. The connotation of the word is very demeaning. With castration often comes a sense of a loss of pride and power. The word castration is symbolic of how Oodjeroo feels the European have treated Aboriginal people and the environment. Castration also refers to the fact that what is done is done. Nothing can undo what they did and the damaged they have caused.

Other symbolism includes the title “Municipal Gum”, municipal meaning community, implies that the gumtree belongs to the community. One of the vast differences between European and Aboriginal law is that Aboriginal people did not believe in the ownership of land or of animals and plants. Municipal Gum is a reference to the Europeans assumptions that everything is theirs to own and control.

The rhetorical question, “O fellow citizen, What have they done to us?” is the conclusion of the implications that have been made throughout the poem. Oodjeroo, is advocating for her people and all things wronged by the controlling behaviour of the Europeans. Rhetorical questions are used to provoke thought and to stimulate a pre-determined response. “What have they done to us?” They have “castrated, broken… strapped and buckled” and ultimately changed things to a point that they cannot be fixed.

In conclusion, Municipal Gum is a poem about the constrictions and change that the European invaders forced upon the Aboriginal community and the environment she believes that the Europeans have deemed themselves ever powerful and practice their power in a manner that is immoral.
This is not a poem but an analysis about the poem
Rockie Dec 2014
Touch Upon My Insanity
She whispers
Into the white walls
Touch Upon My Insanity
She cries
To the men and women in white coats
Touch Upon My Insanity
She screams
At the white buckled jacket
Encasing her
In a never-ending repetition of
Touching Upon Insanity
Terry O'Leary Feb 2014
THE MEETING

Alone one night neath lantern light, I trudged a weary mile.
Forlorn, I went with shoulders bent (the storms around me howled)
until I met a Silhouette behind a sultry smile –
She gazed with eyes that mesmerize (Her body caped and cowled)
and stayed my way with question fey, ‘Why don’t you while awhile?’

Though timorous (with slow address and gestures pantomimed)
Her voice was gracing echoes chasing waves in evening’s tide.
The churchyard groaned, an ***** moaned, the bells of midnight chimed
while wanton winds awoke and dinned, and mistrals multiplied.
The Persian moon, like stray balloon, arose and blithely climbed.

The Silhouette (a pale brunette) arched eyebrows meant to please,
and down the lanes, on windowpanes, the shadows danced and sighed.
A meadowlark within the dark, somewhere behind the breeze,
ennobled Her with wisps of myrrh while deigning to confide
to nightingales veiled whispered tales of human vanities.

She doffed her cloak before She spoke with sighs of sorrow sung
(like mandolins, as night begins, when mourning day’s demise)
and spun Her tale of grim travail and tears She'd shed when young.
As jagged volts of thunderbolts lit up the dismal skies,
a velvet fog embraced a bog in coils of curling tongues.

Through summer vales and winter gales Her secret thoughts were voiced.
Midst storms so cruel (neath lightning’s jewel that glistered on the ridge)
She reminisced, She touched... we kissed... Her lips were wet and moist...
A lighthouse dimmed, while moonbeams skimmed across a distant bridge
to avenues where residues of shallow shades rejoiced.

                        HER TRAGIC TALE

“Midst sweet perfume of youthful bloom, the lonely spirit braves
and often cries and sometimes dies in quest of her amour.”

While starry-eyed, a ship I spied, a’ sail upon the waves –
the galleon docked, the gannets flocked, the Captain swept ashore
where, debonair with gypsy flair, he led his salty knaves.

In passing by, he caught my eye - I tried to hide a blush,
but ambiance of innocence left fervour’s flames revealed.
His gaze (defined by eyes that shined) beheld my cheek a’ flush.
I bowed my head while caution fled, I felt my fate was sealed
- a bird in spring with fledgling wing - he’d snared a  falling thrush.

He said ‘Hello’ - I answered ‘No’ and yet before he’d gone
said I, ‘I’ll wait at Heaven’s Gate not far beyond the Pale’.
At dusk he came neath moon aflame, and left before the dawn
just humming tunes between the dunes that lined the sandy trail
beside a pond where morning yawned, where swam an ebon swan.

We met again, and once again, and once again, again
entangled in a love called sin, in whirls of make-believe.
While in my arms, with voice that charms, said he ‘I must explain -
the tide awaits in distant straits and I must take my leave’.
Then tempests stormed as passions swarmed through ardor’s hurricane.

‘Forsake your home and we may roam’ he smiled as if to tease
and still naive, said I ‘I’ll leave, in silver buckled shoes’.
He took the helm in search of realms, and quickly quit the quays -
with tearful eyes, I bade goodbyes to fare-thee-well adieus
and sailed above a wave of love across the seven seas.

We swept one morn around Cape Thorne while bound for Bullion Bay.
With naught to reck, I strolled on deck, a baby at my breast,
while flurries blew and seagulls flew within the ocean’s spray.
Our ship soon moored, we went ashore and off to Fortune’s Quest -
with gold doubloons which shone like moons, he gambled through the day.

‘The deuce is wild’ he thinly smiled; another card was drawn -
he’d staked and raised with eyes half glazed, was dealt a dismal three.
With betting tight throughout the night, the final ace long gone,
meant all was lost, at what a cost; alas, the prize was me.
To my dismay he slunk away and left me doomed at dawn.

A buccaneer with ring in ear sneered ‘now, my dear, you’re mine’.
He held my wrists to thwart my fists and then... my honor stained.
On sullied swash, the sky awash with bitter tears of brine,
I broke his clutch with nothing much of me that still remained:
a residue when he was through, left clinging to a vine.

In morning dew, the good folk knew, and spurned me in my plight.
The preacher man pronounced a ban and wouldn’t condescend,
ignored my pleas on bended knees and prayers by candlelight.
While cast aside, my baby died... my world was at an end.
Until this day, I’ve made my way beneath the shades of night.


                        AT HEAVEN’S GATES

To set Her free from destiny was far from my design,
but, though unplanned, I touched Her hand to give Her peace of mind.
She told me then, and then again, that providence Divine
had cast a curse, and even worse: despised by all mankind,
She walked alone, unseen, unknown, Her soul incarnadine.

To break this spell of living hell, of loneliness enshrined,
and end Her days within the haze, a sole redeeming deed
would give reprieve and maybe leave our destinies entwined -
Her final quest be put to rest if only I agreed,
but no surcease nor perfect peace nor hope if I declined.

The shadows, shawled in silence, crawled, the night Her fate was sealed
as vespers tolled across the wold beneath the muted fog.
The heavens cracked and sorrow slacked as chimes of children pealed
while in the hills (where midnight chills) there wailed a daemon dog -
with no delay I lead the way, the path to Potter’s Field.

Her weathered face was lined with Grace, Her eyes shone emerald green.
With me as guide She stepped inside to grieve and mourn Her loss,
and thereupon, though pale and wan, the night took on a sheen.
With weary eyes as Her disguise, She placed a wooden cross
upon a mound (unhallowed ground) and whispered ‘Sibylline...’.

A falling star flared in the far and burst, a bolide flame -
beneath the light, the Final Rite no longer hid undone.
And kneeling there in silent prayer, we seemed to share the shame
but could atone if left alone, forevermore as one.
Before we both could breathe an oath, I asked Her once Her name.

Through lips, pale red, She simply said ‘Some called me Abigail’,
and neath a birch where white doves perch, I took Her for my bride,
beheld Her smile a little while, but all to no avail...
Her cloak and cape, and shrivelled shape lie empty at my side...
for now She waits at Heaven’s Gates, not far beyond the Pale.
zebra Jun 2016
she came to me one day
the *****
beautiful like a girls choir
singing Latina L'Amour
moving her bottom
like a metronome

her ******* a cascade of kindness
that break the hearts of men
they die
for those
blouse muffins
her smooth legs and feet
made for *** art
lickity splits and ****** contortions
while her wiggly *** and ****
tell you
what heaven would be like
hips that sway  traffic
causing pile ups
and fender benders
and make good boys
hopeful about being chosen
perhaps anointed
and judged worthy
but alas  
turn good boys into
chronic *******-rs
in dim midnight closets
or trawling *** criminals

at the very sight of her
my soul buckled
i wanted her
like darkness
needs a lantern
like blood
needs cells

she looked at me
with ****** in her eyes
it would make my **** wet to hurt you
she said with a soft tremor
ill **** yours for hours
tongue toy
losange
gullets prey
girl food

will you earn your suffering
adore my goddess ***
and lick it **** and span
kiss my beautiful feet
with tender devotion
pray for cruel ***** abuse
be consumed
by ******* jaws
thrill me
love me
flood me
with blood
and ****
die for me
my love

as i looked into
her hollowed
desperate soul
so eager
and felt deeply her need
and loved her to tears
to broken hearts mend

to struggle with
the dark angle
unrequited love
to expunge
years of vacant stares
of nameless women
and empty beds
to forget foreboding
bath cabinets bereft
of girly things
like
lolly pop pink lipstick
cherry sherbet nail polish
lacquered hardened coats  
aerated perfumed clouds
of vanilla candies
and fashionable
demonic party masks
over black brooding mascara
on almond eyes
hiding hot embers
cool and staring hungry

while wrenched obsessive
for the feminine
that drag my soul
through long coffin
hollow gullies
that drive me
to invocations
of Hecate
sacrificial blood rituals
voodoo trances
god forms
and black art astrologers
who have the power
to move planets
through space
and change fates

oh so wrong
yet i must
for loves sake
say yes to her
yes to her for pleasures sake
even if in the end
i am left to moan
to howl at a blood moon
with in the confines
of her dark edged
appetite
ascending in sin
as she ***** me
like she hates me

yes my beloved
to vanquish numbness

she consoles
my willingness  
excites
i felt her adoration

be brave for me
she murmured
sadists are cowards
teach me surrender
you are glorious
in my clutches

i made my self ready
positioned my self
as per her instructions
face down
legs apart
on a bed of nails
happy in my pit
as she played
a whole lotta love
by led zeppelin
blood swollen ****
oozy
for her tender kisses
and brutal schemes

the masochists tao

to denigrate oneself
to kiss your goddess feet
to lick your perfect ****
to adore your prim rose ****
to taste your lips of fire
to tangle in your silky locks
to see your eyes a blaze
to drink your saliva nectar
to eat your crumbs
to lick your *** clean
to be beaten
to your satisfaction
to drown in your *******
to hold you close
to take pleasure
in your cruelty
to suffer for your delight
to be
the sacrificial lamb
to be a victim
in an ****** dream
with jaws and teeth

she took me inside
smiled  like a feral
lust twisted child
took out a
scalped handled knife
brushed it across
my tummy and *****
terror brewed
excitement struck
my **** got so hard
she grinned
and salivated
like a Satanic Cheshire
in bloom

she devoured ***** warm butter
as it poured in waves
into her black lipsticked
pink wet mouth temple

oh she said
i like it a lot
do you mind a small incision
my darling

mommy needs
a little taste of hell

her face shape shifted
into a warbled shadow
as she licked her lips
and tickled
her *******
with gooed fingers

cut me i implore
im in the mood
you sweet savage

she opened me slow
o o o o ooow
ooh the sting
don't stop i begged
loving her
voluptuous greed
as she covered me
with heavens kisses
eyes desperate
devouring
drenched through ******
and bestowed
upon me
eager  licks
that swoon
and savage wounds

she took charge
with curvilinear cutlery
she gave it to me hard
oooofff
then good again
aaahhh
then deep and threw
like a spoon through Crisco
a surgeon from hell house
oh so fun she said
she licked my ****
fingered my ***
****** my *****
frenetic
then stuck me with a fork
giggling
not done yet she mused
and then
required of me
that my tongue
obediently pay homage
to her naked mouth ****

i was the pig for slaughter
needles and knives
burned *******
bruised ****
a bleeding torn
pin cushion
eyes teared
back arched
torso writhing
cherry cheeks
blood gusher
her *******
and belly ****
soaked in my blood
commanded me to lick
my own pools
of red plush
for her amusement

a couple at play
in Satan's temple of lust
her face turned to mischief
in a demons trance
her soul
like hyenas
and clawed weasels
all trapped villeins

im done ****** around
with you she quipped
her **** on fire
like a burning house
she plunged a blade deep in my gut
her eyes wide and glaring
like blazing head lights
possessed by hell bats

oh my goddess
for you
over the summit
as i shuddered
arching in torment
curling into a ball
squirming
like a severed worm

her face contorted
with horrors fun
her **** pored forth
tremulous quivers
and hells
brimstone gasms
ecstatic

oh she drank my blood
****** my ****
with kaleidoscopic tongue
like a devils bride banshee
licked my *** clean
filthy *****
defaced me with a drooling ****
and brooding ****
strangled me with nylons
until my lips ran numb
until my tongue dragged
like a corpse in a car wreck
she  whimpered and cooed
suffocated me with her **** ***

stepped on my face
with feet i adore
chewed off my *****
a black mambas kisses
filled my mouth
with hot rocks
that melted my skull
oh cry to heaven
wheres Jesus
as i scummed
up-leaping

the  last words
i ever heard
*** you sure to kick a lot
im cu cu cu cu cu cu *******
for you blood boy
dead dead dead
floppy floppy head
**** like cherry pie
Patricia Tsouros Nov 2013
Silver winged of steel
Buckled up
Cocooned in a cabin
No phones, no emails, no Internet
Racing down the runway
Soaring high above the ground
Distant specks of life
Winged of steel climbs though the skies
Clouds below, clouds above
Seat reclines, put in my earphones, close my eyes
I lose myself, soothed by the motion of the flight
Just a seat, a window, sky, music
Suspended, moving above the earth
Windswept heights
Countries, oceans, mountains, forests
Dawn to dusk
Smooth and turbulent
Dancing through life’s path in the skies
My breath of Serenity
Yes, I'm a girl and I'm not trying to justify my body language nor am I positioning the rights of a feminist on the top, but
Yes, I was questioned always, even when I was right.
Subservience was legitimized as my trait ever since I felt this world.
Every time when I was buckled under by his lecherous eyes, I was asked to adjust my dupatta well.
Every action of mine substantiated the height to which I'll hold the name of my family.
I was asked to cross legs while sitting, speak amicably, yet not solitously.
Every time I'd to hide my period stain like a ****** blot.
I was asked to gallop my cramps because letting it out is a bitter sin.
Yes, I get my body scanned by their lewd gaze day in and out even when I put my baggiest of clothes on.
Yes, I'm a girl, and I have beautiful synonyms, call me maal, patola, bomb, *****, *** or a girl? May be, let yourself decide.
Yes, I'm questioned on the extension of the Roti's that I make and the smiles that I couldn't fake.
Yes, I'm a girl and I'll stand, and question your authority if it calls for, call me stubborn. Okay!
Remember, I'm a girl, and if you accuse me of being a feminist if I know, and can raise my tone up and against your authority, humanism needs to be checked then.
-APARAJITA TRIPATHI
Cheyenne  Jan 2016
Asexual
Cheyenne Jan 2016
I can't speak of tender touch--
Hands sweep, lips brush--
Ever closer, that's close enough.

I can't describe you close to me--
Sweet breath, buckled knees--
No further, stop please.

I can feel the tempting sway—
Blushing cheeks, flirtatious gaze—
Wanting you, just not that way.

Please love me regardless?
chrissy who Nov 2012
She struts through her town
Chin up
Hair down.
Trying to hide
Her skinned knees.
She doesn’t want the world to see
The only evidence she bears
Of when she finally fell.
Tripped, stumbled, whatever you want to call it.
She could hold herself up no more.
Gravity overcame her
Truth overcame her
Life overcame her.
Her back bent
Her knees buckled
She tried to scream
But no sound came out.
Her one moment of weakness
Left her with scars
Unseen
And ****** knees.
How do you come back from a fall like that?
She built herself up for years
Like a mountain ever growing,
A trophy never rusting.
She shined her shoes,
She brushed her hair
She straightened her blouse
Every day
Trying with all her might
To maintain her image
Of perfection.
She should’ve realized sooner
No one is perfect.
Not a one of us
Not Ghandi
Not Martin Luther King
Not Eleanor Roosevelt
Not even Dr. Suess.
They weren’t perfect
So why was she?
Who is she, that gets to achieve the dream
That the majority of people are treading water just to get a glance of?
A better question would be
Why did she get to do such a good job
Of hiding her imperfection.
She walked everywhere with a bottle inside
Holding everything in
Nice and tucked away
Like a child at bedtime
Hidden
Safe and snug
Where no one could see it.
She pulled it out only in the wee hours of the morning
While sitting by herself
At the top of her mountain
Where she sat
And wept
Silently.
When the rays of dawn would peep over the distant horizon,
She would wrap the vial up
And swallow it again
Down into the depths of her soul
To remain hidden
To keep her secrets safe
To keep herself upright and a-okay in everyone else’s sight.
This went on
And on
And on.
Until one night
When the moon shone bright
And the stars and constellations shone around her head.
She went to examine the newly expanded contents of her secret container
When she realized the stars weren’t shining solely on her soft
Perfectly parted hair.
Someone else was there with her
But it was too late to put the ampoule away
It was already out, see
And in plain sight.
She fumbled,
Caught off guard, she dropped her flask.
She jumped to catch it but it was already rolling
She chased it.
Down the mountain they went
A bottle
And a girl
Moving in tandem
One no faster then the other.
She tried to slow herself down as they approached the base
But it was too late
The momentum was too great
She tumbled headfirst
Her knees hit the ground
At this speed
Grass feels like concrete.
Green stains on her elbows,
Blood on her knees.
Water marks down her cheeks.
The higher you build yourself up
The longer you have to fall
As she discovered the night the constellations revealed her façade to another.
No one’s perfect
No matter what they seem
You never know
Who, at nightfall, screams.
This young girl learned her lesson
It’s better not to hide
And now she struts around
Showing skinned knees
With pride.
JG Reposh  Sep 2010
gun
JG Reposh Sep 2010
gun
gun in hand

hands bound are

bound to dream

finding one seam to

rip apart

open

and leave

what are

ballots

but bullets

ready

squeeze



squeeze it

you faceless ****



you,

through teeth

gritted and

jaw working,

white knuckle

got-up

buckled up

safe



you

show me

how dirt

really tastes



because you always

ever knew that

ballots are

bullets binding

ready to

sunder

me

— The End —