Give away attachment in favour of happiness. Attachment to her. Attachment to him. Attachment to things. Attachment to hope, dreams and beliefs. Attachment makes you heavy. Attachment drains you. It holds you just tight enough to let you see the world, but not explore it.

*djm

Flicker Shimmer Glow

The brightest star can shine even with thick black velvet draped over it.  
Quartz, lime and salt crystals formed a glass ball.
The dark womb held me, warm and soft.  
My mom called my cries when I was born the most sorrowful sound she had ever heard.  
She said she’d never heard a baby make a sound like that.    
I’d open my eyes in low light until the world’s light healed rather than hurt.  
The summer before eighth grade, July 1992,
I watched a shooting star burn by at 100,000 miles per hour as I stood on the balcony  
while my family celebrated my birthday inside.  
It made it into the earth’s atmosphere
but it didn’t look like it was coming down;
I know it didn’t hit the ground but it burned something in the time it was here.  
The glass ball of my life cracked inside.  
Light reflected off the salt crystal cracks.  
I saw the beauty of the light within.  
Nacre from my shell kept those cracks from getting worse,
a wild pearl as defense mechanism.  
In 2001, I quit my job after they melted and poured tar all over my life.  
All summer literature class bathtubs filled with rose hip oil cleaned the tar.  
That fall logic and epistemology classes spewed black ink all over my philosophy
written over ten years then.  
Tar turned to asphalt when I met someone from my old job for a drink in November
and it paved a road for my life that went to the hospital I was in that December
where it sealed the roof on my life
when I was almost murdered there
and in February after meeting her for another drink.  
They lit a fire at the top of the glacier and pushed the burning pile of black coal off the edge,
burnt red, looking like flames falling into the valley.  
While that blazed the side of the cliff something lit an incandescent light.  
The electricity from the metal lightbulb ***** went through wires and heated the filament between until it glowed.  
I began putting more work into emotional balance from things I learned at AA meetings.  
In Spring 2003, the damage that the doctors at the hospital in 2001 had done
made it harder for light to reflect from the cracks in the glass ball.
I’d been eating healthy and trying to get regular exercises since 1994
but in Spring 2003 I began swimming for an hour every morning .  
The water washed the pollution from the burning coals off
And then I escaped in July.  
I moved to London to study English Language and Linguistics.  
I would’ve studied English Language and Literature.  
I did well until Spring 2004 when I thought I was being stalked.  
I thought I was manic.  
I thought I was being stalked.  
I went home and didn’t go back for my exams after spring holiday.  
Because I felt traumatized and couldn’t write poetry anymore,
I used black ink to write my notes for my book on trauma and the Russian Revolution.
I started teaching myself German.  
I stayed healthy.  
In 2005, my parents went to visit my mom’s family in Malaysia for two weeks.
I thought I was being stalked.  
I knew I wasn’t manic.  
I thought I was being stalked.  
I told my parents when they came home.  
They thought I was manic.  
I showed them the shoe prints in the snow of different sizes from the woods to the windows.  
They thought I was manic.  
I was outside of my comfort zone.  
I moved to California. I found light.  
I made light,
the light reflected off the salt crystals I used to heal the violence inflicted on me from then on.  
The light turned the traffic lights to not just green from red
but amber and blue.  
The light turned the car signals left and right.  
The light reflected off of salt crystals, light emitting diodes,
electrical energy turned directly to light,
electroluminescence.  
The electrical currents flowed through,
illuminating.  
Alone in the world, I moved to California in July 2005
but in August  I called the person I escaped in 2003,
the sulfur and nitrogen that I hated.  
He didn’t think I was manic but I never said anything.
I never told him why I asked him to move out to California.  
When his coal seemed like only pollution,
I asked him to leave.  
He threatened me.  
I called the authorities.  
They left me there.
He laughed.  
Then the violence came.  
****:  stabbed and punched, my ****** bruised, purple and swollen.  
The light barely reflected from the glass ball wIth cracks through all the acid rain, smoke and haze.
It would take me half an hour to get my body to do what my mind told it to after.  
My dad told me my mom had her cancer removed.
The next day, the coal said if I wanted him to leave he’d leave.  
I booked his ticket.
I drove him to the airport.  
Black clouds gushed the night before for the first time in months,
the sky clear after the rain.  
He was gone and I was free,
melted glass, heated up and poured—
looked like fire,
looked like the Snow Moon in February
with Mercury in the morning sky.  
I worked through ****.  
I worked to overcome trauma.  
Electricity between touch and love caused acid rain, smoke, haze, and mercury
to light the discharge lamps, streetlights and parking lot lights.
Then I changed the direction of the light waves.  
Like lead glass breaks up the light,
lead from the coal, cleaned and replaced by potassium,
glass cut clearly, refracting the light,
electrolytes,
electrical signals lit through my body,
thick black velvet drapes gone.  





















Lava

I think that someone wrote into some palm leaf a manuscript, a gift, a contract.  
After my parents wedding, while they were still in India,
they found out that my dad’s father and my mom’s grandfather worked for kings administering temples and collecting money for their king from the farmers that worked the rice paddies each king owned.  They both left their homes before they left for college.  
My dad, a son of a brahmin’s son,
grew up in his grandmother’s house.  
His mother was not a Brahmin.  
My mother grew up in Malaysia where she saw the children from the rubber plantation
when she walked to school.  
She doesn’t say what caste she is.  
He went to his father’s house, then college.  
He worked, then went to England, then Canada.  
She went to India then Canada.  
They moved to the United States around Christmas 1978
with my brother while she was pregnant with me.  
My father signed a contract with my mother.  
My parents took ashes and formed rock,
the residue left in brass pots in India,
the rocks, so hot, they turned back to lava miles away before turning back to ash again,
then back to rock,
the lava from a super volcano,
the ash purple and red.  


















Circles on a Moss Covered Volcano

The eruption beatifies the magma.  
It becomes obsidian,
only breaks with a fracture,
smooth circles where it breaks.  

My mom was born on the grass
on a lawn
in a moss covered canyon at the top of a volcanic island.  
My grandfather lived in Malaysia before the Japanese occupied.  
When the volcano erupted,
the lava dried at the ocean into black sand.  
The British allied with the Communist Party of Malaysia—
after they organized.  
After the Americans defeated the Japanese at Pearl Harbor,
the British took over Malaysia again.  
They kept different groups apart claiming they were helping them.  
The black sand had smooth pebbles and sharp rocks.  
Ethnic Malay farmers lived in Kampongs, villages.  
Indians lived on plantations.  
The Chinese lived in towns and urban areas.  
Ethnic Malays wanted independence.
In 1946, after strikes, demonstrations, and boycotts
the British agreed to work with them.  
The predominantly Chinese Communist Party of Malaysia went underground,
guerrilla warfare against the British,
claiming their fight was for independence.  
For the British, that emergency required vast powers
of arrest, detention without trial and deportation to defeat terrorism.  
The Emergency became less unpopular as the terrorism became worse.  
The British were the iron that brought oxygen through my mom’s body.  
She loved riding on her father’s motorcycle with him
by the plantations,
through the Kampongs
and to the city, half an hour away.  
The British left Malaysia independent in 1957
with Malaysian nationalists holding most state and federal government offices.  
As the black sand stretches towards the ocean,
it becomes big stones of dried lava, flat and smooth.  

My mom thought her father and her uncle were subservient to the British.  
She thought all things, all people were equal.  
When her father died when she was 16, 1965,
they moved to India,
my mother,
a foreigner in India, though she’s Indian.  
She loved rock and roll and mini skirts
and didn’t speak the local language.  
On the dried black lava,
it can be hard to know the molten lava flickers underneath there.  
Before the Korean War,
though Britain and the United States wanted
an aggressive resolution
condemning North Korea,
they were happy
that India supported a draft resolution
condemning North Korea
for breach of the peace.  
During the Korean War,
India, supported by Third World and other Commonwealth nations,
opposed United States’ proposals.
They were able to change the U.S. resolution
to include the proposals they wanted
and helped end the war.  
China wanted the respect of Third World nations
and saw the United States as imperialist.  
China thought India was a threat to the Third World
by taking aid from the United States and the Soviets.  
Pakistan could help with that and a seat at the United Nations.  
China wanted Taiwan’s seat at the UN.
My mother went to live with her uncle,
a communist negotiator for a corporation,
in India.  
A poet,
he threw parties and invited other artists, musicians and writers.  
I have the same brown hyperpigmentation at my joints that he had.  
During the day, only the steam from the hot lava can be seen.  
In 1965, Pakistani forces went into Jammu and Kashmir with China’s support.  
China threatened India after India sent its troops in.  
Then they threatened again before sending their troops to the Indian border.  
The United States stopped aid to Pakistan and India.
Pakistan agreed to the UN ceasefire agreement.  
Pakistan helped China get a seat at the UN
and tried to keep the west from escalating in Vietnam.  
The smoldering sound of the lava sizzles underneath the dried lava.  
When West Pakistan refused to allow East Pakistan independence,
violence between Bengalis and Biharis developed into upheaval.  
Bengalis moved to India
and India went into East Pakistan.  
Pakistan surrendered in December 1971.  
East Pakistan became independent Bangladesh

The warm light of the melted lava radiates underneath but burns.  
In 1974, India tested the Smiling Buddha,
a nuclear bomb.  
After Indira Gandhi’s conviction for election fraud in 1973,
Marxist Professor Narayan called for total revolution
and students protested all over India.  
With food shortages, inflation and regional disputes
like Sikh separatists training in Pakistan for an independent Punjab,
peasants and laborers joined the protests.  
Railway strikes stopped the economy.  
In 1975, Indira Gandhi, the Iron Lady,
declared an Emergency,
imprisoning political opponents, restricting freedoms and restricting the press,
claiming threats to national security
because the war with Pakistan had just ended.  
The federal government took over Kerala’s communist dominated government and others.  

My mom could’ve been a dandelion, but she’s more like thistle.  
She has the center that dries and flutters in the wind,
beautiful and silky,
spiny and prickly,
but still fluffy, downy,
A daisy.
They say thistle saved Scotland from the Norse.  
Magma from the volcano explodes
and the streams of magma fly into the air.  
In the late 60s,
the civil rights movement rose
against the state in Northern Ireland
for depriving Catholics
of influence and opportunity.
The Northern Irish police,
Protestant and unionist, anti-catholic,
responded violently to the protests and it got worse.  
In 1969, the British placed Arthur Young,
who had worked at the Federation of Malaya
at the time of their Emergency
at the head of the British military in Northern Ireland.
The British military took control over the police,
a counter insurgency rather than a police force,
crowd control, house searches, interrogation, and street patrols,
use of force against suspects and uncooperative citizens.  
Political crimes were tolerated by Protestants but not Catholics.  
The lava burns the rock off the edge of the volcano.  

On January 30, 1972, ****** Sunday,  
British Army policing killed 13 unarmed protesters
fighting for their rights over their neighborhood,
protesting the internment of suspected nationalists.
That led to protests across Ireland.  
When banana leaves are warmed,
oil from the banana leaves flavors the food.  
My dad flew from Canada to India in February 1972.  
On February 4, my dad met my mom.  
On February 11, 1972,
my dad married my mom.  
They went to Canada,
a quartz singing bowl and a wooden mallet wrapped in suede.  
The rock goes down with the lava, breaking through the rocks as it goes down.  
In March 1972, the British government took over
because they considered the Royal Ulster Police and the Ulster Special Constabulary
to be causing most of the violence.  
The lava blocks and reroutes streams,
melts snow and ice,
flooding.  
Days later, there’s still smoke, red.  
My mom could wear the clothes she liked
without being judged
with my dad in Canada.  
She didn’t like asking my dad for money.
My dad, the copper helping my mother use that iron,
wanted her to go to college and finish her bachelors degree.
She got a job.  
In 1976, the police took over again in Northern Ireland
but they were a paramilitary force—
armored SUVs, bullet proof jackets, combat ready
with the largest computerized surveillance system in the UK,
high powered weapons,
trained in counter insurgency.  
Many people were murdered by the police
and few were held accountable.  
Most of the murdered people were not involved in violence or crime.  
People were arrested under special emergency powers
for interrogation and intelligence gathering.  
People tried were tried in non-jury courts.  
My mom learned Malayalam in India
but didn’t speak well until living with my dad.  
She also learned to cook after getting married.  
Her mother sent her recipes; my dad cooked for her—
turmeric, cumin, coriander, cayenne and green chiles.  
Having lived in different countries,
my mom’s food was exposed to many cultures,
Chinese and French.
Ground rock, minerals and glass
covered the ground
from the ash plume.  
She liked working.  

A volcano erupted for 192 years,
an ice age,
disordered ices, deformed under pressure
and ordered ice crystals, brittle in the ice core records.  
My mother liked working.  
Though Khomeini was in exile by the 1970s in Iran,
more people, working and poor,
turned to him and the ****-i-Ulama for help.
My mom didn’t want kids though my dad did.
She agreed and in 1978 my brother was born.
Iran modernized but agriculture and industry changed so quickly.  
In January 1978, students protested—
censorship, surveillance, harassment, illegal detention and torture.  
Young people and the unemployed joined.  
My parents moved to the United States in December 1978.  
The regime used a lot of violence against the protesters,
and in September 1978 declared martial law in Iran.  
Troops were shooting demonstrators.
In January 1979, the Shah and his family fled.  
On February 11, 1979, my parents’ anniversary,
the Iranian army declared neutrality.  
I was born in July 1979.
The chromium in emeralds and rubies colors them.
My brother was born in May and I was born in July.

Obsidian—
iron, copper and chromium—
isn’t a gas
but it isn’t a crystal;
it’s between the two,
the ordered crystal and the disordered gas.  
They made swords out of obsidian.  





Warm Light Shatters

The eruption beatifies the magma.  
It becomes obsidian,
only breaks with a fracture,
smooth circles where it breaks.  

My dad was born on a large flat rock on the edge of the top
of a hill,
Molasses, sweet and dark, the potent flavor dominates,
His father, the son of a Brahmin,
His mother from a lower caste.
His father’s family wouldn’t touch him,
He grew up in his mother’s mother’s house on a farm.  
I have the same brown hyperpigmentation spot on my right hand that he has.

In 1901, D’Arcy bought a 60 year concession for oil exploration In Iran.
The Iranian government extended it for another 32 years in 1933.
At that time oil was Iran’s “main source of income.”
In 1917’s Balfour Declaration, the British government proclaimed that they favored a national home for the Jews in Palestine and their “best endeavors to facilitate the achievement” of that.

The British police were in charge of policing in the mandate of Palestine.  A lot of the policemen they hired were people who had served in the British army before, during the Irish War for Independence.  
The army tried to stop how violent the police were, police used torture and brutality, some that had been used during the Irish War for Independence, like having prisoners tied to armored cars and locomotives and razing the homes of people in prison or people they thought were related to people thought to be rebels.
The police hired Arab police and Jewish police for lower level policing,
Making local people part of the management.
“Let Arab police beat up Arabs and Jewish police beat up Jews.”

The lava blocks and reroutes streams, melts snow and ice, flooding.
In 1922, there were 83,000 Jews, 71,000 Christians, and 589,000 Muslims.
The League If Nations endorsed the British Mandate.
During an emergency, in the 1930s, British regulations allowed collective punishment, punishing villages for incidents.
Local officers in riots often deserted and also shared intelligence with their own people.
The police often stole, destroyed property, tortured and killed people.  
Arab revolts sapped the police power over Palestinians by 1939.

My father’s mother was from a matrilineal family.
My dad remembers tall men lining up on pay day to respectfully wait for her, 5 feet tall.  
She married again after her husband died.
A manager from a tile factory,
He spoke English so he supervised finances and correspondence.
My dad, a sunflower, loved her: she scared all the workers but exuded warmth to the people she loved.

Obsidian shields people from negative energy.
David Cargill founded the Burmah Oil Co. in 1886.
If there were problems with oil exploration in Burma and Indian government licenses, Persian oil would protect the company.  
In July 1906, many European oil companies, BP, Royal Dutch Shell and others, allied to protect against the American oil company, Standard Oil.
D’Arcy needed money because “Persian oil took three times as long to come on stream as anticipated.”
Burmah Oil Co. began the Anglo-Persian Oil Co. as a subsidiary.
Ninety-seven percent of British Petroleum was owned by Burmah Oil Co.
By 1914, the British government owned 51% of the Anglo-Persian Oil Co.  
Anglo-Persian acquired independence from Burmah Oil and Royal Dutch Shell with two million pounds from the British government.

The lava burns the rock off the edge of the volcano.
In 1942, after the Japanese took Burma,
the British destroyed their refineries before leaving.
The United Nations had to find other sources of oil.
In 1943, Japan built the Burma-Thailand Railroad with forced labor from the Malay peninsula who were mostly from the rubber plantations.

The rock goes down with the lava, breaking through the rocks as it goes down.
In 1945. Japan destroyed their refineries before leaving Burma.
Cargill, Watson and Whigham were on the Burmah Oil Co. Board and then the Anglo Iranian Oil Co. Board.  

In 1936 Palestine, boycotts, work stoppages, and violence against British police officials and soldiers compelled the government to appoint an investigatory commission.  
Leaders of Egypt, Trans Jordan, Syria and Iraq helped end the work stoppages.
The British government had the Peel Commission read letters, memoranda, and petitions and speak with British officials, Jews and Arabs.  
The Commission didn’t believe that Arabs and Jews could live together in a single Jewish state.
Because of administrative and financial difficulties the Colonial Secretary stated that to split Palestine into Arab and Jewish states was impracticable.  
The Commission recommended transitioning 250,000 Arabs and 1500 Jews with British control over their oil pipeline, their naval base and Jerusalem.  
The League of Nations approved.
“It will not remove the grievance nor prevent the recurrence,” Lord Peel stated after.
The Arab uprising was much more militant after Peel.  Thousands of Arabs were wounded, ten thousand were detained.  
In Sykes-Picot and the Husain McMahon agreements, the British promised the Arabs an independent state but they did not keep that promise.  
Representatives from the Arab states rejected the Peel recommendations.
United Nations General Assembly Resolution181 partitioned Palestine into Arab and Jewish states with an international regime for the city of Jerusalem backed by the United States and the Soviet Union.  

The Israeli Yishuv had strong military and intelligence organization —-  
the British recognized that their interest was with the Arabs and abstained from the vote.  
In 1948, Israel declared the establishment of its state.  
Ground rock, minerals, and gas covered the ground from the ash plume.
The Palestinian police force was disbanded and the British gave officers the option of serving in Malaya.

Though Truman, Eisenhower and Kennedy supported snd tried to get Israel to offer the Arabs concessions, it wasn’t a major priority and didn’t always approve of Israel’s plans.
Arabs that had supported the British to end Turkish rule stopped supporting the West.  
Many Palestinians joined left wing groups and violent third world movements.  
Seventy-eight percent of the territory of former Palestine was under Israel’s control.  

My dad left for college in 1957 and lived in an apartment above the United States Information services office.
Because he graduated at the top of his class, he was given a job with the public works department of the government on the electricity board.  
“Once in, you’ll never leave.”
When he wanted a job where he could do real work, his father was upset.
He broke the chains with bells for vespers.
He got a job in Calcutta at Kusum Products and left the government, though it was prestigious to work there.
In the chemical engineering division, one of the projects he worked on was to design a *** distillery, bells controlled by hammers, hammers controlled by a keyboard.
His boss worked in the United Kingdom for. 20 years before the company he worked at, part of Power Gas Corporation, asked him to open a branch in Calcutta.
He opened the branch and convinced an Industrialist to open a company doing the same work with him.  The branch he opened closed after that.  
My dad applied for labor certification to work abroad and was selected.  
His boss wrote a reference letter for my him to the company he left in the UK.  My dad sent it telling the company when he was leaving for the UK.  
The day he left for London, he got the letter they sent in the mail telling him to take the train to Sheffield the next day and someone from the firm would meet him at the station.  
His dad didn’t know he left, he didn’t tell him.
He broke the chains with chimes for schisms.


Anglo-Persian Oil became Anglo-Iranian Oil in 1935.
The British government used oil and Anglo-Persian oil to fight communism, have a stronger relationship with the United States and make the United Kingdom more powerful.  
The National Secularists, the Tudeh, and the Communists wanted to nationalize Iran’s oil and mobilized the Iranian people.
The British feared nationalization in Iran would incite political parties like the Secular Nationalists all over the world.  
In 1947, the Iranian government passed the Single Article Law that “[increased] investment In welfare benefits, health, housing, education, and implementation of Iranianization through substitution of foreigners” at Anglo-Iranian Oil Co.
“Anglo-Iranian Oil Company made more profit in 1950 than it paid to the Iranian government in royalties over the previous half century.”
The Anglo-Iranian Oil Company tried to negotiate a new concession and claimed they’d hire more Iranian people into jobs held by British and people from other nationalities at the company.
Their hospitals had segregated wards.  
On May 1, 1951, the Iranian government passed a bill that nationalized Anglo- Iranian Oil Co.’s holdings.  
During the day, only the steam from the hot lava can be seen.
In August 1953, the Iranian people elected Mossadegh from the Secular Nationalist Party as prime minister.
The British government with the CIA overthrew Mossadegh using the Iranian military after inducing protests and violent demonstrations.  
Anglo-Iranian Oil changed its name to British Petroleum in 1954.
Iranians believe that America destroyed Iran’s “last chance for democracy” and blamed America for Iran’s autocracy, its human rights abuses, and secret police.

The smoldering sound of the lava sizzles underneath the dried lava.  
In 1946, Executive Yuan wanted control over 4 groups of Islands in the South China Sea to have a stronger presence there:  the Paracels, the Spratlys, Macclesfield Bank, and the Pratas.
The French forces in the South China Sea would have been stronger than the Chinese Navy then.
French Naval forces were in the Gulf of Tonkin, U.S. forces were in the Taiwan Strait, the British were in Hong Kong, and the Portuguese were in Macao.
In the 1950s, British snd U.S. oil companies thought there might be oil in the Spratlys.  
By 1957, French presence in the South China Sea was hardly there.  

When the volcano erupted, the lava dried at the ocean into black sand.
By 1954, the Tudeh Party’s communist movement and  intelligence organization had been destroyed.  
Because of the Shah and his government’s westernization policies and disrespectful treatment of the Ulama, Iranians began identifying with the Ulama and Khomeini rather than their government.  
Those people joined with secular movements to overthrow the Shah.  

In 1966, Ne Win seized power from U Nu in Burma.
“Soldiers ruled Burma as soldiers.”
Ne Win thought that western political
Institutions “encouraged divisions.”
Minority groups found foreign support for their separatist goals.
The Karens and the Mons supported U Nu in Bangkok.  


Rare copper, a heavy metal, no alloys,
a rock in groundwater,
conducts electricity and heat.
In 1965, my Dad’s cousin met him at Heathrow, gave him a coat and £10 and brought him to a bed and breakfast across from Charing Cross Station where he’d get the train to Sheffield the next morning.
He took the train and someone met him at the train station.  
At the interview they asked him to design a grandry girder, the main weight bearing steel girder as a test.
Iron in the inner and outer core of the earth,
He’d designed many of those.  
He was hired and lived at the YMCA for 2 1/2 years.  
He took his mother’s family name, Menon, instead of his father’s, Varma.
In 1967, he left for Canada and interviewed at Bechtel before getting hired at Seagrams.  
Iron enables blood to carry oxygen.
His boss recommended him for Dale Carnegie’s leadership training classes and my dad joined the National Instrument Society and became President.
He designed a still In Jamaica,
Ordered all the parts, nuts and bolts,
Had all the parts shipped to Jamaica and made sure they got there.
His boss supervised the construction, installation and commission in Jamaica.
Quartz, heat and fade resistant, though he was an engineer and did the work of an engineer, my dad only had the title, technician so my dad’s boss thought he wasn’t getting paid enough but couldn’t get his boss to offer more than an extra $100/week or the title of engineer; he told my dad he thought he should leave.
In 1969, he got a job at Celanese, which made rayon.
He quit Celanese to work at McGill University and they allowed him to take classes to earn his MBA while working.  

The United States and Israel’s alliance was strong by 1967.
United Nations Security Council Resolution 242 at the end of the Third Arab Israeli War didn’t mention the Palestinians but mentioned the refugee problem.
After 1967, the Palestinians weren’t often mentioned and when mentioned only as terrorists.  
Palestinians’ faith in the “American sponsored peace process” diminished, they felt the world community ignored and neglected them also.
Groups like MAN that stopped expecting anything from Arab regimes began hijacking airplanes.
By 1972, the Palestine Liberation Organization had enough international support to get by the United States’ veto in the United Nations Security Council and Arab League recognition as representative of the Palestinian people.
The Palestinians knew the United States stated its support, as the British had, but they weren’t able to accomplish anything.  
The force Israel exerted in Johnson’s United States policy delivered no equilibrium for the Palestinians.  

In 1969, all political parties submitted to the BSPP, Burma Socialist Programme Party.
Ne Win nationalized banks and oil and deprived minorities of opportunities.
Ne Win became U Nu Win, civilian leader of Burma in 1972 and stopped the active role that U Nu defined for Burma internationally
He put military people in power even when they didn’t have experience which triggered “maldistribution of goods and chronic shortages.”  
Resources were located in areas where separatist minorities had control.

The British presence in the South China Sea ended in 1968.  
The United States left Vietnam in 1974 and China went into the Western Paracels.
The U.S. didn’t intervene and Vietnam took the Spratlys.
China wanted to claim the continental shelf In the central part of the South China Sea and needed the Spratlys.
The United States mostly disregarded the Ulama In Iran and bewildered the Iranian people by not supporting their revolution.

Obsidian—
iron, copper and chromium—
isn’t a gas
but it isn’t a crystal;
it’s between the two,
the ordered crystal and the disordered gas.  
They made swords out of obsidian.


Edelweiss

I laid out in my backyard in my bikini.  
I love the feeling of my body in the sun.  
I’d be dark from the end of spring until winter.
The snow froze my bare feet through winter ,
my skin pale.
American towns in 1984,
Free, below glaciers the sunlight melted the snow,
a sea of green and the edelweiss on the edge of the  limestone,
frosted but still strong.    
When the spring warmed the grass,
the grass warmed my feet. 
The whole field looked cold and white from the glacier but in the meadow,
the bright yellow centers of those flowers float free in the center of the white petals.
The bright yellow center of those edelweiss scared the people my parents ran to America from India to get away from.  
On a sidewalk in Queens, New York in 1991, the men stared and yelled comments at me in short shorts and a fitted top in the summer.  
I grabbed my dad’s arm.

























The Bread and Coconut Butter of Aparigraha

Twelve year old flowerhead,
Marigold, yarrow and nettle,
I’d be all emotion
If not for all my work
From the time I was a teenager.
I got depressed a lot.
I related to people I read about
In my weather balloon,
Grasping, ignorant, and desperate,
But couldn’t relate to other twelve year olds.
After school I read Dali’s autobiography,
Young ****** Autosodomized by Her Own Chastity.
Fresh, green nettle with fresh and dried yarrow for purity.
Dead souls enticed to the altar by orange marigolds,
passion and creativity,
Coax sleep and rouse dreams.
Satellites measure indirectly with wave lengths of light.
My weather balloon measures the lower and middle levels of the atmosphere directly,
Fifty thousand feet high,
Metal rod thermometer,
Slide humidity sensor,
Canister for air pressure.

I enjoy rye bread and cold coconut butter in my weather balloon,
But I want Dali, and all the artists and writers.
Rye grows at high altitudes
But papyrus grows in soil and shallow water,
Strips of papyrus pith shucked from their stems.
When an anchor’s weighed, a ship sails,
But when grounded we sail.
Marigolds, yarrow and nettle,
Flowerhead,
I use the marigold for sleep,
The yarrow for endurance and intensity,
toiling for love and truth,
And the nettle for healing.
Strong rye bread needs equally strong flavors.
By the beginning of high school,
I read a lot of Beat literature
And found Buddhism.
I loved what I read
But I didn’t like some things.
I liked attachment.  
I got to the ground.
Mushrooms grow in dry soil.
Attachment to beauty is Buddha activity.
Not being attached to things I don’t find beautiful is Buddha activity.  
I fried mushrooms in a single layer in oil, fleshy.
I roasted mushrooms at high temperatures in the oven, crisp.
I simmered mushrooms in stock with kombu.
Rye bread with cold coconut butter and cremini mushrooms,
raw, soft and firm.  
Life continues, life changes,
Attachments, losses, mourning and suffering,
But change lures growth.
I find stream beds and wet soil.
I lay the strips of papyrus next to each other.
I cross papyrus strips over the first,
Then wet the crossed papyrus strips,
Press and cement them into a sheet.
I hammer it and dry it in the sun,
With no thought of achievement or self,
Flowerhead,
Hands filled with my past,
Head filled with the future,
Dali, artists poets,
Wishes and desires aligned with nature,
Abundance,
Cocoa, caraway, and molasses.

If I ever really like someone,
I’ll be wearing the dress he chooses,
Fresh green nettle and yarrow, the seeds take two years to grow strong,
Lasting love.
Marigolds steer dead souls from the altar to the afterlife,
Antiseptic, healing wounds,
Soothing sore throats and headaches.
Imperturbable, stable flowerhead,
I empty my mind.
When desires are aligned with nature, desire flows.
Papyrus makes paper and cloth.
Papyrus makes sails.
Charcoal from the ash of pulverized papyrus heals wounds.
Without attachment to the fruit of action
There is continuation of life,
Rye bread and melted coconut butter,
The coconut tree in the coconut butter,
The seed comes from the ground out of nothing,
Naturalness.
It has form.
As the seed grows the seed expresses the tree,
The seed expresses the coconut,
The seed expresses the coconut butter.
Rye bread, large open hollows, chambers,
Immersed in melted coconut butter,
Desire for expansion and creation,
No grasping, not desperate.
When the mind is compassion, the mind is boundless.
Every moment,
only that,
Every moment,
a scythe to the papyrus in the stream bed of the past.  

































Sound on Powdery Blue

Potter’s clay, nymph, plum unplumbed, 1993.
Dahlia, ice, powder, musk and rose,
my source of life emerged in darkness, blackness.
Seashell fragments in the sand,
The glass ball of my life cracked inside,
Light reflected off the salt crystal cracks,
Nacre kept those cracks from getting worse.
Young ****** Autosodomized By Her Own Chastity,
Nymph, I didn’t want to give my body,
Torn, *****, ballgown,
To people who wouldn’t understand me,
Piquant.

Outside on the salt flats,
Aphrodite, goddess of beauty, pleasure and fertility and
Asexual Artemis, goddess of animals, and the hunt,
Mistress of nymphs,
Punish with ruthless savagery.

In my bedroom, blue caribou moss covered rocks, pine, and yew trees,
The heartwood writhes as hurricane gales, twisters and whirlwinds
Contort their bark,
Roots strong in the soil.
Orris root dried in the sun, bulbs like wood.
Dahlia runs to baritone soundbath radio waves.
Light has frequencies,
Violet between blue and invisible ultraviolet,
Flame, slate and flint.
Every night is cold.

Torii gates, pain secured as sacred.
An assignation, frost hardy dahlia and a plangent resonant echo.
High frequency sound waves convert to electrical signals,
Breathe from someone I want,
Silt.
Beam, radiate, ensorcel.
I break the bark,
Sap flows and dries,
Resin seals over the tear.
I distill pine,
Resin and oil for turpentine, a solvent.
Quiver, bemired,
I lead sound into my darkness,
Orris butter resin, sweet and warm,
Hot jam drops on snow drops,
Orange ash on smoke,
Balm on lava,
The problem with cotton candy.

Electrical signals give off radiation or light waves,
The narrow frequency range where
The crest of a radio wave and the crest of a light wave overlap,
Infrared.
Glaciers flow, sunlight melts the upper layers of the snow when strong,
A wet snow avalanche,
A torrent, healing.
Brown sugar and whiskey,
Undulant, lavender.
Pine pitch, crystalline, sticky, rich and golden,
And dried pine rosin polishes glass smooth
Like the smell of powdery orris after years.
Softness, flush, worthy/not worthy,
Rich rays thunder,
Intensify my pulse,
Frenzied red,
Violet between blue and invisible ultraviolet.
Babylon—flutter, glow.
Unquenchable cathartic orris.  

















Pink Graphite

Camellias, winter shrubs,
Their shallow roots grow beneath the spongy caribou moss,
Robins egg blue.
After writing a play with my gifted students program in 1991,
I stopped spending all my free time writing short stories,
But the caribou moss was still soft.

In the cold Arctic of that town,
The evergreen protected the camellias from the afternoon sun and storms.
They branded hardy camellias with a brass molded embossing iron;
I had paper and graphite for my pencils.

After my ninth grade honors English teacher asked us to write poems in 1994,
It began raining.
We lived on an overhang.
A vertical rise to the top of the rock.
The rainstorm caused a metamorphic change in the snowpack,
A wet snow avalanche drifted slowly down the moss covered rock,
The snow already destabilized by exposure to the sunlight.

The avalanche formed lakes,
rock basins washed away with rainwater and melted snow,
Streams dammed by the rocks.  
My pencils washed away in the avalanche,
My clothes heavy and cold.
I wove one side of each warp fiber through the eye of the needle and one side through each slot,
Salves, ointments, serums and tinctures.
I was mining for graphite.
They were mining me,
The only winch, the sound through the water.

A steep staircase to the red Torii gates,
I broke the chains with bells for vespers
And chimes for schisms,
And wove the weft across at right angles to the warp.  

On a rocky ledge at the end of winter,
The pink moon, bitters and body butter,
They tried to get  me to want absinthe,
Wormwood for bitterness and regret.
Heat and pressure formed carbon for flakes of graphite.
Heat and pressure,
I made bitters,
Brandy, grapefruit, chocolate, mandarin rind, tamarind and sugar.
I grounded my feet in the pink moss,
paper dried in one hand,
and graphite for my pencils in the other.  



































Flakes

I don’t let people that put me down be part of my life.  
Gardens and trees,
My shadow sunk in the grass in my yard
As I ate bread, turmeric and lemon.
Carbon crystallizes into graphite flakes.
I write to see well,
Graphite on paper.  
A shadow on rock tiles with a shield, a diamond and a bell
Had me ***** to humiliate me.
Though I don’t let people that put me down near me,
A lot of people putting me down seemed like they were following me,
A platform to jump from
While she had her temple.  

There was a pink door to the platform.
I ate bread with caramelized crusts and
Drank turmeric lemonade
Before I opened that door,
Jumped and
Descended into blankets and feathers.
I found matches and rosin
For turpentine to clean,
Dried plums and licorice.  

In the temple,
In diamonds, leather, wool and silk,
She had her shield and bells,
Drugs and technology,
Thermovision 210 and Minox,
And an offering box where people believed
That if their coins went in
Their wishes would come true.

Hollyhock and smudging charcoal for work,  
Belled,
I ground grain in the mill for the bread I baked for breakfast.
The bells are now communal bells
With a watchtower and a prison,
Her shield, a blowtorch and flux,
Her ex rays, my makeshift records
Because Stalin didn’t like people dancing,
He liked them divebombing.
Impurities in the carbon prevent diamonds from forming,
Measured,
The most hard, the most expensive,
But graphite’s soft delocalized electrons move.  






































OCEAN BED

The loneliness of going to sleep by myself.  
I want a bed that’s high off the ground,
a mattress, an ocean.
I want a crush and that  person in my bed.  
Only that,
a crush in my bed,
an ocean in my bed.  
Just love.  
But I sleep with my thumbs sealed.  
I sleep with my hands, palms up.  
I sleep with my hands at my heart.  
They sear my compassion with their noise.  
They hold their iron over their fire and try to carve their noise into my love,
scored by the violence of voices, dark and lurid,  
but not burned.  
I want a man in my bed.  
When I wake up in an earthquake
I want to be held through the aftershocks.  
I like men,
the waves come in and go out
but the ocean was part of my every day.  
I don’t mind being fetishized in the ocean.  
I ran by the ocean every morning.  
I surfed in the ocean.  
I should’ve gone into the ocean that afternoon at Trestles,
holding my water jugs, kneeling at the edge.  














Morning

I want to fall asleep in the warm arms of a fireman.  
I want to wake up to the smell of coffee in my kitchen.  

Morning—the molten lava in the outer core of the earth embeds the iron from the inner core into the earth’s magnetic field.  
The magnetic field flips.  
The sun, so strong, where it gets through the trees it burns everything but the pine.  
The winds change direction.  
Storms cast lightening and rain.  
Iron conducts solar flares and the heavy wind.  
In that pine forest, I shudder every time I see a speck of light for fear of neon and fluorescents.  The eucalyptus cleanses congestion.  
And Kerouac’s stream ululates, crystal bowl sound baths.  
I follow the sound to the water.  
The stream ends at a bluff with a thin rocky beach below.  
The green water turns black not far from the shore.  
Before diving into the ocean, I eat globe mallow from the trees, stems and leaves, the viscous flesh, red, soft and nutty.  
I distill the pine from one of the tree’s bark and smudge the charcoal over my skin.  

Death, the palo santo’s lit, cleansing negative energy.  
It’s been so long since I’ve smelled a man, woodsmoke, citrus and tobacco.  
Jasmine, plum, lime and tuberose oil on the base of my neck comforts.  
Parabolic chambers heal, sound waves through water travel four times faster.  
The sound of the open sea recalibrates.  
I dissolve into the midnight blue of the ocean.  

I want to fall asleep in the warm arms of a fireman.  
I want to wake up to the smell of coffee in my kitchen.  
I want hot water with coconut oil when I get up.  
We’d lay out on the lawn, surrounded by high trees that block the wind.  
Embers flying through the air won’t land in my yard, on my grass, or near my trees.  





Blue Paper

Haze scatters blue light on a planet.  
Frought women, livid, made into peonies by Aphrodites that caught their men flirting and blamed the women, flushed red.
and blamed the women, flushed red.
Frought women, livid, chrysanthemums, dimmed until the end of the season, exchanged and retained like property.  
Blue women enter along the sides of her red Torii gates, belayed, branded and belled, a plangent sound.  
By candles, colored lights and dried flowers she’s sitting inside on a concrete floor, punctures and ruin burnished with paper, making burnt lime from lime mortar.  
Glass ***** on the ceiling, she moves the beads of a Palestinian glass bead bracelet she holds in her hands.  
She bends light to make shadows against  thin wooden slats curbed along the wall, and straight across the ceiling.
A metier, she makes tinctures, juniper berries and cotton *****.
Loamy soil in the center of the room,
A hawthorn tree stands alone,
A gateway for fairies.
large stones at the base protecting,
It’s branches a barrier.  
It’s leaves and shoots make bread and cheese.
It’s berries, red skin and yellow flesh, make jam.
Green bamboo stakes for the peonies when they whither from the weight of their petals.
And lime in the soil.  
She adds wood chips to the burnt lime in the kiln,
Unrolled paper, spools, and wire hanging.
Wood prayer beads connect her to the earth,
The tassels on the end of the beads connect her to spirit, to higher truth.
Minerals, marine mud and warm basins of seawater on a flower covered desk.  
She adds slaked lime to the burnt lime and wood chips.  
The lime converts to paper,
Trauma victims speak,
Light through butterfly wings.  
She’s plumeria with curved petals, thick, holding water

"The Struggle for Love"
"The Longing for Home"
So desperate to prove
That our hearts aren't alone

While death looms wherewith
To make dust of our flesh
We seek in a myth
Our souls to enmesh

With a hero of hope
A rescuing source
To widen our scope
And give pith to our course

An unshakable tie
An attachment at core
Which might silence the cry
That our hearts are at war

With a pure set of eyes
Full of fire and proficient
To dispel all the lies
That our souls aren't deficient

But it's not our mere lack
Which causes most dread
It's the earth-shattering fact
That our spirits are dead

Cut off from their Source
In a black alienation
Humanity's curse
For its rank ins'bordination

We just want our own way
And to write our own story
So we plunge on astray
To seek our own glory

To play artist or muse
Or idol or chief
Any self-styled ruse
To assuage us of grief

Any measure to show
A lasting signif'cance
So that someone would know
Our unique magnif'cence

For our beauty's been marred
And we crave a redemption
Of souls twisted and scarred
By fulfillment's exemption

But, alas, we will find
That search hard as we may
There's not one of our kind
Who can carry the tray

Upon which the weight
Of our souls has been laid
For who can e'er tolerate
Its gross debts unpaid?

Such suff'cating mass
Of defects and ills
Pressed 'gainst delicate glass
Of egos and wills

Still more ghastly to bear
Is devotion unbound
For with millstone to wear
Its master is drowned

'Neath a sea of foul yeast
And becomes the enslaved
To a hungering beast
To a worship depraved

For the heart is a tiger
And must have its fill
So it raises a man higher
With a kiss before the ****

Not intentionally, of course,
Does it slaughter its idol
But of hurricane force
Is this longing so vital

And as pedestal turns
So quickly to altar
Our wounded pride burns
When our gods and alms falter

And the fire of its rage
Turns upon its obsession
Tiger breaks out of cage
To reclaim self-possession

It bites and it tears
What it once so adored
And pride no longer cares
If it kills its false lord

But upon such demise
The soul screams in terror
For it's broken its prize
And can't take back its error

It begs and it pleads
To restore what's been lost
But at end knows it needs
To consider the cost

Of the damage untold
It has left in the wake
For hearts can't be controlled
With a gush or a shake

No, men's hearts are like bombs
Which so easily explode
Once the pin is removed
All past wrongs will re-load

So the prey becomes hunter
When the tiger attacks
For he does not want her
To see what he lacks

As he, too, had put
Her up in wrong place
But now steps his foot
Upon her shamed face

To now pulverize
As his own heart's been crushed
To blind out her eyes
And to see her lips hushed

For with words idly spoken
She'd stabbed at his soul
And had left his pride broken
By her judgments so cold

She had not meant to harm
Knew not e'en that he heard
But one cannot disarm
A thought put to word

Worse than not knowing this
She no longer knew him
And her once imagined bliss
Proved a nullified whim

Oh, what games and delusions
We play and we build
Upon empty illusions
And dreams unfulfilled

Yet strangely it's when
Our worst fears come true
We can finally transcend
All those old tales we grew

Out of ego and void
Out of sorrow and pain
When our nerves felt annoyed
And our hearts felt too vain

'Cause when ego is puffed
It is primed, too, to pop
And with pinprick is snuffed
Like a pest-blighted crop

So imagine much more
When a venom's injected
Right into its core
And its heart is rejected

But can you also not see
How it needs such a burst
To begin to get free
From its self-absorbed curse?

Except now feels the matter
Of our soul's isolation
Fiercer still with the shatter
Of our pet consolation

So we wait and we wonder
If we've missed the true meaning
Of the frightening thunder
In our heart's constant screaming

Whether homesick or lost
Whether lonely or grieved
Locked in bleak Winter's frost
We find little reprieve

Yet we know we've been made
For the glory of Spring
Some card's still to be played
Some grand song still to sing

Inexpressible yearning
For some secret we know
But can't speak for the burning
Repercussions of woe

Not some mere melancholy
Nor nostalgic forlorn
Not the musings of folly
But a sense that we're torn

From primordial root
And from headwaters fresh
Yet much deeper to boot
From our spiritual breath

'Tis an ache not for wares,
Appreciation or fame
But a fight just for air
Against strangling shame

For we're naked, we know
And with all we devise
Our most flawed parts still show
To a pure set of eyes

Like we're walking around
With no covering intact
But thin hospital gown
With wide split up the back

So we hide our true face
Aim to be what we're not
Work our blots to erase
Lest our schemes should be caught

Be 't by friend or by foe
We dare not risk the pain
Of humiliation's blow
On top of our stain

But instead of relief
Anguish grows louder till
This life's loneliest grief
Paralyzes the will

And last hope all but dies
On doubt's bed of despair
While embittered heart cries
That its lot's too unfair

Yet on outside we play
Through our unconscious mind
Man's collective charade
That everything's fine

Like some pact we'd all sworn
To uphold and obey
To protect from the scorn
Of society's sway

If we run with the flow
'Stead of strive 'gainst the tide
We might make enough show
To salvage our pride

We forget that conceit
Is what caused all the mess
Through a serpent's deceit
And a couple's wrong guess

'Twas they first tasted shame
And then hid in a garden
Sewing fig leaves as claim
To secure their own pardon

Yet in horror they knew
They had squandered the Prize
And must flee from the view
Of a pure set of eyes

Now same state of awry
Runs through each of their seed
Inborn and borne by
Like the thorniest ****

Whose nettles pierce deep
And infect every part
While roots tangle and sweep
Through the mind and the heart

It mocks what we've lost
Torments every dim hope
To constrict and accost
Like a noose-tightening rope

Still, hope won't be decayed
Smold'ring fires yet burn
Sparking hints that we're made
For bright Eden's return

This redemption we crave
Is no phantom's false plea
But as crestfallen wave
Hides itself in the sea

It's been veiled in plain sight
Big as all of our stories
Deep as mankind's full plight
And as high as its glories

Cloaked in every ambition
That we have to get in
To some exclusive coalition
For its favors to win

Lurks a bleeding predilection
Frustrated from birth
A desire for election
To bestow on us worth

Lured by scent of a promise
To be chosen and known
Like the warmth of a mom's kiss
Given only to her own

We search tree after tree
For sweet intimacy's nectar
From a fruit that will be
Our secret connecter

To hope's nourishing breast
To life's honey from comb
To an undying rest
To a straight way toward home

One to wipe away tears
And allay deepest doubt
Which proceeds from worst fears
Of our being locked out

Of a garden again
Cast from pure tree of life
Dim remembrance of when
Mankind first entered strife

All our conflicts, comp'tition,
Confusion and blame
Find first cause in perdition
That's invaded our frame

Like the foulest disease
The most cankerous rot
Grown by monstrous degrees
Hatched by Lucifer's plot

This story's no ****'s attack
Nor archaic folklore
But the earth-shattering fact
That our hearts are at war

With a pure set of eyes
Full of fire and proficient
To dispel all the lies
That our souls aren't deficient

And it's not our mere lack
which causes most dread
But the earth-shattering fact
That our spirits are dead

Cut off from their Source
In a black alienation
Humanity's curse
For it's rank ins'bordination


And yet...


This is also the story
Of how those same eyes
The Possessor of Glory
Looked with love and heart cries

On the crown of creation
His reflection of Self
Made His own treasured nation
The heirs of His wealth

Now broken and lost
All banished from Garden
And He knew the full cost
To grant them His pardon

Had known long before
He had e'er even made
That first man of yore
Yet handcrafts anyway

For His love is so strong
And He wanted to share
His intimacy with a throng
His own children to bear

So with souls in convulsion
From their rebellious misdeed
Just before their expulsion
He promised a Seed

One untainted from sin
Who could take its great boulder
And the weight of His kin
Upon His own shoulder

A Hero of hope
A rescuing Source
To widen our scope
And give pith to our course

An unshakable tie
An attachment at core
Who would silence the cry
That our hearts are at war

With a pure set of eyes
Full of fire and proficient
To dispel all the lies
That our souls aren't deficient

For those eyes are His own
And He'd pay the full fee
By His body alone
To set our hearts free

He's hope's nourishing breast
He's life's honey from comb
He's our undying rest
He's our straight way toward home

He will wipe away tears
And allay deepest doubt
Which proceeds from worst fears
Of our being locked out

Of the Garden again
Cast from pure Tree of Life
Dim remembrance of when
Mankind first entered strife

But 'twas on another tree
That sweet intimacy's nectar
Was secured tight when He
Became sacred Connector

And the thorns of our curse
Were pressed onto His head
With not one there to nurse
As the Son of Man bled

Then the wrath for our sin
Was absorbed as He cried
And the foul curse was broken
When the Son of God died

But death couldn't keep Him long
Nor His glory dispose
And we found our lost song
When the King of kings rose!

The debt had been paid
He had finished the work
The tide 'gainst us was swayed
We weren't left in our lurk

And we've only to now
Just repent and believe
To open and allow
Our hearts to receive

Our Divine Fountainhead
Our covering complete
To sup from His bread
And to sit at His feet

To worship the One
For Whom we were made
By Whom we've been won
Whom forever we've craved

The One Who can bear
Our hearts' full devotion
The One Who won't tear
At our souls' raw emotion

The One Who will be
Sweet eternity's song
Who with lasting decree
Will...right...every...wrong

"The Struggle for Love"
"The Longing for Home"
So desperate to prove
That our hearts aren't alone

While death looms wherewith
To make dust of our flesh
We seek in a myth
Our souls to enmesh

With a hero of hope
A rescuing source
To widen our scope
And give pith to our course

An unshakable tie
An attachment at core
Which might silence the cry
That our hearts are at war

With a pure set of eyes
Full of fire and proficient
To dispel all the lies
That our souls aren't deficient

But it's not our mere lack
Which causes most dread
It's the earth-shattering fact
That our spirits are dead

Cut off from their Source
In a black alienation
Humanity's curse
For its rank ins'bordination

We just want our own way
And to write our own story
So we plunge on astray
To seek our own glory

To play artist or muse
Or idol or chief
Any self-styled ruse
To assuage us of grief

Any measure to show
A lasting signif'cance
So that someone would know
Our unique magnif'cence

For our beauty's been marred
And we crave a redemption
Of souls twisted and scarred
By fulfillment's exemption

But, alas, we will find
That search hard as we may
There's not one of our kind
Who can carry the tray

Upon which the weight
Of our souls has been laid
For who can e'er tolerate
Its gross debts unpaid?

Such suff'cating mass
Of defects and ills
Pressed 'gainst delicate glass
Of egos and wills

Still more ghastly to bear
Is devotion unbound
For with millstone to wear
Its master is drowned

'Neath a sea of foul yeast
And becomes the enslaved
To a hungering beast
To a worship depraved

For the heart is a tiger
And must have its fill
So it raises a man higher
With a kiss before the ****

Not intentionally, of course,
Does it slaughter its idol
But of hurricane force
Is this longing so vital

And as pedestal turns
So quickly to altar
Our wounded pride burns
When our gods and alms falter

And the fire of its rage
Turns upon its obsession
Tiger breaks out of cage
To reclaim self-possession

It bites and it tears
What it once so adored
And pride no longer cares
If it kills its false lord

But upon such demise
The soul screams in terror
For it's broken its prize
And can't take back its error

It begs and it pleads
To restore what's been lost
But at end knows it needs
To consider the cost

Of the damage untold
It has left in the wake
For hearts can't be controlled
With a gush or a shake

No, men's hearts are like bombs
Which so easily explode
Once the pin is removed
All past wrongs will re-load

So the prey becomes hunter
When the tiger attacks
For he does not want her
To see what he lacks

As he, too, had put
Her up in wrong place
But now steps his foot
Upon her shamed face

To now pulverize
As his own heart's been crushed
To blind out her eyes
And to see her lips hushed

For with words idly spoken
She'd stabbed at his soul
And had left his pride broken
By her judgments so cold

She had not meant to harm
Knew not e'en that he heard
But one cannot disarm
A thought put to word

Worse than not knowing this
She no longer knew him
And her once imagined bliss
Proved a nullified whim

Oh, what games and delusions
We play and we build
Upon empty illusions
And dreams unfulfilled

Yet strangely it's when
Our worst fears come true
We can finally transcend
All those old tales we grew

Out of ego and void
Out of sorrow and pain
When our nerves felt annoyed
And our hearts felt too vain

'Cause when ego is puffed
It is primed, too, to pop
And with pinprick is snuffed
Like a pest-blighted crop

So imagine much more
When a venom's injected
Right into its core
And its heart is rejected

But can you also not see
How it needs such a burst
To begin to get free
From its self-absorbed curse?

Except now feels the matter
Of our soul's isolation
Fiercer still with the shatter
Of our pet consolation

So we wait and we wonder
If we've missed the true meaning
Of the frightening thunder
In our heart's constant screaming

Whether homesick or lost
Whether lonely or grieved
Locked in bleak Winter's frost
We find little reprieve

Yet we know we've been made
For the glory of Spring
Some card's still to be played
Some grand song still to sing

Inexpressible yearning
For some secret we know
But can't speak for the burning
Repercussions of woe

Not some mere melancholy
Nor nostalgic forlorn
Not the musings of folly
But a sense that we're torn

From primordial root
And from headwaters fresh
Yet much deeper to boot
From our spiritual breath

'Tis an ache not for wares,
Appreciation or fame
But a fight just for air
Against strangling shame

For we're naked, we know
And with all we devise
Our most flawed parts still show
To a pure set of eyes

Like we're walking around
With no covering intact
But thin hospital gown
With wide split up the back

So we hide our true face
Aim to be what we're not
Work our blots to erase
Lest our schemes should be caught

Be 't by friend or by foe
We dare not risk the pain
Of humiliation's blow
On top of our stain

But instead of relief
Anguish grows louder till
This life's loneliest grief
Paralyzes the will

And last hope all but dies
On doubt's bed of despair
While embittered heart cries
That its lot's too unfair

Yet on outside we play
Through our unconscious mind
Man's collective charade
That everything's fine

Like some pact we'd all sworn
To uphold and obey
To protect from the scorn
Of society's sway

If we run with the flow
'Stead of strive 'gainst the tide
We might make enough show
To salvage our pride

We forget that conceit
Is what caused all the mess
Through a serpent's deceit
And a couple's wrong guess

'Twas they first tasted shame
And then hid in a garden
Sewing fig leaves as claim
To secure their own pardon

Yet in horror they knew
They had squandered the Prize
And must flee from the view
Of a pure set of eyes

Now same state of awry
Runs through each of their seed
Inborn and borne by
Like the thorniest ****

Whose nettles pierce deep
And infect every part
While roots tangle and sweep
Through the mind and the heart

It mocks what we've lost
Torments every dim hope
To constrict and accost
Like a noose-tightening rope

Still, hope won't be decayed
Smold'ring fires yet burn
Sparking hints that we're made
For bright Eden's return

This redemption we crave
Is no phantom's false plea
But as crestfallen wave
Hides itself in the sea

It's been veiled in plain sight
Big as all of our stories
Deep as mankind's full plight
And as high as its glories

Cloaked in every ambition
That we have to get in
To some exclusive coalition
For its favors to win

Lurks a bleeding predilection
Frustrated from birth
A desire for election
To bestow on us worth

Lured by scent of a promise
To be chosen and known
Like the warmth of a mom's kiss
Given only to her own

We search tree after tree
For sweet intimacy's nectar
From a fruit that will be
Our secret connecter

To hope's nourishing breast
To life's honey from comb
To an undying rest
To a straight way toward home

One to wipe away tears
And allay deepest doubt
Which proceeds from worst fears
Of our being locked out

Of a garden again
Cast from pure tree of life
Dim remembrance of when
Mankind first entered strife

All our conflicts, comp'tition,
Confusion and blame
Find first cause in perdition
That's invaded our frame

Like the foulest disease
The most cankerous rot
Grown by monstrous degrees
Hatched by Lucifer's plot

This story's no ****'s attack
Nor archaic folklore
But the earth-shattering fact
That our hearts are at war

With a pure set of eyes
Full of fire and proficient
To dispel all the lies
That our souls aren't deficient

And it's not our mere lack
which causes most dread
But the earth-shattering fact
That our spirits are dead

Cut off from their Source
In a black alienation
Humanity's curse
For its rank ins'bordination


And yet...


This is also the story
Of how those same eyes
The Possessor of Glory
Looked with love and heart cries

On the crown of creation
His reflection of Self
Made His own treasured nation
The heirs of His wealth

Now broken and lost
All banished from Garden
And He knew the full cost
To grant them His pardon

Had known long before
He had e'er even made
That first man of yore
Yet handcrafts anyway

For His love is so strong
And He wanted to share
His intimacy with a throng
His own children to bear

So with souls in convulsion
From their rebellious misdeed
Just before their expulsion
He promised a Seed

One untainted from sin
Who could take its great boulder
And the weight of His kin
Upon His own shoulder

A Hero of hope
A rescuing Source
To widen our scope
And give pith to our course

An unshakable tie
An attachment at core
Who would silence the cry
That our hearts are at war

With a pure set of eyes
Full of fire and proficient
To dispel all the lies
That our souls aren't deficient

For those eyes are His own
And He'd pay the full fee
By His body alone
To set our hearts free

He's hope's nourishing breast
He's life's honey from comb
He's our undying rest
He's our straight way toward home

He will wipe away tears
And allay deepest doubt
Which proceeds from worst fears
Of our being locked out

Of the Garden again
Cast from pure Tree of Life
Dim remembrance of when
Mankind first entered strife

But 'twas on another tree
That sweet intimacy's nectar
Was secured tight when He
Became sacred Connector

And the thorns of our curse
Were pressed onto His head
With not one there to nurse
As the Son of Man bled

Then the wrath for our sin
Was absorbed as He cried
And the foul curse was broken
When the Son of God died

But death couldn't keep Him long
Nor His glory dispose
And we found our lost song
When the King of kings rose!

The debt had been paid
He had finished the work
The tide 'gainst us was swayed
We weren't left in our lurk

And we've only to now
Just repent and believe
To open and allow
Our hearts to receive

Our Divine Fountainhead
Our covering complete
To sup from His bread
And to sit at His feet

To worship the One
For Whom we were made
By Whom we've been won
Whom forever we've craved

The One Who can bear
Our hearts' full devotion
The One Who won't tear
At our souls' raw emotion

The One Who will be
Sweet eternity's song
Who with lasting decree
Will...right...every...wrong

See that little match-stick,
see that candle there?
See that hard-worn photograph
taken for a year?
Take them punches, boxer-girl!
Much to your chagrin,
it comes back in equal part -
hard and deep within.

Consider bonds between us heat.
And fuel, the time we spent
sleeping close in tousled sheets -
a sky towards us, bent:
gray and cloudless, quick and fleet.
Candle-flame is meant.
to take those memories, and to eat
the message that you sent.

Photo attachment 1: You, him - bottle of Cointreau. Bite marks on your thigh like only I should have left! Grass (both types), a camera. Wrestling. ******. ***.
Photo attachment 2: You, him: carousels, cloven-footed balloon-man (whistling high and wee). Hot dogs. Ocean. Wrestling. ******, ***.
Photo attachment 3: There was something about a penguin… and there was cake involved. Polarbears - must have been a zoo. Causing me to mope at the keyboard: wrestling, ******. ***.
Photo attachment 4: It’s really just *** now.
Photo attachment 5: Please stop.

Shouldn’t be so callous:
that password is personal.
I shouldn’t really have it,
Well, this is what I get for exploring the caverns of iniquity
(that’s slang for your hard-drive),
***** little …
I can’t … cuss you out.

All photographs marked 10/18/07 for devastation.

Now, this thing has ended:
sad, though brief and gleeful.
We were consumed by happiness, never sorrowful
and nothing meaningful;
everything beautiful, nothing painful.
Princess, that work was masterful -
breaking that, making great things hurtful.
But worse still?
I can’t hate you.

"The Struggle for Love"
"The Longing for Home"
So desperate to prove
That our hearts aren't alone

While death looms wherewith
To make dust of our flesh
We seek in a myth
Our souls to enmesh

With a hero of hope
A rescuing source
To widen our scope
And give pith to our course

An unshakable tie
An attachment at core
Which might silence the cry
That our hearts are at war

With a pure set of eyes
Full of fire and proficient
To dispel all the lies
That our souls aren't deficient

But it's not our mere lack
Which causes most dread
It's the earth-shattering fact
That our spirits are dead

Cut off from their Source
In a black alienation
Humanity's curse
For its rank ins'bordination

We just want our own way
And to write our own story
So we plunge on astray
To seek our own glory

To play artist or muse
Or idol or chief
Any self-styled ruse
To assuage us of grief

Any measure to show
A lasting signif'cance
So that someone would know
Our unique magnif'cence

For our beauty's been marred
And we crave a redemption
Of souls twisted and scarred
By fulfillment's exemption

But, alas, we will find
That search hard as we may
There's not one of our kind
Who can carry the tray

Upon which the weight
Of our souls has been laid
For who can e'er tolerate
Its gross debts unpaid?

Such suff'cating mass
Of defects and ills
Pressed 'gainst delicate glass
Of egos and wills

Still more ghastly to bear
Is devotion unbound
For with millstone to wear
Its master is drowned

'Neath a sea of foul yeast
And becomes the enslaved
To a hungering beast
To a worship depraved

For the heart is a tiger
And must have its fill
So it raises a man higher
With a kiss before the ****

Not intentionally, of course,
Does it slaughter its idol
But of hurricane force
Is this longing so vital

And as pedestal turns
So quickly to altar
Our wounded pride burns
When our gods and alms falter

And the fire of its rage
Turns upon its obsession
Tiger breaks out of cage
To reclaim self-possession

It bites and it tears
What it once so adored
And pride no longer cares
If it kills its false lord

But upon such demise
The soul screams in terror
For it's broken its prize
And can't take back its error

It begs and it pleads
To restore what's been lost
But at end knows it needs
To consider the cost

Of the damage untold
It has left in the wake
For hearts can't be controlled
With a gush or a shake

No, men's hearts are like bombs
Which so easily explode
Once the pin is removed
All past wrongs will re-load

So the prey becomes hunter
When the tiger attacks
For he does not want her
To see what he lacks

As he, too, had put
Her up in wrong place
But now steps his foot
Upon her shamed face

To now pulverize
As his own heart's been crushed
To blind out her eyes
And to see her lips hushed

For with words idly spoken
She'd stabbed at his soul
And had left his pride broken
By her judgments so cold

She had not meant to harm
Knew not e'en that he heard
But one cannot disarm
A thought put to word

Worse than not knowing this
She no longer knew him
And her once imagined bliss
Proved a nullified whim

Oh, what games and delusions
We play and we build
Upon empty illusions
And dreams unfulfilled

Yet strangely it's when
Our worst fears come true
We can finally transcend
All those old tales we grew

Out of ego and void
Out of sorrow and pain
When our nerves felt annoyed
And our hearts felt too vain

'Cause when ego is puffed
It is primed, too, to pop
And with pinprick is snuffed
Like a pest-blighted crop

So imagine much more
When a venom's injected
Right into its core
And its heart is rejected

But can you also not see
How it needs such a burst
To begin to get free
From its self-absorbed curse?

Except now feels the matter
Of our soul's isolation
Fiercer still with the shatter
Of our pet consolation

So we wait and we wonder
If we've missed the true meaning
Of the frightening thunder
In our heart's constant screaming

Whether homesick or lost
Whether lonely or grieved
Locked in bleak Winter's frost
We find little reprieve

Yet we know we've been made
For the glory of Spring
Some card's still to be played
Some grand song still to sing

Inexpressible yearning
For some secret we know
But can't speak for the burning
Repercussions of woe

Not some mere melancholy
Nor nostalgic forlorn
Not the musings of folly
But a sense that we're torn

From primordial root
And from headwaters fresh
Yet much deeper to boot
From our spiritual breath

'Tis an ache not for wares,
Appreciation or fame
But a fight just for air
Against strangling shame

For we're naked, we know
And with all we devise
Our most flawed parts still show
To a pure set of eyes

Like we're walking around
With no covering intact
But thin hospital gown
With wide split up the back

So we hide our true face
Aim to be what we're not
Work our blots to erase
Lest our schemes should be caught

Be 't by friend or by foe
We dare not risk the pain
Of humiliation's blow
On top of our stain

But instead of relief
Anguish grows louder till
This life's loneliest grief
Paralyzes the will

And last hope all but dies
On doubt's bed of despair
While embittered heart cries
That its lot's too unfair

Yet on outside we play
Through our unconscious mind
Man's collective charade
That everything's fine

Like some pact we'd all sworn
To uphold and obey
To protect from the scorn
Of society's sway

If we run with the flow
'Stead of strive 'gainst the tide
We might make enough show
To salvage our pride

We forget that conceit
Is what caused all the mess
Through a serpent's deceit
And a couple's wrong guess

'Twas they first tasted shame
And then hid in a garden
Sewing fig leaves as claim
To secure their own pardon

Yet in horror they knew
They had squandered the Prize
And must flee from the view
Of a pure set of eyes

Now same state of awry
Runs through each of their seed
Inborn and borne by
Like the thorniest ****

Whose nettles pierce deep
And infect every part
While roots tangle and sweep
Through the mind and the heart

It mocks what we've lost
Torments every dim hope
To constrict and accost
Like a noose-tightening rope

Still, hope won't be decayed
Smold'ring fires yet burn
Sparking hints that we're made
For bright Eden's return

This redemption we crave
Is no phantom's false plea
But as crestfallen wave
Hides itself in the sea

It's been veiled in plain sight
Big as all of our stories
Deep as mankind's full plight
And as high as its glories

Cloaked in every ambition
That we have to get in
To some exclusive coalition
For its favors to win

Lurks a bleeding predilection
Frustrated from birth
A desire for election
To bestow on us worth

Lured by scent of a promise
To be chosen and known
Like the warmth of a mom's kiss
Given only to her own

We search tree after tree
For sweet intimacy's nectar
From a fruit that will be
Our secret connecter

To hope's nourishing breast
To life's honey from comb
To an undying rest
To a straight way toward home

One to wipe away tears
And allay deepest doubt
Which proceeds from worst fears
Of our being locked out

Of a garden again
Cast from pure tree of life
Dim remembrance of when
Mankind first entered strife

All our conflicts, comp'tition,
Confusion and blame
Find first cause in perdition
That's invaded our frame

Like the foulest disease
The most cankerous rot
Grown by monstrous degrees
Hatched by Lucifer's plot

This story's no ****'s attack
Nor archaic folklore
But the earth-shattering fact
That our hearts are at war

With a pure set of eyes
Full of fire and proficient
To dispel all the lies
That our souls aren't deficient

And it's not our mere lack
which causes most dread
But the earth-shattering fact
That our spirits are dead

Cut off from their Source
In a black alienation
Humanity's curse
For it's rank ins'bordination


And yet...


This is also the story
Of how those same eyes
The Possessor of Glory
Looked with love and heart cries

On the crown of creation
His reflection of Self
Made His own treasured nation
The heirs of His wealth

Now broken and lost
All banished from Garden
And He knew the full cost
To grant them His pardon

Had known long before
He had e'er even made
That first man of yore
Yet handcrafts anyway

For His love is so strong
And He wanted to share
His intimacy with a throng
His own children to bear

So with souls in convulsion
From their rebellious misdeed
Just before their expulsion
He promised a Seed

One untainted from sin
Who could take its great boulder
And the weight of His kin
Upon His own shoulder

A Hero of hope
A rescuing Source
To widen our scope
And give pith to our course

An unshakable tie
An attachment at core
Who would silence the cry
That our hearts are at war

With a pure set of eyes
Full of fire and proficient
To dispel all the lies
That our souls aren't deficient

For those eyes are His own
And He'd pay the full fee
By His body alone
To set our hearts free

He's hope's nourishing breast
He's life's honey from comb
He's our undying rest
He's our straight way toward home

He will wipe away tears
And allay deepest doubt
Which proceeds from worst fears
Of our being locked out

Of the Garden again
Cast from pure Tree of Life
Dim remembrance of when
Mankind first entered strife

But 'twas on another tree
That sweet intimacy's nectar
Was secured tight when He
Became sacred Connector

And the thorns of our curse
Were pressed onto His head
With not one there to nurse
As the Son of Man bled

Then the wrath for our sin
Was absorbed as He cried
And the foul curse was broken
When the Son of God died

But death couldn't keep Him long
Nor His glory dispose
And we found our lost song
When the King of kings rose!

The debt had been paid
He had finished the work
The tide 'gainst us was swayed
We weren't left in our lurk

And we've only to now
Just repent and believe
To open and allow
Our hearts to receive

Our Divine Fountainhead
Our covering complete
To sup from His bread
And to sit at His feet

To worship the One
For Whom we were made
By Whom we've been won
Whom forever we've craved

The One Who can bear
Our hearts' full devotion
The One Who won't tear
At our souls' raw emotion

The One Who will be
Sweet eternity's song
Who with lasting decree
Will...right...every...wrong

AN INTRODUCTION TO INDIAN ART IN VERSE  
By Raj Nandy : Part One

INTRODUCTION
Background :
The India subcontinent and her diverse physical features,
influenced her dynamic history, religion, and culture!
The fertile basin of the Sapta-Sindu Rivers* cradled one of
world’s most ancient civilization, (seven rivers)
Contemporary to the Sumerians and the Egyptians, popularly
known as the Indus Valley Civilization!
The Sindu (Indus), Jhelum, Chenab, Ravi, Sutlej, Bias, along
with the sacred river Saraswati, shaped India’s early History;
Where once flourished the urban settlements of Harappa and
Mohenjodaro, which lay buried for several centuries;
For our archaeologists and scholars to unravel their many
secrets and hidden mysteries!
Modern scholars refer to it as ‘Indus-Saraswati Civilization’;
By interpreting the text of the Rig Veda which mentions
eclipses, equinoxes, and other astronomical conjunctions,
They date the origin of the Vedas as earlier as 3000 BC;
Thereby lifting the fog which shrouds Ancient History! +
(+ Two broad schools of thoughts prevail; Max Mullar refers
to 1500 BC as the date for origin of the Vedas, but modern scientific findings point to a much earlier date for their Oral composition and
their long oral tradition!)

On the banks of the sacred Saraswati River the holy sages
did once meditate, *
When their third eye opened, as all earthly bonds they did
transcend !
From their lips flowed the sacred chants of the Vedas, as
they sang the creator Brahma’s unending praise!
These Vedic chants and incantations survived many
centuries of an oral tradition,
When Indian Art began to blossom into exotic flowers like
Brahma’s divine manifestations;
With all subsequent art forms following the model of
Brahma’s manifold creations!
The Vedas got written down during the later Vedic Age
with commentaries and interpolations,
And remain as India’s indigenous composition, forming a
part of her sacred religious tradition! *
(Rig Veda the oldest, had hymns in praise of the creator;
Yajur Veda spelled the ritual procedures; Sama Veda sets
the hymns for melodious chanting, & is the source of seven
notes of music; Artha Veda had hymns for warding off evil
& hardship, giving us a glimpse of early Vedic life.)

IMPACT OF FOREIGN INVASIONS:
Through the winding Khyber Pass cutting through the rugged
Hindu Kush Range,
Came the Persians, Greeks, Muslims, the Moguls, and many
bounty hunters storming through north-western frontier gate;
Consisting of varied racial groups and cultures, they entered
India’s fertile alluvial plains!
Therefore, while tracing 5000 years of Art Story, one cannot
divorce Art from India’s exotic cultural history.
From the Cave Art of Bhimbetka, to the dancing girl of Harappa,
To the frescoes and the evocative figures of Ajanta and Ellora;
Many marvelous and exquisitely carved temples of the South,
And Muslim and Mogul architecture and frescoes along with
India’s rich Folk Art, enriched her artistic heritage no doubt!
Yet for a long time Indian Art had been the least known of
the Oriental Arts,
Perhaps because from Western point of view it was difficult
to understand the spirit behind Indian Art!
For Indian Art is at once aesthetic and sensual, also passionate,
symbolic, and spiritual !
It both celebrates and denies the individual’s love of life,
where free instinct with rigid reason combine !
These contradictory elements are found side by side due to
her culturally mixed conditions, as I had earlier mentioned!
Now, if we add to this the constant religious exaltation,
With the extensive use of symbolic presentation, from the
early days of Indian civilization;
We have the basic elements of an Art, which has gradually
aroused the interest of Western Civilization!

The further we get back in time, we only begin to find,
That religion, philosophy, art and architecture,
Had all merged into an unified whole to form India’s
composite culture!
But while moving forward in time, we once again find,
That art, architecture, music, poetry and dance, all begin to
gradually emerge, with their separate identities,
Where Indian Art is seen as a rich mosaic of cultural diversity!

(NOTES:-In the ancient days, the Saraswati River flowed from the Siwalik Range of Hills (foothills of the Himalayas) between Sutlej & the Yamuna rivers, through the present day Rann of Kutch into the Arabian Sea, when Rajasthan was a fertile place! Indus settlements like Kalibangan, Banawalli, Ganwaiwala, were situated on the banks of Sarsawati River, which was longer than the Indus & ran parallel, and is mentioned around50 times in the Rig Veda! Scientists say that due to tectonic plate movements, and climatic changes, Saraswati dried up around 1700BC ! The people settled there shifted east and the south, during the course of history! Some of those Indo-Aryan speaking people were already settled there, & others joined later. Max Muller’s theory of an Aryan Invasion which destroyed the Indus Valley Civilization during 1500BC, supported by Colonial Rulers, was subsequently proved wrong ! Indo-Aryans were a Language group of the Indo- European
Language Family, & not a racial group as mistaken by Max Mullar! Therefore Dr.Romila Thapar calls it a gradual migration, & not an invasion! The Vedas were indigenous composition of India. However, they got compiled & written down for the first time with commentaries, at a much later date! I have maintained this position since it has been proved by modern scholars scientifically!)

SYMBOLISM IN INDIAN ART
From the ancient Egyptian hieroglyphic to the Cretan Bull
of Greece,
Symbols have conveyed ideas and messages, fulfilling
artistic needs.
The ‘Da Vinci Code’ speaks of Leonardo’s art works as
symbolic subterfuge with encrypted messages for a secret
society!
While Indian art is replete with many sacred symbols to
attract good fortune, for the benefit of the community!
The symbols of the Dot or ‘Bindu’, the Lotus, the Trident,
the Conch shell, the sign and chant of ‘OM’, are all sacred
and divine;
For at the root of Indian artistic symbolism lies the Indian
concept of Time!
The West tends to think of time as a dynamic process which
is forward moving and linear;
Commencing with the ‘Big Bang’, moving towards a ‘Big
Crunch’, when ‘there shall be no more time’, or a state of
total inertia !
Indian art and sculpture is influenced by the cyclic concept
of time unfolding a series of ages or ‘yugas’;
Where creation, destruction and recreation, becomes a
dynamic and an unending phenomena!
This has been artistically and symbolically expressed in the
figure of Shiva-Nataraja’s cosmic dance,
Which portrays the entire kinetic universe in a state of
eternal flux!
The hour-glass drum in Nataraja’s right hand symbolizes
all creation;
Fire in his left hand the cyclic time frame of destruction!
The raised third hand is in a gesture of infinite benediction;
And the fourth hand pointing to his upraised foot shows the
path of liberation!

It was easier to teach the vast untutored population through
symbols, images, and paintings in the form of Art;
For a picture is more effective than a thousand words!
The Dot or ‘bindu’ becomes the focus for meditation,
Where the mental energies are focused on a single point of
creation,
As seen in the cotemporary art works of SH Raza’s
artistic representations!
Yet the same dot when expanded as a circle becomes
wholeness and infinity;
The shape of celestial bodies of the cyclic universe in its
creativity!
The Lotus seen in many sculptures, on temple walls, and
majestic columns, denotes purity;
A symbol of non-attachment rising above the muddy waters,
retaining its pristine color and beauty!
The Lotus is a powerful and transformational symbol in
Buddhist Art,
Where pink lotus is for height of enlightenment, blue for
wisdom, white for spiritual perfection, and the red lotus
symbolizing the heart!
This Lotus symbol also finds a place in Mughal sculptural
carvings and miniatures;
The inverted lotus dome resting on its petals, forms the
crown of Taj Mahal’s white marble architecture!
The trident or ‘trishul’ symbolizes the three god-heads
Brahma, Vishnu and Shiva;
As the Creator, Preserver and Destroyer, in that cyclic
chain which goes on forever!
The ***** stone of Shiva-lingam surrounded by the oval
female yoni symbolizes fertility and creation,
Usually found in the inner sanctuary of Hindu temples!
Finally, the symbol of ‘OM’ and its vibrating sound,
Echoes the primordial vibrations with which space and
time abounds!
All matter comes from energy vibrations manifesting
cosmic creation;
Also symbolized in Einstein’s famous matter-energy equation!
The Conch Shell a gift of the sea when blown, sounds the
ancient primordial vibration of ‘OM’!
It’s hallowed auspicious sound accompanies marriage
ceremonies and rituals whenever occasion demands;
And pacifies mother earth during Shiva-Nataraja’s sudden
seismic dance! (earthquakes)
Dear readers the symbols mentioned here are very few,
Mainly to curb the length, while I pay Indian Art my
artistic due!

A BRIEF COMPARISON OF ART:
Despite the many foreign influences which entered India
through the Khyber and Bholan pass,
India displayed marvelous adaptability and resilience, in
the development of her indigenous Art!
The aesthetic objectivity of Western Art was replaced by
the Indian vision of spiritual subjectivity,
For the transitory world around was only a ‘Maya’ or an
Illusion,- lacking material reality!
Therefore life-like representation was not always the aim
of Indian art,
But to lift that veil and reveal the life of the spirit, - was
the objective from the very start!
Egyptian funerary art was more occupied with after-life
and death;
While the Greeks portrayed youthful vigor and idealized
beauty, celebrating the joys of life instead!
The proud Roman Emperors to outshine their predecessors
erected even bigger statues, monuments, and columns
draped in glory;
Only in the long run to drain the Roman treasury, - a sad
downfall story!
Indian art gradually evolved over centuries with elements
both religious and secular,
As seen from the period of King Chandragupta Maurya,
Who defeated the Greek Seleucus, to carve out the first
united Indian Empire ! (app. 322 BC)

SECULAR AND SPIRITUAL FUSION IN ART:
Ancient Indian ‘stupas’ and temples were not like churches
or synagogues purely spiritual and religious,
But were cultural centers depicting secular images which
were also non-religious!
The Buddhist ‘stupa’ at Amravati (1stcentury BC), and the
gateways at Sanchi (1stcentury AD), display wealth of carvings
from the life of Buddha;
Also warriors on horseback, royal procession, trader’s caravans,
farmers with produce, - all secular by far!
Indian temples from the 8th Century AD onwards depicted
images of musicians, dancers, acrobats and romantic couples,
along with a variety of Deities;
But after 10th Century ****** themes began to make their mark
with depiction of sensuality!
Sensuality and ****** interaction in temples of Khajuraho and
Konarak has been displayed without inhibition;
As Tantric ideas on compatibility of human sexuality with
human spirituality, fused into artistic depictions!
Religion got based on a healthy and egalitarian acceptance
of all activities without ****** starvation;
For the emotional health and well-being of society, without
hypocritical denial or inhibition!
(’Stupas’= originated from ancient burial mounds, later became devotional Buddhist sites with holy relics, & external decorative gateways and carvings!)

KHJURAHO TEMPLE COMPLEX (950 - 1040 AD) :
Was built by the Chandela Rajputs in Central India,
When Khajuraho, the land of the moon gods, was the first
capital city of the Chandelas!
****** art covers ten percent of the temple sculptures,
Where both Hindu and Jain temples were built in the north-Indian
Nagara style of Architecture.
Out of the 85 temples only 22 have stood the vagaries of time,
Where a perfect fusion of aesthetic elegance and evocative
Kama-Sutra like ****** sculptural brilliance, - dazzle the eyes!

KONARAK SUN TEMPLE OF ORISSA - EAST COAST:
From the Khajuraho temple of love, we now move to the
Konark temple of *** in stones - as art!
Built around 1250 AD in the form of a temple mounted on
a huge cosmic chariot for the Sun God;
With twelve pairs of stone-carved wheels pulled by seven
galloping horses, symbolizing the passage of time under
the Solar God !
Seven horses for each day of the week, pulls the chariot
east wards towards dawn;
With twelve pairs of wheels representing the twelve calendar
months, as each cyclic day ushers in a new morn !
The friezes above and below the chariot wheels show military
processions, with elephants and hunting scenes;
Celebrating the victory of King Narasimhadeva-I over the
invading Muslims!
The ****** art and voluptuous carvings symbolizes aesthetic
bliss when uniting with the divine;
Following yogic postures and breathing techniques, which
Tantric Art alone defines!
(Both Khjuraho & Konark temples were re-discovered by the
British, & are now World Heritage Sites!)

Artistic invention followed the model of cosmic creation;
Ancient Vedic tradition visualized the spirit of a joyous
self-offering with chants and incantations!
The world was understood to be a structured arrangement
of five elements of earth, water, fire, air, and ethereal space;
Where each element brought forth a distinct art-expression
with artistic grace!
Element of Sculpture was earth, Painting the fluidity of water,
Dance was transformative fire, Music flowed through the air,
and Poetry vibrated in ethereal space!

CONCLUDING INTRODUCTION TO INDIAN ART:

Indian Art is like a prism with many dazzling facets,
I have only introduced the subject with its symbolism,
- without covering its complete assets!
After my Part Three on ‘Etruscan and Roman Art’,
Christian and Byzantine Art was to follow;
But following request from my few poet friends I have
postponed it for the morrow!
Traditional Indian Art survives through its sculptures,
architecture, paintings and folk art, ever evolving with
the passing of time and age;
Influenced by Buddhist, Jain, Muslim, Mogul, and many
indigenous art forms, enriching India’s cultural heritage!
While the art of our modern times constitutes a separate
Contemporary phase !
The juxtaposition of certain concepts and forms might
have appeared a bit intriguing,
But the spiritual content and symbolism in art answers
our basic artistic seeking!
The other aspects of Indian Art I plan to cover at a later
date,
Hope you liked my Introduction, being posted after
almost forty days!
ALL COPY RIGHTS ARE WITH RAJ NANDY
E-Mail: rajnandy21@yahoo.
    FEW COMMENTS BY POETS ON 'POETFREAK.COM' :-
I have a vicarious pleasure going through your historical journey of Indian art! Thanks for sharing this here! 2 Mar 2013 by Ramesh T A | Reply
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The prism of Indian Art is indeed has myriads of facets and is an awesome mixture of many influences some of which you list here so clearly - a very understandable presentation of symbolism too - -thank you for your fine effort Raj. 2 Mar 2013 by Fay Slimm | Reply
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Oh what an interesting read with immense information capturing every single detail. You painted this piece of art with utmost care. Truly, it's works Raj…tfs 2 Mar 2013 by John Thomas Tharayil | Reply
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First, I have to say, the part about the lotus symbolism reminds me – My name ‘NILOTPAL’ can be split into ‘NIL’ meaning BLUE and ‘UTPAL’ meaning LOTUS. So my name represents wisdom (although it contradicts ME.. LOL). A lot of things were mentioned in the veda and other ancient Indian texts that were way ahead of the time Like the idea of ‘velocity of light’ got considerable mention in the rig veda-Sahan bhasya, ‘Elliptical order of planets, ‘Black holes’ , although these are the scientific aspects. The emphasis on contradictory elements or even the idea of opposites in Indian art is interesting because India developed the mathematical concept of ‘Zero’ and ‘infinity’. Hard to believe Rajasthan was a fertile place but now it possesses its own beauty. It was great to read about the Natraja, ‘OM’ and the trident(Trishul). Among symbolisms, Lord Ganseha is my favorite because a lot is portrayed in that one image like the MOOSHIK representing