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Nat Lipstadt Apr 2019
~~~

“To exist is to change, to change is to mature, to mature is to go on creating oneself endlessly.”  Henri Bergson


well in that case,
I’m either the most immature teen here,
or Rip Van Winkle

the re-creation process is six, nearly seven,
decades long (you thot days, ha, no way),
can’t recall the last name
I called myself

the delving, the researching, the forgetting,
the fifty first dates of no short term memory,
the checkdown, throwback Thursday of
did I write that?

no recollect, the pretense of
prehensile strength to touch
you and me simultaneously
might, could be true,
if you claim I authored it,
ok with me and all that

life taught me this,
the one who oft  hangs around
very young kids
learns a lot,
and soon recognizes

maturity indeed endless
but not senseless
just a poem-of-the-day process

indeed

every sense says the minute difference
between this morning and this approaching midnight,
an opportunity to grow up, stand straighter, uprighter,
write down my failures one more time,
cause that is the sterling hallmark impressed upon
thyself, ourselves,
that is genuine maturity,
the courageous wisdom to start all over again

the clock has transgressed,
moving past
the 12:00am digits,
which for cause
makes me giddy,
it’s permission to write a new one,
of course,
maturely thinking I still got one within,
a newbie, an aged day-old brand new baby,
a poem,
of course

god bless, I’m all grown n’ growled up,
with wisdom to know I don’t got nada,
but own the immature youthful courage of maturity,
to keep on trying, endlessly,
being your obedient-servant
~~~

p.s. this is kind of love poem of thanksgivings,
a love poem with no misgivings,
a thank you for the fragments of sharing -
hold so dear,
the best reason to mature,
the best reason to change,
the best reason to write
right now, here comes the mojo
my newest oldest friend,
reminding for the last and first time

that I’m all growed,
using the bigliest words I’ve known
to say baby, hey baby,
good night good morning
write us a poem,
a thank you note,
from one who blessedly forgets his name,
day in and year out


For that guy,
you, that ancient kid,
That poet-in-retrograde

so rewrite the title, a refresh,
are you immature enough to write?

1:12am

~for the crew~
  Apr 2019 Nat Lipstadt
Left Foot Poet
this is a depth bomb cutting,
a midnight message for me,
a Zola accusatory,
“You make me think about death and doorways and sleep”

no mere paper cut incision,
bandaid and triple bacterial,
a forehead kiss
and an-on-your-way

nope serious business

death and doorways and sleep
and all that is in between,
nightly rehanging the me-moon,
on that curved tip

the onerous tasks of child raising,
you, the perp, the perpetual kid,
the holy version victim trinitized
too?

hanging your self right on that shining orbital,
leads to unquestionable answer processions
ahead of the unanswerable, they ask,
what’s behind the screen door of

death and doorways and sleep


life is hard,
but without questions,
it is unquestionably
harder

find the doorways.

this explains so little
and so more much.

reminder: make doorways - open them

11:10pm 4-10-19 ~ 10:31am 4-16-19

~for AH~
  Apr 2019 Nat Lipstadt
Poetoftheway
coffee stain memories (an aging love)

our dozen or so mugs,
all white, her color of choice,
accumulating stains of black-brown coffee
that the dishwasher poetically concedes,
a decade plus of drinking, now, oh-now,
****** and can’t be removed

the lips of some are chipped,
the lips of some are chapped,
but they remain employed
for first coffee is a demonstrable
affectation of affection that losing
would be costly

but one of us soto voce, quietly whispers
the radical ionized idea,
shouldn’t we replace,
this should-not is an update, a cognition of
a bridge too far,
both agreeing, both conceding the symbolism,
the heart acknowledges a momentary thrombosis,
for the losing turnover is a winless loss

messaging in and about,
an aging staining love losing

~
A no ki tov tuesday poem
11:36 tuesday ki tov 16/4/2000+nineteen

http://hebrewmeanings.blogspot.com/2016/04/ki-tov.html

“The third day of Creation [Bereshis 1:9-13] is the only day in which the expression “G-d saw that it was good” is mentioned twice. This expression is mentioned both following the gathering of the waters which divided the seas from the dry land, and following the sprouting of vegetation and seed- bearing plants – both of which occurred on the third day of Creation.
As a result of the fact that Tuesday had a double portion of “ki tov” [that it was good], Tuesday is considered a particularly fortuitous day of the week. Many people specifically plan their wedding for this day. When moving into a new house, many people plan to move on Tuesday. Many people try to start a new job on Tuesday.”
Nat Lipstadt Apr 2019
every poem is a test of character,
holy/profane all the same,
algorithm entirely humanized-you,
the elected words cannot be voted out of office,
by a recall petition, regardless of
constant corrected incorrectness.

sorted by size,
nocturnal alliteration,
do they sound in the dark
like your bleeding or you’re breathing?

holy/profane all the same,
Gertrude truth is a truth is truths,
you think my name matters?
Artificial Idiocy. Everyone poem faceted,
a chip off the the naming blockchain idiot.

when I imagine-lie,
it is a truth in and of its own
holy/profane.

call me baffled.
that is a god enough
one word summary.
and so true.

baffling perplexing cryptic and opaque.
in all honesty.
if you’re reading this, you are
testing my character.

what have you found, or even, lost?


in the midst of the characters is
character
10/26/@m/2019/16/april

inspired by Leonard Cohen
  Apr 2019 Nat Lipstadt
Mark Upright
therefore, thereafter, impossible wisdom


add to life
reduce simplify anticipate estimate and create,
purposed all by addiction to addition

a construct, a concert, of constant query,
is my next possess, my finger extended,
is my hand wrapping a gainful employ,
is for goodness all the days of my life
my next breath, my next detailed act
a greater or lesser, a contribution bettor,
an enlargement of the bottom line netter,

therefore and forever thereafter,
this impossible wisdom,
the arc of addition to the supply of oxygen,
the goodness gas, lies in the subtracting
of the unnecessary excess, by moderation at the limit,
all the days of our lives, especially the nights
22:48pm
10 avril 2019
  Apr 2019 Nat Lipstadt
onlylovepoetry
don’t leave me!
(the leaving is in the writing)

she whispers in his ear,
after they’ve climbed into bed,
their tiring bodies both embraced,
soft sunken into, by, a familiar mattress,
after a sophisticates city night out seeing stars,
stars, human and astral,
city lights dusk heightened the vocal sparking,
singers singing songs of love from
radio days long ago

don’t leave me

she intones, a prayerful demand,
equally a command and a begging behest,
puzzling what prompted this pressed request,
spoken with urgency born in her breast

don’t leave me
drifting off and into his thin place,
but tugged back by this cri du coeur,
unsponsored and unwarranted,
nothing recalled that justly provoked,
a statement topping of anguish and fear

don’t leave me
he repeats in a rising questioning inflecting
puzzling riddling unbefitting a mellow-toning sleepy ingredient,
whatever do you mean, I leave you only
to dream, to purify, refresh and deep rest reset,
and return come morning with new poems,
what angst comes to stir this asking,
delaying my adventure to nightly restoration?

don’t leave me
repeated and repeated, dressed in urgency,
for I see the little things,
the wavering walk, the slowing of the thinking,
the walls, black n’ blue, whining about your into bumping,
the instant eagerness with which your body accepts
your voyage to dream places where
one goes and gone and must go unaccompanied,
some who are chosen and some who choose, not to return

don’t leave me
for the signs are ample, a certain weariness
dresses your face and crowns thy graying mane,
the slight labored breathing from steps once
bounded and leapt, the seeing and the hearing,
each slightly weakening, two orchestral instruments,
together off key and lessened in their triumphal vigor,
these words of mine, a royal guard,
keep them in your dreams

don’t leave me
minor missteps in the elongated negated of dying gracefully,
my tuning forks are sensitized,
and any slowing motion
both visible and hearable, and filed under inevitable

I will not leave you tonight,
my body warming as per usual,
your cold feet intruders indicate it’s you have left
for your own nightly visitors, occasional terrors,
you’ve woken me from my allotted sleep hours,
many poems now retrieving and in need of scribing,
while the fingertip digit flys across the digital keyboard,

I am more alive than I have ever been;
the leaving is in the writing,
each poem a steppingstone,

but the poems come fast and furious,
sometimes two at a time, the muses are bemused,
the prognosis is for thousands more and warn:

do not wear out your olive oil anointed forefinger,
the lubricated pointer of the way, wherein is contained

through that index
finger,
your body of works in the
“yet to arrive, yet untaxed filling station,”,
must be seen to fruition,
for it is only then that,
only love poetry
is ready for long lasting
eternal realization





5:36am 12th April, two thousand nineteen
  Apr 2019 Nat Lipstadt
Where Shelter
the unthinkable is our specialty

~

there are special periods of varying length
when we are given grants of capability
where solutions transferable like shared salt drops
and red gummy bears

you need, I believe, and the
no contract is signed and commissioned,
belief is suspended,
for the eyes have the evidence,
the ayes win the nomination,
the shaken but unbreakable longest kiss
secures the deal,
and the local island newspaper banners a headline,

“miracles on the island expand contagiously!”

this is when
this is where
one walks the streets and the dirt roads
sing song smiling,
the tide always incoming,
the peeks of sun
perfectly strong,
installing a feeling
of safe and home and not alone

where is shelter?

here here,
here is shelter,
hear is shelter,
in words and deeds and on our
embracing fingertips



9:45am

April 11, 2019
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