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"symmetries" poems
Hi! The creator too is blind, Struggling toward his harmonious whole, Rejecting intermediate parts, Horrors and falsities and wrongs; Incapable master of all force, Too vague idealist, overwhelmed By an afflatus that persists. For this, then, we endure brief lives, The evanescent symmetries From that meticulous potter's thumb.
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7.6k
Negation
Gemini in seasonable  evening, serenely swirling in Septemberous ferris wheels reeling in the vast domain of lonesome leviathans and witch-fires; nowhere bound in the boundless fecundity [ the feral joys of creation... ] twins meander in gravity's well of souls, swollen with unknowns and proteins; golden rods in pointless foam brewing the elixir vitae in the Dippers cup. the Milky Way, a wayward gush from an ancient Mother Goddess, plump and shameless, pumping teats to nurse worlds infused with divine rays of gamma and x... why set dark apart from firmament burning spheres? dragons must clutch eggs in the void as much as fork tongue white dwarfs. of course, the Source unfolds as  Love does. it's purpose, in thrall of fearless veracity, spinning yarns for glad garments to clothe the naked dread of such fearful symmetries as roam the wild delights of the infinite meringue. the Pi on the window sill, tempting the circular frame of reference to square with the sublime Will. another Fibonacci in your bedpost, to better hobnob with broomsticks. everything annihilates hatred. from within, we sojourn to sovereign super-continents of opulent peace. profound realities surge serpentine with Meaning. we are outdone on the inside by small minds and farcical hearts. so at night look up. Love's Tongue Is Love's Word.
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Apr 11, 2013
Apr 11, 2013 at 1:31 PM UTC
Love's Tongue Is Love's Word
Look on these trees, full of white caps River flowing down the hill, so clean There is not only dust as on other planets We have variety of colors within flowers Amounts of shapes, symmetries and heights There is not only dust as on other planets So many types of animals, their diversity And mankind. Human, You, man and woman, There is not only dust as on other planets And no loneliness. Nope. We are each other neighbor. How lovely is it! Can you see this miracle? Can you feel it? We have billions of chances to get feel magnificent, to get feel surrounded. There is not only dust as on other planets Never alone. Praise that miracle!
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Oct 30, 2018
Oct 30, 2018 at 12:29 PM UTC
The Earth is simply a miracle
it was the moon that fell through. a lump of gray astronaut pale acne-blasted, an orphan of the dome, floating in a pond face down; gasping... green brass minnows surge through diatoms that have no word for moon; a legion of blind unicorn gall stones - invisible to naked eyes; uncountable geometries horde the dark waters they cannot disprove or disobey. large mouth bass inhale calcium polygons they have never met; that have no word for large mouth bass - that hasn't always been unknown as september is meaningless now, even more so, the meaning is less, without the moon... so the last tide is false. a satellite has lost it's grip and displaced a placid jewel of ice cold pause. in the backwoods of these. words. a. moon. is. breathing. in. a. void. teeming. with. ancient. life. it is a void, unfamiliar to a native of heaven. this void used to rise and fall in obedience to the wax and wane. in accord with her orbit. but now it burns the ocean of serenity with irony's forge. pounding the stainless steel of unfathomable loss; even the dross sustains a shape of things to come undone - when the hammer falls and the blacksmith is a poet born to ****** fables from mayflies. a natural. the hammer was in the hand before the moon gained a face or an ocean to adore it. it was there, ticking like a season, burgeoning with locusts - holding off the mob; the moon was long ago, slipping off the roof - long before firemen met lightning. the tide was a pious fool. the measure was not the span of the impending verse, but the hour of it's callous beauty, assembled. a lunacy, stripped of all moons. and only the sun remaining - to behold the uncanny descent of a faithful, vestigial goddess. a yellow throne. a yellow eye. and the sun's first chill... as wave after wave of syllables sum succulent sorrows - savoring sacred symmetries, asymmetrically... summoning - super luminary strawberry switchblades, saving sanity for questions with question marks. this poem fell through. a lung collapsed or not. and the moon is at the bottom of my heart.
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Oct 17, 2012
Oct 17, 2012 at 11:17 AM UTC
Invention In Lower Case
it was the moon that fell through. a lump of gray astronaut pale acne-blasted, an orphan of the dome, floating in a pond face down; gasping... green brass minnows surge through diatoms that have no word for moon; a legion of blind unicorn gall stones - invisible to naked eyes; uncountable geometries horde the dark waters they cannot disprove or disobey. large mouth bass inhale calcium polygons they have never met; that have no word for large mouth bass - that hasn't always been unknown as september is meaningless now, even more so, the meaning is less, without the moon... so the last tide is false. a satellite has lost it's grip and displaced a placid jewel of ice cold pause. in the backwoods of these. words. a. moon. is. breathing. in. a. void. teeming. with. ancient. life. it is a void, unfamiliar to a native of heaven. this void used to rise and fall in obedience to the wax and wane. in accord with her orbit. but now it burns the ocean of serenity with irony's forge. pounding the stainless steel of unfathomable loss; even the dross sustains a shape of things to come undone - when the hammer falls and the blacksmith is a poet born to ****** fables from mayflies. a natural. the hammer was in the hand before the moon gained a face or an ocean to adore it. it was there, ticking like a season, burgeoning with locusts - holding off the mob; the moon was long ago, slipping off the roof - long before firemen met lightning. the tide was a pious fool. the measure was not the span of the impending verse, but the hour of it's callous beauty, assembled. a lunacy, stripped of all moons. and only the sun remaining - to behold the uncanny descent of a faithful, vestigial goddess. a yellow throne. a yellow eye. and the sun's first chill... as wave after wave of syllables sum succulent sorrows - savoring sacred symmetries, asymmetrically... summoning - super luminary strawberry switchblades, saving sanity for questions with question marks. this poem fell through. a lung collapsed or not. and the moon is at the bottom of my heart.
Continue reading...
37
it was the moon that fell through. a lump of gray astronaut pale acne-blasted, an orphan of the dome, floating in a pond face down; gasping... green brass minnows surge through diatoms that have no word for moon; a legion of blind unicorn gall stones - invisible to naked eyes; uncountable geometries horde the dark waters they cannot disprove or disobey. large mouth bass inhale calcium polygons they have never met; that have no word for large mouth bass - that hasn't always been unknown as september is meaningless now, even more so, the meaning is less, without the moon... so the last tide is false. a satellite has lost it's grip and displaced a placid jewel of ice cold pause. in the backwoods of these. words. a. moon. is. breathing. in. a. void. teeming. with. ancient. life. it is a void, unfamiliar to a native of heaven. this void used to rise and fall in obedience to the wax and wane. in accord with her orbit. but now it burns the ocean of serenity with irony's forge. pounding the stainless steel of unfathomable loss; even the dross sustains a shape of things to come undone - when the hammer falls and the blacksmith is a poet born to ****** fables from mayflies. a natural. the hammer was in the hand before the moon gained a face or an ocean to adore it. it was there, ticking like a season, burgeoning with locusts - holding off the mob; the moon was long ago, slipping off the roof - long before firemen met lightning. the tide was a pious fool. the measure was not the span of the impending verse, but the hour of it's callous beauty, assembled. a lunacy, stripped of all moons. and only the sun remaining - to behold the uncanny descent of a faithful, vestigial goddess. a yellow throne. a yellow eye. and the sun's first chill... as wave after wave of syllables sum succulent sorrows - savoring sacred symmetries, asymmetrically... summoning - super luminary strawberry switchblades, saving sanity for questions with question marks. this poem fell through. a lung collapsed or not. and the moon is at the bottom of my heart.
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Feb 12, 2012
Feb 12, 2012 at 11:07 AM UTC
invention in lower case
it was the moon that fell through. a lump of gray astronaut pale acne-blasted, an orphan of the dome, floating in a pond face down; gasping... green brass minnows surge through diatoms that have no word for moon; a legion of blind unicorn gall stones - invisible to naked eyes; uncountable geometries horde the dark waters they cannot disprove or disobey. large mouth bass inhale calcium polygons they have never met; that have no word for large mouth bass - that hasn't always been unknown as september is meaningless now, even more so, the meaning is less, without the moon... so the last tide is false. a satellite has lost it's grip and displaced a placid jewel of ice cold pause. in the backwoods of these. words. a. moon. is. breathing. in. a. void. teeming. with. ancient. life. it is a void, unfamiliar to a native of heaven. this void used to rise and fall in obedience to the wax and wane. in accord with her orbit. but now it burns the ocean of serenity with irony's forge. pounding the stainless steel of unfathomable loss; even the dross sustains a shape of things to come undone - when the hammer falls and the blacksmith is a poet born to ****** fables from mayflies. a natural. the hammer was in the hand before the moon gained a face or an ocean to adore it. it was there, ticking like a season, burgeoning with locusts - holding off the mob; the moon was long ago, slipping off the roof - long before firemen met lightning. the tide was a pious fool. the measure was not the span of the impending verse, but the hour of it's callous beauty, assembled. a lunacy, stripped of all moons. and only the sun remaining - to behold the uncanny descent of a faithful, vestigial goddess. a yellow throne. a yellow eye. and the sun's first chill... as wave after wave of syllables sum succulent sorrows - savoring sacred symmetries, asymmetrically... summoning - super luminary strawberry switchblades, saving sanity for questions with question marks. this poem fell through. a lung collapsed or not. and the moon is at the bottom of my heart.
Continue reading...
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A Cimmerian hue overlaps The thoughts encroaching my psyche They seem to harvest labyrinthine symmetries Of which I covet It matters not the appositeness The unidentified may bear For by passages of valor I transcend
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Mar 23, 2012
Mar 23, 2012 at 3:43 PM UTC
****** Scream3
a carnival of hords in withering grass the high priestess tongues the beast wet mandible on a dragging death gowned doll like a cyclone coils paradise trans mutative prismatic unfurling's passed bones of confusion passed scorched refuse of radiating spiraled phantoms the more gods, the more demons battle angel symmetries in Taoist jaws     galactic lurking's into parametric infinities escalating war like cloud light rush glittering arms of affliction exhalations like upleaping sail fish drizzle sooty rain shellacking tinsel rhinos on hieroglyphs of the barbarous a transfixed guttural prana; apostasy between advances and retreats in chimeras earth quake palace   death: a new begining.
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Jan 19, 2019
Jan 19, 2019 at 7:51 AM UTC
The Beast
A canary sojourned my garden The hunger whispering from its eyes Greeting my palm with Affectionate nibbles of gratitude whilst circling the symmetries of my palm it sprang forth in merriment a concluding chirp transpired and away it flew
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Apr 27, 2012
Apr 27, 2012 at 6:35 AM UTC
Labyrinth
that leather skin beehive humming in the Hamptons is just like the ziggarat ghettos of Compton a fob on a boil on the face of your hidden face and  a stab at your entrails from the inside; commonplace - Romans demure to your architect you'll have your symmetries before breakfast... let no one forget. gorgeous ****** suns, gallant in emptiness a horde of unfettered lovelies, spawning petulant ***** to other ***** a lull of ponderous, a bead of serene, swimming in hot pink mist and peppercorn wavy gravy. i slay these dragons to form new words that Oodle your frenzy and keep you for mine .
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Dec 19, 2012
Dec 19, 2012 at 6:35 PM UTC
Oodles
A prophecy arose Within the silhouette of dawn how the hollow skylines pirouette along fate’s bowels gliding in smooth succession Whilst sampling memories of Japanese cherry blossoms moths fervently surround Diverse symmetries of porch lights Reveries
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Apr 27, 2012
Apr 27, 2012 at 6:25 AM UTC
Ambrosial Lights
dawn's clouds curl upon the cycle of horizon. light seeps, wells up in a silent garden of distant coastlines and suspensions of dust particles. torn pinnacles arrange in geometries known only to collapsing cities; boulevards of tremulous ghostlike figures, swaying staccato below collected damping leaves in perfect symmetries against the sky of tiled grains. oh, if time stood still. if the blood could freeze in my capillary beds. if this feeling would last for the remainder of days.
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Aug 1, 2013
Aug 1, 2013 at 11:53 PM UTC
walking/walking
If we do not inhabit our verses, what is the use of writing? Eminescu, Rilke, Byron and Mandelstam succeeded. Grapes squeezed in a timepress. If we are not alive in our images what remains of poets? Dew and ink, Labour, symmetries? Blood is the only colour That can’t be erased from a book. Adrian Popescu, from My Cup of Light translated by Lidia Vianu and Anne Stewart
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Jan 3, 2016
Jan 3, 2016 at 6:59 AM UTC
"Grapes"
There are symmetries in nature created for deeper purposes. They delight, tease and inflame us - oh, nature is diabolical.
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Jul 15, 2021
Jul 15, 2021 at 6:37 AM UTC
symmetries
Oh this miracle of movement, the bird in flight, its bright all-seeing 180 degree eye, black brown bird against autumn’s revelatory colours, you can feel you’re outside in an October wind, but the leaves are hanging on still, and even a cobweb laces through this morning image (it can only be morning with such clarity of colour). This collaged picture lithographed full to the brim with autumnal shades and that rising up of things despite nature’s time of fall. The bird backlit by a cloud-feathered sun, circled in movement. Berries bright red against the black brown bird and such shades of green, impossible colours though they are everywhere in Bawden, Piper, Nash, those English colourists who remind us how light amplifies what our country’s weather reveals. Not a picture to live in the imagination and ponder at, but to look at, marvel at, and then go outside and look and look at those symmetries and repeats, and such colours that even on the darkest winter’s day are there in a corner of the sky, the crack in a wall, a leaf speckled with frost, a white flash of the magpie. And by all accounts this artist is one himself, magpie by nature, collecting the not properly beautiful but when surprisingly placed becoming more than its sole self could possibly be. Unsophisticated. Playing with tensions of different material. Collage. Improbable museums. Lumber rooms even. No mystery, just things collected as they are, for the sheer joy of it all.
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Dec 27, 2012
Dec 27, 2012 at 2:15 AM UTC
Viewing Mark Hearld
I still wonder if it's me who was the dys- in our dys.functional family. I sit atop guilt as though it were a fine bed. And bed is where I stay, most days. I am the same. Could the future be the past-- since time's not linear? Escher struck me not because of his geometric impossibilities... incredible symmetries... but my wandering mind was drawn to the pattern, repeating... sinking together pieces in a puzzle...              you know the feeling. I know it may not seem clear but there is some stability in fear. You should always know what can or is killing you. We can argue if fear is a choice, and maybe the usage is wrong, but death's voice isn't truly welcome until you've seen it's face more than once. And what do I know of facing death? Nothing. Standing at the razor's edge and a stick-up and Eye-Mart Express are as close as I've come. So, it's fair to say that fear, for me, sometimes isn't a decided election. It's a place. The sleep-with-one-eye-open, pray-for-omens, waiting-for-that-other-shoe place. The optimist says, "I will be prepared... A beast of battle." The pessimist says, "A meeting with the creator is best." The realist says, "Get over it." When I watched that fly on MTV buzz about that ****** chic Deftones video... when I heard the stories of money and glory... and power... and of the sour... I knew I was done for... It's so 'Romeo and Juliet' except no one will sing about my love affair with the warring houses of drugs and self-worship.
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Feb 8, 2015
Feb 8, 2015 at 6:27 PM UTC
"I shouldn't sit with the bottle."
I still wonder if it's me who was the dys- in our dys.functional family. I sit atop guilt as though it were a fine bed. And bed is where I stay, most days. I am the same. Could the future be the past-- since time's not linear? Escher struck me not because of his geometric impossibilities... incredible symmetries... but my wandering mind was drawn to the pattern, repeating... sinking together pieces in a puzzle...              you know the feeling. I know it may not seem clear but there is some stability in fear. You should always know what can or is killing you. We can argue if fear is a choice, and maybe the usage is wrong, but death's voice isn't truly welcome until you've seen it's face more than once. And what do I know of facing death? Nothing. Standing at the razor's edge and a stick-up and Eye-Mart Express are as close as I've come. So, it's fair to say that fear, for me, sometimes isn't a decided election. It's a place. The sleep-with-one-eye-open, pray-for-omens, waiting-for-that-other-shoe place. The optimist says, "I will be prepared... A beast of battle." The pessimist says, "A meeting with the creator is best." The realist says, "Get over it." When I watched that fly on MTV buzz about that ****** chic Deftones video... when I heard the stories of money and glory... and power... and of the sour... I knew I was done for... It's so 'Romeo and Juliet' except no one will sing about my love affair with the warring houses of drugs and self-worship.
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Where the off keys are the subtleties Missing symmetries linking beats Rhythms rhyming daytime stories With nighttime attitudes Dudes and ladies Going crazy in lime light More impressed by concept than conception Misguided perhaps maybe blinded Influenced so greatly By something stirred gently On the off chance What they need to say Matches what was heard Wheezed into a microphone 30 feet away Elevated, but not above Their ability for connection And desire for attention Packed rooms full of people Wanting a label To cling to or sing to Making it easier to declare with conviction Instead of trying to stick out by fitting in (Afruitless effort, except by the trend setters)
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Mar 14, 2012
Mar 14, 2012 at 7:48 PM UTC
open mic night
I can only summon feelingfulness like the passing of a dove, postponing its arrival mid-air, somewhere along the tucked bramble across Poblacion, starting with metaphorical sensibility or an insensibly bland space to procure wanted meaning. Girls prefer roses and their bright foreheads diademed with more flowers, and boys, their chiaroscuro or lack of a color thereof, seems to be fitting in this maladroit contrast, and so I begin, as always, with your very vague and caged memory. Your face, the whiteness of snowcapped alps. Your strut, my slalom in a treacherous course of words reduced to whisperings, to flutings. Your voice, though nuanced, flitters with an overtone of arrogance: if sound was clothed, yours would be flamboyant ermine. And the line in front of you before I, my arbitrary turn, assimilates into a picturesque form of waiting somewhere in Cubao. I wanted to smash myself with train-speed towards the metallic turnstile, which, would then famish me even so, just as much as I wish to be a car crash somewhere within the outskirts of your town, heavily vandalized by the swill of squalor hefting itself like the rest of the world conscious of its viscera.   This is how I start you – like waiting for the sun to emerge by Borobudur, or the clandestine *** of mildew and grass, a hundredfold of images appear before me and I cannot choose upon my whims and caprices. Are you a dove? A spear of Sun? A thunderous crackle of an impending rain? A harlequin? A moseying cirrus? Or just another by-stander in the crowds where I ultimately seek your being?       This answerlessness measures my knowledge of star, and my breath snuffed out of me while I sigh from exhausted penchants, outweigh dissimilarities and symmetries. A progeny from all superseding conundrums arises: are you a retrogression of a wave back to its saltine wound, flailing in brine? Or are you just the vast sea and nothing else on a fine and lucid day where children skip stones and chant name-callings?                    I sense the peril in this undertaking, and much to my chagrin, I still    do not know how to end you.
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Jan 27, 2016
Jan 27, 2016 at 3:09 AM UTC
What Are You?
I can only summon feelingfulness like the passing of a dove, postponing its arrival mid-air, somewhere along the tucked bramble across Poblacion, starting with metaphorical sensibility or an insensibly bland space to procure wanted meaning. Girls prefer roses and their bright foreheads diademed with more flowers, and boys, their chiaroscuro or lack of a color thereof, seems to be fitting in this maladroit contrast, and so I begin, as always, with your very vague and caged memory. Your face, the whiteness of snowcapped alps. Your strut, my slalom in a treacherous course of words reduced to whisperings, to flutings. Your voice, though nuanced, flitters with an overtone of arrogance: if sound was clothed, yours would be flamboyant ermine. And the line in front of you before I, my arbitrary turn, assimilates into a picturesque form of waiting somewhere in Cubao. I wanted to smash myself with train-speed towards the metallic turnstile, which, would then famish me even so, just as much as I wish to be a car crash somewhere within the outskirts of your town, heavily vandalized by the swill of squalor hefting itself like the rest of the world conscious of its viscera.   This is how I start you – like waiting for the sun to emerge by Borobudur, or the clandestine *** of mildew and grass, a hundredfold of images appear before me and I cannot choose upon my whims and caprices. Are you a dove? A spear of Sun? A thunderous crackle of an impending rain? A harlequin? A moseying cirrus? Or just another by-stander in the crowds where I ultimately seek your being?       This answerlessness measures my knowledge of star, and my breath snuffed out of me while I sigh from exhausted penchants, outweigh dissimilarities and symmetries. A progeny from all superseding conundrums arises: are you a retrogression of a wave back to its saltine wound, flailing in brine? Or are you just the vast sea and nothing else on a fine and lucid day where children skip stones and chant name-callings?                    I sense the peril in this undertaking, and much to my chagrin, I still    do not know how to end you.
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. There are ones Who see colour As only light made Into shades by A shifty vision, The brain playing With in-splayed Vibrations, unordered By such symmetries That blinds mere minds And yet, sets soul afire, There are dreamers So awake that stars Are moony in sky, There are lovers, lit, Fallen so deep above Heavens that the Gods In envious joys arise Like the first dawning Sun, in prideful airs, Among watery stones, Blistering into birth.
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Jan 12, 2017
Jan 12, 2017 at 12:06 AM UTC
In Minded Eye
nature in nature out frozen in rooms of pink castles ignored fairies without fairy dust spring cleaning prophets take down memories faded wrinkled corners hugging each other sealing secrets aligned to symmetries choices untaken disciplines forced age has no reason take down from pastels store in archives remember. wall flowers? us reaching across cultures to embrace newness tomorrows happiness taken today. © Marshall Gass. All rights reserved, 2 days ago - See more at: http://allpoetry.com/poem/11694338-Wallpaper-by-Marshall-Gass-noguest#sthash.TW8o0AaA.dpuf
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Oct 12, 2014
Oct 12, 2014 at 8:03 PM UTC
Wallpaper
in loose prisms of topsoil we fold-in the dead skin and eggshells we grind our bones into the marrow of our 'morrows where The House is no longer standing but the stones you kept for skipping;, now have wings and your wrist is supple, casting out above a lake with your Leprechaun palm, your palm roasting rough in chestnut summer while the nightfall stumbles over bricks and yellow is a fool to a black mood. a cheap quickening of bleak starlight and dogwoods, pining - for a cliff they could very well fjord. the speed of dark, crippling the watch the second hand in my hand and in my hand - the Seconds. II just before. III we are together again where the Wednesday sleeps - on a pin,,,and little voices - sing symmetries that have no substance, save our thirst for blood on the lips of a lost cup... or the songs of a walnut. it's melody, an unclean spirit bathing in the tyranny of love. and the Nothing to it.
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Apr 2, 2015
Apr 2, 2015 at 2:37 AM UTC
THE SPEED OF DARK
I hate that ********* night light It burns my eyes while I lie awake I would be unaware that I were aware If not for that unfortunate night light It's prying at my eyes, open though they already be On the edge of my bed, and no words cross my mind There is no color in my heart while I wait With the oddest symmetries underlying out of sight Awake, there is me, is there a wake? But it doesn't matter and I sit here with that light That night light who I hate so While I lay awake, it taunts me Though I am not awake on it's account
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Oct 27, 2015
Oct 27, 2015 at 12:17 AM UTC
Something somewhere
There's a vividness to speak of, redder than wine...where a snowflake's a white city. Amending symmetries of dreams, cut by a sky's searchless sight. All flesh a haze, bony scaffolding of an idol...standing motionless in a current of centerlessness. Made immense by a season, which never gains on its passing.
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Dec 26, 2016
Dec 26, 2016 at 3:48 PM UTC
A White City
Our eyes are different our minds so similar Hearts struck from cliffs of porous stone how can you change what you are after? At breakneck speed it is roll or run My guise is significant Adaptations adequate In founding, proscribed By a burrowing throne Allocated empathy Out of arbitrary agony The suns of our comforts Can boil your bones Remember the wild call. The earth between your toes How nature allows us There's no wrong way without a road Internalize those symmetries That form a greater whole We are each what God sought When he swore and broke the mould
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Nov 10, 2014
Nov 10, 2014 at 2:42 PM UTC
Pacific Wind
By: Abaigeal Skye *The sun is in my eye, Wintry breath upon my spine. Spring in my clumsy step, Falling into your seasons, Each as divine.* Sprouting from the grooves, Sidewalks melting moons. Life dripping from the leaves, Green driving away the blues, Spiraling up with the loons. Lapping at the heat they crave, Rush by, lush grasses wave. The earth bursts, untamed. Eyelids flutter with robin skies, As they rave. Crackling ribs for kindling, Omens for what wind will bring. Eternal, infernal synergy, Whistling through branches, Weaving crowns for a king. Crystallizing each shuddering breath, Trees seem to whisper inevitable death. Cheeks of primrose, Sending crimson back, Encasing the aftermath. *The sun is in my eye, Wintry breath upon my spine. Spring in my clumsy step, Falling into your seasons, Each as divine.*
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Oct 18, 2014
Oct 18, 2014 at 3:53 PM UTC
Symmetries