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its a blue Monday
after Super Sunday
Americas 45th funday
yesterdays spectacle

the dip is done
the broken bones
of buffalo wings
fill giant glad bags

the ridged ripples
of broken Doritos
scattered on the floor
wait for a vacuums hum

dead soldiers rattle
a melodious cascade
the aroma of flat Bud
plunge into recycle bins

ribbed Trojans
dripping bagged ****
rim plastic trash cans
confirm an ****'s frenzy

the game forgotten
commercial reveries remain
seared into the briney mush
of compliant olfactories

collective hallucinations
successfully branded
a new and improved
global consciousness

Madmen Shamans
ebulliently channel
transactional zeitgeists
from the ripped boxes of
Best Buy plasma screens

Monday morning
water cool scuttlebutt
the planet is buzzing about...

Google's cool slap
of IPod clad automatons
the vanquishers of IBM's evil empire
Apple's brave new world is next
("meet the new boss,
same as the old boss?")

we all dug
rolling with Eminem
through the glitzy
streets of Motown

How cool is 8 Mile?
The hoods lookin good
angelic chorus lifts spirits
Swing Low Sweet Chrysler

The artistic types
faun over
the graphic beauty
illustrious aestheticism

moving story line
the epic journey
of the worlds
greatest brand

heroic product marketing pros
rival Jason and the Argonauts
sojourning trans-formative odysseys
of clever packaging and fat tail shelf life

holding precious real estate
of living imaginations
infecting hearts and minds
of future generations

realizing
everything
ends better
with coke

The State Farm Pre-Game
Jimmy Johnson's new coiff
jawed away with his old boss
rattlesnake booted Jerry Jones

A poignant embrace captured in
living color on grand jumbo trons
lording over a cavernous palace
a new stadium for Homeboys

Jimmy J asks Jerry J
"Why you overpaid
for The Boys New
Crib?"

"A billion 4,
a palace for the masses".
Jerry breaks some news
with an impish wink.
"No expense is spared
for the peeps."

"I always make out,
get a good return. I
make a profit. Ain't
America great."

This year Super Bowl
went Hollywood
and installed
a long red carpet.

Mike Strahan, collared
Harrison Ford.
Bagging his greatest sack
on a dazzling red rug.

"How many Super Bowls
is this for you?"
Strahan whistles
through his gaped teeth.

The aging Indiana Jones
came to promote his new flick,
"Cowboys and Aliens"
(I'm told an early Cannes
favorite. And it should be. Spoiler alert,
the movie is a moving story of an American tragedy.
Romo blows another one
throwing an interception in overtime.
The Aliens return it 95 yards for a touchdown.
Boy's lose again. America's Team vanquished by bubble headed Martians.
All of Texas weeps.)

Indy
coolly quips an answer
whipping with sarcasm,
"after today, one."
yuck yuck
lol

Strahan continues
to stalk Ford like a
scrambling quarterback,
"where will you be sitting?"

Ford shrugs
"dunno,
somewhere
up-there,
I guess",
he points to
the lofty
luxury boxes.
Royalty sits
next to God
in Jerry Jones
house of the
people.

Ford dons a green scarf.
He's down with the Pack.
Another sunshine *****
in the seat.

Michael Douglas and Zeta Jones
arrive in time to hear
Keith Urban sing
"Who Wouldn't Want to be Me?"

"He's alive
He's free
Who wouldn't
want to be me?"

Indeed who?

The parade
of heroes
continue.

The walking,talking
little S Corp, LLC's
dance their way
into the stadium
on resplendent
cushions of red.

Terrific brands
all earnestly
questing to
urgently
deliver
messages
to promote
themselves
and plug
shameful
products.

A Black Eye Peas
teaser
blinks onto
my giant
flat screen.

Will I Am
a black man
in a blacker mask
marches down the street
zapping people
with a ray gun.
(fascist culture is so cool, a
little light on liberation,
but **** does he look bad as all get out
in that leather rumble don't **** with me
outfit)

Jamie Foxx on the royal carpet leaks
that he yodeled three tunes
at a pregame party for Jerry's Kids;
T Boone and the Big W among them.

Quick cut
to Jamie's
new movie
Rio.
(I wonder if its
about Mexicano's
crossing the river?)

Wealth
Power
the perfect
image of ourselves
take a pill

I am Limitless
a new movie?
I've seen this one before.
I think I'm watching it now.

Just Go With It
Adam *******,
Jennifer Aniston
Americas sweetheart
teamed with Americas
kosher jokester.

He looks hot
in his droopy
pretend
don't give a ****
orange sweatshirt
and acid washed jeans.

Jennifer's ****, legs
what can you say
about America's sweetheart?
I think Brad Pitt
made a big mistake.

Bill O
is next.
Posturing,
arm wrestles
with the Prez,
shadow boxes
with the Big O.

"Muslim Brotherhoods
Rendition
Mubarack goes off the reservation
knows where the bodies are buried"
***!
***!

(Do we really need a dose of Fox Fear?
Is there no escape from the pernicious harangue?
Don't they know its Super Bowl Sunday?)

Bill O's drive by continues,
"Obamacare,
why do Americans hate you?"
Great journalism by this Fox ****.

Bill O is
haughty,
arrogant,
disrespectful
a despicable bully
and a self serving blow hard.

(My bladder is busting.
Its a great time to take a ****.)

We escape to
the freshness
of Owen Wilson's
smiling face,
playing two hand touch.

His bent nose
shining
he trots about
Jerry's field
carefree as a child.
(Is this a pitch, pass and punt
contest for A Listers?)

Other stars
join the light fun;
goose cheerleaders
give the cabana boys
hand-jobs
and themselves
a well earned blow-job.

Its an **** of photo ops
product placement
a sizzling collection
of dancing brands
prancing on the gridiron
of the New Cowboy field.

Ashton Kutcher
peeks over the shoulder
of a tweeting W.
I'm impressed
W knew
how to use
his thumbs.

Mrs. W's
permanent smile
was clearly visible
from the stadiums
cheapest seats.

Condie sat
way to the right
quietly stewing
lamenting
lost opportunities
of a gig as NFL
Commissioner.

On the stadiums floor
the frenetic dancing
of the
bumping
brands
fast
approaches
ecstatic elation.

Hollywood's version of
Whirling Dervishes; is
immediately stilled
as the solemn portion
of the program
commences.

The Declaration of Independence
is read by a bright galaxy of stars
accompanying armed service personnel
and other diligent American's.

"We hold these truths
to be self evident"

"United colonies
levee war,
dissolve bounds,
our day of allegiance
lives, fortunes and sacred honor
freedom is common sense,
free, equal, united"

CEO's
imprisoned
in Jerry's
luxury boxes
overcome
with
emotion
pound fists
on the glass
smearing
cocktail sauce
on the windows
of the suites.

Illegal
Chicano's
bravely
step forward
with rolls
of Bravo
and Windex
to wipe
it clean.

The focal point
of festivities
seismically
shifts like a
tectonic plate
almost as large
as Jerry's Stadium.

The stampede
of cheers
thunder like
canon shots,
the patriotic
ramparts of
militant
free market
capitalism
supplants the
shallow frivolity
of consumer slavery.

We are
compelled
to kneel
to celebrate a
Eucharist of
nationalism.

My partner explodes,
"Can't watch a football game
and view it for what it is,
a ******* football game."

The Fox
broadcasters
dedicate
this segment
of the show
to our military.

I squirm in my seat.
Sorry,
but the declaration is about
free people in free societies
not militarism.

Next up
dis old cowboy
Sam Elliot.
He knows
how to speak
the language
of real football fans.
Finally, a man of the people.

Sam introduced the cities.
He starts with Pittsburgh.

"Built on steel
a place where
terrible is good
these are the
enduring qualities
of this great American City."

The Steelers
make a timely entrance
onto the floor of the stadium,
as millionaires erupt
shaking their terrible towels.

Sam's
fuax
folkism
for
Fox Sports
continued.

"Green Bay is Title Town
the people never quit.
Crafty veterans are winners
exhorting all to greatness"

Images
of Lombardi's
toothy grin
fills my 72 inch screen.
A visitation by
America's Saint,
the sanctifier
of all competition
anoints the proceeding,
the quest to claim
the trophy named
for the games
very own
Archangel
of the
Gridiron.

The extended gig of
Lombardi's ghost
has haunted America
for over half a century;
has reportedly been seen
stalking the stage
on Broadway.

The anointed
Packers sprint
onto the field and
millionaire cheese heads
taking big bites out of life
erupt in cheers.

My hi def wide screen
made by Sharp reports
Battle of Los Angeles
opens 3/11/11.
The Chicago Code
premiers on Fox
sometime in March.

Walter Payton
Man of The Year Award
is presented
to an NFL Player
watching the game
with the troops
in Iraq.

The millionaires
don't cheer,
but the Fox announcers
are verklempt
overcome with patriotism.

Michelle Lee,
star
of Fox'***** show
Glee,
poses in front of a
sanitized choir
in blue uniforms to sing
America the Beautiful.

The beautiful song
is but an opening act
for the musical centerpiece
Star Spangled Banner.

The cameras cut
to a smiling W.
He can't get into Switzerland
but ******, he won't be turned out
of JJ's OK Corral.

Christina Aguilera
takes center stage.
She mounts
the silver football
crowning the
Holy Logo of the NFL
to sing the hallowed
Star Spangled Banner.

She fumbles her lines!
She forgot the rockets red glare!
The Steelers are crying.
The Packers are angry.
Ice melts from the stadiums roof.
The foundations of Jerry Jones
new stadium shakes.

A fly over of 4 fighters in formation
appears to be unaffected by the flub.
The planes do not crash.
They stay in formation.

The pilots spare Christina
a strafing and drone strike.
The republic remains
secure for now.

An unfamiliar announcer
addresses TV land.
He offers an apology to the fans
who cannot be seated.

The fire marshals
have revoked
Jerry's seating plan.
Greed got the better
of this man of the people.
Cowboy Stadium
is overbooked!

What is happening?
Is this America?
An ATT commercial
arrives just in time.

ATT has a new plan for America.
They encourage us to live social
with the new ATT AG.
Free market solutions
always work best.

Michael Douglas
reads another
patriotic exhortation.

"United we,
see the journey
of Acme Packers
as our journey."

"We see the resolve
of US Steel
as our resolve.
Big dreams
believe the best
journeys are
celebrated together."
(I'm down with that.
Whats good for Jerry Jones
is still good for me.
Right On! Check this stadium.
Power to the people!
It may not apply to the people who
will not be seated but tough nuggies.
This is America ******. Everybody
can't be seated at the table.
Even if they paid for their seat.
This ain't Red China.)

Neon Dion and other inductees
into the Football Hall of Fame
tosses the coin.
Steelers' call tails.
Heads it is.

At half time
The Black Eyed Peas
descend from
an upper Valhalla.

Still attired in
black fascist threads
The Righteous Peas
start wailing as
white metallic minions
dressed as
Imperial Storm Troopers
gallop to surround
their idols.

Precise formations
goose steppin bops
choreographic steps
the visceral *****
perfect counter-point
to swabbles of wiggling Peas.

Slash,
Guns and Roses
guitar hero
gunslinger
strode on stage
winging
this gal of mine
in choreographed
unison with
the leggy
Fergie.

Pumping it louder
the spectacle incites
the dancing
Imperial minions
quick steppin
and fetchin it
as Usher descends
in white unison
to leap and dance
over nasty
black peas.

The Gods
are descending
upon us.
Their words
have become
flesh.

The BEP's bleat
"kids are dying
wheres the love?"
Art does mirror life.

The neon hearts
of cheap
glow sticks
light up
the time
of our lives.

We are
cubed box heads
happily dancing along
the 50 yard line
answering China's
resounding drum
of frantic proletarians
bashing away
neocolonial disgrace
during the opening
ceremony of the worlds
greatest Olympian
display of
the pounding will
of an emerging nation
arriving on the world stage
with urgent insistence.

In America
we party on
every night
swiping
revoked
credit cards
for express lane
exits at the
local Walmart.

We are proud
highly personal
bar codes!

We refuse to be
marked down and flung
into discount bins at a
Tupelo Dollar Store.

Our light of life
flashes across screens
directing the trading pits
at the Chicago Board of Trade.

Each Super Bowl Sunday
souper bowl beggars
collect canned soup
for hungry Americans
at the local Shop and Drop

begging for larmen
boxes of Kraft
freeze dried noodles
and cans of Progresso
the feast of kings

A triumph
of the
Will I Am
BOOM BOOM
Says
Will I Am

I finish my bag of
Cool Ranch Doritos
and lick my partners
fingers clean.

Music Selection
Steve Miller,
Livin in the USA


2/7/11
Oakland
jbm
(WIP)
Julian Jun 2018
The ******* of embezzled glory staunchly defend their counterfeit stature by defalcating the public trust of industrious societies governed internally by compunction and sabotaged externally by the tempests of acerbic fate met with inclement aleatory convergence. To supply a society with ingenuity without being complaisant or officious with unctuous pleas to the overlords we must fashion a new vogue that taps the bustle of giants and aggrandizes the margins to oversee their own creative destinies with scaffolded arrangements of titanic promise and justifiable fluidity to conquer the blinkered dogmatism of a dissolute chastity to inveterate apocryphal tenets of factitious but unmerited perspectives. Democracy crumbles when the convenience of sensationalism supplants the resolve of those that fossick hidden wealth and promulgate validity instead of undergirding pomp with precarious prevarications of duplicitous omission guarded gingerly by the gatekeepers of a ****** sanity that whitewashes the discussion with invented hobgoblins and purblind catharsis. To defeat simplicity and enshrine byzantine elegance as the paragon for voguish commentary rather than abide by a bowdlerized decorum for appeasing simpletons with divisive balkanization through identity politics we can overcome the impediments to human progress that are engineered to persist because of the inertia of the listless and the stubbornness of doctrinaire politicization and invent vivacity and festivity anew. We need to divorce ourselves from pedestrian quibbles of hero-worship that endanger the vitality of the common discourse because of fastidious pedantic disempowerment that ravages us with debased dreams by underscoring nuisances and tolerable nightmares that emasculate the virulence of the liberated individual and subvert his ambitions to contend with a picaresque world of limitless promise and self-motivated internal wealth.
      The bane of modernity is how chary the world becomes because of fractured histories intersecting with controversial destinies and the antidote to that poisonous self-defeating self-censorship is the audacity of brazen challenges to expurgation through assiduous resourcefulness and delicate diplomacy in wrangling controversies with outspoken courage rather than whispered resentment. Temerity waged in inclement circumstance is justified and curiosity stoked by lambent flames of fulgurant individualism should be fortified to the extent necessary to conquer the feckless spoilsports of unctuous puritanism and institutional obedience. The quacksalvers that blather about inconsequence strand the imagination in a desiccated desert that is ostracized from the palettes of the artistic whim to wield efflorescence rather than squander life in pursuit of perfunctory lucre or tenuous solidarity around banal idealism promised by social justice warriors that forget the biggest war being waged on humanity is on the ingenuity of the common discourse and the liberty to opine about real issues rather than saccharine conventions of emasculation through linguistic imprisonment and epicurean slavery to fashimites who relish the buzzword but never the enlightened audience that scoffs at feeble attempts at cultural commentary like Childish Gambino’s “This is America” music video. This particular artifact is a demonstration of how childishly fickle the plebeian mentality really is, stitching together a bricolage of violence to engineer controversy and serenading it with the most banal music imaginable and exhorting people to herald it as a high artform while inundating the world with unimaginative comic book movies and Star Wars rip-offs because of the lucrative business of formulaic replication. “This is America” should be regarded as a parody of itself because of how hackneyed its design is and how cacophonous it sounds and mocks its audience with lowbrow tactics of adding tinsel to trash and marketing it as the glory of tatterdemalions rather than the refinement of true cinematic achievements that have been relegated because Warhol’s Campbells-Soup-consumerism trumps true belletrist in the public view.
        Cultural watersheds punctuate our history with salient achievements in experimentation, but the formulaic profiteering of buzzword sensationalism and yellow journalism and the ostentatious glorification of promiscuous boasting and fancy cars tantalize the mice to continue playing slot machines rather than penning a novel or doing something promethean. The world scoffs at Trump but ignores the bigger institutional caveats that endanger us much more than a pragmatic albeit unconventional pontificator who is complicit in constructing a false narrative to enslave mindless people to fret about eminence rather than delight themselves in the consequential nuances of established refinement that used to serenade the world with flourish and spectacle. The world kowtows to the crusade against flavor-of-the-week enemies of the liberal-conservative syncretism because it has been conditioned to believe that synthesis is the only logical solution for the polarized worldviews of churlish people that become parvenus not on their merits but on their marketable pitfalls and their public foibles. Peccadillos are more important to people than virtues and this makes society morally bankrupt if we loiter around Astroturf causes that have been infiltrated by corporatism and venal debauchery and acquiesce as disempowered gossip hounds that hunt in packs to find jest in aberration rather than achievement in self-created narratives that defy the stupid purblind boorishness of the mainstream media and its haughty liberalism or the persnickety condemnation of priggish conservative moralities that had an expiration date 50 years ago. Who the **** cares about transgender-touting-gender-fluidity quidnuncs and the snooty obsession with lurid personal endeavors of reputable people that made minor ****** transgressions in a world policed by wide-eyed feminazis that seek to ransack men of their vital virulence to spotlight their unjustifiable oppression. Women are oppressed but the carnal nature of their calumniation and their vindictive powers of persuasion are deployed with such vehement vigilance and such distaste for the majority that the world relegates itself to quibbles of celebrities rather than substantive issues. There is a systemic feminization of society occurring that seeks to demarcate despotic uxorious pleasantries as an incarceration of vocal dissent against supercilious women and their tamed men that slavishly grovel in repudiation of anything prickly.  Men historically have oppressed women but the solution to this quandary isn’t a reverse discrimination where the minority concern is spotlighted as a majoritarian issue that overshadows the disproportionate nature of our society where nominal accreditation is afforded in a non-meritocratic way to absolve people of their carnality and demote the vigorous defense of human liberty as secondary to compromise solutions that appease more people than they offend but simultaneously result in suboptimal conditions that reward arbitrarily coachable people while jettisoning anyone witty enough to be capable of insubordination of a hedonistic epicurean world obsessed with appearance and ravaged by the decadence of formulaic profiteering at the expense of originality and true promethean art that is herculean enough to defy hackneyed tropes and siphon the best elements from a piecemeal world variegated with complexity but stifled by fomented hatred.
The solutions to these problems is to create a watchdog group of artistic critics who become eminent and ubiquitously heard enough to offer creative consultation to the artistic endeavors that we consume and the music that is curated for fastidious ears that crave euphonic originality rather than the banality of easily dovetailed bass-heavy cookie-cutter garbage and the gaudy tactics of talentless rappers whose swagger derives from  the intersection of opportunism and the divestiture of an industry that rewards gloated supercilious epicureanism and meretricious marketability. Am I the only one jaded by second-rate superhero movies that infest the cinemas that borrow from Michael Bay while thrusting pulse-pounding but narratively bankrupt movies down the throats of consumers that might prize the cinematic originality of the heyday of filmmaking? Is it always high art to invent controversy that is witless or half-witted just because it will create buzz? Shouldn’t we condemn the laziness of society in acquiescing to the penury of the modern cultural narrative which belabors the dead horses of racism and sexism ad nauseum? Shouldn’t we fight the war of against inequity through legislation rather than hibernating about scandalous eminence and testy malfeasance?
          Liberty should be championed above all else and we are turning our backs on the future unless we muster the resolve to diminish the sway of the common narrative and aim our spotlight at consequential endeavors rather than the tropes of prosaic and pedestrian bastardization of art and culture. We need to fight artistic laziness which has ravaged our culture and castigate the tactics of wannabee celebrities that use lurid tactics to attract an audience by bedizening themselves with Pyrrhic ostentations and rampant fakery to create more melodrama in a world that needs to be less histrionic. YouTube celebrities swarm us as they get high on ******* and lean-- at our expense-- and vandalize property and convincing nine-year-old’s like Lil Tay to flex her money like it is infinitely renewable in a finite world where all our attention is wasted on artless artifice of less talented people that know how to engineer a ruckus by strutting themselves beyond all decency and selling out to a corporatist nightmare of enslaved convenience. We need to be more vocal about the dissolution of artistic merit and the formulaic repetition of successful formulas that jade us and make us yawn about another retread of a previously successful idea that is milked to the point of cruelty.                                                         ­                       
       Let’s change the narrative and focus on creating true art rather than reacting to the meretricious tinsel of the vogue consensus which is so impotent in its ability to rivet audiences because it has become so notoriously lazy. Fight laziness in art, dismiss your news feeds, be resourceful, seek true happiness rather than find yourself hoodwinked and duped by the idea that Trump is the most important issue or getting caught in thought loops and brooding about sexism and inequality. Let us strive to be egalitarian but within limits that would also appease hominists rather than just the hypertrophy of the leftist narrative that seeks to cage us with the doublespeak of complaisant conformity.  Reject the unctuous charlatans that pretend priggishness when their banausic purpose is barbaric but beguiling to be a lullaby for laggards. We need to fight for the future of civilization rather than hobnob with convenience and loiter around decrying false perpetrators rather than systemic injustices that could otherwise be rectified if enough people fought for it. We can invent a future that is a great festivity serenaded by cultivated artistic refinement and forget about the trifles that divide us. United in ambition and fueled by ingenuity we can defeat artistic laziness and be resourceful with how we decide what is newsworthy. Spurred by the argosy of proactive motivation we can change the world in a substantial way by deciphering the subtext that governs the world. The subtext is everything!
its a blue Monday
after Super Sunday
Americas 45th funday
yesterdays spectacle

the dip is done
the broken bones
of buffalo wings
fill giant glad bags

the ridged ripples
of broken Doritos
scattered on the floor
wait for a vacuums hum

dead soldiers rattle
a melodious cascade
the aroma of flat Bud
plunge into recycle bins

ribbed Trojans
dripping bagged ****
rim plastic trash cans
confirm an ****'s frenzy

the game forgotten
commercial reveries remain
seared into the briney mush
of compliant olfactories

collective hallucinations
successfully branded
a new and improved
global consciousness

Madmen Shamans
ebulliently channel
transactional zeitgeists
from the ripped boxes of
Best Buy plasma screens

Monday morning
water cool scuttlebutt
the planet is buzzing about...

Google's cool slap
of iPod clad automatons
the vanquishers of IBM's evil empire
Apple's brave new world is next
("meet the new boss,
same as the old boss?")

we all dug
rolling with Eminem
through the glitzy
streets of Motown

How cool is 8 Mile?
The hoods lookin good
angelic chorus lifts spirits
Swing Low Sweet Chrysler

The artistic types
faun over
the graphic beauty
illustrious aestheticism

moving story line
the epic journey
of the worlds
greatest brand

heroic product marketing pros
rival Jason and the Argonauts
sojourning trans-formative odysseys
of clever packaging and fat tail shelf life

holding precious real estate
of living imaginations
infecting hearts and minds
of future generations

realizing
everything
ends better
with coke

The State Farm Pre-Game
Jimmy Johnson's new coif
jawed away with his old boss
rattlesnake booted Jerry Jones

A poignant embrace captured in
living color on grand jumbo trons
lording over a cavernous palace
a new stadium for Homeboys

Jimmy J asks Jerry J
"Why you overpaid
for The Boys New
Crib?"

"A billion 4,
a palace for the masses".
Jerry breaks some news
with an impish wink.
"No expense is spared
for the peeps."

"I always make out,
get a good return. I
make a profit. Ain't
America great."

This year Super Bowl
went Hollywood
and installed
a long red carpet.

Mike Strahan, collared
Harrison Ford.
Bagging his greatest sack
on a dazzling red rug.

"How many Super Bowls
is this for you?"
Strahan whistles
through his gaped teeth.

The aging Indiana Jones
came to promote his new flick,
"Cowboys and Aliens"
(I'm told an early Cannes
favorite. And it should be. Spoiler alert,
the movie is a moving story of an American tragedy.
Romo blows another one
throwing an interception in overtime.
The Aliens return it 95 yards for a touchdown.
Boy's lose again. America's Team vanquished by bubble headed Martians.
All of Texas weeps.)

Indy
coolly quips an answer
whipping with sarcasm,
"after today, one."
yuck yuck
lol

Strahan continues
to stalk Ford like a
scrambling quarterback,
"where will you be sitting?"

Ford shrugs
"dunno,
somewhere
up-there,
I guess",
he points to
the lofty
luxury boxes.
Royalty sits
next to God
in Jerry Jones
house of the
people.

Ford dons a green scarf.
He's down with the Pack.
Another sunshine *****
in the seat.

Michael Douglas and Zeta Jones
arrive in time to hear
Keith Urban sing
"Who Wouldn't Want to be Me?"

"He's alive
He's free
Who wouldn't
want to be me?"

Indeed who?

The parade
of heroes
continue.

The walking,talking
little S Corp, LLC's
dance their way
into the stadium
on resplendent
cushions of red.

Terrific brands
all earnestly
questing to
urgently
deliver
messages
to promote
themselves
and plug
shameful
products.

A Black Eye Peas
teaser
blinks onto
my giant
flat screen.

Will I Am
a black man
in a blacker mask
marches down the street
zapping people
with a ray gun.
(fascist culture is so cool, a
little light on liberation,
but **** does he look bad as all get out
in that leather rumble don't **** with me
outfit)

Jamie Foxx on the royal carpet leaks
that he yodeled three tunes
at a pregame party for Jerry's Kids;
T Boone and the Big W among them.

Quick cut
to Jamie's
new movie
Rio.
(I wonder if its
about Mexicano's
crossing the river?)

Wealth
Power
the perfect
image of ourselves
take a pill

I am Limitless
a new movie?
I've seen this one before.
I think I'm watching it now.

Just Go With It
Adam *******,
Jennifer Aniston
Americas sweetheart
teamed with Americas
kosher jokester.

He looks hot
in his droopy
pretend
don't give a ****
orange sweatshirt
and acid washed jeans.

Jennifer's ****, legs
what can you say
about America's sweetheart?
I think Brad Pitt
made a big mistake.

Bill O
is next.
Posturing,
arm wrestles
with the Prez,
shadow boxes
with the Big O.

"Muslim Brotherhoods
Rendition
Mubarack goes off the reservation
knows where the bodies are buried"
***!
***!

(Do we really need a dose of Fox Fear?
Is there no escape from the pernicious harangue?
Don't they know its Super Bowl Sunday?)

Bill O's drive by continues,
"Obamacare,
why do Americans hate you?"
Great journalism by this Fox ****.

Bill O is
haughty,
arrogant,
disrespectful
a despicable bully
and a self serving blow hard.

(My bladder is busting.
Its a great time to take a ****.)

We escape to
the freshness
of Owen Wilson's
smiling face,
playing two hand touch.

His bent nose
shining
he trots about
Jerry's field
carefree as a child.
(Is this a pitch, pass and punt
contest for A Listers?)

Other stars
join the light fun;
goose cheerleaders
give the cabana boys
hand-jobs
and themselves
a well earned blow-job.

Its an **** of photo ops
product placement
a sizzling collection
of dancing brands
prancing on the gridiron
of the New Cowboy field.

Ashton Kutcher
peeks over the shoulder
of a tweeting W.
I'm impressed
W knew
how to use
his thumbs.

Mrs. W's
permanent smile
was clearly visible
from the stadiums
cheapest seats.

Condie sat
way to the right
quietly stewing
lamenting
lost opportunities
of a gig as NFL
Commissioner.

On the stadiums floor
the frenetic dancing
of the
bumping
brands
fast
approaches
ecstatic elation.

Hollywood's version of
Whirling Dervishes; is
immediately stilled
as the solemn portion
of the program
commences.

The Declaration of Independence
is read by a bright galaxy of stars
accompanying armed service personnel
and other diligent American's.

"We hold these truths
to be self evident"

"United colonies
levee war,
dissolve bounds,
our day of allegiance
lives, fortunes and sacred honor
freedom is common sense,
free, equal, united"

CEO's
imprisoned
in Jerry's
luxury boxes
overcome
with
emotion
pound fists
on the glass
smearing
cocktail sauce
on the windows
of the suites.

Illegal
Chicano's
bravely
step forward
with rolls
of Bravo
and Windex
to wipe
it clean.

The focal point
of festivities
seismically
shifts like a
tectonic plate
almost as large
as Jerry's Stadium.

The stampede
of cheers
thunder like
canon shots,
the patriotic
ramparts of
militant
free market
capitalism
supplants the
shallow frivolity
of consumer slavery.

We are
compelled
to kneel
to celebrate a
Eucharist of
nationalism.

My partner explodes,
"Can't watch a football game
and view it for what it is,
a ******* football game."

The Fox
broadcasters
dedicate
this segment
of the show
to our military.

I squirm in my seat.
Sorry,
but the declaration is about
free people in free societies
not militarism.

Next up
dis old cowboy
Sam Elliot.
He knows
how to speak
the language
of real football fans.
Finally, a man of the people.

Sam introduced the cities.
He starts with Pittsburgh.

"Built on steel
a place where
terrible is good
these are the
enduring qualities
of this great American City."

The Steelers
make a timely entrance
onto the floor of the stadium,
as millionaires erupt
shaking their terrible towels.

Sam's
fuax
folkism
for
Fox Sports
continued.

"Green Bay is Title Town
the people never quit.
Crafty veterans are winners
exhorting all to greatness"

Images
of Lombardi's
toothy grin
fills my 72 inch screen.
A visitation by
America's Saint,
the sanctifier
of all competition
anoints the proceeding,
the quest to claim
the trophy named
for the games
very own
Archangel
of the
Gridiron.

The extended gig of
Lombardi's ghost
has haunted America
for over half a century;
has reportedly been seen
stalking the stage
on Broadway.

The anointed
Packers sprint
onto the field and
millionaire cheese heads
taking big bites out of life
erupt in cheers.

My hi def wide screen
made by Sharp reports
Battle of Los Angeles
opens 3/11/11.
The Chicago Code
premiers on Fox
sometime in March.

Walter Payton
Man of The Year Award
is presented
to an NFL Player
watching the game
with the troops
in Iraq.

The millionaires
don't cheer,
but the Fox announcers
are verklempt
overcome with patriotism.

Michelle Lee,
star
of Fox'***** show
Glee,
poses in front of a
sanitized choir
in blue uniforms to sing
America the Beautiful.

The beautiful song
is but an opening act
for the musical centerpiece
Star Spangled Banner.

The cameras cut
to a smiling W.
He can't get into Switzerland
but ******, he won't be turned out
of JJ's OK Corral.

Christina Aguilera
takes center stage.
She mounts
the silver football
crowning the
Holy Logo of the NFL
to sing the hallowed
Star Spangled Banner.

She fumbles her lines!
She forgot the rockets red glare!
The Steelers are crying.
The Packers are angry.
Ice melts from the stadiums roof.
The foundations of Jerry Jones
new stadium shakes.

A fly over of 4 fighters in formation
appears to be unaffected by the flub.
The planes do not crash.
They stay in formation.

The pilots spare Christina
a strafing and drone strike.
The republic remains
secure for now.

An unfamiliar announcer
addresses TV land.
He offers an apology to the fans
who cannot be seated.

The fire marshals
have revoked
Jerry's seating plan.
Greed got the better
of this man of the people.
Cowboy Stadium
is overbooked!

What is happening?
Is this America?
An ATT commercial
arrives just in time.

ATT has a new plan for America.
They encourage us to live social
with the new ATT AG.
Free market solutions
always work best.

Michael Douglas
reads another
patriotic exhortation.

"United we,
see the journey
of Acme Packers
as our journey."

"We see the resolve
of US Steel
as our resolve.
Big dreams
believe the best
journeys are
celebrated together."
(I'm down with that.
Whats good for Jerry Jones
is still good for me.
Right On! Check this stadium.
Power to the people!
It may not apply to the people who
will not be seated but tough nuggies.
This is America ******. Everybody
can't be seated at the table.
Even if they paid for their seat.
This ain't Red China.)

Neon Dion and other inductees
into the Football Hall of Fame
tosses the coin.
Steelers' call tails.
Heads it is.

At half time
The Black Eyed Peas
descend from
an upper Valhalla.

Still attired in
black fascist threads
The Righteous Peas
start wailing as
white metallic minions
dressed as
Imperial Storm Troopers
gallop to surround
their idols.

Precise formations
goose steppin bops
choreographic steps
the visceral *****
perfect counter-point
to swabbles of wiggling Peas.

Slash,
Guns and Roses
guitar hero
gunslinger
strode on stage
winging
this gal of mine
in choreographed
unison with
the leggy
Fergie.

Pumping it louder
the spectacle incites
the dancing
Imperial minions
quick steppin
and fetchin it
as Usher descends
in white unison
to leap and dance
over nasty
black peas.

The Gods
are descending
upon us.
Their words
have become
flesh.

The BEP's bleat
"kids are dying
wheres the love?"
Art does mirror life.

The neon hearts
of cheap
glow sticks
light up
the time
of our lives.

We are
cubed box heads
happily dancing along
the 50 yard line
answering China's
resounding drum
of frantic proletarians
bashing away
neocolonial disgrace
during the opening
ceremony of the worlds
greatest Olympian
display of
the pounding will
of an emerging nation
arriving on the world stage
with urgent insistence.

In America
we party on
every night
swiping
revoked
credit cards
for express lane
exits at the
local Walmart.

We are proud
highly personal
bar codes!

We refuse to be
marked down and flung
into discount bins at a
Tupelo Dollar Store.

Our light of life
flashes across screens
directing the trading pits
at the Chicago Board of Trade.

Each Super Bowl Sunday
souper bowl beggars
collect canned soup
for hungry Americans
at the local Shop and Drop

begging for larmen
boxes of Kraft
freeze dried noodles
and cans of Progresso
the feast of kings

A triumph
of the
Will I Am
BOOM BOOM
Says
Will I Am

I finish my bag of
Cool Ranch Doritos
and lick my partners
fingers clean.

You Tube Music Video:
Black Eyed Peas
Joints and Jam

2/7/11
Oakland
jbm
(WIP)
Mariya Timkovsky Jun 2012
A Few lines etched where no words give weight.

Good riddance say the veterans
Of a nation gone sour with grief
Like a lemon slice evaporating onto the tongue of the sick.
But when the young yearn for White Nights,
The old claim they are blinding lights to the cold sugary substance
That supplants an easy path.
The bullithole rush of renewal and loneliness and progress thwarted and abandoned,
Inertia seeping through
Into a cold summer's day.

Between the cursing slant of sleek paved roadstrips,
And the burning briars that thresh the border's haunt,
What is picture postcard emerald
Is in that same instance soviet architect gray.

These are the sleepers bereft of the dream
whose twenty-five stories high
or ghost estates
are domes to cast out the howling banshees, those suffrage of the real
to be re-thought as mere props which surround the haloed glowing screen.

So sheen the Motherland glows in untarnished eyes
Familiar solely with glass behemoths parading with their reflections
In grey water-drizzled streets,
Only to be replaced by iridescent rainbows that foster a hope.
A hope that was packaged and sold two decades back
Since it was not worth carrying into the New World.

The water-trough falls to where the electric line banishes, connects a spike,
"rejuvenate the breakfast table"-some far-off God reports, Hades still waiting,
Intel-chip Blue, epiphany at the gates.
This poem is a collaboration between Russian-American poet Mariya Timkovsky and Irish poet Westley Barnes, reflecting their respective cultural landscapes and cultural antagonisms. Each writer contributed lines in response to each other's work using their own individual style. The result is a collage of both approaches to their subject matter.
For three years, out of key with his time,
He strove to resuscitate the dead art
Of poetry; to maintain “the sublime”
In the old sense. Wrong from the start—

No, hardly, but seeing he had been born
In a half savage country, out of date;
Bent resolutely on wringing lilies from the acorn;
Capaneus; trout for factitious bait;

Idmen gar toi panth, hos eni troie
Caught in the unstopped ear;
Giving the rocks small lee-way
The chopped seas held him, therefore, that year.

His true Penelope was Flaubert,
He fished by obstinate isles;
Observed the elegance of Circe’s hair
Rather than the mottoes on sun-dials.

Unaffected by “the march of events,”
He passed from men’s memory in l’an trentuniesme
de son eage;the case presents
No adjunct to the Muses’ diadem.

II
The age demanded an image
Of its accelerated grimace,
Something for the modern stage
Not, at any rate, an Attic grace;

Not, certainly, the obscure reveries
Of the inward gaze;
Better mendacities
Than the classics in paraphrase!

The “age demanded” chiefly a mould in plaster,
Made with no loss of time,
A prose kinema, not, not assuredly, alabaster
Or the “sculpture” of rhyme.

III
The tea-rose tea-gown, etc.
Supplants the mousseline of Cos,
The pianola “replaces”
Sappho’s barbitos.

Christ follows Dionysus,
******* and ambrosial
Made way for macerations;
Caliban casts out Ariel.

All things are a flowing
Sage Heracleitus say;
But a ****** cheapness
Shall outlast our days.

Even the Christian beauty
Defects—after Samothrace;
We see to kalon
Decreed in the market place.

Faun’s flesh is not to us,
Nor the saint’s vision.
We have the press for wafer;
Franchise for circumcision.

All men, in law, are equals.
Free of Pisistratus,
We choose a knave or an ******
To rule over us.

O bright Apollo,
Tin andra, tin heroa, tina theon,
What god, man or hero
Shall I place a tin wreath upon!

IV
These fought in any case,
And some believing,
                                pro domo, in any case…

Some quick to arm,
some for adventure,
some from fear of weakness,
some from fear of censure,
some for love of slaughter, in imagination,
learning later…
some in fear, learning love of slaughter;

Died some, pro patria,
                                non “dulce” not “et decor”…
walked eye-deep in hell
believing old men’s lies, then unbelieving
came home, home to a lie,
home to many deceits,
home to old lies and new infamy;
usury age-old and age-thick
and liars in public places.

Daring as never before, wastage as never before.
Young blood and high blood,
fair cheeks, and fine bodies;

fortitude as never before

frankness as never before,
disillusions as never told in the old days,
hysterias, trench confessions,
laughter out of dead bellies.

V
There died a myriad,
And of the best, among them,
For an old ***** gone in the teeth,
For a botched civilization,

Charm, smiling at the good mouth,
Quick eyes gone under earth’s lid,

For two gross of broken statues,
For a few thousand battered books.
Westley Barnes Jun 2012
A Few lines etched where no words give weight.

Good riddance say the veterans
Of a nation gone sour with grief
Like a lemon slice evaporating onto the tongue of the sick.
But when the young yearn for White Nights,
The old claim they are blinding lights to the cold sugary substance
That supplants an easy path.
The bullithole rush of renewal and lonliness and progress thwarted and abandoned,
Inertia seeping through
Into a cold summer's day.

Between the cursing slant of sleek paved roadstrips,
And the burning briars that thresh the border's haunt,
What is picture postcard emerald
Is in that same instance soviet architect gray.

These are the sleepers bereft of the dream
whose twenty-five stories high
or ghost estates
are domes to cast out the howling banshees,those suffrage of the real
to be re-thought as mere props which surround the haloed glowing screen.

So sheen the Motherland glows in untarnished eyes
Familiar solely with glass behemoths parading with their reflections
In grey water-drizzled streets,
Only to be replaced by iridescent rainbows that foster a hope.
A hope that was packaged and sold two decades back
Since it was not worth carrying into the New World.

The water-trough delving where the electric line banishes,connects a spike,
"rejuvenate the breakfast table"-some far-off God reports, Hades still waiting,
Intel-chip Blue, epiphany at the gates.
This poem is a collaboration between Russian-American poet Mariya Timovskey and Irish poet Westley Barnes,reflecting their respective cultural landsacpes and cultural antagonisms.Each writer contributed lies in response to each other's work using their own individual style.The result is a collage of both appraoches to their subject matter.
605

The Spider holds a Silver Ball
In unperceived Hands—
And dancing softly to Himself
His Yarn of Pearl—unwinds—

He plies from Nought to Nought—
In unsubstantial Trade—
Supplants our Tapestries with His—
In half the period—

An Hour to rear supreme
His Continents of Light—
Then dangle from the Housewife’s Broom—
His Boundaries—forgot—
Farah Hizoune Jan 2013
The insanity that you left with me with

has become all-consuming.

It has eviscerated me and I have no organs left,

only maniacal thoughts and illness.

The lunacy is my epidemic,

the madness is my disease.

The inferno where my heart once was,

supplants the warmth that your wicked love used to fill me with.

My mind has been dethroned by ghoulish memories and succubus visions.

My two lungs no longer breathe air,

but rather intake black roses and expel brimstone.

The deranged delirium is my only comfort.

The hysteria, in lieu of love,

is now what keeps me intoxicated.

The most garish part of all,

is that I've never felt more alive.
Jacob Oates Aug 2012
The world belongs to the nocturnal, the ever present reflexive vanguard whose presence elicits attention,

be it negative or positive.

The crawl to a standstill, the distractions, the regrets:

These are as naught to those whose focus supplants physical duress.

Success is the only road, the path to failure can only be trod by idle feet, hot coals to the promised kingdom of recognition and praise, this must be traversed at all lengths, at all levels, by all means:

Take it.

Hatred or envy does not compare to the rush of achievement, real effort brought to fruition.

Be not afraid to raise your expectations, be afraid that they never rise.

Most of all, love unashamedly and furiously as if no one could weigh in,

the universe bends to the warrior's perspective
Man was made of social earth,
Child and brother from his birth;
Tethered by a liquid cord
Of blood through veins of kindred poured,
Next his heart the fireside band
Of mother, father, sister, stand;
Names from awful childhood heard,
Throbs of a wild religion stirred,
Their good was heaven, their harm was vice,
Till Beauty came to snap all ties,
The maid, abolishing the past,
With lotus-wine obliterates
Dear memory's stone-incarved traits,
And by herself supplants alone
Friends year by year more inly known.
When her calm eyes opened bright,
All were foreign in their light.
It was ever the self-same tale,
The old experience will not fail,—
Only two in the garden walked,
And with snake and seraph talked.

But God said;
I will have a purer gift,
There is smoke in the flame;
New flowerets bring, new prayers uplift,
And love without a name.
Fond children, ye desire
To please each other well;
Another round, a higher,
Ye shall climb on the heavenly stair,
And selfish preference forbear;
And in right deserving,
And without a swerving
Each from your proper state,
Weave roses for your mate.

Deep, deep are loving eyes,
Flowed with naphtha fiery sweet,
And the point is Paradise
Where their glances meet:
Their reach shall yet be more profound,
And a vision without bound:
The axis of those eyes sun-clear
Be the axis of the sphere;
Then shall the lights ye pour amain
Go without check or intervals,
Through from the empyrean walls,
Unto the same again.

Close, close to men,
Like undulating layer of air,
Right above their heads,
The potent plain of Dæmons spreads.
Stands to each human soul its own,
For watch, and ward, and furtherance
In the snares of nature's dance;
And the lustre and the grace
Which fascinate each human heart,
Beaming from another part,
Translucent through the mortal covers,
Is the Dæmon's form and face.
To and fro the Genius hies,
A gleam which plays and hovers
Over the maiden's head,
And dips sometimes as low as to her eyes.

Unknown, — albeit lying near, —
To men the path to the Dæmon sphere,
And they that swiftly come and go,
Leave no track on the heavenly snow.
Sometimes the airy synod bends,
And the mighty choir descends,
And the brains of men thenceforth,
In crowded and in still resorts,
Teem with unwonted thoughts.
As when a shower of meteors
Cross the orbit of the earth,
And, lit by fringent air,
Blaze near and far.
Mortals deem the planets bright
Have slipped their sacred bars,
And the lone ****** all the night
Sails astonished amid stars.

Beauty of a richer vein,
Graces of a subtler strain,
Unto men these moon-men lend,
And our shrinking sky extend.
So is man's narrow path
By strength and terror skirted,
Also (from the song the wrath
Of the Genii be averted!
The Muse the truth uncolored speaking),
The Dæmons are self-seeking;
Their fierce and limitary will
Draws men to their likeness still.

The erring painter made Love blind,
Highest Love who shines on all;
Him radiant, sharpest-sighted god
None can bewilder;
Whose eyes pierce
The Universe,
Path-finder, road-builder,
Mediator, royal giver,
Rightly-seeing, rightly-seen,
Of joyful and transparent mien.
'Tis a sparkle passing
From each to each, from me to thee,
Perpetually,
Sharing all, daring all,
Levelling, misplacing
Each obstruction, it unites
Equals remote, and seeming opposites.
And ever and forever Love
Delights to build a road;
Unheeded Danger near him strides,
Love laughs, and on a lion rides.
But Cupid wears another face
Born into Dæmons less divine,
His roses bleach apace,
His nectar smacks of wine.
The Dæmon ever builds a wall,
Himself incloses and includes,
Solitude in solitudes:
In like sort his love doth fall.
He is an oligarch,
He prizes wonder, fame, and mark,
He loveth crowns,
He scorneth drones;
He doth elect
The beautiful and fortunate,
And the sons of intellect,
And the souls of ample fate,
Who the Future's gates unbar,
Minions of the Morning Star.
In his prowess he exults,
And the multitude insults.
His impatient looks devour
Oft the humble and the poor,
And, seeing his eye glare,
They drop their few pale flowers
Gathered with hope to please
Along the mountain towers,
Lose courage, and despair.
He will never be gainsaid,
Pitiless, will not be stayed.
His hot tyranny
Burns up every other tie;
Therefore comes an hour from Jove
Which his ruthless will defies,
And the dogs of Fate unties.
Shiver the palaces of glass,
Shrivel the rainbow-colored walls
Where in bright art each god and sibyl dwelt
Secure as in the Zodiack's belt;
And the galleries and halls
Wherein every Siren sung,
Like a meteor pass.
For this fortune wanted root
In the core of God's abysm,
Was a **** of self and schism:
And ever the Dæmonic Love
Is the ancestor of wars,
And the parent of remorse.
Jenny Gordon May 2017
As we very reluctantly parted, he queried whether he was just another of my whims.  Ignorantly, I replied I guessed so, provided we never saw each other again.  Erm.  Months later the fire is still burning brightly in the absence of any good reason.  Interesting eh?  Needing a topic as usual, and weary of nature tributes (hahaha, can you believe it?!) I tackled this beloved thread, writing it in the present tense as if from our first days then altering to the present in the second (linked) sonnet.



(sonnet #'s CCCCXLVIII, CCCCXLIX)


You play my heartstrings like a puppeteer
Methinks.  Quite deftly pluck and gently twang
To immelod'ous strains whilst I half hang
'Twixt hope and fear, life's balance near
Precar'ous in that cur'ous dance.  By mere
Sweet words or grim I'm tossed, a boomerang
That can't be lost to you though ev'ry pang
Estranges reason in this game too dear.
All yours because those unseen chords have caught
My heart that like a harp you seem to use,
As sans my will, in strumming half distraught
Or with such ecstasies, howe'er you choose
You ply, in your winds varied whims 'non fraught,
This hapless leaf.  To what end?  Just t'amuse?

# II

To what end?  Just t'amuse, we tried romance?
Who fell in love?  I did.  Did you?  In vain?
Oh, why'd we play that game?  What now remains?
Behold:  a live coal, frosted black, whose stance
Seems quite the opposite; wherein the dance
Of Love's hot passion plays anon, aye reigns
Sans you, and any reason.  Its refrain
Nigh hopeless, sings your name where none supplants.
Because you knew it would.  You told me so.
And while I scoffed, that's how it goes, I see.
Who ******* that hopeful thread, oh sweetness Beau?
'Twas "love at first sight," a rare golden key.
That never quite died but e'er seems to glow.
At least that's how it 'pears in Love's debris.

08Jan12
D67a,b
Haha, obviously a VERY olde set of (linked) sonnets, and *he alone will recognize it as to himself, though I doubt he'll ever pop his head in and see it.  Now it merely stands as a rueful reflection on all my online romantic liasons since.  Ah love, when wilt thou cease to be a bad joke I play on myself for kicks?  *Oh, and...I still honestly tell him I love you.  But "in-love"....not with any man now.  Friends, yes, all friends, even though Shaun was brought up last week by some new fellow just to elicit a response....I think I'll try to be sensible.
1296

Death’s Waylaying not the sharpest
Of the thefts of Time—
There Marauds a sorer Robber,
Silence—is his name—
No Assault, nor any Menace
Doth betoken him.
But from Life’s consummate Cluster—
He supplants the Balm.
James Jarrett Apr 2014
She is robed in beauty

Singing of the dawn

Shades and hues

Of innocence and color

Make her glow

Like new found love

Sparkling like dew

She has captivated my heart

And captured my eyes

But not my spirit

Even she is not enough

To quell my dark desire

Pity and mercy

Have left my primal soul

I am born to ****

Purpose supplants passion

Gaze becomes focus

As I set to destroy her

Her death to come

In one moment

Frozen in my heart

Will destroy me

But I do it anyway
Many of my poems are cryptic and have meaning only to myself. I normally do not wish to explain what the meaning may be. In the case of this particular one, I think the explanation is probably better than the poem so I will explain.    I am many things and among those a bird lover. I have a special penchant for bluebirds as I find them to be among the most beautiful of birds. I am also an accomplished archer and have a 30 yard range set up at my shop. I reliably group at 1 1/4″ or under whenever I shoot and as a rule I do not miss.   When I am calm my aim is unerring.    So, a bluebird lands on a branch next to my target exactly at 30 Yds.  Yep… Right at my target. What’s a man to do?   I couldn’t help myself. I sighted in and took aim. The bluebird framed fully in my peep sight and I was even able to pick a spot; middle. I use a trigger release and I had become steel as I squeezed the trigger. There was no movement as I sighted and released.I slowed my heart rate as I prepared to shoot. I was dead on as the arrow left my bow.  308 F.P.S. of instant death.  I missed by half an inch, impacting just below it’s breast.  I was so relieved that fate had intervened that I can’t describe it. I was panting in relief as I saw that I had missed. The bluebird actually stayed there for a moment perplexed by the impact then fluttered away.    It wasn’t me; I had held my mark. It had to be the gracious hand of fate.    My punishment for this evil? I have never seen the Bluebirds again that used to frequent my shop. I am left now with only the fickle crows that kick at the front door and demand food. I traded the bluebird of happiness for the crows of depression. I know.. I deserve it.
davi bauer Aug 2013
Romancing the theories obviated by practice
Cryptic names in the fiasco
Work supplants play for the new actors
So time is technology?
Mass ethics supersede reason
Who are the cornerstone language guardians?
Radical superordination is for all
Ancient mystery can still delineate precise uncertinty
Shall edicts manifest by resurrection?
The conundrum must be isolated from protocol













In an analysis suddenly unframed
Compromise only promises compounded civility
Homunculus Dec 2014
Doesn't it bother anyone else: that by simply participating in our current culture of mindless, resource exhaustive consumer capitalism, we're directly perpetuating a model of conduct that will eventually lead to the loss of our habitat, and the decline of our species; one whose remorseless self indulgence now guarantees a rise of global sea level up to 10 feet?

Doesn't it bother anyone else: that we live in a society run by people who we don't know, who don't care about us, but only their own short term gain, regardless of the negative impact that their actions may and often do have on entire generations of people, present and future?

Doesn't it bother anyone else: that our economy thrives on war, and has since the 1940's, that the total for defense contracts this year has been $253,802,074,353, and that 19% of our federal budget goes to defense, with a meager 1% funding education, that we have a president who calls our congress "ceremonial," wins the Nobel Peace Prize, and then unilaterally commits acts of international terrorism without breaking a sweat?

Doesn't it bother anyone else that we're on camera all the time, that our government spies on all of our communications 24/7 as well as those of other countries, or that people who reveal these injustices are shut up in prisons for life, tortured, or exiled?

Doesn't it bother anyone else that our police force is increasingly hostile to innocent people, that they carry AR-15 assault rifles to peaceful protests, and that they constantly abuse their power? I have never ONCE consented to search, but has that ever stopped them?

Doesn't it bother anyone else that our lives are essentially meaningless in the grander scheme of things, that we all dance like puppets, and jump through hoops like dogs, working at jobs we don't like for people we can't stand, to earn money that often barely supplants our basic needs?

Doesn't it bother anyone else?
Doesn't it bother anyone else?
DOESN'T IT BOTHER ANYONE ELSE?!?!?!?
More of an editorial than a poem, but I had to get it out. I lose sleep over this stuff. (Edit... THIS started trending?!?!?! You guys are awesome!!!!)
Nat Lipstadt Oct 2017
"gravity has taken better men than me
just keep me where the light is"...John Clayton Mayer

where the light is...
this lyric gets carried from midnight to midnight next,
from troubled sleep to the bus stop, to and from work,
onto, back to, the homebound bus stop once again,
from solitary man to father to grandfather and cycles back
to once again a troubled sleeper poem writer,
who just wants to know, John,

when I find it, will, does the light fill, complete and heal the cracks...when I find that light...

in the city, starlight been banished by street lamps pointed downward, far too often it is believable that the whole world has been wrapped in white crinkled, filmy, wax paper, then,
how will the light know where it is needed most,
how will it find the empty chest cavity that writes these lines

there is real and artificial they say, nature vs. man made,
sun upon the face that heals for but an eight minute
bandaid summer ferry crossing, the fluorescent that says here, here is the bus stop, tarry, sit and rest, while you wait for
answer unscheduled, on a bench beneath to the street light
that illuminates a small swatch of street
between the dark spots on the x-ray of
this patient patient's soul awaiting,
are either of those
the light I need John?

no worries man, I'm just teasing, well knowing, neither of us,
tables turned, know where the light is, up high, down low,
if it is yellow or gold, if light is real or imagined,
only the sensation of the curettage needed to be healed when the
chest drained and the light supplants the drained fluids,
when it interferes, interpolates, how it found me or I it,
how I recognized it, how it reignited the home fire, and
I'll drop you line how light, lightly to find or be heavy found,
how light supersedes, defeats, the gravity of daily tugging,
and how what happens afterwards is golightly
up to us

2:10am **** it
now children, go back to your silly little love pretense poems and pretend you never read this
Julian Nov 2018
The padlock on the continuous barnstorm of a transcendent time whose bunkum is transmuted consciousness aligning with parallax to a congruent worldview is not axiomatic but certainly a veridical property of reality. The universe is as much concept as percept and both properties of consciousness that lead to adaptive behavior are tethered to the eccentricity of the observer rather than the oblong nature of the observed where errors in prima facie judgments delineate the saplings of humanity to beaze under the proctored sunlight of an eternal sunshine that withers seldom to the whims of capricious arbitrage of those whose hubris exceeds the limits of the intellectual frontier because they are gilded with bricolage mentalities that scaffold the skeletonized worldview rather than apprehending the concretism and synthetic arraignment of interrogable reality in a manner that acknowledges the factitious intersection of pioneering understanding and the corporeal existence of realities both transcendent in spatiotemporal mapping and reversible propinquity to the sensible acquisition of tangible knowledge. I contest the worldview of many philosophers as a callow retread of basic logic whose ambition is underserved by a desire for prolix pellucidity rather than cogent succinct promethean formulations that dare to muster the herculean task of demystification even if the entropy of formulation is always flawed by the jaundice of the observers rather than the disdain of the observable consensus. We swing by a filipendulous thread that dangles speculation and reifies the blinkered piebald world of spotty concatenations among neurons recognizing that incomplete associations become the staples of philosophies that are precarious in some logical foundation but sturdy enough to weather the vagaries of the bluster of mendicants who verge on comprehension but pale in comparison to the monolithic edifice of so-called truth when the defalcation of figureheads supplants the clerisy as the new proctor of knowledgeable assertion. I contend that foofaraw is a primeval instinct of community ecology that expedites the balkanization of otherwise unitive properties of society and ravages them with bickering based on clashing predilections that are bellicose and combative rather than irenic and balmy. The acerbic fates of many leads to a rudimentary pessimism or a chary optimism that chides against the fortified exegesis of divinity that can be both proclaimed and stultified for its latticework properties of buttressing society in a permutation that is nimble in some respects but too turgid and rigid in others. The goal of humanity is to become a pliable instrument of a pliable universe that does not rely on buzzword dogmatism or the masquerade of hollow punditry but that relies on self-reliant principles for ascertaining veracity and impugning mendaciloquence with vigilant alacrity rather than casual sportsmanship that reaches finality only upon the handshakes of a battle waged that concedes the impotence of gladiatorial spectatorship as just a gambit of the half-witted cockney witticisms and shibboleths of sportive diversion rather than consequential and decisive reckonings with the subaudition that undergirds all events of any consequence with either a clinched victory or a callow defeatism of a futilitarian worldview that stoops to reconciliation only to propitiate antagonism and buffer against the truculent brunt of weaponized coercion to checkered flags that arbitrate the outcome of a binary polarity of humanized affairs. The majesty of creation is that reversible boundaries can be permeated in a bi-directional manner through the artifice of concerted thought rather than the orchestration of a linear traipse through the deserts of an inclement fate won immediately when projected upon the tangent of any given velocity at any point of acceleration away from the targeted impetus that grants only a partial vantage, a cantle of reality that is fragmented and piecemeal rather than circular and emergent. The most dire battle that humanity faces is the attrition of circumstance by the purposive declarations of imperious authority that seeks to muzzle the ingenuity of many for the deliciation of the few creating an accidia among the clerical institute of thinkers that imposes hogra that few people can grapple with that they are marooned into a cloister that reaps fewer rewards for an ascendant intellect than a virulent libido can clutch with predatory gallops against the also-rans that fight for carnality rather than the ethereal principles lingering within the grasp of many if it became a cynosure of worthy heralded acclaim. We witness the mass fecklessness of giftedness as a shackle of those whose plaudits come intrinsically fortified but sustain none of the abuses that the pedestrians would like to obtrude upon enlightenment to curtail and abridge the art of invention like the coagulation of blood to rob the vitality of throbbing pulse of importunate self-discovery of its macroscopic vista and its telescopic foresight about the future hodgepodge of a recursive fractalized reality besieged by the enemy of linear logical formulations implemented by ivory tower psychologists to muzzle the empowerment of abstruse language in order to make savory the nostrum of the apothecaries of delegated truth bereaved of recourse beyond certain leaps they cannot fathom well enough to flicker with even a faint transient wisdom that is designed to be amenable only to the supernal nature of ideation rather than the caprice of bedazzled humanitarianism. We need to forswear the -isms that flicker with doctrinaire dogmatism and flirt with forceful harangues that exhort a codified message and launch veridical properties of recondite etherealism into an immovable orbit whose inertia can broadcast a singular message of recoil against puritanism in science or skepticism in faith. The bedrock of this message is the deployment of useful extravagance without inordinate delay, the drivel of malcontent transmogrified into the prattle of estimable giants that have stature among the leviathan enough to recriminate against the autarky of self-smug simpletons that infest the world with barbarous indecencies and crude prepossessions that abortively crumple when met with the acerbic teleological gravity of ulterior consequence rather than blossom under the siroccos of manufactured wind designed for windfalls that always create a crestfallen aftermath from the anticlimax of understanding leading to the desiccation of consequence and the engorgement of precedence. These frangible realities become buoyant because the physics of the public dialectic insulates the creaky rickety vestiges of canonical knowledge as a sworn precedent inviolable and immune as a building block of all scholasticism, a retread of parchment recycled over and over again to entrench the past as the titanic vehicle that dictates the future of thought even though the porous inconsistencies of the vagrants of crude formulation make such a vessel less seaworthy than scientism and dogmatism of the monolith would have you believe to be true. The querulous quips of the uninformed predominate with such clutter that the armamentarium against useful idiocy is stagnated into a resigned accord with infernal subjugation of the public volition to insubordinate against a system of parochial enslavement rather than a catholic enlightenment whose universalism of principle ensures a steadfast society guided by scruples rather than undermined by the prickly thorns of abrasive contrition and the magnetism of empathic concern that sabotages the clarity of intelligence and provides a welter in the place of a well-arrayed code of peculiar but defiant distinctiveness that acts as the splinter that cracked the intangible but refractory borders of human inclination and demonstrated the sheer force of golden consistency rather than fickle withering resolve. I exhort and implore the world to heed the best minds that realize the syncretism is answerable to contradiction rather than scuttled from beneath by the impudence of its assertions against the common propriety when it stakes controversy as a gamble to aver the veracity of worldviews that violate orthpraxy with gusto as a brazen gallantry to rescue a foundering planet that seeks disequilibrium in harmony rather than an equilibrated sensibility that is proud to discriminate properly and honestly to clinch fact rather than kowtow to factitious slumber of somniferous kumbaya that is too deferent to maxims that are unduly polite only because charisma supersedes genius in its efficacy to mobilize people to fulfill their roles. With the miscegenation of justice that occurs because of expedience we find holes in many legalistic precedents because they anoint pettifoggery over sensible jurisdiction and face a leaky and ramshackle fate to foment paternalism and divide the clerisy among certain key considerations in order to save face rather than to impose a clarity of orderly supervision that seeks to dissipate the embroiled spiderwebs of dodgy prevarication and quacksalver logic to once and for all ascertain the truth that lurks beyond the primal jaundice of Kafkaesque confusion.
KP Nov 2013
Our bodies lie next to eachother
Juxtaposing
In such contrasting perfection
Your shoulder supplants as my pillow
Our lips touching satisfy my every urge
Each nibble on the neck acts as a reminder of why we are here
Love.
So practical and enjoyable
But you can see in my eyes, I wonder why.
My mind questions my bodies
And its desire, its yearning, in its simplest form, its want to be held.
Though- I am able to turn my back toward you, curl my legs to yours
and forget this question for one more minute.
Bella Potter Jul 2011
i wake up in the middle of the night with
the ghost of god pressing his hand
against my face, buttoning my collar too
tight and telling me to smile even though
i cannot breathe. there are those who
look to him for mercy, but i know the
truth--he is a trickster, a jester, and he
makes me the fool. he supplants self-
worth with loneliness; he holds up your
desires up to let the light shine through
them, so that you see all you ever wanted
become translucent and frail, bloodless
veins in full view, twitching in an effort to
live again.

sometimes, i still beg him, i still fall to my
knees and clasp my hands together, a
tableau of faith. i ask him to spare me,
the words thin and metallic on my tongue,
needles swimming with the diseases of all
those who used them before me. i put all
my chips on the table, bartering this and
that for the simple feeling of being whole.
but in the end, i am left with nothing but
a shadow and a doubt, wondering why i
let myself have any hope when i know
how easily it can turn from lifeline to
anchor.

i have held my heart out and watched as
the devil feasted on it, spitting it out again
and showing me love-stained teeth. my
dreams are choked with desire and fear,
the sunlight is bleached black by my dread
of yet another day.

there is passion trapped in the heat of my
skin, bravery caught on the tips of my
teeth, but i cannot possibly pretend that
i have any strength left. god knows i am
finished; i have lost my words in floods
and torrents, i am scraping along the
furrows of my mind just for one more
verse. if i have lost you, tell me, what
sort of loving god would take this from
me, too?
CH Gorrie Feb 2014
1.
The trembling of a maple tree:
Autumn buries spring.
Not everything
Hoped for came to be.

2.
The future happened and was not a sum
Of my earlier projections;
Newer directions
Proved I took stock in the obscurely dumb.

3.
If a pathway to another life
Could be fashioned immediately
I'd have no need to be
Treading the edge of a knife.

4.
The crooked palms, the bleached concrete—
All mine. My eyes have usurped them,
Just as the hacked phlegm
Of a *** supplants the street.
Adam Lawler May 2018
A barrel cast of porcelain I bear
A white-furred bull upon my waist reclines
The alabaster eggshell buried there
A hollow suffocated by design
I am, by ring, the oldest living tree
With form bereft of grace or limber charm
A prairie pale rolls forth atop my knees
Of silent waves composed into my arms
But ring and ring again supplants my will
As heat with yeast and dough will slowly swell
A tabby cat loved lazy, sweet and still
A sleeping pulse within a clownish shell
The valley miles above my buried chest
A place where, lying still, his head may rest
Chris Thomas Jan 2017
Shadows falling
I scale back the grip on the reigns
Her smile possesses me,
It forsakes me, then retakes me

Careless caregiving
I cannot fathom my own peril
For her slender fingers entice me,
They chase me, then erase me

Stave off regret
For another hour, two at most
Her voice is beautiful slander,
It directs me, then infects me

Tempestuous
Building shelter is my priority
For her storm consumes me,
It supplants me, then replants me
Mark Toney Nov 2019
When just a child the poet's mom said "Son,
Throughout your life beware the sin of pride.
Remember this when every day is done,
What counts the most is who you are inside."

At first he thought his mother's words unfair
For recognition surely has its place.
In time he witnessed prideful thoughts can flare
When undue adulation supplants grace.

The poet took to heart his mother's words
Too many accolades can turn your head.
Vainglory flits away on wings of birds
What's left is mostly emptiness and dread.

Life immersed in modest exhibition
Satisfied with honorable mention
11/18/2019 - Poetry form: Sonnet - Copyright © Mark Toney | Year Posted 2019
ConnectHook Jan 2021
Darkness slays the sun. Descending, he dies.
To hide his glowing countenance and wait;
Until his resurrection flood our skies
With promise of a greater solar state
.

Oh mourn and weep, ye gaining shades of night;
An orange sunset lingers in the west.
The trumpet sobs a reveille; the light
Is dwindling on the presidential fest.
And cypresses are sighing in their shame
For Orange Man has forfeited his game.

The technocrats and leftists, as a mass
Opposed his righteous reign with godless spite.
Not once did they relent, but dogged his ***
In jackal-packs still slavering to bite.
And yet he is deplorably adored,
Nor friend nor foe politically bored.

Vile virtue-signalers (with none to show),
Despised all those who dared support his plan;
And prideful with each whining coward blow
Confirmed themselves inferiors to the man.
Pink feminists, at odds with all that's right
Displayed themselves as ******* in the fight.

They could not stand the mention of his name.
The Globalists and other Euro-trash,
With Luciferian bankers, void of shame,
Resume their one-world plotting in a flash;
Preparing for re-set. (We wish they would
Let God reset them for their own **** good.)

So DRUMPF's Fourth ***** must sadly reach its end,
And Jared's **** wife return her shoes.
His Völkisch warriors shall no more defend
Republics that weak RINOs all refuse;
And Milquetoast Mitt, and Bush, his parting hail
Grown tired of winning, longing yet to fail.

My Einsatzgruppen uniform: no more
To wear the holy garment in my pride.
My shimmering hood and robe I now must store;
Well-pressed, I lay them tearfully aside.
My lynching rope I coil with loving care,
My Ku-Klux armband nevermore to wear.

Alas, the fascist father-figure goes;
His bigot minions, all my own, lament.
Misogynists and racists at the close
Have lost their weary way and all is spent.
He wasn't dictatorial enough;
We all grew tired of winning. It was tough.

But wait; a zephyr stirs the orange grove.
The dusk has not yet sighed its final breath:
Once more a scent of citrus wafts above . . .
Twas' premature, their festival of death.
Then TRUMP arises, grinning, from the bier
And all who wished him gone recoil in fear.

Fresh horror now the adversaries sweeps;
The trembling crypts foreshadow his rebirth.
Progressive politics despairs and weeps
While liberal dread supplants their vengeful mirth.
Then Donald rises, leering like a ghost
To fill with panic every heartless host
.

Mere hopium, this horror-movie plot.
It looked like he might pull it off— but no.
Now darkness teaches light what it is not
And half the nation jeers at him to go.
Healing urged—but fake. Polarization
Shall characterize our waning nation.

Hopes of resurrection vanish with night. 
The scapegoat's legions waken from the dream
To seek nocturnal solace from the fight:
The tepid normie water's middle stream.
And Q-**** numerologists learn code.
(The rest of us just wonder what we're owed.)

Saint Orange must diminish, half-impeached;
And sunset velvet now becomes his hue.
The ballot urns of Georgia never reached;
Our judges sat to stifle what we knew.
The monoparty's monkeys steal the show;
His puppet masters hiss him. Let him go.

Now Dixie's juiceless orchards sing his dirge.
The willows hang their boughs in leafless grief . . .
Disgust for all the traitors starts to surge;
And clown-world tries but cannot bring relief.
Orange Savior's promise: undelivered;
The funeral expires—and all is withered.
Thanks to my muse for alternate stanzas !
https://connecthook.net/2021/01/05/orange-man-returns/
Dawnstar Mar 2019
it there was not a shallow
mighty as the waters hang
payloads fell and footpaths gave
to mercy they will never ask
whom murmurs softly send sincere
this sinking fife and drum
of burden's restless hum
calling wishing for a storm

remember summer and
gin and vague brotherhood
rising from coma with effervescence
(now look what you've done)
killer of the noble herdsmen
making nightmares should
not be this effortless

calm brings dear ones in
light embraces you
remember summer and
see it forever
rest your lids on that image
before darkness supplants tears
When dissonance supplants her wing
these hearts will color her sound, today
she's become maiden madness, if
Maximilian who has her refrain will eat her filet.

Whence her allure from the moon
how she can make doctrine famous as her eagle
that will enchant woods destined with her fortune.

As her first day break in November is relic
while she does rely with splendid Utopia
only found glory in her eye; amid game
where she can play under the gun
with breakneck speed that really know her best.
Distance
Derrick Jones Aug 2018
Calmer than I could be but more hyper than I should be
A still pond, ripples growing
My mind flowing and coalescing
Always going, confessing
Singing a truth into the world
A whirlwind of expression
Suggestions and impressions
My most honest confessions
Spending sessions crafting verses, masking the mundanity of humanity with rhymes and wit, because when times are **** we need verbal skits to help us forget
And when times are great I use words to celebrate, relate experience with eloquence and mount a defense against the sad times with these mad rhymes, counting my blessings as I undress the distress, caress these careless thoughts that plague me and harangue me, using language as a cage to contain and restrain the darkness because it’s far less work than acceptance. Language is the way out, reason supplants doubt and I can shout in the face of death, deface him with each breath, replace the fear with here, with now, with this moment and foment a rebellion against evolution, a thought revolution, and finally see that the solutions are the problems, every day you are solving them by being here, holding what is dear near to your heart and living as a part of this, as art instead of artifice.
BELOIT CAFE

by

TOD HOWARD HAWKS



For Vicki Whitaker



Chapter 1

"Two eggs, over easy, double hash browns, and coffee, black," said Sally.

"Got it," said Leo.

Leo was Leo Lottman. He was also a genius, but he never cared about that. He had been the cook at Beloit Cafe for six years. He had gotten the job just after he had graduated from Beloit High School. He was 4' 9" tall, so had to see the whole cafe through the small crack in the right wall.

"Order up," yelled Leo.

Sally came over to pick up the order and took it to her customer. The other waitress was Mildred. Both had been working there for 10 and 12 years respectively.

Both Leo's parents had been killed in a car wreck when he was a junior in high school and had to spend his senior year with his uncle. He easily could have won a scholarship to KU, but having been socially shunned all his growing up, he was content to live a private life.

Leo got a job at the Beloit Cafe as a cook. He also rented the room above the kitchen. He loved classical symphonies and reading books on American history, as well as other subjects. The only person who never shunned him was himself.

Beloit is a small town in north central Kansas with a population of 3,400 citizens. In it is the Kansas Industrial School for Girls. On occasional Sunday afternoons, he had gotten permission to go there and talk to those girls interested in the history of the United States.

"Oatmeal with raisins, buttered white toast, and a large glass of whole milk," yelled Meredith.

"Got it."


Chapter 2

After the Cafe closed, Leo slowly climbed the stairs to his room.

The first thing he did was to put on Rachmaninoff's PIANO CONCERTO #2. Then he was ready to absorb himself in all things American. He had already read Howard Zinn's A PEOPLE'S HISTORY OF THE UNITED STATES OF AMERICA. For example, Leo knew that eight men who became President of the United States also owned slaves themselves. George Washington had owned slaves and Thomas Jefferson, the man who wrote "We the People," owned more than 600 slaves. Now he was exploring and enjoying poems written by American poets.

Take, for example, Frost's MENDING WALL, Leo might say.

"The lines I enjoy most are (1) "Something there is that doesn't love a wall" and (2) "Before I'd build a wall/I'd like to know what I was walling out or walling in."

Provocative, Leo thought.

"Or let's examine Emily Dickinson. She wrote a poem titled "I'm Nobody - Who are you?" I think the title tells everything you need to know who she was, a brilliant, but secluded, woman. Lived virtually her whole life in her bedroom. She wrote often about death, probably because she was slowly dying within. I don't think she was ever loved."

"Walt Whitman--let's take a look at him through his poetry. I think Walt Whitman was the emotional antithesis of Emily Dickinson--wide open, not shut as her bedroom door was. I see Whitman as the first American hippie. After you read I SING THE BODY ELECTRIC, read LEAVES OF GRASS.

Leo was getting sleepy. Who wouldn't be after spending hours on his feet?


Chapter 3

"French toast with maple syrup, two lightly poached eggs, bacon, and a cup of coffee with cream," said Sally.

"Got it."

There seemed to be a lot more people coming in to eat breakface this morning. At 4' 9", Leo could see whichever waitress was leaving an order, but could not see the full cafe, which was why he often looked through the small crack to the right in the wall. In a way, this was a metaphor of his life.

Leo was thinking about what he would talk this coming Sunday afternoon at the Kansas Industrial School for Girls. Probably American history, but he was also thinking about a fellow named Tod Howard Hawks and the many poems of his Leo had read and liked on the Internet.

Among a number of Hawks's poems he liked were SOLITUDE AND GRACE, I WRITE WHEN THE RIVER'S DOWN, and SIMONE, SIMONE,
Leo had read all of Hawks's poems, over a thousand of them, as well as his aphorisms and essays. He had also read his novel, A CHILD FOR AMARANTH, which Hawks had posted on the Internet, which meant people could read it for free. Leo admired Hawks's magnanimity, but he wanted to pick 10 more of Hawks's poems to share with the girls.


SOLITUDE AND GRACE

I will wander
into wilderness
to find myself.
I will leave behind
my accoutrements,
memories of medals,
of past applause
and accolades,
accomplishments that
warranted degrees
and diplomas
portending future
successes. I like
who I am, who
I have become. No,
I love myself, and that
is my greatest achievement,
the acme most men
are blind to as they
mistake wealth for worth.
Most would say
I will be lonely,
but they are wrong,
because I will always be
with my best friend ever,
my real self. And I will
share my joy with
squirrels and rabbits
and deer, with bushes
and broken branches
and brush, with rills
and rivulets and rivers,
with rising and setting
suns and countless
stars coruscating in
night's sky, I will say
prayers to piles of pine
and sycamore limbs
that once were live,
but now make monuments
I worship. I am at one
with all I prize. My eyes,
even when they are closed,
see their beauty. I know
I will be blessed forever.
I lie on my bed, Earth,
and wait to join all
in solitude and grace.


I WRITE WHEN THE RIVER'S DOWN

I write when the river's down,
when the ground's as hard as
a banker's disposition and as
cracked as an old woman's face.
I write when the air is still
and the tired leaves of the
dying elm tree are a mosaic
against the bird-blue sky.
I write when the old bird dog,
Sam, is too tired to chase
rabbits, which is his habit
on temperate days. I write
when horses lie on burnt grass,
when the sun is always high
noon, when hope melts like
yellow butter near the kitchen
window. I write when there
are no cherry pies in the
oven, when heartache comes
like a dust storm in early
morning. I write when the
river's down, and sadness
grows like cockle burs in
my heart.


SIMONE, SIMONE

Simone, Simone,
I'm all alone.
Simone, Simone,
I'm all alone.
Simone, Simone,
please come to me
and bare your breast
for me to rest
my shattered heart
upon a part
so soft and warm.
Simone, Simone,
I'm all alone.
Simone, Simone.


Chapter 4

"Ladies, it's nice to be with you again," said Leo.

"This afternoon, I'd like to talk a bit with all of you about the beginnings of our country. After that, I'd like to share with you some poems written by a very talented fellow.

"Our Constitution of 1787 ratified slavery with the 3/5th Clause, thereby making slavery legal in all 13 nascent states. My question:  How can you reconcile slavery with democracy?  My answer:  You can't. Slavery is anathema. It is immoral. It is repugnant. The child of slavery is racism that permeates our nation today. People whose skin is black are still being discriminated against to this very day. The period from 1890 to 1920 saw more lynchings of Blacks than during any other comparable period. The grotesque fact is that eight men, eight presidents of the United States of America, were slaveholders themselves. George Washington was a slaveholder. Thomas Jefferson, our third president, who wrote the preamble WE THE PEOPLE, owned more than 600 slaves. This is how our "Democracy" got started, which I find repugnant.

"Now I wish to share with you a number of poems written by Tod Howard Hawks."

SOUTHWESTERN KANSAS

When you fly to southwestern Kansas,
you see a different kind of Kansas.
The land is flat,
the sky big and blue.
and the folk, the common folk, well, they get along.
The common folk get along in southwestern Kansas.

On a ranch down near Liberal,
the black night roars
and the wind is wet.
All are happy tonight, for there is rain
and tomorrow the pastures will grow greener.

In the morning when the sun first shines,
the tired hands
with leathered countenances
and gnarled fingers
awake in old houses
made of adobe brick
and slip on their muddy cowboy boots
and faded blue jeans
to began another day of long labor.

On the open prairie made green by rain,
tan and white cattle huddle together
munching on green grass and purple sage.
A new-born calf bawls.
Her mother, a Hereford cow,
is there to care,
and the baby calf ***** her belly full
of mother's milk.

About 60 miles to the north,
and a little to the west,
the sun stands high in a blue sky
dotted with little puffs of white.
At noon in Ulysses,
folk eat at the Coffee Cafe;
Swiss steak, short ribs, or sweetbreads
on Tuesdays
with chocolate cake for dessert.

The folk, the common folk, well, they get along,
the common folk get along in southwestern Kansas.
They got a new high school and a Rexall drug store,
a water tower and a drive-in movie theatre.
They got loads of Purina Chow,
plenty of John Deere combines,
and co-op signs stuck on almost everything.
And they got a main street several blocks long
with a lot of pick-up trucks parked on either side
driven by wheat farmers
with silver-white crew cuts
and narrow string ties.

Things are spread out in southwestern Kansas.
A blanket woven of green, brown, and yellow
patches of earth sown together by miles of barb-wired
fences spread interminably into the horizon.
Occasional, faceless little country towns
distinguished only by imposing grain elevators
spiraling into the sky
like concrete cathedrals
are joined tenuously together by
endless asphalt streaks
and dusty country roads,
pencil-line thin and ruler-straight,
flanked on either side by telephone poles
and wind-blown wires
strung one
after another,
after another
in monotonous succession.

But things, things aren't too bad in southwestern Kansas.
Alfalfa's growing green
and irrigation's coming in.
Rain's been real good
and the cattle market's really strong.
The folk, they got the 1st National on weekdays
and the 1st Methodist in between.
The kids, they got 4-H clubs and scholarships to K-State.
And Ulysses, it's got all the big towns got--
gas, lights, and water.
So the folk, the common folk, well, they get along.
The common folk get along in southwestern Kansas.



THE WAY THAT WINTER COMES AT ME

The way that winter comes at me,
as if a stranger from a side street
cold and dark accosting me. I turn
my collar up. He hollers, "You, there!"
Faster I walk, fear chilling me,
a lamp post but a grey ghost in the fog.
This ****, winter, mugs me. He hits me
in the face with frozen fists. He grabs me,
stabs me in the side with knives
of ice, slices at my heart, the home
of hope. Supine, frost forming on
my brow, I pray to boughs of willow
trees:  pines will sing my elegy. My mind
drifts like snowdrifts:  a mitten lost...
fingers, nose, toes frostbitten...
a lake of isolation...a sleigh with no
horse...a blizzard of insanity.
My blood thaws the frozen ground,
then freezes.



GOTHS AND VISIGOTHS

I read of Visigoths and Dark Ages,
nomadic tribes, enormous rage
toward an empire falling,
fires and fleeing,
a desire for being
eternally at rest.
We walk through the ruins
of our empire romantic,
fires still burning,
a yearning so fierce
it's piercing our hearts.
The Franks and the Vandals
and Visigoths dismantle
the art and the ardor
we knew before the fall.
The walls have all crumbled;
that is all I remember.
The Ostrogoths have dismembered
the love we once shared
a millennium or so ago.
I am leaving the ruins
of my own Middle Ages,
turning the pages
of my own darkened soul.
I am solely my sage now,
trying to engage now
the vestige of happiness
the rest of my life.



A STILL LIFE

Pardon me, sir.
May I borrow
your squalor
for a photograph?

I love
the repetition
of those wrinkles in your brow.
Hold it, please.

The contrast
of your black skin
against the white plaster chipping
is marvelous.

When I
get them developed
I'll send you a print,
They'll look great in my portfolio.

Thank you
and your wife
and your eight kids
for this pose in poverty.


A DEEPER NIGHT

In the night
there is a deeper night,
in sorrow, a deeper sorrow,
in your sorrowful eyes more
sorrowful eyes I descry,
the deep night of your eyes
as I lie beside you, your head,
then your head lying on night's
pillow, deeper than a hollow hole
filled with tender tears as you tell me
of the night, the deeper night of your life,
your hair wet with deeper tears
on night's side of your visage
when you had to leave your son
to save yourself and him, a hurt
the still hurts, a deeper night hurt
you share with me through deep night
sobs, deeper sobs, wetting your checks
and neck and night hair, the hurts
the deeper night hurts that robbed
you of yourself and him, of how you
had to go in order to return, the sinuous
path, convoluted and constrained,
to leave the night to be able to come back
in the day. All I could do was to hold you
and let you sob and shake until you finally
saw the brightest sun in your heart.


MOON OF CHERRIES BLACK

Cherries black by water
flowing, berries blue,
the hue of Father Sky.
Bluffs and buffaloes
a long time ago, the
Great Spirit permeated
land and lives. Eagles
flew in hearts of men;
honest words were spoken then.
No token treaties, no entreaties,
arrows flew like truth to hearts
on antelopes. No interlopers,
no antebellum prairie schooners,
no sooner had they come than
bison hooves were no longer
heard. They herded red men
and women and children like
chattel. Wild dogs knew better.


SILVER SPOONS

Some people love their silver moons,
China closets in velvet rooms,
hand-rubbed walnut round pearls of glass,
antique notions to preserve a past,
while others love their silver moons,
orange sunsets, October tunes of bluebirds
sighing through sunburnt skies,
green fields soft where lovers lie.


IF I COULD MOUNT A MOUNTAIN

If I could mount a mountain
and ride it to the sea,
I'd gather up the waters
to make a bath for thee.
I'd rinse your hair with violets,
your ******* and thighs with myrrh,
and as you rose I'd cover you
with strands purple, silver, gold.
If I could garner galaxies,
I'd make for you a ring
and ring it round your finger
for eternity.  I'd call on all
the continents to make for you
a bed, a majesty of meadows,
white billows for your head.
And underneath the tapestry
God wove on Heaven's loom,
with love and lust I'd plant my
seed in your soft and sacred womb.


THE BUTTERFLY SONG:  A Lullaby for Katie

Tell me why, oh butterfly,
do you fly so high.
Tell me why, oh butterfly,
high up in blue sky.

Tell me, pretty butterfly,
with your wings of gold,
are you as kind and gentle
as I'm always told?

Tell me, golden butterfly,
will you come to me
and light upon my shoulder
to keep me company?

And when night falls, my butterfly,
please let your golden wings
illuminate the darkness
until the bluebird sings.


WHAT DOES IT MEAN TO SUFFER?

What does it mean to suffer?
Is it better to buffer ourselves
from turmoil, or does the oil
of hate and hurt serve some purpose?
Are we animals in some circus,
parading like elephants inelegantly,
passing through wire hoops?
We tire, we droop.
Are we poor men in soup lines,
hoping for salvation,
fed with propitiation?
Our faces show no elation:
they grow ashen.
Shall we cash in the bonds
our mothers never gave us?
Love's dearth has thus enslaved us.
Just put us in our graves and
let us live in Mother Earth.


The girls and Leo had a long, trenchant exchange for almost two hours. Leo found it exhilarating. The girls had never engaged others in their regular classes as they had that Sunday afternoon.


Chapter 5

Leo was listening to the 2nd movement of Beethoven's 7th Symphony while
he was reading about the "TRAIL OF TEARS" and President Andrew Jackson.

We, the white people, were the first immigrants to what became known as the United States of America, Leo thought. All the people and politicians can't see that, right?, pondered Leo. Are they simply dumb, or are they being duplicitous? Actually, Leo thought, this was a genocide of what we now call Native Americans.

The INDIAN REMOVAL ACT was signed in 1830 by President Andrew  Jackson. 60,000 Indians of the "five civilized tribes":  the Cherokee, the Muscogee, the Seminole, the Chickisaw, and the Choctaw nations. Over the course of this diabolical walk from the southeastern states to what is now Oklahoma, it is estimated that 16,700 perished from diseases and murderous conditions, as as well as anti-Indian racism. Those groups that "helped" the Indians keep moving along included the U.S. Army and state militias. Forced displacement, ethnic cleansing, and mass murders, among others, kept these human beings moving westward allowing the United States of America to aggrandize more land west of the Mississippi River.

Leo lay on his bed for a long time. He had finished listening to Beethoven's Seventh Symphony and was now enjoying Dvorak's NEW WORLD SYMPHONY. But the longer he lay there, Leo wondered if Dvorak was dreaming of a new, budding world, or whether he was listening to the preamble to a demonic future. Leo knew the hydrogen bomb was like the atomic bomb, only a thousand times more powerful.


Chapter 6

Leo remembered General Philip Sheridan said in the 1860s "The only good Indian is a dead Indian." Every time Leo saw Hotah come into the Beloit Cafe, Leo thought of Sheridan and almost puked. Hotah, a Lakota Sioux, was a little older than Leo, and over time the two had become friends. Hotah had grown up on the Pine Ridge Indian Reservation, the poorest place in the USA. The drug addiction, alcoholism, and rampant poverty drove Hotah off the reservation, down through Nebraska, and into north-central Kansas where he made for himself a home of sorts for himself in Beloit. What the two had shared was a life of pain and intelligence.

"Leo, hello," said Hotah.

"Hotah, it's good to see you. How have you been?" said Leo. "Just a minute. I have a few more supplies to stock," said Leo.

The Cafe closed at 8 pm. It was 7:45. There would be no more customers. Leo closed the Cafe every evening.

"There, that will do it. Like a cup of coffee?" said Leo.

"Sure," said Hotah.

Leo poured two cups of coffee. "You like your coffee black, right?" asked Leo.

"That's right," said Hotah. Leo drank his coffee with milk. "Pick a table and I'll be with you in just a moment," said Leo.

Hotah picked up the two cups and put them on a table close by, then sat down. Leo joined him.

"I'm thinking I'd like to drive back to the rez and wondered if you'd like to join me," said Hotah.

"I think I could work something out," said Leo.

The Wounded Knee Massacre occurred in the winter of 1890. Hotah's great-grandfather and nearly 300 other Lakota Sioux died in that slaughter. Each year Hotah made a pilgrimage to the cemetery about ten miles east of Pine Ridge to honor his slain great-grandfather.

A ceremony called "Ghost Dance" performed by groups of Lakota Sioux had frightened nearby settlers. A detachment of the U.S. 7th Calvary Regiment confronted almost 300 Lakota Sioux men, women, and children and after a rifle was accidentally fired, the massacre began. Hotah's great-grandfather was killed.

"Do you think we could make the round-trip in a week?" Leo asked Hotah.

"I think we could do that," said Hotah. "My old Honda should get us there and back."

"I've accumulated some vacation time. When do you think you'd like to go?" asked Leo.

"How about next week, say Saturday?" said Hotah.

"Things around here are pretty flexible. I'll ask tomorrow and let you know tomorrow evening," said Leo.

"Great!" said Hotah.


Chapter 7

"Good news, Hotah. Saturday will work fine," said Leo.

Driving from Beloit to Pine Ridge is not like drawing a vertical, straight line. It's a lot of zigs and sags. Hotah had made this trip many times. He could make this trip without a map. Travel time is between 5 to 6 hours. Once they got to the rez, the two could stay with Hotah's relatives, the Brave Bulls.

Saturday morning Leo and Hotah got into Hotah's old Chevy pick-up and headed northwest. A number of small Nebraska towns Hotah and Leo passed through. After crossing I-80, they stopped at a cafe in Philipsburg. Then they traveled through Breadwater, Alliance,  and a number of other small towns until they passed through White Clay, then into Pine Ridge. They had planned on meeting Hotah's older brother, Akecheta, and his two younger sisters, Macha an Whicahpi at Pine Ridge's gas station and convenience store.

Hotah got out of his pick-up, went over and hugged his brother and two sisters, then introduced them to Leo.

"Pleasure to meet you all," said Leo. Akecheta had suggested that everyone come over to his house, relax, chat, then have dinner.

"Well, this is my home," said Akecheta. "Welcome." It was mid-afternoon by now and Hotah and Leo were a bit worn out. They all went inside and found a seat.

"Coke or Seven-Up?" said Akecheta. He took all the orders, went into the kitchen, prepared the drinks, served them, then took a seat. "Here's some chips if you're hungry."

"Glad to have Leo with us. You and Hotah will be staying with me. The girls will be staying with their mom. Our parents are divorced," said Akecheta.

Leo was beginning to unwind. He was used to standing for hours, but not so used to sitting for 5 1/2.

The group was starting to feel quite comfortable with each other. Leo asked the girls which grades they were in and which subjects they were studying. He mentioned that every few weeks or so he met on Sunday afternoons with a group of high-school girls and spoke about different topics. Akecheta, it seemed, was a very good athlete. The Yankees were scouting him.

Turns out, Akecheta also was talented in the kitchen. He excused himself and finished making dinner.

"Anybody hungry?" said Akecheta. "Dinner's ready."

So what was for dinner?

Wasna:  A traditional dish made from dried meat, fat, and berries.
Vegetables and corn:  Wild vegetables such as turnips (timpsila) and corn.
Thahca: Bison meat served as roasted, stewed, or dried.
Frybread.

More than enough for everyone around the table, and delicious.

After dinner, the six sat around and chatted. Hotah and Leo were tired from their day's trip. The next day, the two were going to the Wounded Knee Cemetery. It was time to call it a day. Akecheta took his sisters home. When he returned, he found Hotah and Leo asleep.


Chapter 8

Hotah and Leo got up early. After eating breakfast, they quietly went  outside and got into the pick-up. The morning air was cool.

It would take the two a bit under a half hour to reach the cemetery. There would be no conversation as they headed toward the cemetery. Leo understood this trip was a prayer.

They reached the cemetery. Detritus, not rose petals, greeted Hotha and Leo. It met all who came to this sacred place to remember those who were slaughtered that frigid day--men, women, child--in December, 1890.

Hotha and Leo sat in silence. The spirit of thousands of buffaloes of the past could be felt. No sound but the wind could be heard. Hotha could hear cries, screams from the massacre of a century ago. His tears wet the dry earth.

The sun rose slowly in the blue sky. First Hotha, then Leo, slowly rose to make their way back to the pick-up. Cries and screams slowly abated as they headed home. Neither spoke a word.


Chapter 9

The Badlands were first inhabited 11,000 ago. The Oglala Lakota Sioux originally occupied all of the Badlands;  today they control a small section called the "Stronghold District," still a part of Pine Ridge Indian Reservation.

Hotah and Leo took a number of drives through what is now Badlands National Park. As they drove, they chatted.

"The indigenous peoples have really had it tough," said Leo.

"When we speak English, we call it "genocide," said Hotah.

"All these atrocities...." murmured Leo. "You would think by now that peoples who have superficial differences between them would see them by now as, well, "superficial." Instead, for millennia, peoples who are fundamentally the same find a reason to **** each other. That's crazy, isn't it?"

"I think "crazy" is a sane word to describe the situation you're talking about," said Hotah.

"You know I like to read history. Let's see if I can name a few," said Leo:

"ANCIENT TIMES:  Assyrian Empire (900-600 BCE) known for their brutality against those they conquered;  Roman Empire (27 BCE-476 CE) various atrocities including mass crucifixions and the sacking of cities like Carthage.

"MEDIEVAL TIMES:  Mongol Conquests (1206-1368). The Mongol invasions led by Genghis Khan. Widespread destruction and mass killings;  Crusades (1206-1368). Religious wars. Much loss of lives on both sides.

"EARLY MODERN PERIOD:  Spanish Inquisition:  (1478-1834). Torture and execution of thousands accused of heresy. Transatlantic Slave Trade:  (16th-19th centuries):  Enslavement and transportation of millions of Africans to the America.

19TH CENTURY:  Congo Free State (1885-1908):  Exploitation and atrocities committed by the Belgians under King Leopold II.

20 CENTURY:  Armenian Genocide (1915-1923):  Mass killings of Armenians by the Otttoman Empire;  Holocaust (1941-1945):  Genocide of six million Jews by **** Germany;  Rwandan Genocide (1994):  Mass slaughter of Tutsi by the Hutu majority;  Bosnian Genocide (1992-1995):  Ethnic cleansing and mass killings of Bosniak Muslims by Bosnian Serbs.

21ST CENTURY:  Darfur Genocide (2003-present):  Atrocities committed in the Darfur region of Sudan;  Syrian Civil War (2011-present): Numerous war crimes and atrocities committed by various factions.

"How do you remember all of this, Leo?," said Hotah.

"Photographic memory," said Leo.

For the next few days Hotah, Leo, and Akecheta hung out in the latter's home. It had been a great time, but it was time to head back to Beloit. Hotah and Leo thanked Akecheta for his kindness and generosity, but the old pick-up was waiting patiently.


Chapter 10

Hotah and Leo got home on Saturday.

Leo was scheduled to meet with the girls at the Kansas Industrial School on Sunday. "I need to pick out ten more poems," he thought. Also, he needed to decide on which era of American history he would discuss with the girls.

Leo chose these ten poems by Tod Howard Hawks to read.

WHO WILL BE THE FIRST?

Who will be the first
to volunteer
to be poor, homeless, and hopeless?

Who will be the first
to live
with no love, hope, and will?

Who will be the first
to be
illiterate, ostracized, and forgotten?

Who will be the first
to suffer
enslavement, lynching, and death?

Let me be the first
to say
"This is not right!"

Let me be the first
to believe
"This is not honest!"

Let me be the first
to embrace
what's kind, generous, and caring?

Let me be the first
to love
you. you, and you.



WHAT IF WIND AND WHITE CLOUDS

What if wind and
white clouds blow by
without a sound to be heard.?
What if all hearts and souls
be one without red, yellow,
brown, black and white skins
What if one kiss is a kiss of all?
What if we miss these truths
throughout our hours? What if
love is all that matters as we scatter
through our myriad lives?



WHAT IF A POEM WELLS UP?

What if I sit
in a silent room?
What if I speak
only to myself?
What if I utter
no words? What if
a poem wells up inside
me unconsciously,
no trying need there be.
I think I should type it.


BUT I SHALL HOLD LOVE

For what is the most precious gem?
It is the blue diamond,
but I shall hold love.
And for what is the greatest wealth?
It is to own more than any other,
but I shall hold love.
And for what is the greatest honor?
It is to have all others bow at your feet,
but I shall hold love.
And for what is the greatest glory?
It is for one to be remembered by all forever,
but I shall hold love.



WE HAVE MINED OUR MOUNTAINS

We have mined our mountains,
we have fished our seas,
we have felled our forests,
we have gathered our grains,
but we have not embraced
the infinite energy of our souls,
which is love.



A NATION, A NOTION

A nation, a notion,
Hegemony or honey,
A cruel ruler or a kind mind,
All for one or some for all,
Aggrandize, or wiser still,
Enough for billions,
Gentle hands for a broken heart,
Lavender love to assuage the pain,
Head on your pillow,
Alone in the dark,
No fear as sun rises,
A nation, a notion,
Take some lotion
And spread it
To dissolve
All borders.



TO SHED MY TEARS

I am sitting on the curb in late July between Al's
Barbershop and Harry's Hardware watching ants
making their way to the gutter where they disappear.
Busby, Nebraska is not a big town--in fact, it's not
even a small town--in fact, it's not even a town. It's
three blocks long, but Ethel's Cafe is open for break-
fast and lunch. And most importantly, it's on the
way to the Pine Ridge Indian Reservation located
in the remote southwestern corner of South Dakota
where I'm headed on foot. I've been to Pine Ridge a
number of times. Something calls me there from time
to time. Not sure what it is--kind of like a spiritual
whisper. Only got 23 more miles to get there. I walk
wherever I go--reminds me of Wordsworth's THE
WORLD'S TOO MUCH WITH US. I say I'm going
to Pine Ridge, but actually I'm headed to Wounded
Knee Cemetery, about ten miles east of Pine Ridge,
where so many of the Lakota Sioux men and women
and children were slaughtered, then buried, the
last massacre of indigenous people by the U.S.
Army in 1890. I sit on the ground and cry and cry.
The dry grasses soak up my tears as fast as they
hit the ground.



I WALK MORE SLOWLY NOW

I walk more slowly now.
The miles are longer than they used to be.
I know where I want to go,
but now I forget to turn left and turn right.
Here comes a pretty woman.
I say hello as she passes,
but I hear nothing.
I saw her, but I guess she didn't see me.
I walk by trees and flowers
that used to be green and red
and yellow, but now are grey.
I need to get my glasses fixed,
but I cannot find them.
I miss Shep, my dearest friend ever.
I hear him barking,
but he died a year ago.
I walk more slowly now.



I FEEL SORRY FOR YOU NOW

I used to hate,
but now I love, I
feel sorry for you now.
I feel sorry you
were never loved before.

You who loathe
and discriminate, I
feel sorry for you now.
I feel sorry you
were never loved before.

You who wish
that hell be black, I
feel sorry for you now.
I feel sorry you
were never loved before.

You who'd torture
and even ****. I
feel sorry for you now.
I feel sorry you
were never loved before.

You are humankind,
but still unkind, I
feel sorry for you now.
I feel sorry you
were never loved before.



I AM REALIZED

Life begins at conception.

For a human being to be able to love, she/he must first be loved, usually by
her/his biological parents, other times by her/his surrogate parents. If the newborn is not loved, she/he will suffer great pain, possibly even dying.

Most human beings do not receive the love they need;  thus, they will
unconsciously compensate usually in one or more than three ways:  accrual
of power, not to empower others, but to oppress them;  aggrandizement of
great wealth;  or achievement of fleeting fame.

If, on the other hand, they are loved, they will love all others throughout their lives, realizing their own personhood, which is their innate sacredness. If they are not loved, they will realize one or more of deleterious behaviors.

When all die, those who have realized their real selves will not have to return to Earth to live another life, because their souls have become pure love that bonds with the pure love of infinity, which is reality that has no form, no beginning, no end. They have become enlightened and will be so forever.

Those who did not realize their real selves will need to return to Earth in  new lives unconsciously to make another attempt to attain enlightenment.

Human life is an illusion, but because of love and self-realization, it remains nonetheless paradoxically the path to the reality of eternal love, which is God.

Know truth by untruth.



Chapter 11

Leo had just selected 10 more of Hawks's other poems to share with the girls this coming Sunday afternoon, but he also had to decide which era of American  history he would discuss with them. Finally, he decided on the genocidal period from 1860 to 1890 during which General Philip Sheridan is alleged to have said, "The only good Indian is a dead Indian."

Sunday afternoon came quickly. Leo enjoyed reading the poems to the girls and discussing with them the period from 1860 to 1890. But he was worn out and immediately returned to the Beloit Cafe, walked up the stairs to his room and lay on his bed and fell asleep instantly.

Monday morning, it seemed, also came instantly. By 7 am, Leo was ready to cook, and he did. And it was a long day. Most interestingly, that evening was the first time he saw that lady who came into the Cafe right before it was to close. Even more interesting was that the lady kept coming in every evening around the same time.  

"Have you noticed our new customer," asked Sally.

"Well, I've seen glimpses of her," said Leo.

"The interesting thing about her is that every evening she comes in, she's crying," said Sally.

"Crying?" said Leo.

"Yes," said Sally.

"Has she ever spoken to you, Sally?" asked Leo.

"Not personally, but she always orders the same thing. I think it's Swiss Steak," said Sally.

"That's right. Someone orders Swiss Steak every evening of late. It has to be her," said Leo.

After talking with Sally, Leo walked over to the crack in the right wall to see this mysterious lady. There she was, putting her handkerchief constantly to her eyes. I wonder what's bothering her, thought Leo.

The lady kept coming in every evening at the same time for more than three weeks. Leo kept checking her out every evening. Nothing had changed.

On Thursday evening of the fourth week, Leo did something that he had never done before. After Sally had placed the lady's order--yes, still Swiss Steak--Leo left the kitchen during working hours for the first time and slowly walked over to the table where the lady was sitting.

"I'm Leo Lottman, the cook. I'm concerned about you. Are you OK?" said Leo politely.

The lady was surprised the cook came over to her and asked if she were OK, but internally she appreciated his kindness.

"Your first name is Leo, am I right," the lady asked.

"Yes, you're right," Leo responded.

"It was very kind of you to come over and ask me if I were OK," said the lady. "By the way, my name is Julia."

"I didn't intend to interrupt your dinner, Julia. I haven't even cooked it yet--the Swiss Steak, right?" said Leo.

"My husband was killed in a car wreck," Julia *******.

Leo was stunned. "Oh, my god! I'm so sorry. My parents died in a car wreck when I was in high school," said Leo, his voice quivering. "I had to go live with my uncle. I suppose I need to go cook your Swiss Steak. And, by the way, don't feel you have to rush. I'm the only person working at this time of evening, so when everyone has eaten, I close the Cafe. I enjoyed talking with you, Julia. I hope to see and talk with you again."

"Leo, you're so kind. Your voice warms my heart," said Julia.



Chapter 12

Leo lay on his bed and thought about Julia. Tears and fears, a poem, Leo thought. Leo could relate to those two things. He thought some more. If Julia comes in tomorrow, I want to go over to her table again and just check in, Leo thought. And she is beautiful and nice, thought Leo as he continued to lie on his bed.

Leo had never interacted with a female until this evening. His heart was warmer, too.

He had been listening to Mozart's Symphony #40, which he loved. But as he listened to it this night, this Mozart's symphony sounded even sweeter. He was dreaming, thought Leo, even though he was still awake. And though he had cooked so many Swiss Steaks, Leo was thinking he'd love to cook them every night. Finally, he dozed off.

Morning did not come soon enough. Leo had never felt this way before, but this new morning Leo felt like he had never felt before. There was a spring in his step and a smile on his face. Leo was happy. He had never felt happiness before. There was something in the air that before was never there. This was great stuff, Leo thought...and felt.

Leo was almost running down the steps. He couldn't wait to start cooking. Eggs, hash browns, grits--whatever you want, thought Leo. Sally, one of the two waitresses, saw a different cook, a different Leo, than she had ever seen before.

Service at the Beloit Cafe had always been good, but as this day unfolded, Sally and Mildred had never sensed this level of happiness permeating the Cafe. Nobody spoke out about it, but it was palpable to every customer and staff. What was going on?, everyone thought.

Leo was extraordinary in flipping pancakes and frying bacon. Eggs--anyway you like them. Cereal--any kind you like. Coffee--we have the best. The Beloit Cafe was humming.

This workday was going by fast. The afternoon went by so fast, the staff barely noticed it going by. Leo felt he could run a marathon. Sally and Mildred were talking about seeing a movie together. If there were a dog in the Cafe, it would be running around tables and chairs. It might even have puppies.

Leo had been checking the time all day--about fourteen times. This time when he looked again at the clock, it was the magic moment. It was quarter to 8! And sure enough, Julia walked in and went to her table. As Leo and everyone else knew, there were no other customers coming in this evening and all the staff except Leo were gone. Eureka!  

Leo couldn't wait. After a few moments, Leo walked over to say hello to Julia.

"Good evening, Julia. How are you feeling tonight? I hope better." said Leo.

"Good evening to you. It's nice to see you again. I am feeling better tonight. Thanks for asking," said Julia.

"I'd like to chat with you a bit, but I know you want your Swiss Steak," said Leo.

"Don't worry about the Swiss Steak. It's not going to walk out of the Beloit Cafe," said Julia. "I'd enjoy chatting a bit with you, but tell me if you feel we're going on too long."

"Won't hesitate, but I am now a free man, if you will," said Leo. "My time is NOW my time. Where did you grow up, Julia?"

"I grew up in Steamboat Springs, Colorado. I'm not a great skier, but I do love the mountains," said Julia. "Where did you grow up?"

"I'm a hometown boy. I've lived my entire life in Beloit," said Leo, "But I feel I've been many places and done many things, because I love to read and listen to classical music."

"Oh, that's interesting, because I love classical music, too. Probably because, as a child, I took lessons and learned how to play the violin," said Julia. "Who are your favorite composers?"

"Well, I've listened to a lot of classic music by different composers, but if I were stranded on an island far out to sea, I'd love to be able to listen to the works of Beethoven, Bach, and Mozart," said Leo.

These beautiful chats continued for several weeks.



Chapter 13

After this many chats, both Julia and Leo felt comfortable in each other's company.

Leo had decided to make a proposal of sorts to Julia.

That Monday evening, Julia came into the Cafe and sat down at her table. Leo came over to welcome her.

"Good evening tonight," said Leo. "How has your day been?"

"Just fine, Leo," said Julia. "And how about yours?"

"Well, the first thing I do every day now is to see if we still have enough Swiss Steaks. I have good news for you, Julia. We do!," said Leo.

Julia laughed.

Then Leo laughed, too.

"I have a question for you, Julia. Are you familiar with Beethoven's third symphony, Eroica?", asked Leo.

"Oh, yes, Leo, but I haven't listened to it for quite some time," said Julia.

"In that case, I have an invitation for you. Would you like to come to my room after eating another Swiss Steak and listening to Eroica? I have it," said Leo.

"Oh, that would be great!," said Julia. Julia never found out that Leo's invitation to Julia was the first invitation to a woman in his life.

"Well, I better start cooking your Swiss Steak now," said Leo.

Leo's heart was beating like crazy.



Chapter 14

Leo gave Julia a lot of time for her to eat her Swiss Steak. When he saw that she was finished, Leo walked over to her table.

"Well, Julia, how was your Swiss Steak tonight?" Leo asked.

"It was as good as all my other steaks have been," said Julia.

"That's good to hear," said Leo. "Are you ready to hear some beautiful music?" said Leo.

"I am now ready," said Julia.

"Just follow me," said Leo.

Leo walked across the room, then walked up the stairs to his door.
Before he opened the door and turned around. Are you OK after your hike?" asked Leo.

"I'm eager to listen to beautiful music," said Julia.

"Beautiful music coming right up," said Leo as he opened his door.

"This is my humble abode, Julia. I only have one chair and it's for you," said Leo. "Beethoven's Eroica, one of the masterpieces! Relax and enjoy."

Leo put Eroica on the turn table and turned the record player on. Leo sat on his bed. His heart was not pounding now. It was exuding serenity.

Beautiful music supplants all other feelings. Listening to Eroica was like relaxing in a warm pool. You didn't just listen to it. The music flowed through you. Finally, the music ended.

"That was so beautiful," said Julia. "Thank you, Leo, for sharing that with me."

"My pleasure, Julia," said Leo, then led her downstairs to the exit of the Cafe.

"Thank you, Leo, for brightening my life," said Julia.

"You're more than welcome," said Leo, his heart pounding again.

Julia walked home and Leo went back to his room, then lay on his bed, and before he fell asleep, thought this had been the best evening of his life.



Chapter 15

Leo and Julia continued their relationship. A number of times, Leo asked Julia if she would like to listen to other classical masterpieces. She said she would. After several months, Leo asked Julia if she would like to go out to a fancy restaurant for dinner. She said she would.  After that, they began on the weekends to go see movies. Julia invited Leo over to her home for dinner.
Then Leo and Julia decided to take a week's trip into the Rocky Mountains.
A year later, the two announced to the Cafe's staff they were engaged. A year after that, Julia and Leo got married. And a year after that, Julia gave birth to a baby boy.

In life, you never quite know what's coming next. For Julia and Leo, it was love.
neth jones Jun 2020
(#6)
Floods of relief
supplants the Thaw
bathed of pollution
i peacock my presence
fashioned for new company

(#5)
After the snows
landscape runs conjugal
Decay to Life
I yawn in gelid air
wake to the view
entrapped within webbed wide world
weft as a **** pulled stilts skein
at warp speed exhibiting
my heroic trumpian wiles
cuz he (johnny come lately) a then
exemplary hedonist, narcissist,
and polygamist dons
comical, farcical, illogical, lunatical...
offal dolled up endearing guise,
when inconvenient truth broached

particularly determining paternity,
no matter countless progeny sport windblown
swiftly tailored mimicked
matted coiffure of mine
resembling hirsute trademark
of appalling though
revered forty fifth president,
nevertheless harried hair styles
in tandem with fabrications riles
the madding crowd - myself included

into frenzied ******* state,
no matter yours truly upholds
voluntary penitential platonic
marital modus operandi
suddenly as one celibate sexagenarian
absent physical *******
intolerable as hemorrhoids or piles
analogous to flat footed
yardbird schlepping miles
joining the long line of exiles.

Vice president of United states
gifted with maiden name Harris,
whose surname same as mine
one I feel like a proud boy to profess,
cuz ma late polymath
papa jack of all trades
self taught handyman skills
as an A1 roofer who repaired
and raised the entire roof
from stem to stern

never contracted shingles,
nor did his prodigal son - yours truly - me
experience the bane of painful rash
that can appear as a stripe of blisters
that wraps around the side of the torso
and caused by varicella-zoster virus (VZV),
the same virus that causes chickenpox,
hence Preparation H
best over the counter ideal balm
to ameliorate painful ****** itch

and thwart bummed out uneasiness,
enjoying consummated adultery
avoiding using uncomfortable prophylactics
(prickly prohibited topic dejure)
though riding *******
doth severely aggravate,
complicate, impregnate, and vitiate
surrogate domestic policy
putting a modern spin
on Anna and the King of Siam

with intent to create aery vision of utopia,
where videre licet barenaked ladies
essentially gamely frolic
in the autumn mist
fomenting one after another
to tease out rock ribbed ready *******
with premature ******* for excitation
Harum-scarum fidelity be ******
bordello supplants "city on a hill"
buzzfeeding ******* bunnies

with fourteen carrots to squire
then politely escort each
to their respective boudoir
in a blatant, explicit effort
to foster and grow caliphate
at the expense of electorate qualm
impossible mission to keep
brood of squired earthlings in the balance
portends especial ominous nightmare
if Project 2025 implemented

also known as
the 2025 Presidential Transition Project,
constitutes a political initiative
published by the Heritage Foundation
that aims to promote conservative
and right-wing policies
to reshape the United States federal government
and consolidate executive power
if the Republican candidate
garners majority of votes

making first day on the Somme
feel like kindergarten tussle
as anarchy rears up across
United States of America
pitting (olive him nonetheless) despicable
unnamed despot wannabe
analogous courtesy unsettled Leviathan
surfacing from the deep cyber sea
against cherished inalienable
constitutional rights buoying

the land of the free
and home of the brave
renting the country asunder,
with incendiary vitriolic rhetoric,
which similar fate befell Vietnam
thanks be partially
to hydrogenated, and promulgated
American foreign policy.
as highlighted below
to recaptcha wretched colonialism.

The (shameful – my input) about United States' foreign policy in Vietnam was shaped by several factors, including the Domino Theory, the Vietnam War, and the legacy of the war:

The Domino Theory
The U.S. foreign policy after World War II was based on the idea that if one country fell to Communism, the surrounding countries would follow, like dominoes.

The Vietnam War
The U.S. supported South Vietnam against North Vietnam, and fought in the war directly. The U.S. trained and assisted South Vietnamese forces, and conducted ground operations, river and canal patrols, and more. The war was costly and divisive, with estimates of over 3 million Vietnamese deaths and around 58,318 American deaths.

The legacy of the war
After the war, the U.S. imposed a trade embargo on Vietnam and severed ties with the country. The U.S. believed that Vietnam had violated the Paris Peace Accords and had not accounted for American prisoners of war. The embargo lasted until 1994.

Normalizing relations
In the 1990s, President Bill Clinton began normalizing diplomatic relations with Vietnam. Today, the U.S. and Vietnam have a relationship that includes maritime security assistance, and partnerships between Vietnamese universities and U.S. higher education institutions. 

The United States' foreign policy in Vietnam was shaped by several factors, including the Domino Theory, the Vietnam War, and the legacy of the war:

The Domino Theory
The U.S. foreign policy after World War II was based on the idea that if one country fell to Communism, the surrounding countries would follow, like dominoes.

The Vietnam War
The U.S. supported South Vietnam against North Vietnam, and fought in the war directly. The U.S. trained and assisted South Vietnamese forces, and conducted ground operations, river and canal patrols, and more. The war was costly and divisive, with estimates of over 3 million Vietnamese deaths and around 58,318 American deaths.

The legacy of the war
After the war, the U.S. imposed a trade embargo on Vietnam and severed ties with the country. The U.S. believed that Vietnam had violated the Paris Peace Accords and had not accounted for American prisoners of war. The embargo lasted until 1994.

Normalizing relations
In the 1990s, President Bill Clinton began normalizing diplomatic relations with Vietnam. Today, the U.S. and Vietnam have a relationship that includes maritime security assistance, and partnerships between Vietnamese universities and U.S. higher education institutions.

Before concluding this poem,
I wanna hammer home,
and nail laughable
personal misperception of
suspecting that roofers
specifically plagued with shingles
constituted from the following materials.

Asphalt: A traditional choice
for homeowners, asphalt shingles
made from a fiberglass or paper mat
covered in tar and granules.

Composite: These synthetic shingles
made from a combination of materials,
including recycled materials,
slate, laminate, and wood.

Wood: Wood shingles and shakes
made from logs of trees like Western Red Cedar,
Cypress, pine, or Redwood.

Some pieces are treated
with preservatives or fire retardants.
Lendon Partain Apr 2022
Need supplants want, except when you die from want and need keeps you wanting death.


Wants have always cost less than needs in this america. then they tell you its your fault as they build your stumbling block.

Cut divine
**** divide

life box cut out sides.
Yenson Apr 2019
I'll tell you this toadstools supplants
My happiness will not be ruined by people who can not find their own.
It is easy to live for others, it's the favorite pursuits of the incomplete . I call on you to live for yourselves.
For you have fears that you trust
and these fears know only too well your strengths
becoming the prince of all you are
Shallow minds are mere copies of prevailing winds
A fleeting flossy essence with no self worth
A copy worth less than an original
A person places themselves on
a level with the ones they praise.
He that undervalues himself
will undervalue others, and
he that undervalues others
will find even less
in himself
A man can stand a lot if he can stand himself
Those that can't vent in hate
Morale is self esteem in action

Real self-worth can’t be earned.
Real self-worth comes from understanding the truth
about who you are and understanding that your value
is infinite and absolute no matter what.
This is the only way to enlightenment,
balance and inner peace.”


When there is no enemy within, the enemies outside cannot hurt you.
~ African Proverb
Prevost Nov 2021
she tore the stars from the sky
and read their furtive message
softly she spoke
“time only supplants what we really are”
“for really….we are going nowhere
we are always here
we have always been here”
"coffee"?… I suggested
“on one condition” she said
“at the completion of such,
our souls should be torn to shreds”
“it is how the naked see truth”
David R Jul 2021
child crafted
thought incumbent
on matter grafted
dross recumbent

child nurtured
by prevailing notions
often kerchered
by doting devotions

child waxes
in social arena
a leaf on axis
as spinning ballerina

child matures
on social mores
as plant secure
on horse manure

when as adult
he follows the cult,
as vogue and fashion
become his passion

or when he supplants
through his advance
incumbent president
or chief resident

and then proceeds to wreck havoc
on age-old values, agent satanic,
it's very difficult to point one finger
on nature or nurture as harbinger

but one things for sure
and that's freewill,
child starts pure,
child won't ****.

there's a step, different to all,
that gives him a chance to rise or to fall,
and that's why, when all's said and done,
a person's responsible for the life he's spun.
BLT's Merriam-Webster Word of The Day Challenge:
#incumbent

— The End —