Submit your work, meet writers and drop the ads. Become a member
Obadiah Grey Dec 2013
Sphincter factor nine approaches
food for the fish n roaches
methinks its time for me perhaps
to open up the rearward *****.


------------------------------------
AAChoo !!

Oh, liddle sister, Josephine,
you sure don't keep your
nose real clean.
got stalactites
o' pure pea green
my infectious sibling
snot machine.
----------------------------------------
I thought that I might shoot the breeze
with God or Mephistopheles
and ask them please to ease my wheeze
of my bad back and dodgy knees
---------------------------
Croak with the raven
bluff with the crow
the urchin
the field mouse
beneath the hedgerow
in a flurry they scurry
away away go.
Yelp with the *****
howl with the hound
and bay at the moon
till the sun comes around.
------------------------------------------
Gino's bar and grill.

Away, away afore Bacchus
doles out befuddlement
and Morpheus has his way,
lest I awake to find myself
in the company of
sodamistic bedfellows
with buggery in mind.
---------------------------------
Harry Potter has grown a beard
he lives alone and turned out weird.
Dumbledore, Albus, no more
turned his toes and 'ad a snore,
Voldemort, who's *** is taut
has no nose with which to snort.
====================

Ahem !!

Behind two Lilies- sits Rose,
then Daisies
for two and a bit rows.
with Poppy, and *****
Petunia, Primrose.
and Bryony - who gets up
- my nose.
----------------------------------------------
Amen.
God bless the Cows - for beef burgers.
God bless the Pig - for their bacon.
God bless the wife n her sharp knife
for the slice of their **** she's taken.

-------------------------------------------------
We can, no more fetter the sea to the shore
nor the clouds to the sky
or tether the glint
in a lovers eye,
As sure as the shore loves the sea
so shall I love thee, together,
together for eternity,

-----------------------------------

It bends for thee
sweet chevin,
the cane thats cleaved
by three,
wilt thou now
sweet chevin
yield, my friend ,
for me.
-------------------------------------------------
There's Marmalade then Marmite
and Jams thats jammed between
the buttered bread of bard-dom
a poets sweet cuisine.
---------------------------------------------
I took up campanology
and fired up my ****.
I rang that bell
to ******* hell
till the busies
came along.
--------------------------------------------
so, I've been whittling away
at a buoyant ****-
fashioned something approximating
a poo canoe-
in it, I intend to
surf the **** tsunami of old age
to-- death;
I have named it Public - Service - Pension.


----------------------------------------------

A surreptitious delightful tryst,
with my honey, my sebaceous cyst.
she's my pimple, my wart,
my gumboil consort.
she's the zip, in which
my *******, got caught.
--------------------------------------
Frayed at the bottoms
ripped at the knee.
baggy and saggy
big enough for three.
faded and jaded
and stained with ***
but I'm due for a new pair--
Yippeeeee!!

---------------------------------------

Ther­e's Cockerel in my ear
and he bills and coo's for you
whenever you are near
goes - **** a doodle doo !!!!!,,,,,,,,

---------------------------------------------

Oh,­ for the snap shut skin
in the blue twang of youth
and to un-crack the spine
on the book of love.
now the gulping years
have flown away
we take sips of the night
and are spoon fed the day.

-----------------------------

Zeus made the Moose to be somewhat obtuse,
a big deer- rather queer- I fear.
then God gave him the nod to look funny and odd
the spitting image of you - my dear !!!

---------------------------------------

Knobbly Nobby.

Nobby has a great big nose
a great big nose has he,
and nobby knows
that his big nose,
is big, as big can be,
nobby has two knobbly knees
two knobbly knees has he,
his knobbly knees,
are as knobely
as knobbly knees can be,
don’t pity dear old nobby
for soon it’s plain to see,
that nobby has a great big ****
as big, as big as three !
now nobbys **** is knobly,
as knobly as a **** can be,
so nose and knee and ****
make three,
and we - are ****- ely.

----------------------------------

The Woman that wouldn't eat meat,
had reeaally, reeaally big feet,
her **** was as big as an hermaphrodite brig
and her **** were as hard as concrete….


--------------------------------

Hearken the clarion call of the crows
afore the snow-
they caw,
hey, get your **** into gear lads-
we gotta feckin go !!!

-----------------------------

Gods pad

I took a peek within
your house
wherein on pew, I spied
a mouse,
and in his hand,
a Bible clasped,
and out his mouth,
a parable rasped,

---------------------

I'd say she had
a pigeon loft in
her eyes and
bluebells up
her nose.

But then again
I wear a flat cap

and stroll through meadows.

----------------------------

Would you care to buy our house?
It's minus Mouse n devoid o' Louse,!
Spiders, Roaches, Bugs or other,
have all been eaten by my brother,
snaffled up n swallowed down
then jus' crapped out a - yellowish brown.
so would you care to buy our house?
from an oddly pair -- devoid of nous

-------------------------

Though the Crows got her eyes
and the Worms got her gut.
comes as no surprise
death can't keep her mouth shut.

-------------------

Bevelled slick edges
and reeaal eeaasy slopes.
Chilli dip wedges
with fresh artichokes.
Wanton loose wenches
and swivel hipped ******
Daft dawgs and dentures
and granddad - who snores.

-------------------

Been whittling away at a buoyant ****
and fashioned something approximating a canoe,
in it, I intend to surf the **** tsunami of old age;
I named it, "Public service pension"

-------------------------------

.
Well,
     I could wax on the wings of a butterfly
but, I ain't that kind o' guy.
rather kick the nuts off ******* squirrels
pluck the wings off - blue assed fly.
I'm the stuff that flops off dog chops
when he's up for it and high.
an infection in your sphincter,
a well
that's jus' run dry.

----------------------------------------------

befeathered­ and bright scarlet
is my ladies bonnet,
jauntily askew and -
lilting on a paramours
grin.

"- Gladlaughffi -"

I'm reliably informed that dear ol' Muma
sported a goatee around his **** sphincter,
now, whilst this is merely educated speculation
from my esteemed friend his "groom of the stool" ! 
who was in fact required to wear a mask,
ear muffs and a blindfold whilst he went about his business,
He did possess reeaaally sensitive fingertips
somewhat akin to a blind man reading brail,,
and, swore blind that said "**** sphincter' spoke him in Arabic
and asked him for a quick trim, (short back and sides)
I myself being a practising proctologist of some repute
am inclined to believe my friend the "groom of the stool"
as I've come recognise -- Arsolian when I hear it !!!!!!!!
-------------------------------------

In a Belfast sink by the plughole
where hair and gum gunk meet
'erman the germ-man  and toe jam
bop the bacillus beat.

________

Doctor this I know as fact
that I have a blocked digestive tract,
I'm all bunged up and cannot go
my trump and pump is - somewhat slow.
I need unction jollop for junction wallop
some sorta lotion to give me motion.
If you could please just ease my wheeze
then I needn't grunt and push and squeeze.

-----------------------------

They are breaking out the thwacking sticks
and sparking Godly clogs
pulling tongues through narrowed lips
at the infidel yankee dogs.

------------------------------------

As a paid up member of the
lumpen bourgeoisie poetry appreciation society
I can confirm without fear of contradiction
that poetry is indeed baggy underwear
with ample ball room, voluminous in the extreme
and takes into account
the need for the free flow of flatulent gassiness
that is the want of a ****** up poet.

-----------------------------------------------

She's a rough hewn Trapezoidal gal
a gongoozler o' the ol' canal.
She's copper bottomed n fly boat Sal.

I'll have thee know that
that there hat
is a magic hat,
it renders me invisible
to the arty intelligentsia
and roots me firmly
in the lumpen proletariat .
-------------------------------------------------------
Said the sneaky Scotsman, Jim Blaik.
if the pension, you wish to partake,
bend over my son, lets get this thing done
and cop for this thick trouser snake !!

I met my uncle Albert,
down at Asda, in aisle three;
he got there in a Mazda,
jus' a smidgen after me,
said he'd traversed Sainsburys,
Tesco Liddle n the Spar,
but not one o' them flogged Caviar
Truffles or Foie gras.


He sidled past the pork pies
streaky bacon turkey thighs
a headin for the french fries
n forsaken knock down buys,
shimmied 'round the ankle biters;
expectant mums to be,
popin pills for bloated ills
in the haberdashery.

Fandango'd o'er the cornflakes
and the spillage in isle four

-----------------

I'm linier and analogue,
a ribbon microphone man
mired in the dust of the monochromatic,
the basement, the attic.

------------------------------

Simple simon met miss Tymon going to the fair,
said simple simon to miss Tymon - "pfhwarr what a luverly pair"
of silken thighs and big brown eyes and scrumptious wobbly bits,
Said simple Simon to miss Tymon---------- shame about you **** !!!

So sad sweet Shirl thought she'd give a whirl to clubbercise n pound

Squat, slightly,
tilt head 45°
and squint.
See the shimmering blurry
dot in the distance?
That, timorous ****,
is ME !
Fast twitching my
narrow white ****
to the pub.

There was a young lady named Sue.
whose ***** and **** was askew,
whilst taking a ****
she'd aim it and miss
and she lifted 'er hat when she blew.


Oh Mon Dieu !!

Obi.
GDC Mar 2017
Sharp stalactites of time
ache inside the knuckles,
in all my joints
And under the husk.

I possess just a few memories
that I've stretched in my mind
To meet the eternity of time
but they're never enough.

I'm in a car
heading somewhere
terribly oldfashioned
with dim yellow light
and don't know why.

I close my eyes
and feel the wheel
trembling in my hands

I am wind
between the furrows of the land,
the dust that sticks to the mantel
with that old picture of dad.

Sharp stalactites of time
coming out of the fingertips
and out the end of my tongue.

I'm in a car
And I don't know how to drive.
Mosaic Mar 2015
My elbow pops
Like the way the word
Snap dragon sounds

My freckles aren't constellations
They're reminders that I am not
Dark and ancient
Like my ******* father

My hair
FRIZZY
Like a pumpkin on fire

Voice
So sweet it makes me sick
And now all my teeth have fallen out

My throat swollen
A cave with an avalanche stuck inside
Dead bats
And stalactites like toothpicks
I don't need

Nails
Like tree bark
Hollow in all the right places

Scars
Like a record
Of the way I hurt myself
Put it on Repeat
Till it scratches

Cheeks like high school
Like humiliation
With four eyes perching
Not lucky clovers

And eyes glued on
With one glued on wrong

And knees that I'm constantly falling down on
Kimberly Seibert Aug 2014
My water tower in the sun, my pillar in the dark.
Rust on a warehouse door, **** anatomy of a shark.
A hidden, naked cartoon, vulnerable and hurt.
The afternoon rays of light, exposing my empire of dirt.

Squid in a dark room, forgotten seat for you to ****.
Discovering rotten apples, the fruitless empty pits.
Far on the *****, the eye is negligent to mankind.
No on has *****, yet "American ****" isn't hard to find.

From this floor to the next, watch out for the holes.
Stalactites are forming, between the rods and the poles.
The gang is all here, each with a gat.
Questioning Detroit, wondering "where da party at."

A symphonic silence, from abandoned piano keys.
For the love of the city, the birds and the bees.
A ladder to assist you, in anything but a climb.
Wasting away the day, when all you have is time.

Where they once opted elevators, they now offer only stairs.
Peacefully residing, in the asbestos, grime, and the glares.
The walls they're all puking, a paint chip epidemic.
No chalk at the chalkboard, a failed academic.

Some sign walls in scribble, some bless us with art.
Beautiful light fixtures hang, while sanctuaries fall apart.
The debris and the rubble, wooden frames and the splinters.
A back road in the city, in the dead cold of winter.

An altar to stand at, with no sermon or expectation.
A pew a sinner can rest, with only God's examination.
A wall devoted to an *****, hymnal at hand.
Stained glass more exaggerated, with shards in the plan.

Dancing on floorboards in rafters, climbing up to rooftops.
Wandering and trespassing, trying to avoid cops.
Panda bears, pillar ****, and playing in the snow.
In the shadows and the blackest rooms, I really like to go.

Pussycats in hallways and the golden lightning kitty.
Posing seductively in vacancy is where I feel pretty.
I've seen the light at the end of the tunnel, I've found King David.
Interrogated with the whys and don'ts, though I wish they'd save it.

Picasso in the projects, Sloth and Marilyn Manson.
Fairmont Creamery Company, a view held for ransom.
Some window panes are for looking out, some for looking in.
Struggle Buggy Snow White still sleeps, forever strugglin'.

I've seen them ask for me, "Warriors come out to play."
Detroit is to me, what night is to day.
I caught Pikachu and have seen a **** elephant.
In the frost of the Fisher, I found a heart that was spent.

But the cardio made of brick, spoke with such sass.
Resting bones at the Packard, in an armchair that's trash.
Patriots are nosey and robots attack.
Never putting an hour on when I'll get back.

On top of the world, or looking up from the bottom.
Abandoned buildings, schools, churches, there's something about them.
Where a tree has a better chance of rooting and planting.
When a society suddenly seems a bit slanting.

Color a flower on a wall that's been broken and charred.
Breathe life into a battlefield, encourage the scarred.
Take away ego and vanity, glance into a filthy mirror.
Don't just listen to a person, actually hear.

Sure maybe at times I may seem a bit morbid.
And my words can be harsh and approach kind of forward.
But when you're standing alone, in a hallways that's dead.
Whose last bell has been rung and last book has been read.

Then you hear footsteps from the floor up above.
It's in that uncanny awareness.
And fear...
I find love.
On winter nights beside the nursery fire
We read the fairy tale, while glowing coals
Builded its pictures. There before our eyes
We saw the vaulted hall of traceried stone
Uprear itself, the distant ceiling hung
With pendent stalactites like frozen vines;
And all along the walls at intervals,
Curled upwards into pillars, roses climbed,
And ramped and were confined, and clustered leaves
Divided where there peered a laughing face.
The foliage seemed to rustle in the wind,
A silent murmur, carved in still, gray stone.
High pointed windows pierced the southern wall
Whence proud escutcheons flung prismatic fires
To stain the tessellated marble floor
With pools of red, and quivering green, and blue;
And in the shade beyond the further door,
Its sober squares of black and white were hid
Beneath a restless, shuffling, wide-eyed mob
Of lackeys and retainers come to view
The Christening.
A sudden blare of trumpets, and the throng
About the entrance parted as the guests
Filed singly in with rare and precious gifts.
Our eager fancies noted all they brought,
The glorious, unattainable delights!
But always there was one unbidden guest
Who cursed the child and left it bitterness.


The fire falls asunder, all is changed,
I am no more a child, and what I see
Is not a fairy tale, but life, my life.
The gifts are there, the many pleasant things:
Health, wealth, long-settled friendships, with a name
Which honors all who bear it, and the power
Of making words obedient. This is much;
But overshadowing all is still the curse,
That never shall I be fulfilled by love!
Along the parching highroad of the world
No other soul shall bear mine company.
Always shall I be teased with semblances,
With cruel impostures, which I trust awhile
Then dash to pieces, as a careless boy
Flings a kaleidoscope, which shattering
Strews all the ground about with coloured shards.
So I behold my visions on the ground
No longer radiant, an ignoble heap
Of broken, dusty glass. And so, unlit,
Even by hope or faith, my dragging steps
Force me forever through the passing days.
Craig Dotti Jan 2010
Part I. When the Saguaro Cactus Blooms

“All mountains everywhere are being worn down by frost, snow and ice.”

“In the brief arctic summer grasses thrive, but too little energy reaches the ground for trees to grow.”

“When Nubian Ibex dual with their horns, the tussles can last up to an hour if the opponents are evenly matched.”

“Rainforest covers only three percent of the Earth, but contains more than half its plants and animals”

“The Shark is faster on a straight course, but can’t turn as sharply as a seal.”

“Throughout much of nature, life is built on decay.”

“Earth’s journey round the sun creates the four seasons, in most places. In the tropics, the sun strikes the earth head- on year round, temperatures barely change.”

“The Great Island of New Guinea harbors forty-two species of birds of paradise, each more bizarre than the last.”  

“As always, where life thrives, trouble follows.”

“Each year a single tree can **** up hundreds of tons of water through the roots, but the trees can’t use all this water so much of it returns to the air as vapor from the leaves on the branches”

“Every year three-million caribou migrate across the frozen Canadian Tundra. Some herds travel over two-thousand miles a year in search of fresh pastures. This is the longest over-land migration of any animal.”

Part II. And Your Bird Can Sing

From my position as being something
Other than what I am now, I saw
the planet Earth which is too impossible to be true.

I saw that land never stands above water.
Water simply allows the tired earth to rest upon its shoulders.

I see places where nothing is alive, save the maggots that feed off themselves,
amongst the cathedral of stalactites and stalagmites and lakes of acid.
No one ever said Hell wouldn’t be beautiful.

I see what was once mountains, now little more than slender, awkward
pillars into the sky. Withered away by an unwavering wind
That blew rigid rock as easy as it might blow
a leaf on the streets of city.

I see that spring even touches the most arctic of locals.
and that you can freeze in a desert that you can fry in.

I see for the first time, the tree as the inverse of itself;
branches into sky, roots into earth.
And I suddenly question paper and hard-wood floors.

And animals,
which we so often chose to deny as our neighbors and brethren.

I met with the Amur Leopard, rare as jewel,
Never before seen,
Destined to lose his home or his fur coat
To the likes of a Russian czarina.

I laugh at the penguin, the sausage of the bird family
and marvel at its audacity to survive
in places its unthreatening, unimpressive body should not.

And in the shark’s eye I saw, as it leaped out of the water
finally engulfing the once allusive seal,
the grace of god, the face of ******
at 1/50th of  the normal speed.

I came across baboons wading through flooded plains
walking upright through the shallow waters,
holding their young above the depths,
predecessors to a two-legged, less noble cousin.

I witnessed nearly every animal fight each other for supremacy,
with the same savagery we do,
but with less discrimination as to who they combat with.

I noticed that countless animals disguise themselves.
Frogs as rocks of exotic hues. Foxes as bushes seemingly on fire.
Bugs as flowers not yet in bloom.
I think I’ll hide myself as a whale
with a harpoon in his side.


I watch male birds of paradise attempt to sing, yell, peck and dance
themselves into a lady bird’s heart;
their Pavarotti, their Don Juanian exploits, their best Baryshnikov
yield them no love, yet my undying admiration is theirs.

I long to be a part of a flock of birds or school of fish,
who seem seamlessly connected by one mind(interwoven by the urge to move)


I see the flower and the fungi bloom, the latter off the former,
in stop-motion photography
I wish to see myself grow in stop-motion.

I swam next to two whales;
a large one whose eyes said to the smaller one,
“I’ll starve for you.”
a small one whose eyes said,
“I will lose my mother when the water is warm.”

I walked with caribou, transient as I am.
Just searching for a place to call home,
both of us knowing that the only stable thing in
life is continuous change.

Part III. Rivers Do Run Dry (See Grand Canyon)

Years later it would be discovered that “HD TV” did not in fact stand for High Definition Television, but rather Hoaxed Depiction Television. Indeed nothing we saw in “HD” was in actually real; rather it was highly doctored images created by the media powers that be. This would explain seemingly implausible animals, landscapes and natural phenomenon seen in the BBC series Planet Earth. Cryptic statements made by the narrator of the documentary (who turned out to not actually be British or a man) such as, “This is the first and last time this spectacle has ever been documented on film.” Ironically, these claims by the narrator are the only truths the entire project has to offer. The images never will be seen again in nature due to the fact that they were fabricated in a Hollywood warehouse.
Bordering the ear of Dyonisius, in the latomia stone cuts of paradise, they stopped at Syracuse. A certain flash of limestone reflected Wonthelimar's court; Marielle Quentinnais, wandering before him on calypso calcareous stones. Her superior powers made her eclipse her from an underground world, to mount towards carbonated stones that made egregious tilts to revive her in her arms. The end of a century became part of her heart with the premiere of the female species that led her to the Shemesh of Syracuse. The excessive temper strengthened it in everything, making it a revived stone from the Miocene with the Avignon characters, colluding through the Rhone until hitting this neat gold stone brought from the arms of Ezpaktul, transplanted with precision and gold typologies, with great Malleable morphologies that carried him across the surface where Wonthelimar was looking at her, his heart almost pounding when he saw her! the waters spoke of hydric morphologies that conferred of her on waters and springs that were inferiorized in disheartened lower levels when he lost her in the forests of Valdaine. Her brackish tears did not stop imputing a micro space with distinguished Psilocybin mushrooms, for an Ambrosia Mercurial compote that Wonthelimar chewed and that had been immolated from the remnants of Eleusis, helping to revive it from the lost space die of the Mausoleum of the Quentinnais. The mantles froze the cold and warm air masses in Syracuse, carried several meters above sea level, with eager extra surpasses by coexisting in the cave blocks, where she would rest with Vernarth in her arms. For the subjugation of the journey that would make him perhaps mortal, retreating towards a three-dimensionality that would raise him above the Pleiades, as Aurion would do behind with his club, but rather leaving behind the cavities that would put his quantum at the mercy of the tiny rosaries that she did, while he was getting ready to approach on the surfaces of the hypogeal speleothemes, like the Profitis of the Mediterranean who spoke to him of music, and of flood episodes with his spectrum in front of her, losing her in a melancholic fervor, being plunged into the hypogeum of Chauvet. The level of her vicious intrigues led him to follow her like an unattainable cousin, but with backwaters that compelled him to think of her master Vernarth, linked to micro images that warned him when he tried to get too close. The floating instants weighed more than a slight depth through accumulations of his retro memory, making him flee from her, and now she was fleeing from him, with large sprays of dew that filtered into her arid aquifer memory, superior to the kart that is established by correspondence when someone supposedly disappears, because their free will is entombed with their stone specter. Due to regimes suffered, there was only one monarch that rose in icy and polar vadose conditions, towards an earthly level where the feet melt the calcaneus as if it were a weak relative ascent towards a couple of beings who loved each other imprecise, and contexts when vivifying their hiding place. in the caverns of Chauvet. He can hardly recall it a shallow light, almost falling without mass towards the front of the stalactites, creating concretions of solid love under the deepest prodigality.

Wonthelimar, had had a vision on the vadose threshold when he came out to the surface with Vlad and Vernarth, being able to realize that the cloying environment made him subordinate himself in the altimetry of his maniacal impossible love, putting at risk the mission of overcoming the fluctuations of his visions, placing precepts in the sighting courses in Syracuse that had him dazzled, and very close to the entrance pit of the Ear of Dionisius. The puffs of caliginous air mass climbed before the beastly decibel of Vlad's chiropterans, falling through the marshes that were found from freshwater by several estuaries, and with decimeters when they tried to adjust their addiction. Solvents in the glaciers looked immutable when they were taken by underwater stimuli and models, still remaining after an extraordinary performance of vague probity, reviewing the details of actualism on the interfaces that led them, causing the water to flee from their bodies and inclinations. Only a few deposits favored the band mechanism to protect Vernarth's burning, which crystallized in excesses of the Sun, precisely when the fluctuations seemed bulky, by coordinating the foreign fattening in its arms, with which it would open the floodgates before entering the Grotto of Dyonisius, with greater rigors of concretion and emotion that flourished towards a maximum extension, which progressively gave rise to the devotional areas that received them at adjoining angles of forty-five degrees from its main arch, where frequencies stood out and the light with the mass of the Sun, distributed in small stars, which leaving campaniles that adhere to the normal area of distribution of the frequencies of the cave, on bands that reflected moved bodies on the mirror of rain that was shown on themselves, such as once striated towards a more tempting rib of the Coralloidal Speleothems. In Catania, they settled in the polis of Artemis's prosapia, on sieges where he led Marielle to past vigils with the Archons of Athens, not being able to subject her to arbitrary vexation.

Marielle was screened behind the Erithrina Coralloides of the Speleothemes, when this deciduous tree changed the color of its foliage in emerald colors, its spines served to deposit the Vernarth clone on its leaflets. After the libation of the alkaloid by Wothelimar, helping him to materialize the elusive effigy of her Marielle, making insertions in her disintegrated seeds allowing him to remove from her back some elytra, like those of Daedalus when she fled to Sicily escaping from King Minos. A snowy thread emanated from the similar ether that was picking through the noses of Wonthelmar and Vlad Strigoi, making it necessary to put wings on both of them to go to the cave of Dyonisius, toning the resins and aldehyde they carried to keep the Vernarth clone alive. Both rose over Marielle who was left with the custody of the clone, as well as their backs released red resins as consumed fuel, which was circularly reconsumed to rise up and enter the cave, resisting the arid aridities of the toxic fuel that was expelled on the Edens of Sicily.
Ear of Dyonisius
I am a miner. The light burns blue.
Waxy stalactites
Drip and thicken, tears

The earthen womb

Exudes from its dead boredom.
Black bat airs

Wrap me, raggy shawls,
Cold homicides.
They weld to me like plums.

Old cave of calcium
Icicles, old echoer.
Even the newts are white,

Those holy Joes.
And the fish, the fish----
Christ! They are panes of ice,

A vice of knives,
A piranha
Religion, drinking

Its first communion out of my live toes.
The candle
Gulps and recovers its small altitude,

Its yellows hearten.
O love, how did you get here?
O embryo

Remembering, even in sleep,
Your crossed position.
The blood blooms clean

In you, ruby.
The pain
You wake to is not yours.

Love, love,
I have hung our cave with roses.
With soft rugs----

The last of Victoriana.
Let the stars
Plummet to their dark address,

Let the mercuric
Atoms that ******* drip
Into the terrible well,

You are the one
Solid the spaces lean on, envious.
You are the baby in the barn.
Ignatius Hosiana May 2015
Arms that rested on her wide hips
I miss her 'grape-ulent'  lips
How onto me she tightly clung
While my harmonic mp3s sung
The walk by nature's green
Moments we dared to dream
She sung alongside Dido
Oh gosh, the "Darling" title
How occupied she kept us
Cut my wings,back down to earth
For all that's happened was worth
I miss placing my arms on her ***
And towing her close to my body
I miss her soft grip on my "daddy "
The look in her eyes when in control
I miss ******* her glorous beach umbrellas
How she ardently put off the lights
I miss the many long and busy nights
Freezing and so I miss her furry furnace
I miss the soft moans of pleasure
She was an undisputed treasure
I long to drink again from her chalice
I miss the tear filled hazels of lust
Thighs like tectonic plates in Earth's crust
I miss being trapped by those stalactites
Her harmless but arousing  love bites
I miss having her thrilling ride
My body would yield and abide
Her little laugh when things got real hot
My rock hard cable in her USB port
I miss the warm cool of her wetness
The milking machine greatness
I miss how whispers talked
Till late after we'd ******
I miss diving alength
I miss losing strength
Skypath Sep 2014
Your lips are a gateway to a realm unmatched by any heaven
A twisting cavern of stalactites through which your voice echoes
Like the thundering of a summer storm
Or the song of a morning jay

Your lips may seem small but really they are the curve of a how
Ready to fire flaming arrows of love and desire through my chest
The flames kindled by words that drip from your tongue like swirling magma

Your mouth is a cavern carved by nature into your bone
To which my tongue is an eager explorer
And though you think that one stalactite is out of place
Really it gleams like all the rest

Your mouth is a weapon of emotion
Your voice a churning reservoir of thoughts just waiting for the tide to rise
Tide pools on your tongue collect the ideas that stir inside you
Within your lips is a hidden oasis
It just might take a few hallucinations to discover
Donall Dempsey Aug 2016
A DINOSAUR EATING THE NIGHT

Death had frozen
his mind

and all his musings become icicles
stalactites and stalagmites  of thought.

He snapped a thought off
an even number of stalactites and stalagmites .

Then he placed them one by
one in his jaws

like row upon row of
dinosaur teeth.

"Roar!' he roared
roaring himself out of this

"whatever it is!"

"Roar!" he roared again

eating the night
and all it brought

with his new stalactitestalagmite
dinosaur teeth.

When the night was all
eaten he

lay back and
fell asleep

inside the dream's
dream.

"Brother!" he said

and his dead brother
comforted him as if

he was not dead.

"Brother!" he cried

but the world had
reappeared

ready for the new day
that was spread before it.
Steven Fried May 2015
Not heartless, heartbroken
not manipulative, not terroristic

Not heartless, heartbroken
the fields of grass sway bright blue and green
under a red sky weeping
horseless, loveless, alone.

It’s not an unerring path
it’s a wounded warrior pierced by stalactites
huddled cold in the winter
a man searching, and hurting, and crying

Better to have loved
to have splintered
to have shattered
to have hurt
than to remain
the King
of Pluto.
Pain
Denel Kessler Mar 2016
I dreamed
there was a evil man
searching for wealth
beyond all riches
hidden in the hardened
sculpture of a woman
there was a hero too
I could not see his face
he journeyed to a sacred cave
to guard the precious treasure

he climbed inside
the statue's hollow center
and held the treasure to his chest
where it radiated
with such intensity
he had to close his eyes
it gently pulsed in his hands
calming the anxiousness
leaching sour
in his throat

the villain
shrouded black
entered the cave
a belligerent pirate
yelling obscenities
where are you *****?
when I find you, you'll be sorry
you think you can hide from me?
no one will ever love you
the way that I do


his craven hunger upon seeing
the lost prize glowing heavenly
beneath sapphire stalactites
left this dreamer cold
he began to tear
at the sculpture's *******
with hands encased in forged steel
spiked fingernails slicing
until shimmering gold bloomed
in the statue's chest

zealously the villain tore deeper
molten yellow dripped
from his over-eager fingers
when suddenly from the center
came a flash of scorching fire
the villain dissolved to ash
without a single sound
the hero too transformed
into a luminous bird
not unlike a phoenix

he shook fresh wings
flexed honed talons
raised his crested head
and from hooked beak
there came a sound
like a choir of voices singing
the hero flapped three times
and soared out of the cavern
into the bluest sky
I'd ever seen
Aaron Mullin Dec 2014
Thirsting
For subterranean
Blue morphology

Azure dreams
Flitting about
On butterfly wings

Mining stalagmites and
Stalactites
Sipping nectar

Numinous ruminations
Illuminating
Analogous mimetics

Allegories of the Cave
An altar for
Pluming rhetoric
Written at Cenote Xunaan-Ha
David Barr Feb 2014
Have you ever heard those flat harmonies of death, where operatic assertions resound throughout damp and ancient crypts of macabre folklore?
Time is slowly running out, and the flame of life is flickering in the winds of captivating finality.
Although haunting screams are like echoes which transcend fatty spreads of digestive mediocrity, the stalagmites and stalactites of gothic caverns display their ***** features which defy rational explanation.
Feel the depths of soulless forests as they chant messages of reconciliation amidst tangled weeds and branches of self-stimulation.
Amitriptyline can facilitate sleep at the end of an indulgent evening.


S
A deep mystery lies within
Equivalent that to meeting a new friend
Are you cold, dark and eerie?
Or do you hold a sense of joy?

Stalactites hold tightly onto the ceiling
Hiding from those below
Stalagmites rise mightily from the ground
Boldly holding their ground to those who pass

There are many different types of caves
There are many different types of people
Stephen Jackson Feb 2017
Stop worrying.
And you'll lose a vital resource.

Diamonds don't sparkle underground
But the Earth always shines under the sun
Certain as darkness burns into dawn.

Pearls lack glamour on the sea bed
But the moon will pull the sandy shore
Certain as day liquefies to night.

Opal shimmers not in earth's cracks
But light diffracts across our vision
Certain as sunsets warm twilight eyes.

Worries have always grown in the cave of our soul
Stalactites formed after years of instinct's delicate drop.

But like expensive diamonds,
worries can scratch and leave scars.
See them as a problem and you'll likely dissolve
See them as a resource and your problems will be solved.

So wipe the dust from the corners of your eyes
Consider worries as instinct in disguise.
Harnessing energy, a gift from Mother Nurture
More valuable than any jewel formed by her organic sister.

Don't envy those who's glass is half full
Half empty is always reusable.
I’ll not take your time, beyond what the need,
To relate to you a story and deed
As there’s no one else to plea this decree …
For just I survived, don’t you see.

I’m an old man, with a mind full of mist
But details of that night in my mind still exist
As vivid and clear, both sharp and exact
No, no mist there – all of it’s fact!

When I was young, and adventure routine,
With excitement and newness still unforeseen
I was eager to spread my wings to the world
And seek more adventures as those wings unfurled

Within my long travels I happened to meet
Two other men, with friendships replete
One was named Beckett, the other one Flynn
And better friends there never have been.

Beckett was tall – an athletic type
While Flynn, the scholar, more of pinstripe
Pinstripe or athlete – it mattered not
It was our essence together and that which it wrought.

Engaged were we in all daring do
High on the mountains, and under seas, too,
We crossed dry deserts, and jungles of green
And other adventures there in between.

We’d been together, t’was our sixth year,
And still our adventures made us cohere
To every madness – to every rave …
Until we decided to enter The Cave.

We discussed the encounter and planning for weeks
And assembled equipment – some new, some antiques
Until at last the day it arrived …
And our excitement?  It still there survived.

The map we used, was bought from a guide
Who told my friend, Flynn: “Don’t go inside”
When he had learned of our journey’s intent:
To enter The Cave, and begin our descent.

The guides’ words, had given us pause
We had thought: What was his reason or cause?
But … dismissed were his words of advice
We had each other … and that would suffice.

With ropes and lantern-hats and other such gear
It was into The Cave we then disappeared.
The light from our lanterns speared into the dark
We spoke very little - made no remark.

Onward, downward, in blackness we went
Placing out markers for our later ascent
The sounds of our footsteps, and scraping of walls
Reverberated ‘round us – as echoed recalls

In about six hours, or maybe ‘twas more
We encountered water upon The Cave floor
And there all around were beautiful shapes
Never were seen such gorgeous landscapes

Stalactites, stalagmites and mineral mounds
And dripping water with its’ “plopping” sounds
Pinks, violets and shades of green hues
And small salamanders made their debuts

We found a small dry spot and then we assessed
This was a place we could stop now to rest.
I turned up my lantern, and took off my hat,
When Beckett said: “Hey.  Did you just hear that?”

I moved not a muscle, and my ears went to strain.
All I could hear were the droplets, like rain.
Then from The Cave’s bowels came a loud din
I continued to listen – then heard it again.

We looked at each other, but said not a word
Confused and startled by what we’d just heard
It wasn’t a moan, it wasn’t a gasp
But more rather like a guttural rasp

One thing was certain, it wasn’t of stone
That could create sounds while standing alone
T’was our discussion, from which to derive:
The source of the sound was something … alive.

Then from The Cave’s deepened black hole
Came again sounds from a source with no soul
The sound was menacing, and one I despise,
I watched the fear grow within my friends’ eyes.

Instinctively, we three then moved as one
In that instant – our re-ascent had begun
I had been last in the line coming down
Now I’d be the first to reach the “above-ground”.

Quickly my feet in the lead, lead the way
Flynn, right behind had nothing to say
My friend Beckett, brought up the rear
And in that position had the greatest to fear

The lamp on my hat pierced through the black
And I looked for our markers to lead us back
To save our strength, nothing was said
Again - the loud sound that filled me with dread.

The sound became louder and closer it be
And I moved faster through the black before me
I could hear Flynn’s breathing, so close behind
I tried to concentrate on the markers to find

Somewhere behind me, then snarls I heard
Loud and vicious, run together and blurred
Close … so close … the beast was so near
Adrenalin rushed through me to react to my fear

T’was then I was hit with an overpowering stench
The smell caused my stomach to turn and to wrench
The odor blew past me, and I knew t’was the breath
Of the Beast of The Cave – its’ oder of death.

I was near running, but down on all fours
Sweat was streaming from all of my pores.
Then I heard those terrible screams
The ones I keep hearing in all of my dreams

It was Beckett I knew in his shocked agony
Midst the snarled snapping of jaws I can’t see
I heard bones cracking and squishing of flesh
And the fear within me gave new strength afresh

My fingers were raw from grabbing the rock
But on moving forward my mind had its’ lock
My stomach still queasy from the stench of the beast
I knew it was finishing its’ beastly feast

I knew, too, t’was only a matter of time
When the beast would return - I had to climb!
I heard Flynn say: “IT’S COMING AGAIN!”
Again was a surge of my fear deep within.

I heard once more the beast from behind
And fought the panic taking over my mind
Something heavy struck against The Cave’s walls
The kind of sounds that ghastly appalls:

A scraping of talons of heavy clawed feet
Caused my heart to double its’ beat
I had the feeling that Flynn lagged behind
I screamed my urgings loud and maligned:

“Flynn!  Flynn!  Catch up to me!”
But took not the time to look back and see
For the beasts’ crashing against The Cave’s face
Told me it neared – and was re-gaining the race

My knee hit a rock, and my balance was lost!
I fell to the ground, and then feared the cost
In losing the time in scrambling free
Again sheer panic stabbed into me.

In less than an instant, Flynn was there too,
His face in my light was of a strange hue
And as he helped me get back to my feet …
Flynn turned around – t’was The Beast there to meet.

The stench overwhelming, but the sight was much worse
There standing before us: The beastly curse
Of overlapping scales in shades of dark gray
The rest of its’ body concealed in umbrae

But its’ eyes … its’ eyes … I’ll never forget
Rheumatoid yellow, and deeply inset
Its’ reptilian lids blinked just one time
‘Fore its’ lips peeled back - revealing the slime

Glistening yellow over dagger-like teeth
Then oozed from its’ mouth to fall there beneath.
The beast reared up, then we saw its’ claws
Sharp and deadly within its’ forepaws

Towering above us, no sound the beast made
On beams of our light had his gaze stayed.
Unexpectedly Flynn then turned and faced me
… With less blinding light, the beast could again see

Why Flynn had turned I never will know
For the beast bit him in two, at his torso
And I was looking at Flynn – direct in his face
When the beasts’ bite his life did erase.

I screamed, and instantly away did I run
Away from the beast, and dead companion
Through the price of Flynn’s life, more time had been bought
To reach The Cave’s entrance – the goal that I sought

Running wildly, several times did I fall
Toppling did not my mission forestall
The beast I knew still somewhere behind
Drove me on forward with my frantic mind

I heard its’ clawed talons scraping the wall
And prayed I’d not again stumble and fall
Then, up ahead, a small opening I viewed
And I saw my chance, with hope there exude

Twelve feet … six feet … then it was three
But the beast and its’ stench was there behind me
I dove through the rock opening, scraping my head
But better that injury than ending up dead

I was elated, and about to rejoice
I then heard a scream – it was my own voice!
In my leg erupted intense blinding pain
Looking down I saw the bloodstain

My leg, through the opening, still was stuck out
There was but split-seconds, before I’d lose it no doubt
I pulled my leg back, and in but a flash
My shoe was removed by a clawed talon slash

I crawled back from the opening, then I could see
My wound was deep, from ankle to knee
Then suddenly through the opening came
A clawed talon whose aim was to maim

I quickly withdrew out of its’ reach
As claws shot through the openings’ breech
The opening too small, for continued rampage
And the beast began then to voice its’ outrage

It’s deafening roars assaulted my ears
Echoed Cave chambers and in my mind did adhere
I began attending unto my grave wound
Knowing I now was no longer marooned.

T’was another hour ‘fore I crawled out The Cave
But many days ‘fore I’d shed the shockwave
Of what had transpired, and what I had seen
And my damaged leg was lost to gangrene.

Now sleep evades me, for my horrible dreams
Show beams of light, and unearthly screams
Of Beckett and Flynn and The Cave we were in
I know tonight, I’ll re-live it again.

So, now you’ve the story, you’ve heard the deed
I swear is the truth I’ve herein decreed
And Beckett and Flynn are enslaved in their grave
And I lost my leg to the Beast of The Cave.
Because not every dream has been alive,
As we hold them in our chests, in deep cavernous wells, of silence, darkness, intuition and empathy,
And we use the words that drips from these stalactites
On paper as we try to connect or connote some kind of meaning,
With an other type of human being who,
Is as lost as you are.
And whose dreams are held too tightly sometimes that they die out,
Like a flame without air.
And the in the air that is too hotly bound to the oxygen we need too,
Breeds a source of discontent for people.

And we read you,
People whose dreams have died a long time ago in the arms of, of a faltering god;
Whose responsibility you take,
Militant faith where you store an arsenal of weapons to use,
When you know you're good enough,
And when you're ready to protect yourself in the arms of something as,
Clean and crisp as rotten air,
yet there is a, heaven within us,
One that you see and try to take, use, misuse and abuse,
Wrapping tendrils of our beliefs around your fingers and pulling it, out,
Like you are pulling our hair, because being good sometimes means you have to be bad,
To enter paradise.
And your dreams lie within that attraction and it's as vulnerable as a flame.
So, you can never, stop, breath-ing.
And so we give you our breath, and we forget time is living, within us,
And that dreams, are not meaningful, unless you deem them so,
And beliefs turn to ash in our mouths, and our fingers become useless,
As our eyes,
Which are now turned inside out,
Because what is paradise, if hell is as hot as flame,
You're trying to protect?
And so the pursuit never stops, In the endless fashion,
To create something worthwhile out of nothing,
And we become clay in your hands,
And we feel you.

And we hold you,
the people, whose parents were the big bad wolf and the wicked witch,
And the monsters that you came to fear so that you hid under the bed,
And in closets,
and let your words suffocate inside of you,
And we the poets, see you, and feel you,
But, you, you, never ever see the beauty in the mirror, before you,
Created by the magic of a thousand mothers and fathers,
unable to complete the job,
And you in turn become the beast, the pumpkin, and the eternal sleep,
And finding someone to awaken you from your slumber becomes a life long mission,
There is no dream here to die out, we try to enliven you with our own,
We set you on fire in the nighttime,
The time when you believe all, comes alive, and a human touch,
That leads to an ****** or two, is the medicine you need to,
Climb, over, the, top, of, the, cliff and find, a way home;
But touch becomes emptiness, it dries up in our hands.
We are the dirt in your claws, and,
Like some thing has died, it turns to dust between your fingers,
And the more you, try to have us,
The more purple, black and yellow we become,
The smaller we grow,
in the cinders of your dying fire,
And we find beds to hide under, and closets to hide in,
Because dreams are something, not everyone can have,
So we hid ours deep enough within ourselves,
Because any flicker of any kind of intention, or emotion,
Is enough for your ancestral traumatised hands,
To try to dig it, out of, us,
By force, of necessary.
And we, feel you.

We tell stories.
Far too many of love.
Of people and love,
of a displeased marriage, whose loss of faith in love is renewed,
By someone else's smile,
That you take and wear them secretly out In a back bedroom,
Behind closed doors, behind peoples unmarked backs;
Where lost souls go to be reborn into new names and bodies,
And you take their body, and consume it,
because you were given a smile, and,
A smile in your language means some thing completely different to mine,
And this is what dreams do without air,
and won't let go of the *******,
And the alcohol,
and the ****,
and the songs that you listen to when you feel like,
You......are......dying, out,
And the fuel is running low.
****.
There is no ******-e in this story,
But the chase is un bountiful and therefore never ending,
And we try to become everything for you,
The fairy godmother, the prince, the magic wand,
And we try to consume you bit by bit,
Eating you up, in hopes you'll grow, bigger,
And meanwhile we are posioned by the food, exhausted by being made the demon, and
The madness that sits at our table is relentless,
You, are the by-product of a lost womb, and a fatherless hand,
And our dreams flicker in your tornado,
In the storms you create, in order to ravage, some emotion,
And, we, feel, you,
Oh, my, love,
We feel you.

And we the poets we take it in,
We see it all.
We see you angry, and disatissified,
We see you breaking,  broke and broke-n,
We see you destroy, thus, we are destroyed.
Our petite precious souls, with our epic hearts, our universal souls,
And that place where we hold our dreams,
We let you in.
Because we have warm fires, Big arms, and we,
We can create magic with our mouths and our fingers,
And we can help you to forget where you are and what you are,
As you, drag your fingers, round the cavernous walls in my chest,
Looking at wonder, that I've held within me , all. This. Time.
And we, the poets, can do this.
Because we have risen before and we gently glide in the night,
Looking for the sandman to pay a visit,
So that we can rejuvenate our eyes to stop seeing why,
We are not loved, oh so much, as if not so right,
And if, how, can, why.....?

Because here within in me is where your dreams came to die,
And my fingers are like pens of withdrawal as I try to **** you out of me,
Or us. We,
Are the ones whose hearts become so heavy, you will have to hold your breath
Pretty ****** tight to dive to the bottom of our seas,
To find a dead mans locker, where our love is buried.
And your faltering god, and your displeased marriage, and the mould that grows, through your ancestry,
Is no match, for us
For we are the poets, and we tell here stories, because we can't just write, a book;
The words....just don't conjoin together enough to make, me an author, worthy of a paperback,
firewood for someone's belly,
But simple words, here are built,
To keep the flame alive.

Because we are not some flittering, falling, pretty,
little whispers of things; we do not come bearing arms,
Or a key under the mat,
Or gifts at the end of the bed.
Do not be mistaken that we are the wick to your flame,
We are not treasure hunters, we do not find gold, and silver,
We are not jewels for you to sit and pore over in the night,
We do not want to join your crusade.
Because we, the poets, are the keeper of words,
The holder of dreams,
We have caverns within our chests, so large and vast,
Dreams cannot die out, or suffocate from you.
Because you, are the stories we write about,
A million souls who use their emotions as bullets on paper,
A billion breaths weaving together inbetween rocket fuel tears,
Ignited by you, a match we use to burn a new script,
A thousand pairs of hands building a home so big,
where you can never find the lock,
Because we are the poets, and we are the keeper of dreams,
And our flame never dies out.
Shannon Jun 2014
Seven times I told you,
Seventy pins in seventy dolls on seventy dusty shelves in New Orleans backrooms.
Seven times I warned you
Seven hundred aches, seven hundred acres
I run across.
I outrun the burn and I outrun the grief
The witch in me, I race with her too.
Seven miles to run, seven miles behind.
And I pass that playful laugh of yours, grab at it
and stick it in my pocket, shove it deep, deep in my pocket.
And I pass that twinkle in your eyes
and I grab that too,
send it on a paper rocket flying the speed of light into seven universes far away.
I grab that last promise
the one that was slippery and hard to hold onto.
I grab it and hold it tight
And I run.
I told you I would
(you looked so surprised).
I run and my bones hit the ground with the rhythm and pulse of a tribal drummer
He drums out in my head
Run, Run, henny Run.  
He drinks my optimism from a cup, then beats his drum. Run, chickadee, run run.
He vomits my clarity at my feet all the while his brown weathered hands drum a ceaseless beat. Run, baby. He loves you not, run.
On the seventh day I run from you and
I find that I am made now from the down of your hair
so I run until I am bald.
I find that I am made now from  stalactites dripping from your tongue.
Celtic knot of assurances and reassurances.
I am made up of moments that I didn't make.
I am made up of your indecision. They bounce gleefully "I don't know, I don't know..."
they insist as they hit walls and corners.
They are lazy, I outrun them with ease.
Seven times I told you,
Itchy souls need to find a branch for stratching.
Seven miles between me and you
Seven hundred to go.

Sahn
6/12/14
thank you as always for reading my work.
Danielle Renee Nov 2012
Teaching me the correct way to make
a paper airplane. He took me to his bindery.
The machine beats bustled and roared and shook
the unruffled metal walls that made me feel
like I was sleeping in the middle of a dragon’s
den, its snoring breaths protecting me
from fathers who didn't know how to be fathers.

I just finished losing all my teeth,
the new ones growing in at different speeds,
my front two like frozen stalactites from different
ice ages. My hair was banana yellow blonde and I liked
to compare myself to a younger Britney Spears.

A potential avalanche of paper next to the metal walls,
vexed by one deep exhale and the pieces
would go up and around like dandelion parts.
My father, forever bound to binding the parts together.
He brought me a single sheet and began twisting and folding.

I always hated him for his genes, for having a Russian
heritage that made me annoyed at the klutzy appendages we shared.
Is it funny that I lie and say I'm Welsh?
It's not funny that I can remember every detail of his over-sized,
meaty hands, how he kept that silly ring on his finger,
the graying knuckle hairs peeking out:
free me!

Not to say I think about him every time I make a paper airplane,
but not to say I don't.
11/7/12, a revision of "Didn't Your Mother Ever Teach You?" from 10/12/12
Installed in the Eclectic Parallel World of the invisible portal of Saint John the Evangelist, everything levitated in his sacred basaltic cavern in Katapausis, in the Patmos archipelago (Koumeterium Messolonghi, Chapter 16 / page 114. Editorial Palibrio-USA). They would find themselves in communion with the clan count, resembling being in their proper ectoplasm; conforming to the only part of masonry ruled to redirect them in the messianic workings of the ascension stages. Vernarth; he besieged in the conscious state of him having to adhere to the cavern, after having finished his labors by waiting three months. He risks being consumed by the myriads and conflagrations, retracting them in parapsychological clouded ways, which subsisted to consecrate themselves in the lavish places divided towards the horizon. The iridescence threatens the primary ultraviolet, lifting the carriage of Apollo Citar, a neighbor of the astronomical cave sketch of the Muse Urania. A lame nuance escapes and dissolves from his mathematical prayer, capturing the spiritual intensity that inspired Saint John to build the temple near his cave of the Apocalypse on the island of Patmos, inserted in the death throes of his embryonic revelation, to pour him into the Megaron to build.

The saint appears only on certain days looking at Vernarth from afar, to encourage him in his progress on the rocky rocks of sharp silica, he is seen as a beautiful adonis dressed in a chlamys with delicate pinkish tones. With such scruples, he redounds a psalm of the angel that normally accompanies the Evangelist around him, with greenish and indigo tones in the perspective quadrinomial of heaven, that he was perishing in his most afterlife redemption in the glory of the empyrean. More convenient than the superlative spiritual intelligence irrigated with the aldehyde, and the condensed water of Skalá, in hecatombs that indicated anarchies of the luminous prophetic men and the habit of the exokarstic soil, endowed with a small perforated Epsilon demon, obtaining its chemical weathering in certain limestone rocks, dolomite, and plaster. Diverting the attention of Etréstles that he glowed overwhelmed and charred. He was not stopped by the currents of splendor and the stormy pollutions of Cymopolea, in his hieratic invocation of the scalded typhoons of the drills of Hephaestus. This demon could be Tytillinus timorous in the defections of the deities of Mnemosyne relegating himself from his precepts, which according to this legend induced protervas inclinations of the clergy during the omitted religious services, he is the one that Saint John the Evangelist feared, that he would not give him the Asfalés Pérasma “license” to enter and be able to commission them in tasks that had been predicted for the Katapausis services after the quarterly. The Travertine silica, with residual sedimentary rocks, was partialized from the extrinsic biogenic that is deposited outside, the travertine predicted the monumental rocky karst of Patmos, for the secretions of calcium carbonate, among so much modest certainty taking you through the Invisible Eclectic Portal, and their Mundis Parallel that crashed with attached carbon molecules that, in disarray, manned them. The chasm was a cascade of weathering that became stalactites in the runes of the travertines, Thermo dynamizing the cavities that were conceived in the invisible caverns, under the parallel caves of the translucent travertine and in the sapwood of the troglodyte ghosts, materializing on the top wind tunnel.

Vernarth; I was with everyone working in the building of the Temple near the outside walls of the Cavern of San Juan, there was Etréstles Eurídice, Raeder, Petrobus, and Alikanto immersed in the Aulos who rang about exciting their ears with the royal denotes, which always had a special quality when he remained in Kalimnos. In good ink, knowing that the entire limen of proximity to the cavern was flooded by the enigmatic revulsive with the presence of Tytillinus, all are reordered towards the poles of tangible etherization with Psalms 120 to 132, thus they would give the antipode disposition with the Divine Mercy, to compensate the crown of the fifteen hours in the afternoon, thus disintegrating the agonizing parallel world that coincides with that of the fifteen hours in the morning. Somehow refraining from the northern paragon with the Tytillinus' shadowing, with the hooks of bewilderment and its scathing thoughts. With precisely this conspicuous shape; Vernarth will allow himself to be swallowed by the beast and reside in his abrasive stomach, making him believe that it will be consumed by him, so that he will soon fall close to it when vomited, thus confusing him, to make him believe that he was the same baby from his conceived womb. Vernarth manages to capture this exotic sinister image near the sinkhole, seeing him depressed in the Tytillinus Prisco; where all attentive listened to the textual vocabularies of the beatific, with the fruit of Karpos, for the benefit of a descendant gained by defeating the devil.

The European Sibilla carried the Gladius in his hand but exchanged it with the Xifos alternately for the death of innocents entrusted by Herod the Great, and for the evasion of the Holy family into Egypt. This confirms the liturgical grouping of the Easter Triduum; alluding to the passion of Christ, and perpetrating the pain of the Devout at his death, and triumphant at his resurrection. The sense of surrealism transports Saint John digging in all the layers and hordes of the Faith, his component of tribulation moved in the Egyptian and Greek cartography, mobilizing the triangular areas of the Palan, which moved in a geometric block reaching the edges of the hypotenuse gradient and the wind tunnel that lifted them, cornering the beast that visited them, pretending to be weak and imprecise. The man will carry the simile of his name, with hyperbole more or less in men who dare not to anticipate the conflicts of the gained space.

Vernarth, plots to continue insinuating with his labors, sees with optimism escape from this calamity, calls everyone to be close to the law ..., once they continued taking the steps towards the cavern. He emerges from convulsions on all edges of the cave, leaving everything dark and with vanities deterred at the end of the temporal Mundis Parallel. In the intermission, Saint John towards the response of Psalm 120 to 132, the fiery roar of the playful roar of the Tytillinus interferes, banishing the shaking of its **** to banish it from the Basilisk's egg, avoiding creating its heavy monarchy over them by prostrating them, as if to dissent. by being repentant or beheaded. Saint John the Evangelist will be an egregious demonologist, compiling thick volumes with the names of the attributions of each of the demons of infernal hierarchy. In this Venusian Aion symmetry, he moves them interconnecting with sublime periods where the intuition of the zafral of the human scale is lost, and of the archetype of Satanism or Satagenesis, with austere precision that includes Leviathan, ruler of the demons, to Ukobach, procurator of keeping the infernal flames alive. So that the manumission of slavery finally reigns according to one's own demonized moral individuality. The amount of an invocation of this type is always the soul of the unconscious individual, who will end up going to be squeezed into the underworld. The demons are invoked and they will invoke themselves in their dawn, to walk in their own darkness of the stagnant past, the mechanized present, and the multidimensional conscious future by means of exclusive enchantments that will be found here in the Mundi Parallel of the Invisible Eclectic Portal.
Codex XXIII - Mundis Parallel Portal Eclectic Invisible
S Olson Dec 2017
Overcome by this inverted lightning, i storm
into an abbreviated tomorrow, where i flood
into the dreamscape of today, eyes raining

down and inward. i sleep forth into the world
of waking, overcome by the temperament
of this mummified mouth. clawing the dragon
now hungry for my golden intimate currency

our love hides at the ends of my fingertips.
Fire nibbles the soles of my feet through
to my own heart, crumbling me clouded

where i go blind. i am sorry, marooned
on this island, where the corals reach down
from the sky. where stalactites rip the sails
of all incoming boats, the dragon survives

in an ephemeral artery, or in some capillary
where his teeth reign over whatever empire

smothering into, he becomes my face

to she that saves me. i have learned to love,
in that love has shown me it is beyond me;

where
the dragon follows my fingertips to your hair,
you walk beside me. where i am given i,
but awakened, beneath a golden sky

the dragon suckles everywhere

that i am saved. by the weapon of giving,

we carry an honest love
between our outspread palms

richer in treasure is
the continental freedom of having
washed ashore together.
Picture this Jun 2015
Wondrous Love

Our love is as solid as the ancient rocks Stonehenge
Strong and as long as the Golden Gate Bridge Extends
Romantic as the sparkling Aurora Borealis lights
The Hanging Gardens of Babylon, held tight like stalactites

Our love can move Everest, make the Pisa tower lean
Spiritual and earnest, as Jerusalem's serene
Occasionally a fight in Rome's Colosseum
Woeful regrets laid bare in Tutankhamen's museum

Our love is impenetrable like the Great Wall of China
Shiny like the Pyramids, there is nothing finer
Deserving of a shrine at the foot of Temple Artemus
Polar Ice caps could never melt our ambient musk

Our love is higher than the Empire State can tower
A jewel within the crown of the Taj Mahal's power
Colourful as the Barrier Reef, the love we feel inside
Grander than the Canyon and deeper than it is wide
Taylor Hadley Jan 2011
Sittin in High School
One of my fondest memories
Wasn't of sports
or seeing the pretty preppy girls walking around in mini skirts and loose v-neck shirts
Knowing that they are out of my league

Surprisingly it was the rare moments that I would put my head down in class
Just close my eyes and think
Slowing drifting into an odd state that I know we all know

The state of complete relaxation and the definition of calm
The time between zonked out and aware of your surroundings
The point where your ears are the only thinks that work right
You listen to conversations going on around you
Ones that continue over the top of you
Whispers gliding gently over the back of your head
Kissing your hair to reminding you there are still people in the room

But in all reality you could care less
Looking so peaceful, calm, and still
Arms folded and head resting upon them

If only people knew what type of demons you are fighting in that deceiving head of yours
Legs begin to twitch as you spring through an unfamiliar jungle
Being chased by a pack of rabid
Twelve foot long Caterpillars
They lay Seven feet high
Two foot thorns coming out of their fast, round, jiggly bodies
Mouth gaping like a cave
Teeth that resemble stalactites and stalagmites
Dripping with a bio-luminescent substance that has to be poisonous

You hurtle rocks and logs
Ninja slide under giant tree roots and low hanging branches
While running you must swat away gigantic ravenous butterflies
They are pretty, but not very nice

Sweat pooring from your body
Blood pressure is running through the ceiling
Panting heavy
Scared shitless

You make the mistake of looking behind you to see if you lost the beast

And you trip...
Falling ******* the ground with a loud thud
Starring up as the caterpillar leaps into the air and in slow motion comes down
Jaws open
Mouth watering
Stomach hungry
As he begins his decent your mind is blank
About to die

With no warning the ground below you disappears
Falling into a black abyss of nothing
The bottom appears quickly
You brace yourself to splat on the ground
As you hit the earth
You jump wildly in your seat with a loud yell...

The bell rings with the class gazing at you giggling
Filled with embarrassment   you pick up your things and quickly shuffle out of class
ATL Sep 2019
I’ve spent the whole of this evening
drinking bug repellant and
wrapping my brain in gauze

because small shifts of her feet are registered on the richter scale
and my chest
is crowded with stalactites.

there are paintings inside of me;
a maudlin girl with porcelain skin unfolding onto velvet,
bleeding into other men.

her crying gave me tinnitus,
now my ears leak silver-

their canals are comprised of melted
nickels forgotten  
in the center console of her car.

come winter I’ll cast a ring,
though I’m terrified of snow.

It’s always sedatives during hangovers,
until every blink feels like pouring dust on a patch of dry grass in the sun-
bleached white.
Trevor Lamberty May 2013
As far back as I can remember
I wanted to be a
Paleontologist
Someone who looks at the old, decayed
Bones of creatures that never asked for
Love.
I wanted to be someone who dug through
Inches, feet, yards, miles of dirt
For a charred fragment of bone
that was so far away from
Home that the only
Contact it could make with its family
Was through the wires of the
Telephone
I wanted to be someone
Important.
Then that phase passed.

Later on, I wanted to be a writer,
Because there’s something about
Creation that’s so spontaneous
That it can lift souls higher
Make hearts lighter
If you do it right.
I wanted to write an expansion of
Cliché in such a grandiose way
That could make everything
Seem
Just right for some night when
That rush of creativity spills through
My fingertips
Like water dripping from the stalactites of
A cognitive cave of irrelevance
I just wanted to write.

Well, then that phase passed
And I wanted to be a doctor
Because there was something about
The cure that kept me up at night
Wondering how innocent and pure
That baby’s face is as his mother is
Carted down the hall on a gurney,
Who barely lived to see thirty years
On Earth
Whose constant fear of
“How will they survive”
sat on the first tear she cried
When her doctor diagnosed her.
That woman who had so much time ahead of her
But whose debilitating cancer always kept her from
Home.  
So much so that “home” became an
I.V. bag and a hospital bed.  
So much so that
“Home” went from fireplaces and kittens
To MRI machines and seven minutes
To live,
So much so that “home” became a myth.

And there are a lot of myths
Today.
There are myths today so farfetched and
Filled with hate, like
“It’s a choice, the one with whom you
fornicate” and
“It’s not that you’re a bad person, it’s that you’re
a disgrace, but I’m not trying to discriminate against
you.”
And they say these things with such distaste that they
Forget those with whom they’re supposed to relate
And love.

But now, love has become something
Blurred
Something obscured by religious fanatics and
Old, dusty books
Something regulated by governments and
Followed blindly by people at the risk of being
Burned, something
We’re afraid of.
Love.
The most toxic word
In the English language.
The word that makes and breaks
Empires, the word that lights
Fires in the hearts of men and women
In the most remote places,
The word that connects hearts
Instead of faces,
That fills a thousand vases
On the altars of every church
That allows people to
Love someone for who they
Are, and as each heart races they
Find the real meaning of  
Love.

Because here’s the thing.
“There is no love without hate”
Now that’s one of the few things
You can appreciate,
Your right to hate
Please.
Don’t feed me that line.
Because we both know that,
When you’re older,
You’re just gonna end up
Crying in the corner
Like the spoiled little
Brat you’ve always been,
Like that boulder of hate
Was never lifted off your
Shoulder
And why should it?

So let it fall.
Let yourself give in to
The pressure
Of defeat,
Like that dinosaur
That only wanted
Something to eat
But instead was
Cheated out of every
Chance it had to live.
Feel it burning
Deep inside you
All that hate
Yearning to get out
Let it consume you.

Maybe someday,
Someone will dig up your
Bones.  
Maybe someday, someone will
Remember you.  And
Maybe they will label you.
By your species.
J'aime les grottes où la torche
Ensanglante une épaisse nuit,
Où l'écho fait, de porche en porche,
Un grand soupir du moindre bruit.

Les stalactites à la voûte
Pendent en pleurs pétrifiés
Dont l'humidité, goutte à goutte,
Tombe lentement à mes pieds.

Il me semble qu'en ces ténèbres
Règne une douloureuse paix ;
Et devant ces longs pleurs funèbres
Suspendus sans sécher jamais,

Je pense aux âmes affligées
Où dorment d'anciennes amours :
Toutes les larmes sont figées,
Quelque chose y pleure toujours.
It looked all right through the windows of
Our cosy sitting room,
The day was light and the sun was bright
But the house was like a tomb,
The other rooms were as cold as hell
With their stalactites of ice,
That dripped from the bedroom ceiling down
To meet the stalagmites.

I’d settled Eve on the couch and spread
A blanket round her arms,
I didn’t think I should tell her, just
In case she became alarmed,
She’d spent a week in the sitting room
For she wasn’t feeling well,
How do you say, ‘We’ve fallen into
The Seventh Circle of Hell!’

They taught us the laws of physics were
Impossible to change,
Gravity, mass, and basic math
Had a certain, definite range,
But men of science had interfered
With the particle known as ‘God’,
They’d built the Hadron Collider and
The results, they said, were odd.

I could have told them how odd they were
When I went outside to see,
My car was covered in mushrooms
And a train sat up in the tree.
A whale was floating beneath the Moon
And a porpoise lay in the park,
The light was bright in the sitting room
But outside, it was dark.

Nothing remained the way it was
For all the colours had changed,
The lawn, the colour of strawberry jam
And the sky was rearranged,
The stars were falling like sequins in
A cluster of drops like rain,
And ice was forming up on the eaves
That tasted like champagne.

I went inside and I slammed the door,
I turned on the News at 6,
They said there’d been an apology
But it wouldn’t be hard to fix,
They’d run the Collider backwards to
The way that they’d done before,
And hopefully, the ‘particle God’
Would be as he’d been once more.

I sat with Eve as the sun went down
And I tried to keep her still,
Away from the hallway mirror so
She wouldn’t scream or squeal,
The lines were deepening on her face
As our lease on life had lapsed,
I hoped she wouldn’t go out today
With the world outside, collapsed.

The sun rose up in the morning as
It had for a million years,
And everything was familiar,
They’d run the thing in reverse.
The News went back to the good old things
We were used to, from before,
Stabbings, murders, infanticide
And that good old standby, war!

David Lewis Paget
Julian Mar 2019
Flippant polymaths exude the frippery of travail for lapsed inordinate surgical gains in temporal but temporary acclaim that owes its provenance to the gullarge accentuated by the guttural tempests of silent windfalls that wrestle with sharks and snarky cagamosis with pilfered fame without rulers for rules that own the profligacy of a cineaste game

We cannot surpass our talents with ease when the treecheese of inevitable distance between equipoise and insanity is a tantamount inanity of prolixity for the sake of freedom rather than servitude to the slow meandered steps of trudged verbigeration that needs to be exorcised from the seat of authority for the plodding inconvenience of time earned that shakes the listless yearning people who lie and spurn

Demagogues are trifles because they are anoegenetic and care not for the abligurition that consumes the energy of a dismal life lived on fringes rather than reaped with grimaces for binges that continue to absorb the painful pangs of twinges that hedonists are of interest

We cannot exorcise the demons that give stygian weight to exchequers beyond the gamut of money but rather the currency of velocity of thought that owes its weight to weightlessness of spaces between the spacious and the limited tract of isolative territory that many mendicants looking for sustenance travail in insolence and in perjury of their solemn duties for self-serious honesty they lack a vista to see their crimes as more than just a pettifoggery of disputatious wranglers that wrench and then contemn the objects of their moral scruples to contend with nothing but the vacant expanse of a limitless injury for a momentary slip of cultivation and countenance

Frippery is hard to cobble with lapidary wit because succinct grievances are fallow ground for the permanence of atrocity and the temperance of felicity to conform to the desiccated pathways of limpid but livid excoriations of willful ingenuity met with aleatory rambles that sprawl incalescence with words as a dying occupation that is resurrected from the abeyance of its pragmatic utility to distinguish class from crust.

The triadic fatuousness of snarky sharks recruiting the gullarge of paranoiacs to deputized alacrity lead many strident vocations astray as they pilfer the nullibiety of spectral ignorance and defy the gravitas of the primiparas of a swollen technocracy, an outrage that scarecrows with prevenance have adumbrated against with strident accelerations of sublime velocity

So we swim in perilous straits against the demiurge of inclemency in fated rittles for the turpitude of wraiths and engineer every aborning day a new foofaraw of unalloyed atrocity
Now more than never should be deployed to ensure that the castigation of scoundrels and guttersnipes that exert a rip tide to those stranded on the shores of littoral desiccation might find the pristine beachgoing public an amenable treat proffered by exorcised sheepishness in reiterative bleats that quarkswarm only the antinomy of sentient masteries by shoveled civilizations proctor to horological insistence in design

So we designated an abeyance of heydays to create a rippled nostalgia that creeps in the winter storms that singe even glabrous ignorance with the twinges in absentia of the regal crows that circle the sun as the sustenance of the alighted moon as we reach for the heaved Richter teeming with ablution for venial commination of prolix croons that exert a Palo Alto rhyme

Phenomenological fields distal to the cephalocaudal origination of limber and the ironic counterpoint to that strife in excess rather than dearth of the henchmen behind the exchequer showcase that fluid thoughts surpass the limits of the dentistry of cosmetic cosmology simultaneously a scientific boon but a coarse albatross

We are criminals in a world stranded by ****** apostasy because of the sincerity of minstrels meets plodding human ignorance as exemplars rather than the apotheosis of divine excoriation of wastrels and flattybouches who webdoodle their way into the extinction line in some computer file swiped from eccedentesiasts who often in uncouth barbarity forgetfully abide without the temperance of floss

So what are we to make of magisterial wits of wiseacres who pilot tenable objectives like Indiana Jones flexing his comical whip when the gunfire of cacophony inundates our ears with a lisp of cockalorum imposture rich in chewing tobacco and its ungainly gripes and tenacious grip

Should we seek salvation from the treecheese of arboreous terrain amenable to the newfangled windfall of agricultural whims that dare now with caprice but not quixotic disdain to reconfigure the parsimonious levered engagement of melliferous fungible transaction between sabbaticals and chief financiers dubbing the vociferous limn of the primeval fulgurant incandescent ethereal quips?

We strive for palaces issued with dimes, dozens and scores of retinues that retain the patina of sophistry as the gullarge makes the vangermytes cozy in their defensively mechanized citadel buffered against the unheralded malversations of mammon intersecting with primordial chemistry that give the philanderer a guise of philanthropy despite professed gainsay that perjures because hucksters are winsome with fiduciary risk

So we calumniate with lapsed puns and Potter’s Spells as we dredge the indemnity of bustling heydays that extend beyond the bailiwick stated because of the prolonged trace of nostalgia that frazzles our voluntary expeditions with misanthropy as each libertine instinct becomes subject to stop and frisk

How to balk at such a garrulous repartee as proffered by swanky intransigence that shakes it off in a quaky town that hates the Swift refrain that endangers the fatalism of recuperated foresight borrowed from the armamentarium of corrupted killjoys who swim in a dalliance with the itchy myths that drift from powerlessness to voguish debauchery of insouciant internecine fringes frayed by the tomes that decry Stygian drift

Shiftless and rooted in rintinole absolved by plackiques that enchant the voyeurism of repined squalor of industrious frippery deracinated from the aureate complicity of largesse calibrated to mobilize the skittish mercurial yuppies to a dance with divestiture, taxes and an earthen death, we sprint the evergreen mile toward the scrupulous invention of enthusiastic euphemisms arbitrated by the procrustean silt of the leaky faucet of enigmatic timelessness etched by chiselers to beat “Us and Them” and warn the vanguard of the front rank about the thespian rift

Exhaustive rescue squads prepared for the dearth of monetary heft in times of perilous drought denigrate the authors of famine to the indulgent parents of inordinate sabotage of narrative for riskless arbitrage that is the outrage of sciamachies between platonic indifference and the tantrums of the feckless in the dangerous hearth of the cavernous wilderness of limitless imaginations that stagger so far beyond orbit they become satellites to vagrancy and whittled paragons too distant to dissolve in the ethereal chemistry of incalescent uproar sadly flanged by the Dopplers of ephemeral fate

Squandered by the desuetude of a snarky intervention I issue invective at the proctors of deafferented limbs for barbarous swine meeting expediency in demise, bemoaning the placid distaste of rectified cries that issue candles for each acrimony beyond the permutation of the staid inflexible limit of 88’

Bashfully we careen through argosies of curiosity to fossick the stalactites of timeworn intuition and reckon with their converse ironies that drip faucets of mildew that remain hidden unless poked by plucky flashlights to inspect the paragon of erosive filigrees of a bewildering paradox of polarized design that one meets the ceiling at inception and the cousin strives to clamber empty space to know with faint certainty the bulldozed irony of superordinate coexistence

Now we return to the majesty of a spurned wiseacre that evades the snappy parlance of a wrenched friction between the physical and the metaphysical elements that constitute a commensurate reality so supernal that its ostentation creates lifetimes of reiterative growth that spawns crimson red and bloviated blues to find a fulcrum of balance between the malversation on one hand of criminal sinister machinations and on the other hand the execrable self-righteous ignorance of a hidden vehicles of dexterity that are subsumed by a subtlety of legislative graft that owes its forbearance to the sanctimony of perseveration without the laurels of persistence

Now we wed the concepts between the ambidexterity of a monolithic titan who wanes rather than waxes himself because his glabrous head already exposed requires nothing new because the empire that struck back is denuded by the thorny imbroglio of a sunken Rose

Timmynoggies are perfect for haberdasheries of saccharine and glib excellence as measured by the ****** cacophony of unmerited applause that strains the resourcefulness of the silent mastery of magistrates in mellifluous alcoves surrounded by the soundproofed rigors of an execrable dereliction wilt into the imaginations of the few that watch movies with errantry rather than pleasantries of gaudy nonsense enchanted by a striptease of the wanton zeitgeist that some balk at but everyone knows

Time earns the spangled banners of sloganeering because of the fastidious creations of pole folders that maneuver between quips borrowed from antique movies and swindled affectations of yearning of many of all fears inevitable with the malevolent passage of the technocracy from cheers to vehement inveighed jeers

We should fear the watershed because it necessitates the evaporation of winsome ambition and implores the subservience of a guiltless fascination with abominable regress concomitant to the acceleration of money preceding a whipsawed downfall ensured by the funereal spates of requiems to oneironauts who plunged to their deaths on headlong flickering whims past the craggy landscape of lunar concordance and through the abeyance of qualms to flabbergasted self-importance in the eradication of provident fears

Memorials exist encoded in the temporal twinges of agony that straddle the cardiovascular throbs of impermanence that sweat with each simple beat to blather about the repetitious nature of a livid nature scrambled in exodus of the emigration of senseless blather to the subroutines of regimented sleepless paragons of travail in every pedestrian feat accelerated with each passing foot traversed by vigilant and eager feet

Tempests crowd the cluttered hamartithia of dredged incompetence leading to the foreclosure that precedes the simple derelictions that amount to grievous uncertainties that squawk in the plumage of the frippery decay of an autumnal fall from gracile riches landlocked without room to sprawl rigged against every track that is a surefire gleeful keepsake to meet, greet and serenade the claques adorned with the monikers of the Greeks

Trembling beneath the weight of mellifluous sauntering dingy designs that exude the anguish of our provident but incidental remonstration against the plodding indifference of the artistic clerisy we sputter against intransigent annulments of the emotive human engine calibrated with creaky pistons that rumble with furor of abrasive protest in timely haphazard elemental designs for vanguard ears

Tridents shed the fossicked leaves that are divisible by two but not inevitably glue that solders the identities of people congregated around a situation of gleeful sprees rather than wistful regress into a temerity without regret that gets dangled in the purview of the spiteful wings of armies that drawl when they sing vapid songs for vaped bongs but not the soberly cheers because of the deafening din of conformity oblivious of the honorific crescendos that still peak after so many restless years

Confederates line the avenues of bustling caverns of cumulative human disdain so willfully flouted by the wrenched corrosive frictions of vibrant deformation of the cultural narrative that encapsulates the collective bubbles chewed and jettisoned like bandied candy and then defamed without justice because  hurricanes churn up the reclusive emergence of protective vanity chased down as a sunken cost for a siphoned glory of tribal pride despite the strictures of logic

Creeping with insistence is a subaudition of governing gravel that entombs many steadfast lies that embodied people living delusory lives under a paradigm that has been subverted by the feats of science into a morass of irrelevance and the chances are many of those so deluded still breathe the air now more polluted but balk at the memories of the fallen passengers on the convalescent train that accelerates sunblind but respectfully toward a systematic engrossment of swollen intellects whimpering about the tautologic

We finance our prescient rodomontade with rodeos equipped with zany clowns who spurn the tridents of Poseidon because of the iridescent gloss of sheepish and flippant zealots who churn against the wrestling match of televised irony with accentuated eccedentesiastic disdain amended by a tolerable diversion of ennobled gallantry zip-zagging among the many valid quodlibets and missing the mark entirely on purpose to vacate the possible raillery of those who balk at time’s chosen serpentine tracks because of limited pedagogical tracts

So lets solder a forceful brunt against the senseless regalia of modern omphalos and return to the plenipotentiary fields of resourceful human inquiry into the chagrins outmoded by convenience but amplified in vociferation by the prosthetic extension of a grangull humanity outfoxing itself into a zugzwang inevitable in the future with collateral losses because of senseless invidiousness orchestrated by the immiscible dermatology of divisive facts often about race and ineluctable tax

We conclude with the optimism that refineries become gentrified by the superlunary squadrons who bask in beatific beams of anonymity and that the pollution preceding our evolution is just adventitious rather than central to the amelioration of wavy screens ennobling so many upstarts to teach themselves the majesty of lucid dreams and to capitalize on ludic ideals divorced from the urchins of radical idealisms that ironically poach rarefied air with smug pollution of narrative scares

Without trepidation we can muster the largesse of civility to create a progeny that has a recursive progeny of heirs that defiantly imagine a world bereft of specters of the soporific imagination enforced by the lapidation of insight from termagants who stride with ursine acrimony naked bare and envision a global meliorism that is careful, picaresque, pragmatic and filled with meritocratic care

With those ornaments of an aureate measure in mind


We leap beyond the enumerated infinity in time's proper design
May Asher Dec 2015
I'm built of water splashing over edges
As I fall and break upon rocks

With mud in my bones and creaky joints
and sand makes my eyes lashes

I'm built of dust, blowing away
Carried by the wind wherever it goes

I don't care anymore for it doesn't matter
I'm just built of words with no meaning

And of empty light burning in darkness
And hollow waves crashing against storms

I fall beneath and beneath
And hit the darkness rusting underneath

Where no one shows when I scream
Where no light dares to touch my eyes

And my bones all shatter,
until they're just powdered calcium

And blood freeze in my bones,
forming stalactites, piercing through my veins

And my skin cracks and breaths escape
And the shadows sink inside my shell

And fissures seep through my irises
And oceans dissolve my dust eyelashes

And memories burn my eyes
and flow past the brims

It's only raw, absolute, sheer pain
As I tear slowly without screaming

Only tears, howls and lost love
And your betrayal and false friends

I've lived for so long but haven't found peace
Now I'm just begging your memories to leave me be

For there's nothing now I could lose
Nothing left of me or my dreams anymore

Nothing of wounded hope
And my canvas of love

I've seen the streets for a thousand years
always wandering never finding my own home

I'm afraid if I let my eyes closet they'll dream again
For I'm torn, vein by vein and cell by cell

I'm nothing but a shadow of who I was
Nothing but reflection of my past

Just an echo of a scream I used to be
Just an illusion of the life I've lived

Nothing more is left, love
For I've given you all of me

How can you tear me, love?
I'm already lying in red ribbons

I'm strips of flesh and blood
And of Silver pain and Black hope

Love, I'm smiling the last time
Please tell me to stay

And hold me for eternity
Because just forever isn't enough for me.
-MAY

Copyright
Jack Jenkins Jul 2016
Transcendent
Like a phoenix
Up from fire
Heat
Blistering skin
Of all who are
Underneath
In caves
They will hide
And scratch out
Meager living
Dripping
Forming up
Water runs
Through earth
Stalagmites
Stalactites
Pillars
Fallen down
Asleep evermore
Jimmy King Feb 2014
How vividly the memory of your lips
Struck me in that cave of ice
As if one of those stalactites,
Frozen in perpetual motion,
Had thawed just enough to crack and fall
Directly down.
It didn't need to fall though, it's fall was implicit
And as you held me there, pressing my back
To where the ice met the stone I realized
That's where we were, too-
Trapped in the ambiguity of permanence meeting
Utmost transience.

The waterfall melted around us
And each second we spent
In the starkly unstable cave hidden behind it
Was a risk then uncalculated.
With the eruption
Cascading in the quietest places of memory
We willed the thaw, really,
Begging 'let it drown us;
Let all the ice melt and let it
Pull us under and from to river
To our corpse floating through the ocean,
Let it pull
All away
From the stone.'
Lucas Jul 2018
it's the caffeine making dark crescents undereye
not some divine enlightenment
(there might be a dash of soul-searching though)
low, glazed limbs are frozen still

a frosted flurry of flakes falls
relieving my concentration
returning me to the road
to the pale glow of white snow
silhouetting the bare oak grove
hefty adumbrations emerging
charcoal on unblemished canvas

"Harden your heart, grow up"
"Harden your heart, grow up"
I repeat over and over
click
I get a different result
Real insanity would be conversing to myself, not chanting: pshaw!

My insides now cold as ice
open windows, abrasive breeze

I don't have a seat warmer

don't need one when everything's the same temp
I've hardened my heart, my groovy slouch recedes
jaw set and stiffened
Sufjan and Novo Amor siphoning my hope
tears become stalactites

"I have loved you for the last time"
pulling me back into colorless pensiveness
matching the steadfast sentinels blurring by
I took a lonely drive down a wooded highway during a depressive episode
Third Eye Candy Feb 2016
our tongues will regret yet, the very things we really mean.
before breakfast. rough tongues of the young, too thick to stick a pin
in sorrows with subtext, are not our tongues. we are not, not gone.
we are less than really here; right now. you live out of clouds
around the bend. if you intend to sleep as deep as that, then keep
the keys to the chariot, but lose this address.
i know butterflies that hate you.
these are butterflies
you have never met...
and yet
a fret of miles gain an inch in hell. our tongues tell best, of very ordinary means
by which we end, less. we drone. our own pun; a neat trick we keep.
with love, borrowed. a mock debt; a storm-front of rain-checks
feather our deranged nest. akin to soft sins;
if not wrong, not quite right yet. small crimes.
we will do no time well spent,
any favours.
our clocks are dark.
why mark day one ? and do tell, how so ?
as you know, our sunset
is infinite.
i know stars that hate the night. these stars are deep, so by 'night', meant, 'the night
of our eyes' that by design, no star has ever been -
that did not flee for fear of it.
our night is unkind.
love tortured it. love built stars, painted black. never lit.
decoys, hell-bent in heaven's grip to ******* a flock
of lost angels, locked
in free-fall. our night the basement floor
of all descent.
what stars call ' the bottom of the bottomless'.
we call 'a great place to paint stars black'
fin.

since when, do we not live, and not live to regret ?
our sharp minds are unkempt, but the truth did this.
our lies were tailored, so **** fit. smokescreen jacket, 100% smoke.
double stitched.
that camouflage camisole  ? pure silk.
somewhere, a web of deceit
is telling a fly
about a hot librarian
with black wings.

with your face.

good with scissors.

she wove a façade with her heart in her left hand, behind her back. this heart wept.
these lies found god. when their faith increased their number...
god was family.

i knew    that would make you laugh.

i didn't know laughter could ask for asylum.

this will be dealt with. our games are serious spirals.

our vendettas our enigmas.
our humor; inscrutable.
our telepathy
is disarmed

but never harmless.

when people like us shoot from the lip ? it's a massacre. hollow points, custom made -
black powder ? an unnatural understanding of love. and dry wit, unhinged...
our bullets ?  Bullies Of the Highest Caliber and fluent in 5 languages; doubtless,
The Envy of Contempt !

when people like us shoot from the lip ? with our tongues, armed to the teeth ?
our teeth; a full set of white knives. with our vanity...
bleaching carnivorous
stalactites by day.
stalagmites by night ?

do worlds burn ?
does Sigmund Freud ?
I do not know.

I am certain only, of the following -

" when two persimmons make a pair... lethal persimmons."
" when two pears make one false move... persimmons are like '**** pears !'"
" when persimmons are paramours... and we too, make a pair...?"

Rosemary's, baby persimmons ?

i can tell you there is no such thing as 'collateral damage' at our level of expertise
and nothing bleeds without a permit.
to attain said permit, a wound, from the future -
must send a genuine moment of weakness to the past. after analysis...we verify.
from here, our methods diverge.
but our dis-ordinance
is acquired.

when our gauntlets demand satisfaction, our custom is to trade barbs.
at this, we excel. we trade without deficit.
our accounts are immune to frenzy.
our balance:  pathology.... then

it's 'tongues at twenty paces'
and someone
gets hurt.

by rote we joust... by now, your flank is.... exposed.
so, my dread rose... my blanch thorn... know -

Twenty paces will always be nineteen paces from a kiss.
but it will never be
'only nineteen'.


if you laugh - this has always been true.
if you don't - this has never been a lie**.
Mark McIntosh Apr 2015
in the cavern
stalactites & fireflys
illuminate
now
a library of theories

chasm cacophony
their massed odour
freshly damp
hanging in wait
for the moon's cue

headlamp highlights
campers' scraps
under earth & rock
a steady descent
strange treasures

— The End —