donde dice "salió de sí como de un calabozo" (página tal verso cual)
podría decir "el arbolito creció creció" o alguna otra equivocación
a condición de tener ritmo
ser cierta o verdadera

así escribió sidney west estas líneas que nunca lo amarán
en el frescor de un pozo ciego y oscuro
arriba de la tierra deslumbrada por el sol
o sol o sol o sol

donde dice "si fuéramos o fuésemos/como rostros humanos"
(página tal verso cual) es como el buey que allí se aró
no podrido por la pena o la furia
disimulando el mucho rato en soledá

¡ah sidney west! aquí terminan (ojalá)
tus repechazos áspimos y pésimos
qué poca por alrededor de este hombre
y adentro qué animal

a sidney west se lo comieron todos los pájaros que supo inventar
la ponina y el nino especialmente
golosos de su estado y pasión
abierta dulce como inútil

donde dice "un día pasó lo que sigue" (página tal verso cual)
había pasado antes la tristeza
y eso es fatal para el poeta
fue fatal para el peno de west

¡ea bichitos tábanos fulgores que saludaban en el
cementerio de Oak!
allí lo pusieron a sidney west que duerma
donde dice "que duerma duerma duerma" (página tal verso cual)
debe decir que duerma y más nada

así que west con el amor primero
fue para sidney marinero
sidney el último en historia
giró con west como burro de noria

que duerma y nada más debe decir (página tal verso cual)
y más nada que duerma y no otra cosa
que duerma duerma duerma
que duerma duerma duerma sidney west

hasta que alen por favor los pieses
que duerma sidney west
hasta que bien nos amoremos
que duerma duerma duerma


el padre lo respire si lo quisiese respirar
acá yacen mezclados como antes
peor que duerma duerma duerma
que duerma sidney west

donde dice "cortinas con los pájaros para que entre la
mañana cantando" (página tal verso cual)
debe apagarse a la mañana sidney west
que duerma duerma duerma

At the mailbox, again:
“Who loves me, baby?”
Well, let’s see: there’s a flyer from Mercury Insurance,
Reminding me that most middle-income customers
Save an average of $4 million smackaroons when they switch too.
The Penny Saver USA.com is here,
Thank God, almighty!
So now I know that Thomas Roofing & Paving
Is having a special on 20-year leak-free flat roofs;
"All work guaranteed & insured.
No job too big or small.
Free estimates/Emergency services/License # I8U-69."
And thank you, Jesus,
For another $4.99 Farmer Boys 3-Egg Breakfast
Combo with Coffee coupon, and that
Little Caesars Hot-N-Ready, $5.00 cheese or pepperoni,
Mae-West-“why-don’t-you-come up and see me sometime?”—mailer. And, of course, another technology Siren’s song:
Verizon FiOS delivers entertainment this big,
Dish me up some dish NETWORK, $19.99 a month . . .
Are you ******* me?
For 12 ******* months?
AT&T;: whack me off on 120 channels.
DIRECTV.com - DIRECTV® Official Site‎
Worry-free 99.9%  . . . cue Joe E. Brown,
"Some Like It Hot“ Osgood:
"Well, nobody’s perfect!"
Time Warner/Sprint/T-Mobile;
And ******* Leather, Polk Street, San Francisco.
******* leather?
Must be for my neighbor: that ***** ****!
And here’s the weekly 8-page color fold-out from Stater Bros:
Lowering prices every day, large cantaloupes
(Jessica Lange, are you back?)
10 for $10.00, 32 oz. Gatorade
Or 24 oz Propel in 30 assorted varieties @ 79 cents
+ CRV: California Redemption Value?
Nice euphemistic cover-up for a TAX.
Nice, nice, very nice, CA elected state officials;
Nicely done, Sacramento.
Everywhere else in the country you get real money—
A fixed number of pennies, nickels, or dimes—
For your plastic bottles and aluminum cans.
But in California, the licensed recyclers
Get to pull the market price out of their *** each morning.
California Redemption Value?
What ******* genius government kleptocrat thought that one up? Conspiracy Alert: who gets all that CRV money?
And what are they doing with it?
Feeling plain, Jane?
Marinello Schools of Beauty, want you,
Offer you hands-on training in cosmetology,
Skin care esthetics, manicuring and vaginal deodorizing—
Just kidding, Babaloo.
Food tip for the Third World:
Never try to write poetry on an empty stomach.
Sizzler 6 oz juicy & succulent.
RENEGADE DEAL:
El Pollo Loco guacamole chicken sandwich,
Coupon free, small drink and small chips,
When you purchase a guacamole or jalapeno sandwich,
includes pepper jack cheese and a southwest sauce.
Gardenas sandia con semilla, 7 lbs 99 cents.
GARDENAS: “en precios, servicio y calidad, nadie nos iguaia.”
Bud Gordon’s Quality NISSAN:
One at this price after a $1500 factory rebate.
TERMINIX: get them before they get you!
The Kingdom Animalia, Phylum Arthropoda, Class Insecta
Bug up my *** again.
And a form letter from the VA
Asking me to please update my whereabouts.
And a form letter from the VA asking me
To please update my whereabouts.
And miles to go before I sleep.
Bite me, Mr. Frost!

An outing, at last.
I am going for a walk around the inside of my gates.
I live in one of those gated over-55 lunatic asylums.
There are gates. It is gated. Get it?
GATED! We feel safe here.
Probably a good thing at our age:
Self-imposed institutionalization,
Putting oneself in an asylum to ferment and die.
The fact that so many of us
Need it so bad at only 55
Says something itself about the current state of
Baby Boomer metal-fatigue.
I am now standing at the far end of the golf course.
I wait at the far end of the 18th Hole.
A ball bounces past my head and
Rolls off past the green into the far rough.
The 18th Hole is perched atop a small plateau,
Out of sight, far above the horizon for anyone teeing off.
I am Puck, invisible and impish.
I pluck the ball up.
I scamper to the green.
I pop the ball into the hole.
Which is better than popping a hole in the ball,
Surely, kind of a drag,
As we were once fond of saying.
Deflated Ball.
Deflator Maus.
OPERA can be ****.
Bodice-ripping corsets, whorehouses and naked ******!
Hardly what you might expect from
A night with the Welsh National Opera,
But they found their way into this production of "Die Fledermaus."
Ripe language, contemporary jokes and
Toilet humor thrown in, adding immensely
To the pleasures of Strauss’s operetta.
"Die Fledermaus," or The Bat’s Revenge,
Is all about drunkenness and adultery.
Despite being written in the 1870s,
It remains equally pertinent to today’s pub culture of excess.
Daring; Colorful; ****: PGA golf.
I steal a golf ball on the far end of the 18th Hole.
I pick up the Titleist and stick it in the hole
(Steady Jessica, not yours.
I hide behind your bush.
(Cue up PSA, First Lady Bird Johnson’s 1960s
Nationwide Beautification Campaign:
“I want everyone in America to plant a tree,
A sherrrr-rub, or a booosh.”)
The golfer now searching frantically:
Why is the cup always the last place they look?
Then, wham, bam, he looks:
A legend is born.
A hole in one,
His name forever immortalized
On a plaque over the bar, the proverbial 19th Hole.

As you know, I speak for all mediocrities,
Safe in my 55+ gated-community.
I go next to the Club House,
"The Lodge" as it’s called.
Each afternoon, the usual suspects
Claiming first come/first serve tiered mini-theater seats
Where Netflix matinee gems are screened.
It is two minutes to DVD show time.
I walk to the front of the room.
I stare at my audience.
I count the house slowly,
Making meaningful eye contact with each wrinkled face.
I cup my hands behind my back and speak:
“I assume you are all here for my lecture on Kierkegaard.”
No one reacts.
I turn to leave but do a double-take and smile.
One old woman in the top right corner of the amphitheater laughs, Perhaps the one other human being within the gates
Who has also smoked a joint today.
For an instant, I am overwhelmed with paranoia,
Perhaps I’ve gone too far over the line:
No longer “oh-he’s-a-character;”
I am now “that creep is ******* nuts.”
Is it time for someone to approach my family,
My next of kin, my “who-to-contact-in-event-of-emergency” number? Who will make the call on behalf of the HOA—
The Homeowner’s Association—
The Tsars, the Duma, the Supreme Soviet in these parts?
They are the power inside the gates;
Those who determine the state’s enemies,
Who govern its community norms.
Power within the gates.
Law within the asylum.
Little Hitlers one and all.
Hopefully they reach my sister first.
She’s been briefed.
KEY POINT IN THE NARRATIVE:
The new narrative is non-linear.
We can no longer sustain a narrative understanding of ourselves;
We are each an individual stream of consciousness,
All of us random, non-linear and disconnected.
We grow more and more disconnected from others.
We may be neighbors in space and time,
But we remain deprived of any significant human contact;
Any spiritually significant human contact.
Our social circle narrows to what can fit in The Telescreen;
We become more intimate with a legion . . .
Did someone say a legion? SPQR:
Am I having some sort of genetic-linguistic seizure here?
Am I channeling Benito Mussolini again?
Il Duce speaks to me from the grave,
Still blowing smoke up my Hopi-Jew-*** ***,
Filling in my insecurities,
Plugging the holes in my character
With delusions of classical Roman grandeur, glory and empire. Hmmmm? Quite an appetizing pitch for the average *****,
A message so completely, so ethnocentrically slick,
Olive oily, and so seductive.
A non-Italian would have thought
American Legion or Legionnaire’s disease,
Or The Foreign Legion, The French Foreign Legion.
The French: a virulent, promiscuous people.
Do you want fries with that, Simone?
No, I don’t get out much.
Only an occasional brisk walk around the asylum,
In and around the golf course, around but inside the gates. (LINKS) Bill Gates. Daryl Gates. Billy Bathgate’s Gates? Ghiberti’s Gates? The Hot Gates? Thermopylae? 300 Spartans/700 Thespians:
“The noun causing idiots to think of
Two girls sloppily eating each other’s mighty vaginas,
When they hear mention of someone being an actor.” http://www.urbandictionary.com
Not even close.
No, I rarely venture out.
This is Hemetucky.
There are methamphetamine-stoked
Teenage zombies at the gate.
Note to costume control:
Perhaps camouflage clothing is the safe choice?
No loud red Hawaiian.
No garish Indonesian batik.
Fleet of feet are these Hemet tweakers,
These cranked up Riverside County teenage barbarians,
These Huns & Visigoths,
These amped up, ravenous jackals.
And why stop there?
These Vandals & Vandellas.
A Motown flashback:
“Nowhere to run, baby, nowhere to hide.”
With or without Martha—
They remain dangerously lethal.
Yes, let it be camo clothes for me.
Those **** heads may be young.
They may be fast.
They may be able to run me down
On a dry grass dog-legged fairway savannah,
Tearing the meat from my carcass.
But the sons-a-******* have to see me first.
Besides, we know who are real friends are.
Hooray for our media peeps!
We become more intimate with a legion
Of television personalities on 125 different channels.
Most of these we know by name and context.
We know their families, their friends,
Their histories, their tragedies,
Their favored hyperbole and manner of speech.
Sometimes we establish intimacy with celebrities
Strictly on the basis of universal body language.
At times–in the absence of any other
Empathetic facility of identification–
We connect on instinct alone.
Instinct: perhaps animal at its core,
An animal kingdom affinity group,
Connecting on a bio-linguistic level,
Particularly when the Korean, or Spanish,
Mandarin, or Arabic,
Japanese, or even Hebrew language version is broadcast.
All languages cryptically alien,
A dense boundary, a barrio border wall,
Undecipherable, impenetrable concrete.
But we’ve never spoken to our neighbors,
Nor do we know their names.
Celebrities are the neighbors we know best;
Although the intimacy is an illusion,
Permission to invade their privacy presumed,
Tacit in the relationship between celebrities and their fans.
I am an independent contractor now,
An outside consultant to the NSA.
Try as I might I cannot crack the enigma,
Kim Kardashian remains far beyond my code-breaking prowess.
I repeat myself:
We can no longer sustain a narrative understanding of ourselves;
We are each an individual stream of consciousness,
All of us random, non-linear and disconnected.
We are more and more disconnected from others.
We may be neighbors in space and time,
But we remain deprived of any significant human contact;
Any spiritually significant human contact.
Our social circle narrows to what can fit in The Telescreen; we become more intimate with a legion . . .
Back to you, David Ulin:
“Sometime late last year—I don’t remember when, exactly—I noticed I was having trouble sitting down to read. That’s a problem if you do what I do, but it’s an even bigger problem if you’re the kind of person I am. Since I discovered reading, I have always been surrounded by stacks of books. I read my way through camp, school, nights, and weekends; when my girlfriend and I backpacked through Europe after college graduation, I had to buy a suitcase to accommodate the books I picked up along the way.”
Thank you, David L. Ulin.
I cannot help myself.
I grow more eccentric each day.
My eyeballs glued to that flat screen!

Cosmo Kramer: "The bus is outta control.
So I grab him by the collar, I take him out of the seat,
I get behind the wheel, and now I’m driving the bus."
Jerry: "Wow!"
George Costanza: "You’re Batman."
Cosmo Kramer: "Yeah, yeah, I am Batman.
Then the mugger, he comes to and he starts choking me.
So I’m fighting him off with one hand,
And I kept driving the bus with the other, ya know.
Then I managed to open up the door,
And I kicked him out the door, ya know,
With my foot, ya know, at the next stop."
Jerry: "You kept making all the stops?"
Cosmo Kramer: "Well, people kept ringing the bell!"
(Share this moment with a stranger.)

I speak for all mediocrities.
I am their champion, their patron saint.
Boom Chaka Laka. Boom Chaka Laka.
Boom Chaka Laka. BOOM!
Isn’t it time Salieri tempted Constanze–
Frau Mozart–with a plateful of Capezzoli di Venere:
“******* of Venus.”
You had me at hello, Kidman.
I know you too well, Nicole.
I knew you from before,
Way before Tom’s Oprah couch freak show.
Listen to me, Nicole:
We are face to face
With the most profound question in American literature:
"What is the grass?
The flag of my surrender?
The flag of my disposition?"
I resort to Socratic maxims: Know yourself;
The un-****** life is not worth living.
Is it stress? Is it lack of conviction?
Everything Jeff Lebowski neither wants nor needs in his life?
I watched you *** in "Eyes Wide Shut," Nicole.
Now I know you with my eyes and your legs wide open.
Thank you, Sidney Pollack.
Sidney knew.
Sidney dealt us cards
From his Hollywood Tarot deck.
We are intimate, Nicole.
I watched you squat.

Countless strangers sit or stand in wonder
at tall statues and head-height tombs
of solid, austere men who cannot utter
a word to explain the cathedral’s gloom.
The ostentatious architecture’s croon
from a tattered breeze
dithers through deathless abbeys
where memorialized men lay strewn.

The vacillation of their hearts
remains hidden like it did in life,
their public presence disallowed it then
as carved marble and stone now imparts.
That common unresting inner strife;
what was and what could have been.

I know it well (as well as I can),
that unfinished man Frederic Leighton’s tomb,
his beautifully ebullient Flaming June
brought to mind as I gaze on the grave
breathlessly overwhelmed, trying to understand
how anyone can frown on how artists behave.

That thought-drowned sculptor Henry S. Moore
is situated among the others, beguiled
without grave, a resting statue, “Mother & Child”:
in the smoothed out bends of arching stone,
from troughs between figures down to the floor
I read his face, all it held and could hold alone.

Down the crypt on straight-cut-steps I descend,
pressing on further through candle-lit corridors,
commemorations surround in half-light that offends
receding memories on sandless shores.
Horatio Nelson, John Donne, Sir Flemming, Chris Wren,
each pass till I find a man I’d adore:
Philip Sidney, that grounded man, that defender of art,
consumed in the ensuing century’s heart.

Consumed likewise I stand
gasping, beached upon a strand
of a non-physical contagion;
we’ll suffer it all again.


Three minutes more or less I gaped
until my feet forced my face away
and weaved my soul among the wooden pews.
This hallowed place where the past is draped
is an icicle looped through the fray
of my ambition’s thinning view.

Another adoration there!
That visionary mythology sewer
William Blake, whose piteous glower
for mankind begot his lasting dream.
On his placard chiseled rhyming pairs
beg: take things, not as they seem.

My fingers run the lines of text
slowly, strongly, as if forced by the air.
I fall down a thousand winding stairs
taller than St. Paul’s in my heart.
I compose all my strength to regain context
of cathedral, pull away from Blake, part.

Up the stairs I climb
back to the street.
The rustling, busy fleet
of tourists entwines
about me in my haste
to get outside the tomb,
that time-reversed womb,
of men who didn’t waste
time, place, talent, skill,
but impressed their lives on eternity.
The clock is still,
I’m out in the street –
cathedral shadows
twirling high, then low,
over my body and feet.

What is there, inside that place, is intangible and petrified by reality;
it is trailing smoke from the pipes of sages who spoke,
in broken thoughts, sworn things that cannot be repealed.
It is time unwoven and crocheted again into patchworks of undefinable color.
I must have died a hundred times unaware of it all – out of nothing it called.
It was felt and known, ended and rebuilt accidentally out of the contagion of guilt.
It was a small drag off of nothing.

Hockey is fun to watch
Hockey is fun to play
Shoot the puck in the clutch
Bat the cold pucks away

Skate down the smooth white ice
Pass to a  free teammate
Time together is nice
Don't shoot the puck too late

Fans like to view hockey
Who is the best player?
Kids like Sidney Crosby
He's a goalie slayer

En l’an trentiesme do mon aage
    Que toutes mes hontes j’ay beues…


Pipit sate upright in her chair
     Some distance from where I was sitting;
Views of the Oxford Colleges
     Lay on the table, with the knitting.

Daguerreotypes and silhouettes,
     Her grandfather and great great aunts,
Supported on the mantelpiece
     An Invitation to the Dance.

     . . . . .

I shall not want Honour in Heaven
     For I shall meet Sir Philip Sidney
And have talk with Coriolanus
     And other heroes of that kidney.

I shall not want Capital in Heaven
     For I shall meet Sir Alfred Mond.
We two shall lie together, lapt
     In a five per cent. Exchequer Bond.

I shall not want Society in Heaven,
     Lucretia Borgia shall be my Bride;
Her anecdotes will be more amusing
     Than Pipit’s experience could provide.

I shall not want Pipit in Heaven:
     Madame Blavatsky will instruct me
In the Seven Sacred Trances;
     Piccarda de Donati will conduct me.

     . . . . .

But where is the penny world I bought
     To eat with Pipit behind the screen?
The red-eyed scavengers are creeping
     From Kentish Town and Golder’s Green;

Where are the eagles and the trumpets?

     Buried beneath some snow-deep Alps.
Over buttered scones and crumpets
     Weeping, weeping multitudes
Droop in a hundred A.B.C.’s

I just want to write a poem no one ever thought of writing
It must have the same effects as walking on the moon
It must trend faster than a meteor as it  hurdles through cyber space

I refused to love any man, who dislikes my poetry,
My man must support my passion ..
not only the warmth of my body
but the passion within this poetess, my secretive mind he must be able to balance:
Without wondering why a woman like me is so naturally secretive
I am always embracing the dark side of my creativity
Dropping little hints here and there throughout the years,

Sidney   J. Harris once said something that left pondering thoughts
He said “When he hears somebody sighs,
'Life is hard,' he’s always tempted to ask them, 'Compared to what?'
I would simply say dog-gone it: Compared to struggling poets whose tries to make a living as a writer

While an upcoming rapper like Chief Keef
signed a several-million dollar deal
with offending lyrics in today music industries:

I just want to write a poem no one ever thought of writing,
With lots of intense emotion bursting through each line:
Because a poem can’t exist without a poet's multiple voices
and most of all his divine missions

Dear Poet Friends, and all true lovers of Jazz!  Being a lover of Classical and Smooth Jazz, I had composed first two parts in Verse on the History and Evolution of Jazz Music. Seeing the poor response of the Readers to my Part One here, I was hesitant to post my Second Part. I would request the Readers to kindly read Part One of this True Story also for complete information. Please do read the Foot Notes. With best wishes, - from Raj Nandy of New Delhi.


THE STORY OF JAZZ MUSIC : PART-II
               BY RAJ NANDY

        NEW ORLEANS : THE CRADLE OF JAZZ
BACKGROUND :
Straddling the mighty bend of the River Mississippi,
Which nicknames it as the ‘Crescent City’;
(Founded in 1718 as a part of French Louisiana
Colony),  -
Stands the city of New Orleans.
New Orleans* gets its name from Phillippe II,
Duc d’ Orleans , the Regent of France ;
A city well known for its music, and fondness
for dance.
The city remained as a French Colony until 1763,
When it got transferred to Spain as a Spanish
Colony.
But in the year 1800, the Spanish through a
secret pact, -
To France had once again ceded the Colony back!
Finally in 1803 the historic ‘Louisiana Purchase’
took place ,
When Napoleon the First sold New Orleans and  
the entire Louisiana State, -
To President Thomas Jefferson of the United
States!     * (See notes below)

THE CONGO SQUARE :
The French New Orleans was a rather liberal
place,
Where slaves were permitted to congregate,
For worship and trading in a market place,
But only on Sabbath Days, - their day of rest!
They had chosen a grassy place at the edge of
the old city,
Where they danced and sang to tom-tom beats,
Located north of the French Quarters across the
Rampart Street,
Which came to be known as the Congo Square,
Where one could hear clapping of hands and
stomping of feet!
There through folk songs, music, and varying
dance forms,
The slaves maintained their native African musical
traditions all along!
African music which remained suppressed in the
Protestant Colonies of the British,
Had found a freedom of expression in the Congo
Square by the natives; -
Through their Bamboula , Calanda, and Congo dance!
The Wolof and Bambara people from Senegal River
area of West Africa,
With their melodious singing and stringed instruments,
Became the forerunners of ‘Blues’ and the Banjo.
And during the Spanish Era, slaves from the Central
African Forest Culture of Congo,
Who with their hand-drummed polyrhythmic beats ,
Made people from Havana to Harlem  to rise and
dance on their feet!       (see notes below)

CULTURAL MIX :
After the Louisiana Purchase , English-speaking
Anglo and African-Americans flooded that State.
Due to cultural friction with the Creoles, the new-
comers settled ‘uptown’,
Creating an American Sector, separate from older
Creole ‘down-town’ !
This black American influx in the uptown had
ushered in,
The elements of the Blues, Spirituals, and rural
dances into New Orleans’ musical scene.
Now these African cultural expressions gradually
diversified, -
Into Mardi Indian traditions, and the Second Line.^^
And eventually into New Orleans’ Jazz and Blues;
As New Orleans became a cauldron of a rich
cultural milieu!

THE CREOLES :
The Creoles were not immigrants but were home-
bred;
They were the bi-racial children of their French
Masters and their African women slaves!
Creole subculture was centred in New Orleans.
But after the Louisiana Purchase of 1803,  -
The Creoles rose to the highest rung of Society! @
They lived on the east of Canal Street in the
French Sector of the city.
Many Creole musicians were formally trained in
Paris,
Had played in Opera Houses there, and later led
Brass Bands in New Orleans.
Jelly Roll Morton, Kid Oliver, and Sidney Bechet
were all famous Creoles;
About whom I now write as this true Jazz Story
gradually unfolds.
In sharp contrast on the west of Canal Street lived
the ***** musicians,
Who lacked the economic advantages the Creoles
possessed and had!
The Negroes were schooled in the Blues, Work Songs ,
and Gospel Music;
And played by the ear with improvisation as their
unique characteristic !
But in 1894 when Jim Crow’s racial segregation
laws came into force,     # (see notes below)
The Creoles were forced to move West of Canal
Street to live with the Negroes.
This mingling lighted a ‘musical spark’ creating
a lightening musical flash;
Igniting the flames of a ‘new music’ which was
later called ‘Jazz’ !

INFLUENCE OF THE EARLY BRASS BANDS:
Those Brass Bands of the Civil War which played the
‘marching tunes’ ,
Became the precursors of New Orleans’ Brass Bands,
which later played at funeral marches, dance halls,
and saloons !
After the end of the Civil War those string and wind
instruments and drums, -
Were available in the second-hand stores and pawn
shops within reach of the poor, for a small tidy sum!
Many small bands mushroomed, and each town had
its own band stand and gazebos;
Entertained the town folks putting up a grand show!
Early roots of Jazz can be traced to these Bands and
their leaders like Buddy Bolden, King Oliver, Bunk
Johnson, and Kid Orley;
Not forgetting Jack 'Pappa' Laine’s Brass Band
leading the way of our Jazz Story !
The Original Dixieland Band of the cornet player
'Nick' La Rocca,
Was the first ever Jazz Band to entertain US Service
Men in World War-I and also to play in European
theatre, came later.     (In 1916)
I plan to mention the Harlem Renaissance in my
Part Three,
Till then dear Readers kindly bear with me!

CONTRIBUTION OF STORYVILLE :
In the waning years of the 19th Century,
When Las Vegas was just a farming community,
The actual ‘sin city’ lay 1700 miles East, in the
heart of New Orleans!
By Alderman Story’s Ordinance of 1897,
A 20-block area got legalized and confined,  
To the French Quarters on the North Eastern side
called ‘Storyville’, a name acquired after him!
This 'red light' area resounded with a new
seductive music ‘jassing up’ one and all;
Which played in its Bordello, Saloons, and the
Dance Halls !         (refer  my Part One)
Now the best of Bordellos hired a House Pianist,
who also greeted guests, and was a musical
organizer;
Whom the girls addressed respectfully as -
‘The Professor’!
Jelly Roll Morton, Tony Jackson author of
‘Pretty Baby’, and Frank ‘Dude’ Amacher, -
Were all well-known Storyville’s ‘Professors’.
Early jazz men who played in Storyville’s Orchestra
and Bands are now all musical legends;
Like ‘King’ Oliver, Buddy Bolden, Kid Orley, Bunk
Johnson, and Sydney Bechet.      ++ (see notes below)
Louis Armstrong who was born in New Orleans,
As a boy had supplied coal to the ‘cribs’ of
Storyville !          ^ (see notes below)
Louis had also played in the bar for $1.25 a night;
Surely the contribution of Storyville to Jazz Music
can never be denied!
But when America joined the First World War in
1917,
A Naval Order was issued to close down Storyville;
Since waging war was more important than making
love the Order had said !
And from the port of New Orleans US Warships
had subsequently set sail.
Here I now pause my friends to take a break.
Part Three of this story is yet to be composed,
Will depend on my Reader’s response !
Please do read below the handy Foot Notes.
Thanks from Raj Nandy of New Delhi.

FOOT NOTES:-
New Orleans one of the oldest of cosmopolitan city of Louisiana, also the 18th State of US, & a major port.
Louisiana was sold by France for $15 Million, & was later realized to be a great achievement of Thomas Jefferson!
Many African Strands of Folk Music & Dance forms had merged at the Congo Square.
^^ ’Second Line Music’= Bands playing during funerals & marches, evoked voluntary crowd participation, with songs and dances as appropriate forming a ''Second Line'' from behind.
@ Those liberal French Masters offered the Creoles the best of Education with access to their White Society!
# ’Jim Crow'= Between 1892 & 1895, 'Blacks' gained political prominence in Southern States. In 1896 land-rich whites disenfranchised the Blacks completely! A 25 year's long hatred
& racial segregation began. Tennessee led by passing the ‘Jim Crow’ Law ! In 1896, Supreme Court upheld this Law with -  ‘’Separate But Equal’’ status for the Blacks. Thus segregation became a National Institution! This segregation divided the Black & White Musicians too!
+ Birth of Jazz was a slow and an evolving process, with Blues and Ragtime as its precursor!    “Jazz Is Quintessence of  Afro-American Music born on European Instruments.”
++ Jelly ‘Roll’ Morton (1885-1941) at 17 years played piano in the brothels, – applying swinging syncopation to a variety of music; a great 'transitional figure' between Ragtime & Jazz Piano-style.
++ BUDDY BOLDEN (1877-1931) = his cornet improvised by adding ‘Blues’ to Ragtime in Orleans  during 1900-1907, which later became Jazz! BUNK JOHNSON (1879-1849 ) = was a pioneering jazz trumpeter who inspired Louis Armstrong.  KID OLIVER (1885-1938) =Cornet player and & a Band-leader, mentor & teacher of Louis Armstrong; pioneered use of ‘mute’ in music! ‘Mute’ is a device fitted to instruments to alter the timber or tonal quality, reducing the sound, or both.
KID ORLEY (1886-1973) : a pioneering Trombonist, developed the '‘tailgate style’' playing rhythmic lines underneath the trumpet & cornet, propagating Early Jazz.  SYDNEY BECHET (1897-1959) = pioneered the use of Saxophone; a composer & a soloist, inspired Armstrong. His pioneering style got his name in the ‘Down Beat Jazz Hall of Fame’! LOUIS ARMSTRONG (1890-1971) = Trumpeter, singer, & great improviser. First international soloist, who took New Orleans Jazz Music to the World!  
% = After America joined WW-I in 1917, a Naval Order was issued to shut-down  Storyville, to check the spread of VD amongst sailors!
^^ ”Cribs”= cheap residential buildings where prostitutes rented rooms. Louis Armstrong as a boy supplied coal in those ‘Cribs’.
During the 1940 s  Storyville was raised to the ground to make way for Iberville Federal Housing Project.
ALL COPYRIGHTS RESERVED BY THE AUTHOR : RAJ NANDY **
E-Mail : rajnandy21@yahoo.in

Sidney Poitier, you were a wonder
Your talent spans from yonder
Mr. Poitier were his in how he expressed dramatics to the world
You inspired many to travel in your paths of Acting
Your footprints being your wisdom
Your achievement earned you the award to the Kingdom
You were a master in whatever role you played
Speech with assurance your character
Dramatics was your high point
You were a man who stood on principles
I remember Sidney Poitier on HEAT OF THE NIGHT with his affirmative, “THEY CALL ME MR. TIBBS”
Heaven calls you ‘EXCELLENCE”
You were extraordinary
Yet well established
It doesn’t matter what land one comes from
It’s the determination with the spirit towards effort
Those would be your very words
Your name will always be remembered
In fact, it is spread out all through Heaven
The skies have captured your spirit
Your personality earned you respect in merit
Your life surrounded inspired into possibilities
This is what you wanted all to see
You are what you want us to all be
Thank you for your gift of Acting
Thank you for showing us fulfill
You have proven where there is a way is a will
You are the cure of people of doubt in helping others to achieve their own dreams and aspirations
Your assignment is complete
Heaven announced, “Your room is ready”
Your soul rejoiced and held steady
Your spirit soared
The world applauded
Vision of essence
Your words in don’t sorrow
We will meet again
Rest in Heavenly Peace, Sidney Poitier

Myself caught in the heatwave sunlight, brown eyes
furrowed in the sun, scarf loose on my neck/
the transcendental Denpasar morning-birds
are playing their melodies in my head still,
three years post-Indonesia.
        All of my soul to India now,
        sky the pink of painted elephants
        on Jaipur dawning,
        my afterlife was somewhere here
        perhaps two generations ago, chances are.
               Vijay Raghav Rao and Alla Rakha
               playing the Tabla/via earphones/treading the
               Funary Box City (Kashi) future Spring
               hands held together keeping calm pace.
               Looking about, my twenty-two year old face
catches humid wind
S
I
L
V
E
R
S
H
O
P
tattered bike leaning on the gated guest house entrance
     PERENNIAL AZURE SHIVA SITS CROSS LEGGED/
     COBRA NECKLACE IMITIATONS ON THE GODDESS THROAT/
     MEDITATING SHIVA/
dulled from years and corrosion.
Brahmin center of the market street
flapping it's tail,
sweat beads from my forehead bleeding
to oily pavement.
At last the months have come for the river Ganges,
April penumbra/savage thunderclap
while school children uplifting the heart
                 AND MIND
are ROARING in their laughter
the CONTINENTAL DISCORD OF JOY
sleeping with their eyes open
while others are too tired for the Earth.
Sidney Bechet floating swan songs during
the black hour cremations/
“Bechet Creole Blues”
CATERWAUL IN THAT              VOID
THE METAMORPHOSIS OF DEATH/
LUNACY OF LIFE
                     (I've arrived at the simultaneous crossroads
                                                      ­  of both)
searing flesh in open air pyramids/
Manikarnika Ghat,
Asia  F
          L
         O
         W
          S
through dreams
like inevitable prophecy
and as ash blends with stars
the CITY seems fulfilled
and mystifying
in it's
                      (((((RESPLENDENCE)))))

Dear Poet Friends, I had posted Part One of the Story of Jazz Music in Verse few months back on this Site. Today I am posting Part Two of this Story in continuation. Even if you had not read part one of this true story, this one will still be an interesting portion to read especially for all lovers of music, and for knowing about America's rich cultural heritage. I love smooth & cool jazz mainly, not the hard & acid kind! Kindly do read the ‘Foot Notes’ at the end to know how the word ‘Jass’ became ‘Jazz’ way back in History. Hope to bring out a book later with photographs. Thanks, - Raj Nandy, New Delhi.


STORY OF JAZZ MUSIC  IN VERSE PART – II

    NEW ORLEANS : THE CRADLE OF JAZZ
BACKGROUND:
Straddling the mighty bend of the River Mississippi,
Which nicknames it as the ‘Crescent City’;
Founded in the year 1718, as a part of French Louisiana
colony.
New Orleans* gets its name from Phillippe II, Duc d’ Orleans,
the Regent of France;
A city well known for its music, and fondness for dance!
The city remained as a French Colony until 1763,
When it got transferred to Spain as a Spanish Colony.
But in 1800, those Spanish through a secret pact,
To France had once again ceded the colony back!
Finally in the year 1803, the historic ‘Louisiana Purchase’
had taken place, -
When Napoleon First of France sold New Orleans and the
entire Louisiana State,
To President Thomas Jefferson of the United States!
(See Notes below)

THE CONGO SQUARE:
The French New Orleans was a rather liberal place,
Where slaves were permitted to congregate,
To worship and for trading in a market place, on
Sabbath Days, their day of rest.
They had chosen a grassy place at the edge of the
old city ,
Where they danced and sang to tom-tom beats,
Located north of the French Quarters across the
Rampart Street;
Which came to be known as the Congo Square,
Where you could hear clapping of hands and
stomping of feet!
There through folk songs, music, and varying dance
forms, -
The slaves maintained their native African musical
traditions all along!
African music which remained suppressed in the
Protestant colonies of the British,
Had found a freedom of expression in the Congo Square
by the natives, -
Through their Bamboula, Calanda, and Congo dance forms
to the drum beats of their native music.
The Wolof and Bambara people from Senegal River of West
Africa, -
With their melodious singing and stringed instruments,
Became the forerunners of ‘Blues’ and the string banjo.
And during the Spanish Era slaves from the Central African
forest culture of Congo, -
Who with their hand-drummed poly-rhythmic beats,  
Made people from Havana to Harlem to rise up and dance
on their feet!   * (see notes below)

CULTURAL MIX:
After the Louisiana Purchase, English-speaking Anglo and
African-Americans flooded that State.
Due to cultural friction with the Creoles, the new-comers
settled ‘Uptown’,
Creating an American sector separate from older Creole
‘Downtown’.
This black American influx ‘Uptown’ brought in the elements
of the blues, spirituals, and rural dances into New Orleans’
musical scene.
These African cultural expressions had gradually diversified,
into Mardi Gras tradition and the ‘Second Line’. ^^ (notes below)
And finally blossomed into New Orleans’ jazz and blues;
As New Orleans became a cauldron of a rich cultural milieu!

THE CREOLES:
The Creoles were not immigrants but were home-bred.
They were the bi-racial children of their French masters
and their African women slaves!
Creole subculture was centred in New Orleans after the
Louisiana Purchase of 1803,
When the Creoles rose to the highest rung of society!
They lived on the east of Canal Street in the French
Sector of the city.   @ (see notes below)
Many Creole musicians were formally trained in Paris.
Played in opera houses there, and later led Brass Bands
in New Orleans.
Jelly Roll Morton, Kid Oliver, and Sidney Bechet were
famous Creoles,
About whom I shall write as this Story unfolds.
In sharp contrast on the west of Canal Street lived the
***** musicians;
But they lacked the economic advantages the Creoles
already had!
They were schooled in the Blues, Work songs, and Gospel
music .
And played by the ear with improvisation as their unique
characteristic,
As most of them were uneducated and could not read.
Now in 1894, when Jim Crow’s racial segregation laws
came into force,       # (see notes below)
The Creoles were forced to move west of Canal Street to
live with the Negroes!
This racial mingling lighted a ‘musical spark’ creating a
lightening flash, -
Igniting the flames of a ‘new music’ which was later came
to be known as JAZZ !

CONTRIBUTION OF STORYVILLE :
In the waning years of the 19th Century, when Las Vegas
was just a farming community,
The actual ‘sin city’ lay 1,700 miles East, in the heart of
New Orleans!
By Alderman Story’s Ordinance of 1897,  a 20-block area
had got legalised and confined, -
To the French Quarters on the North Eastern side called
‘Storyville’,   - a name which was acquired after him.
This red light area resounded with a new seductive music
‘jassing up’ one and all;
Which played in its bordellos, saloons, and dance halls!
The best of bordellos hired a House Pianist who greeted
guests and was also a musical organizer;
Whom the girls addressed respectfully as ‘The Professor’!
Jelly Roll Morton++, Tony Jackson author of  ‘Pretty Baby’,
and Frank ‘Dude’ Amacher, -
Were all well known Storyville’s  ‘Professors’!
Early jazz men who played in Storyville’s Orchestras and Bands
now form a part of Jazz Legend;
Like ‘King’ Oliver, Buddy Bolden, Kid Orley, Bunk Johnson,
and Sydney Bechet.    ++ (see notes below)
Louis Armstrong who was born in New Orleans, as a boy had
supplied coal to the ‘cribs’ of Storyville!   ^ (see notes)
He had also played in the bar for $1.25 a night,
Surely the contribution of Storyville to Jazz cannot be denied!
But when America joined the First World War in 1917,
A Naval Order was issued to close down Storyville!   % (notes)
Since waging war was more important than making love,
this Order had said;
And from the port of New Orleans the US Warships had
set sail!
Here I pause my friends to take a break, will continue
the Story of Jazz in part three, at a later date.
                                               -Raj Nandy, New Delhi
FOOT NOTES :-
NEW ORLEANS one of the oldest cosmopolitan city of Louisiana,
the 18th State of US , & a  major port city.
LOUISIANA was sold by France for $15 million, which was later
realised to be a great achievement of President Jefferson.
*Many African strands of Folk music and dance had merged at the
Congo Square!
^^ ‘SECOND LINE MUSIC’ = Bands playing during Funerals & Marches evoked voluntary crowd participation, with songs & dances as appropriate forming a ‘Second Line’ from behind.
@ =THOSE LIBERAL FRENCH MASTERS OFFERED THE CREOLES THE BEST OF EDUCATION WITH ACCESS TO WHITE SOCIETY!
#’JIM CROW’= between 1892&1895, blacks gained political prominence in Southern States. In 1896 LAND-RICH WHITES DISENFRANCHISED THE BLACK COMPLETELY! A 25 YRS LONG HATRED &RACIAL SEGREGATION BEGAN. TENNESSEE LED BY PASSING ‘JIM CROW LAW’. IN 1896, THE SUPREME COURT UPHELD THIS LAW WITH ITS ‘’SEPARATE BUT EQUAL’’ STATUS FOR THE BLACKS ! THUS SEGREGATION BECAME A NATIONAL INSTITUTION. THIS SEGREGATION DIVIDED THE BLACK & WHITE MUSICIANS ALSO.
+ BIRTH OF JAZZ WAS A SLOW AND EVOLVING PROCESS, WITH BLUES AND RAGTIME AS ITS PRECURSORS . “JAZZ WAS QUINTESSENCE OF AFRO-AMERICAN MUSIC BORN ON EUROPEAN INSTRUMENTS.”  See my ‘Part One’ for definitions.
++ JELLY ‘Roll’ Morton (1885-1941): At 17 yrs played piano in the brothels, applying swinging syncopation to a variety of music; a great Transitional Figure- between Ragtime & Jazz Piano-style.  ++ BUDDY BOLDEN (1877-1931): His cornet improvised by adding ‘Blues’ to Ragtime in Orleans; which between the years 1900 & 1907 transformed into  Jazz! BUNK JOHNSON (1879-1849): pioneering jazz trumpeter, inspired Louis Armstrong; lost all teeth & played with his dentures! KING OLIVER(1885-1938): Cornet player & bandleader, mentor& teacher of Louis Armstrong; pioneered use of ‘mute’ in music. KID ORY(1886-1973): a pioneering Trombonist, he developed the ‘tailgate style’ playing rhythmic lines underneath the trumpet & the cornet, propagating early Jazz !
SYDNEY BECHET (1897-1959): pioneered the use of SAX; a composer & a soloist, he inspired Louis Armstrong. His pioneering style got his name in the Down Beat Jazz Hall of Fame!
Louis Armstrong(1890-1971): was a trumpeter, singer and a great
improviser. Also as the First International Soloist took New Orleans music to the World!
% = After  America joined WW-I in 1917,  a Naval Order was issued to shutdown Storyville in order to check the spread of VD amongst sailors.
^ ’cribs”= cheap residential buildings where prostitutes rented rooms.
# "JASS" = originally an Africa-American slang meaning ‘***’ ! Born in the brothels of Storyville (New Orleans)  & the Jasmine perfumes used by the girls there; one visiting them was  said to be 'jassed-up' . Mischievous boys rubbed out the letter ‘J’ from posters outside announcing  "Live Jass Shows'', making it to read as ‘'Live *** Shows'’! So finally ‘ss’ of ‘jass’ got replaced by 'zz' of JAZZ .
DURING THE 1940s  STORYVILLE  WAS RAISED TO THE GROUND TO MAKE WAY FOR ‘IBERVILLE FEDERAL HOUSING PROJECT’ .
  * ALL COPYRIGHTS RESERVED BY THE AUTHOR : RAJ NANDY

Smooth, smooth, fringed by yellow smudged, hard plastic
smooth, left to right then a painterly inconclusive running
out, the stroke all 60” expires into the yellow, then a firm
vertical orange stripe, a bookend, a hot surface elevated
upon a warm yellow bed, exotic, turmeric, heated from
below, as though from another world, a future planet found
in Manga, gum wrappers, belonging to the wedding
wardrobes of older women, and those with impossible
shoes, maybe a scarf, definitely lipstick and small Japanese
cars, decorative paper, a can’t-miss logo, as when I close
my eyes in the act of love, holding your kneeling body to
me I lose myself in a pattern of flashes, the bright play of
light and colour, a sensual play of pigment, blue and red
wavelengths, fuchsine, electric, electric, and the aura of
artists, such latent energy, hidden passion, rich in ******
fragrance, edged with desire.

The path of the brush now right to left yellow exposes a
yellow bookend at the left hand edge, there is a roughness
here in its covering of yellow, as though applied in haste or
in a single gesture with a large brush, it is thick, thick and
rough, but the yellow is almost present, a hint, a reflection,
as in the petals of the Bellis Perennis, you open your mouth
breathing, breathing your lips frame such perfect teeth as
day arrives,

Left to right, the paint thick then thinning to a broken
tailpiece revealing yellow on magenta, again, again, again, again,
how little I yet understand your body, the innerness,
the sheltered regions of your desire, I am afraid to harm this
preciousness, be disrespectful of the tapering valley where
love’s caress and kiss meet, are multi-dimensional, the
rectangle is not charcoal, but deflected, hesitant, to the left
the darkness of chocolate, to the right a greyness, a *****
grey, a dusty dark dog, loamed, a depth then play of
shadow, dark, textural as your maidenhair under the covers
above my right hand as it spreads my fingers across its
darkness into deeper darkness, a flat stone, its left end
washed by the cold tide, olived, clothed in mourning, there
is unpleasantness, some distaste, a little fear, the unknown,
the unknowable.

Daisy petals, opening in the morning light, the clapperboard
house on the Block Island beachside fresh-painted every
spring, immediately weathered, porcelained sea shell
textured, turned, tumbled, a dawn sky after rain,
ceramicised fungi, plain flour, acidic, taut, the moment
when the heart and breath seem to pause as we join each
other’s flesh as though this cannot be cannot really be.

Unrhymable this flower shade hued pigment deep saffron
vibrant, phoned, not quite of the fruit, a different tang,
sharper without sheen, magenta beneath its smoothed
surface up to left and right edge, (but for the yellow
frill beneath), lip covering, silk-scarfed, not autumnal yet, but oh
those Californian poppies, those desert landscapes as the
sun sets,

a single uneven gesture thrown left to right, an island
in silhouette with a rocky foreshore spreads into distance,

a bed of sylvan jade, an oasis, this an aerial view of tree
tops modulating to grassy pasture, a down-stroke western
boundary, an edge of surf on its northern border, perhaps
the brush formerly coloured has left its trace,

the main body of this Australian desert seen from the air,
Sidney Nolan’s bush, aboriginal earth, coloured mud,
unguent, the sense of liquid in your kiss, its warmth, the
very tip and corner of your lips, the brush of hair as you
move your head to my chest, the rubbing of hair on hair,
under your arms this play of sensation through the lips’
touch, then the shore, the sand no sand though, only in the
brochures, daffodilled perhaps, unsmudged, fresh,
vigorously golden, well-watered.

There has been enough writing of the self or of circumstances I have often found myself trapped in,I think that the time now has come,to write about people who often go unnoticed in your lives,it is like oxygen,like you are always breathing,the blood is always flowing,the blood is getting oxygenated and then de- oxygenated and it gets purified,and its in your body,and you know it,you are breathing and you know you are,but we don’t really pay close attention to the flow of breaths we inhale and exhale,and that’s what is keeping us biologically alive and we know it,but how much importance does the breathing get,how much thanks,how much attention?
As I’m writing,believe me when I say that ,I’m not pausing,I’m not making things up,I’m not even thinking rationally or sequentially,I’m simply typing onto words that describe my very beautiful,my very  epitome of sacrifice and suffering,my very solitary reaper of freshness ,love and care,my very own – Grandmother.

No,this is not her biography,this is not about describing her,this is not only about thanking her even,this is about telling you all that I am deeply moved about how she is ,I fail to realist what she is actually made up of,I mean,a woman in her 80s ,of course a woman of a different era altogether,she is supposed to be an orthodox woman in her late 80s, aware of her approaching years,and sitting in front of the television watching serials or mythological shows or the very beloved babajis on air and hardly getting out of her room and ordering her daughter –in-law to get work done and medicines presented.
This is quite ironic to how we often stereotype old ladies to be. But let me make it clear,my grandma is highly different. And just like I firmly say that I’m going to remain as the ‘ Different Misfit’ ,different from a lot many out here,in the most weirdest angles,but I got this from my granny,apart from the misfit,she is an old,weak woman,she is short,and her hair has still managed to not get older,I think her hair know well,what suits her appearance,she has good brown-orangish hair, and not to forget,her charismatic blue eyes,eyes to fall for. She keeps her hair tied in a neatly made bun and drapes herself well in decent looking saris. No lipsticks,no makeup,no perfume,no sandals. She chooses to be her natural self,in her chapals. Only accessory to her will be her purse. And with purse,I mean,not the blinging  purses,but the small pouch type of  purse,she keeps around her waistline,cutely tucked inside her sari petticoat.She is a magical figure,at least to me.
‘Granny,I’m here.Namaste.’, I said as I reached her place,while she was mopping the balcony floor.It had rained heavily.
She first didn quite seem to hear it,even though I was very loud and pitchy. I saw her mopping, the door was open. I repeated my greetings.
‘ Namaste. Here you are,my child!’, she replied with a 100volt smile pasted on her beautiful face.

I am happy that my mother was able to convince m to go visit my granny,that Sunday,because I was going to have my economics test the next day,so I refused at first,bu then she managed to take me there.I’m glad, I did.
She is in an age that you can never tell how much time one has got,and all you can do,,is live the day like its your last,I think this has kind of become the motto for my grandmother. She walks like a snail. Slow yet gracefully.She lives in Lodhi Road. She lives alone.The house is massive. There are 6 rooms in that particular floor where she lives,the ground and top floor too connected with the first.The ground floor is occupied by a family of 4,a kin to my granny.while she stays on the floor above,she is expected to be with herself only. My maternal uncle,my grandmother’s eldest son,lost his wife a few years back,he has two kids,big enough to go settle in Mumbai.My uncle has been a headache for the entire family because of becoming highly psychotic and depressed,that clearly reflects in how things have become ugly with his relationships.He moved out to Noida after the demise of my late aunt. I don’t remember the last time I saw him interacting with people of his family,let alone my granny. They are like sort of reclusive now.Although my granny wouldn’t still mind him coming to reconcile with her or talking or offering a shoulder,even after what all she has been through regarding my uncle,my uncle refuses to lock eyes with her.Well,that’s a different story altogether.

My grandmother lives alone,in such a big house ,where two families of 4 could easily accommodate themselves.the winds blowing enter the rooms that are empty and unlocked,and rap my grandmother in nostalgia ,but she stays strong.family photographs hanging on the walls,Pictures of Rhino,their late dog,finding its place on the walls,reminds her of how the family was,and always sans her.Yet,she  is stoic and sturdy and never did she complain on these little details.
My granny has had a beautiful relation with my mother and her three daughters ,they are always there for her,its like after my granny has understood,that her daughters are now mothers themselves,she has realized,that she no longer needs to be on their head anymore,so my aunts and my mom herself is paying back to her,as being the reverse mother to her.It is a beautiful relationship they share.I sigh.

She got us tea and some snacks.She prepares them herself,despite having somebody to offer to help.She sits with us and talks and narrates news that she has got from here and there.She left the room when all of a sudden,out of nowhere my uncle pops up for some paperwork urgency,we greeted him,but we didn’t exchange anymore words.He leaves after a few minutes.

I was reading ‘The wedding’ , because I was sure,I was going to get bored because there was no sibling around,My dad was busy reading India Today and mom was accompanying my granny in preparing food. They later went to the terrace to see the traffic go by and have a good talk. They love to talk, trust me.While my mom carefully instructs granny to stay strong and be alright,I notice my grandma trying to control her tears,you could just make it out from her ****** expressions,her hands,quietly folded over another,and her head bowing down,she has never been confident and assertive,I had correctly judged.I ad overheard them talking,when I was passing by the room library searching for Sidney Sheldon.And that was when my respect for my granny grew,because in an age liker hers,the very innate ability to hold on,that perseverance,the  strength ,the power of forgiveness ,I mentally touched her feet and hugged her,because I was in no mood to disturb her conversations.I passed by.
I was learning each moment. In that house,I have been a lot of times before,but this one time,that Sunday,I was feeling like home,like a school moreover,in a moral science class all night. I was done with my economics revision,and it was time for diner.She had prepared Hot chapatis and my ever favorite Paneer for the dinner.She paired paneer with yoghurt,that was a new yet crazy combination,I tried and I was enjoying it,not because it was THE combination,but I felt like it was her idea of how food tasted, like she always felt curd could fix everything,not potentially everything,but,It’d be stupid to object her.
The dinner was tasty.
She cleans up the entire house herself. Like I said,6 rooms and a balcony,is not a small thing.it is one strenuous task she agrees to take up,not occasionally.but everyday.She refuses to take a house help,despite her health conditions,because she wants to  utilize her time or pass time in some way or the other. TV is the only source of color in her life.That keep her occupied. I salute you,granny.
I offered to do the dishes that day,but she saw me doing it,she came half running,half walking to stop me from doing it,and said this doesn’t look good,the guest doing it,and I was a princess to her,she asked me to step back,and I did not revolt,I knew,she did not have anything else to do except do them and sit and watch the sky and finally sleep . I stepped back.
I was reading my book,and there’s this part,when Noah shares that he still feeds the swan because he thinks Allie is the swan and she promised him to be there with him,so she finds her way through the swan.And I saw myself crying.i rushed to the balcony.Took a few deep breaths,sobered myself up,and a few winds blew,and I felt nice.
My granny was talking with my mother while my dad was listening like a puppy.i was reading,I could barely hear what she was talking about,and I didn’t want to even know what were they talking about,because the more I knew,the more anger built up,and the more I’d get sentimental and feel sorry for my grandmother.But no,she is not the one you’d feel sorry for,she was never wrong,and she isnt,and wont be,she is just a simple figure,an epitome of sacrifice and suffering and with such patience to be jealous of.We offered her to come and spend the time with us,and  all her other daughters and her grandchildren,but she refused,she wanted to be in the house,take care f the house,she was just so emotionally attached to the building that had lost its meaning,it was just a HOUSE and nt a HOME.she wasn’t made to feel it was,she had no reason,but she still loved it there.

I still wonder,while I’m writing here about her today,she wont be able to read this gift I am giving her,giving her love back,what would she be doing? No,this isnt T V  time,maybe making tea,what after it? She cannot read or write.She cant be on the phone all the time,then what? Maybe just sitting in the balcony? But today,its hot . then what? Just sitting on the couch,watching my grandfather's portrait hanging on the wall,I think she’ll brush off the dust on the garland and the painting maybe. Or she’ll re arrange the sofa covers or curtains. I don’t know. While we have so much to do,while people forget people everyday,while people make new friends,have so many tings to look forward to,we have so much access to **** our time and pass it away,but she ? she just stays this way and she just exists.

It was time to leave. My respect level for her had gone par average. I just wanted to stare at her for hours in silence,or maybe play with her,or maybe teach her pronounce some swaggy English **** words,I do that when she is at our place.She loves it with me.

Hmmmm.

As we were walking downstairs, I tried and rush and pause and rush and slow down again and again,to whether escape the moment,of the farewell,because it’d be hard,I could bet,and slow down so that I could see more of her.i just couldn’t get enough. In that moment,I swear,I loved her like a man loves a woman.But ine,was much more passive or hidden,I have always had issues with expression,and I regret that.

She could climb downstairs,the steps were steep and endless.She stayed there,while we went down,she bid us a goodbye,waving her hands like the flag of love ,like saying ‘ IT WAS GREAT TO HAVE YOU ALL HERE,I FELT SO BEAUTIFUL.YOU JUST FILLED THIS GAP I THOUGHT I’D SUFFER THIS WEEKEND.THANK YOU SO MUCH,I LOVE YOU,AND I DON’T KNOW,IF I SEE YOU AGAIN,BUT PLEASE BE IN TOUCH,AND LOVE EVERYBODY’. BUT SHE SAID ‘ bye’ .A  LONGER,STRETCHED VERSION OF BYE ,THOUGH.

It was dark,I saw her waving,I was waving back,so was mom and dad,mom and dad rushed forward,while i was till bye-ing my granny. I thanked god that it was night time,an nobody could see the tears gushing down my face. While we leave in 3.she bids us adieu in just 1. Years ago,she’d be with 4 others,and now she is just single. Alone.By herself. Still not complaining.NEVER.

I wiped them .My tears,and was crying till I got into the car,people saw me weeping maybe.I sat down.Still sobbing. Trying not to let people or mom and dad precisely notice my tears ,and I wasn’t brave enough to tell them that I was crying because I thought it might be the last time I saw her or how a wonderful woman she is.The wind was blowing hard and cold on me,while I was listening to Dead hearts on the phone.like the universe was conspiring in making me cry my guts out . My reverence for that woman was getting higher and higher beyond measure.At the traffic signal,a little girl comes up to me,my head was leaning back into the car seat,like a drunk Peter van Houten,while she leaned against the car window glass too,I think she was the only one in the entire night,to actually see me crying,she smiled. I smiled back. She glanced at me for a few moments,I was still smiling at her,she asekd me if I had money,but I wasn’t carrying any then,so I said ‘I’m sorry’ without speaking.She understood and she smiled and left.Slowly and gradually the wind helped me in evaporating my tears,so that I didn’t have to manually wipe them off,because just in case,mom saw me doing that,I wouldn’t know how to respond.
Thankfully,I fell asleep in the car and as I reached back home,I felt a little lighter,I called up granny and informed we were home safe.[ she always wants us to inform her when we do]  And she very sweetly said good night and a bye and then I thought to myself that HOW COULD SHE BE SO GENTLE AND NORMAL? I WAS SO JEALOUS OF HER RESIGNATION.I LOVE YOU GRANNY.
With a heavy heart and a new day to follow and with less percentage worries  of the test the next day ,and more of how my granny would pass away the time and sleep with a smile on her face ,I looked at the walls,said my night prayer and rolled my eyes,and went off to sleep.

There’s no place like home... except Grandma’s .
cc

When the clouds below turn to into carpet
Up there in the cold morning light,
The VFR pilot jitters and frets:

Time to check fuel, to come up with a plan
To search for a hole in the billow below,
And bring the craft in to land.

So it was when a pilot coming back from a lark,
Flew in a circle somewhere over Williston,
Above clouds turning thicker and dark.

In his office sat Phil, across the state line,
When the radio crackled, pleading a break:
"VFR practice," he thought, "He's probably fine."

Phil headed to lunch, had an errand to do...
Drove downtown for a couple of hours,
Returning somewhere around 2:00.

The radio tone carried tired despair
When Phil walked back in from his break
And heard the pilot, still stuck in the air.

Phil knew that the fuel must be drained
In the old Piper Cub overhead,
So he logged a flight plan and ran for his plane.

He flew to the east and banked to the north,
Rising above the gray carpet below,
And spotted the wanderer holding its course.

Coming in fast, cutting his distance by half,
"Super Cub over Williston, this is Bonanza
On your left. How much fuel do you have?"

"About 30 minutes," came a despondent reply,
Standard answer, but gauging the hours,
Phil calculated the response was a lie.

"I am going to fly by your side.
Follow me and dive when I dive;
Keep contact and enjoy the ride."

The planes in tandem turned around;
Phil flew by IFR to find the runway end,
Backed off the throttle, and led them down.

The tail dragger followed, did not complain,
Dropped into the soup gliding blind
Except for the strobe on the faster plane.

The old Cub flared when Phil said, "Land!"
Settled onto the runway end as the propeller stalled,
And Phil had saved a desperate man.

On the hangar wall now hangs a plaque,
Though Phil himself is gone,
The Governor's gift for bringing a flyer back.

--------------
My brother once watched Phil Petrik of Sidney Aviation fly off the Sidney runway, disappearing into a pea soup fog, carrying our father and mother on an emergency flight to Billings, to save my father's life.

I lay this poetic rose upon Phil's grave as a slim tribute to a man who earned my admiration and life long gratitude. Rest In Peace, Phil Petrik.

I wish I could turn back the hands of time
Just to spend those moments with you.
I saw your body laying dead
I had no emotion than, but thinking back
from now to than
I regret the last time I said goodbye.
I regret those few hours spent less
Pa Sidney

I looked at her and she looked at me.
I, smiling so happily.
She laughed cause you could see the expression on my face.
Clear as day white as snow and just her taste.
The show went on and we held hands.
Screamed **** YEAH like it was our initial plan.
To have fun and enjoy this show put on by many.
However I lost her shortly after because I didn't have any,
Words that followed up "My name is Christian."
She gave me a tight hug and exclaimed in frivolous joy "My names Sidney!"

Security guard sitting alone
bank holiday, the nights soon gone,
he sits & waits to hear the phone
but nobody, thinks, he's on his own

Son & daughter far away
growing up, while he's growing grey,
soon to decide which way to go
their love hidden, unable to show

The last few years haven't been sweet,
Raynham, Vancouver, Sidney St,
roots torn up, hearts torn out
no wonder the only answer
is a shout

One day soon, my little Rose may forgive,
and let her loved ones begin to live,
instead of living the American Dream
as the second Miss Watts,
she'll gleam or scream

London fashion designer ­Carmina De Young is bringing her first ready-to-wear collection to market with the support of two local fashion mavens, wardrobe and image consultant Susan Jacobs, and business mentor Gloria Dona.

De Young’s Spring/Summer 2016 collection is now available by appointment at the Pop with Purpose studio,

The studio recently held an informal fashion show featuring De Young’s collection.

De Young was born and raised in Puebla, Mexico and discovered her passion as a young child, taking inspiration from her mother’s creative flair for fashion and design.

A graduate of Fanshawe College’s Fashion Design program, De Young’s clothing has been showcased locally and on national platforms, including at Vancouver Fashion Week and at the Caisa Fashion Show at Western University.

De Young started her own label in 2012 and now has a 25-piece ready-to-wear collection ranging from office to casual activities to a night on the town.

Each piece is available in size XS to XL with prices ranging from $79 to $259.

Instead of trying to break into the notoriously-difficult retail market, Dona and Jacobs offered to bring the De Young collection directly to London women through the Pop with Purpose studio.

“We love that we can offer women locally designed and manufactured clothing where they know the designer and know that they are helping make dreams come true,” says Jacobs. “There’s power in that. It’s incredible.”

Topspin scoops award

London-based Topspin Technologies Ltd., has been awarded the Synapse Life Sciences award for innovation in health. Their product, the Topspin360, beat out more than 60 invited applicants for products that demonstrate an innovation in health in Ontario.

This award follows the London-based Techalliance “Techcellence” award the company won earlier this year.

The Topspin360 is the first patented training device that helps improve neck muscles to reduce concussion risk.

Theo Versteegh, who earned his PhD in physiotherapy from Western University in 2016, developed the device after watching the Sidney Crosby hit in 2011 that caused his concussion.

Versteegh found that many sports concussions are the result of the whiplash effect.

The Topspin can be used in all sports, especially those at high risk for concussion, and also in military applications.

Northerner joins Fortune

David Ramsay, a former cabinet minister in the government of the Northwest Territories, has joined the board of directors of London-based Fortune Minerals .

Ramsay has more than 20 years of elected public office experience in the Northwest Territories. His cabinet portfolios included industry, justice, transportation and public utilities.

Fortune is working with three levels of government on infrastructure projects important to the success of the company’s NICO gold-cobalt-bismuth-copper project in the Northwest Territories.

One project is a 94-kilometre all-season highway to the community of Whati, northwest of Yellowknife.

The road is supported by the Tlicho Government, a Dene First nation and would reduce the cost of living and improve the quality of life in the outlying Tlicho communities and promote economic activity. Fortune has already received environmental assessment approval to build a spur road from Whati to the NICO mine.

Delta hosts bridal show

The London Wedding Professionals will hold their second Bridal Showcase at the Delta London Armouries on April 30.

The event offers a smaller, more intimate experience for brides to meet local wedding industry experts, ask questions, and get inspired for their wedding day.

The show features products and services from professionals including gowns, photography, florists, venues, DJs, hair and makeup and wedding planners.

The showcase also puts a focus on inspiring brides with Vignettes throughout the space showcasing different themes or colour palettes.

The show runs from 11 a.m-3 p.m. and admission is free.

Student makes his pitch

Sean Cornelius from St. André Bessette Catholic secondary school in London is one of 20 teenage entrepreneurs heading to Toronto May 8–10 to compete in this year’s edition of the Young Entrepreneurs, Make Your Pitch competition

Selected from the 204 two-minute video pitches entered, Cornelius earned the right to participate in a Dragon’s Den-style pitch contest at Discovery, Ontario Centres of Excellence’s annual innovation-to-commercialization conference, to be held on May 9 at Metro Toronto Convention Centre.

Hamilton Road looks ahead

Business people in the Hamilton Road will hold an information meeting Wednesday about the creation of the Community Improvement Plan that could lead to the creation of the Hamilton Road Business Improvement Area. The meeting will be held at 7 p.m. at the BMO Sports Centre on Rectory St. and guest speakers include Mayor Matt Brown and MPP Teresa Armstrong.Read more at:www.marieaustralia.com/****-formal-dresses | www.marieaustralia.com/vintage-formal-dresses

“Discipline allows magic. To be a writer is to be the very best of assassins. You do not sit down and write every day to force the Muse to show up. You get into the habit of writing every day so that when she shows up, you have the maximum chance of catching her, bashing her on the head, and squeezing every last drop out of that *****.”
― Lili St. Crow

“What I try to do is write. I may write for two weeks ‘the cat sat on the mat, that is that, not a rat.’ And it might be just the most boring and awful stuff. But I try. When I’m writing, I write. And then it’s as if the muse is convinced that I’m serious and says, ‘Okay. Okay. I’ll come.’” — Maya Angelou

“Suggestions? Put it aside for a few days, or longer, do other things, try not to think about it. Then sit down and read it (printouts are best I find, but that’s just me) as if you’ve never seen it before. Start at the beginning. Scribble on the manuscript as you go if you see anything you want to change. And often, when you get to the end you’ll be both enthusiastic about it and know what the next few words are. And you do it all one word at a time.” — Neil Gaiman

“Meggie Folchart: Having writer's block? Maybe I can help.
Fenoglio: Oh yes, that's right. You want to be a writer, don't you?
Meggie Folchart: You say that as if it's a bad thing.
Fenoglio: Oh no, it's just a lonely thing. Sometimes the world you create on the page seems more friendly and alive than the world you actually live in.”
― David Lindsay-Abaire

“Now, what I’m thinking of is, people always saying “Well, what do we do about a sudden blockage in your writing? What if you have a blockage and you don’t know what to do about it?” Well, it’s obvious you’re doing the wrong thing, don’t you? In the middle of writing something you go blank and your mind says: “No, that’s it.” Ok. You’re being warned, aren’t you? Your subconscious is saying “I don’t like you anymore. You’re writing about things I don’t give a **** for.” You’re being political, or you’re being socially aware. You’re writing things that will benefit the world. To hell with that! I don’t write things to benefit the world. If it happens that they do, swell. I didn’t set out to do that. I set out to have a hell of a lot of fun.

I’ve never worked a day in my life. I’ve never worked a day in my life. The joy of writing has propelled me from day to day and year to year. I want you to envy me, my joy. Get out of here tonight and say: ‘Am I being joyful?’ And if you’ve got a writer’s block, you can cure it this evening by stopping whatever you’re writing and doing something else. You picked the wrong subject.” — Ray Bradbury at The Sixth Annual Writer’s Symposium by the Sea, 2001

“writing about a writer's block is better than not writing at all”
― Charles Bukowski, The Last Night of the Earth Poems

Biting my truant pen, beating myself for spite:
"Fool!" said my muse to me, "look in thy heart, and write.”
― Philip Sidney, Astrophel and Stella



“What I try to do is write. I may write for two weeks ‘the cat sat on the mat, that is that, not a rat.’ And it might be just the most boring and awful stuff. But I try. When I’m writing, I write. And then it’s as if the muse is convinced that I’m serious and says, ‘Okay. Okay. I’ll come.’” — Maya Angelou

“Suggestions? Put it aside for a few days, or longer, do other things, try not to think about it. Then sit down and read it (printouts are best I find, but that’s just me) as if you’ve never seen it before. Start at the beginning. Scribble on the manuscript as you go if you see anything you want to change. And often, when you get to the end you’ll be both enthusiastic about it and know what the next few words are. And you do it all one word at a time.” — Neil Gaiman

“I encourage my students at times like these to get one page of anything written, three hundred words of memories or dreams or stream of consciousness on how much they hate writing — just for the hell of it, just to keep their fingers from becoming too arthritic, just because they have made a commitment to try to write three hundred words every day. Then, on bad days and weeks, let things go at that… Your unconscious can’t work when you are breathing down its neck. You’ll sit there going, ‘Are you done in there yet, are you done in there yet?’ But it is trying to tell you nicely, ‘Shut up and go away.'” — Anne Lamott, Bird by Bird

“Now, what I’m thinking of is, people always saying “Well, what do we do about a sudden blockage in your writing? What if you have a blockage and you don’t know what to do about it?” Well, it’s obvious you’re doing the wrong thing, don’t you? In the middle of writing something you go blank and your mind says: “No, that’s it.” Ok. You’re being warned, aren’t you? Your subconscious is saying “I don’t like you anymore. You’re writing about things I don’t give a **** for.” You’re being political, or you’re being socially aware. You’re writing things that will benefit the world. To hell with that! I don’t write things to benefit the world. If it happens that they do, swell. I didn’t set out to do that. I set out to have a hell of a lot of fun.

I’ve never worked a day in my life. I’ve never worked a day in my life. The joy of writing has propelled me from day to day and year to year. I want you to envy me, my joy. Get out of here tonight and say: ‘Am I being joyful?’ And if you’ve got a writer’s block, you can cure it this evening by stopping whatever you’re writing and doing something else. You picked the wrong subject.” — Ray Bradbury at The Sixth Annual Writer’s Symposium by the Sea, 2001

“The secret of getting ahead is getting started. The secret of getting started is breaking your complex overwhelming tasks into small manageable tasks, and then starting on the first one.” — Mark Twain

“The best way is always to stop when you are going good and when you know what will happen next. If you do that every day … you will never be stuck. Always stop while you are going good and don’t think about it or worry about it until you start to write the next day. That way your subconscious will work on it all the time. But if you think about it consciously or worry about it you will **** it and your brain will be tired before you start.” — Ernest Hemingway

“Many years ago, I met John Steinbeck at a party in Sag Harbor, and told him that I had writer’s block. And he said something which I’ve always remembered, and which works. He said, “Pretend that you’re writing not to your editor or to an audience or to a readership, but to someone close, like your sister, or your mother, or someone that you like.” And at the time I was enamored of Jean Seberg, the actress, and I had to write an article about taking Marianne Moore to a baseball game, and I started it off, “Dear Jean . . . ,” and wrote this piece with some ease, I must say. And to my astonishment that’s the way it appeared in Harper’s Magazine. “Dear Jean . . .” Which surprised her, I think, and me, and very likely Marianne Moore.” — John Steinbeck by way of George Plimpton

“Over the years, I’ve found one rule. It is the only one I give on those occasions when I talk about writing. A simple rule. If you tell yourself you are going to be at your desk tomorrow, you are by that declaration asking your unconscious to prepare the material. You are, in effect, contracting to pick up such valuables at a given time. Count on me, you are saying to a few forces below: I will be there to write.” — Norman Mailer in The Spooky Art: Some Thoughts on Writing

“[When] the thoughts rise heavily and pass gummous through my pen… I never stand conferring with pen and ink one moment; for if a pinch of ***** or a stride or two across the room will not do the business for me — … I take a razor at once; and have tried the edge of it upon the palm of my hand, without further ceremony, except that of first lathering my beard, I shave it off, taking care that if I do leave hair, that it not be a grey one: this done, I change my shirt — put on a better coat — send for my last wig — put my topaz ring upon my finger; and in a word, dress myself from one end to the other of me, after my best fashion.” — Laurence Sterne

“I learned to produce whether I wanted to or not. It would be easy to say oh, I have writer’s block, oh, I have to wait for my muse. I don’t. Chain that muse to your desk and get the job done.” — Barbara Kingsolver

“Writer’s block…a lot of howling nonsense would be avoided if, in every sentence containing the word WRITER, that word was taken out and the word PLUMBER substituted; and the result examined for the sense it makes. Do plumbers get plumber’s block? What would you think of a plumber who used that as an excuse not to do any work that day?

The fact is that writing is hard work, and sometimes you don’t want to do it, and you can’t think of what to write next, and you’re fed up with the whole **** business. Do you think plumbers don’t feel like that about their work from time to time? Of course there will be days when the stuff is not flowing freely. What you do then is MAKE IT UP. I like the reply of the composer Shostakovich to a student who complained that he couldn’t find a theme for his second movement. “Never mind the theme! Just write the movement!” he said.

Writer’s block is a condition that affects amateurs and people who aren’t serious about writing. So is the opposite, namely inspiration, which amateurs are also very fond of. Putting it another way: a professional writer is someone who writes just as well when they’re not inspired as when they are.” — Philip Pullman

In a derby and suit, riding tall in the saddle,
A stranger paraded one day.
He rode through the street of a town in Nebraska,
Astride a magnificent Bay.

Though stately and proud he was oddly attired,
Where cowboys and outlaws abide.
And the gun that he wore, of an uncommon bore,
Hung uncomfortably high on his side

The attention he drew from the unseemly crew
Of misfits (an unsavory lot)
Was cause to give rise to a keen viewer's eyes
Trouble might be more likely than not.

Thugs are known to have fun by the threat of a gun
To a stranger perceived as a dude.
They often get rough and hostile and tuff;
By their nature they're rowdy and rude.

So it weren't no surprise when there came an up-rise
Of cat-calls and whistles that day.
While others just smiled, some were getting quite riled,
As the stranger dismounted the Bay.

He seemed not to care, ignored every dare,
As he entered a bar called "The Shed."
He called for a brew, then changed it to two;
Said,"Take one over there to Big Fred."

Now everyone knew that Big Fred was the worst
of hooligans staying in town.
In Sidney, Nebraska there weren't any faster
When it came to shooting men down.

The bar keeper trembled and shook as he ambled,
Across the floor toting the beer.
The mug was half empty when he finally reached Fred,
Who now gazed at the dude with a sneer.

The bar room grew still and the tension seemed loud.
You could feel with a god-awful dread
That a message was meant in the beer that was sent
By the strangely dressed dude To Big Fred.

"So it's you," uttered Fred. "Thought by now you'd be bound,
To a Deadwood strike, off mining gold.
I had thought you'd forget memories I now regret;
I hoped that trail would finally grow cold."

"It's the Masterson code and the gambler's creed
To even all scores with a rat."
And by those word every Sidney buckaroo knew
That the stranger who spoke them was Bat.

Fred reached for his iron with a lightning fast draw
That never quite cleared the leather
And no one even saw Bat Masterson's draw
That silence Big Fred forever.

I

O goat-foot God of Arcady!
This modern world is grey and old,
And what remains to us of thee?

No more the shepherd lads in glee
Throw apples at thy wattled fold,
O goat-foot God of Arcady!

Nor through the laurels can one see
Thy soft brown limbs, thy beard of gold,
And what remains to us of thee?

And dull and dead our Thames would be,
For here the winds are chill and cold,
O goat-foot God of Arcady!

Then keep the tomb of Helice,
Thine olive-woods, thy vine-clad wold,
And what remains to us of thee?

Though many an unsung elegy
Sleeps in the reeds our rivers hold,
O goat-foot God of Arcady!
Ah, what remains to us of thee?

II

Ah, leave the hills of Arcady,
Thy satyrs and their wanton play,
This modern world hath need of thee.

No nymph or Faun indeed have we,
For Faun and nymph are old and grey,
Ah, leave the hills of Arcady!

This is the land where liberty
Lit grave-browed Milton on his way,
This modern world hath need of thee!

A land of ancient chivalry
Where gentle Sidney saw the day,
Ah, leave the hills of Arcady!

This fierce sea-lion of the sea,
This England lacks some stronger lay,
This modern world hath need of thee!

Then blow some trumpet loud and free,
And give thine oaten pipe away,
Ah, leave the hills of Arcady!
This modern world hath need of thee!

captured in the psych ward — hooligan taken away from christmas concert for being poor



today ron was awoken at 10.99 pm on the night of the sidney meyer music bowls christmas carols

by the HDU, when young harry butler was admitted for sitting writing stories and sending them via

facebook via his phone and at the 2nd carol, the security guards picked him up and threw him out and when

he fought back, the guards rang the HDU, to come and get him, and as he was being transported

all sorts of delusions were coming into his head, like he is jesus christ and he is currently suffering

for everyone’s sins, and then he said, he was eberneezer scrooge, and the guards were aware of that

and had to throw him out of the carols and then was given an order to never attend it because he is

a danger to everyone and himself, and ron asked him what happened and he said, the guards wanted

to get rid of me because i am scrooge, and when i explained that to them, the guards told me to shut up

and leave, and when i didn’t leave, they said ok, come on scrooge, it’s time you had a little journey to the

psychiatric unit, to be placed on a better medication and ron said, do you really believe you are scrooge

and harry said i must be, because all i was doing was sitting there writing stories and singing carols

but the guards just picked on me, because i have an illness and ron said, ok, but are you sure you didn’t

do anything to provoke it, and harry yelled ‘NO’, i look like a hobo so the fucken guards decide to pick on me

and then harry asked ron did you watch the carols and ron said, yeah till the phone rang about you, you

see i can’t understand why the guards pick on you, i can assure you, i look bad tonight, but are you sure

you didn’t **** out on the lawn or in a private tin, so you don’t wait in line and harry said ‘NO’ and then said

that is the most discussing thing i have ever heard of, i could actually drink that if i got really thirsty but ron

said he has to explore the options and also find out what medication is best for you and harry said, NO YA ****

I DON’T WANT YA BLASTED MEDICATION, I WANT TO GO BACK TO THE CAROLS, ron told harry that wasn’t an option

and tried to hear the rest of harry’s story because at present his story is keeping him in the HDU for a long time

because we need to make sure the families are safe though, then harry asked if he could watch the carols on TV

and ron went in there with him and then harry started talking about moses being at the carols attempt;ting to crowd surf and

harry thought that was funny and then he saw leonardo di vinci paint a picture of him being taken to the nuthouse and

now he is there, the finale came and harry was getting cranky with ron saying you don’t fucken care for the sick people

such as myself and ron told harry to settle down saying i care, i care i care, and harry said all you want top do is pump me full of drugs

and i am a poor man with his family taken away from him by those greedy **** from the mental health tribunal

and then ron, they had the hide to tell me, i must go through a lot of fucken treatment to get them back

and ron said, have you been offered medication to, (harry yells stop) ron said, let me talk to make you feel better and

harry said, *******, i have been pumped full of drugs day in and day out, and ron asked, can i ask what drugs and

harry said seroquel and chlosiphine and i get by smoking mariguana, and ron said, you do know that mariguana can cause

brain damage and harry yelled, ‘SHUT UP YA FLAMIN’ DRONGO’, mariguana was the only drug which helped me and

when i get out, i will go back to smoking it and forgetting about the fucken side effect medication, you ***** subscribe for us

and ron said, we have to give you medication while you are here, to get you better and make you a free man, and harry said

I DON’T WANT TO BE PLACED ON SOME WONDER DRUG TO GET ME OUT OF HERE, THE WORLD FUCKEN HATES ME

SO PLEASE ALLOW ME TO FUCKEN GET OUT OF HERE, and ron said, no, and gave him a shot of ****** to calm him down

and every time harry saw ron, he yelled GET ****** ****, but the ****** was slowly making his voice calmer and calmer

and he went to sleep, and ron went home to get ready for the christmas party, but he said to the nurses at the HDU if he gets up

screaming, give him more ****** and if that doesn’t calm him, call me and i will be right over, but the ****** will keep him quiet

till he agrees to take medication, he is high on dope and he thinks it’s helping him so ****** is the best option for him, it gets rid of

any signs of mariguana, and personally i think taking him away from the carols was the best thing, because just imagine if the kids

saw an angry man like him at the family event and ron left and started preparing for his christmas party and at 1.00pm on christmas

harry held a fork at the nurses throat and said LET ME FUCKEN SEE THE DOCTOR YA **** and ron came back and gave him

600 mills of seroquel and told him to relax but harry said, I WILL FUCKEN **** YOU TOO, IF YOU DON’T LET ME GO OUT, I HAVE

A CHRISTMAS PARTY WITH MY FUCKEN PARENTS and ron said, ok i will give you more ****** because we can’t let you go

because, you are danger to yourself and to other people and then ron said merry chrkistmas and went back home to clean up the

party dishes and watched the micheal buble christmas show on television, and then went to bed and woke up at 8 am for work and

went to his cafe for breakfast where he told them about harry who was brought to the HDU from the carols on christmas eve and after

finishing his coffee he went to work and harry was restrained because he became violent and harry gave him some more seroquel and

then asked him what was bothering him apart from the visible but harry yelled GET ****** and ron went back to the nurses saying keep

an eye on harry ok, we can’t have him go free because he could cause harm to the other patients and to us, and ron went home, ordered a pizza

and watched a video on how to control dope users.

Hoy amanecí con los puños cerrados
pero no lo tomen al pie de la letra
es apenas un signo de pervivencia
declaración de guerra o de nostalgia
a lo sumo contraseña o imprecación
al ciclo sordomudo y nubladísimo

sucede que ya es el tercer año
que voy ele gente en pueblo
ele aeropuerto en frontera
ele solidaridad en solidaridad
de cerca en lejos
de apartado en casilla
de hotelito en pensión
de apartamentito casi camarote
a otro con teléfono y water-comedor

además
de tanto mirar hacia el país
se me fue desprendiendo la retina
ahora ya la prendieron de nuevo,
así que miro otra vez hacia el país

llena pletórica de vacíos
mártir de su destino provisorio
patria arrollada en su congoja
puesta provisoriamente a morir
guardada por sabuesos no menos provisorios

pero los hombres de mala voluntad
no serán provisoriamente condenados
para ellos no habrá paz en la tierrita
ni de ellos será el reino de los cielos
ya que como es público y notorio
no son pobres de espíritu

los hombres de mala voluntad
no sueñan con muchachas y justicia
sino con locomotoras y elefantes
que acaban desprendiéndose de un guinche ecuánime
que casualmente pende sobre sus testas
no sueñan como nosotros con primaveras y alfabetizaciones
sino con robustas estatuas al gendarme desconocido
que a veces se quiebran como mazapán

los hombres de mala voluntad
no todos sino los verdaderamente temerarios
cuando van al analista y se confiesan
somatizan el odio y acaban vomitando

a propósito
son ellos que gobiernan
gobiernan con garrotes expedientes cenizas
con genuflexiones concertadas
y genuflexiones espontáneas
minidevaluaciones que en realidad son mezzo
mezzodevaluaciones que en realidad son macro

gobiernan con maldiciones y sin malabarismos
con malogros y malos pasos
con maltusianismo y malevaje
con malhumor y malversaciones
con maltrato y malvones
ya que aman las flores como si fueran prójimos
pero no viceversa

los hombres de pésima voluntad
todo lo postergan y pretergan
tal vez por eso no hacen casi nada
y ese poco no sirve

si por ellos fuera le pondrían
un durísimo freno a la historia
tienen pánico (le que ésta se desboque
y les galopo por encima pobres
tienen otras inquinas verbigracia
no les gustan los jóvenes tú el himno
los jóvenes bah no es una sorpresa
el himno porque dice tiranos temblad
y eso les repercute en el duodeno
pero sobre todo les desagrada
porque cuando lo oyen
obedecen y tiemblan
sus enemigos son cuantiosos y tercos
marxistas economistas niños sacerdotes
pueblos y más pueblos
qué lata es imposible acabar con los pueblos
y casi cien catervas internacionales
due tienen insolentes exigencias
como pan nuestro y amnistía
no se sabe por qué
los obreros y estudiantes no los aman

sus amigos entrañables tienen
algunas veces mala entraña
digamos Pinochet y el apartheid
dime con quién andas y te diré go home

también existen leves contradicciones
algo así como una dialéctica de oprobio
por ejemplo un presidio se llama libertad
de modo que si dicen con orgullo
aquí el ciudadano vive en libertad
significa que tiene diez años de condena

es claro en apariencia nos hemos ampliado
ya que invadimos los cuatro cardinales
en venezuela hay como treinta mil
incluidos cuarenta futbolistas
en sidney oceanía
hay una librería de autores orientales
que para sorpresa de los australianos
no son confucio ni lin yu tang
sino onetti vilariño arregui espínola
en barcelona un café petit montevideo
y otro localcito llamado el quilombo
nombre que dice algo a los rioplatenses
pero muy poca cosa a los catalanes
en buenos aires setecientos mil o sea no caben más
y así en méxico nueva york porto alegre la habana
panamá quito argel estocolmo parís
lisboa maracaibo lima amsterdam madrid
roma xalapa pau caracas san francisco montreal
bogotá londres mérida goteburgo moscú
efe todas partes llegan sobres de la nostalgia
narrando cómo hay que empezar desde cero
navegar por idiomas que apenas son afluentes
construirse algún sitio en cualquier sitio
a veces           lindas
veces             con manos solidarias
y otras           amargas
veces               recibiendo en la nunca
la mirada xenófoba

de todas partes llegan serenidades
de todas partes llegan desesperaciones
oscuros silencios de voz quebrada
uño de cada mil se resigna a ser otro

y sin embargo somos privilegiados

con esta rabia melancólica
este arraigo tan nómada
este coraje hervido en la tristeza
este desorden este no saber
esta ausencia a pedazos
estos huesos que reclaman su lecho
con todo este derrumbe misterioso
con todo este fichero de dolor
somos privilegiados

después de todo amamos discutimos leemos
aprendemos sueco catalán portugués
vemos documentales sobre el triunfo
en vietnam la libertad de angola
fidel a quien la historia siempre absuelve
y en una esquina de carne y hueso
miramos cómo transcurre el mundo
escuchamos coros salvacionistas y afónicos
contemplamos viajeros y laureles
aviones que escriben en el cielo
y tienen mala letra
soportamos un ciclón de trópico
o un diciembre de nieve

podemos ver la noche sin barrotes
poseer un talismán         o en su defecto un perro
hostezar escupir lagrimear
soñar suspirar confundir
quedar hambrientos o saciados
trabajar permitir maldecir
jugar descubrir acariciar
sin que el ojo cancerbero vigile

pero
         y los otros
qué pensarán los otros
si es que tienen ánimo y espacio
para pensar en algo

qué pensarán los que se encaminan
a la máquina buitre         a la tortura hiena
qué quedará a los que jadean de impotencia
qué a los que salieron semimuertos
e ignoran cuándo volverán al cepo
qué rendija de orgullo
qué gramo de vida
ciegos en su capucha
mudos de soledad
inermes en la espera

ni el recurso les queda de amanecer puteando
no sólo oyen las paredes
también escuchan los colchones si hay
las baldosas si hay
el inodoro si hay
y los barrotes que ésos siempre hay

cómo recuperarlos del suplicio y el tedio
cómo salvarlos de la muerte sucedánea
cómo rescatarlos del rencor que carcome

el exilio también tiene barrotes

sabemos dónde está cada ventana
cada plaza cada madre cada loma
dónde está el mejor ángulo ele cíelo
cómo se mueven las dunas y gaviotas
dónde está la escuelita con el hijo
del laburante que murió sellado
dónde quedaron enterrados los sueños
de los muertos y también de los vivos
dónde quedó el resto del naufragio
y dónde están los sobrevivientes

sabemos dónde rompen las olas más agudas
y dónde y cuándo empalaga la luna
y también cuándo sirve como única linterna

sabemos todo eso y sin embargo
el exilio también tiene barrotes

allí donde el pueblo a durísimas penas
sobrevive entre la espada tan fría que da asco
y la pared que dice libertad o muer
porque el adolesente ya no pudo

allí pervierte el aire una culpa innombrable
tarde horrenda de esquinas sin muchachos
hajo un sol que se desploma como buscando
el presidente ganadero y católico
es ganadero basta en sus pupilas bueyunas
y preconciliar pero de trento
el presidente es partidario del rigor
y la exigencia en interrogatorios
hay que aclarar que cultiva el pleonasmo
ya que el rigor siempre es exigente
y la exigencia siempre es rigurosa
tal vez quiso decir algo más simple
por ejemplo que alienta la tortura

seguro el presidente no opinaría lo mismo
si una noche pasara de ganadero a perdidoso
y algún otro partidario kyric eleison
del rigor y la exigencia kyrie eleison
le metiera las bueyunas en un balde de mierda
pleonasmo sobre el que hay jurisprudencia

parece que las calles ahora no tienen baches
y después del ángelus ni baches ni transeúntes
los jardines públicos están preciosos
las estatuas sin **** de palomas

después de todo no es tan novedoso
los gobiernos musculosos siempre se jactan
de sus virtudes municipales

es cierto que esos méritos no salvan un país
tal vez haya algún coronel que lo sepa

al pobre que quedó a solas con su hambre
no le importa que esté cortado el césped
los padres que pagaron con un hijo al contado
ignoran esos hoyos que tapó el intendente

a juana le amputaron el marido
no le atañe la poda de los plátanos

los trozos de familia no valoran
la sólida unidad de las estatuas

de modo que no vale la gloria ni la pena
que gasten tanto erario en ese brillo

aclaro que no siempre
amanezco con los puños cerrados

hay mañanas en que me desperezo
y cuando el pecho se me ensancha
y abro la boca como pez en el aire
siento que aspiro una tristeza húmeda
una tristeza que me invade entero
y que me deja absorto suspendido
y mientras ella lentamente se mezcla
con mi sangre y hasta con mi suerte
pasa por viejas y nuevas cicatrices
algo así como costuras mal cosidas
que tengo en la memoria en el estómago
en el cerebro en las coronarias
en un recodo del entusiasmo
en el fervor convaleciente
en las pistas que perdí para siempre
en las huellas que no reconozco
en el rumbo que oscila como un péndulo

y esa tristeza madrugadora y gris
pasa por los rostros de mis iguales
Unos lejanos perdidos en la escarcha
otros no sé dónde       deshechos o rehechos

el viejo que aguantó y volvió a aguantar
la llaca con la boca destruida
el gordo al que castraron
y los otros los otros y los otros
otros innumerables y fraternos
mi tristeza los toca con abrupto respeto
y las otras las otras y las otras
otras esplendorosas y valientes
mi tristeza las besa una por una

no sé qué les debemos
pero eso que no sé
sé que es muchísimo

esto es una derrota
hay cine decirlo
vamos a no mentirnos nunca más
a no inventar triunfos de cartón

si quiero rescatarme
si quiero iluminar esta tristeza
si quiero no doblarme de rencor
ni pudrirme de resentimiento
tengo que excavar hondo
hasta mis huesos
tengo que excavar hondo en el pasado
y hallar por fin la verdad maltrecha
con mis manos que ya no son las mismas

pero no sólo eso
tendré que excavar hondo en el futuro
y buscar otra vez la verdad
con mis manos que tendrán otras manos

que tampoco serán ya las mismas
pues tendrán otras manos

habrá que rescatar el vellocino
que tal vez era sólo de lana
rescatar la verdad más sencilla
y una vez que la hayamos aprendido
y sea tan nuestra como
las articulaciones o los tímpanos
entonces basta basta basta
de autoflagelaciones y de culpas
todos tenemos nuestra rastra
claro
pero la autocrítica
                               no es una noria
no voy a anquilosarme en el reproche
y no voy a infamar a mis hermanos
el baldón y la ira los reservo
para los hombres de mala voluntad
para los que nos matan nos expulsan
nos cubren de amenazas nos humillan
nos cortan la familia en pedacitos
nos quitan el país verde y herido
nos quieren condenar al desamor
nos queman el futuro
nos hacen escuchar cómo crepita

el baldón y la ira
que esto quede bien claro
yo los reservo para el enemigo

con mis hermanos porfiaré
es natural
sobre planes y voces
trochas atajos y veredas
pasos atrás y pasos adelante
silencios oportunos       omisiones que no
coyunturas mejores o peores
pero tendré a la vista que son eso
hermanos

si esta vez no aprendemos
será que merecemos la derrota
y sé que merecemos la victoria

el paisito está allá
                              y es una certidumbre
a lo mejor ahora está lloviendo
allá sobre la tierra

y aquí
bajo este transparente sol de libres
aquella lluvia cala hasta mis bronquios
me empapa la vislumbre
me refresca los signos
lava mi soledad

la victoria es tan sólo
un tallito que asoma
pero esta lluvia patria
le va a hacer mucho bien
creo que la victoria estará como yo
ahí nomás germinando
digamos aprendiendo a germinar
la buena tierra artigas revive con la lluvia
habrá uvas y duraznos y vino
barro para amasar
muchachas con el rostro hacia las nubes
para que el chaparrón borre por fin las lágrimas

ojalá que perdure
hace bien este riego
a vos a mí al futuro
a la patria sin más

hace bien si llovemos mi pueblo torrencial
donde estemos
                            allá
                                   o en cualquier parte

sobre todo si somos la lluvia y el solar
la lluvia y las pupilas y los muros
la bóveda la lluvia y el ranchito
el río y los tejados y la lluvia

furia paciente
                        lluvia
                                  iracundo silencio
allá y en todas partes

ah tierra lluvia pobre
modesto pueblo torrencial

con tan buen aguacero
la férrea dictadura
acabará oxidándose

y la victoria crecerá despacio
como siempre han crecido las victorias.

santa claus is captured  in the psych ward



it is the year 2015 and ron was decorating the HDU with christmas decorations

and while he was doing that, 67 year old billy thomson got dressed up as santa and

went around giving lollies to the children of the land and one mother complained and

said, this man has no right to hand lollies to the children without a permit and billy said

why don’t you get ******,you see i am the feral santa and i lived on the north pole before

the blizzard that wiped out all the north pole, and there is still a north pole but it is trapped

in children’s imaginations never to be seen again, and i who put my good name on this town

decided to free the north pole and this mother left and called the police on her cellphone

and in about 50 minutes the police arrested billy and took him to ron’s HDU, and billy said

i am santa claus and if i stay here i can’t free the north pole, i am a nice person, and i don’t deserve

to be in a place like this, and jesus claus went up to billy and said, your not the real santa, and billy

swore at jesus and said, your mother is the only one who thinks you are special, your about as special

as a hole in your heart and jesus swore at billy and suddenly a fist fight broke out and billy said, mate

i am the real santa and you are my son, but the blizzard stopped you from being the real santa

so, i made you stuck in people’s imagination and ron took billy aside and said what is on your mind, and billy said

i lost my job at the factory and then i got a calling from the almighty one to spread christmas cheer all over the land

and i did that by giving lollies to children yelling ** ** ** MERRY CHRISTMAS, and ron said, ok, you do know it’s 2015

and it’s not appropriate to do that and then billy said, you see i believe that if i can start a santa claus website, where

we can play christmas carols and kids order their presents, we can take the myth of santa out of kids imaginations and

into the real world and then ron asked, are you going to charge a fee and billy said, we don’t need a fee and jesus claus came up

to billy and said, you can’t get santa through the computers, it’s too early to do that without a fee and billy said, why don’t you

just get ****** and ron gave billy risperidal  and seroquel, to settle his delusional santa claus mind, and jesus was walking around the

psych ward i am killing off santa and billy walked around the ward saying, i am going to give jesus a lump of coal, which made the nurses

come out and try and settle them down but that was difficult so ron decorated  the psych ward and billy started yelling ATHENA BROUGHT

THE BLIZZARD THAT DESTROYED THE NORTH POLE, ATHENA BROUGHT THE BLIZZARD THAT DESTROYED THE NORTH POLE

and jesus claus yelled THERE WAS NO NORTH POLE, NO PREVIOUS EXISTENCE, WE WERE THE FIRST PEOPLE ON EARTH

then billy yelled, WHAT ABOUT THE FUCKEN WAR, OK, I WAS THE REAL SANTA, and jesus said OK, AND *******, and went back to his room

and billy went to his bedroom to have a lie down, and get the presents ready for christmas and then lunch was ready and ron woke up

billy and billy said, i am helping my elves prepare the presents for christmas and ron thinking he was loopy said, even santa needs to have lunch

and ron bought billy to the table, and the meal was lesagne and salad and chocolate mousse and then ron bought jesus his lunch as well and after lunch

there was a christmas special of yelling, billy and jesus said jingle bells jingle bells jingle and root the chick, and billy said, oh what fun it is to say

leave and never come back, and jesus sang, dashing through the psych ward yelling out our stuff,trying to point out to the staff that these side effects are

wrong, you see we need settling down, so take our drugs away, and please allow us to be the psych ward santa, that’ll be so cool and then as billy sang jingle bells

jesus said *******, I AM SO TIRED and billy watched the nurses work, discovering the naughty and nice, but to not blow his cover billy asked, can i get a pass out

so i can buy some egg nog, i will not be buying brandy and the nurses said, sorry but you are too sick for pass outs and billy through his boot at the door and shattered

the glass and the nurses gave billy some ****** to settle him down and billy went off to his bed and jesus came out and bashed his hand on billy’s door and yelled

YOU LITTLE ****, THERE WASN’T EVER A NORTH POLE and ron brought out the dinners and this time jesus and billy ate their dinners in their room and

in about 1 hour and a half, ron brought out the medications and after that the clocked off and bought wok it up and went home to lose himself in the televised

carols by candlelight from the sidney meyer music bowl hosted by david and lisa and back at the HDU, jesus was watching the carols and so was billy

and every child was happy it seemed receiving presents, but ron still had to play atheist with billy and tom, because for the simple reason, they are going about their santa

duties the wrong way.

Donald Trump Limericks IV



The Hair Flap
by Michael R. Burch aka "The Loyal Opposition"

The hair flap was truly a scare:
Trump’s bald as a billiard back there!
The whole nation laughed
At the state of his graft;
Now the man’s wigging out, so beware!



Stumped and Stomped by Trump
by Michael R. Burch

There once was a candidate, Trump,
whose message rang clear at the stump:
"Vote for me, wheeeeeeeeeeeeeee!,
because I am ME,
and everyone else is a chump!"



Toupée or Not Toupée, That is the Question
by Michael R. Burch

There once was a brash billionaire
who couldn't afford decent hair.
Vexed voters agreed:
"We're a nation in need!"
But toupée the price, do we dare?



Toupée or Not Toupée, This is the Answer
by Michael R. Burch

Oh crap, we elected Trump prez!
Now he's Simon: we must do what he sez!
For if anyone thinks
And says his "plan" stinks,
He'll wig out 'neath that weird orange fez!



White as a Sheet
by Michael R. Burch

Donald Trump had a real Twitter Scare
then rushed off to fret, vent and share:
“How dare Bernie quote
what I just said and wrote?
Like Megyn he’s mean, cruel, unfair!”



Humpty Trumpty
by Michael R. Burch

Humpty Trumpty called for a wall.
Trumpty Dumpty had a great fall.
Now all the Grand Wizards
and Faux PR men
Can never put Trumpty together again.



Viral Donald (I)
by Michael R. Burch aka "The Loyal Opposition"

Donald Trump is coronaviral:
his brain's in a downward spiral.
His pale nimbus of hair
proves there's nothing up there
but an empty skull, fluff and denial.



Viral Donald (II)
by Michael R. Burch aka "The Loyal Opposition"

Why didn't Herr Trump, the POTUS,
protect us from the Coronavirus?
That weird orange corona of hair's an alarm:
Trump is the Virus in Human Form!



No Star
by Michael R. Burch aka "The Loyal Opposition"

Trump, you're no "star."
Putin made you an American Czar.
Now, if we continue down this dark path you've chosen,
pretty soon we'll all be wearing lederhosen.



How the Fourth ***** Ramped Up
by Michael R. Burch aka "The Loyal Opposition"

Trump prepped his pale Deplorables:
"You're such easy marks and scorables!
So now when I bray
click your heels and obey,
and I'll soon promote you to Horribles!"



The Ex-Prez Sez

The prez should be above the law, he sez,
even though he’s no longer prez.
—Michael R. Burch



Trump Dump
by Michael R. Burch

There once was a con man named Trump
who just loved to take dumps at the stump.
“What use is the truth?”
he cried, with real ruth,
“Just come kiss my fat orange ****!”



Limerick-Ode to a Much-Eaten A$$
by Michael R. Burch

There wonst wus a president, Trump,
whose greatest a$$ (et) wus his ****.
It wus padded ’n’ shiny,
that great orange hiney,
but to drain it we’d need a sump pump!

Interpretation: In this alleged "ode" a southern member of the Trump cult complains that Trump's a$$ produces so much ***** matter that his legions of a$$-kissers can't hope to drain it and need mechanical a$$-istance!



Stumped and Stomped by Trump
by Michael R. Burch

There once was a candidate, Trump,
whose message rang clear at the stump:
"Vote for me, wheeeeeeeeeeeeeee!,
because I am ME,
and everyone else is a chump!"



Raw Spewage (I)
by Michael R. Burch aka "The Loyal Opposition"

Trump
is a chump
who talks through his ****;
he's a political sump pump!



Raw Spewage (II)
by Michael R. Burch aka "The Loyal Opposition"

Trump
is a chump
who talks through his ****;
he's a garbage dump
in need of a sump pump!


Keywords/Tags: Trump limerick, Trump limericks, limerick, nonsense, light, verse, humor, humorous, donald, trump, president, ignoramus, *****, imbecile, conman, fraud, liar, shill, criminal, huckster, snake oil salesman, Twitter, tweet, tweety



OTHER TRUMP LIMERICKS, POEMS AND EPIGRAMS



Poets laud Justice’s
high principles.
Trump just gropes
her raw genitals.
—Michael R. Burch



Dark Shroud, Silver Lining
by Michael R. Burch

Trump cares so little for the silly pests
who rise to swarm his rallies that he jests:
“The silver lining of this dark corona
is that I’m not obliged to touch the fauna!”



Zip It
by Michael R. Burch

Trump pulled a cute stunt,
wore his pants back-to-front,
and now he’s the **** of bald jokes:
“Is he coming, or going?”
“Eeek! His diaper is showing!”
But it’s all much ado, says Snopes.



There once was a senator, Cruz,
whose whole life was one pus-oozing schmooze.
When Trump called his wife ugly,
Cruz brown-nosed him smugly,
then went on a sweet Cancun cruise.
—Michael R. Burch aka “The Loyal Opposition”



Mini-Ode to a Quickly Shrinking American Icon
by Michael R. Burch

Rudy, Rudy,
strange and colludy,
how does your pardon grow?
“With demons like hell’s
and progress like snails’
and criminals all in a row!”



Christmas is Coming
alternate lyrics by Michael R. Burch

Christmas is coming; Trump’s goose is getting plucked.
Please put the Ukraine in his pocketbook.
If you haven’t got the Ukraine, some bartered Kurds will do.
But if you’re short on blackmail, well, the yoke’s on you!

Christmas is coming and Rudy can’t make bail.
Please send LARGE donations, or the Cause may fail.
If you haven’t got a billion, five hundred mil will do.
But if you’re short on cash, the LASH will fall on you!



Fake News, Probably
by Michael R. Burch

The elusive Orange-Tufted Fitz-Gibbon is the rarest of creatures—rarer by far than Sasquatch and the Abominable Snowman (although they are very similar in temperament and destructive capabilities). While the common gibbon is not all that uncommon, the orange-tufted genus has been found less frequently in the fossil record than hobbits and unicorns. The Fitz-Gibbon sub-genus is all the more remarkable because it apparently believes itself to be human, and royalty, no less! Now there are rumors—admittedly hard to believe—that an Orange-Tufted Fitz-Gibbon resides in the White House and has been spotted playing with the nuclear codes while chattering incessantly about attacking China, Mexico, Iran and North Korea. We find it very hard to credit such reports. Surely American voters would not elect an ape with self-destructive tendencies president!

Keywords/Tags: Trump, Donald Trump, poems, epigrams, quotes, quotations, Rudy Giuliani, Ted Cruz, Cancun, Christmas



Trump Limericks aka Slimericks



The Nazis now think things’re grand.
The KKK’s hirin’ a band.
Putin’s computin’
Less Ukrainian shootin’.
They’re hootin’ ’cause Trump’s win is planned.
—Michael R. Burch



Trump comes with a few grotesque catches:
He likes to ***** unoffered snatches;
He loves to ICE kids;
His brain’s on the skids;
And then there’s the coups the fiend hatches.
—Michael R. Burch



Trump’s Saddest Tweet to Date
by Michael R. Burch

I’ve gotten all out of kilter.
My erstwhile yuge tool is a wilter!
I now sleep in bed.
Few hairs on my head.
Inhibitions? I now have no filter!



the best of all possible whirls, for MAGA
by Michael R. Burch

ive made a mistake or two.
okay, maybe quite more than a few:
mistakes by the millions,
the billions and zillions,
but remember: ur LORD made u!

where were u when HEE passed out brains?
or did u politely abstain?
u call GAUD “infallible”
when HEE made u so gullible
u cant come inside when Trump reigns.



Mercedes Benz
by Michael R. Burch

I'd like to do a song of great social and political import. It goes like this:

Oh Donnie, won't you lend me your Mercedes Benz?
My friends ***** in Porsches, I must make amends!
Like you, I f-cked my partners and now have no friends.
So, Donnie won't you sell me your Mercedes Benz?

Oh Donnie, won't you rent me your **** import?
You need to pay your lawyers: a **** for a tort!
I’ll await her delivery each day until three.
And Donnie, please throw in Ivanka for free!

Oh, Donnie won't you buy me a night on the town?
I'm counting on you, Don, so don't let me down!
Oh, prove you're a ******* and bring them around.
Oh, Donnie won't you buy me a night on the town?

Oh Donnie, won't you lend me your Mercedes Benz?
My friends ***** in Porsches, I must make amends!
Like you, I f-cked my partners and now have no friends.
So, Donnie won't you sell me your Mercedes Benz?


Ode to a Pismire
by Michael R. Burch

Drumpf is a *****:
his hair’s in a Fritz.
Drumpf is a missy:
he won’t drink Schlitz.
Drumpf’s cobra-hissy
though he lives in the Ritz.
Drumpf is so pissy
his diaper’s the Shitz.



The Ballade of Large Marge Greene
by Michael R. Burch

Marge
is large
and in charge,
like a barge.

Yes, our Marge
is quite large,
like a hefty surcharge.

Like a sarge,
say LaFarge,
apt to over-enlarge
creating dissent before the final discharge.


Trump Limericks aka Slimericks

The Nazis now think things’re grand.
The KKK’s hirin’ a band.
Putin’s computin’
Less Ukrainian shootin’.
They’re hootin’ ’cause Trump’s win is planned.
—Michael R. Burch

Trump comes with a few grotesque catches:
He likes to ***** unoffered snatches;
He loves to ICE kids;
His brain’s on the skids;
And then there’s the coups the fiend hatches.
—Michael R. Burch



Trump’s Saddest Tweet to Date
by Michael R. Burch

I’ve gotten all out of kilter.
My erstwhile yuge tool is a wilter!
I now sleep in bed.
Few hairs on my head.
Inhibitions? I now have no filter!



the best of all possible whirls, for MAGA
by Michael R. Burch

ive made a mistake or two.
okay, maybe quite more than a few:
mistakes by the millions,
the billions and zillions,
but remember: ur LORD made u!

where were u when HEE passed out brains?
or did u politely abstain?
u call GAUD “infallible”
when HEE made u so gullible
u cant come inside when Trump reigns.



My Sin-cere Endorsement of a Trump Cultist
by Michael R. Burch

If you choose to be an idiot, who can prevent you?
If you love to do evil, why then, by all means,
go serve the con who sent you!



Bird’s Eye View
Michael R. Burch

So many fantasical inventions,
but what are man’s intentions?
I don’t trust their scooty cars.
And what about their plans for Mars?

Their landfills’ high retentions?
The dodos they fail to mention?
I don’t trust Trump’s “clean coal” cars,
and what the hell are his plans for Mars?



Untitled

Don't disturb him in his inner sanctum
Or he’ll have another Trumper Tantrum.
—Michael R. Burch

It turns out the term was prophetic, since "conservatives" now serve a con. — Michael R. Burch

To live among you — ah! — as among vipers, coldblooded creatures not knowing right from wrong, adoring Trump, hissing and spitting venom.

Trump rhymes with chump
grump
frump
lifelong slump
illogical jump
garbage dump
sewage clump
sump pump
*******
cancerous lump
malignant bump
unpleasingly plump
slovenly schlump
yuge enormous diaper-clad ****
and someone we voters are going to thump and whump
—Michael R. Burch



Putin's Lootin's
by Michael R. Burch

They’re dropping like flies:
Putin’s “allies.”

Ah, but who gets their funny
money?

Two birds with one stone:
no dissent, buy a drone.

For tyrants the darkest day’s sunny!



Preempted
by Michael R. Burch

Friends, I admit that I’m often tempted
to say what I think about Trump,
but all such thought’s been preempted
by the sight of that Yuge Orange ****!



Mate Check
by Michael R. Burch

The editorial board of the Washington Post is “very worried that American women don’t want to marry Trump supporters.”

Supporting Trump puts a crimp in dating
(not to mention mating).

So, ***** dudes, if you’d like to bed
intelligent gals, and possibly wed,

it’s time to jettison that red MAGA cap
and tweet “farewell” to an orange sap.



Squid on the Skids
by Michael R. Burch

Sidney Powell howled in 2020:
“The Kraken will roar through the land of plenty!”

But she recalled the Terror in 2023
with a slippery, slimy, squid-like plea.



The Kraken Cracked
by Michael R. Burch

She’s singing like a canary.
Who says krakens are scary?

Squidney said the election was hacked,
but when all her lies were unpacked,
the crackpot kraken cracked.

Now, with a shrill, high-pitched squeal,
The kraken has cut a deal.

Oh, tell it with jubilation:
the kraken is on probation!



Trump’s Retribution Resolution
by Michael R. Burch

My New Year’s resolution?
I require your money and votes,
for you are my retribution.

May I offer you dark-skinned scapegoats
and bigger and deeper moats
as part of my sweet resolution?

Please consider a YUGE contribution,
a mountain of lovely C-notes,
for you are my retribution.

Revenge is our only solution,
since my critics are weasels and stoats.
Come, second my sweet resolution!

The New Year’s no time for dilution
of the anger of victimized GOATs,
when you are my retribution.

Forget the ****** Constitution!
To dictators “ideals” are footnotes.
My New Year’s resolution?
You are my retribution.



Two Trump Truisms
by Michael R. Burch
When Trump’s the culprit everyone’s a “snitch.”
It ain’t a “witch hunt” when the perp’s a witch.



Horrid Porridge
by Michael R. Burch

My apologies to porridge for this unfortunate association with an unwholesome human being.

Why is Trump orange,
like porridge
(though not some we’re likely to forage)?
The gods of yore
knew long before
Trump was born, to a life of deplorage,
that his face must conform
to the uniform
he’d wear for his prison decorage!


Dictionary Definition of Trump
by Michael R. Burch

Trump is a chump;
he’s the freep of a frump;
he’s an orange-skinned Grinch and, much worse, he’s a Grump!;
he’s a creep; he’s a Sheik (sans harem); a skunk!;
“**** the veep!” he’s a murderous coup d’tot-er in a slump;
“Drain the swamps, then refill them with my crocodilian donors!”;
Trump is a ****** with insufficient ******;
Trump is, as he predicted, a constitutional crisis;
Trump is our non-so-sweet American vanilla ISIS;
Trump is a thief who will bring the world to grief;
Trump is a whiner and our Pleader-in-Chief.



Triple Trump
by Michael R. Burch

No one ever ******* a Trump like Trump.
He turned Mar-a-Lago into a dump
and spewed filth at the stump
like a sump pump
while looking like a moulting Orange Hefalump!
Trump made the Grinch seem like just another Grump
by giving darker Whos a “get lost” lump.
No colored child was spared from his Neanderthalic thump.
Trump gave fascists a fist-bump,
consulted **** servers for an info-dump
and invited Russian agents for a late-night ****.
Don the Con con-sidered laws a speed bump,
fired anyone who ever tried to be an ump,
and gave every evil known to man a quantum jump.
You may think he’s just plump
and a chump,
with the style of a frump,
the posture of a shlump,
his brain in a slump,
and perhaps too inclined for a ****-star ****,
while being deprived by his parents of a necessary whump ...
but when it comes to political *****, Trump is the ****!

#TRUMP #DONTHECON #MRBTRUMP #MRBDONTHECON #MRBPOEMS

Keywords/Tags: light verse, nonsense verse, doggerel, limerick, humor, humorous verse, light poetry, *****, salacious, ribald, risque, naughty, ****, spicy, adult, nature, politics, religion, science, relationships


Scratch-n-Sniff
by Michael R. Burch

The world’s first antinatalist limerick?

Life comes with a terrible catch:
It’s like starting a fire with a match.
Though the flames may delight
In the dark of the night,
In the end what remains from the scratch?



Time Out!
by Michael R. Burch

Time is at war with my body!
am i Time’s most diligent hobby?
for there’s never Time out
from my low-t and gout
and my once-brilliant mind has grown stodgy!



Waiting Game
by Michael R. Burch

Nothing much to live for,
yet no good reason to die:
life became
a waiting game...
Rain from a clear blue sky.



*******' Ripples
by Michael R. Burch

Men are scared of *******:
that’s why they can’t be seen.
For if they were,
we’d go to war
as in the days of Troy, I ween.



Devil’s Wheel
by Michael R. Burch

A billion men saw your pink ******.
What will the pard say to you, Sundays?
Yes, your ******* were cute,
but the shocked Devil, mute,
now worries about reckless fundies.



A ***** Goes ****
by Michael R. Burch

She wore near-invisible *******
and, my, she looked good in her scanties!
But the real nudists claimed
she was “over-framed.”
Now she’s bare-assed and shocking her aunties!



MVP!
by Michael R. Burch

Will Ohtani hit 65 homers,
win the Cy Young by striking out Gomers,
make it cute and okay
to write KKK
while inspiring rhyme-challenged poemers?

Will Ohtani hit 65homers,
win the Cy Young by striking out Gomers,
prove the nemesis
of white supremacists
while inspiring rhyme-challenged poemers?

Will Ohtani hit 65 homers,
win the Cy Young by striking out Gomers,
cause supremacists
to cease and desist
while inspiring rhyme-challenged poemers?

Keywords/Tags: limerick, limericks, double limerick, triple limerick, humor, light verse, nonsense verse, doggerel, humor, humorous verse, light poetry, *****, ribald, irreverent, funny, satire, satirical


OTHER LIMERICKS AND POEMS



Red State Reject
by Michael R. Burch aka "The Loyal Opposition"

I once was a pessimist
but now I’m more optimistic,
ever since I discovered my fears
were unsupported by any statistic.



The Red State Reaction
by Michael R. Burch aka "The Loyal Opposition"

Where the hell are they hidin’
Sleepy Joe Biden?

And how the hell can the bleep
Do so much, IN HIS SLEEP?



Mating Calls, or, Purdy Please!
Limericks by Michael R. Burch

1.
Nine-thirty? Feeling flirty (and, indeed, a trifle *****),
I decided to ring prudish Eleanor Purdy ...
When I rang her to bang her,
it seems my words stang her!
She hung up the phone, so I banged off, alone.

2.
Still dreaming to hold something skirty,
I once again rang our reclusive Miss Purdy.
She sounded unhappy,
called me “daffy” and “sappy,”
and that was before the gal heard me!

3.
It was early A.M., ’bout two-thirty,
when again I enquired with the regal Miss Purdy.
With a voice full of hate,
she thundered, “It’s LATE!”
Was I, perhaps, over-wordy?

4.
At 3:42, I was feeling blue,
and so I dialed up Miss You-Know-Who,
thinking to bed her
and quite possibly wed her,
but she summoned the cops; now my bail is due!

5.
It was probably close to four-thirty
the last time I called the miserly Purdy.
Although I’m her boarder,
the restraining order
freezes all assets of that virginity hoarder!

Keywords/Tags: limerick, limericks, nonsense verse, humor, humorous, light verse, mating calls, *****, prudish, lonely, loneliness, longing, America



Animal Limericks

Dot Spotted
by Michael R. Burch

There once was a leopardess, Dot,
who indignantly answered: "I'll not!
The gents are impressed
with the way that I'm dressed.
I wouldn't change even one spot."



Stage Craft-y
by Michael R. Burch

There once was a dromedary
who befriended a crafty canary.
Budgie said, "You can't sing,
but now, here's the thing—
just think of the tunes you can carry! "



Honeymoon Not-So-Sweet, or, Clyde Lied!
by Michael R. Burch

There once was a mockingbird, Clyde,
who bragged of his prowess, but lied.
To his new wife he sighed,
"When again, gentle bride? "
"Nevermore! " bright-eyed Raven replied.



The Mallard
by Michael R. Burch

The mallard is a fellow
whose lips are long and yellow
with which he, honking, kisses
his *****, boisterous mistress:
my pond’s their loud bordello!



The Platypus
by Michael R. Burch

The platypus, myopic,
is ungainly, not ******.
His feet for bed
are over-webbed,
and what of his proboscis?

The platypus, though, is eager
although his means are meager.
His sight is poor;
perhaps he’ll score
with a passing duck or ******.



The Better Man
by Michael R. Burch
　
Dear Ed: I don't understand why
you will publish this other guy—
when I'm brilliant, devoted,
one hell of a poet!
Yet you publish Anonymous. Fie!

Fie! A pox on your head if you favor
this poet who's dubious, unsavor
y, inconsistent in texts,
no address (I checked!) :
since he's plagiarized Unknown, I'll wager!



"Of Tetley's and V-2's" or "Why Not to Bomb the Brits"
by Michael R. Burch

The English are very hospitable,
but tea-less, alas, they grow pitiable...
or pitiless, rather,
and quite in a lather!
O bother, they're more than formidable.

Mr Bedlows
showed you around
the old folk’s home
the day had begun

at the new job
the smell of *****
and old age
drifted by the nostrils

the dimly lit passageway
he opened a door
morning Mr Grigg
morning Mr Mash

he said
to the old men
sitting on beds
then off

you both went again
more doors opened
other old men
welcomed

downstairs and up
the passageways
like circles
of Dante’s Hell

the old men gazed
at you as you entered
their aged eyes
followed you

about their room
you the young guy
the wet-behind- the-ears
young thing

they’d seen wars
fought in trenches
seen men killed
blown apart

mind damaged
body’s crippled
soul’s laid bare
smoke and death

in the air
I’ll leave you with Sidney
Mr Bedlows said
and went closing the door

trapping you
with smell and age
and Sidney’s stare
half hour later

having cleaned him up
and washed and dried
and clothed him neat
you set him on his way

with walking frame
and slow pace
for him
another dreary day

for you the beginning
the other men
to coax
or dress

or wash
or comb the hair
or set them
on their walk

with old timers
chatter
or idle
long ago talk.

I

Now that we're almost settled in our house
I'll name the friends that cannot sup with us
Beside a fire of turf in th' ancient tower,
And having talked to some late hour
Climb up the narrow winding stair to bed:
Discoverers of forgotten truth
Or mere companions of my youth,
All, all are in my thoughts to-night being dead.

                  II

Always we'd have the new friend meet the old
And we are hurt if either friend seem cold,
And there is salt to lengthen out the smart
In the affections of our heart,
And quatrels are blown up upon that head;
But not a friend that I would bring
This night can set us quarrelling,
For all that come into my mind are dead.

                  III

Lionel Johnson comes the first to mind,
That loved his learning better than mankind.
Though courteous to the worst; much falling he
Brooded upon sanctity
Till all his Greek and Latin learning seemed
A long blast upon the horn that brought
A little nearer to his thought
A measureless consummation that he dreamed.

                  IV

And that enquiring man John Synge comes next,
That dying chose the living world for text
And never could have rested in the tomb
But that, long travelling, he had come
Towards nightfall upon certain set apart
In a most desolate stony place,
Towards nightfall upon a race
passionate and simple like his heart.

                  V

And then I think of old George Pollexfen,
In muscular youth well known to Mayo men
For horsemanship at meets or at racecourses,
That could have shown how pure-bred horses
And solid men, for all their passion, live
But as the outrageous stars incline
By opposition, square and trine;
Having grown sluggish and contemplative.

                  VI

They were my close companions many a year.
A portion of my mind and life, as it were,
And now their breathless faces seem to look
Out of some old picture-book;
I am accustomed to their lack of breath,
But not that my dear friend's dear son,
Our Sidney and our perfect man,
Could share in that discourtesy of death

                  VII

For all things the delighted eye now sees
Were loved by him:  the old storm-broken trees
That cast their shadows upon road and bridge;
The tower set on the stream's edge;
The ford where drinking cattle make a stir
Nightly, and startled by that sound
The water-hen must change her ground;
He might have been your heartiest welcomer.

                  VIII

When with the Galway foxhounds he would ride
From Castle Taylor to the Roxborough side
Or Esserkelly plain, few kept his pace;
At Mooneen he had leaped a place
So perilous that half the astonished meet
Had shut their eyes; and where was it
He rode a race without a bit?
And yet his mind outran the horses' feet.

                  IX

We dreamed that a great painter had been born
To cold Clare rock and Galway rock and thorn,
To that stern colour and that delicate line
That are our secret discipline
Wherein the gazing heart doubles her might.
Soldier, scholar, horseman, he,
And yet he had the intensity
To have published all to be a world's delight.

                  X

What other could so well have counselled us
In all lovely intricacies of a house
As he that practised or that understood
All work in metal or in wood,
In moulded plaster or in carven stone?
Soldier, scholar, horseman, he,
And all he did done perfectly
As though he had but that one trade alone.

                  XI

Some burn dam *******, others may consume
The entire combustible world in one small room
As though dried straw, and if we turn about
The bare chimney is gone black out
Because the work had finished in that flare.
Soldier, scholar, horseman, he,
As 'twere all life's epitome.
What made us dream that he could comb grey hair?

                  XII

I had thought, seeing how bitter is that wind
That shakes the shutter, to have brought to mind
All those that manhood tried, or childhood loved
Or boyish intellect approved,
With some appropriatc commentaty on each;
Until imagination brought
A fitter welcome; but a thought
Of that late death took all my heart for speech.

When I lie in bed
in that limbo between sleepy and sleeping
I think about throwing open all the windows on a hot summer night
(the kind where you can't breathe for the season's breath beating you senseless)
and dancing in your arms.
We'll both be tired and conservative with our words
but our feet will converse into the night.
I'm thinking Sidney Bechet's "Blue Horizon" should be a good place to start
so you have an idea of where I'm going.
I want the heat to press us together until we melt.
The end of your body will be the beginning of mine
because no one's paying attention to where lines are drawn.
If anyone's going to draw them, it'll be me
sliding the tip of my finger across your chest in time to the record
which is so slow we're almost standing still.
We don't notice though, because the only rhythm we care about is us.
The way I see it,
it's like Tennessee Williams is somewhere up there
hacking away at his typewriter
creating us with each stroke of the key.
His fingers work our literary strings and we sway like marionettes in the hands of our creator.
He places the screen door on the other side of the room
the ***** walls around us
the indifferent lightbulb hanging above our heads,
giving off just enough light so we don't have to squint
but not enough to make the room feel anything less than sensual.
Tennessee draped the sundress over my shoulders
but kindly left my feet bare so I could feel the floor in its imperfect softness.
He put a watch on your wrist
not so you'd keep time
but so you'd remember the person who gave it to you.
There's a hint of a smile stretched across the divan of your lips
though I know Tennessee had not a single thing to do with it.
It was all me.
And just before I fall asleep,
the song finishes
and Tennessee packs up his machine,
leaving us to ourselves for the rest of the dream before a dream.

The fog crept in on giant monster claws,
Surely no itty-bitty feline foots, I pray:
“Feets don’t fail me now,”
A line that will live in infamy,
Way back in a vaudeville when,
A minstrel Chitlin Circuit then,
Was an actor known as the
"Laziest man in the world,"
A character designed to stick to a
Collective white consciousness,
Stick like Tar-Baby, that negative
Image of African-American men--
I speak of The Brothers--
Who for over a century, have been
Struggling to live down a pernicious,
Most persistently demeaning,
Hollywood trope.
Tribute is due to the black actor born:
Lincoln Theodore Monroe Andrew Perry.
Oh, Mr. Perry, & yes, you were the
First black actor to receive
Screen credit in a film.
Well, I guess that puts you right up there,
With Jackie Robinson & Sidney Poitier,
Carver or Tubman, or any of those
Countless northern abolitionists--
With no personal stake in slavery,
Or emancipation, but fervent nonetheless--
Color-barrier breakers &
Household saints a-coming &
A-marching in, in that number . . .
You paid a big price, Mr. Perry:
The indignity & débauche,
By abject surrender to the Boss Man,
Tribute, recognition is due for
Feats of humility & self-abasement,
Entailing total superhuman surrender,
Capitulation to the dismal, prevailing
State of American race relations at the time.
Stepin Fetchit: a name & a persona,
Not just painfully racist, but
Downright subversive.

See that zombie stood over there.
Caked in fresh blood.
It's under his hair.
He found a fella with a hole in his head.

Sad zombie fella.

He found a slice of mouldy old bread.
Uses it as a soldier.
Dipped in his head.

No fun.
A newly made zombie.
He's always hungry,

Now he's dead.

Peeps at Mr Majestical's testicles.
Fancied chewing them.

Loved the juice.
Succulent as strawberries.
Raspberry sauce.
Blood of course.

Derwent fancied a bit of breast.
Loving mother told him breast is always best.

Julie's just a crazy chick.
Fancied a nibble on the dead guy's ****.
Yummy,yummy, really sick.

Or should I say she ****** it.
As if it were a straw.
Remembering days of living.
Always was a *****.

The kid in the corner is popping out eyes.
Never really worked out why.
Perhaps he was thirsty.

Eleanor.
She fancied a  nibble on the bladder and kidney.

Of a once fine chap.
Whose first name was Sidney.

***** tasting of peach lemonade.
Eleanor the dead chick.
Got really drunk.
That Zombie's really ******.

Mum's over there.
One of them?
Or still my mum?

You know what?
I really don't care.
For the first time in my life.
I feel really scared.

Hell.

I digress.
They're chasing me now
I'm making a mess.
Run out of puff and all that stuff,

They're trying to eat me.

That's quite enough.
I'm feeling quite numb.
The dead ******* won.
Stripped all the tissue clean off my ***.
Chewed though a bit of a nerve.
Partially damaged.
You feeling the image?
Bled me near dry.

He did.
*******.
Made me cry.
For a second or two.

Lucky me.
One ate my eye.
So glad.
I won't see myself die.
With a skeletal hand.
I'm waving goodbye.
(c)Livvi

Great men have been among us; hands that penn’d
  And tongues that utter’d wisdom—better none:
  The later Sidney, Marvel, Harrington,
Young Vane, and others who call’d Milton friend.
These moralists could act and comprehend:
  They knew how genuine glory was put on;
  Taught us how rightfully a nation shone
In splendour: what strength was, that would not bend
But in magnanimous meekness. France, ’tis strange,
  Hath brought forth no such souls as we had then.
Perpetual emptiness! unceasing change!
  No single volume paramount, no code,
  No master spirit, no determined road;
  But equally a want of books and men!

I hope you never leave like the leaves with the winter breeze,
You bring color to my world like autumn leaves,
With your absence you left me colorblind,
Surprised by my silent scream, but my eyes beg for you to stay. Please...
My life has no light without you,
Like the moon to the sun,
I can't shine without you,
Because you are the reflection of my other half,
Until then I guess I'll always be half the man.
So will you drift away like the winds from my fingertips?
A cloud once I hold it tight,
Or my 1st memories in life?
You would hold your breath just so you wouldn't breathe the same air I would breathe,
just to tell your new love that you have no part of me.
You mistake his love like a mirage in the desert,
you gambled with your eyes and see odds without measure,
Just another guy who always lose to guys who's not better.
Yes the type who could be your everything if you let me,
I guess it’s more affordable to waste time than to buy some regrets then sell them.
Or post feelings and mail them,
Misguided by the look in your eyes,
Warm touch but cold hearted inside,
Was I really the man you cherished with pride?
Or just another lie in your diary on page 5?
I can't stress enough how much I need you,
Besides God no one succeeds you,
1 moment you needed me,
2 times you cheated me,
3 times I fought for us and,
4 the last time you defeated me,
Left with a hole in my heart,
No peep show.
I thought I had the answers to this test,
No cheats though.
I repeat myself but you don't hear me.
I appear in all the right places but you don't see me.
Eyes wide shut:
Figure you think I'm being too needy,
Give you my all, it’s not enough,
I feel you're way too greedy
Take my love as a joke,
Because with him you're smiling and laughing.
That's just a sunny day,
I'm the Sun; this is everlasting.
Take a knife for you, write for you, live for you.
Now I'm bleeding for no reason, too stubborn to even see it.
I'm dying for you.
You say hi and then bye.
I die a little inside,
What's it all to you?
Oh, a game?!?
It's a shame, Life's a cliff, and I hope you fall too.
One day you'll realize that these ripples are from the waves of me catching you.

By K.J., Sidney, A.R. & Myself

Life or should I say one big experimentation,
Not a day goes by that my mind ponder,
Lying down my thoughts and diagnosis,
With nothing to do but to wonder.
Trembling from my own insecurities and impurities that enslave my conscious.
Do you truly have the faith to give up what you already own to find out?
To risk and pursue the unseen or the unknown for a better outcome.
Waiting on a sign to release the shackles that binds your mind from procrastination.
Are we living to die?
Or
Are we dying to live?
How do you find?
What can't be define?
Should I leap in hopes of flight to my destiny?
Open my mind to unusual subjection and gradually give the world the best of me.
Where do I begin to end?
Or
Where do I end to begin?
Life seems so simple yet not easy at the same time,
All we got to do is live,
But how do we live?
We tend to over-complicate,
Always wanting more,
Never able to accept as things are,
Is the grass truly greener on the other side?
Not always, but it's greener where ever you water it.

By Sidney and Tien

When you were a little girl, did you think love was an easy concept to grasp? Didn't it make you laugh the way that everyone said,
"It's undefinable, it's complicated, it's the root of so much pain"?
When I was a young boy, I used to sift through sand looking for the broken beer bottles
Because I wanted to try and find beauty in something horrible.

So I have done for years.
I've lied, cheated, stolen... sometimes from my own family members.
I used to assume I could pop into your life any time
Like a bad father
And you'd come running into my arms.
Just like a bad father.

When I left you standing at the altar, dressed like June Carter
I remember wishing I could have altered my timeline
So I could be Johnny for real, and we could make it big
People could start writing our names on jail cell walls
"R.I.P. Alex and Sidney"

These are the days where I scatter papers around my room
Pinholes in the carpet from relight after relight
Trying to find the right words to say
To convince you that I'm not the same as I used to be.
I've seen my own eyes gazing at me without a mirror
I've seen galaxies screaming at me and exploding

You pull my heart-strings.
You separate my anxieties.
You are the little bit of crazy within me
And when I let it out it's all sadness and wine
But when you let go, you're just a sugar plum fairy.
You dance and you sing and you laugh like I were a comedian.

Oh, that's right, I am a comedian.

Well, if my job is to make people laugh
Then my last laugh would be you.
This is a bad time, I know
But I still would do anything to rewrite our history.

I can wait a year if you want to run your course
Maybe you'll stay in our little town.

But this poem is to tell you
Your clothes should be in my laundry.