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"prospero" poems
"You're the Ariel to my Prospero" He says grinning with dagger pearl teeth that could nibble my ear or easily rip out my heart. Ignorant of his mundanity He does not know of those who came before. Names are relative. "You're the Puck to my Oberon" "You're the Tink to my Peter Pan" Heard 'em all. Plight of the Manic Pixie Not Dream Girl. Charming Sassy Childish girl. Sidekick Extraordinaire. But lower than Robin to his Batman. Messenger, Trickster, Mischief Maker. Companion. Adventurer. with a temper ten times his size. A power unnamed. Unused. Never Enough. Never enough to Want to challenge her master. ProsperoOberonPeter I will drink the poison for you. I will sink the ship. I will find the ****** flower and enchant the Fairy queen. Follow orders, then twist them. With some glittler and a devilish smile. Crazy Tiny girl. Too pixie to hold on to Catch me Boy! Alreadycaughtnoneedtocatch. Little ****** Manic Pixie Yearning for a kiss a touch a word. When you're a manic pixie there's no trio no male sidekick to choose over the hero. But the hero gets the girl. Manic Pixies live to serve. Not dignified or wise enough for Royal Athena. Not ruthless enough for the Dangerous Diana. Without the darkness of the Morrigan. Virginity isn't a choice. It's part of the job description. Could I be your ladybird?
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Feb 1, 2014
Feb 1, 2014 at 11:46 AM UTC
Manic Pixie Not Dream Girl
*I have lost my voice as of late, feeling like prospero living in the island of my mind. Here's an attempt to describe how I pass my time.* there are moments when the ache overcomes the present the scratching demon inside, selfish for something I can’t pronounce and I find myself swallowing my tears over black coffee, hoping you don’t see. I look into your hazel eyes and see the frustration with age. you tell me, ‘I hate being old’ and I quietly tell you to embrace your wisdom ‘you’re only old once, nana’ you laugh and I find my place inside your sweet warble as we look around for the keys that you just put in your purse. the small girl within me reaches out and holds your shoulder lightly guiding you in and out of the slow traffic swimming in southern humidity. everything has slowed down in the past few months the decaying town I grew up in is full of molasses minded folk, and I only wish it was slower as you forget why we are here. We walk into the the cool air and I tell you we needed to leave the house. you’ve been folding the dishes and scrubbing the laundry while my grandfather yells about the TV and his inability to find his mind when they put another persons heart inside his chest. we decide to leave behind the scene of you sobbing in the sink and drink some black coffee. You and I have sat so many times wrapped in fits of laughter defying the pain of the world. I try to make simple jokes as an excuse to lose ourselves, but my new silence has grown with the summer honeysuckle and I have lost the desire to forget. We sit side by side, watching the black water slide inside the creek. You begin telling me how you finally feel relaxed. I kiss your cheek and tell you I love you. We smile, no longer needing to grasp for breathless laughter. The ache becomes a part of every moment and I breathe in the golden sadness of mortality, knowing that I am learning the art of dying in southern heat of the town I was born.
0
Jun 7, 2014
Jun 7, 2014 at 5:37 PM UTC
T. Taciturn Tempest
*I have lost my voice as of late, feeling like prospero living in the island of my mind. Here's an attempt to describe how I pass my time.* there are moments when the ache overcomes the present the scratching demon inside, selfish for something I can’t pronounce and I find myself swallowing my tears over black coffee, hoping you don’t see. I look into your hazel eyes and see the frustration with age. you tell me, ‘I hate being old’ and I quietly tell you to embrace your wisdom ‘you’re only old once, nana’ you laugh and I find my place inside your sweet warble as we look around for the keys that you just put in your purse. the small girl within me reaches out and holds your shoulder lightly guiding you in and out of the slow traffic swimming in southern humidity. everything has slowed down in the past few months the decaying town I grew up in is full of molasses minded folk, and I only wish it was slower as you forget why we are here. We walk into the the cool air and I tell you we needed to leave the house. you’ve been folding the dishes and scrubbing the laundry while my grandfather yells about the TV and his inability to find his mind when they put another persons heart inside his chest. we decide to leave behind the scene of you sobbing in the sink and drink some black coffee. You and I have sat so many times wrapped in fits of laughter defying the pain of the world. I try to make simple jokes as an excuse to lose ourselves, but my new silence has grown with the summer honeysuckle and I have lost the desire to forget. We sit side by side, watching the black water slide inside the creek. You begin telling me how you finally feel relaxed. I kiss your cheek and tell you I love you. We smile, no longer needing to grasp for breathless laughter. The ache becomes a part of every moment and I breathe in the golden sadness of mortality, knowing that I am learning the art of dying in southern heat of the town I was born.
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35
. Though my boat is tossed high upon these crests, I fear not the deep sea where the sailors souls rest. Cast adrift, alone to float, my mother Sycorax had planned. But lo! I reach sanctuary and dance ecstatic on the sand. My grotesque form I treasure but loneliness soon must end. Yes! A monster I might be, but Caliban needs a friend. Paradise is mine and ripe. Behold! A kingdom and a home! The sun blisters all day long, oh Muses why am I so alone? “Hush boy! Careful of thy wish, the scheme is so much grander. For Prospero prowls the island with his witch daughter Miranda”. Run ugly Caliban. Run away. Disappear, you must be brave. For the Wizard has loosed Ariel, your wretched body to enslave. The girl holds you enchanted, with promises of fair romance. Feel her pull puppets strings, watch her make You dance. Oh Caliban! What darkness befalls, a prisoner tithed with no trial. Yearn, dear boy, for isolation and the loneliness of your Isle. © Pagan Paul (28/02/17)
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Feb 28, 2017
Feb 28, 2017 at 4:23 PM UTC
Caliban
Shoulda gone sooner, Mighta helped, he said, it's going to all come down, ground up. All the concrete and asphalt and plastic, maybe even leave a little of that won't hurt, could help build randomness back in the the path of least resistance But no bigger than the biggest pieces left at Jerusalem, fill all the holes. that was a stutter, that double the there, 3 lines up, I stutter when I write, not as bad as some But I pretty much tamed spelchek when I renamed her. She likes being thought of as Spelchek, my servant, as opposed to evil Spellchick who bewitched by keys, made my tittalk sound plumb dumb. So Spelchek respects some of my stutters as honest ensamples of thinking wait. What am I saying Selah Like the psalmist, right? The the thing is oddly broken lines are part of the meandering mode of meaning being found under rocks, aha Sisyphus, we're in your book!, Too cool! Happy whatever, Jah, you, too. Back to Cousin Kenny, who went to inspect the city, seeking some good he might do. He laughed when he got back, 'said maybe we can find them guys that let on they was able to levitate the Pentagon, back then, you know, they was steeped in lies, and they loved to tell 'em, loved to lie, prospero, ever **** one prosperous liars. But, now, their old age, they coulda stopped believin' some big lies by now. Who would know? Any way, the cities, as built, must be un built, NOT DESTROYED, those are the good hard labour of good people, doing the best with what they had, we take apart mistakes, we destroy lies. Angelic beings, aliens, without papers, if you would give us half a chance we could show you what a good idea possessed human can do… Trust me, don' laugh Close your eyes How would this world look if it were designed for life, and that, more abundantly. An idea, not a dogma. Life, have it… how? Lest, now, now is living, and we can do it better if we find a reason to hope, which was why cousin kenny went to the city, in the first place.
0
Nov 7, 2018
Nov 7, 2018 at 5:28 PM UTC
cousin kenny went to the city
Shoulda gone sooner, Mighta helped, he said, it's going to all come down, ground up. All the concrete and asphalt and plastic, maybe even leave a little of that won't hurt, could help build randomness back in the the path of least resistance But no bigger than the biggest pieces left at Jerusalem, fill all the holes. that was a stutter, that double the there, 3 lines up, I stutter when I write, not as bad as some But I pretty much tamed spelchek when I renamed her. She likes being thought of as Spelchek, my servant, as opposed to evil Spellchick who bewitched by keys, made my tittalk sound plumb dumb. So Spelchek respects some of my stutters as honest ensamples of thinking wait. What am I saying Selah Like the psalmist, right? The the thing is oddly broken lines are part of the meandering mode of meaning being found under rocks, aha Sisyphus, we're in your book!, Too cool! Happy whatever, Jah, you, too. Back to Cousin Kenny, who went to inspect the city, seeking some good he might do. He laughed when he got back, 'said maybe we can find them guys that let on they was able to levitate the Pentagon, back then, you know, they was steeped in lies, and they loved to tell 'em, loved to lie, prospero, ever **** one prosperous liars. But, now, their old age, they coulda stopped believin' some big lies by now. Who would know? Any way, the cities, as built, must be un built, NOT DESTROYED, those are the good hard labour of good people, doing the best with what they had, we take apart mistakes, we destroy lies. Angelic beings, aliens, without papers, if you would give us half a chance we could show you what a good idea possessed human can do… Trust me, don' laugh Close your eyes How would this world look if it were designed for life, and that, more abundantly. An idea, not a dogma. Life, have it… how? Lest, now, now is living, and we can do it better if we find a reason to hope, which was why cousin kenny went to the city, in the first place.
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58
Dearest Prospero, I have seen how the war have destroyed. Our marriage was enough to keep me sane and faithful. I am now a mother from a demon and a widow. Prospero, up the heavens you must go. Find my son and my soul out in the crevice of hell before the gates shut close. Prospero, as I cradle him now in my bloodied hands. Interrupted his spur to life. And no longer he cries. There little one… there.
0
Nov 14, 2015
Nov 14, 2015 at 6:05 PM UTC
Dearest Prospero
Electron herders, that's us. It began earnestly late 20th century. The first organic computers using polymerase and ADP came later. Weaponry via numbers, words magically appearing, telepathy. Measurements in which the last significant digit is the Other. However immediately depleted our resources were, antibiotics were always at the ready. Forgetting what we knew, reverting to austerity because in times of prosperity we forgot to be austere. It's the uncertainty principle taken to the nth degree where the bad god resides, Zeus, passionate, confused, obtuse. Yes, we are electron herders matter gatherers and shapers of our time. Cancerous cysts, irrational exuberance, collective experience, experiments gone well or wrong, we were trying all along to last forever. Flood and fire saw to that. Prospero was our answer who threw his book into the sea and wanted to be mortal, meditative. Find himself. We found the world without the self cornus to oxalis orbitals and calculus waves and particles equally likely to be within us as without us.
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Aug 11, 2015
Aug 11, 2015 at 6:31 PM UTC
Electron Herders
“This Insubstantial Pageant Faded” (spoke by Prospero, The Tempest, by W. Shakespeare)^ <> Our words are all actors, a long run, run its course, our long playing record, scratched, love~worn to worn out extremity, yet yeoman service did offer, extreme only in magical transforming plain sight into visions, a legacy, bent gray, tarnished by weary wearing aging, their brief sparks now but reclamation flares of burst lights of waning days in short lived tastings of what was and can be nevermore everyone’s magic has its preset timed timing, and with every day, each a concentric ring marked and hallowed, a heartbeat ring narrower than its predecessor, a shallower hollow, a fair represent of both all that came our way, and that we resent with no resentment into a cloud capped atmosphere for all to ****** from a flailing, flying breeze, their brief gleam, multiplying, thus envisaging, illuminating the manuscript of our hinted future forward’s next percept * “And like this insubstantial pageant faded Leave not a rack behind. We are such stuff As dreams are made on, and our little life Is rounded with a sleep”*^
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Mar 2, 2024
Mar 2, 2024 at 8:23 AM UTC
“This Insubstantial Pageant Faded”
Is it bad to root for Prospero because he gave you hopes of conquering Death and when he dies, you still shiver and check the time?
0
Feb 4, 2011
Feb 4, 2011 at 11:15 PM UTC
Prospero
Peacefully Prospero weeped at the edge of these darkened seas. Unfeathered flocks of fiery bones flew above his heavy brow. Giving not a moments notice at the sorrowed actions of this beaten crowd.
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May 1, 2016
May 1, 2016 at 8:16 PM UTC
Peaceful Prospero
Stage lights burn out. I am left agog. Eyes drop incredulously as what I saw before me was very restoring. A story of humanity, a Shakespearian epic, a turbulent tempest that hit me with the fierceness of Hamlet. As Othello’s hands wrapped around his beloved neck, as Thibault killed Mercutio As Ariel and Puck played their trickster games, as Prospero planned, and Oberon dawned his elvish Armor, as Titania loved an *** and saw false love pass; As the thorny crown of King Richard passed then passed again whilst he ruminated nearly naked in a cell of dirt and stone, alone, halfway mad before he made it there. As Caesar bled betrayed by Brutus in the Ides of March, I await more wonders for Shakespeare has so much more I have yet to get to. I am descended from that poet’s heart. who passed down his purchased arms of false nobility to become a man of property not knowing his plays would make him greater than any noble man of his day. After all the pleasure I sit in awe and ponder, what if he had the eyes to see what faces us presently would he wonder at the cleverness of us or cower at the current level of our stupidity?
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Jan 23, 2017
Jan 23, 2017 at 9:25 AM UTC
Shakespeare
I am a Caliban groaning Oppressed by Prospero In an Isle unknown spring My urge to freely flow. Desires of Prospero his bridle ***** and nag me ; my Ego resists The Cultural pressure they girdle To shroud my Peace and past fast. ,,,,,,,,,,,,,,,,,
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Apr 17, 2015
Apr 17, 2015 at 8:53 AM UTC
I am a Caliban
In my father’s cosmology, God rose late come Sunday morning, Having wreaked His vengeance by proxy the night before, And it was a given that we greeted the Sabbath With whispers and sock-soft tiptoe, Knowing that his belt (black, wide, thick with implicit warnings) Hung within easy reach of the bed, Though sometimes, with no more explanation than Man alive, what a beautiful world it is today! Cold cornflake brunches would be postponed (Our wonder mixed with consternation and rumbling stomachs) As we would be whisked into the car In order to sing His praises, our father all but jumping from the car, Heading toward the preacher at a trot, Invariably greeting him with *Devil’s on holiday, Father, So here I am* (the church was Lutheran, Though it could have been a mosque for all he cared.) He’d sit through the sermon, rapt and at attention, Alternately scowling and smiling, knitting his brow and nodding, And then he would corner the incumbent occupant of the pulpit (He’d have scarcely noticed, if at all, that the leadership of the flock Often changed hands between our cicada-esque appearances) Backing him into a wall or against a railing While he jabbered away, pointing or grabbing a sleeve in punctuation, Gesturing like some latter-day Prospero, arms ****** Heavenward To embrace the air, the sky, the whole of the cosmos, amen, While the pastor’s gaze varied from bemusement to outright horror. Such occasions were outliers, of course, Father being much more inclined To spend his Saturday evenings in un-Christian pursuits Then stagger home singing a litany of done-me-wrong songs, And his search for a joyful hundred-proof clarity Ended before he glimpsed fifty, that being time enough (So the pathologist noted in his final judgment) For his liver to become elephantine, his kidneys mere pebbles (Those effects, be they deleterious or otherwise, Not listed explicitly nor in the footnotes Which accompanied the post mortem.)
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Dec 7, 2016
Dec 7, 2016 at 10:23 AM UTC
go chase the wild and nighttime streets, sang daddy
In my father’s cosmology, God rose late come Sunday morning, Having wreaked His vengeance by proxy the night before, And it was a given that we greeted the Sabbath With whispers and sock-soft tiptoe, Knowing that his belt (black, wide, thick with implicit warnings) Hung within easy reach of the bed, Though sometimes, with no more explanation than Man alive, what a beautiful world it is today! Cold cornflake brunches would be postponed (Our wonder mixed with consternation and rumbling stomachs) As we would be whisked into the car In order to sing His praises, our father all but jumping from the car, Heading toward the preacher at a trot, Invariably greeting him with *Devil’s on holiday, Father, So here I am* (the church was Lutheran, Though it could have been a mosque for all he cared.) He’d sit through the sermon, rapt and at attention, Alternately scowling and smiling, knitting his brow and nodding, And then he would corner the incumbent occupant of the pulpit (He’d have scarcely noticed, if at all, that the leadership of the flock Often changed hands between our cicada-esque appearances) Backing him into a wall or against a railing While he jabbered away, pointing or grabbing a sleeve in punctuation, Gesturing like some latter-day Prospero, arms ****** Heavenward To embrace the air, the sky, the whole of the cosmos, amen, While the pastor’s gaze varied from bemusement to outright horror. Such occasions were outliers, of course, Father being much more inclined To spend his Saturday evenings in un-Christian pursuits Then stagger home singing a litany of done-me-wrong songs, And his search for a joyful hundred-proof clarity Ended before he glimpsed fifty, that being time enough (So the pathologist noted in his final judgment) For his liver to become elephantine, his kidneys mere pebbles (Those effects, be they deleterious or otherwise, Not listed explicitly nor in the footnotes Which accompanied the post mortem.)
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37
. . Embowered within a leafy glade where virtues vapours float in air inhaled in spectres fervency released by Prospero’s wand. Flexile dreams unleavened yet will rise to inspiration’s zest presentiments of what will be maintain a station deep within. As ships which rail upon the sea and thoughts which float on dimpled plains when furnished by a pen these dreams will sit in frames of antique gold.
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Jan 6, 2019
Jan 6, 2019 at 3:02 AM UTC
IN FRAMES OF ANTIQUE GOLD
first you             must imagine                                   a shiny poem            new born            printed like moses  between           two-pages           of bulrushes. Somewhere in a chapbook, peruse the scattered leaves in some independent book seller. Where they treated their books like prospero’s books at the end of The Tempest. You will find – only the young buy from amazon the old     long addicted            to poetry’s      chimera-hallucinogenic-elements           of ink and paper must touch the chapbook;         Run down the isles         with their finds careful not to make the gaze         of all the unread                                   poetry books. How dreadful        the unspoken wail of unread poetry they snort like chained dragons        speaking fiery sonnets. If you  should  go that route        be careful never gaze directly into their  burning  orbs         of controlling  metaphors. Then the poet         in you will turn to stone like the gaze  of basilisk. Claim you treason-treasure wrap it in your burlap bag and juggle it home not stopping at a kansas city fountain to  eat a couple pages-- how crisp is the book in your messager bag. for poetry is a fix for   lotus-eaters that graze between the stanzas and  when you get home you climb into your bed and take  that mysterious chapbook and hold it   tenderly as the moon arises in the window of your apartment and  read deep as all your candles recede toward their bases                            descending            as the flickering of flame                             and wax                         begin to pool on   candle stands. still you read as metaphors  kiss you like boundless winds for the poem unfolds                       before you  all                                     its tropes                                     sing-like sparrows                        and  then its images                          build new stairs                                                   in your inward mind                                                                                     as lines proceed                                                                                                             up the  sky-stained                          sky of infinity… ..and still the words speak                                        and you must obey                                                                     and follow                                                                        until                                                            the last page turns      and luminous  ink letters          emerge                                      from all your pores.
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Jul 16, 2018
Jul 16, 2018 at 1:45 PM UTC
writing a poem in the style of on a winter's night a traveler
first you             must imagine                                   a shiny poem            new born            printed like moses  between           two-pages           of bulrushes. Somewhere in a chapbook, peruse the scattered leaves in some independent book seller. Where they treated their books like prospero’s books at the end of The Tempest. You will find – only the young buy from amazon the old     long addicted            to poetry’s      chimera-hallucinogenic-elements           of ink and paper must touch the chapbook;         Run down the isles         with their finds careful not to make the gaze         of all the unread                                   poetry books. How dreadful        the unspoken wail of unread poetry they snort like chained dragons        speaking fiery sonnets. If you  should  go that route        be careful never gaze directly into their  burning  orbs         of controlling  metaphors. Then the poet         in you will turn to stone like the gaze  of basilisk. Claim you treason-treasure wrap it in your burlap bag and juggle it home not stopping at a kansas city fountain to  eat a couple pages-- how crisp is the book in your messager bag. for poetry is a fix for   lotus-eaters that graze between the stanzas and  when you get home you climb into your bed and take  that mysterious chapbook and hold it   tenderly as the moon arises in the window of your apartment and  read deep as all your candles recede toward their bases                            descending            as the flickering of flame                             and wax                         begin to pool on   candle stands. still you read as metaphors  kiss you like boundless winds for the poem unfolds                       before you  all                                     its tropes                                     sing-like sparrows                        and  then its images                          build new stairs                                                   in your inward mind                                                                                     as lines proceed                                                                                                             up the  sky-stained                          sky of infinity… ..and still the words speak                                        and you must obey                                                                     and follow                                                                        until                                                            the last page turns      and luminous  ink letters          emerge                                      from all your pores.
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85
I step out of the here & now slip into the space be-tween second (&) second. Time scowls: "Oh... don't tell me I've lost . . . .him again!" Invisible to all in my window seat. Now, here in Llanigon upon the point High Darren I again that little boy letting the world go by ( hidden in a heartbeat ) lost in THE TEMPEST of words caught between the thresholds of worlds upon worlds. "Come to me... . . .with a thought!" the big black book calls "Your thoughts... . . .I cleave to!" I whisper to its words. I all at once my own Ariel & Prospero set free from the knotted pine of dyslexia thanks to Mr. Shakespeare's spell.
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Aug 3, 2015
Aug 3, 2015 at 5:19 AM UTC
ON FIRST LOOKING IN ON MR. SHAKESPEARE
MUCH ADO ABOUT SOMETHING My Prospero, I admit is, yea, badly drawn & keeps falling off his lollipop stick. My Caliban, on the other hand well drawn and forsooth...sticks to...his stick. I wiggle each character’s characteristic and they come alive speak the lines, I pray you, trippingly upon my tongue “Come to me with a thought!” I command my paper people. “Your thoughts I cleave to!” they flash into my consciousness. “Ariel, my Ariel...” fine-tooled from foil that comes from fabled Consulate & Woodbine packets. “Ah, my trusty sprite...” dangles from a purple thread that is borrowed from me **** sewing basket. All is well in this my make-shift Shakespeare theatre made from Kellogg’s Cornflakes packets. See the great **** crow under the proscenium! Weetabix boxexs construct the wings. Rows of Nite lights serve as footlights. And, so...let the Masque begin! I hum bits of Adeste Fideles....then sing as Prospero & Ariel do their thing. “Solua domus dagus!” my voice rings out but see how dangerous a nine year old knee can be to paper theatre. The floodlights being knocked over the stage flames in amazement. My patchwork Globe of Cornflake and Weetabix boxes burns to the ground only Ariel survives in an all too blackened shrunken crumpled piece of foil. I exit ( pursued by a clip on the ear ) the profession of producer of the plays thereof the only begetter of this ensuing story lost, alas my lack, to me! But wait, is this a football I see before me? Then play on Dinger Dwyer! And ****** be him who first cries hold! We cry ******** and let slip the dogs we are!
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May 15, 2017
May 15, 2017 at 1:48 PM UTC
MUCH ADO ABOUT SOMETHING
MUCH ADO ABOUT SOMETHING My Prospero, I admit is, yea, badly drawn & keeps falling off his lollipop stick. My Caliban, on the other hand well drawn and forsooth...sticks to...his stick. I wiggle each character’s characteristic and they come alive speak the lines, I pray you, trippingly upon my tongue “Come to me with a thought!” I command my paper people. “Your thoughts I cleave to!” they flash into my consciousness. “Ariel, my Ariel...” fine-tooled from foil that comes from fabled Consulate & Woodbine packets. “Ah, my trusty sprite...” dangles from a purple thread that is borrowed from me **** sewing basket. All is well in this my make-shift Shakespeare theatre made from Kellogg’s Cornflakes packets. See the great **** crow under the proscenium! Weetabix boxexs construct the wings. Rows of Nite lights serve as footlights. And, so...let the Masque begin! I hum bits of Adeste Fideles....then sing as Prospero & Ariel do their thing. “Solua domus dagus!” my voice rings out but see how dangerous a nine year old knee can be to paper theatre. The floodlights being knocked over the stage flames in amazement. My patchwork Globe of Cornflake and Weetabix boxes burns to the ground only Ariel survives in an all too blackened shrunken crumpled piece of foil. I exit ( pursued by a clip on the ear ) the profession of producer of the plays thereof the only begetter of this ensuing story lost, alas my lack, to me! But wait, is this a football I see before me? Then play on Dinger Dwyer! And ****** be him who first cries hold! We cry ******** and let slip the dogs we are!
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66
(for Thom Hickey) It is, one supposes, a business establishment, if just barely Though more than one would-be shopper, Having been squeezed against some ancient china cabinet Or banging an unsuspecting knee Against some camouflaged table leg, Has opined that it as if four walls and a low-slung ceiling Had suddenly thrown themselves about a yard sale, In any case the place being filled with such things Which are, if by no means useless bric-a-brac, Rendered unremarkable, even somewhat undesirable By their very familiarity, And in the midst of this rabbit warren of commerce (Holding an ancient clarinet in his left hand, Wand-like, a bemused Prospero considering its pros and cons) Is the proprietor of the shop, And he notes that you have stopped In front of some sixties flying-saucer-cum-willow-tree lamp, And he says Ah, well let me tell you something about that, Holding forth on its manufacturer, The curious backstory of its design, And how he came in possession of several other pieces At the same time, and of course they have their own tales as well, And you can't help how this confusion of things of former lives Has suddenly taken on a certain light, a glow even, The illumination of shared memory, The recollection of why such things hold a place In our pasts and presents, and after you exit You give in to the musing that there were some items You did not give due consideration, Which may necessitate a return trip.
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Oct 31, 2019
Oct 31, 2019 at 7:56 PM UTC
the man in the curio shop
There is, I admit, no small attraction in the possession Of the wand--but invariably that becomes obsession, For magic bewitches all it touches, and woe to the man Who, having discerned its methods and secrets, believes he can Employ it yet stay unfettered and unscathed, without effect, (As if the mere claim of enchantment would not make one suspect Both the man and his motives), all sweet fruit without bitter rind. Such men may find the verdict of peers and gods to be unkind, (There exists no single point in time we fail to comprehend That no simple act of wizardry postpones our mortal end) For who among us remains impervious to Nature’s whims Or time’s ravages--our concentration wanes, the eyesight dims, Our hands shake, every bit as unsteady as our convictions. So we carry on, with our exceptions and contradictions Expertly hidden, in the hopes that, at least for a short while, We can offset, through the employment of parlor tricks and guile, The diminution of our gifts, fading of our faculties. So, as we reach our denouement, what have our abilities Brought us in the end, save the knowledge that our reputations, No matter how great, serve as no match for our limitations?
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Oct 13, 2017
Oct 13, 2017 at 1:26 PM UTC
Prospero Declines
All I have to do is go around the corner To the other entrance to the parking lot This should be easy Driving is easy I pull up to the road and look both ways And horror strikes me to my core The street isn’t empty My knuckles turn pale as I grip the steering wheel Like a cross to keep myself from shaking My foot is on the gas pedal The direction that this 3,000 pound machine goes Is under my control I lose control of my breath I pull out onto the street Swerve into the left lane My mind says There’s a family next to you A mother singing along to the radio A father stressing about his job A little girl playing video games in the back Next to her baby brother, still in a car seat Their lives are fragile My mind tells me Slaughter them I stop at the stop sign and look both ways Humans are made of paper and glass They collapse and shatter in a gentle breeze And with this car I am Prospero I can call tempests I can crush their ribcages Beneath the weight of metal and horsepower Even if mother and father live They must live with the empty space Left behind by their much more tenuous children I am collapsing under the weight of the power I hold I am overwhelmed with visions of what I could do What I might do What I fear I will do I turn the corner I want to reach into my skull And rip my brain free from its cavity I do not want it to control me I have no power over these obsessions Despite the cocktail of medications I am prescribed Despite the therapy The conditioning I can always pull the steering wheel These intrusive thoughts will always infect me They spread from my head to the rest of my body like a disease I am sick I pull back into the parking lot
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May 11, 2020
May 11, 2020 at 2:11 PM UTC
Obsessive Compulsive Disorder
All I have to do is go around the corner To the other entrance to the parking lot This should be easy Driving is easy I pull up to the road and look both ways And horror strikes me to my core The street isn’t empty My knuckles turn pale as I grip the steering wheel Like a cross to keep myself from shaking My foot is on the gas pedal The direction that this 3,000 pound machine goes Is under my control I lose control of my breath I pull out onto the street Swerve into the left lane My mind says There’s a family next to you A mother singing along to the radio A father stressing about his job A little girl playing video games in the back Next to her baby brother, still in a car seat Their lives are fragile My mind tells me Slaughter them I stop at the stop sign and look both ways Humans are made of paper and glass They collapse and shatter in a gentle breeze And with this car I am Prospero I can call tempests I can crush their ribcages Beneath the weight of metal and horsepower Even if mother and father live They must live with the empty space Left behind by their much more tenuous children I am collapsing under the weight of the power I hold I am overwhelmed with visions of what I could do What I might do What I fear I will do I turn the corner I want to reach into my skull And rip my brain free from its cavity I do not want it to control me I have no power over these obsessions Despite the cocktail of medications I am prescribed Despite the therapy The conditioning I can always pull the steering wheel These intrusive thoughts will always infect me They spread from my head to the rest of my body like a disease I am sick I pull back into the parking lot
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What God has put asunder, I have joined together. He chuckles at this somewhat self-consciously, His clientele comprised primarily of gentlemen of a certain age, Most of whom have stepped off to the altar Twice or thrice, some even more, Whose wives will be, at least pro tem, The mistresses of the Moorish bastardizations Being commissioned by their husbands, Vaguely Iberian grotesqueries Christened Sin Cuidado and Villa Tranquilla Festooned with cornucopias of cornices and cupolas, Featuring vaulted cathedral ceilings and open-prairie floor plans, Impossible to cool in the ninety-degree dawn of August Or heat during the all too frequent cold snaps, (Such being noted to him by a visitor From a staid Boston architectural firm, To which he replied, *Save that for the classrooms, pal. I give the people what they want, dad, And these folks are first, last, and forever All about the façade.*) It is not, however, his effort to turn Florida’s East Coast Into a giant movie set for the stories of Don Juan or El Cid Which inspires him to utter his inversion of the marital vow. He has moved beyond being a mere designer; He is a man of substance, a builder in the larger, cosmic sense, And so he is here, in this sticky, sweltering venue Which disappointed Spaniards named after a rat’s oral cavity, To make a new Venice, complete with electric gondolas, Cloisters which would put any in the Old World to shame, Gesturing, bellowing, and cajoling, A Prospero of sawhorses and steam shovels, As displaced Seminoles and colored laborers Sweat and swear and stumble As they dredge swamps and hack down stumpy mangroves In the service of his vision, the aggrandizement of his bottom line, Arm-twisting the caprices of drought and hurricane To serve the pricier whims Of a gaggle of DuPonts and Wanamakers. It’s not that I don’t believe in a higher power, he will demur, I’m simply not averse to some slight enhancement of His plans.
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Aug 20, 2021
Aug 20, 2021 at 10:18 AM UTC
Addison Mizener In The Swamps
What God has put asunder, I have joined together. He chuckles at this somewhat self-consciously, His clientele comprised primarily of gentlemen of a certain age, Most of whom have stepped off to the altar Twice or thrice, some even more, Whose wives will be, at least pro tem, The mistresses of the Moorish bastardizations Being commissioned by their husbands, Vaguely Iberian grotesqueries Christened Sin Cuidado and Villa Tranquilla Festooned with cornucopias of cornices and cupolas, Featuring vaulted cathedral ceilings and open-prairie floor plans, Impossible to cool in the ninety-degree dawn of August Or heat during the all too frequent cold snaps, (Such being noted to him by a visitor From a staid Boston architectural firm, To which he replied, *Save that for the classrooms, pal. I give the people what they want, dad, And these folks are first, last, and forever All about the façade.*) It is not, however, his effort to turn Florida’s East Coast Into a giant movie set for the stories of Don Juan or El Cid Which inspires him to utter his inversion of the marital vow. He has moved beyond being a mere designer; He is a man of substance, a builder in the larger, cosmic sense, And so he is here, in this sticky, sweltering venue Which disappointed Spaniards named after a rat’s oral cavity, To make a new Venice, complete with electric gondolas, Cloisters which would put any in the Old World to shame, Gesturing, bellowing, and cajoling, A Prospero of sawhorses and steam shovels, As displaced Seminoles and colored laborers Sweat and swear and stumble As they dredge swamps and hack down stumpy mangroves In the service of his vision, the aggrandizement of his bottom line, Arm-twisting the caprices of drought and hurricane To serve the pricier whims Of a gaggle of DuPonts and Wanamakers. It’s not that I don’t believe in a higher power, he will demur, I’m simply not averse to some slight enhancement of His plans.
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I once had a love affair With Shakespeare From Nick Bottom's fuzzy *** To Launce Gobbo in the know And feisty Feste crooning a Jewess Then a new direction R&J breaking rules Pants on a Shrewess Two Gents Rockin' 'bout Sylvia Bleachers, lights and stage A comedy, no Error, then Tempest, the Next Generation Prospero in 2314AD. Yep. All of them: Complete works! (abridged) Before I left the park. A gap in time before Darkly pierced prince Mourning loss of mother Ends the affair.
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Jun 23, 2017
Jun 23, 2017 at 8:56 PM UTC
SHAKESPEARE IN THE DARK (PORTFOLIO)
I don't have a trumpeter playing the Last Post and my words forked no lightning. Nope. Ya know, Prospero could boast that graves ope'd at his command and yawned forth their dead. But hey, I never tried that Jesus thing with Lazarus. And the wine? well, I turned that inta **** But I'll tell ya what! I lived. I loved. And yeah, I hadda few friends. Some even called them bums. But friendship and laughter and a few beers are better than all the flim flam of any fly past or marching bands with drums. I gave it all away, see? My soul, and all my being, to kids and little people. To those in need. That's all. I know it's not mighty. And nope, it's not magnificent. But that's all I had. It was me. So all I hope now is that just a little glimmer or a glow might still go on and warm a hand or heart. I know. You might think it's not much. But that's OK. I don't expect you to remember me. Just the warmth and love. It's yours, too. It's everything I've tried to be. Mike T Minehan
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Sep 5, 2023
Sep 5, 2023 at 7:01 PM UTC
I Don't Have a Trumpeter