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Akemi Apr 2017
Awhile ago, I had been at a party. I’d listened to someone talk about Kate Moss for ten minutes straight. I left the room, found my flatmate and asked why anyone was interested in anything at all. We’d come up with no answers.

All this started a month ago, and all that started long before. I will not bore you with trite aphorisms about how I survived, or how wondrous life has become since. At some point my mind broke. This is a collection of memories about my attempted suicide and the absurdity of the entire experience.

Wednesday, 26th of April, 2017, midnight.

Couldn’t sleep. Surfed the internet. Fell into ASMR sub-culture.[1] Meta-satire, transitioning to post-irony, before pseudo-spiritual out-of-body transcendence. I thought, *this is the most ****** experience I’ve had in half a decade
, while a woman spun spheres of blobby jelly around my head and whispered elephant mourning rituals into my ears.

Tuesday, 27th of April, 2017, afternoon.

Woke up mid-day. Looked at all the objects in my room, unable to understand why any of them mattered. Milled around the flat. Went online to order helium so I could make an exit bag.[2] Cheapest source was The Warehouse, though the helium came with thirty bright multi-coloured party balloons. I kept imagining one of my flatmates walking in later that day, seeing my crumpled body surrounded by these floppy bits of rubber and a note saying this life is absurd and I want out of it. There was no online purchasing option, however, and I couldn’t be bothered walking into town. I began reading suicide notes. One was from a kid who’d slowly taken pills as he watched TV, culminating in a coma. That sounds pleasant, I thought, whilst at the same time knowing that it takes up to three days to die from painkillers and that the process is anything but painless or final. I opened my drawer, found a bunch of paracetamol and began washing them down with water, whilst listening to the soundtrack of End of Evangelion.[3]

I’m not sure why, but I began crying violently. I knew I’d have to leave the flat before my flatmates came home. I hastily scrawled a note that said, donate my body, give my money to senpai, give my possessions to someone I don’t know, it smells like burning, it was good knowing you all, before walking out the door with Komm Süsser Tod playing in the background.[4, 5] I’d already written my personal and political reasons for suicide in the pieces méconnaissance[6] and **** Yourself,[7] so felt there was no reason for anything more substantial.

I wandered the back roads of my neighbourhood. My body shook. I felt somnolent, half-dazed. I wanted a quiet place to sit, sleep and writhe in agony while my organs slowly failed. My legs kept stumbling, however, and my head was beginning to feel funny. I found a dead-end street and sat on one of those artificially maintained rectangles of grass. There was a black cat lying in the middle of the road, just bobbing its head at me. I zoned out for a bit and when I came to a giant orange cat was to my left, gazing intently into my teary face. I tried to refocus on my crotch. I couldn’t help but notice a white cat across the road, pretending not to be seen. It had a dubious look on its face, a countenance of guilt. What the hell was going on? A delivery person looped round the street. People returned home from work. Garage doors opened, cars drove down driveways. Here I was, slowly dying, surrounded by spooky ******* cats and the bustle of ordinary existence.

“Uh, hey. You look, uh, like something isn’t . . . do you need, uh, help?” a woman asked, crossing the street with a pram to reach me. I groaned.

“It’s just that, you know, ordinarily, um, I mean normally, people don’t sit on the sidewalk,” she continued, glancing down with the half-confused look of a concerned citizen who is trying to enter a situation outside of their usual experience. I mumbled something indistinct and went back to staring at my crotch.

“You know, I can, er . . . I can . . . I can’t really help,” she ended, awkwardly. “I have a daughter to look after, but . . . if you’re still here when she’s asleep . . . I’m the red fence.” She darted off without another word.

Had she wanted me off the sidewalk because it was abnormal to sit there, or had she seen the abnormality as a sign of something deeper? Either way, she’d used abnormality as a signifier of negative change. Deviancy as something to be corrected, realigned with some norm that co-exists with happiness and citizenship. I was being a bad citizen.

I thought, I miss those cats. At least they had judged me in silence. Wait, what the hell am I thinking? This is clearly a case of deviancy associated with negative feelings. Well, negative feelings, but not necessarily negative change. Suicide is only negative if one views life as intrinsically worthwhile

I could hear pram lady in the distance. She was talking to someone who’d just come back from work. They thanked pram lady and began moving towards me. Arghggh, just let me die, I thought.

She introduced herself as a nurse. From her tone and approach, it was clear she’d handled many cases like me. I’ve never hated counselling techniques. They seemed to at least trouble neoliberal rhetoric. There is little mention of overcoming, or striving, or perfecting oneself into a being of pure success. Rather, counselling seemed to be about listening and piercing together the other’s perspective. Counsellors tended not to interject words of comfort. They’d tell you mental illness was lifelong and couldn’t be fixed. They’re the closest society has to positive pessimists. Of course, they’d still want you to get better. Better, as in, not attempting suicide.

I talked with nurse lady for an hour about how life is simply passing. Passing through oneself, passing through others, passing through spaces, thoughts and emotions. About how the majority of life seems to be lived in a beyond we’ll never reach. Potential futures, moments of relief, phantasies we create to escape the dull present. About how I’d been finding my media and politics degree really rewarding, but some part of my head broke and I lost all ability to focus and care. About how the more I learnt about the world, the less capable I felt of changing it, and that change was a narcissistic day dream, anyway.

She replied “We’re all cogs. But what’s wrong with being a cog? Even a cog can make changes,” and I thought, but never one’s own.

She gave me a ride to the emergency clinic because I was too apathetic and guilt-ridden to decline. Why are people so nice over things that don’t matter? Chicks are ground into chicken nuggets alive.[8] The meat-industry produces 50% of the world’s carbon emissions.[9] But someone sits on the side of the road in a bourgeois neighbourhood and suddenly you have cats and nurses worried sick over your ****** up head. I should have worn a hobo coat and sat in town.

Tuesday, 27th of April, 2017, evening.

I had forgotten how painful waiting rooms were. It was stupidly ironic. I’d entered this apathetic suicidal stupor because I’d wanted to escape the monotony of existence, yet here I was, sitting in a waiting room, counting the stains on the ceiling, while the reception TV streamed a hospital drama.

“Get his *** in there!”

“Time is the real killer.”

“It wasn’t the cancer that was terminal, it was you.”

Zoom in on doctor face man.

Everybody hugging.

Emergency waiting rooms are a lot like life. You don’t choose to be there. An accident simply occurs and then you’re stuck, watching a show about *** cancer and family bonding. Sometimes someone coughs and you become aware of your own body again. You remember that you exist outside of media, waiting in this sterile space on a painfully too small plastic chair. You deliberately avoid the glances of everyone else in the room because you don’t want to reduce their existence to an injury, a pulsing wound, a lack, nor let them reduce you the same. The accident that got you here left you with a blank spot in your head, but the nurses reassure you that you’ll be up soon, to whatever it is you’re here for. And so, with nothing else to do, you turn back to the TV and forget you exist.

I thought, I should have taken more pills and gone into the woods.

The ER was a Kafkaeque realm of piercing lights, sleepy interns and too narrow privacy curtains.[10] Every time a nurse would try to close one, they’d pull it too far to one side, opening the other side up. Like the self, no bed was fully enclosed. There were always gaps, spaces of viewing, windows into trauma, and like the objet petit a, there was always the potential of meeting another’s gaze, one just like yours, only, out of your control.

I lay amidst a drone of machinery, footsteps and chatter. I stared at ceiling stains. Every hour or so a different nurse would approach me, repeat the same ten questions as the one before, then end commenting awkwardly on my tattoos. I kept thinking, what is going on? Have I finally died and become integrated into some eternally recurring limbo hell where, in a state of complete apathy and deterioration, some devil approaches me every hour to ask, why did you take those pills?

Do I have to repeat my answer for the rest of my life?

I gazed at the stain to my right. That was back in ‘92 when the piping above burst on a particularly wintry day. I shifted my gaze. And that happened in ‘99 when an intern tripped holding a giant cup of coffee. Afterwards, everyone began calling her Trippy. She eventually became a surgeon and had four adorable bourgeois kids. Tippy Tip Tap Toop.

The nurses began covering my body with little pieces of paper and plastic, to which only one third were connected to an ECG monitor.[11] Every ten minutes or so the monitor would begin honking violently, to which (initially) no one would respond to. After an hour or so a nurse wandered over with a worried expression, poked the machine a little, then asked if I was experiencing any chest pains. Before I could answer, he was intercepted by another nurse and told not to worry. His expression never cleared up, but he went back to staring blankly into a computer terminal on the other end of the room.

There were two security guards awkwardly trying not to meet anyone’s gazes. They were out of place and they knew it. No matter what space they occupied, a nurse would have to move past them to reach some medical doodle or document. One nurse jokingly said, “It’s ER. If you’re not moving you’re in the way,” to which the guards chortled, shuffled a metre or so sideways, before returning to standing still.

I checked my phone.

“Got veges.”

“If you successfully **** yourself, you’ll officially be the biggest right-wing neoliberal piece of ****.”[12]

“Your Text Unlimited Combo renewed on 28 Apr at 10:41. Nice!”

I went back to staring at the ceiling.

Six hours later, one of the nurses came over and said “Huh, turns out there’s nothing in your blood. Nothing . . . at all.” Another pulled out my drip and disconnected me from the ECG monitor. “Well, you’re free to leave.”

Tuesday, 27th of April, 2017, midnight.

I wandered over to the Emergency Psychiatric Services. The doctor there was interested in setting up future supports for my ****** up mind. He mentioned anti-depressants and I told him that in the past they hadn’t really worked, that it seemed more related to my general political outlook, that this purposeless restlessness has been with me most of my life, and that no drug or counselling could cure the lack innate to existence which is exacerbated by our current political and cultural institutions.

He replied “Are you one of those anti-druggers? You know there’s been a lot of backlash against psychiatry, it’s really the cultural Zeitgeist of our times, but it’s all led by misinformation, scaremongering.”

I hesitated, before replying “I’m not anti-drugs, I just don’t think you can change my general hatred of existence.”

“Okay, okay, I’m not trying to argue with your outlook, but you’re simply stuck in this doom and gloom phase—”

Whoa, wait a ******* minute. You’re not trying to argue with my outlook, while completely discounting my outlook as simply a passing emotional state? This guy is a ******* *******, I thought, ragging on about anti-druggers while pretending not to undermine a political and social position I’d spent years researching and building up. I stopped paying attention to him. Yes, a lot of my problems are internal, but I’m more than a disembodied brain, biologically computing chemical data.

At the end of his rant, he said something like “You’re a good kid,” and I thought, ******* too.

Friday, 28th of April, 2017, morning.

The next day I met a different doctor. I gave him a brief summary of my privileged life culminating in a ****** metaphor about three metaphysical pillars which lift me into the tempestuous winds of existential dread and nihilistic apathy. One, my social anxiety. Two, my absurd existence. Three, my political outlook. One, anxiety: I cannot relate to small talk. The gaze of the other is a gaze of expectations. Because I cannot know these expectations, I will never live up to them. Communication is by nature, lacking. Two, absurdity: Existence is a meaningless repetition of arbitrary structures we ourselves construct, then forget. Reflexivity is about uncovering this so that we may escape structures we do not like. We inevitably fall into new structures, prejudices and artifices. Nothing is authentic, nothing is innocent and nothing is your self. Three, politics: I am trapped in a neoliberal capitalist monstrosity that creates enough produce to feed the entire world, but does not do so due to the market’s instrumental need for profit. The system, in other words, rewards capitalists who are ruthless. Any capitalist trying to bring about change, will necessarily have to become ruthless to reach a position of power, and therefore will fail to bring about change.

The doctor nodded. He thought deeply, tried to piece it all together, then finally said “Yes, society is quite terrifying. This is something we cannot control. There are things out there that will harm you and the political situation of our time is troubling.”

I was astounded. This was one of the first doctors who’d actually taken what I’d said and given it consideration. Sure we hadn’t gotten into a length discussion of socialism, feminism or veganism, but they also hadn’t simply collapsed my political thoughts into my depressive state.

“But you know, there are still niches of meaning in this world. Though the greater structures are overbearing, people can still find purpose enacting smaller changes, connecting in ephemeral ways.”

What was I hearing? Was this a postmodern doctor?[13] Was science reconnecting with the humanities?

“We may even connect your third pillar, that of the political, with your second pillar and see that the political situation of our time is absurd. This is unfortunate, but as for your first pillar, this is definitely something we can help you with. In fact, it’s quite a simple process, helping one deal with social anxiety, and to me, it sounds like this anxiety has greatly affected your life for the past few years.”

The doctor then asked for my gender and sexuality, to which after I hesitated a little, he said, it didn’t really matter seeing as it was all constructed, anyway. For being unable to feel much at all, I was ecstatic. I thought, how could this doctor be working in the same building as the previous one I’d met? We went into anti-depressant plans. He told me that their effects were unpredictable. They may lift my mood, they may do nothing at all, they may even make me feel worse. Nobody really knew what molecular pathways serotonin activated, but it sometimes pulled people out of circular ways of thinking. And dopamine, well, taken in too high a dose, could make you psychotic.

Sign me the **** up, I thought, gazing at my new medical hero. These are the kinds of non-assurances that match my experience of life. Trust and expectations lead only to disappointment. Give me pure insurmountable doubt.

Friday, 28th of April, 2017, afternoon.

“The drugs won’t be too long,” the pharmacist said before disappearing into the back room. I milled around th
1. Autonomous sensory meridian response is a tingling sensation triggered by auditory cues, such as whispering, rustling, tapping, or crunching.
2. An exit bag is a DIY apparatus used to asphyxiate oneself with an inert gas. This circumvents the feeling of suffocation one experiences through hanging or drowning.
3. Neon Genesis Evangelion is a psychoanalytic deconstruction of the mecha genre, that ends with the entire human race undergoing ego death and returning to the womb.
4. Komm Süsser Tod is an (in)famous song from End of Evangelion that plays after the main character, who has become God, decides that the only way to end all the loneliness and suffering in the world is for everyone to die.
5. Senpai is a Japanese term for someone senior to you, whom you respect. It is also an anime trope.
6. https://hellopoetry.com/poem/1936097/meconnaissance/
7. https://thesleepofreason.com/2017/04/04/****-yourself/
8. See Earthlings.
9. See Cowspiracy.
10. Franz Kafka was an existentialist writer from the 20th century who wrote about alienation, anxiety and absurdity.
11. Electrocardiography monitors measure one’s heart rate through electrodes attached to the skin.
12. Neoliberalism is both an economic and cultural regime. Economically, it is about deregulating markets so that government services can be privatised, placed into the hands of transnational corporations, who, because of their global positioning, can more easily circumvent nation-state policies, and thereby place pressure on states that require their services through the threat of departure. Culturally, it is about reframing social issues into individual issues, so that individuals are held responsible for their failures, rather than the social circumstances surrounding them. As a victim-blaming discourse, it depicts all people equal and equally capable, regardless of socio-economic status. All responsibility lies on the individual, rather than the state, society or culture that cultivated their subjectivity.
13. Postmodernism is a movement that critiques modernism’s epistemological totalitarianism, colonial humanism and utopian visions of progress. It emphasises instead the fragmented, ephemeral and embodied human experience, incapable of capture in monolithic discourses that treat all humans as equal and capable of abstract authenticity. Because all objective knowledge is constructed out of subjective experience, the subject can never be effaced. Instead knowledge and power must be investigated as always coming from somewhere, someone and sometime.
Terry Collett Jul 2013
Helen pushed
the second hand
doll’s pram
over the bombsite

off Meadow Row
Battered Betty her doll
was tossed
from side to side

there there
Helen said
can’t be helped
you walked beside her

practising drawing
your silver coloured gun
from the holster
your old man

had bought you
from the cheap shop
through the Square
you hit back

the hammer
one two three times
just like that
I can’t get her to sleep

Helen said
stopping by the ruins
of a bombed out house
she tucked the doll in

with the woollen blankets
her mother had knitted
Mum said to take Betty
for a walk in the pram

but she still won’t sleep
you put the gun back
in the holster
and pushed back

the black hat
your granddad
had given you
have to keep her quiet

around here
you said
there might be Injuns
and they scalp hair

off babes and kids
and such
Helen looked
around the bombsite

looks deserted to me
she said
pushing the pram away
from the bombed out house

you never can tell
you said
they hide  
and when you’re least

expecting it
they come screaming
over the plains
Mum said you’d make

the best husband
for me
Helen said
coming to a halt

opposite the coal wharf
you drew out
your gun again
and fired shots

over your shoulder
that’s nice of her
you said
twirling the gun

over your finger
and then back
into the holster
Mum said

you would make
a good dad
one of the horse drawn
coal wagons moved away

from the coal wharf
and clip-clopped
along the side road
perhaps

you said
we could get our own
house on the prairie
or one of those houses

off St George’s Road
with the big gardens
Helen got
Battered Betty out

of the pram
and rocked her
over her shoulder
patting her back

and said
yes and I could milk
the cows and you
could hunt buffalo

and we could sleep
in one of those
big beds
with buffalo skins

over by the main road
a red number 78 bus
went by
and dark clouds

crowded
the less
than blue sky.
A boy and girl in London in the 1950s playing games that were real for them.
phil roberts Aug 2016
Startled like a spring
Opened wide of eye
Suddenly a newness
Rushing pushing by
This mortal instant
Here
Now
See?

The black-edged pram
Softly ticking wheels
"Isn't it" and "Isn't it"
Squeak those ticking wheels
Passing always passing
Ever-changing sky
Moving always moving
Opened wide of eye
The black-edged pram
Goes softly ticking by

                                         By Phil Roberts
The black-edged pram represents a life-time. Cradle to grave.
Shannon Apr 2014
upon the elephant rode a boy prince,
his royal command, he was there to evince.
dark with grace and dripping with youth.
bringing his men, his crown and his couth.
town after town he strode fierce through the gates.
and any detractors were left to cruel fates.
and on one windy day, as they strode into town.
the faces where tenfold and a hush passed around
the grey of the creature with knowing black eyes
swayed left towards the crowd as if to capsize.
and the mass gasped in horror; bairns seized by their mam.
men flung at young ladies, babes pulled from the pram.
the bewildered and flustered
tired elephant sat.
in the center of all on the bald pastors hat.
the old pastor looked stunned to see such a disgrace.
until he remembered, and composed his face.
'your highness' he bowed. his manners restored.
but the poor prince was toppled his mighty seat floored.
they gasped for the prince, just really a child
dressed in fine silks on this elephant wild.
pastor said, 'here now' extending an arm
hand wrinkled and gnarled from the land that he farmed.
then the guards sprung to life as if sudden awake
guns point to the man of whose life they would take.
and just as they squinted their eye for the aim
a boy sang out sweetly, 'sire he's not to blame!'
and the prince from street where he lay in pool
held up his hand and recovered his rule.
he looked at the crowd and he said 'boy now speak'
the boy said, 'prince it is the prayers that you seek.
the prayers that you'd visit. the prayers that you'd stay.
lord must of heard them and granted this way.'
his eyes wide with truth and the love of his church
the prince laughed a beautiful belly filled lurch.
the carriage was called as the prince shared a feast.
and even some water was splashed on the beast.
such a good time as he danced and he spun
till the horses arrived in the dust of a run.
to thank the town and the lovely haired boy
the young prince gave up his own precious toy.
the beast stays quite put in the center of town...
but prayers said no more...so the prince won't fall down.

sahn
04/10/2014
*with love, for kales, jess & jt* (otherwise entitled "watch what you pray for, for you just might get it"
I sat all morning in the college sick bay
Counting bells knelling classes to a close.
At two o'clock our neighbors drove me home.

In the porch I met my father crying--
He had always taken funerals in his stride--
And Big Jim Evans saying it was a hard blow.

The baby cooed and laughed and rocked the pram
When I came in, and I was embarrassed
By old men standing up to shake my hand

And tell me they were "sorry for my trouble,"
Whispers informed strangers I was the eldest,
Away at school, as my mother held my hand

In hers and coughed out angry tearless sighs.
At ten o'clock the ambulance arrived
With the corpse, stanched and bandaged by the nurses.

Next morning I went up into the room. Snowdrops
And candles soothed the bedside; I saw him
For the first time in six weeks. Paler now,

Wearing a poppy bruise on his left temple,
He lay in the four foot box as in his cot.
No gaudy scars, the bumper knocked him clear.

A four foot box, a foot for every year.
Terry Collett Dec 2014
Beyond the pram sheds
Chana rode her bike.

I was with Helen
watching from the balcony
of the flats.

Rides well,
doesn't she?
Helen said.

I watched
as Chana rode
around and around
the pram sheds.

Wish I had a bike,
but my parents
can't afford one,
I said.

Mine neither;
even the doll's pram I’ve got
is from a jumble sale.

Chana rode down the *****
and out of sight.

What about Battered Betty?
where did that doll come from?

My grandmother
gave it to me;
I think it was hers.

Where do you
want to go?
I asked her.

What about the park
and ride on the swings?

Sure, fine.

So we walked
down the stairs
and out through
the Square;
the morning
sunshine warming;
other kids playing
here and there;
the baker's
horse and cart
parked by the wall
of the other flats.

The park was busy;
the swings
were all occupied;
the slide and see-saw
were also engaged.

We waited,
sitting in a seat nearby,
she talking of wanting
a new doll's pram
she'd seen in a shop
and I listening,
taking in
her two plaited bunches
of brown hair;
her thick lens glasses
and us
being there.
A BOY AND GIRL IN LONDON IN 1950S
Raj Arumugam Nov 2014
1
I see you, ya
I may be finger-punching
my smart phone at the dining table -
but darling, I see you, yeah
We’re seated at the table
you say something
but you think I’m listening to
Taylor Swift on Youtube
True - but hey,
I see ya, I hear you
I hear both of you
I multiply, I multi-task you see

2
I’m walking along the shops
I’m pushing the pram
with my baby inside
and I’m updating status
on the phone too
and getting that download –
but hey, stranger round the corner
I see you, ya, don't ya worry; yeah I see
my baby and I see you
stranger round the corner –
but hey, watch where your going

3
hey - I see you guys, I see you
no doubt all day I sit
in my couch tapping away
on my new supersize phone
but I’m smart hey – I see you guys
I see you my darling at the kitchen –
get me another coffee, will ya
And I see the kids glued to their sets
and little Toby our kitten
curled at my feet – why, thank you
for the coffee;
darling, can you
put a few cans of beer in the fridge –
see? I see ya, yeah…I see you all
and with this, I take leave of you my friends at HP for a while...till mid-January 2015 or so...hey, but I see you!
Richmal Byrne Jan 2011
We don’t really understand

How atoms behave;

Or infinity;

Or how winds carry the seasons -

Like ‘Olde April ‘ with it’s 'showers sweet' !

Yes, I’ve felt them...



The clean stinging scent of rain

Scratching at the earth,

Pelting aromatic plants,

Condensing the smells of seas, winds, continents;

Infusing the sum of all these aromas in its perfumery,

Marketing it: April, again.



And Eliot said,

There be April,

'The cruellest month'.

Oh my (!)

Appealing April, with its sunny flavours,

Cascades of cats & dogs,

And dead-eye jack,

Firing frosts that just might spend the tender herb.



It was snowing in April,

And Easter was early, that year

When I took Schrödinger’s cat walking

On a leash, And April was still new,

And capable of shocking...



Now any month - could bring pitiless ruin.

The year annually

Out of step with migratory designs,

Throwing epithets out of its greenstick pram,

Its months in disarray ,

No-one knows what’s going on...





The drunkard earth sups up it’s own tears,

Reeling in its spin,

Until,

Saturated,

It can drink no more,

And every dip fills,

Every meadow spills,

Banks overflowing,

Its resolve drowning,

Questions washing

Up like a tide of interrogative curiosity.



OK – so I am really hiding in my acres...

At least I can tell - it’s April !



Enquiring lily-of-the-valley,

Puts up green periscopes.

Peering through the sodden grass,

The remnants of last year’s soggy leaves,

Cosset primrose & ramsons.

Daffodils are past their best, but soldier on

Like hungover squaddies,

Snowdrops have fat capsules where white drops shone,

Hellebores have been up since the crack of time -

Good movers - they could dance all spring!

Dingles are glinting green with native bluebell leaves,

And their mophead mates have muscled in the garden,

Quiet violets lounge on the field’s chaise long,

Coy, understated,

How British!

Oxlips and cowslips join the brave primroses

Who have been on the razzle for weeks.

White & purple lilac in green cassocks,

Will soon burst out

Like kiss-o-grams.

Boughs hung with clematis,

Still tiny shoots like birds on wires.



I am giving a prize for the first celandine on my patch;

Each little celandine - Rannunculus ficaria - is

A miniature sun uttering: Oi! You up there, old currant bun!

Here’s the template for a perfect summer sky !
April 2008
Terry Collett Apr 2012
After school
Helen’s mother took you home to tea
and she was wheeling

the big pram along the pavement
with you on one side
and Helen on the other

and she said
hold onto the pram
while we cross the roads

I don’t want anything
to happen to you
and as you crossed

the busy roads
you kept glancing over
at Helen with her plaited hair

parted in the middle
and her thin wired glasses
and her raincoat

buttoned tight
against the wind
and her small hand

clutching the pram handle tightly
and beside you
Helen’s mother

short and stocky
pushing and puffing
and her eyes dark as night

and kind at the same time
and when you reached their home
and went inside

and she took off your coat
you went with Helen
into the sitting room

with a coal fire blazing
and the smell
of drying clothes

and past dinners
and Helen said
do you want to see my dolls

and the doll’s house
my daddy made
out of boxwood

with lights you can turn off and on?
sure ok
you said

and you followed her
into her bedroom
where her toys and dolls

were laid up along the wall
next to her bed
and she took up a doll

and held her out to you
and said
this is my favourite

this is Jenny
and you said
hi Jenny how you doing?

and Helen smiled
her slightly goofy smile
and you liked that

her smile
and her eyes large as duck eggs
behind the thick lens

and she handed the doll
to you to hold
and you held the doll

and kissed the head
and hugged it close
thinking glad the other boys

can’t see me now
here with this girl
and kissing and holding

the **** doll
out of some small boy love
and shyness

and you know
they’d laugh out loud
and point their tough boy fingers

and you’re glad
they aren’t there
just Helen

and her little girl love and kindness
against their rough ways
and small boy toughness.
Terry Collett May 2012
Your mother
had brought Helen

home for tea after school
and she had held on

to the handle
of the pram

your mother pushed
and you walked

along side
thinking of whether

to show her
your toy soldiers

and cowboys and Indians
and the guns

that fired
loud banging caps

or whether to just sit
and watch the TV

and eat your tea
and show her nothing

but once you got home
and your mother went off

to the kitchen to prepare
the tea stuff and such

Helen looked at you
and shyly smiled

and said
Can I see your sister’s dolls

and pram
and does she have

a doll’s house
I could play with?

you dismissed the idea
of showing her

the guns that fired caps
or your toy soldier collection

and took her
into the room

where you kept the toys
and pointed to

your sister’s dolls
and the pram

and said
Take care

my sister doesn’t like
people messing

with her stuff
and Helen nodded

and picked up a doll
and held it to her chest

and rocked it
to and fro

and walked up and down
murmuring there there sounds

that echoed softly
around the room

Where’s your sister?
Helen asked

will she mind me
rocking the baby to sleep?

Guess not
you replied

and stood watching her
as she walked

and talked to the doll
in an undertone

and you stood there
hands in pockets

like a father
of an unexpected child

wondering what to say
or do and taking in

her thick lens glasses
and her eyes

seemingly enlarged
focusing on the doll

and the way her head
moved from side to side

so that her plaited hair
went from side to side

and up and down
and she said softly

and suddenly
We may have a baby like this

one day and you had better
say something more

than you are now
or I’ll think

you didn’t want it
and off she walked

up and down the room
and hoped your mother

would come soon
and save you from the fate

of being the father
of a doll with a dodgy eye

and a painted smile
but having a tender spot

for Helen
all the while.
i did not write yesterday.



i delivered the case, i made.

they made.



i saw a little pram for dolls.



it squeaked delightfully.



if it is not sold, when i

collect the case. i may

buy it.



sbm.
Martin Narrod Jul 2018
250 Surf

And into the driveway it takes it for a ride, come on take on this lifeline, and feel it from below, moving up and moving jag, one more for free when I buy nine won’t you put it in the bag- the people are freezing, the zig is at the zag, all the people are screaming, won’t you let them in the back? Come on won’t you feed them, and tease them with a zap, catastrophe seething, relaxing in the bath, suffering or maybe ******* squeezing, pick me up from the airport we’ll go driving in the Jag, you’re already mostly in the bag, I light up a square and light a second for you man, light one up for the girl whose sitting in the back. Her hands are freezing, her lips are turning black, a lamp standing on a suitcase, Earl Grey and Lavender, she’s got ***** packs and sunglasses, she’s gotten ready for morning class, it’s a gas, a blast, from the past, trash and she’s ******* reeling for a squeeze, she just wants a taste of the past, I laugh, I laugh, I laugh. Put a stamp on her legs, touch them and turn up the volume on the amp. She’s got it, she’s not it, she’s winning playing tag-

Come on won’t you feed them, and tease them with a zap, catastrophe seething, relaxing in the bath, suffering or maybe ******* squeezing, pick me up from the airport we’ll go driving in the Jag, you’re already mostly in the bag, I light up a square and light a second for you man, light one up for the girl whose sitting in the back.

We’ve arrived wearing new things, they think we’re in the band. We order tater tots and martinis, and get our gear so we can get ourselves together in the van. It’s a plan, let’s advance Peter Pan, lift off, touch-down, get a spotlight, and then let’s have a dance. I’ll hop out of the pram, catch a lamb, with just one single hand, greet the grand, then do three somersaults, before we go on tour from 250 Surf Street and perform our second jam, we’re the coolest of the new acts streaming from Japan.

Come on won’t you feed them, and tease them with a zap, catastrophe seething, relaxing in the bath, suffering or maybe ******* squeezing, pick me up from the airport we’ll go driving in the Jag, you’re already mostly in the bag, I light up a square and light a second for you friend, light one up for the girl whose sitting in the back.

In the movies, monsters chase the heroes down. Is there a series of numbers that will release our hunter so she can catch those monsters by the horns. It’s a storm moving forwards, a disaster itching to come back, it’s the sound of a nightmare kicking dirt and bounding down the path. They’re alone but I hear her, the dangers coming fast. This olfactory mainstay, of juggernauts searching for something of a snack, even just a pack of peanuts in their sacks. A sample coming quickly, a set of kissing wizards sniffing cotton candy from a bag. The ache of a Tuesday, where seduction leads our pack. This is merely an act, this is merely an act, it’s just merely an act. Tombs enacted, coffins still they can’t resist, feeding sorceries and eating whims.

But then this is nothing, their stories quickly held in suspense. Their fingers numb with the words, they continue to forget. The strangers are wanting for this alphabet, the laws of the marshal that summer soon upsets.

An alert for the clouds,  across the sky to the stains on their affair, her man ******* pleading, love please put back on your underwear. The girl is screaming, in the governments’ undertow, and the ache of her sexuality can bring her skirt back down. Then there’s this season sweeping, there’s this garden you remember from back home.  the flowers topped upon the stem, thorns dipped in poisons, they keep our heart rate in suspense. Into the river  a surge of disbelief, where the cranberry serums overtake those 15th Century reliefs.

Then there’s the neighbors of evil, they’ve brought up the bags, pairing off with a 40oz and a joint of sticky hash. They carry their guns, and they carry with numbers. The master of art dying on a chariot or gurney. A satyr boost by easy flow, dances for tips at a Go-Go. Drinking up with idle stars, smoking cigarettes at outdoor but covered bars. Drinks for her friends. Drinks to get rid of the bends. Something to carry them through, something to carry after them too. Pleased and pleasing.

This is just the story of easy. This is just the state of disbelief. This is just the nuisance of riding a cable car, and performing with a chisel some religious affiliates relief. Then it’s the garden, 64-bit software coming down. He passes the lighter back to the girl sitting quietly observing, while the minister’s teeth are quickly falling out. So please me please me. Please me appease me and send me out. If the bagel is 99 cents and a drink is a dollar ten, we should have enough to sit on the bench before we start to go. Just *** and please me, just scream and shut the doors up top. I spin in circles riding Brooklyn rooftops, while the neighbors try to stop us from jumping down. I guess somebody died last week from jumping down, I guess somebody died from jumping down. I think he died from being alone. You and I wont die from falling down, we’ll never die from being alone.

Come on won’t you feed them, and tease them with a zap, catastrophe seething, relaxing in the bath, suffering or maybe ******* squeezing, pick me up from the airport we’ll go driving in the Jag, you’re already mostly in the bag, I light up a square and light a second for you man, light one up for the girl whose sitting in the back. She asked me if I was gay, I touched her leg, and put my lips to her mouth. We sat in the car past morning, whispering and never coming down.
Raj Arumugam Feb 2012
We’re at the shops
and Tim runs off of to the escalator
and Mum shouts to him:
You stop there!
And Tim freezes
like ice got hold of him
And Mum pulls out
the flap over the pram
and helps baby Didi
with the milk bottle
and I scream to Mum:
Let me go;
I want to go to Tim!

But she pulls hard at the rein
and I can feel it tighten
round my waist
a little
And I scream:
Mum! I want to go!
And she says:
Jill -
be quiet and still
as my shadow!

And from the distance
Big Tim screams:
Mom! Can I go?!
And Mom screams loudest:
You come here
and stand right beside
your sis Jill!

And we’re all together again
baby in the pram
Mum standing beside
and me on the rein
And Tim sulking at the side

And nobody else
from the crowd dares
come near
for they all know
my Mum -
she’s Wonder Woman
she’s Super Hero
cos my Mum’s supermom
...written after I saw this super mum with 3 kids at the shopping center today...
Tilly Aug 2012
Holding a torch to single motherhood with one hand
~ I push the pram of invisibility with the other!

Perhaps I should get a curve hugging costume,
a (wipe-clean) comic strip silhouette of a kickass mother.


**"I'll be doing it all because I can!"
Just some fun ... x
Terry Collett Oct 2014
Helen pushed
the old black doll's pram
over the bomb site
her doll Battered Betty
covered by a wool
knitted blanket

I blew my peashooter
at a tin can on the wall
of a bombed-out house

maybe we can have
our house built here
she said

the tin can fell
to the ground
a with a hollow crash
as I hit it
with a split-pea

where?
I said
looking round at her

here on this bomb site
she said
nodding to the area
around her

I didn't ask why “we”
I put another tin can
on the wall and aimed
with the peashooter

she began to wander around
leaving the doll's pram
behind her

here could be our kitchen
she said
standing in an area
of bricks and chickweed
but with no bath in it
as we have at home
but a separate bathroom
like they do
in posh houses

I blew the peashooter  
at the tin can
and it fell
with a clatter

what do you think Benny?

I looked at her standing
with hands on her hips
her brown hair parted
into two plaits
her NHS glasses
thick lens
her eyes enlarge
gazing at me

looks ok to me
I said
unable to see anything
but brick and chickweed
and old stones

and maybe a sitting room
over here
she said
walking a few paces
to her right
and a fireplace here
one of those modern ones

yes I can see it now
I said
looking at her drab
green raincoat unbuttoned

can you?
she said excitedly

and bedrooms
how many?
I asked

she looked around her
scratching her
seven year old head

how many children
will we have?
she asked

how many did you want?
I asked

loads
she replied
looking around her

I pocketed my peashooter
and small bag
of split peas

how do you get them?
I asked

she looked at me
frowning
don't know
she said
don't you know?

I shook my head
I’m a seven year old boy
how the heck
would I know

she walked a bit more
maybe four bedrooms
just to be sure
she said

I looked at her walking
further on
her Wellington boots
mud splashed

let's go
get a couple of 1d drinks
I’m thirsty
all this talk
of houses and kids
I said

ok
she replied
but we'll have to
sort things out soon

I thought of the John Wayne film
my old man
was taking me to see

she thought(no doubt)
of curtain colours
and matching stuff

I walked on
as she walked behind
with pram and Betty
I had had enough.
A BOY AND ******* A LONDON BOMB SITE IN 1950S.
Caroline Grace Apr 2013
That the countryside is punctuated with quaint idyllic wonder, is overstated.
For those who survive on the other side of here, we as strangers have our
illusory perceptions of blissful self-sufficiency.
But seeing is not everything.
Our aspirations would be dashed if we were to live amongst its people.

+++

A young couple is putting seed potatoes into the friable soil, hoping for a taste of the earth.
Storms have been forecast for later today, so they've been up since first light -
racing against Nature.

Their widowed Mother strains to watch them from the farmhouse window.
Oblivious to black clouds gathering in the distance.
She can just make them out, backs bent, next to their loaded basket.

Her husband, long gone, left her with empty hands to fill, so she's grateful at her age to be of some use to her family, minding their baby, just a few months old, cherishing it as if it were her own.

At midday, she settles the baby in its pram and begins to sing softly,a lullaby
she remembers singing to her daughter years ago, aware of how rusted her voice
has become, though her audience of one doesn't seem to mind.

As baby's eyes begin to close, she tiptoes to the kitchen to prepare bread and soup for the hungry planters, then taking a a final peek at the sleeping child, pulls on her boots and sneaks out.


In the yard there are pigs.
Solid, rounded brutes, ready for slaughter.
A little afraid, she moves between them, still humming the lullaby – just to feel safe.
Once in the field, she closes the gate behind her, as though it was the final chapter in a book.

In the narrow field, her vision allows her a clearer view of her daughter and husband,
so she walks a little quicker, eager for adult conversation.

As she reaches them, they are sitting side by side on a convenient stone, both straight-backed, looking rather like a Henry Moore sculpture she thinks. They've been bent over for too long.

Sipping on the hot soup, it's as if they've forgotten how to talk – they're so exhausted.
But she understands, she knows how hard it can be.
Once you're committed to the countryside, there's no escape.
Life's like that.

A sudden gust moves the heavy clouds closer. She can smell rain coming.
Maybe there'll be enough to raise the first green shoots.
A distant rumble of thunder decides for her that she should go back to the house
so they can finish the planting.


As she reaches the gate, the wind gathers speed, bringing with it a heavy downpour.
She's glad she's wearing her boots.

At the house she finds the door already open where the damp wind has muddied the quarries.

Further into the storm-dimmed hallway, she senses an atmosphere of ruin -
a kind of emptiness breathing in a dead space.
And from the violated air, a chill freezes her heart with a fearful silence.

The pigs, the terrible pigs......

Her eyes fix on the pram, tipped on its side,
its white covers ribboned with flesh and blood,
and one wheel spinning, its rhythm gently slowing for the final lullaby.

It seems that the sound of the storm is leaving the field, soon to burst through the open door
of the first chapter in a different story.

+++

When the madness of country life turns against you, the unseen future comes quickly.
And the past forever gone, lingers to torment the soul with stories
that have no endings.


copyright © Caroline Grace 2013
Donall Dempsey Aug 2015
Her brother's
vinegar-soaked-oven-baked
                  
conker

conquering all other

conkers.

The moment held on a a string
before swinging to collision

like a cartoon
pOW!wOW!baMMM!

She cuts her chestnut
carefully in two.

The popped out conker
...her baby

in its greeny spiky
pram.

She talks to it.
Kisses it.

"Shhhh...baby a sleeep!"

Her brother's marble
a blue and cold world

propelled by a swift deft flick
of a bitten-to-the- quick thumb

the little blue world inches
relentlessly  towards

scattering all be-
-fore it:

when worlds
collide.

A solar system
destroyed.

He now
the conquerer of conquerers.

She
places her marble

gently in her other
spiky green pram

like she's rearing
an alien.

She's got two babies.
One a conker...the other a marble.

She takes good care
of both of them.

Worries about
their well being.

Loving them for what
...they are.

She watches the world
through the eye of the marble

a tiny blue universe
held in her palm.
***

Watching my little girl play with her conkers and marbles in a way different to her cousin( she always called him her `'brother" 'cos she always wanted one so she just made him one with words.

Conkers of course would be "buckeyes" in America. As kids we were bonkers about conkers even if all we did was collect them and have as stash of them. Put a fresh conker behind furniture or near windows to keep the spider population low!

Around Worcestershire it was known as ‘oblionker’ (****. obly-onker) and play was accompanied by such rhymes as ‘Obli, obli, onker, my first conker (conquer)’. The word oblionker apparently being a meaningless invention to rhyme with the word conquer, which has by degrees become applied to the nut itself.
Jackie Mead Apr 2018
Between me and you, the day the Monkeys went wild in the Zoo,
was the best day I can remember, let me recall what I saw, at the Zoo on my birthday when I had just turned Two.

My Mum and Dad had taken me for the day, I sat in my pram with the perfect view, for a small person who had just turned Two.

Then came a loud high pitch shriek, from the cage that the three striped Night Monkey lived within.

The Zoo went very quiet, as my Mum would say, you could hear someone drop a pin.

The three striped Night Monkey would sleep all day, come out at night, woke up with a sudden fright.

He began to shriek and began to call, then he rolled over and bashed the cage, he was suddenly in a terrible rage.

His shriek woke up others too, that would normally sleep by day, a Bat-eared Fox, Bandicoot and Badger all woke up about the same time as each other.

The Monkeys in the next cage in sympathy with their kind picked up their food dishes and banged their bars, they weren’t going to be left behind.

I started to laugh at the Monkeys in the Zoo, it all seemed very funny to a small person who was only just Two.

From what I remember of that day the Gorillas chimed in next, they picked the fruit up off the floor and started throwing it at people stood by their door.

The Gorillas too banged their chest and let out a loud roar, as if to say, three striped Night Monkey it’s okay, we’ve got you today.

I ducked my head as a banana flew by and nearly caught my Dad in the eye, he didn’t think it was quite as funny as I, I spat out my dummy and began to shout, “come on Monkeys what’s it all about”.

The Orangutan woke from his very deep sleep, in the middle of the day, he was older than the rest and liked a nap from time to time, to keep sprightly and sound of mind.

He rose up from the floor, standing seven-foot-tall, made his chest twenty feet wide, banged with his very huge paws and shouted with a very loud roarrrrrr
“alright everyone what’s the fuss, why have I been woken up from my mid-day nap, what’s the problem, what’s the mishap?”

The Gorilla turned to the Chimpanzee, shrugged his shoulder as if to say, “any idea what’s happening today?”

The Chimpanzee had no reply, turned to the Bandicoot, Badger and Bat-eared Fox, as if to say “I haven’t got a clue what’s happened here, what about you the Fox with Bat-Ears?”

The Badger, Bandicoot and Bat-eared Foxed all turned to the three striped Night Monkey and said, “what’s up Night Monkey, why the rage, why did you start bashing your cage?”

“mmmm,” said the Night Monkey slightly embarrassed, “it’s not like I was being harassed, it’s just I don’t like spiders and one was hanging from the ceiling, I woke up with a dreadful feeling, that it was going to fall – that’s why I started to call”

I began to laugh even more “fancy a Monkey being scared of a spider, I’m much younger and I’m not scared of a tiny creature”.

My Mum and Dad saw the funny side too and began to laugh at the antics of the Monkeys in the Zoo.

The Orangutan was feeling happier he could now go back to his nap and the three striped Night Monkey he did say, “he would try to be more considerate of smaller creatures, as long as they didn’t try to nest in his handsome features”.

The Zoo began to return to normal and people went on their way.
I will always treasure, and it will always remain, the best day ever, the day the Monkeys went wild in the Zoo.
as i write this i am reminded of a time a gorilla threw a banana out the bars at me, one visit.
daydreaming alone -
Lady's Bedstraw golden buds
under my pillow


powerful hailstorm -
under the casino's eaves
the homeless man sleeps



sleeping baby boy -
his mom places in the pram
a lavender thread



grandma's funeral -
I stumble over the roots
of an old oak tree


tall rose at the gate -
grandma's gray mohair shawl
the same every year



quiet afternoon -
grandpa tells his dying wife
about the new pups



brimming hay wagon -
on the end of the wood pole
a blue butterfly


Forty Martyrs Day -
a child on a bike circles
the street crucifix



deserted station -
wild blackberries rimed in blue
through the barbed wire



still summer morning -
wiping off a dove's claw prints
from my windowsill


*Forty Martyrs Day –
a little girl kneels once more
to watch snowdrops grow
Adam Childs Jun 2015
How can you proclaim
that we are free
can you not see
our authentic selves
lie buried and covered
from every single angle with
shame, shame and shame.
As our freedom is stolen
with bars of condemnation
as we are encaged  from
every side.  

For why do I feel a ******
elevated world looks down
on me as I push my pram
because I chose to have a baby
young.
Why do I feel I need to bury
my head because I am a single
mum.
Why do I feel condemned because
I chose to have a career and not
be a mum.
Why do I feel  so embarrassed
about my little cute flat.
And that i feel I have to apologize
because I feel ashamed of  my
small income.

What chance have we really got
if we are constantly made
to dance to a condemning shot.
Our true selves half dead in a
bunker with shame all around us
the enemy that surrounds us.

I wish my body was taller, thinner
and in some places even bigger
oh God I do not want to look in the
mirror.
And what is wrong with my God
given colour for why am I made
to feel so unwelcome.
Why do I feel embarrassed about
my particular religious belief
the way God gives me inner relief.
Why do I when I am asked my age
do I start to mumble my words
and change the conversation like
there is something wrong with
being just a little old.

How can we find happiness in this
world if we are constantly kicked out
of home by shame.
Maybe I will be just fine as long as I
do not let myself be anything
that I truly am.  

I do not like my accent the way I talk
this is something I will have to change.
Why am I made to feel so ashamed of
my craft my job because I am just a blue
collar worker.
Why am I so ashamed of my education
that I left school worked hard since sixteen.
Why are the unemployed condemned
when the capitalist system needs them.
Why do some people feel the need
to move up a class from their background.

I am sorry this has become so
very long but I must just keep
going on.

Why am I so ashamed of my white
van that I work from
or the old car I play from.
tell me why does fitting in
give you a derogatory name
like common.
And why when I was born
beautiful I can not celebrate
but I am made to feel I must
hide to protect another's ego.
Why because I was not made
to look perfect that world decided
that I must suffer.
And why should I be ashamed  
that I like to watch football and not
something posh like rugby or Polo.

I know I should be ashamed
that I keep on moaning but
I keep on seeing a very
Shameful pattern.
Why do I feel that
I am drowning that the world
is closing in and that my choices
are shrinking.

Why is it sometimes still
considered to fancy the
same *** as wrong
as they sing their
homophobic song.
I am really ashamed to confess
that I sometimes like to
wear a dress but what is
your problem why won't
you just let me express.
Why do I when I share my body
spread some *** and pleasure
that it is all considered wrong.
Why when I criticize the system
I am shamed and called ungrateful
is that not just a little controlling.
Why am I told of for not always
being happy like there is something
wrong with sometimes being unhappy.

Who said we have to be terrific and
extraordinary heave forbid that we
are just ordinary.
What is the point of cleaning someones
mind but then sending them into
a shameful swamp.
What is the point of drying someone
out but then leaving them cold naked
in the rain.
If you say that I am free why do I
struggle to even breath.

You say that we are free when we
are paralyzed by shame with no
where to go.
But I do have  a dream that we
can all some day  live in a world
WITHOUT SHAME
I tried to shorten this believe it or not but then gave in I kind of decided the size emphasized the fact that we have become accustomed to so much shame in so many area's of our lives.
In her pram which is a trolley
she carries a baby, which is really
the life that she has in old carrier bags
and a holdall which carries
nothing.
She lives in her dream of
french fries,scones and cream,
kindly people would pass her
and offer some coin,
she accepted,quite gracefully
fully aware that dreaming or not
she needed her pennies to buy her a ***
of London Dry Gin.
She spoke in third person as
if she was not there at all,
a bit like the holdall,
empty.
No faces to face the faces that faced her
she hid in the barbed wire of unkindly
stares
where the world couldn't find her
and her baby was safe in
the bags in the pram.

Life carries on until it is gone
and then carries on a bit more,
somewhere in between
I bet you have seen her
perhaps
you have been her.
The queen of the street
with jewels on her feet
which are
tatty old shoes
but she lives in her dream
that way
she don't lose.
Autumn Friday in sepia,
Counting conkers in the park,
Lit by a fuzzy chestnut sun
That fairly crackles
As it touches the chilly branches
Of the mother tree.
I, too, am a mother tree
Hoarding conkers in the bottom of the pram,
For excited little twiglets,
There must be near two hundred in there now,
Large and small,
loving them all,
My daughters
wonder at the shiny brown bullets,
Loading their skirts with more and more,
Dropping, laughing, searching, competing
For the biggest, shiniest ball.
Home we go,
Loaded with treasure,
I will stash them in a bag
And let them live with us
'Til Summer.
They must be kept,
I cannot be parted
From the source of so much joy
For the keepers of my heart.
iridescent Jan 2014
26/1/14
I was burning the midnight oil. There was not a candle in front of me. Just lights that never wavered. I was wondering what the night might hold. I heard the clock and chimes as the cold wind blew into my house. The bells belonged to my neighbours. I did not sleep a wink that night.

27/1/14
I don't remember what happened two days ago, but I was glad my mind was too tired to overthink. I fell asleep early that night to music I liked.

28/1/14
I had the urge to destroy myself in the evening but a friend brought a smile to my face just in time. She didn't know. I don't know if I was grateful that she foiled my plans. I thought that the worst place to ever be was between ok and not ok. Sometimes I don't know who I am anymore.  Sometimes I feel accomplished just by deciding which way to walk so I wouldn't run into the person walking in front of me. Sometimes I rather not have a family and I can't recall the reason why. I hate the me I do not know, my mind is revolting. I am in this by myself, no one is as hateful as me. I lose my thoughts a lot because my mind never stops running and searching for the scattered pieces. I don't fancy the idea that being emotionally unstable is now a personality trait. I used to show my anger to everyone but not anymore. I just want to be alone and write and write and write and write. Funny how a week ago I was too numb to feel a thing. I couldn't feel and I couldn't write and I did not feel alive. Then there's a sudden realisation that there is so many people around me, I do not fancy this idea. I did not have the intention to get better. I still watch everyone like a hawk, and I realised sadness makes you forget things. I was late for school today. I promised a teacher I will never be late again. I hope I keep my promise.

It's night time now and I am thinking about how I used to wonder how it will feel to step out onto the road and crash head on headlights. I travelled to an old friend's house to lend her a chemistry textbook. She still sounds the same and I missed how we used to laugh together. I passed by the market and remembered how my mum used to prop groceries in the pram and leave me to my own tiny feet. I forgot if I preferred walking, or my mum pushing me on the wheels. I remember how I wanted to leave this place, now I am just afraid I might have nothing to look back on. Sometimes when it rains, I want to go outside. I haven't been out getting close and getting hurt and I wonder if that's a good thing. I have thoughts that replaced regrets and devastation, but it still leads to nowhere. I was thinking, maybe I've suffered long enough to know that things will be okay.

29/1/14
It's been a few days and I still do not know whether to eat blueberries or strawberries. I did not notice the sidewalk cracking. I wonder if I have recovered because I am back to where I started. If you insist,  label me as someone who was too "lazy" to get better. They say to never let anything be your happiness because they can be taken away, but I don't think I ever knew what makes me happy. My dad finally got a sofa today but I liked the feeling of my back against the ground. I get affected so easily, little things change me and I can't recall a time I was ever me. I'm not sure how long I will stay awake tonight. I realised you don't always need a knife to- I am indefinite.
1.
Potholes
spots of sunshine
wobble

2.
Sudden downpour
noisy trucks at midnight
crowded footbridge

3.
Sipping coffee
at a wayside stall
cockroaches too

4.
The morning sun
fondling with tender fingers
the red roses


5.
Chasing each other
in the bylane
two birds

6.
A girl
between the railway tracks
swings her pony tail

7.
Softness of wind
magic in her nearness
sleight of hand

8.
End of festival:
I stop by her haiku
on twitter.com

9.
A teenager
glides past me on roller blades
her long hair flows behind

10.
A toddler
trying to stand up by the pram—
young mother watches

--R.K. SINGH
Terry Collett Feb 2013
Early summer
after school
after low tea
of bread and jam

and a glass of milk
you sat with Fay
on the roof
of the pram shed

of Banks House
and looked up
Meadow Row
watching the sun

slowly going down
on the busy horizon
she clothed
in a grey dress

with black plimsolls
and you in fading jeans
and open necked shirt
and she said

my daddy says
I’ve to learn
the Credo in Latin
by the summer holidays

or there’ll be trouble
what the heck’s the Credo?
you asked
looking at the heels

of her plimsolled feet
hitting the wall
of the pram shed
it’s the I Believe prayer

setting out the items
of our beliefs
in the Catholic Church
why Latin?

you said
noticing fading bruises
on her thighs
as the hem

of her dress moved
as she banged her heels
against the wall
because daddy said so

she said
looking
at the orangey sun
in the darkening

blue sky
I don’t know many prayers
you said
at least

not all the way through
except the ones
they teach us
at school

even then
some of the boys
put their own words in
which I couldn’t

repeat to you
she looked at you
her fair hair
adding beauty

to her pale face
and water colour blue
of eyes
best not to

she said softly
don’t your parents
insist you learn prayers?
she asked

no
you said
my old man
wouldn’t know a prayer

if it came up
and tickled his moustache
she smiled
and looked away

then after a few moments
of silence
she said
the sun looks

like a big orange
on a big blue cloth
doesn’t it?
yes

you said
looking skyward
then watched
the traffic pass by

at the end
of Meadow Row
and the bombsite outline
on the right hand side

and the shadows caused
by the lowering sun
then you lowered
your sight

to the fading bruises
on her thighs
and the watercolour blue
of her bright clear eyes.
Terry Collett Jun 2013
Helen walked down
the steps of St Jude’s school
her mum was waiting for her
with the big pram

you were by the school gates
are you coming back with us?
Helen said
ok

you said
and so you
and Helen
and her mum

walked along
St George’s Road
her mother talking
about the shopping

she’d done
and what she’d bought
Helen walking alongside
you thinking of Cogan

and him saying
he was going to
smash your face
but he didn’t of course

he was all mouth
but even if you had to
fight him you had to
be careful of his glasses

never hit someone
with glasses your mother
used to say
but if you had to

you would of course
can you come to tea?
Helen asked
you looked at her mum

pushing the pram
if it’s all right
with your mum
you said

it’s fine
her mother said
as long as you
don’t expect caviar

and she laughed
and you wondered
what caviar was
but smiled anyway

and once you got
to Helen’s house
you said
will my mum know

where I am?
yes I told her
you’d come with us
for tea this morning

Helen’s mum said
that’s good isn’t it
Helen said
and she took you

into the sitting room
and you sat
on the big brown settee
and she sat beside you

and told you
about the boy
in her class
who said she looked

like a toad with glasses
I don’t do I?
she said
not at all

you said
you’re pretty
you added
beginning to blush

do I?
she said
yes
you said

and she kissed
your cheek
and you patted her
on the back

and she went off
to the kitchen
where her mum
was getting tea

and you heard her say
Benedict said I was pretty
that’s nice
her mother said

now ask Benedict
if he wants bread and jam
or bread and dripping
and you saw Helen’s

old doll Battered Betty
on an armchair
by the fireplace
staring at you

with that smile
on its face.
Terry Collett Apr 2015
Milka sat on the grass outside the farmhouse. It was a warm day and insects buzzed the air. Benny had just gone off on his bike; she hadn't wanted him to go, but he had  to be some place else and he had ridden off. Her mother had arrived and was carrying bags of shopping from the boot of the car into the house. She gave Milka a look as if to say: You could help, but said nothing, hoping that a look would indicate the need, but Milka looked back at the road hoping Benny would return to her. Although they'd had *** in her bed-while her mother was out shopping- she felt she needed him still, as if the *** had not been enough, as if her appetite was bottomless. The mother disappeared inside the house, then came out again to the car for more bags. You could help rather than sit there looking into space, her mother said. Milka got up from the grass and made her way over to the boot of the car and picked out two of the lighter bags and carried them behind her mother into the house and placed them on the kitchen table. Anything else? Milka said. Her mother looked at her and saw the stance of her daughter and how reluctant she seemed to be of any real use and shook her head. No, wouldn't want to put you out in anyway, the mother said. I can help if you want me to, Milka said. Make me a drink of tea, then, her mother said. Milka filled the kettle with water and put it on the stove and lit up the stove with a match, then put three spoonfuls of tea into the teapot. She took two cups and saucers from the cupboard and laid them on the top. Her mother put away the groceries and then sat down at the table and  watched her daughter going about the task of tea making. What have you been doing while I’ve been shopping? Her mother asked, you were in bed when I left. Milka looked at her mother. The kettle began to boil. She said, got up and washed and dressed and ate breakfast. Her mother's eyes scanned her. That all? Her mother said. Had she seen Benny along the road? Had she passed him? She gazed at her mother for any clues or maybe a hint as if her mother was testing her. Benny came for a while, Milka said, he's just gone. I know, I saw him along the road riding his bike, her mother said, he waved. The two females looked at each other for a few moments in silence. What did you do? Her mother asked. Questions and questions. As if she suspected. She looked at her mother's face. Took in the eyes. I showed him the baby piglets, Milka said, he thinks they're cute. She had shown him the piglets just before he'd left. After the ***. After the *** and while she was still damp and yet still hungry for it. He's a good boy, her mother said, I like him. I know you do. If only you were younger. Milka nodded and looked at the kettle boiling and whistling away on the stove. She put the hot water in the teapot and stirred the tea-leaves around with a spoon. He'd make a good farm helper, her mother said, shame he's otherwise engaged in that nursery work. Milka poured two cup of tea and added milk and sugar. She took both cups in saucers to the table and sat down. He has worked on a farm he told me, Milka said, when he was thirteen helping out after school. Her mother smiled. And sipped her tea. It'd be good if he worked here, her mother said, on the farm. Yes, you'd like that wouldn't you, having him about the place so you could fuss over him, wishing you were younger, wishing you were a girl again. Ask him, Milka said, knowing he wouldn't, knowing he was happy where he was. I will next time I see him, her mother said. Milka sipped the tea. She still felt damp and sticky. She'd go up and wash down later. She watched her mother sipping tea, looking at the table, thinking. If only you knew what we did earlier, you'd not think him so good. She moved her bottom on the chair, to get comfortable. The image of Benny in her bed was still stuck there in her head. Her arms around his waist. He entering her. She sighed. Her mother looked up at her. What’s up with you? She asked, studying her daughter closely. Stomach pains, Milka said, the first thing that came up in her head. Her mother studied her. Can't believe you're that age, her mother said, don't seem long ago you were pushing a dolls pram around the place. I'm fifteen and have the week coming up, Milka said, pulling a face. When I was your age I’d started work, her mother said. I will when I leave school in July, Milka said, secretly rubbing herself below. Time flies, her mother said, draining her cup of tea, must get on with the housework. She stared at Milka. You can help by tidying your bed and your room, she said. The bed. She had tidied it a bit after the ****** acts, but it may need proper seeing to. Yes, I'll do it when I've drunk my tea, she said, hoping her mother wouldn't venture in her room before her, hoping she'd not see any signs. Make sure you do. I've never seen such an untidy room, her mother said. If she'd seen it earlier it was a right mess. Seen us. At it.  She blushed. Her mother had gone. She felt herself redden in the face. What if she had returned early? What if she had opened the door? Her heart missed a beat. It seemed too surreal to think about. Where was Benny now? Seventeen and at work for two years and she wants him here working? If she knew. She went to the window and peered out. It was warm out and the sky was a brighter blue.
A GIRL AND HER MOTHER AND SECRETS AND DESIRES IN 1964.
st64 Jun 2013
turning..turning..turning
how it ever
turns


1.
they all pass me by
everyday
and no-one says a word
to me

the earth moves
one more time
and it all
starts again


2.
on their way to work
high-heels totter
they chatter on
birds in smoke
hardly aware

from the evening subway
attachés whisk past
looking so important
eyes down on text
talking into boxes
streaming... streaming
endless

onto the bus
a struggle
a pram is lifted
distant cries of a baby
an echo of an old man
in a park nearby
sitting, lost in thought
counting the arthritic joints
of his fingers

skateboards
in such great haste
as on an almighty trail
somewhere

footfalls go
some clackety-clack
a thousand by the minute

by now
I lose track
of the number


3.
they look my way
and they don't really see me
not anymore, anyway

I'm just there

but I hear it all

the steps..
they clack-flash across my ears
the words..
they flaunt over my silence
the secrets..
they furtively long to share with someone
the awful rush..
they long to shed
the frustrations..
they find no space for
the dreams..
they ache to realise


4.
only *the mendicant traveler

comes by
once daily
with a battered Coke can
to sit and keep me
company
just for a while
a little while

leaning against me
I smile inside
to think
I can still be somewhat
useful

or the occasional trolley-lady
who guards all her assorted treasures
a bric-a-brac of unrecoverable dreams
all neatly piled neglect
reflected in
society's abandoned grown-up child

then, that funny visitor
comes by
to bestow on me
hebdomadary gift:
his customary ****

too lazy for a WC!


5.
I am just
what I am..
on a wall
as pretty as they come
yet half-invisible
and
I am here

how
I keep track
of
all the beings'
coming-and-going

as the busyness
of life
keeps
turning..turning..turning


(once in a while, though...a new pair of eyes may flash upon me and love me for my worth.
then again...just for a few seconds...but it is enough: I may be peeling now, but I am such the fine burgundy-and-green masterpiece, of a rather stunning bird, caught in mid-flight.... that once was the great love of my esteemed master, the eternal artist...long, long ago.

and I can smile...inside)

I dare to smile, yes..




how the earth moves
one more time
and it all
just
starts again





S T, 26 June 2913
The more things change, the more they stay the same.

Do so love the use of metonymy.




sub-entry: 'pictures etched'

1.
a fine day for rain, it is
soaking into earth
warding off all noise
but the gentle
pitter-patter
of half-born
ideals

2.
such grasping images
come
all attentive
and
tremors unaware
ensconced
by
pictures etched
deeply into psyche
they sit

slow birth
of
some very
powerful
ideas

3.
then, write a heartfelt note
and lick a stamp
post it off
in a spiffy new
London-red box
and
wait..
distant destination

4.
final score
no parting

break down the wall
and
rescue that light
Marshal Gebbie May 2015
While reading an article last night about fathers and sons, memories came flooding back to

the time I took me son out for his first pint.

Off we went to our local pub only two blocks from the cottage.

I got him a Guinness.  He didn't like it, so I drank it.

Then I got him a Kilkenny's, he didn't like that either, so I drank it.

Finally, I thought he might like some Harp Lager?   He didn't.   I drank it.

I thought maybe he'd like whiskey better than beer so we tried a Jameson's, nope!

In desperation, I had him try that rare Redbreast,Ireland's finest.   He wouldn't even smell it.

What could I do but drink it!

By the time I realized he just didn't like to drink, I was so feckin ****-faced I could hardly

push his pram back Home.
Good to laugh out loud at my delightful Irish roots.
M.
MV Blake Mar 2015
Bus
Faces lost in blank expression

Wait in stasis for their stop,

Shuttled from one potential

To the next like letters

In a mailman’s bag.

The sounds and smells of strangers,

The uncomfortable touches,

The squeezing in spaces,

The jerking rhythm of the ride,

The pram queens who sag

Against the railing

While their kids twist and turn

And scream at the lack of fun

In the faces of blank expression,

While couples tongues quietly wag.

Youthful monsters sit at the back

Playing tunes for the irritation

Of the old school music hacks,

While grandma dozes against the glass,

Shopping drawn up like a wall

To protect her from her past.

Father and daughter

Playing a game,

Sitting next to two lovers

Who are doing the same.  

The tickling natter of friends,

The glare of phones,

The lying dog’s stare.

Life on the buses,

A slice of people

For the cost of a fare.
Kittu Nov 2014
Look at how fast they grow,
the last you saw them was in a pram,
and now they are as tall to walk on the ramp.

They were the ones to ask you what to do,
they looked for your guidance when they were two.

look how fast they have grown!
now they tell you what to do when you're on your own.

They look after you like you looked after them,
they are now the guardians that you were to them.

I'm talking about the little ones who used to crawl,
They would make you cry and gauge at your eye *****.

Each of them a menace for all ounce of their breath,
To pull your hair like they were meant to stretch!

They are my baby brothers who I had sworn to protect,
But now they are strong enough to fly out the nest.
The west wind blows
white with snow
pushing the new mom
with her new babe
in a new pram
I looked over
and all I could see
was a blue hat
and a blue blankie
with a pink nose
in the middle
snorkeling up
OliviaAutumn Sep 2014
Scientists estimate that you will fall in love seven times before you get married.
That 42% of these marriages will end in divorce.
That lesbians get their sexuality from their fathers inability to
Maintain a platonic relationship with a woman
Pram pushing into bedrooms whilst our mothers clean
With wine stained pinafores and nicotine laced lips.
They remove their motherhood camise
And hang it on the banister one day after school,
Her fatal attraction to the bottle and mine to the silk touch of a woman’s fabric being the perfect childhood cliché for a
chronic homosexual.

My mothers is still there like a scare crow to heterosexuality,
warning off all my seven deadly loves that could have come from man but now come from the caress of a woman’s cheek but still,
I am afraid of wearing my heart on my sleeve
In case I shrink it in the wash so I place it in my rib cage
Captive to the beat of my own heart grieving.

You are my second love and according to science
I am therefore chasing something that cannot be caught,
Something that has an expiry date before I can even co-create this thing called love  

So when I sip seduction from your navel,
When I unwrap you like the present at Christmas I never got,
Untying the ribbon as I undo your jeans,
Just know the only I do I will say is when you ask me if I think you look pretty.
Or if I want a brew when we are lying in bed puffing smoke rings
Around our impending sighs that float over us like rainclouds,
Drips of fate falling from these skies dampening my desire.

So forgive me if the only aisle I will see you up is the biscuit aisle, Pulling the fabric of my non-wedding dress around my slipping tights.
Forgive me if I trade in the sweat on your neck
For the salt side of a tequila
As sometimes I like to use the wool from over my eyes to knit me telescope so I can look at the stars between your thighs,
But what no one ever tells you is that when you wish upon a star,
That star has surely died.
  
Because I want to fall in and out of love 7 times.
Correction: I want to fall in and out of love with you 7 times.
I want to press you, not in a book, but against me.
Imprint the lines of your fingertips on my ******* like maps of Atlantis because I want to go places with you I never knew existed.
I want your nails engraved on my back like constellations of stars
So I can always find my way back to now. To then.
The present. The past. That very moment where Greenwich meantime got it wrong:
Those seconds were longer than any before,
And my life has been full of seconds.
Second child. Second best. Second chances. Second love.
The third the forth, the fifth the sixth but the 7th, the 7th time you tell me is no longer reserved for you.

You tell me the 7th time is for me to fall inexplicably, uncontrollably in love with myself.
So when I walk myself up a different kind of aisle I can do it with you by my side.
And I’ll stand there, lifting the veil from over my eyes and I will tell you, Darling, second love, science is colourblind.
It doesn’t see the colours of the rainbow like I do.

Because yes, I do.
spoken poetry
Erica Statham Jan 2011
The Sister
pushing pram, playing
face ever changing, as she grows.

The Father
drinking tea, swaying
blurring the edges of his woes.

The Mother
going out, sneaking
looking over shoulder, as she goes.

The Brother
behind bars, crying.
Only Mum visits, everyone knows.

The Child
Safe, soundly sleeping.
Sweetpea visable, until it first snows.
© Erica Statham 9th January 2011
I confess I’m addicted to my phone
My observations tell me I’m not alone
For when you venture out it’s plain to see
The majority of us are glued to our screens

Whether on the tube or pushing a pram
We all have devices in our hands
Surfing the net or social networking
Everyone obsessed with being plugged in

It’s getting so bad even in company
We’re not fully there as we view our screens
And now there are warnings from TFL
Not to fall down escalators as a result of this swell

In checking our messages, writing posts
Face to face interaction up in smoke
We’d rather be alone in the cyber world
Than engaging in reality with other boys and girls

It is an epidemic that’s spreading extremely fast
Thus it seems that human contact
could become a thing of the past
No need to leave the house anymore
When everything can be ordered and delivered to your door

A society of zombies isolated could we become
If we don’t down devices and venture out into the scrum
And mingle with other beings physically there
Where we can look them in the eye
and maintain that stare

Connecting on a basic level without the aid of WiFi
And concentrating on each other
instead of being distracted by
Notifications and little beeps
Incoming communication that never sleeps

And keeps you up all night as your brain just can’t switch off
From all the incessant stimuli we’re inundated with
Time to give it a rest, take a break just for a while
Look up from your laptops and perhaps give someone a smile

Watch where you are going, don’t get yourself run over
Be present in the moment and you hopefully won’t fall over
Have a coffee with someone instead of instant messaging
Regard the world around you taking note of everything

Don’t zone out and go into a solitary trance
Assemble your tribe, spin some tunes, have a little dance
Limit your time on the World Wide Web
Grab yourself a hottie and get jiggy with them instead

I’m talking to myself
As well as anyone else
Your family and chums are precious
And deserve nothing less

Than your undivided attention
For one day there’ll come a time
When perhaps they’re no longer around
And you regret being online.

— The End —