Steven my boy,

We coasted into a medieval pub in the middle of nowhere in wildest Devon to encounter the place in uproarious bedlam. A dozen country madams had been imbibing in the pre wedding wine and were in great form roaring with laughter and bursting out of their lacy cotton frocks. Bunting adorned the pub, Union Jack was aflutter everywhere and a full size cut out of HM the Queen welcomed visitors into the front door. Cucumber sandwiches and a heady fruit punch were available to all and sundry and the din was absolutely riotous……THE ROYAL WEDDING WAS UNDERWAY ON THE GIANT TV ON THE BAR WALL….and we were joining in the mood of things by sinking a bevy of Bushmills Irish whiskies neat!

Now…. this is a major event in the UK.

Everybody loves Prince Harry, he is the terrible tearaway of the Royal family, he has been caught ******* sheila’s in all sorts of weird circumstance. Now the dear boy is to be married to a beauty from the USA….besotted he is with her, fair dripping with love and adoration…..and the whole country loves little Megan Markle for making him so.

The British are famous for their pageantry and pomp….everything is timed to the second and must be absolutely….just so. Well….Nobody told the most Reverend Michael Curry this…. and he launched into the most wonderful full spirited Halleluiah sermon about the joyous “Wonder of Love”. He went on and on for a full 14 minutes, and as he proceeded on, the British stiff upper lips became more and more rigidly uncomfortable with this radical departure from protocol. Her Majesty the Queen stood aghast and locked her beady blue eyes in a riveting, steely glare, directed furiously at the good Reverend….to no avail, on he went with his magic sermon to a beautiful rousing ******….and an absolute stony silence in the cavernous interior of that vaulting, magnificent cathedral. Prince Harry and his lovely bride, (whose wedding the day was all about), were delighted with Curry’s performance….as was Prince William, heir to the Throne, who wore a fascinating **** eating grin all over his face for the entire performance.

Says a lot, my friend, about the refreshing values of tomorrows Royalty.

We rolled out of that country pub three parts cut to the wind, dunno how we made it to our next destination, but we had one hellava good time at that Royal Wedding!

The weft and the weave of our appreciation fluctuated wildly with each day of travel through this magnificent and ancient land, Great Britain.

There was soft brilliant summer air which hovered over the undulating green patchwork of the Cotswolds whilst we dined on delicious roast beef and Yorkshire pudding, from an elevated position in a medieval country inn..... So magnificent as to make you want to weep with the beauty of it all….and the quaint thatched farmhouse with the second story multi paned windows, which I understood, had been there, in that spot, since the twelfth century. Our accommodation, sleeping beneath oaken beams within thick stone walls, once a pen for swine, now a domiciled overnight bed and pillow of luxury with white cotton sheets for weary Kiwi travellers.

The sadness of the Cornish west coast, which bore testimony to tragedy for the hard working tin miners of the 1800s. A sharp decrease in the international tin price in 1911 destituted whole populations who walked away from their life’s work and fled to the New World in search of the promise of a future. Forlorn brick ruins adorned stark rocky outcrops right along the coastline and inland for miles. Lonely brick chimneys silhouetted against sharp vertical cliffs and the ever crashing crescendo of the pounding waves of the cold Atlantic ocean.

No parking in Padstow….absolutely NIL! You parked your car miles away in the designated carpark at an overnight cost….and with your bags in tow, you walked to your digs. Now known as Padstein, this beautiful place is now populated with eight Rick Stein restaurants and shops dotted here and there.

We had a huge feed of piping hot fish and chips together with handles of cold ale down at his harbour side fish and chip restaurant near the wharfs…place was packed with people, you had to queue at the door for a table, no reservations accepted….Just great!

Clovelly was different, almost precipitous. This ancient fishing village plummeted down impossibly steep cliffs….a very rough, winding cobbled stone walkway, which must have taken years to build by hand, the only way down to the huge rock breakwater which harboured the fishing boats Against the Atlantic storms. And in a quaint little cottagey place, perched on the edge of a cliff, we had yet another beautiful Devonshire tea in delicate, white China cups...with tasty hot scones, piles of strawberry jam and a huge *** of thick clotted cream…Yum! Too ****** steep to struggle back up the hill so we spent ten quid and rode all the way up the switch back beneath the olive canvass canopy of an old Land Rover…..money well spent!

Creaking floorboards and near vertical, winding staircases and massive rock walls seemed to be common characteristics of all the lovely old lodging houses we were accommodated in. Sarah, our lovely daughter in law, arranged an excellent itinerary for us to travel around the SW coast staying in the most picturesque of places which seeped with antiquity and character. We zooped around the narrow lanes, between the hedgerows in our sharp little VW golf hire car And, with Sarah at the helm, we never got lost or missed a beat…..Fantastic effort, thank you so much Sarah and Solomon on behalf of your grateful In laws, Janet and Marshal, who loved every single moment of it all!

Memories of a lifetime.

Wanted to tell the world about your excitement, Janet, on visiting Stoke on Trent.

This town is famous the world over for it’s pottery. The pottery industry has flourished here since the middle ages and this is evidenced by the antiquity of the kilns and huge brick chimneys littered around the ancient factories. Stoke on Trent is an industrial town and it’s narrow, winding streets and congested run down buildings bear testimony to past good times and bad.

We visited “Burleigh”.

Darling Janet has collected Burleigh pottery for as long as I have known her, that is almost 40 years. She loves Burleigh and uses it as a showcase for the décor of our home.

When Janet first walked into the ancient wooden portals of the Burleigh show room she floated around on a cloud of wonder, she made darting little runs to each new discovery, making ooh’s and aah’s, eyes shining brightly….. I trailed quietly some distance behind, being very aware that I must not in any way imperil this particular precious bubble.

We amassed a beautiful collection of plates, dishes, bowls and jugs for purchase and retired to the pottery’s canal side bistro,( to come back to earth), and enjoy a ploughman’s lunch and a *** of hot English breakfast tea.

We returned to Stoke on Trent later in the trip for another bash at Burleigh and some other beautiful pottery makers wares…..Our suit cases were well filled with fragile treasures for the trip home to NZ…..and darling Janet had realised one of her dearest life’s ambitions fulfilled.

One of the great things about Britain was the British people, we found them willing to go out of their way to be helpful to a fault…… and, with the exception of BMW people, we found them all to be great drivers. The little hedgerow, single lane, winding roads that connect all rural areas, would be a perpetual source of carnage were it not for the fact that British drivers are largely courteous and reserved in their driving.

We hired a spacious ,powerful Nissan in Dover and acquired a friend, an invaluable friend actually, her name was “Tripsy” at least that’s what we called her. Tripsy guided us around all the byways and highways of Britain, we couldn’t have done without her. I had a few heated discussions with her, I admit….much to Janet’s great hilarity…but Tripsy won out every time and I quickly learned to keep my big mouth shut.

By pure accident we ended up in Cumbria, up north of the Roman city of York….at a little place in the dales called “Middleton on Teesdale”….an absolutely beautiful place snuggled deep in the valleys beneath the huge, heather clad uplands. Here we scored the last available bed in town at a gem of a hotel called the “Brunswick”. Being a Bank Holiday weekend everything, everywhere was booked out. The Brunswick surpassed ordinary comfort…it was superlative, so much so that, in an itinerary pushed for time….we stayed TWO nights and took the opportunity to scout around the surrounding, beautiful countryside. In fact we skirted right out to the western coastline and as far north as the Scottish border. Middleton on Teesdale provided us with that late holiday siesta break that we so desperately needed at that time…an exhausting business on a couple of old Kiwis, this holiday stuff!

One of the great priorities on getting back to London was to shop at “Liberty”. Great joy was had selecting some ornate upholstering material from the huge range of superb cloth available in Liberty’s speciality range.

The whole organisation of Liberty’s huge store and the magnificent quality of goods offered was quite daunting. Janet & I spent quite some time in that magnificent place…..and Janet has a plan to select a stylish period chair when we get back to NZ and create a masterpiece by covering it with the ***** bought from Liberty.

In York, beautiful ancient, York. A garrison town for the Romans, walled and once defended against the marauding Picts and Scots…is now preserved as a delightful and functional, modern city whilst retaining the grandeur, majesty and presence of its magnificent past.

Whilst exploring in York, Janet and I found ourselves mixing with the multitude in the narrow medieval streets paved with ancient rock cobbles and lined with beautifully preserved Tudor structures resplendent in whitewash panel and weathered, black timber brace. With dusk falling, we were drawn to wild violins and the sound of stamping feet….an emanation from within the doors of an old, burgundy coloured pub…. “The Three Legged Mare”.

Fortified, with a glass of Bushmills in hand, we joined the multitude of stomping, singing people. Rousing to the percussion of the Irish drum, the wild violin and the deep resonance of the cello, guitars and accordion…..The beautiful sound of tenor voices harmonising to the magic of a lilting Irish lament.

We stayed there for an hour or two, enchanted by the spontaneity of it all, the sheer native talent of the expatriates celebrating their heritage and their culture in what was really, a beautiful evening of colour, music and Ireland.

Onward, across the moors, we revelled in the great outcrops of metamorphic rock, the expanses of flat heather covering the tops which would, in the chill of Autumn, become a spectacular swath of vivid mauve floral carpet. On these lonely tracts of narrow road, winding through the washes and the escarpments, the motorbike boys wheeled by us in screaming pursuit of each other, beautiful machines heeling over at impossible angles on the corners, seemingly suicidal yet careening on at breakneck pace, laughing the danger off with the utter abandon of the creed of the road warrior. Descending in to the rolling hills of the cultivated land, the latticework of, old as Methuselah, massive dry built stone fences patterning the contours in a checker board of ancient pastoral order. The glorious soft greens of early summer deciduous forest, the yellow fields of mustard flower moving in the breeze and above, the bluest of skies with contrails of ever present high flung jets winging to distant places.

Britain has a flavour. Antiquity is evidenced everywhere, there is a sense of old, restrained pride. A richness of spirit and a depth of character right throughout the populace. Britain has confidence in itself, its future, its continuity. The people are pleasant, resilient and thoroughly likeable. They laugh a lot and are very easy to admire.

With its culture, its wonderful history, its great Monarchy and its haunting, ever present beauty, everywhere you care to look….The Britain of today is, indeed, a class act.

We both loved it here Steven…and we will return.

M.

Hamilton, New Zealand

21 June 2018

In response to a sardonic essay written in the recent Saturday Nation by Proffessor Ekara Kabaji, wryly  disregarding the position of Kwani in the global literary movement within and without Kenya , I beg to be permitted a leeway  to observe that any literature, orature, music,drama,cyborature,prisnorature,wallorature,streetorature , sculptor  or painting can effortlessly thrive and off course it has been thriving without professors of  literature, but the reverse is not possible as a proffessor of literature cannot be when literature is not there. Facts in support of this position are bare and readily available in the history of world literature, why they may not be seen is perhaps the blurring effects from tor like protuberant irrelevance of professors of literature in a given literary civilization.
A starting point is that literature exists as a people’s subculture, it can be written or not written like the case of orature which survive as an educative and aesthetic value stored in the collective memory of the given people. The people to be pillars of this collectivity of the memory are not differentiated by academic ranking for superlativity of any reason, but they are simply a people of that place, that community, that time, that heritage, that era and that collective experience. Writing it down is an option, but novels and other written matter is not a sine qua non for existence of literature in such situations. This is not a bolekaja of literature as Proffessor Ekara Kabaji would readily put, but it is a stretch towards realism that it is only people’s condition that creates literature. Poverty, slavery, colonialism, ***, marriage, circumcision, migration, or any other conditions experienced as collective experience of the people is stored or even stowed away in the collective memory of the people as their literature. Literature does not come from idealistic imagination of an educated person.
Historical experience of written literature informs us that the good novels, prose, drama and poetry were written before human society had people known as professors of literature. I want you my dear reader and You-Tube audience to reflect on the Cantos of Dante Alighieri in Italy, novels of Geoffrey Chaucer in England, Herman Melville and his Moby **** in Americas, poetry of Omar khwarisim in Persia, Homeric epics of Odyssey in Greece and the Makonde sculptures of Africa and finally link your reflections to Romesh Tulsi who grafted the Indian epic poetry of Ramayana and Mahabharata. At least you must realize that in those days literature was good, full of charm, very aesthetic and superbly entertaining. This leads to a re-justification that, weapon of theory is not useful in literature. University taught theories of literature have helped not in the growth of literature as compared to the role played by folk culture.
Keen observation will lead you dear reader, down to revelations that; professors of literature squarely depend on the thespic work of the people who are not substantially educated to make a living. Let me share with you the story about Dr. Tom Odhiambo who went to University of Witwasterand in South Africa for post graduate studies in literature only to do his Doctoral research on books of David G Maillu. Maillu is a Kenyan writer, he did not finish his second year of secondary school education but he has been successfully writing poetry and prose for the past three decades. His successful romantic work is After 4.30, probably sarcasm against Kenyan office capitalism, while his eclectic, philosophical and scholarly work is the Broken Drum. Maillu has many other works on his name. But the point is that Dr. Odhiambo now teaches at University of Nairobi in the capacity of senior lecturer in Literature. What makes him to put food on the table is the effort of un-educated person in the name of David Maillu. Dr.Odhiambo himself has not written any book we can mention him for, apart from regular literary journalism he is often involved in on the platforms of the Literary discourse in the Kenyan Saturday Nation which are in turn regular Harangues and ripostes among literature teachers at the University of Nairobi, the likes of Dr Siundu, Proffessor wanjala Chris and Evans Mwangi just but to mention by not being oblivious to professors; Indangasi and Shitanda.
No study has yet been done to establish the role of university professors on growth of African literature. One is overdue. Results may be positive role on negative role, myself I contemplate negative role. Especially when I reflect on how the African literati reacted on the publication of Amos Tutuola’s book The Palm Wine Drinkard. The reactions were more disparaging than appreciative. Taban Lo Liyong reacted to this book by calling Amos Tutuola the son of Zinjathropus as well as taking a self styled intellectual responsibility in form of writing a more  schooled version of this book; Taking Wisdom up the Palm Tree. Nigerians of Igbo (Tutuola being a Yoruba) nation cowed from being associated with the book as it had shamefully broken English, broken grammar etc. Wole Soyinka had a blemished stand, but it is only Achebe who came out forthrightly to appreciate the book in its efforts to Africanize English for the purpose of African literature. Courtesy of Igbo wisdom. But in a nutshell, what had happened is that Amos Tutuola had taken a plunge to contribute towards written literature in Africa.
One more contemplated result from the research about professors and African literature can be that apart from their role of criticism, professors write very boring books. A ready point of reference is deliberate and reasonless obscurantism taken Wole Soyinka in all of his books, Soyinka’s books are difficult to understand, sombre, without humour and not capable to entertain an average reader. In fact Wole Soyinka has been writing for himself but not for the people. No common man can quote Soyinka the way Achebe’s Things Fall Apart is quoted. Achebe wrote Things Fall Apart when he had not began his graduate studies. However, he did not escape the obvious mistake of professors to become obscure in the Anthills of the Savanna, the book he wrote when he had become a proffessor. This is on a sharp contrast to entertaining effectiveness, simplicity and thematic diversity of Captain Elechi Amadi, Amadi who studied chemistry but not literature. He does not have a second degree, but his books from the Concubine, The great Ponds, and Sunset in the Biafra and Isibiru are as spellbinding as their counterparts in Russia.
Kenyan scenario has Ngugi wa Thiongio, he displayed eminence in his first two books; Weep not Child and The River Between. These ones he wrote when he was not yet educated, as he was still an undergraduate student at Makerere University. But later on Ngugi became a victim of prosaic socialism, an ideology that warped his literary imagination only to put him in a paradoxical situation as an African communist who works in America as an English teacher at Irvine University. His other outcrops are misuse of Mau Mau as a literary springboard and campaigning for use of Kikuyu dialect of the Gema languages to become literary Lingua Franca in Kenya. Such efforts of Ngugi are only a disservice to Kenyan literature in particular and African literature collectively. Ngugi having been a student of Caribbean literature has failed to borrow from global literary behaviour of Vitian S. Naipaul.  Ngugi’s position also contrasts sharply with Meja Mwangi whose urban folksy literature swollen with diversity in themes has remained spellbinding entertainers.
The world’s literary thirsty has never failed to get palatable quenching from the works of Harriet Bechetor Stowe, Robert Louis Stevenson, Shakespeare, Alice Munro, Octavio Paz, Pablo Neruda, John Steinbeck, Garcia Guarbriel Marguez,Salman Rushdie, Lenrie Peters, Cyprian Ekwenzi, Nikolai Gogol,I mean the list is as long as the road from Kaduna to Cape town. Contribution of these writers to global literature has been and is still critical. Literature could not be without them. Surprisingly, most of them are not trained in literature; they don’t have a diploma or a degree in literature, but some have won literature Nobel Prize and other prizes. Alfred Nobel himself the author of a classical novella, The Nemesis, does not have University education in literature. What else can we say apart from acceding to the truth that literature can blossom without professors, the Vis-à-vis an obvious and stark impossibility.

I sit here on this lonely windswept ridge
Overlooking a wild place
Of peathag and bog and wild heather
Of outcrops of gritstone rock
Standing like rotting teeth
In ravished gums
Bleak and dreary in the rain
But still a place to be loved
Hardy sheep graze the barren slopes
Watched over by equal hardy men and dogs
Out in all weathers
I'm lucky
Because I know the tracks and trails
Crossing this wild land
I know the streams of fresh water
And the sanctuary for my nights rest
In my small lightweight tent
This is wild Yorkshire
As yet an unspoilt place

I love lighthouses;
Lonely, desolate, cold
Grown out of rocky outcrops
Designed by monolithic architects,
Where only ascetic souls can call home
Their light, a beacon in the darkness
To protect sailors from the smouldering sea,
And all her whiles and trickery
One lonely light, that shines out
Like faith, like hope, like love
So mariners will not plot a course
Into the shallow depths of death,
Book a room in Davy Jones’ Locker.

Would you rather the majestic pure white polar bear had a home in this world or that Paul Ryan took a slow, slow boat
to China & then turned around & came back, & then again,
& again?

... the humble Praying Mantis was able to bask in the sunshine
on a leaf of its choosing or that Trump was locked away for
70 years in a dank & dismal people's cell?

... all the bees, & all the dainty flying creatures could buzz here & there as was their want or that Mitch 'Gruesome' McConnell was marooned forever on a distant deserted isle?

... the startling life-form that is coral could take its own sweet time covering rocks & outcrops & undersea crags or that Mike Pence quite suddenly & terminally lost his ability to function in any way whatsoever?

... the soon-to-be starved nomadic people, the soon-to-be flooded
coastal peoples & the soon-to-be parched farmers of India were to be given direct financial & physical assistance by expropriated & toiling Masters of Industry & sundry media lackeys?

... that the delicate flowers, the tall & mighty trees, the vital green, green grass could just a go on going on, & anyone, anyone at all who ticked that box declaring Climate Change a hoax be pitilessly overseen constructing vital networks of deep, deep canals, oh for the remainder of their natural life?

... Would you rather one less Republican politician or one less soaring & majestic wind-tumbling vulture?

... Would you rather ...

From the hill-top, I can see everything:
rocky outcrops, stone wall-divided fields,
impatient streams eager to join mother river in the valley.
I graciously declare the scene satisfactory.

When I get home, it is nearing time for the evening meal.
Ruth is making apple pie, Maeve is talking politics (again!).
The grandchildren are running from room to room.

Shush, Maeve; listen to the earth breathe.
Don't fuss, Ruth — I'm just pleasantly tired.

Contentment, like an affectionate pet, is nuzzling into me.

she exhales in outcrops of lilies of the valley
and cries with the echo of a landslide
     but when she laughs
the sun himself rushes to brush against her burial mound cheeks
and pretend he was was the spark that launched her into bated birdsong

Come with me. Here’s
the secret trail. At the edge
of the potato field, crouch through
the barbed wire fence. Pass the stone
foundation of an old homestead.
Enter the maple forest, the green oven.
Bake, slowly rise like a gingerbread figure.
Follow, it’s fine (there’s no witch).
Release rivulets of sweat.
This is nothing, the foothill.

Listen: the purr, the burble, the rush,
the small canyon of Catamount
Creek. Remove boots, splash yourself.
Splash me. Cup water in hands
to pour over the face. Let water dribble
inside the shirt, drip to the shorts.
Relish the shock of cold
against hot parts.

Work uphill now, at last
out of the trees into the land of
wild blueberry. Pluck, taste
tiny tight nut-like explosions of blue,
so intense, so different from store-bought.
Gorge, let fingers and tongue
turn garish. Fill pockets.

Climb with me now among rocky
outcrops like stair steps to the Funnel,
a crevice where from below
you push my bottom, then from above
I pull your hand. Emerge to a view
of valley, farmland, wrinkles of mountains
like folds of flesh. How far we’ve come.
This is the false top.

Catch your breath, embrace the vista,
then join me in a scramble up bare granite,
farther than you’d think, no trail marked
on the endless stone but simply
navigate toward the opposite of gravity,
upward, to at last a bald dome
chilled by blasts of breeze.

At the top, sit with me, our backs against
the windbreak of a boulder.
Empty your pockets of blueberries. Nibble,
share — above the rivers,
above the lakes, above the hawks,
among the blue chain of peaks
beyond your outstretched tired feet.
Appreciate your muscles
in exhaustion and exhilaration.
We have made love to this mountain.

Hear a sound like a sigh from waves of  
alpine grass in the fading warmth
of a lowering sun. Rest.
After this, the return
is so easy.

Skies fall down slowly
As shadows lie beneath these
Most mountainous truths
Stretching out like outcrops down
In walking ways was our youth

Snow on the far heights spills over
their shoulders, drops down to feed
deep streams crossing wide moorland,

where wind-blown trees whisper, overtopping
tangles of grass, and outcrops of stone
break through bramble and barren thorn.

Easily over the pathless land
she comes, on a waning moon, clasping
a grey cloak at her white throat.

Raven sits on a branch above
shapeless stone, stropping his beak;
he and she are akin, a merry meeting.

‘Well-met, brother – whence are you come
with your beak all ****** from breaking your fast?
What word do you bring from the world of men?’

He turns his bright eye towards her:
‘Battle is joined in the world below,
from all peoples men are mustered,

enough for us all, even the eagles,
nor need we vie with the grey wolf;
the feast is spread to feed us all.

Blow up your fire, sister, boil your cauldron;
a heavy harvest will fill your hall.’
She smiles, and makes for the autumn woods

where, below the moor, the turning trees
dwindle in dusk as their bright burden
burns away.

The agony that peoples
such tormented heights
convulses in stone-breath.

The outward semblance
swells in neat conformity,
the lower thump of blood
curdles inside its chilled contraction.

Sensing outcrops, pale, limp wheat-blades
whitening beside the agonising certainty of beasts,
teethes like a fleshless jaw.

I hold my head up  
out of practice.
I perfect the stance.

The agony confronts me.
                       Stone.
                                 Stone-heights
group in their rigid surveys
me.

On belay ? Scaling tall mountains and perilous outcrops , into the valley floor ! Great highs , perilous lows ! At mercy of wind  , rope , D-ring and intuition ! Slippery , moss covered stones , sudden changes in weather ! Possibility of cuts  , sprains and broken bones ! High above the blessings of terra firma at ropes end ! Looking out across the Earth from unique perspectives ! Far removed from mechanical , mundane , monotonous lives of the " Army ants" below , chart the course , pick the place , set the pace ! Belay on ! Cried out from below ! On your own , in control !

White smoke rose from her nostrils
Her arm, covered with red spots
Her hair, the outcrops of earth
Her image- haggard

Red and black she went
Into inns and clubhouses
Playing with cold cash
Stuffing it into her trousers

She threw the cigarette ****
Onto the ground
And squished it
With the heel of her stiletto

Red pair of dry lips
Tired eyes in their sockets
Her voice tried to call out
To the man in the car

He halted and smiled
She took his arm
They exchanged grins
She went into the backseat

A few hours later
She lay still on the bed
The pillow wet with tears
Her clothes on the floor

The man was asleep
So she scurried out of the hellhole
She found her way home
Grandma sat on the rocking chair

She dropped the money
On the old woman’s lap
Then she went inside the room
Where a babe waited

She cradled her baby in her arms
She stared at the calendar
Hanging on the wall
December 25th.

On the fir-clad hill of my childhood
rocky outcrops grew where roses should
green with moss
lit by lichen

Solid ground tumbling steeply
Past the painted white shadows of a large wooden house
the silky feel of a best friend's hair
Past the shop now closed
where we bought milk and sweets
past the beer by the till with its ****** aroma
Past the station still quiet in dark before dawn
bundles of newspapers ready and waiting
Past the sharp fresh cold
then my soft warm bed
Past the lingering scent of soap and of newsprint
Past these sensuous delights

Past even the smoke of my first cigarette
how nauseating, how hard to inhale
how hard I still tried
for smoke rings

Past smooth warm stone gliding into the sea
phosphorescence glinting in silky depths

I still see the world from my cherry tree
a blue expanse of fjord and sky
my generous tree and I
its darkening buds kept their sweet scarlet promise

How steeply solid ground can tumble
barely stopping to catch the yellow leaves in fall
barely solid ground at all

It was fall when I fell for you
Gazing at hillsides of varied hue,
Red-headed girls in saffron dresses
Coming to give me hugs and kisses,
Moving in droves from outcrops and ridges
Crossing the valleys and brooks without bridges.

You of all were most fair,
Your hair
Piled like clouds at sunrise,
Passion and excitement fierce
Burnt in your gray-blue eyes,
Particles of light aglow
Surrounded you in a mist
That totally enveloped me
Every time we kissed.

Now, you tease me like a breeze
And hear what I don't say
I throw my troubles in your fire:
They're gone
And joy remains.

It was fall when I fell for you,
Gazing at hillsides of varied hue--
Red-headed girls in saffron dresses
Coming to give me hugs and kisses,
Moving in droves from outcrops and ridges
Crossing the valleys and brooks without bridges.

You, of all, were most fair,
Your hair,
Piled like clouds at sunrise,
Passion and excitement fierce
Burning in gray-blue eyes,
Particles of light aglow
Surrounding you in mist
That totally envelops me
Every time we kiss.

Now, you tease me like a breeze
And hear what I don't say--
I throw my troubles in your fire
They're gone,
And joy remains.

The body bound
Restrained yet open
A masterpiece of living parchment
Da Vinci's virtu of carnal sin

A Maestro playing
Each hill and valley
Tracing want in cross marked pain
Symphonies of tormenting fire
Mapped upon willing skin

Lines etched
Lustful treasures exposed
Flowering petals become the focus
A crack of whip
Drawing outside
Societal maps of propriety
Margins of mind filled
With consuming need

Each strike laid
With a Falls precision
Drawing forth jaggedness
Bordering outcrops of greed
Unrelenting strikes rained down
Igniting pain
Replaced with fire
Driving the body
Until there is no thought, no voice
No place to hide, just
Incoherent whispers
Begging for release

Crescendos pop
As the epicenter is struck
Singled out and singed
Again and again
The body quakes as
Floods roll forth
Pleasure engulfing
The pain mapped body
Muscles pulled taught
Rigid in need

The Maestro
Etches his last mark
Allowing his masterpiece
Of pleasure to be unleashed

numbers.



friday can be thirteen,

or something else entirely.



is it memory, history,

some                  thing.



he titled it profanity, the

subconcious.



so we write,      critique,

move dots and numbers.



deal with the outcrops,

note the                 faith.



friday can be thirteen,

or something else





entirely.



sbm.

A lighthouse beckoning to the
moon beyond craggy outcrops
from the shores of Iskeroon.

Territorial challenges perhaps,
or most likely, a navigational
warning of encroachment.

White surfs are fraught with
repetitious semaphores, alerting
luminous shallows to the dark.

This Brailled seascape, a maze
of protrusions, polka dotting the
frothy foam of tidal turbulence.

It is where the antonyms of
silence harmonise with their
perfect chorus of sound.

One could imagine anything here,
the Lake Isle of Innisfree springs
to mind, (with a sea shell to my ear).



              Ryan 12th November 2019.
              Full moon at Iskeroon. ©

Ps.

Iskeroon is a coast house in
Cahirdaniel County Kerry
Ireland, which I am currently
minding during closed season.
iskeroon.com

The name Iskeroon is hereby
is copyrighted as titled poem
12th November 2019.

Against an unbroken cyan vault, ragged peach tinged storm wisps race
A faint waning moon hangs over glowing limestone outcrops, wreathed in coarse umbrage
Great **** and Robins dart and flit amongst vivid Pyracanthas berries
The tarrying light softly drains
A sudden chill sparks a brief spine shudder
All hangs still and silent in the half light for an infinite moment

i left her too hastily,
she and i got along at first, but she became harsh,
i was a songbird, and though she caged me in
with cold biting seas and perilous rock outcrops
i knew i was loved by her.

it was mutually beneficial, but i was blind to that,
she gave me a home and i gave her everything,
my undivided time and attention.
i needed her, and though it hurt
i knew i was loved by her.

i left her in a rush. packed bags i could not take with me.
i had buried deep into her surface, searching for meaning
searching for a reason to stay
she gave me no answers, but held me tighter and
i knew i was loved by her.

we knew each other's patterns well.
her tides, her changing seasons were all too familiar,
she was an anchor, pulling me down but keeping me steady,
i spent years wishing to leave, mistook her harshness for hate - if only
i could have returned that love of hers

Along the river we sit. Sun, gently grazing tan skin. The sound of water riding rough over rocks with green permeating through our bones and sinew. A calling. To live freely in this moment. Toes tucked into sandy banks. Water cold, but life giving. Refreshing my spirit with an inner depth. A deeper connection. I can feel you in the wind as you slowly kiss my cheek. The hairs on my arm stand up straight, alert and sensing your divine presence. Oh Gaia, mother, hold me in the light of your sacred palm. Breathe into me the secret knowledge of the wild ones and instill the gentle calm that only you can offer. The muted granite and rocky outcrops paint a picture of true awakening. In this moment. Calling loud but a gentle whisper. She says, "Be here now."

the mountain that is his heart
core of lava-basalt pressured granite
crumbled limestone shattered shale
clay pockets eroded sandstone
blowing in stinging swirls
taproot stabbed grassroot captive
rabbitbrush sagebrush cheatgrass
climbing to spruce fir and pine peaks
stony outcrops penetrating
her bluest-pale vaulted sky heart
he and she forever entangled
in life's beautifully rhythmic dance