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FIRST DAY

1.
Who wanted me
to go to Chicago
on January 6th?
I did!

The night before,
20 below zero
Fahrenheit
with the wind chill;
as the blizzard of 99
lay in mountains
of blackening snow.

I packed two coats,
two suits,
three sweaters,
multiple sets of long johns
and heavy white socks
for a two-day stay.

I left from Newark.
**** the denseness,
it confounds!

The 2nd City to whom?
2nd ain’t bad.
It’s pretty good.
If you consider
Peking and Prague,
Tokyo and Togo,
Manchester and Moscow,
Port Au Prince and Paris,
Athens and Amsterdam,
Buenos Aries and Johannesburg;
that’s pretty good.

What’s going on here today?
It’s friggin frozen.
To the bone!

But Chi Town is still cool.
Buddy Guy’s is open.
Bartenders mixing drinks,
cabbies jamming on their breaks,
honey dew waitresses serving sugar,
buildings swerving,
fire tongued preachers are preaching
and the farmers are measuring the moon.

The lake,
unlike Ontario
is in the midst of freezing.
Bones of ice
threaten to gel
into a solid mass
over the expanse
of the Michigan Lake.
If this keeps up,
you can walk
clear to Toronto
on a silver carpet.

Along the shore
the ice is permanent.
It’s the first big frost
of winter
after a long
Indian Summer.

Thank God
I caught a cab.
Outside I hear
The Hawk
nippin hard.
It’ll get your ear,
finger or toe.
Bite you on the nose too
if you ain’t careful.

Thank God,
I’m not walking
the Wabash tonight;
but if you do cover up,
wear layers.

Chicago,
could this be
Sandburg’s City?

I’m overwhelmed
and this is my tenth time here.

It’s almost better,
sometimes it is better,
a lot of times it is better
and denser then New York.

Ask any Bull’s fan.
I’m a Knickerbocker.
Yes Nueva York,
a city that has placed last
in the standings
for many years.
Except the last two.
Yanks are # 1!

But Chicago
is a dynasty,
as big as
Sammy Sosa’s heart,
rich and wide
as Michael Jordan’s grin.

Middle of a country,
center of a continent,
smack dab in the mean
of a hemisphere,
vortex to a world,
Chicago!

Kansas City,
Nashville,
St. Louis,
Detroit,
Cleveland,
Pittsburgh,
Denver,
New Orleans,
Dallas,
Cairo,
Singapore,
Auckland,
Baghdad,
Mexico City
and Montreal
salute her.



2.
Cities,
A collection of vanities?
Engineered complex utilitarianism?
The need for community a social necessity?
Ego one with the mass?
Civilization’s latest *******?
Chicago is more then that.

Jefferson’s yeoman farmer
is long gone
but this capitol
of the Great Plains
is still democratic.

The citizen’s of this city
would vote daily,
if they could.

Chicago,
Sandburg’s Chicago,
Could it be?

The namesake river
segments the city,
canals of commerce,
all perpendicular,
is rife throughout,
still guiding barges
to the Mississippi
and St. Laurence.

Now also
tourist attractions
for a cafe society.

Chicago is really jazzy,
swanky clubs,
big steaks,
juices and drinks.

You get the best
coffee from Seattle
and the finest teas
from China.

Great restaurants
serve liquid jazz
al la carte.

Jazz Jazz Jazz
All they serve is Jazz
Rock me steady
Keep the beat
Keep it flowin
Feel the heat!

Jazz Jazz Jazz
All they is, is Jazz
Fast cars will take ya
To the show
Round bout midnight
Where’d the time go?

Flows into the Mississippi,
the mother of America’s rivers,
an empires aorta.

Great Lakes wonder of water.
Niagara Falls
still her heart gushes forth.

Buffalo connected to this holy heart.
Finger Lakes and Adirondacks
are part of this watershed,
all the way down to the
Delaware and Chesapeake.

Sandburg’s Chicago?
Oh my my,
the wonder of him.
Who captured the imagination
of the wonders of rivers.

Down stream other holy cities
from the Mississippi delta
all mapped by him.

Its mouth our Dixie Trumpet
guarded by righteous Cajun brethren.

Midwest?
Midwest from where?
It’s north of Caracas and Los Angeles,
east of Fairbanks,
west of Dublin
and south of not much.

Him,
who spoke of honest men
and loving women.
Working men and mothers
bearing citizens to build a nation.
The New World’s
precocious adolescent
caught in a stream
of endless and exciting change,
much pain and sacrifice,
dedication and loss,
pride and tribulations.

From him we know
all the people’s faces.
All their stories are told.
Never defeating the
idea of Chicago.

Sandburg had the courage to say
what was in the heart of the people, who:

Defeated the Indians,
Mapped the terrain,
Aided slavers,
Fought a terrible civil war,
Hoisted the barges,
Grew the food,
Whacked the wheat,
Sang the songs,
Fought many wars of conquest,
Cleared the land,
Erected the bridges,
Trapped the game,
Netted the fish,
Mined the coal,
Forged the steel,
Laid the tracks,
Fired the tenders,
Cut the stone,
Mixed the mortar,
Plumbed the line,
And laid the bricks
Of this nation of cities!

Pardon the Marlboro Man shtick.
It’s a poor expostulation of
crass commercial symbolism.

Like I said, I’m a
Devil Fan from Jersey
and Madison Avenue
has done its work on me.

It’s a strange alchemy
that changes
a proud Nation of Blackhawks
into a merchandising bonanza
of hometown hockey shirts,
making the native seem alien,
and the interloper at home chillin out,
warming his feet atop a block of ice,
guzzling Old Style
with clicker in hand.

Give him his beer
and other diversions.
If he bowls with his buddy’s
on Tuesday night
I hope he bowls
a perfect game.

He’s earned it.
He works hard.
Hard work and faith
built this city.

And it’s not just the faith
that fills the cities
thousand churches,
temples and
mosques on the Sabbath.

3.
There is faith in everything in Chicago!

An alcoholic broker named Bill
lives the Twelve Steps
to banish fear and loathing
for one more day.
Bill believes in sobriety.

A tug captain named Moe
waits for the spring thaw
so he can get the barges up to Duluth.
Moe believes in the seasons.

A farmer named Tom
hopes he has reaped the last
of many bitter harvests.
Tom believes in a new start.

A homeless man named Earl
wills himself a cot and a hot
at the local shelter.
Earl believes in deliverance.

A Pullman porter
named George
works overtime
to get his first born
through medical school.
George believes in opportunity.

A folk singer named Woody
sings about his
countrymen inheritance
and implores them to take it.
Woody believes in people.

A Wobbly named Joe
organizes fellow steelworkers
to fight for a workers paradise
here on earth.
Joe believes in ideals.

A bookkeeper named Edith
is certain she’ll see the Cubs
win the World Series
in her lifetime.
Edith believes in miracles.

An electrician named ****
saves money
to bring his family over from Gdansk.
**** believes in America.

A banker named Leah
knows Ditka will return
and lead the Bears
to another Super Bowl.
Leah believes in nostalgia.

A cantor named Samuel
prays for another 20 years
so he can properly train
his Temple’s replacement.

Samuel believes in tradition.
A high school girl named Sally
refuses to get an abortion.
She knows she carries
something special within her.
Sally believes in life.

A city worker named Mazie
ceaselessly prays
for her incarcerated son
doing 10 years at Cook.
Mazie believes in redemption.

A jazzer named Bix
helps to invent a new art form
out of the mist.
Bix believes in creativity.

An architect named Frank
restores the Rookery.
Frank believes in space.

A soldier named Ike
fights wars for democracy.
Ike believes in peace.

A Rabbi named Jesse
sermonizes on Moses.
Jesse believes in liberation.

Somewhere in Chicago
a kid still believes in Shoeless Joe.
The kid believes in
the integrity of the game.

An Imam named Louis
is busy building a nation
within a nation.
Louis believes in
self-determination.

A teacher named Heidi
gives all she has to her students.
She has great expectations for them all.
Heidi believes in the future.

4.
Does Chicago have a future?

This city,
full of cowboys
and wildcatters
is predicated
on a future!

Bang, bang
Shoot em up
Stake the claim
It’s your terrain
Drill the hole
Strike it rich
Top it off
You’re the boss
Take a chance
Watch it wane
Try again
Heavenly gains

Chicago
city of futures
is a Holy Mecca
to all day traders.

Their skin is gray,
hair disheveled,
loud ties and
funny coats,
thumb through
slips of paper
held by nail
chewed hands.
Selling promises
with no derivative value
for out of the money calls
and in the money puts.
Strike is not a labor action
in this city of unionists,
but a speculators mark,
a capitalist wish,
a hedgers bet,
a public debt
and a farmers
fair return.

Indexes for everything.
Quantitative models
that could burst a kazoo.

You know the measure
of everything in Chicago.
But is it truly objective?
Have mathematics banished
subjective intentions,
routing it in fair practice
of market efficiencies,
a kind of scientific absolution?

I heard that there
is a dispute brewing
over the amount of snowfall
that fell on the 1st.

The mayor’s office,
using the official city ruler
measured 22”
of snow on the ground.

The National Weather Service
says it cannot detect more
then 17” of snow.

The mayor thinks
he’ll catch less heat
for the trains that don’t run
the buses that don’t arrive
and the schools that stand empty
with the addition of 5”.

The analysts say
it’s all about capturing liquidity.

Liquidity,
can you place a great lake
into an eyedropper?

Its 20 below
and all liquid things
are solid masses
or a gooey viscosity at best.

Water is frozen everywhere.
But Chi town is still liquid,
flowing faster
then the digital blips
flashing on the walls
of the CBOT.

Dreams
are never frozen in Chicago.
The exchanges trade
without missing a beat.

Trading wet dreams,
the crystallized vapor
of an IPO
pledging a billion points
of Internet access
or raiding the public treasuries
of a central bank’s
huge stores of gold
with currency swaps.

Using the tools
of butterfly spreads
and candlesticks
to achieve the goal.

Short the Russell
or buy the Dow,
go long the
CAC and DAX.
Are you trading in euro’s?
You better be
or soon will.
I know
you’re Chicago,
you’ll trade anything.
WEBS,
Spiders,
and Leaps
are traded here,
along with sweet crude,
North Sea Brent,
plywood and T-Bill futures;
and most importantly
the commodities,
the loam
that formed this city
of broad shoulders.

What about our wheat?
Still whacking and
breadbasket to the world.

Oil,
an important fossil fuel
denominated in
good ole greenbacks.

Porkbellies,
not just hogwash
on the Wabash,
but bacon, eggs
and flapjacks
are on the menu
of every diner in Jersey
as the “All American.”

Cotton,
our contribution
to the Golden Triangle,
once the global currency
used to enrich a
gentlemen class
of cultured
southern slavers,
now Tommy Hilfiger’s
preferred fabric.

I think he sends it
to Bangkok where
child slaves
spin it into
gold lame'.

Sorghum,
I think its hardy.

Soybeans,
the new age substitute
for hamburger
goes great with tofu lasagna.

Corn,
ADM creates ethanol,
they want us to drive cleaner cars.

Cattle,
once driven into this city’s
bloodhouses for slaughter,
now ground into
a billion Big Macs
every year.

When does a seed
become a commodity?
When does a commodity
become a future?
When does a future expire?

You can find the answers
to these questions in Chicago
and find a fortune in a hole in the floor.

Look down into the pits.
Hear the screams of anguish
and profitable delights.

Frenzied men
swarming like a mass
of epileptic ants
atop the worlds largest sugar cube
auger the worlds free markets.

The scene is
more chaotic then
100 Haymarket Square Riots
multiplied by 100
1968 Democratic Conventions.

Amidst inverted anthills,
they scurry forth and to
in distinguished
black and red coats.

Fighting each other
as counterparties
to a life and death transaction.

This is an efficient market
that crosses the globe.

Oil from the Sultan of Brunei,
Yen from the land of Hitachi,
Long Bonds from the Fed,
nickel from Quebec,
platinum and palladium
from Siberia,
FTSE’s from London
and crewel cane from Havana
circle these pits.

Tijuana,
Shanghai
and Istanbul's
best traders
are only half as good
as the average trader in Chicago.

Chicago,
this hog butcher to the world,
specializes in packaging and distribution.

Men in blood soaked smocks,
still count the heads
entering the gates of the city.

Their handiwork
is sent out on barges
and rail lines as frozen packages
of futures
waiting for delivery
to an anonymous counterparty
half a world away.

This nation’s hub
has grown into the
premier purveyor
to the world;
along all the rivers,
highways,
railways
and estuaries
it’s tentacles reach.

5.
Sandburg’s Chicago,
is a city of the world’s people.

Many striver rows compose
its many neighborhoods.

Nordic stoicism,
Eastern European orthodoxy
and Afro-American
calypso vibrations
are three of many cords
strumming the strings
of Chicago.

Sandburg’s Chicago,
if you wrote forever
you would only scratch its surface.

People wait for trains
to enter the city from O’Hare.
Frozen tears
lock their eyes
onto distant skyscrapers,
solid chunks
of snot blocks their nose
and green icicles of slime
crust mustaches.
They fight to breathe.

Sandburg’s Chicago
is The Land of Lincoln,
Savior of the Union,
protector of the Republic.
Sent armies
of sons and daughters,
barges, boxcars,
gunboats, foodstuffs,
cannon and shot
to raze the south
and stamp out succession.

Old Abe’s biography
are still unknown volumes to me.
I must see and read the great words.
You can never learn enough;
but I’ve been to Washington
and seen the man’s memorial.
The Free World’s 8th wonder,
guarded by General Grant,
who still keeps an eye on Richmond
and a hand on his sword.

Through this American winter
Abe ponders.
The vista he surveys is dire and tragic.

Our sitting President
impeached
for lying about a *******.

Party partisans
in the senate are sworn and seated.
Our Chief Justice,
adorned with golden bars
will adjudicate the proceedings.
It is the perfect counterpoint
to an ageless Abe thinking
with malice toward none
and charity towards all,
will heal the wounds
of the nation.

Abe our granite angel,
Chicago goes on,
The Union is strong!


SECOND DAY

1.
Out my window
the sun has risen.

According to
the local forecast
its minus 9
going up to
6 today.

The lake,
a golden pillow of clouds
is frozen in time.

I marvel
at the ancients ones
resourcefulness
and how
they mastered
these extreme elements.

Past, present and future
has no meaning
in the Citadel
of the Prairie today.

I set my watch
to Central Standard Time.

Stepping into
the hotel lobby
the concierge
with oil smooth hair,
perfect tie
and English lilt
impeccably asks,
“Do you know where you are going Sir?
Can I give you a map?”

He hands me one of Chicago.
I see he recently had his nails done.
He paints a green line
along Whacker Drive and says,
“turn on Jackson, LaSalle, Wabash or Madison
and you’ll get to where you want to go.”
A walk of 14 or 15 blocks from Streeterville-
(I start at The Chicago White House.
They call it that because Hillary Rodham
stays here when she’s in town.
Its’ also alleged that Stedman
eats his breakfast here
but Opra
has never been seen
on the premises.
I wonder how I gained entry
into this place of elite’s?)
-down into the center of The Loop.

Stepping out of the hotel,
The Doorman
sporting the epaulets of a colonel
on his corporate winter coat
and furry Cossack hat
swaddling his round black face
accosts me.

The skin of his face
is flaking from
the subzero windburn.

He asks me
with a gapped toothy grin,
“Can I get you a cab?”
“No I think I’ll walk,” I answer.
“Good woolen hat,
thick gloves you should be alright.”
He winks and lets me pass.

I step outside.
The Windy City
flings stabbing cold spears
flying on wings of 30-mph gusts.
My outside hardens.
I can feel the freeze
deepen
into my internalness.
I can’t be sure
but inside
my heart still feels warm.
For how long
I cannot say.

I commence
my walk
among the spires
of this great city,
the vertical leaps
that anchor the great lake,
holding its place
against the historic
frigid assault.

The buildings’ sway,
modulating to the blows
of natures wicked blasts.

It’s a hard imposition
on a city and its people.

The gloves,
skullcap,
long underwear,
sweater,
jacket
and overcoat
not enough
to keep the cold
from penetrating
the person.

Like discerning
the layers of this city,
even many layers,
still not enough
to understand
the depth of meaning
of the heart
of this heartland city.

Sandburg knew the city well.
Set amidst groves of suburbs
that extend outward in every direction.
Concentric circles
surround the city.
After the burbs come farms,
Great Plains, and mountains.
Appalachians and Rockies
are but mere molehills
in the city’s back yard.
It’s terra firma
stops only at the sea.
Pt. Barrow to the Horn,
many capes extended.

On the periphery
its appendages,
its extremities,
its outward extremes.
All connected by the idea,
blown by the incessant wind
of this great nation.
The Windy City’s message
is sent to the world’s four corners.
It is a message of power.
English the worlds
common language
is spoken here,
along with Ebonics,
Espanol,
Mandarin,
Czech,
Russian,
Korean,
Arabic,
Hindi­,
German,
French,
electronics,
steel,
cars,
cartoons,
rap,
sports­,
movies,
capital,
wheat
and more.

Always more.
Much much more
in Chicago.

2.
Sandburg
spoke all the dialects.

He heard them all,
he understood
with great precision
to the finest tolerances
of a lathe workers micrometer.

Sandburg understood
what it meant to laugh
and be happy.

He understood
the working mans day,
the learned treatises
of university chairs,
the endless tomes
of the city’s
great libraries,
the lost languages
of the ancient ones,
the secret codes
of abstract art,
the impact of architecture,
the street dialects and idioms
of everymans expression of life.

All fighting for life,
trying to build a life,
a new life
in this modern world.

Walking across
the Michigan Avenue Bridge
I see the Wrigley Building
is neatly carved,
catty cornered on the plaza.

I wonder if Old Man Wrigley
watched his barges
loaded with spearmint
and double-mint
move out onto the lake
from one of those Gothic windows
perched high above the street.

Would he open a window
and shout to the men below
to quit slaking and work harder
or would he
between the snapping sound
he made with his mouth
full of his chewing gum
offer them tickets
to a ballgame at Wrigley Field
that afternoon?

Would the men below
be able to understand
the man communing
from such a great height?

I listen to a man
and woman conversing.
They are one step behind me
as we meander along Wacker Drive.

"You are in Chicago now.”
The man states with profundity.
“If I let you go
you will soon find your level
in this city.
Do you know what I mean?”

No I don’t.
I think to myself.
What level are you I wonder?
Are you perched atop
the transmission spire
of the Hancock Tower?

I wouldn’t think so
or your ears would melt
from the windburn.

I’m thinking.
Is she a kept woman?
She is majestically clothed
in fur hat and coat.
In animal pelts
not trapped like her,
but slaughtered
from farms
I’m sure.

What level
is he speaking of?

Many levels
are evident in this city;
many layers of cobbled stone,
Pennsylvania iron,
Hoosier Granite
and vertical drops.

I wonder
if I detect
condensation
in his voice?

What is
his intention?
Is it a warning
of a broken affair?
A pending pink slip?
Advise to an addict
refusing to adhere
to a recovery regimen?

What is his level anyway?
Is he so high and mighty,
Higher and mightier
then this great city
which we are all a part of,
which we all helped to build,
which we all need
in order to keep this nation
the thriving democratic
empire it is?

This seditious talk!

3.
The Loop’s El
still courses through
the main thoroughfares of the city.

People are transported
above the din of the street,
looking down
on the common pedestrians
like me.

Super CEO’s
populating the upper floors
of Romanesque,
Greek Revivalist,
New Bauhaus,
Art Deco
and Post Nouveau
Neo-Modern
Avant-Garde towers
are too far up
to see me
shivering on the street.

The cars, busses,
trains and trucks
are all covered
with the film
of rock salt.

Salt covers
my bootless feet
and smudges
my cloths as well.

The salt,
the primal element
of the earth
covers everything
in Chicago.

It is the true level
of this city.

The layer
beneath
all layers,
on which
everything
rests,
is built,
grows,
thrives
then dies.
To be
returned again
to the lower
layers
where it can
take root
again
and grow
out onto
the great plains.

Splashing
the nation,
anointing
its people
with its
blessing.

A blessing,
Chicago?

All rivers
come here.

All things
found its way here
through the canals
and back bays
of the world’s
greatest lakes.

All roads,
rails and
air routes
begin and
end here.

Mrs. O’Leary’s cow
got a *** rap.
It did not start the fire,
we did.

We lit the torch
that flamed
the city to cinders.
From a pile of ash
Chicago rose again.

Forever Chicago!
Forever the lamp
that burns bright
on a Great Lake’s
western shore!

Chicago
the beacon
sends the
message to the world
with its windy blasts,
on chugging barges,
clapping trains,
flying tandems,
T1 circuits
and roaring jets.

Sandburg knew
a Chicago
I will never know.

He knew
the rhythm of life
the people walked to.
The tools they used,
the dreams they dreamed
the songs they sang,
the things they built,
the things they loved,
the pains that hurt,
the motives that grew,
the actions that destroyed
the prayers they prayed,
the food they ate
their moments of death.

Sandburg knew
the layers of the city
to the depths
and windy heights
I cannot fathom.

The Blues
came to this city,
on the wing
of a chirping bird,
on the taps
of a rickety train,
on the blast
of an angry sax
rushing on the wind,
on the Westend blitz
of Pop's brash coronet,
on the tink of
a twinkling piano
on a paddle-wheel boat
and on the strings
of a lonely man’s guitar.

Walk into the clubs,
tenements,
row houses,
speakeasies
and you’ll hear the Blues
whispered like
a quiet prayer.

Tidewater Blues
from Virginia,
Delta Blues
from the lower
Mississippi,
Boogie Woogie
from Appalachia,
Texas Blues
from some Lone Star,
Big Band Blues
from Kansas City,
Blues from
Beal Street,
Jelly Roll’s Blues
from the Latin Quarter.

Hell even Chicago
got its own brand
of Blues.

Its all here.
It ended up here
and was sent away
on the winds of westerly blows
to the ear of an eager world
on strong jet streams
of simple melodies
and hard truths.

A broad
shouldered woman,
a single mother stands
on the street
with three crying babes.
Their cloths
are covered
in salt.
She pleads
for a break,
praying
for a new start.
Poor and
under-clothed
against the torrent
of frigid weather
she begs for help.
Her blond hair
and ****** features
suggests her
Scandinavian heritage.
I wonder if
she is related to Sandburg
as I walk past
her on the street.
Her feet
are bleeding
through her
canvass sneakers.
Her babes mouths
are zipped shut
with frozen drivel
and mucous.

The Blues live
on in Chicago.

The Blues
will forever live in her.
As I turn the corner
to walk the Miracle Mile
I see her engulfed
in a funnel cloud of salt,
snow and bits
of white paper,
swirling around her
and her children
in an angry
unforgiving
maelstrom.

The family
begins to
dissolve
like a snail
sprinkled with salt;
and a mother
and her children
just disappear
into the pavement
at the corner
of Dearborn,
in Chicago.

Music:

Robert Johnson
Sweet Home Chicago


jbm
Chicago
1/7/99
Added today to commemorate the birthday of Carl Sandburg
Mateuš Conrad Feb 2016
you know, on that N86 bus listening to dikanda's
https://goo.gl/OAUjMe (ketrin ketrin),
while going to the brothel, where i kissed *****'s
eyelid skin i turned my heart into a lung...
and it burst akin to muscled stress of the softer tissue,
by heart was the black horse of the race...
she would only be worth £110 an hour...
but in my heart... a lifetime... so classical fm is
asking for three songs to be enlisted in the hall of fame
here are my three:
1. something to think about (christopher young) -
   hellraiser ii,
2. no time for caution (hans zimmer) -
    interstellar,
3. spectres in the fog (hans zimmer) -
     the last samurai, competing with
(4. any other name (thomas newman) -
     american beauty,
and....
5. carpe diem (maurice jarre) -
     the dead poets' society);
i always found classical music invoked
by fast image exchange most adhering
to a modern public... after all...
the notes written down are transliterated
from moving geometries
asking for a human face...
that one abstraction leaving another created...
so enriched we can be living and leaving here,
but leave and live here cradled and crawling
and nothing more than an attempt for
a crafted shawl of woollen care...
assuredly we were the blank canvas,
when the sheep and lion were clothed...
the lizard inwardly having its blood cooled...
and we the mediators...
to evolve from an origin of such biological diversity?
why will darwinism claim to be a humanism
and let no humanism in?!
if darwinism branched from science for a populism
of understanding prepositions as propositions
(given that propositions are allowed expression
with far many more complex words than prepositions,
given the former are deemed a nature or origin
and the latter a nature of coordination)
why allow it a humanistic simplicity
and complicate humanism to a non-expression's
extent of a complexity? darwinism cannot grasp
humanism's complexity per se, for each its own per se
allowance... darwinism cannot relate to humanism,
since humanism deals with the one diluted into the many,
while darwinism deals with the many concentrated into
the one:
and noting the varied dimensional usage of pronouns,
the singular (engaging), the singular (disengaging),
the plural (effective), the plural (ineffective),
to use but a few among others... how would a self,
as either realistically concerned or as expressed
in an atlas pose when one individual speaks of a species
to ever survive... to speak of humanity per se,
is to not speak of being human per se (a self),
but as if under a constant threat from either internal
or external stimuli, it's to speak as if human
but hardly being human... darwinism only said
in simpler terms 1 = ~∞ 0 1 (one equals
approximately infinity denying one... expressed
further: one equals approximately infinity denying
oneness, hence ethnicity, hence disparity,
the infinite approximate is due to the no. of equally
represented identities of reflection as one's akin
in historical content for a vanity representation
of ego) / although there's a parallel disparity:
1 = ∞ 0 ~1 (1 equals a reasonable infinity
of the semblance collective, as approximated within
one's own constitution, denied by the constitution
of the semblance collectivised denying 1 its
oneness by a division, into pop. psychology
of subconscious, unconscious, ulterior and posterior
assembling of identification in order to relate
a concrete un-divisible one, to a oneness
of ~∞ 0 ∞†, whether governed by animate or inanimate
things, worthy of either representing
∞ = 0 ~1, or ~∞ = 0 1 (infinity equating itself to
a denial of an approximation of one,
or approximate infinity equating itself to a denial
of one) - by most standards a collective power
increases, while an individual coercion with
such increase in power is diluted to mediocre representation
of what was once hoped for to be an individual...
as worded: i'm about to inherit a pickaxe, an igloo,
a herd of sheep, a land arable for regular hunts
to provide sustenance, but as i said, the oddity
of increasing vocabulary as body-building index muscle,
will hardly teach you the physics of quanta in
the realm of modulating grammar,
on the basic basis of grammatical as
a method of de-categorisation one word from it being
named, to it being acted upon as a termed way of
walking (differently), or otherwise.

†a bit much for me, an alfred jarry moment
at the end of dr. faustroll's opinions and exploits...
papa **** got the dangling essence of things:
je suis jarry among the je suis cherub charlies,
if poet does not appreciate other artistic mediums
he can't mediate them,
poetry is supposed to mediate all artistic expression
with platonic criticism... it's supposed to mediate,
with poets appreciating each and every craft...
whether sculpture we scrap metal stolen from a park,
or whether an oil canvas be worth as much as toilet
paper when the painter is alive, and millions more
when he's dead.. we need gravity a demanding
drama to extend drama into grammar...
poets have to become the middle-men of haggling,
they need to appreciate art in an elitist way
in order that art can't become genealogically defining,
like dramatics of the theatre lost between idols
of 1950s screening compared to idols of 19'90s screening...
we need poets as the glue stuck to every output...
we need to appreciate all art other than their own
to discover their own... we can't have the mindless
jealousy bribe us to reconcile composition,
so that poet against poet is still writing poetry...
he isn't... he's writing a polemic... and that's hardly
a dialogue... it's a mortifying analogue of monologue...
and we don't want poetry to be such a belittling
circumstance of the original intent of practice,
why would a poet's rarity be reduced to
a market blasphemy of ultra-eloquent speech
in order that it might be used to scold?
why the jealousy? why?! it reeks of revenge
that only requires a Darwinism to include it,
as sustainable and necessary,
too many monkeys to create a single man...
too many difference in man from continental span
of africa, to asia... to even bother a standing ovation
origination in genetic scrip of a chimpanzee...
script wants man to be genetically above
a genetic script of a banana numbering more genes
that itself... the biodiversity of monkey
is akin to man... why would the two chiral statues
suddenly become gemini of explanation?
it all fits... but it stinks...
well, whatever that was... it's the pride of a language
that keeps darwinism alive...
but theology is closer to humanism than darwinism...
it's a compound logic, darwinism ends with with an ism,
an empiricism... and the only logic accounted for
is a logic of repeat... just look at the forms of these words...
formulated by L and Γ (origin of the kabbalistic interpretation
of allah)... keep the prefix akin to a suffix composed to
an enclosure... theology provides the better logistics
of expressing being human than an empiricism
known to be darwinism... after all a -logy tends to
repeat a systematic use of words...
empiricism a systematic use of facts...
easier to become bored of facts than words.
Nigel Morgan Nov 2012
Smooth, smooth, fringed by yellow smudged, hard plastic
smooth, left to right then a painterly inconclusive running
out, the stroke all 60” expires into the yellow, then a firm
vertical orange stripe, a bookend, a hot surface elevated
upon a warm yellow bed, exotic, turmeric, heated from
below, as though from another world, a future planet found
in Manga, gum wrappers, belonging to the wedding
wardrobes of older women, and those with impossible
shoes, maybe a scarf, definitely lipstick and small Japanese
cars, decorative paper, a can’t-miss logo, as when I close
my eyes in the act of love, holding your kneeling body to
me I lose myself in a pattern of flashes, the bright play of
light and colour, a sensual play of pigment, blue and red
wavelengths, fuchsine, electric, electric, and the aura of
artists, such latent energy, hidden passion, rich in ******
fragrance, edged with desire.

The path of the brush now right to left yellow exposes a
yellow bookend at the left hand edge, there is a roughness
here in its covering of yellow, as though applied in haste or
in a single gesture with a large brush, it is thick, thick and
rough, but the yellow is almost present, a hint, a reflection,
as in the petals of the Bellis Perennis, you open your mouth
breathing, breathing your lips frame such perfect teeth as
day arrives,

Left to right, the paint thick then thinning to a broken
tailpiece revealing yellow on magenta, again, again, again, again,
how little I yet understand your body, the innerness,
the sheltered regions of your desire, I am afraid to harm this
preciousness, be disrespectful of the tapering valley where
love’s caress and kiss meet, are multi-dimensional, the
rectangle is not charcoal, but deflected, hesitant, to the left
the darkness of chocolate, to the right a greyness, a *****
grey, a dusty dark dog, loamed, a depth then play of
shadow, dark, textural as your maidenhair under the covers
above my right hand as it spreads my fingers across its
darkness into deeper darkness, a flat stone, its left end
washed by the cold tide, olived, clothed in mourning, there
is unpleasantness, some distaste, a little fear, the unknown,
the unknowable.

Daisy petals, opening in the morning light, the clapperboard
house on the Block Island beachside fresh-painted every
spring, immediately weathered, porcelained sea shell
textured, turned, tumbled, a dawn sky after rain,
ceramicised fungi, plain flour, acidic, taut, the moment
when the heart and breath seem to pause as we join each
other’s flesh as though this cannot be cannot really be.

Unrhymable this flower shade hued pigment deep saffron
vibrant, phoned, not quite of the fruit, a different tang,
sharper without sheen, magenta beneath its smoothed
surface up to left and right edge, (but for the yellow
frill beneath), lip covering, silk-scarfed, not autumnal yet, but oh
those Californian poppies, those desert landscapes as the
sun sets,

a single uneven gesture thrown left to right, an island
in silhouette with a rocky foreshore spreads into distance,

a bed of sylvan jade, an oasis, this an aerial view of tree
tops modulating to grassy pasture, a down-stroke western
boundary, an edge of surf on its northern border, perhaps
the brush formerly coloured has left its trace,

the main body of this Australian desert seen from the air,
Sidney Nolan’s bush, aboriginal earth, coloured mud,
unguent, the sense of liquid in your kiss, its warmth, the
very tip and corner of your lips, the brush of hair as you
move your head to my chest, the rubbing of hair on hair,
under your arms this play of sensation through the lips’
touch, then the shore, the sand no sand though, only in the
brochures, daffodilled perhaps, unsmudged, fresh,
vigorously golden, well-watered.
Ashwin Kumar Dec 2022
You wanted me to be your brother
To be a part of your extended family
I believed you
Since you seemed sincere enough
And got along well with most people
Thanks to your lively nature
And the dedication you seemed to show
As far as your work was concerned
I was in awe
Of the way you managed your life
Juggling work and studies every single day
And yet managing to keep a smile on your face
I should have got an inkling
That there was something amiss
However, thanks to my ignorance
Induced by my autism
And because you played your part so well
I never got to see your true colours
Until it was almost too late

You wanted me to be your brother
And I was indeed a good brother
I was always there for you
But never did I imagine
That you would take advantage of me
In such a callous and audacious manner
When you had that rather painful shoe bite
I took care of you
Even though my other colleagues advised me against it
But you were never truly grateful
In fact, you kept your distance
And came up with a silly sob story
To prevent me from interacting with you at office
I should have realised by then
What kind of a person you really were
Then again, I was woefully naive
And only wanted you to be happy
Even if it killed me from inside

You wanted me to be your brother
Well, I did my part
But you never did yours
When I first started helping you financially
I was doing it because I truly cared about you
And had a strong belief
That you would repay your dues eventually
Once again, like always
I was horribly wrong
You came up with story after story
And I kept believing you
Thanks to my incredibly credulous nature
And thus ended up draining my own bank balance

You wanted me to be your brother
Except that, instead of being your brother
I ended up being your sugar daddy
But then, like my mother said later
I was in a trance
And thus became your ATM
I have to admit, though
That you were a really good actress
Modulating your voice
To a mere shadow of what it usually would be
In order to induce me to believe
That you were suffering from blood infection
Just one out of hundreds of lies
That came out of your pathetic mouth

You wanted me to be your brother
Except that a true sister does not lie or cheat
That too, not once
Not twice
Not even thrice
But a thousand times
You have absolutely no idea
How you've ruined my life
And brought distress to my family
As well as a very close friend of mine
Through your utterly despicable actions

You wanted me to be your brother
And it was the biggest mistake of my life
To take you seriously
You even had the nerve
To make me travel for 16 km
In the hot sun
Right in the middle of summer
In order to meet you
Just so that I could keep trusting you
Or rather, keep getting fooled by your lies and half-truths

You wanted me to be your brother
But you lied to me all the time
And cheated me of my entire savings
After all that you've done
You still have the nerve
To beg for my sympathy
You are a disgrace to women
In fact, a disgrace to the entire human race
Even ISIS is far more worth sympathising with
Than you will ever be!!
Well, I would have ideally wanted you to suffer
In the most painful manner possible
But I need you to return all that you took
I don't care how you do it
Do it, and we can go our own separate ways
I can forget that you exist, and vice-versa
But until you do it
I will always be your biggest nightmare
In this entire planet
When I am good, I am very good
But when I am bad, I am the worst
So, you had better watch out
My so-called sister
Poem dedicated to a Gujarati girl who used to be my ex-colleague and has cheated me out of my entire savings under the garb of a sister
Allison Rose Nov 2012
_____________
I loved the idea of a symphony captured on an easel
spelled out in shades squeezed out of tubes like the
horizontal expansion of a note dispersed in air but
soon I found that the canvas was too small to contain
the notes of the score and so I began to paint them
on the side of the easel itself and down the legs of
the frame onto the floor and once on the floor across
the entire length of the room and up the frame of the
door and spiraling around until I was writing the notes
of a sonata around the circumference of the doorknob
and painting tiny key signatures on the barrel of the
lock and soon I ran out of paint but there was still so
much music in me so I started to spell out the notes
with my finger until even the air in the room was
covered with notes and I inhaled the melodies and
they swirled around so the symphony could be plucked
out among the fibers inside of me and resonate in my
empty cavities filling me from the inside out with song…
_____________
Nat Lipstadt Mar 2015
oft on bus seated next,
every one of your senses
adjusting, modulating,
to her unpredictable
solar flaring

you don't ever risk
that first missing
           misstep,
your entirety is
sun bursted
        (un)/consumed
in unhappy joy of her
consuming presence

~~~~~~~~~~~~~~~~~~~

you laugh
years later
re the topic of
your first shaky
foot in the mouth
a classic misstep
first bow shot,
opening one liner

and each storied retelling  
is nature!s
snow and rain
refilling
the love of your
groundwater table
welling up

~~~~~~~~~~~~~~~~

you love her scent
the silly hats she wears,
her short skirts arouse,
that last open button
a misstep invitation,
angry it incenses,
her every solitary everything is
incense,
pervading a daily
co-riding
passenger's
oxygen? starved soul

~~~~~~~~~

her umbrella is a wet
selfie stick
accidentally opening and dousing
an un random next door
seatmate

just another unlucky misstep for
someone sitting next store,
oil on the fire of
happily ever after

two selfies are last seen as
one
un selfishly
toweling each other off and
on
with wet kisses

~~~~~~~~~~~

you eavesdrop on her
earbud music,
weep internally you do with
crazed jealously

The Temptations
are so unfairly
singing to her
"Ain't to Proud to Beg"
and neither are you

you heart is misstepping
to every beat,
your fingers
thrumming,
you idiot, not quietly enough
humming
in the next seat

the first,
will not be
the last

smile exchanged

~~~~~~~~~~~~~

poem writing on the tablet,
amidst the groaning awful
no moving
city traffic

overheated bus
combustible with
winter snow dampness,
wet dog sweat smelling people clothes

all you want to do is get home
shower off
the daily dirt

the poetry writing pastime
is the place
where you put yourself
to better to pass over
your sour surroundings

her finger rattlesnakes,
misstepping over,
noisily invading,
the invisible boundary
constructed to hold up the
eye-averting
Keep Out sign
to momentary,
too neighborly
strangers

her red painted
pointer finger
smudge prints on your tablet,
accompanied with
bespoke words
"try this"

that smudge suggestion
won't come off

insisting on crediting
a shared authorship,
you ask for her
email and cell,
so you can share
her
forever

co jointed tangled
bus and bed sheet first efforts
on writing, all about
what you play~argue
what should your entitled poem
be titled

you think

endless short love story bus poems

but she prefers,
with red fingers persuading

the first misstep is the best

both see the merit
in each other
I love this poem. I do.

Lyrics to "Ain't to Proud to Beg"

I know you wanna leave me,
but I refuse to let you go
If I have to beg and plead for your sympathy,
I don't mind coz' you mean that much to me

Ain't too proud to beg, sweet darlin
Please don't leave me girl, don't you go
Ain't to proud to plead, baby, baby
Please don't leave me, girl, don't you go

Now I heard a cryin' man,
is half a man with no sense of pride
But if I have to cry to keep you,
I don't mind weepin' if it'll keep you by my side

Ain't to proud to beg, sweet darlin
Please don't leave me girl, don't you go
Ain't to proud to plead, baby, baby
Please don't leave me girl, don't you go

If I have to sleep on your doorstep
all night and day just to keep you from walkin' away
let your friends laugh, even this I can stand
cause I want to keep you any way I can

Ain't too proud to beg, sweet darlin'
Please don't leave me girl, don't you go
Ain't to proud to plead, baby, baby
Please don't leave me girl, don't you go

Now I've gotta love so deep in the pit of my heart
And each day it grows more and more
I'm not ashamed to come and plead to you baby
If pleadin' keeps you from walkin' out that door

Ain't too proud to beg, you know it sweet darlin'
Please don't leave me girl, don't you go
Ain't to proud to plead, baby, baby
Please don't leave me girl, don't you go
Baby, baby, baby, baby (sweet darling)
Stephen E Yocum Aug 2013
Reading the other day,
an article about some,
Renowned fellow's notion,
On the study of "Human,
Productive Locomotion".

A reputed Authorty,
of "Time Management",
His main proclivity being,
The belief in his increasing,
Other peoples productivity.

Modulating their all too,
common Human tendency,
For naturally wasting time,
and non productive energy.

Him asserting himself to be,
a self styled know it all,
Bonafied Expert in Efficiency.

Now I can see,
How it might be,
That this type of study,
Offers some relevancy,
For the Barons of Industry,
What with them regulating,
The flow, While streamlining,
and furthering the advance,
of all things, relating to commerce.

A purely Scientific belief,
For the primary benefit,
Of the Time Clocks sake,
And all those Bosse's
Emotional financial betterment.

But what on earth,
did that have to do,
with an old retired,
fool like me?  

What matter that,
I merely sit and think,
for hours at a time.
Read the paper,
or a book,
Computer chat,
or cook?

Putter in my garden,
Or gratefully just stare,
at big billowing clouds,
or rainbows in the air.

Or perhaps I choose,
to hug my wife,
Or chase my Grand
Kids up a tree,
Maybe grab a nap,
Or even take a ***.

Pet my dog,
Or have a Beer.
Watch the Tube,
a little bit,
Or congregate to meditate,
with a convivial group of friends.

Maybe take a walk,
Down by the river.
Get out my old,
Bow and Quiver.

Wash my car,
Cut some grass,
Go to my writing class.

Slip on down,
to the " Red Dog Saloon"
Where I'll promenade,
A little Texas Two Step.

Come home in time,
To unwind and,
watch some David Letterman.

What's efficient,
and what is not?
Clearly, that interpretation,
Is completely up to me.
No Efficiency Expert needed.
My day, my future is all my prerogative.
Nat Lipstadt Apr 2015
for R.A.
our northern friend*

~
one foot in two countries,
she is enjambment symbolic,
running a single stanza
without a syntactical break,
by standing simultaneous
in two neighboring cultures

causing her dear readers
from near and far,
some, like me,
from across the borderline,
considerable multifarious symptoms
of
well considered verbal confusion

this,
a gifted special talent
from
she
who straddles  
all kinds of borders
that divide
her
and
unite
her,
that
can be understood/revealed tho,
when observing the northernmost night skies

eh?

expert in modulating
extreme snowed under bay
winterized temperatures,
counterpointed by
drivingopen highways
on summer plains
where the dotted line is
all there is to see
for miles, thousandths wide

she-poet
oft goes quiet,
expelling her breath
between word roarings,
gentlest of periodic
verbal sweets

genteel
my word version for her
gentle so,
in a way that
makes gentility
deserve the nobility
inherent

that is the
work word
that always comes first
when we need to place her,
another star
in the night
flying frying
firmament

enjambment - her word

means I am
all in,
with both hands,
resting on both jambs
of an arched window
that she architects,
peering in,
Making Sure,
I have come to the right place

where she-poet
builds skylights of
northern lights,
igniting

adore her sweet
confusion,
but better yet,
her poems
of clarification
that explain all in,
why when,
we
all look up,
thru her
window exquisite
that she
meant
for us

we always first
turn our glacé glance
northwards
strangely, seeking, illogically,
but not really,
warmth
in the she-poets
northern way
For Rebecca Askew
Mechanical Kira Nov 2013
The moon asleep in the well under
The surface of the blackwater, four
Stars of steel and a badly done
Impersonation of my-
Self,
Erase and compensate
Repeated his voice from the bottom
Of the glass, you
Were shining
You said it again
In Neverland there’s no more room
For the Lost Boys
And she - the moon in the well - had
Lost her lips, removed
Her cuticles
One after the other, she had
Consumed a few names
From the wings of the doves, there
Was no more vision, no more dreams, it was
A realm of shadows, no
Lament was rising
To the ceiling, blood was coming
Back modulating itself in clots, no
Punches
Only water
A lot of water inside
The well, where the moon asleep used to
Lie
Staring at the sky
The bars
The coins
You were shining, locked outside
Collecting
The smell of iron, the colour of dice
A heart broken in a thousand valuable gems, a small
Horse, fragments of coal, your *******
The moon in the well was drowning, was crying, it
Couldn’t be done,
Here is what.
It couldn’t be done.
First one of a series of four.
This one has been selected by http://uutpoetry.tumblr.com/
Firefly Sep 2014
The stone, cold sidewalk lay below,
It's getting closer,
I bid the last breath to blow,
Flames, heart-racing,blue-black,windless night.
Tears forming, evaporating.....evaporating.....ditto,
Depression made clear,
Behind eyes,the devil's motto.
Confusion at my right hand,clarity disappears.
Firefighter's water,
My beloved abode no more,
Tears of men,hellfire licking the walls.
I stood,staring from afar,
Drowning in the torment that has come to call,
The world hushed,my vision torn to fragments,
Heat of salty tears.
Everything frozen in time,
My fears forever mine.
Confusion lays unsettled in the bowels of the soul,
Wreathing thick murrain,
Screaming at the misery of the brain.
I was startled,whimpering with bewilderment,
Everything before me in a trance-like state,
Then began awaking.
The men with sweet water,dear,
Starting surging backwards,
Their faces devoid of thought,without fear.
Like rewinding a record,
Time flew backward,
I stumbling,stunned,steel-cold.
Boom!,
Explosions,
I'm unable to move.
Then suddenly I stood up,
Walked unwillingly to the fiery effulgence,
Led by a teasing indecision,an untouched mystery,
Depleted of resilience.

The world stood still once more,
Froze me in place,
I fell into dementia's eye,
Nothing beclouding the gore.
Then regenerating,
Time modulating from cinders,beautiful phoenix,
Reality it began disseminating,
Blurry images flood my sight,
Blood,anger,depression rites,
Recapitulations,I beg for light.

My husband stood before me,weaving misery and woe,
Cursing me,making me small,
Shoving me under,way down low,
He stands as cold as ice,
Yet he burns inside,
He swings,hits,spits,
A love forgotten,
Dead inside.
He cuts me with the knife,
Watches my blood run,
My reality decaying,he's having fun.

Deep in the bathroom tub,
I lay fighting back shivers,
Making in the water red ripples,
Release my body's crave,
I uncovered in my mind a mystical grave.
Such dementia to see him flailing in my hands!

The daydreamed lust seemed inconceivable,
For the fiend still lives.
On our bed I saw him lay,
I remember how me met,
I fell into his arms,
Addicting,like to a powerful drug.
Conceived for evil,hmm,I might've found my way,
The idea came quickly,
I marveled at the absence of my active conscience.
I now creeped down the stairs,slithered!
Choking on hysterics,
On my spine angst lingered.
The kitchen door swung open,I stepped in,
Looking for th'inevitable tools,
Fury flared,kerosene and match I fumbled,
Feeling the arctic love as it crumbled.

So quickly I flew up the stairs,
My,my,my someone's anxious!
Ready to sear him,ignite his cold,fringe his hairs!
I fed my pain with venom-bitter hatred,
Stood ready to fry the *******,
My anticipation was sacred.
I stood before his bed,
Banishing the now present,dark,heavy,penetrating conscience,
The dream inside instead,I fed.
The mind picked up outside,
Midnight blows in through the window,
Dances 'round the room.
The kerosene I quickly threw,
Exiling any regret,
Ready to add the final ingredient to my dark,dangerous brew.
I striked,threw,watched the match,
Spinning through the air,
Waiting for the flames to hatch.
He awoke with the arrival of the fire,
Dark screams I like,
My cold desire.
Mariticide committed,
I tried not to laugh,
Joy was a pain,
Then my shrill scream was echoed by his bones,
Everything fell,the chains of the brain.
I smiled,now a black widow out of her cage,
Beaming at the empty hole of mis'ry,
Finally made satiable,the sin's wage.
Freedom came then,
Shattering,a worthy phenomenon,
It came into my crazy world,
Like a cool and cleansing rain.
                                                      -**Firefly
Nat Lipstadt Oct 2014
taking in early October
Vitamin D naturally,^
another too-oft-writ pretense that
Queen Summer yet smiles upon this
erstwhile, part-time,
nerve bundled human...

though facts contradict,
in summer uniform
he still emerges to bay and chair,
his confessional, his holy temple,
his Houdini escape chamber,
though the temperature
will not top 60 Farenheit

duplicitous as long as I can,
in this simple and so many other
lifetime items far-less-than-trivial,
incapable of obeying my brain's map
orders to cease and desist,
(or dress appropriately at least,)
to see the entirety of oneself
in the broadest of spectrum,
all colors unvarnished, fulsome,
truths rawer than any fictional 3D horror film...

what you do not know,
what you shall now know,
is Samuel Barber's Adagio For Strings
plays once more,
this time the strings
pleadingly command that now,
this time I write
unobfuscated and obtrusive...

(Ah,
those thrusting O words,
so employable, making a face shape surprised
into a rounded, somewhat circuitous
O)


decline to describe the decline,
the angle, the steepness
to-be-determined,
not to be denied for the extremities advise
the battle internal has commenced,
and without a band of brothers,
a solitary, wandering, knight-poet errant,
in search of a battle not,
for the embattlements within are
under attack...

yes errant,
off course,
of course,
the errant bay breeze
speaks to me one more time,
chiding the me-child like a goodly parent,
firm but gentle, modulating tween
just cold enough to make me shiver,
but enough not,
no, to drive me inside...

not knowing, that my inside nature
presently rebellious, all manner of riotous
transmissions beseeching pain medication

foolishness all this temporizing diversionary tactics,
the commencement is the commencement,
the beginning signal fires an ending,
a landing on runways unknown,

fear is not present,
how could it be,
I was warned once and then repeatedly,
so the brain begins yet another remapping,
contours of misshapen sensory inputs
distorted and then the  breeze
over my shoulders reads these words, and
disappears to comfort me by
unopposing the sun vitals,
letting them enter unimpeded...

so
smile creases appear
across poet's tempest face,
for though his hands
splayed and warped,
the trigger fingers stuck
and cannot pull,
the nubs obey the eyes
and solace him,
for as he promised himself,
to himself,
those poetic nerves
will write on
long after all the physical ones,
with errant breezes,
and summer peace,
gone, gone, gone...



~~~~~~~~~~~~~~~~~~~~~
^*(Oh! how that word personal,
Naturally, naturally
doth haunt me,
for mine own nature be the
leader of mine enemies allied)
Oct 5, 2014
Nigel Morgan May 2013
for Alice*

seen from the terrace above
this rectangle of water
absorbs the variousness
of the late spring skies
changing incessantly
from folds of uncertain cloud
past brief appearances of blue
to the sudden closeness of rain

the preciseness of it
this rectangular pool
set in an oblong garden room
on a terrace the middle of three
that fall away to the valley’s end where
up and through and which a funnel of trees
climb to the tops the very heights today
severe against a modulating sky

yet in the camera’s eye
this horizontal mirror
is a painting fit
for Le Musée d’Orsay
a season’s accident no less in
light and growth and colour
where the chequered strings of
toads’ spawn and darting tiny fish
are brush strokes come alive

kneeling on the stone rim
as if in prayer afore
this reflecting space
attentive to what seems
between what is
this woman holds within
her perfect hand the pond
photographically framing
its image as it moves and stirs
across her gentle gaze
Nat Lipstadt Dec 2014
(for the love of Yocum...who may shoot me yet, someday...)



most like 'em
simple, short,
bite size sweets,
easy to please,
a mouthful of amusement,
even if taxing,
tax me only briefly

a small remarque,
a tiny tingling digestif,
easily consumable,
easily forgot,
a couple of lines,
one ooh, one aah,
minimum is the maximum

never been that way,
**** hard to write
what ya ain't,
so keep on scribbling
a pack of stray dog thoughts,
long, loud, and sometimes
subtly & dangerously straightforward

~~~~~~~

(feel free to stop here)

~~~~~~~~

easy are the chocolates of
loves disputations
pained morsels of remorse,
lovely to be found,
even lovelier when  lost

cream fillings of twinges of regrets,
violence wrecks the heart,
what might have been, or once was,
subjects that guarantee the
affection of the great unaffected

writ my fair share,
stage three, t'is methinks,
of the ten step process
getting more n' more
writing-addicted,

don't begrudge
the overly simplistic,
still I am, hard aside,
rough adjudging,
tiresome trite are the
dust mites of poetry

as for my own mixture of
mostly mutt and purebred
stray dog thoughts,
ones that chase
solitary strangers down
late night streets,
see you hiding from the lamplight
in the in-between shadows,
when we tender invites to
all loonies & loneliest,
join up!
with this ragtag pack of
estranged poetry dogs

maybe they don't tickle your fancy,
our words, abstruse and direct,
dictionary lookup dignified,
observations of a man
looking outward,
after looking caustically inward,
every thirty seconds

the tint of his glass enclosure,
modulating the tenor and timbre,
of his singing voice,
the changing light complecting
his visage, his visions,
his hell-howling versions of
packets of stray dog thoughts


the individual words,
constituent members of
roaming, stray dog thoughts,
sometime silent,
usually growling,
once in awhile,
roughhouse barking

but what I got is
what I get,
what I give,
scraps to eat,
raps of notional emotional
stray dog thoughts

so if ya hear those footfalls,
words that just can't be refused,
run for places where the crazies
can't get in, the packets locked out,
unlessing you wanting
to howl along side,
an appreciative audience
who can't get enough of,
consuming whole candy boxes,
in one sitting of
words that keep coming,
I will howl mine
own stray dog thoughts**

you can always shoot that **** howling dog
you like 'em short and sweet
someday when I run out of notions and emotions,
and a love for words,
I will write fewer...

I will not bastardize myself on the altar of popularity, fk that *****...
ConnectHook Feb 2017
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M Gordon Meier Nov 2013
24
Watch me bear
Face deep for forethought
Left at the doorstop
Because fear wrangles
What present thought can't CANT grasp
This eternal emotion
This this human commotion

So (please) don't be afraid to say love
If it's for me
Whether it's cried for tomorrow
Or a breath unto yesterday
I'll hear
And I'll read you
Because your body's a novel
Let me take in every page
Every word

And the visually modulating trademark of autumn
Now lacks monotonality
Since forgetting myself in a kiss
But isn't that the point?
When love's white as fire

Thus Spoke Zarathustra
Told of a Übermensch
Und obwohl ich bin nicht der Übermensch
Vielleicht kann ich deinen sein

I can't stop and won't
Unless you want me to
Because for you
I'd hopscotch heartstrings
And crisscross cardiacs
Because all I want
Is you to be happy
(and maybe a little bit naked)
Because you mean more to me than letters mean to words
Than stars mean to sky
And if I Neruda a poem
Will you Fitzgerald a novel
Matthias Mar 2011
We finally able to play our song,
To sing out and share our excitement.
But before our first notes,
We go out of tune.
Playing sour chords, blaming each other.
We drag on playing different songs.
In perfect discourse.
Not embarrassed for for our lack of listening,
But distraught of our dissonance.
Disbelief will soon die and we shall see some sort of saving,
But not in each other.
We lay upon our fret boards, modulating often.
Changing key to adjust to the counter,
Yet never making harmony.
Dan Gray Apr 2013
An evening I had with Leonard.
Myself with five ladies of the hooking craft.
Full house congregating to hear him speak.
The fluid words of living
An elixir to ones soul.
This little old man,
A modern Pied Piper of life,
An influence of modern song
That will carry past his physical presence.
His ability to stroke that place in ones mind
That can lead an audience in silence.
Wanting to catch every nuance.
The sound of vibrating strings
Matching the sound,
Of Angels wings,
Lift you past his words.
Observing the crowd
Some leaning forward as if in pews,
Not wanting to miss one word of inspiration.
Silver haired women,
Eyes closed, moistened  lips smiling,
Modulating to the tunes.
Remembering youthful encounters
Sensualized by this Poets intent.
Grey haired men lip sync
As they used to whisper in anticipation
In their ladies ear.
Youth of today
Rising in joy, cheering
Will carry the cycle forward.
At twelve I heard Suzanne and was captured.
I devoured his works
Finding poetry was not school house boring.
Seeking what had inspired him.
The surveyor for oh so many in the path of poets.

Dan Gray
April, 2013
I went to see Leonard Cohen for only the second time this past weekend.  He's now 78 and probably won't have another chance.  His body of work has been an inspiration for me these 46 years that I've had a real interest in poetry.
Mahdi Dn Mar 2014
I don't really want to see your so called face
Your unreal reality's your hiding place
Preaching about peace is your safe base
The way you evade revealing your face

This is where I draw the line
A start for all differences
This is when I drink the wine
Made of the blood of my ancestors
I shall not be the one
Obeying your dictations
Your lies shall end now
And truth will change the world

Unchain yourselves!

You keep adjusting people's thoughts
Modulating the wise
Filtering their rise
Those bold words from your mouth are so absurd...

This is where I draw the line
A start for all differences
This is when I drink the wine
Made of the blood of my ancestors
I shall not be the one
Obeying your dictations
Your lies shall end now
And truth will change the world

Unchain yourselves!

These worms, inside me;
Were formed by your lies
Worshiped you; their master.
But he shall be dethroned!
Lyrics of the song Faces by Chaos Descent. Written by Mahdi Dn.
Keith W Fletcher May 2016
Nobody lives
In the Here and Now
We live in a past
As it rips and trips
It's way
Through a future
Like an arrow through air
Never actually existing
In any absolute
Parameter
Of space or time
Hurtling through
The ever-present
Modulating waves
Of the eminent existence

Like the  waves
Of water of an ocean
Upon meeting its own
Inevitable resistance.   
 Zone  
The  rocky shores up ahead

With nowhere to continue
Falling back
In futile retreat
Absorbed
Battered
By a past
Catching up at last

As the once
Forward-thinking
Now..... Ever  shrinking
Mind
Of the actual
Factual
Suddenly reactional
Mortal
Who's
Primal human thoughts
That were
In the millionth
Of a millionth of a billionth
Of  a second
scattered
When they were splattered
Upon
Slamming headlong
Into the time wall of Eternity
Like the seawall of an ocean where the Timeless spirit lives
Spinning out Reams and reams of time to be flung
Blown Away in the nothingness
Smiling as it works
time and time
Forevermore
listening to the past
As it
crashing upon the shore
Cunning Linguist May 2018
I've passed the space of mortals;
Within the abyss, a hidden path
Entries into sacred dimensions
Summoning,
Channeling my vessel

I've stood between these portals;
Constantly entwined,
Fused with the stars
Figuring out the past/ the spirits      
Entering, mentoring my purpose

Haunted by extinct forces ~
Modulating sequences of
energy, forming around me
The key to finding power;
Lost within this hostile fabric

Grasp the relic, seize it's secrets
How did the light commence? Tell me!
Grasp the relic, that which you seek will guide you

Cursed craft,
Conjures horror through
prophecy
Ripped from texts of grimoires

Haunts the mind;
Insight from the lost
I can see
Storm clouds emanating

Rays
Illuminate
My foundation

Break confines,
My birthright iminent
Manifest:
Channel through higher levels

Space and time
Warped by my intention
Transcend death
Awaken the ascension

As was foretold,
Enter the shadow

Dimensions -
Clashing at my will
Star clusters,
Cascading toward new realms

Orisons -
Structuring the suns
Galaxies,
Altering from my plight

Lure ~
Harvest spirits
From realms beyond
https://subnuba.bandcamp.com/album/invocatus

Realized I never updated this from a draft o_O
©Subnuba 2017
Apachi Ram Fatal Jun 2016
Intro: Is a horse pulling a carriage

Body: Program gene coders of food forced to encrypt humans into Slave-Server Categories of GMO Labels Ride in on the Carriage. Equally injecting horses with modified vaccines to genetically enlarge muscles naturally pull carriages to farm DataBases. Writing self-modulating algorithms tagging Guarantees to Glory-wiFI genetic code and control coming breed generators with Narcotic Eyes in popular possessions seduced past their ancient needs passed down for Capital Greed

Conclusion: Essentials of society is very much cabbage patch. Like a horse at the end of the day to keep it moving forward correctly down a wanted circuit board. Use its purpose for energy in ways it must remain hungry always be hungry for a hypothetical prize. A carrotEye Ply.
JoJo Nguyen Jun 2016
I live in a dark coal-de-sac
giving off Bonnie Tyler sparks
the Rod Stewart of loneliness,
feeling heart arch at Market Basket

I go up and down elevator
music with hooks
and loops bringing
back Ghost and Word

Modern interlacing
ritual and food
in my head and in our
breaking bread

Why do you think the feast
is movable?

Weekend food shopping;
stocking; cooking some,
but most of it,  wasted,
rotting away even with
modern coolness

It's just me. It's just she
The time is gone,
the nest is empty
wish I had something more
to say

It's just Dad visiting
every weekend
to sit with his daughter
to watch his granddaughter
play soccer

It's just Mom cooking
a minor chord meal,
nothing like the Major
meals of her missing
older Sister

It's just weekend sushi
or Pho in Simi Valley
modulating one
Key memory to another

The voices go
ghosts fade
and yet the ritualistic
love persist in my
looped head in my
OCD play
at every meal
repeatedly self cutting
our geometric thought
Elements within a Euclidean
subspace
For Dad, one year gone; Ta Ree two year gone.
Brother Jimmy Nov 2016
Ah yes, I remember this well,
The fumbling about in the darkness of  the cottage, as the narrator feels his way around the room,
The hair raising sound described,
A pronunciation of his friend's name,
By some being that seemed crystalline rather than organic
And the adrenaline that electrified his whole body upon hearing it.

The odd extra-tellurian reference frame that the creature seemed bound to so that it was not quite perpendicular to the floor...
...but that doesn't quite describe it.
It was, more accurately, that the creature was tied to some external reference frame which doesn't quite match our own.

While reading the story aloud to my children, Modulating my voice as adroitly as I am able, Pausing occasionally to define terms or explain references to the preceding book in the trilogy, I'm struck again by the author's talent; the depth and breadth of it, the power of description to elicit mood in the reader,
The completeness...and I wonder how many rewrites it took.

I notice the breathing of two of my three children has become regular.  
They've drifted to that other plane of existence.  
I pause...and Lottie's voice, a little too loud, cuts the near silence, "You aren't stopping, are you?", causing her sister to stir briefly.  "Nope!", say I, and I continue, doing my best to keep the theatrics in my voice.  
But the words are starting to dance on the page as I grow cross-eyed in my languor.

Finally I reach the chapter's end, place the bookmark and say, "And that, my dear, is where we'll pick up the story next time".  
I reach to turn off the bedside lamp, and sleep for an hour or so until Lady Di gets home from the hospital.

These beings, surrounding me now, causing me to lie on my side at the very edge of the bed, taught me what love really is.  I love them more than I can ever express.
Rohan P Jan 2018
softness flows over
rocks and rivulets, jettisoning
the clouding embraces of treetops,
holding the modulating fog on brushed canvases:
away, floating away, currents of love.
Mateuš Conrad Jan 2019
. a sober me will do something akin to: listening to cabbage's song perdurabo from the album nihilistic glamour shots on repeat... reworking en plein air poetics: notes towards writing in the anthropocene (brian teare) - yes, the scribbly bits - and yes, the song on repeat... with an interlude for dinner, a movie (unsane): and about 10 minutes wrestling with a bottle of ***** in plain sight... after a movie like UNSANE? you wish for a drink to mule the whole plot of insanity on screen... but a reminder: i was working on something more important, wasn't i?

cultural darwinism: what could ever be
more than a history that is a history
         in etymology?
  
there is no proof of going up
bound to a ladder -

supposed "praxis":

well... i too was on the search for
an "etymology" of a script
that i'd be able to call: yore - yonder...

albeit not in            ᚷᛖᚱᛗᚨᛁᚲ
i thought i could not
have shared a genesis
                                 as that:

'as old in writing:
as in thought
.'

something older,
so to my surprise: it does exist!

but reworking it
had to be known (at least to me) -

standard-bearer:
26... letters... from English /
Latin... script...

Ⰰ - A           Ⰱ - B          Ⰲ - W        Ⰳ - G
Ⰴ - D         Ⰵ - E            Ⰽ - K           Ⱄ - S
Ⰸ - Z          Ⰻ - I            Ⰾ - L         Ⰿ - M
Ⱀ - N          Ⱁ - O            Ⱅ - T         Ⱆ - U        
Ⱈ - R           Ⱂ - P            Ⱇ - F          Ⱌ - C    (20)

exceptions:
                              X

other exceptions?
                             graphemes...
which will be included...

20 letters... minus X:
                         minus V... or...
when d'aal...

                 Y....  and H... and J

Ⱘ - Y          
Ⱓ  - Ju   

the closest i've come to is...
well... Greek has 24 letters...
who says that anything less is...
"uncivilised"?
Hebrew... that's 22 letters...

Ⰰ - A           Ⰱ - B          Ⰲ - W        Ⰳ - G
Ⰴ - D         Ⰵ - E            Ⰽ - K           Ⱄ - S
Ⰸ - Z          Ⰻ - I            Ⰾ - L         Ⰿ - M
Ⱀ - N          Ⱁ - O            Ⱅ - T         Ⱆ - U        
Ⱃ - R           Ⱂ - P            Ⱇ - F          Ⱌ - C    (20)
Ⱘ - Y         (21)              what's needed,
in all honesty... is... something to balance
laughter on... a H...   ah...           Ⱈ - ch...

which brings me onto the graphemes...
some are missing:
some, depends on your orthographic
taste, in the context of Western Slavic...
you'd be making orthographic
mistakes:
personally?
   if you're going to bother marking
an S with an acute sign...
you might as well allow the S caron...

ergo?

a list of graphemes
and diacritical individual markers:

Ⱎ - Š
Ⱔ - Ę
           which makes Ą missing...
Ⱍ - Č
                       Ż is missing...
   no, no mirage... je suis sam...
Ⰶ - Ź...

or at least this is a sketch of what
i would inherit from proto-slavic...
high-slavic?
   that's the ogonek on the A and
the E... no caron above the vowels,
an an orthographic pedantry of
either U or Ó...

there's already a name for
all of this: i just didn't know where
to look!
- and i was looking at it
to begin with!
  well... what seems like...
modulating what would
have been the equivalent
of: runes...

the glagolith, the bukvitsa:
h'ieronymian...

or mine:                    gadanina
since there's no Ł
   to write out:   słowo (word - swovo)

- looks like we now know
the "problem" of the H, I and J...
here and there: erroneous leftovers of
etymology... scraps...

    and... no one thinks that
the English language has... "too many"
letters?

Ⰰ - A           Ⰱ - B          Ⰲ - W        Ⰳ - G
Ⰴ - D         Ⰵ - E            Ⰽ - K           Ⱄ - S
Ⰸ - Z          Ⰻ - I            Ⰾ - L         Ⰿ - M
Ⱀ - N          Ⱁ - O            Ⱅ - T         Ⱆ - U        
Ⱃ - R           Ⱂ - P            Ⱇ - F          Ⱌ - C  
Ⱘ - Y         Ⱈ - (c)H
                    
       certainly the graphemes
  (Ⱎ - Š, Ⱍ - Č & Ⰶ - Ź...
but there's a missing...
                               grapheme
for the je suis! Ř or Ż
   Ⱔ - Ę)...

apparently i need:
                                 Ⱑ - ja
after all..

so... how does one test this out?

   ⰘⰅⰡⰀ!
               ⰏⰀⰏ
                           ⰐⰀ
           ⰋⰏⰋⰤ
                          ⰏⰀⰕⰅⰖⰞ


a day's "hobbying" just to end up
writing something like that...

last revision:

Ⰰ - A           Ⰱ - B          Ⰲ - W        Ⰳ - G
Ⰴ - D         Ⰵ - E            Ⰽ - K           Ⱄ - S
Ⰸ - Z          Ⰻ - I            Ⰾ - L         Ⰿ - M
Ⱀ - N          Ⱁ - O            Ⱅ - T         Ⱆ - U        
Ⱃ - R           Ⱂ - P            Ⱇ - F          Ⱌ - C  
Ⱘ - Y         Ⱈ - H
           (Ⱎ - Š          Ⱔ - Ę
Ⱍ - Č          Ⰶ - Ź           Ⱑ - ja)
...

  i.e.: there are still only 22 letters...
                    Ł does exist:
like any diacritical mark in modern Russian...
look at it!
                         Ⰾⱏⰹ...

                         БЛЫОTO

душкa душкa!     Мишa...

              Ⰻ    ⰜⰑ

                       Ⰸ         ⰕⰅⰃⰑ?

it's almost like,
i remember those guys from
school, who would sneak out
on weekends
at night, to scribble graffiti;
wherever it was,
or wasn't,
   i sure as wasn't:
                the ever studious
faustian archetype...

      tzn.:
                    ⰖⰝⰑⰐⰨ
                                      ­ⰕⰖⰏⰀⰐ!
here...
            here's my graffiti...
but... ha ha!
here's an idea...

  how about....
how about!
    people get those ****** Chinese
worded tattoo written off their skins?

— The End —