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SE Reimer Jan 2015
~

verse 1
in the town of Chateau Thierry,
along the banks of the Marne,
just up the road from Paris,
a’ fore it meets the Seine;
’twas here our soldiers fought
in nineteen-seventeen;
'twas here they took the Kaiser,
in the trenches, rain and mud.
the Great War, then they called it,
here the river ran with blood;
with bayonet and shovel,
here an Allied victory made;
to halt the enemy’s advancement,
here too many made their grave.

instrument of bow and strings,
in composition history sings.
if, one-day strings could talk like men,
if, we could sing like violin!
stories told will ne’er grow old,
tales of courage that build the soul,
of standing tall and shouldering on,
to play an orchestrated song.
all you archers raise your strings,
draw your bows despite the dark,
soldiers of a genteel king,
wield your power to strike the heart.

verse 2
near the town of Chateau Thierry
in a convent, St Joseph by name
a violin by Francois Barzoni,
a resident luthier by trade.
prized possession of the Sisters,
they tuned well it's strings.
their convent walls withstood the bombs,
though leaving here their mark;
defaced but not destroyed,
and so with grateful hearts,
the Sisters of St Joseph,
for brick and mortar trade,
gathered up their treasures
their convent to remake.

instrument of bow and strings,
with composure history sings.
if, only strings could talk like men,
if, we could sing like violin;
stories told will ne’er grow old,
tales of hope that build the soul,
of standing tall and shouldering on,
to play an orchestrated song.
all you archers raise your strings,
draw your bows to light the dark,
soldiers of a genteel king,
wield your power; rebuild the heart.

verse 3
from the town of Chateau Thierry,
they advertised their local gem,
“wanted: no strings attached;
no saint expected, no requiem.
just two hands to cherish,
and a patron of our instrument.”

this their prayer, “oh Lord, one wish,
may our search meet no resistance.
may we find a young apprentice,
please reward our long persistence.”

and so they found their debutant;
prayer answered in Saint Louis.
a boy who understood its voice,
with their strings again make music.

instrument of bow and strings,
of your journey history sings.
if, only strings could talk like men,
if, we could sing like violin;
stories told will ne’er grow old,
tales of old they build the soul,
of standing tall and shouldering on,
to play an orchestrated song.
all you archers raise your strings,
draw your bows and find your mark,
soldiers of a genteel king,
wield your power to soothe the heart.

verse 4
near the town of Chateau Thierry,
along the banks of the Marne;
ply this channel of the masters,
play us a river, Lowell Meyer;
once a boy, become grand-father,
then a treasure to receive;
heirloom placed within your trust,
your prize possession to bequeath
to yet another debutant,
its strings to pluck and bow to draw.
he a master of persistence,
who with practice met resistance;
yesterday’s grandson, beloved progeny;
tomorrow’s hope, an admired prodigy.

instrument of bow and strings,
with clarity your voice still sings.
if, only strings could talk like men,
if, we could sing like violin;
stories told will ne’er grow old,
for these are tales that build the soul,
of standing tall and shouldering on,
to play an orchestrated song.
all you archers raise your strings,
draw your bows and make your mark,
soldiers of a genteel king,
wield your power to touch the heart.

~

post script.

A violin…  an instrument of hollowed wooded frame, strung with five strings made of gut, played by the drawing of a bow of hair crosswise over strings tuned in perfect fifths; an instrument of song with uniquely, beautiful voice.  Whether played as a violin with symphonic overture in a seventy-piece orchestra in Carnegie Hall, or as a fiddle in a four-piece southern country band at a barn dance down in a Kentucky hollow, in the hands of a violinist… a master… a virtuoso… a fiddler, it becomes an hallowed instrument… of diplomacy… of peace.

When I heard the faint whisperings of story about a nephew’s instrument I pledged to learn the details of its journey.  Charlie obliged, allowing me to interview him one evening early this month.

The instrument came complete with an old typed letter from Lowell Meyer, Charlie’s maternal grandfather, whose family purchased the instrument on his behalf, from the Sisters of St. Joseph when he was yet in middle school in 1923.  An instrument in its own rite, the letter also acts as a legal document, sharing not only the violin’s European heritage and how it came to arrive in these United States, but also dictating its future journey, naming only three possibilities of conveyance.  First, while in the possession of his family, the violin is to be owned by all of Mr. Meyer’s children and their heirs rather than by any one single heir.  Second, it allows a method for its sale should an urgent financial need arise.  And third, it dictates the intent of Mr. Meyers for the violin’s return to its original owner into perpetuity, the Sisters of St. Joseph near Chateau Thierry.  Charlie scanned the letter and emailed it to me, giving me a greater sense of its history and helping to establish its authenticity.   Its making by well known French luthier Francois Barzoni, who unlike the Stradivari family made his hand-crafted instruments for the masses, its survival within the convent walls during the bombardment of the Battle of the Marne and its subsequent journey from Chateau Thierry, to Saint Louis, each detail carrying great significance. As an example of one detail among many, it did not escape the attention of this story lover, the significance of a journey from its setting on one river to a similar setting on another, from along  the banks of the Marne before it spills into the Seine, winding through the fertile rolling hills north of Paris, to the fertile banks of the Missouri at its confluence with the Mississippi in St Louis, two famous rivers, a half a world apart, each with their own folklore of simple people living a simple life, of battles fought by simple people with uncommon valor.

*This simple story of “the violin” is a story worth telling; just one facet of Charlie’s interesting heritage; one which has its own voice, and is a tale that begged to be written.
Moriah Harrod Aug 2012
Today I wrote to you. I haven’t seen you in seven months and sixteen days, as of 10 AM this morning. Only two weeks left. It seems unreal… It also seems that to write to you is all I have. So this morning I sat at my desk, and I opened my mind to all the things I could have said to you, but never thought to.

Do you remember the first day we met? It was in the café on Franklin Blvd. You were wearing your grey Fedora, a Hurley shirt, and those burnt sienna penny loafers we’d make so much fun of later.

I was at the table by the window, and I couldn’t help but notice you. Three of your fingernails were painted yellow, and you wore a bunch of beaded hemp bracelets on your right wrist. They looked Bohemian to me, but one day you explained the difference in that and Jamaican. You were singing a little tune while waiting in line. Later, you’d call it your “little ditty,” and you’d sing it all the time. You always said things like that, & I always fell in love with you more.

You ordered a vanilla cappuccino and a plain English muffin. I looked down at the same half-eaten muffin and cold cappuccino in front of me. I wondered why it seemed that I knew you already.

You sat down at a table a few feet away from me. You took off your penny loafers and took a handheld game of Yahtzee out of your pocket to accompany your breakfast. I was perplexed that you hadn’t noticed me staring yet.

Ah, there it was. You looked over at me. You must have sensed me by then. Immediately you smiled that half-smile you would always do, a mix between a condescending smirk and a boyishly cute pride. It was altogether endearing. You raised your eyebrows and nodded, as if we’d known each other for years. I admired your charmingly playful introduction. I would soon call you sweet pea.

………………

It was eight months ago today that you told me you were leaving. Your large brown eyes were full of promise and sorrow. I dropped my half-full coffee mug, and it spilled all over the carpet. The cat ran to lick it up, and was disappointed when the taste was utterly bitter. In other circumstances, I would have laughed and pointed it out to you, and we’d admire the cat’s zealous naïveté.

However, the cat had but a split-second of my stolid attention before my eyes met yours again, and I felt paralyzed. I asked what you meant, and you repeated yourself.

You told me of Jacob and all he meant to you. I cried when you told me how God and all his goodness took a sixteen year-old boy and his giant heart away from this world, away from his brother. You also told me how you’d avoided him for over three years before his death.

I was in disbelief that you’d never told me of him. You just looked down and said you’d had no room in your selfish green world for his coal-black sickness. Then you told me of his letter before he passed, asking one thing from each person he cared about. To help the world in a way they never would have done before, to somehow leave a legacy in his name.

My stomach felt sick. My baked-apple oatmeal felt at the tip of my tongue. How could this be happening to you? I instantaneously let go of any would-be grudge against you for being kept from the cruelly and sickeningly beautiful reality attacking your heart.

For I could see in your eyes that you were tearing your soul to shreds. You explained how in your peaceful aura had been a mask, a denial of the sickness slowly claiming your brother, waiting it out. For he couldn’t die. He would simply be better one day, and you were waiting for that. But, he did die. And you already knew what your mission would be.

You were leaving in two weeks from that day. You were flying to Africa with the church your brother had been devoted to since the diagnosis four years before this day. You’d spend eight months with the church members in Africa, working with children in a third-world country. Anything you donated would be in the name of Jacob Meyers.

You had talked about this with your family, and they agreed it would please Jacob and the legacy he had asked for. I at once stated that I was going too. My belittled heart broke cleanly in two when you told me how you had to go alone, that Jacob wanted a noble mission.

He had explained that he wanted someone to do selfless work in his name. How in order to give truly, you must give all. I knew you felt that you had to give the largest part, for you’d been the most selfish to avoid him. I let you keep your dignity and, broken, I accepted what you were doing. If anything, I loved you so much more for it.

Sorrowfully and dutifully we packed bags to attend his funeral. I never told you this, but I read four novels on sibling death. I wanted to take your hand in mine and feel what you were going to feel when you saw him laying there.

………………

In two weeks I will see you again. I will travel to the airport and pick you up and time will move once again. I often wonder how spectacularly, or marginally, you will have changed.

I have your loafers, your fedora, and your faded Hurley shirt ready to wear to the café where we met when you come back.




To my faux Jamaican sweet pea,
I miss you.
Though I have personally experienced the emotions in this poem, the setting, characters, content are actually fiction. I really appreciate the feedback though.

Like I have explained in my biography, I am not a creator of stories; they are floating all around us. I'm just the messenger to share them.
Vivian Oct 2013
just another lovesick poem
written by another sad boy
about
being alone or
rejected or
"in love"
as if any of you
*******
have the experience
to look at another human
and know
to the depths of your soul
that you are
in love
all lowercase
because
love isn't trumpets and fanfare
love is
quiet mornings and
simple dinners and
a willingness to be
vulnerable
love is
"hi babe
I know you've had a rough day at work
so you just lay there and
let me make you
***"
or
"I'm gonna make you dinner
and then
I'm gonna tie you up and
*******"
love is not
what we were taught in church or
on the Disney Channel or
from a Stephanie Meyers novel
love is not
what your parents told you
"wait to have *** until you're
married"
abstinence is good
condoms are bad
your *** should be vanilla
men are dominant
women are submissive
missionary is the only position
*** is about procreation not pleasure
love is self defined; find it for yourself.
Jessie Jan 2016
Page 1 The first time I met Duke, I was tripping on shrooms. In fact, it was the first time I dabbled in psychedelics as well-- just don’t underestimate me in the marijuana department. The moment I can recall vividly comprised of the walk from the music hall which brought us to underneath the Moody Towers residential buildings, where there is wind and benches. A square of dirt rests behind the two benches facing one another; the distance apart from the benches being just far away enough to notice the gap of distance when conversing with someone on the other side. There was a main square of dirt, consisting of hundreds of butts twirled within the earth, scraggly weeds, and one relatively low sitting, yet ominous tree. This tree often glowed during the segments of the day in which the sun found itself to gazing down on the towers and its delinquent inhabitants. On many occasion during these occurrences you could find me, or perhaps Duke, basking in the serenity of the simplicity of the slivers of light breaking free through the emerald green mass of the tree. On this particular night I’m recalling, it was nighttime, causing the yellow of porch lights to dim the other color palettes. Except the sky was royal purple, and the grass in the distant hillside was writhing and crawling and breathing-- according to the mushrooms. Half of the bodies there that night were standing, half sitting, and there couldn’t have been more than a dozen of us. Here is this person in my indirect line of sight, and I couldn’t quite pinpoint the gender, but cute regardless. My guess of girl pursuing boyhood turned out to be correct. Small, almost delicate frame like mine, only he attempted to conceal his when I had long ago grown out of that. With a plaid button down and the collar poking outside of his oversized dark casual suit blazer. It was tied off with baggy khaki pants and clunky black sneakers similar to the ones the chefs in the cafeteria wear with a sense of longevity.
Page 2 His hair took inspiration from the typical pubescent teenage boy, straight and shaggy, and nearly covering the ears and eyes with a combination of strips of platinum blonde, ***** blonde, and light brown wisps. His almond shaped almond colored eyes were framed with black, square and thick glasses, but they seemed to help compensate for size with the natural petiteness of his face. Pink snakebites resided beneath his bottom lip, emphasizing the common nature of his lips that often formed a tight line, even when speaking. I only saw him from a distance that night. We didn’t introduce ourselves to each other until the next day, at that same location. There were less people now, and I was no longer in an altered state of mind. Well, to be honest, I still most likely was, but it certainly wasn’t shrooms. I don’t remember who began the introduction first, but I know his was accompanied with an abundance of compliments on my outfit and level of cuteness. As masculine as his mind was, he could still have an appreciation for the arts, for unique style, as any natural born writer would be so inclined. So there, underneath moody, I met him, within a social circle so new to me yet so familiar within the ebb and flow in the air of cigarette smoke, sometimes so pungently thick and keen against the tide of stimulating conversation. I felt a sense of belonging new to me.
Page 3 And there again and again, I saw him. The central station of our friends. There I slowly got to know him. I learned he lived about an hour away from Houston, he was a creative writing major, he was a freshman just like me and lived in the same building as me. We were both INFP’s on that Meyers-Briggs personality test. I had never met another INFP. In fact, the more I thought about it, the more his general profile seemed familiar to me. And then I remembered. RoomSync, an app the university had us use to select a random roommate. I remember considering someone’s profile that possessed all the qualities of Duke, before my current roommate reached out to me, unfortunately. Duke might have been my roommate in another reality-- remember the Multiverse Theory. I wonder if that would have even changed anything. But that thought process is futile. Once, in the initial stages, Duke had been rambling about modern horror and the author of the fight club, and where the two converge with the product of a gruesome short story. Not many accepted Duke’s invitation to read the short story, but I volunteered. But that is when I remember the beginning of Duke’s admiration for fight club. The concept of it. In fact, one of the first nights, I remember vividly as the Fight Club Night. Where Duke insisted on starting up our own Smircle fight club sometime, what what better time to do so, he thought, then right at that moment with his buddy Otis while drunk on ****** life and four lokos and *****? They were both at least eight shots deep in their sorrows when they ended up disappearing for what seemed to the rest of us like mere seconds. When we found them, we had ventured that way due to the need and ability to smoke a bowl behind the dumpster a few steps nearby. And when we found them, only one was standing. In the recounting later, Duke had apparently taken a nasty blow to the stomach after slamming a few hits in himself.
Page 4 As he lay there, sprawled face-down on the pavement, disoriented and disheveled, for a solid eight minutes at least until he determined he wasn’t going to puke. The remainder of the night was spent accompanying the rest of the group with Otis, forever refusing to let go of the moral dilemma that had just been established by this pseudo-fight club on which it is incorrect on all accounts to punch a drunk person in the stomach, because they are, in fact, drunk. This might appear annoying after a while, but the radical and lively energy that would radiate from the banter of Duke and Otis made this situation anything but.

Page 5   And so were my first stories of Duke, and so it was for many stories to come. Our stay at this place began to feel more permanent as our bodies would steadily adjust to the ranging, sporadic temperatures outside and as our eyes took in absorbing the physical evidence of the seasons. As it was, at any time throughout the day, my route would take me down to our spot underneath Moody, where Duke might or might not be there himself, shmoozing around with cigarettes and doodles on pen and paper noteworthy of Tim Burton. I got to know Duke. He seemed to have mastered the skill in which I prided myself most in, and that is the warmth near him that urges someone near him to just open your heart and reveal your thoughts and secrets-- that blind trust. Duke had a way of getting to exactly what was on my mind. And in exchange of me sharing, out came the stories of Duke’s life, the sad, ****** up, abusive stories. I heard those the most, for they were also the most compelling, and most exciting, and ******* sometimes Duke could even make them funny.

These days, Moody feels empty. Just because of minus one.
This is a short story I wrote for a dear friend I met my first semester in college, and this dear friend committed suicide before Thanksgiving in 2015. The page numbers stand for the pages in which I wrote the original copy, on fragmented pieces of notebook paper. It’s a very rough draft, but I wanted to put it out into the world. You will be severely missed, forever and always, Duke.
Eugene Melnyk Mar 2015
The man woke up.

He walked to his refrigerator hoping to find last nights left over veal, but he doesn't.
He thought maybe it's a sign veal is bad in the morning, so he made his coffee and sat down to watch the news.
Linda Sparoski was on talking about Gun rights.
"I kind've want a gun, but it probably wouldn't be the best idea."
He kept watching until he heard someone at the door.
Paranoid, he crept up to the peep hole.
Peering through he saw an elderly woman delivering what looked to be like a package.
"I wasn't expecting anything... **** it must **** to be her age"
He waited until the frail old woman made her way back to the UPS truck and drove away.
He went outside to pick up the box, only to find it very light. Much lighter than he expected.
On the outside scribbled in blue pen was "The man's name" so he knew it was for him.
He saw it was taped up pretty good, kind've how a child wraps a Christmas present.
He grabbed his kitchen knife.
"Scissors are like double knifes, except you don't need a cutting board."
He put the knife back and grabbed a pair of scissors.
"Scissors are ****** double knifes."
He put the scissors back and grabbed the knife.

When he returned to the box, he seemed to stare at the handwriting for quite some time.
He began to cut into the box.
On removal of the layers of scotch tape was a little note before the rest of the box could be open.
"Promise me?"
He was really confused now.
"I need more coffee"
Chugging his third cup, the man returns to the box.
Determined to open it.
He lifts the ***** keeping the pieces of cardboard box cube shaped, and begins to look inside.
The man sees photographs stacked on top of a few letters.
"Possibly something underneath."
As he dug through he saw a picture of himself dressed as Captain America on Halloween.
He tries remembering that Halloween but just can't quiet do it.
"I was never Cap.. "
He dug through more.
Found pictures of old beach houses he vaguely remembers, some pictures almost looked like a sonic drive through.
Stomach growl.
"Last nights quesadilla"
The man went to his fridge, with no luck of finding this cheesey goodness.
In fact his fridge was empty.
He doesn't remember it being empty.
He starts thinking about Halloween.
The man kicks the box under his coffee table, and stumbles to bed, even though it is only 6:47 pm.
Dreams of sand.
Dreams of sand.
Dreams of water.
Dreams of her.

The man woke up.

He heads to his coffee ***.
He has not made coffee yet.
He heads to his refrigerator to find last nights left over lasagna.
"When did I make that? 2 weeks-ago-ish?"
He does not find lasagna.
His coffee is done brewing.
He walks away without a cup to find the box.
The news was still on. Linda Sparracci was on talking about the man's town.
She said that the man's town was experiencing the worst drought since two thousand and sixteen.
"What year is it?"
The man tries to find a calendar but only finds twelve.
"So it could be 2025, 2026, 2028... Wait."
He deducted that it must be 2026, for this calendar had the most dates circled, and he has felt quite busy recently.
The man then fell.
When he came too he was on the couch.
It was snowing out.

Deciding it must be around December  time, he goes throughout his home looking for objects to wrap up and give to his family.
He finds a box.
The box has a note on the outside
"Promise me"
Without looking through the box, he wraps it up with what he can find.  
Thinking of where to send it, he thinks of the first address he can remember, presumably his parents house, and sends the box off.
"Captain America... "
The man decides to watch Duck Dynasty season 34 for the first time, without seeing the prior 33 seasons.
The man passes out.
Dreams of white.
Dreams of red.
Dreams of death.

The man woke up.

He walked to his refrigerator hoping to find last nights left over veal, but he doesn't.
He thought maybe it's a sign veal is bad in the morning, so he made his coffee and sat down to watch the news.
Linda Spurokik was on, talking about the new Captain America movie.
"I was Captain America once.."
The man gets up to feed his dog.
The man does not have a dog anymore.
The man sits down.
Halloween 3 comes on the television.
He remembers getting her roses, because she was mad he didn't want to go trick or treating.
They ending up going trick or treating anyway.
She didn't like the roses.
The man tries to imagine what Michael Meyers must've felt like.
Being cast so many times over because of his creepy plastic face.
"I bet it was really hard to find other work though..."
The man was unsettled with this thought and turned off the television.
With nothing to more to do, he crawls to bed, even though it is only 6:24 pm.
No dreams
Just blackness.

The man woke up.

He heard someone at the door.
Paranoid, he crept down the stairs to the window.
Peering through he saw a young man delivering what looked to be like a package.
"I wasn't expecting anything... **** it must **** to be that young in this day and age"
He waited until the man made his way back to the USPS truck and drove away.
He went outside to pick up the box, only to find it very light. Much lighter than he expected.
On the outside scribbled in blue pen was "The man's name" so he knew it was for him.
When he opens the box he finds a picture of himself dressed as Captain America and she was beside him.
"Even trying to look ugly she was beautiful."
The man begins to cry a bit.
Gently places the picture down, he digs through more.
He finds an old Valentine's Day card.
"Signed your's forever, love you so much"
The man puts the contents of the box back, and gently pushes it under the table.
He turns the television on and Linda Sadok is on talking about a fire.
"3 dead, 2 injured with 3rd degrees burns along 85% percent of their body"
The man states "****" and turns the television off.
"I'd rather be one of the three than one of the two"
The man grabs the last pack of tostitos he can find, and chows down for awhile.
The man dozes off.  

A few hours later the man awakes.
He house is quieter than normal, but he normally has all the washing machines running so he thinks "all good."
Walking to his refrigerator, he finds it filled with Mexican Taco Hot Pockets.
Not wanting to get fat, he rejects this refrigerator and demands a new one.
He does not get it.
Hot pocket.
He walks to his coffee table.
It is very long.
His box is gone.
Befuddled, he walks to his hallway to check under the door.
Upon opening the door, his house leads to another one of his houses.
It is the same house though, it's just his other one.
Walking to the refrigerator, he finds it filled with ingredients for fresh pesto and Texas toast.
Thinking maybe it would upset his stomach. He throws the fridge down his garbage disposal.
On returning to his living room, he sees a man.
This man is talking to the man about life.
Talking about how long could one go on for in the same space.  
This man tells the man, maybe you should **** yourself.
Get out.
The man has never liked suicide.
But given the preposterous conditions of his life, he thinks about it.
This man says a hand full of advil or a few too many sleeping pills could do it.
The man says no.
"I can't leave, I'm not done yet.
Then, this man asks what the man has not finished yet.
"I don't remember..."
This man tells the man, that he is not Captain America and disappears.
The man disagrees.
"Photo evidence"

The man wakes up.

He finds the contents of the box sprawled all over his chest.
He had fallen asleep on the couch.
He hears her say goodnight.
He says I love you.
There is no one there.
He crawls to bed, and it is 2:34 am.
He cannot sleep.
This man returns to him.
This man asks the man if he had finished what he wanted to finish.
The man says no.
This man asks why once more.
"She's still gone, i'm not letting go"
This man says the man already has.
The man rolls over in his bed.
This man says you've been done here for awhile.
The man pretends to be asleep,
motionless, yet awake for hours.

The sun never came up, because he didn't want it too.
The fridge was always empty, because he didn't want to eat.
The box would appear, because he wanted it too.
She was gone, because he knew she was gone.
He stayed, and kept resealing and opening that box. Day in day out.
Surviving healthy off of nothing at all.

He never left.
Not poetry
Not poerty
H    is for help! you know I'm alive
E    for estranged, expressionistics
        contrive
R    eading rhymes- revise, review
        reprise, recite- rethink and renue.
O    verwhelming-
        vertly, overdone-
         bsessive...
o  ntology~
      
Still, I'm the one.
I'm the hero, of the story-
Don't need to be saved.
No one's got it all

"I aint no Cinderella, I aint waitin on no prince to save me in fact until now I think I been doing just fine- you think I sell my body? I merely sell my time."
Jordan Rowan Nov 2015
There's a sign on your door
It said "don't come in anymore,
I'm still changing"
It broke your heart
To watch me fall apart
But you can't help the way you feel
Only you know if it's real

The Fort Meyers sun
Burns on your hair
The horizon gets the privilege of your stare
The sky turns to gray
When you look away
You can't help the way you feel
Only you know if it's real

Dance, little sister, in the Gulf of Mexico
Break a heart or two
Break them all and once they're long ago
I will be there for you

Take a risk, darling
Make this mistake
How long does affection take?
There can be a million miles
Between two states of mind
But I need to tell you what's in mine
I'm running out of time
Mateuš Conrad Apr 2016
sometimes a private message on the sly
outlasts a poem,
i'm no quack - my prescription list
if a bunch of theories,
i can't the Hippocratic oath even if i wanted to,
which also means a theory here,
or a theory there can't hurt -
it's levitating as a chanced choice of consideration,
in terms such stated, there are
the questions of consolidating the problem
socrates faced as to how confront a unity
of particulars and universals -
well, a mathematical impression
with the prime expression of division would be
a start, a comprehension of units
akin to millimetre, centimetre and mile
would be due a referencing to.

i hardly know what to call the cartesian
subsequence equation -
sartre tried to invert it -
let's say that thinking is an *essence

and being is existence -
drag in newton's causality and einstein's
lack of causality - i do believe
descartes is pivotal in terms of causality
and what existentialism suggested
via sarte: that existence precedes essence
or vice versa - causality i should think -
but if the itemisation of space
as divided enduring placebos of millimetre
and centimetre with each point
as the Freudian id to divide is loosely estimated -
i understand Sartre's argument when
being a revisionist via Descartes -
existence does indeed precede essence -
you learn from your mistakes -
first can existence example itself
before thought (essence) begins its learning process -
indeed it can't be otherwise, intuition
does exist to a cloning zenith reached by animals
who're only vociferous via the medium
of onomatopoeia - ferrous sounds -
but among men there are more enzyme-related
processes to create the Enlightenment from
the Renaissance - the latter an artistic progress
the former the scientific -
study chemistry or physics and philosophy becomes
a playground - biology for some reason
has too many octopus tentacles attached to
obvious things - mutations of Chernobyl to mind -
and history, **** sake's the stone age and the
17th century will deviate far between on the spectrum
of analysis - there is much more bureaucracy from
the 17th century than crude cave drawings from the stone
age - i'm hardly saying it's not plausible
but the time-scale leveraged with boiling a cup of tea
is the worst kinds of distraction - scout's honour,
cross my heart and count to 20 in under 10 seconds.
anyway, for the majority, people are hardly
innovators, a few can claim to be a pure res cogitans
(a thinking thing), since such a being would require
an id scale of division, not necessarily a scale of division
akin to the majority of people, with their
9 to 5 working days, monday through to sunday,
january through to december -
with the latter list of exemplification we're talking
about a res narro / a narrative thing - alt. include
res transloquor (a thing talking over -
a loss of etiquette when talking over older people)
etc. -
           since i find that thinking is primarily
about innovative feats - but most of the time what we
call thinking is actually narration -
a book never written, an idea never materialised -
and the existence of the Buddhist "mindfulness" /
simply not thinking, a full cartesian sum embodiment,
akin to driving a car, a bike, whatever you like.
or i could have written about the news review
articles from sunday: the boo! that's Broadmoor,
the lush living conditions in blocks 2 & 5
and the squalor in blocks 1 & 6...
names include the murderers:
jonathan lowe (aged 52) writing a letter about
the Ritz hotel like conditions in 1898,
croquet and cricket, tea weak beer and gambling,
tobacco luxury and servants via the lesser
fortunate inmates,
william chester minor's addition to the inaugural
edition of the oxford english dictionary (ex-military
surgeon he was),
chippendale bookcases, bathed once a week,
shaved three times a week,
(now you can understand my fascination with
Ezra Pound) - thomas harry a would be assassin
of the p.m. Gladstone of 1893 walking about
the asylum gardens mentioning Gladstone's
last plea with a smile akin to the eager buds of
may appealing to harry's sense of "remorse",
a dutchman who attacked his wife with a mallet
pleading to renter the lunatics' Ritz circa 1895 -
a jack the ripper suspect amongst them -
dr. richard brayn hardly ***** burroughs' dr. benway -
a madman had never so much luck under **** brayn -
but the less fortunate remarked:
'my name is T Perkins, i have been murdered here,
by those that know not what they do,
because they have ether in their heads!'
i'd guess ammonia to add to such a confession,
or skunk ***** to mind the least.
thomas cutbrush was the ripper suspect.
jimmy saville wetted his ***** in the female wards...
can't complain with ******* adolescent girls
why complain about ******* crazed chicks -
Michael Meyers in the room? i thought so,
democracy is the ideal export, people know
jack the ******* by compliments from the toilet's
perfumery as described: strawberry scented,
mm hmm - Kentucky tattooed on my left buttock's
cheek. but boo! a.k.a. Broadmoor is closing,
pristine lunatics on the street - mind you
in the news review they had an article about
seymour hersh - what he called
dum-dum and darth vader of the galactic empire
surround fashion trends of 9 / 11...
joy uu bushy and st. francis cheney -
prior to this poem looking at russian sables in
fur farms going berserker over the size of the cages,
a lynx rummaging in a theory of geometry
walking out lemniscate treading on its own faeces,
and i felt good for the jews
not wearing leather on Yom Kippur -
in their orthodox black attire walking into a
synagogue wearing trainers -
yep, lived next to a synagogue for several years,
a flat above an estate agents...
but of course weddings and mazel tov a rekindled
happy event!
scurrying like rats in an area not allowing pride -
apologies for the comparison,
but Gants Hill wasn't exactly Golders Green,
well the Hanukkha did stand proud at the roundabout,
but then the social project took over
and subsequent evictions proceeded -
Bangladesh came over - and half of Pakistan.
Ryan P Kinney Nov 2017
I am scared!
Scared of this world

Robert Godwin Sr
Alyssa Elsman

How many more have to die?
By my kind,
By their kind,
Because they blame some other kind
What ever happened to just being
kind?

Daniel Parmertor, Russell King, Jr., Demetrius Hewlin

Where were you when the World Trade Center went down?
It’s something everyone alive then will always remember
Never Forget! was our brand motto for American Pride

Krystle Marie Campbell, Lü Lingzi, Martin William Richard, Sean A. Collier, Dennis Simmonds

And now, the death of another is so commonplace
That we forget what and where.
It’s no longer personal enough to register where in our lives that it struck us
Only note that another life has been struck down
Add another tally to the equation
And still it does not add up

Trayvon Martin
Tamir Rice
Samuel DuBose
Delrawn Small
Philando Castile
Terence Crutcher
Heather Heyer

We are completely desensitized
And decentralized
We keep ourselves disconnected
(because we just can’t absorb,
Take,
Process it all)
It’s not us
It’s not me
It’s somebody else
Somewhere else.
Until it is
Then we care
How much can we take, before we break

Cynthia Marie Graham Hurd, Susie Jackson, Ethel Lee Lance, Depayne Middleton Doctor, Clementa C. Pinckney, Tywanza Sanders, Daniel Simmons, Sharonda Coleman Singleton, Myra Thompson

The tragedy is the comedy
We laugh so we don’t cry
Sakia Gunn
Richie Phillips
Nireah Johnson, Brandie Coleman
Glenn Kopitske
Scotty Joe Weaver
Jason Gage
Michael Sandy
Sean William Kennedy
Duanna Johnson
Lawrence "Larry" King
Angie Zapata
Lateisha Green
****** August Provost, III
Mark Carson

I can’t say I’ve never thought of committing violence.
Hell, when my ex-wife cheated, it occurred to me
And I can’t say that I have never hit another
I’ve been a kid
My whole life is designed just to grow up
But, I’ve thought of killing myself far more often than the thought to harm anyone else have ever occurred to me
Because my problems are mine;
My fault,
And I am not seeking some scapegoat

Keenya Cook, Jerry Taylor, Million A. Woldemariam, Claudine Parker, Hong Im Ballenge, James Martin, James L. Buchanan, Premkumar Walekar, Sarah Ramos, Lori Ann Lewis-Rivera, Pascal Charlot, Dean Harold Meyers, Kenneth Bridges, Linda Franklin née Moore, Jeffrey Hopper, Conrad Johnson, 1 unnamed victim

I am not going to deny that being a white male hasn’t allowed me to sidestep a whole level of *******
One day, angry white males will be the minority
And we’ll have no one left to blame, but ourselves.
If we don’t **** everyone first
If we don’t **** ourselves first

Michael Arnold, Martin Bodrog, Arthur Daniels, Sylvia Frasier, Kathy Gaarde, John Roger Johnson, Mary Francis Knight, Frank Kohler, Vishnu Pandit, Kenneth Bernard Proctor, Gerald Read, Richard Michael Ridgell

Jonathan Blunk, Alexander J. Boik , Jesse Childress, Gordon Cowden,
Jessica Ghawi, John Larimer, Matt McQuinn, Micayla Medek, Veronica Moser Sullivan, Alex Sullivan, Alexander C. Teves, Rebecca Wingo

The earth has already decided that we are a plague upon it
Maybe climate change is the natural response to the abuse of our gifts

Nancy Lanza, Rachel D'Avino, Dawn Hochsprung, Anne Marie Murphy,
Lauren Rousseau, Mary Sherlach, Victoria Leigh Soto, Charlotte Bacon, Daniel Barden, Olivia Engel, Josephine Gay, Dylan Hockley, Madeleine Hsu, Catherine Hubbard, Chase Kowalski, Jesse Lewis, Ana Márquez Greene, James Mattioli, Grace McDonnell, Emilie Parker, Jack Pinto, Noah Pozner, Caroline Previdi, Jessica Rekos, Avielle Richman, Benjamin Wheeler, Allison Wyatt

What is this world going to teach my son?
That he’s better because of how he looks?
Or what I’ve taught him:
You make yourself better.

Jamie Bishop, Jocelyne Couture Nowak, Kevin Granata, Liviu Librescu,  P
G. V. Loganathan, Ross Alameddine, Brian Bluhm, Ryan Clark, Austin Cloyd, Daniel Perez Cueva, Matthew Gwaltney, Caitlin Hammaren, Jeremy Herbstritt, Rachael Hill, Emily Hilscher, Matthew La Porte, Jarrett Lane, Henry Lee, Partahi Lumbantoruan, Lauren McCain, Daniel O'Neil, Juan Ortiz, Minal Panchal, Erin Peterson, Michael Pohle Jr., Julia Pryde, Mary Karen Read, Reema Samaha, Waleed Shaalan, Leslie Sherman, Maxine Turner, Nicole White

I work as a data analyst
So, I ran the numbers
But, these are more than numbers
These are people: sons, daughters, sisters, brothers, mothers, fathers, husbands, wives, friends, lovers.

Stanley Almodovar III, Amanda Alvear, Oscar A. Aracena Montero, Rodolfo Ayala Ayala, Alejandro Barrios Martinez, Martin Benitez Torres, Antonio D. Brown, Darryl R. Burt II, Jonathan A. Camuy Vega, Angel L. Candelario Padro, Simon A. Carrillo Fernandez, Juan Chevez Martinez, Luis D. Conde, Cory J. Connell, Tevin E. Crosby, Franky J. DeJesus Velazquez, Deonka D. Drayton, Mercedez M. Flores, Juan R. Guerrero, Peter O. Gonzalez Cruz, Paul T. Henry, Frank Hernandez, Miguel A. Honorato, Javier Jorge Reyes, Jason B. Josaphat, Eddie J. Justice, Anthony L. Laureano Disla, Christopher A. Leinonen, Brenda L. Marquez McCool, Jean C. Mendez Perez, Akyra Monet Murray, Kimberly Morris, Jean C. Nives Rodriguez, Luis O. Ocasio Capo, Geraldo A. Ortiz Jimenez, Eric I. Ortiz Rivera, Joel Rayon Paniagua, Enrique L. Rios Jr., Juan P. Rivera Velazquez, Yilmary Rodriguez Solivan, Christopher J. Sanfeliz, Xavier E. Serrano Rosado, Gilberto R. Silva Menendez, Edward Sotomayor Jr., Shane E. Tomlinson, Leroy Valentin Fernandez, Luis S. Vielma, Luis D. Wilson Leon, Jerald A. Wright

I did research to try to find all the victims since I became abruptly aware 16 years ago
There are too many
I could not discover a single database that contained a comprehensive record
No one can keep track of it anymore
I know I’ve missed people
I know there are 1000’s of people now missing people
Even 1 was too much

Hannah Ahlers, Heather Alvarado, Dorene Anderson, Carrie Barnette, Jack Beaton, Steve Berger, Candice Bowers, Denise Salmon Burditus, Sandra Casey, Andrea Castilla, Denise Cohen, Austin Davis, Virginia Day Jr, Christiana Duarte, Stacee Etcheber, Brian Fraser, Keri Galvan,  Dana Gardner, Angela Gomez, Rocio Guillen Rocha, Charleston Hartfield,  Chris Hazencomb, Jennifer Irvine, Nicol Kimura, Jessica Klymchuk, Carly Kreibaum, Rhonda LeRocque, Victor Link, Jordan McIldoon, Kelsey Meadows, Calla Medig, James ‘Sonny’ Melton, Pati Mestas, Austin Meyer, Adrian Murfitt, Rachael Parker, Jennifer Parks, Carrie Parsons, Lisa Patterson,  John Phippen, Melissa Ramirez, Jordyn Rivera, Quinton Robbins, Cameron Robinson, Lisa Romero Muniz, Christopher Roybal, Brett Schwanbeck, Bailey Schweitzer, Laura Shipp, Erick Silva, Susan Smith, Tara Roe Smith, Brennan Stewart, Derrick ‘Bo’ Taylor, Neysa Tonks, Michelle Vo, Kurt Von Tillow, Bill Wolfe Jr.

and NOW I’ve run out of lines and time to read off all 2,977 people who died in 9-11
Isn’t that a tragedy?
judy smith Oct 2015
The top-secret nature of Allison Williams‘ wedding made it all the more special.

“One of the most special things about the wedding was that it was actually very personal and very private,” the “Girls” star gushed at the premiere of Forevermark’s new film, “It’s a Long Journey to Become the One” on Wednesday night.

Williams, who wed College Humor co-founder Ricky Van Veen in September, kept guests in the dark regarding the actual locale of the star-studded affair, even setting up a decoy site to lure the paparazzi away from the actual ceremony at the Brush Creek Ranch in Saratoga, Wyoming.

“It was something that mattered to me in a sense of just wanting it to feel really intimate, and to feel like an experience that we shared as a family and with our closest friends,” said Williams, 27. “I feel really happy about the fact that it was exactly that.”

After father Brian Williams walked Allison down the aisle, Tom Hanks officiated as the couple said their “I do’s” in front of pals including Lena Dunham, Katy Perry andSeth Meyers.

“It’s an emotional day and people were free to feel whatever emotions they were feeling,” the newly married actress said.

Williams shared a few snaps of her wedding on Instagram, including a stunning shot of her custom-made Oscar de la Renta gown.

“Peter [Copping, de la Renta’s creative director] grew up being around horses and ranches and immediately understood the aesthetic I was going to be in,” Williams explained of the design process. “It came together kind of organically.”

Though Williams let the designers work their magic, she did have a special request.

“I wanted sleeves because I’m always cold.”

read more:www.marieaustralia.com/plus-size-formal-dresses

www.marieaustralia.com/formal-dresses
Sam Temple May 2016
Salad, tossed face embossed got no floss chewin at all cost
Laying in the moss you know the forest but I ain’t no Gump
Or Trump tryin to destroy us filled with joyous boisterousness
Enjoy coitus with a moist ***** tied your *** to my truck hitch
Drag ya through the ditch, aint actin rich once I shot a snitch
Squealing like a stuck pig hooked him with a sturgeon rig
Took him to the reservation dig left him pining like a twig
We all danced a jig around the camp fire pulled out some plyers
Did my impression of Michael Meyers I started stabbing fools
With shiny dental tools took them all to school, then proceeded to break the rules
Splashed their face with jewels that others refer to as stool
Slapped them with my ****, until they were covered in it
Peanuts gleaming in the night, asked them if they wanted to fight
Told my little dog to bite, lit out til I was outta site
Alright –
Anais Vionet Aug 13
TS Eliot said, “Paris is a strong stimulant.”
It is - but it has nothing on Manhattan.
If Paris is a Café Crème espresso at a café-en-terrasse under the stars.
Manhattan is a ‘Black Tie Bawls’ cocktail at The Crown bar (the skyline!).

We were going to relax - in Manhattan,
instead, keep those seat belts fastened.
Lisa said, one night, “Want to go out for a bit?”
Since then, I’ll admit, our nights have been lit. 

We have ten days, and we’ve decided to try every Michelin-starred restaurant we can (there are 68 in NYC). So far, we’ve been to Eleven Madison Park, Le Bernardin and Per Se. This was Lisa’s idea.

The food is delicious - if you like a corn-flake with something on it or a steak the size of a bouillon cube ($250 per person with cocktails and dessert). As we left ‘Per Se’ I asked, “Can we get something to eat now? I’m starved.” I was only ½ kidding.

It’s MY idea to visit every beautix rooftop bar in Manhattan (there are exactly10). So far, we’ve been to, ‘The Peninsula,’ ‘230-Fith’’ and ‘NoMad’ - we’ve only been at these tasks for three nights.

We’re doing other things too. We’re going to Broadway shows (& Juliet, the Great Gatsby, Oh Mary!, Wicked) and to see Idina Menzel (Wicked, Frozen) in concert and a John Oliver and Seth Meyers comedy show next Monday. We do these, as in - Dinner, show, rooftop bar.
OH, and we’re dancin’ like we’re sentient - no cap.

Our sordid troup, is Lisa and Dave (her boo), Charles & Ms Charles, Lisa’s folks (Karen and Michael) and Lisa’s little sister Leeza and Meeeee. Luckily, we have one of my Grandmère’s conglomerate, executive secretarial minions (François) booking reservations for us. He’s got ‘contacts.’

Yeah, we’re drivin’ full speed towards summer’s end - “fo-shizzle” (to quote Snoop Dogg). We figure we can rest, a few days, in New Haven.
Wasn’t Snoop fire at the Olympics?
.
.
dance club songs, for this one:
One Kiss by Calvin Harris & Dua Lipa
Lipstick by Kungs
Espresso by Sabrina Carpenter [E]
Levitating by Dua Lipa
.
.
slang…
café-en-terrasse = terrace cafe
Black Tie Bawls = (cocktail) Blavod black *****, lemon, and Bawls energy drink.
beautix = top drawer, rizz
No cap = no lie
fo-shizzle = for sure
fire = great, a standout
[E] = explicit
BLT Merriam Webster word of the day challenge 08.13.24:
Sentient: responsive to sensations - conscious.
Cole Cummings Oct 2017
Its 4 A.M. and I'm listening to another obscure indie band I think you'd like.
The Album in question is appropriately named:
People Who Can Eat People Are The Luckiest People in The World.
Apparently, we all have bad people inside us.
Rapists, Nazis, Politicians, all crowded inside our tiny hearts.
No more room for compassion.
I guess we eat our issues and stuff them there,
Like some sort of factory.
Maybe that's how evil is created.
Stories for another time i guess?
Its 5 A.M. and I still miss you.
The Next Album on my playlist is titled Hospice.
I suppose that's a way to say how i feel.
So close to giving up, just comfortably dying.
He keeps saying that he's sorry.
I'm not sure what for.
I'll send you another Playlist later today.
Maybe you will hear my screams in between the upbeat guitar
and crashing of drums that is my tired body and soul.
Maybe you can tell me what i don't understand.
Do the Impossible.
Fix me.
Its 6 A.M. and the music has shifted to Button Poetry broadcasts
Neil Hilborn and Reagan Meyers clash against Sabrina Benaim
all of them saying the same thing without speaking the same words.
"Broken does not mean useless"
"Depression is not a means to an end"
"You cant fix some things with paper and pens"
They all scream their emotions into an open mic, the feedback cries with resounding applause, hollow but sweet.
It's 7 A.M. and i'm still here.
Still silently screaming.
I pray that my words reach your deaf ears.
B L Costello Sep 29
INFJ,
I guess...I'm okay!
It's nobody's fault,
It's how I am made,
1%
Who could have guessed?
I'm not an alien,
I'm no threat,
I'm "just special",
The test was cheap,
To tell me...I'm rare,
Not a creep

BLCostello 2024
It really is interesting, take the test, it's all about you!
Yo I be the mighty warrior floorin' ya
Til ya smooth as  tar gravel soon to travel
Outta bounds ya destiny meet reaps see me repeat
Murders from the sneaks of my pistol Pete far from neat smokin'  til I'm obsolete
A ghost too close cuz I'm dancin' in the devil's fire
Makin' mics retire spirits admire my vocals
Once I touch the amplifier girlies start sighin' higher and higher
Til they ******* wailin'
Like airs out a tire dial Joe and Meyers
For the rappin' Messiah or better yet suckas better
Put up their prayers like Muslims at Mecca I be the ultimate wrecker  weak sucka checker
So grab ya squad and guard cuz we too hard
flows stay with me
The lyrical debarge check the guns discharged
Now I'm at large hidden in underground garage
Surrounded by government elites Entourage


My flows mostly Chuckie consider ya self lucky
If you escape the ****** spree so easily
I make em cop a plea far from a mini me see me
Rollin' on the biggest yards fools these days is fraud
Snitchin' for a few large I stay with a universal charge
Mental over my physical breakin' all obstacles
Magical and miracle made from a vizerial
Formin' concealed imperial
where destiny numbered me in serials
Silly no blow for blow knock em out like Ralph Marciano
Fan of Lucky Luciano lyrical sickles
Bruised ya body til ya become brickled now ya dead all caps is  stenciled
Welcome the rappin' necropolis ain't none toppin' this
Emcees growin' vomitus trust I get murks like Romulus lowering the whole populace
Graff1980 May 2019
The ravenous
cavern is
where they come
to be devoured by this
horribleness.

Four strangers
and my mother
line up
to face a mirror
of fear
and suffering.

A fearsome fiend
appears
in each reflection,
major killers
from movies,
like Leather Face
Freddy Krueger,
Michael Meyers,
and Pinhead.

One by one
each person
is sliced and diced
right through
their life
by monsters
that never leave
their mirror.

Then comes the Hellraiser
reflected before
my mother.
Razor chains of pain
explode out
and pierce her skin;
Embedding and shredding
tender flesh,
rending red screams
of terrible suffering
from her lips.

In her agony
she reaches out for me,
but I retreat
in a state of fear
tinged with
a little bit
of indifference.

When she realizes
that I will not
be the heroic type
and save her life
she slits her throat
and dies.

Immediately,
I awake, ashamed
and deeply disturbed.
Though, I
do not believe
in any higher meaning
part of me wants to know
what that was all about.
hurtlovebug91 Apr 2020
I am from Mrs. Meyers
From scentsy's and Del Monte fruit
I am from the Plants in every window and brass figurines,and DIY sheelves  

I am from the Needles of the douglas tree crunching under are feet as we play Hunger games with Nerf guns.

Im from Sunday family dinners and love is love no matter who you  are or who you love.  

From my great grandma Barbra Ward and my mom Anglea Ward

I am from the random family game night and having dinner together everynight.

From " I love you to the moon and Back." and  "So what happend was"

Im from "it takes a Village" as we all chip in, Aunts and Mom's and sibbling and cousins all the same.

Im from Oregon, they came from the Lone Star state making a life in the ****** state, also chorizo and eggs, and Gibblet Gravey

From the storys of my great Pappa helping build the railroads coming from Texas after a transfer moved Brabra, his wife and him to oregon.Bikes we get from GT, where my uncle desines and tests bikes.

I am from the Hallway in each house filled with the kids of the ages, each picture showing how we have grown up. From the Great great grandmas Owl kichten radio, with enough greece of its own to fry an egg.

I am from Family is everything, Love is family no matter what.
We did a I am from In class so why not post it
Gwenn Cody Nov 2019
You can find them all over town, your disowned selves.
Some are hanging in the alleyway by the nightclub looking for a distraction, others are hiding back behind the 7-11 with a bag of chips, a can of coke and a feeling of unrelenting despair.
But most are out in the open for anyone to see.
I found one of mine with bad make-up and no love walking up the street towards me, and another, probably about 8 years old, in a terrified pile of tears and snot in the office supplies aisle at Fred Meyers.
And that was just yesterday.
To be fair, there was one I saw completely head over heels in love. With a magnolia tree in bloom. Kissing it. Rubbing her face on the blossoms. She was amazing. No shame at all.

I'm always so surprised when I realize they belong to me.

So much time is spent deciding who we plan to be - choosing  wardrobes, developing our book collections, finding the right restaurants and partners and philosophies.
We hardly realize we're strewing ourselves far and wide in the process - the natural consequence when we can't actually fit through the narrow doorway of our desired identity.

When I finally remember to call them home to me again it's a painful delight.
Reunions of grief and relief
Stories of exile and long-needed rest
And each one, no matter how ugly or ruined or lunatic, brings a perception
A perception that forces me to remember what is true.
Yenson Oct 2019
Show me the nectar juice
that flows from limeys in Lime house
where vagrants and charlatans griped by lime fever
are brewing hemlock wine in stolen silver chalice for town criers
in  ***** battles with the Moors King who has taken their birth right

Show me the erudite minds
etching gainful prospects in thieving
and with bagfuls of Mrs Jones's and Mr Meyers trinkets looted
now at rest at the alehouse with red faces hogging inanimateness
proclaiming that those that toil and earn honestly are greedy leeches

Show me the sinners
in these streets paved with gold and silver
they that would stand up and dare say you thieves are wrong
as in the underworld of the underground wrongs are always right
in veins of thieves and bad 'uns  blood runs with crow-bars and lies

So please show me, I beg
how a good earnest and honest soul
will be left un-bothered, praised for worthiness and good grace
Nay, nay nay such soul would be stretched, hung and so quartered
as the mob of stained and ***** sheep run amok making bars bans black saint

Hurray, hurray.....

— The End —