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"levers" poems
The tractor stands frozen - an agony To think of. All night Snow packed its open entrails. Now a head-pincering gale, A spill of molten ice, smoking snow, Pours into its steel. At white heat of numbness it stands In the aimed hosing of ground-level fieriness. It defied flesh and won't start. Hands are like wounds already Inside armour gloves, and feet are unbelievable As if the toe-nails were all just torn off. I stare at it in hatred. Beyond it The copse hisses - capitulates miserably In the fleeing, failing light. Starlings, A dirtier sleetier snow, blow smokily, unendingly, over Towards plantations Eastward. All the time the tractor is sinking Through the degrees, deepening Into its hell of ice. The starting lever Cracks its action, like a snapping knuckle. The battery is alive - but like a lamb Trying to nudge its solid-frozen mother - While the seat claims my buttock-bones, bites With the space-cold of earth, which it has joined In one solid lump. I squirt commercial sure-fire Down the black throat - it just coughs. It ridicules me - a trap of iron stupidity I've stepped into. I drive the battery As if I were hammering and hammering The frozen arrangement to pieces with a hammer And it jabbers laughing pain-crying mockingly Into happy life. And stands Shuddering itself full of heat, seeming to enlarge slowly Like a demon demonstrating A more-than-usually-complete materialization - Suddenly it jerks from its solidarity With the concrete, and lurches towards a stanchion Bursting with superhuman well-being and abandon Shouting Where Where? Worse iron is waiting. Power-lift kneels Levers awake imprisoned deadweight, Shackle-pins bedded in cast-iron cow-shit. The blind and vibrating condemned obedience Of iron to the cruelty of iron, Wheels screeched out of their night-locks - Fingers Among the tormented Tonnage and burning of iron Eyes Weeping in the wind of chloroform And the tractor, streaming with sweat, Raging and trembling and rejoicing.
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5.2k
Tractor
The tractor stands frozen - an agony To think of. All night Snow packed its open entrails. Now a head-pincering gale, A spill of molten ice, smoking snow, Pours into its steel. At white heat of numbness it stands In the aimed hosing of ground-level fieriness. It defied flesh and won't start. Hands are like wounds already Inside armour gloves, and feet are unbelievable As if the toe-nails were all just torn off. I stare at it in hatred. Beyond it The copse hisses - capitulates miserably In the fleeing, failing light. Starlings, A dirtier sleetier snow, blow smokily, unendingly, over Towards plantations Eastward. All the time the tractor is sinking Through the degrees, deepening Into its hell of ice. The starting lever Cracks its action, like a snapping knuckle. The battery is alive - but like a lamb Trying to nudge its solid-frozen mother - While the seat claims my buttock-bones, bites With the space-cold of earth, which it has joined In one solid lump. I squirt commercial sure-fire Down the black throat - it just coughs. It ridicules me - a trap of iron stupidity I've stepped into. I drive the battery As if I were hammering and hammering The frozen arrangement to pieces with a hammer And it jabbers laughing pain-crying mockingly Into happy life. And stands Shuddering itself full of heat, seeming to enlarge slowly Like a demon demonstrating A more-than-usually-complete materialization - Suddenly it jerks from its solidarity With the concrete, and lurches towards a stanchion Bursting with superhuman well-being and abandon Shouting Where Where? Worse iron is waiting. Power-lift kneels Levers awake imprisoned deadweight, Shackle-pins bedded in cast-iron cow-shit. The blind and vibrating condemned obedience Of iron to the cruelty of iron, Wheels screeched out of their night-locks - Fingers Among the tormented Tonnage and burning of iron Eyes Weeping in the wind of chloroform And the tractor, streaming with sweat, Raging and trembling and rejoicing.
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55
We exist in the revelry The in-between Living scenes And agony So won’t you come And dance with me Work the strings Pull the levers Change the sound Clear the ground As your feet pound The ***** downtown streets Close the doors Hold me near As I hold you dear Forget the day Forget the night Together embraced In dance we are Intertwined Cut the chord Stop the beat Even then We will still Move our feet Dancing till They close the streets It’s you and me Free to dance So come dance with me
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May 29, 2015
May 29, 2015 at 7:59 AM UTC
Come Dance With Me
living underground is a drag, pulling levers for knitting gray sweaters for the workers that pull levers
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Mar 5, 2012
Mar 5, 2012 at 3:50 PM UTC
the post-apocalyptic blues
Cold. Not the chill down my arm but the one down my spine at the sight of decadence at the show of extravagance at the display cases with carats and watches plastic women wearing someone's house in fur and silk and adornments covering their arms like a Christmas tree gone awry with its baubles and lights bringing neither peace nor goodwill to their men who foot the bills after a night spent with slots and levers and cards and mysterious figures that disappear into lifts that reach infinite heights before plunging into clear, crystal waters that sound like diamonds and the view you see makes them say 'Oh it's beautiful' but the waters are shallow. A beautiful mirage. Still too cold for me to sell my soul.
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Dec 2, 2013
Dec 2, 2013 at 2:09 AM UTC
Marina Bay Sands
She told me to "Imagine a safe place", a quiet place, somewhere to go when the fog is at my feet. But everywhere I went was crowded with doubt and a lingering loitering presence on my shoulder, come out from the fog to hurl accusations and taunt. I can only assume it's a he on my shoulder, an enigma, my father's doppelganger come to dredge my mind of all the **** he dished out when I was a child, and feed it back to me again. I tell her I'll need more tools and stronger ideas. So she gives me a seat at the head of the table where my ****** committee meets, and a gavel to establish order or bash in their brains. She arms my dreams with weapons and courage, gives me REM when I'm wide awake. We fashion a furnace of love, hot enough to vaporize the cold darkness pouring into my gut, customized with levers and pulleys to push and to pull in the fight. We tally Alpha and Beta waves, trained and retrained, hard coded messages sanded smooth by repetition.        *Through it all I give too,        and what I give is all I can give,        it is the warmth of what enslaves me,        and the thought of letting it go….          Well.... lets not go there right now.* In the long run I'm not sure that any of it will be enough, I am weakened by the war. But occasionally there are shiny spots that simmer, You see, I may have found that place, the place she first told me to find way back at the beginning, the place to feel safe, although it isn't really a place per se. If it were true I could finally ascend to where no fog can go. Where my father's voice cannot be heard, nor the ghosts I grew up with. A place of love and honesty, where my furnace would sit idle in awe. There is a picture of us on our bedroom wall. It is the perfect depiction of all that is safe for me. I look at your smile and I see peace. Nothing can penetrate your radiance, you are everything I've never had, double layered and impenetrable by all of it. By all of the **** I am learning to go there when the fog is at my feet, and the ghosts are in my ear. When the accusations come I can escape there with you, and together we can drown them out if only for a little while.
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Apr 5, 2019
Apr 5, 2019 at 1:39 PM UTC
A Safe Place
She told me to "Imagine a safe place", a quiet place, somewhere to go when the fog is at my feet. But everywhere I went was crowded with doubt and a lingering loitering presence on my shoulder, come out from the fog to hurl accusations and taunt. I can only assume it's a he on my shoulder, an enigma, my father's doppelganger come to dredge my mind of all the **** he dished out when I was a child, and feed it back to me again. I tell her I'll need more tools and stronger ideas. So she gives me a seat at the head of the table where my ****** committee meets, and a gavel to establish order or bash in their brains. She arms my dreams with weapons and courage, gives me REM when I'm wide awake. We fashion a furnace of love, hot enough to vaporize the cold darkness pouring into my gut, customized with levers and pulleys to push and to pull in the fight. We tally Alpha and Beta waves, trained and retrained, hard coded messages sanded smooth by repetition.        *Through it all I give too,        and what I give is all I can give,        it is the warmth of what enslaves me,        and the thought of letting it go….          Well.... lets not go there right now.* In the long run I'm not sure that any of it will be enough, I am weakened by the war. But occasionally there are shiny spots that simmer, You see, I may have found that place, the place she first told me to find way back at the beginning, the place to feel safe, although it isn't really a place per se. If it were true I could finally ascend to where no fog can go. Where my father's voice cannot be heard, nor the ghosts I grew up with. A place of love and honesty, where my furnace would sit idle in awe. There is a picture of us on our bedroom wall. It is the perfect depiction of all that is safe for me. I look at your smile and I see peace. Nothing can penetrate your radiance, you are everything I've never had, double layered and impenetrable by all of it. By all of the **** I am learning to go there when the fog is at my feet, and the ghosts are in my ear. When the accusations come I can escape there with you, and together we can drown them out if only for a little while.
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84
How many could be calling? Eitherwise, it is exausting To be held by own accountability. Ability for account; a mass Of those counted. Weigh creaks On these levers over my eyes. A lover in disguise lies The warmth of this weight. Lazy and laconic to confuse The schizophrenic. Lord I hope these are my own- If I myself am not the sovereign- Elaborate equations voiced From character calculations. Clacking their sums In my sincere consideration. We all have that second or so thought to reach concentric clarity. When I sing or spiel the art of it, easier to make a monster of me.
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Jan 14, 2013
Jan 14, 2013 at 5:43 AM UTC
Thoughtful
Like old horror movie slime engulfing an entire city-so she has taken over my mind She pushes the levers in the space that was once a clean circuit between my heart and brain. You see I am trapped For the one I hate the most is fused with the one I love the most. How do you run from and towards the same thing? After a while you just stay put. So here I am tonight stifling my cold hate again. I know she loves me more, but fear is a powerful thing. So I will stay because I love my mother more than anything. Maybe even my own dreams.
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Jul 29, 2015
Jul 29, 2015 at 9:58 PM UTC
Stepmother
It's the nonesense that haunts me. The bits drifting in that don't add up. I'm gagging on the bits, it's killing me. I am all the far flung dreams in me, the hopes that drive the need in me, the need to wake. Motivated. I'm draining out the ***** water, refilling from purer streams. I'm working my way from right to left, pulling levers. Pressure's building, dust sifting from my imagination. I'm driving myself forward, pain no longer a distraction. The bits of me not fitting, will be drifting. I'm moving off, sailing out into the galactic tide, all the valence specks, frozen in space. I am an extension, the ultimate manifestation, the unending arm of the universe. I am the cosmic Katana.
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Aug 19, 2010
Aug 19, 2010 at 9:35 AM UTC
Cosmic Katana
I, after difficult entry through my mother's blood And stumbling childhood (hitting my head against the world); I, intricate, easily unshipped, untracked, unaligned; Cut off in my communications; stammering; speaking A dialect shared by you, but not you and you; I, strangely undeft, bereft; I searching always For my lost rib (clothed in laughter yet understanding) To come round the corner of Wardour Street into the Square Or to signal across the Park and share my bed; I, focus in night for star-sent beams of light, I, fulcrum of levers whose end I cannot see ... Have this one deftness - that I admit undeftness: Know that the stars are far, the levers long: Can understand my unstrength.
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Any Man Speaks
Like when they found the chariot wheels at the bottom of the Red Sea so was I surprised at the faint reaching of the fig tree, clinging to life amidst so much dust, as it reached ever upward in an infinite dance, unaware of its eventual wanweird fate. But I tracked on, crunching through the ancient dirt, scrolls strapped upon my back, coarse leather digging through my camel's hair robes, sandy grit forced in the gaps of my toes. I cracked the locusts and devoured them, dampening their bitterness with the sweet warming explosion of wild honey. So with bound Pleiades above me, I gave witness to Jerusalem, saying "After me will come one more powerful than I, the thongs of whose sandals I am not worthy to stoop down and untie." And I took them into the Jordan and made them new men. As the chill waters numbed their muscles, their hairs pricked up like gooseflesh, the night echoing with splashing water and murmured voices. But slowly the people trickled away, back to the twang of lutes, their ladles of soups, and I was left alone, sitting, contemplating, always waiting. So I sent forth the ravens, carrying my message, to meet at the Brookhollow no matter the obstruction, to come by wagon or camel, no matter of rain or flood. But they were stubborn and prideful, and would be moved from their couches probably by no less than one of Archimedes' great battleship levers, and even then with massive groaning like the coarse wooden hulls of those monolithic ships. Because the sweet taste of pastries is lodged upon their tongues, keeping them occupied with this world instead of the next. So here I'll stay, always waiting.
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Sep 10, 2012
Sep 10, 2012 at 1:02 AM UTC
John the Baptist
Like when they found the chariot wheels at the bottom of the Red Sea so was I surprised at the faint reaching of the fig tree, clinging to life amidst so much dust, as it reached ever upward in an infinite dance, unaware of its eventual wanweird fate. But I tracked on, crunching through the ancient dirt, scrolls strapped upon my back, coarse leather digging through my camel's hair robes, sandy grit forced in the gaps of my toes. I cracked the locusts and devoured them, dampening their bitterness with the sweet warming explosion of wild honey. So with bound Pleiades above me, I gave witness to Jerusalem, saying "After me will come one more powerful than I, the thongs of whose sandals I am not worthy to stoop down and untie." And I took them into the Jordan and made them new men. As the chill waters numbed their muscles, their hairs pricked up like gooseflesh, the night echoing with splashing water and murmured voices. But slowly the people trickled away, back to the twang of lutes, their ladles of soups, and I was left alone, sitting, contemplating, always waiting. So I sent forth the ravens, carrying my message, to meet at the Brookhollow no matter the obstruction, to come by wagon or camel, no matter of rain or flood. But they were stubborn and prideful, and would be moved from their couches probably by no less than one of Archimedes' great battleship levers, and even then with massive groaning like the coarse wooden hulls of those monolithic ships. Because the sweet taste of pastries is lodged upon their tongues, keeping them occupied with this world instead of the next. So here I'll stay, always waiting.
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48
Be free! I release you, Nurtured Feathers Go! Fly! Run and flee! Leave this wall-less house of Forever! Escape, bye! Be gone! No longer Us bound together! No longer try! Just remember! I sewed your wounds better! Dried Nurtured's eyes! Don't forget! I severed Binds that held Nurtured tighter! Eliminated lies! Reminisce! Of toils of illness and bouts of fever! Shoulders where Nurtured voice cries! Just know! There never were walls, windows, doors, locks, or levers! Nutured was always free to go and try! Freed Ye! Become loveless to the hand of the deepest lover! Beseech my soul as it dies! So, Be free! I smile as I release you, Nurtured Feathers! Ever hurt as you go by!
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Nov 21, 2020
Nov 21, 2020 at 1:00 PM UTC
I Free Thee
What is to say of Destiny? Is it not what we make it? Why, then, must I cling to ideals? Clearly, there is an answer. My Destiny is my own. It answers to my call alone. There is no man behind the curtain Pulling his levers and pushing his pedals. Who is to say that I do not control my own life? Perhaps there should be no definition The word Destiny should stay blank. Our decisions are our Destiny, and our choices are our own.
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Nov 25, 2012
Nov 25, 2012 at 3:14 AM UTC
Destiny.
~ Vibrations loosen  the dust on my piano,   releasing tiny particles    into a rectangle sunbeam     dancing about the glass,      as I play compositions       upon freeform keys,        fingered imagination         frantically moving          levers in never before           heard melodies            with a locked             sustain pedal              holding each note               to gradually                evanesce                 into silence                  as the dust                   once                         again                                 settles
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Aug 13, 2015
Aug 13, 2015 at 2:19 PM UTC
Dust settles
Leavening levers leave us fishy, wishing without precision for fettered fritter letters, feverishly licking with distinction; Finnish fishermen finish squishily dished deliciousness.
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Apr 24, 2013
Apr 24, 2013 at 8:06 PM UTC
Feverishly; An Experiment in Sound
I found your Olympic gold medal while I was cleaning in my childhood bedroom. I almost vacuumed it up. I can’t help but wonder how it got on my floor, How you must have not noticed its disappearance from your empty apartment. I wonder if during one of those fights we used to have I slipped it in my pocket, thinking you never deserved it. The medal sits on my old desk by a trick dog coin bank. The dog holds the coin in his mouth, jumps through the hoop and hides the coin in a brown barrel. This childish desk is a circus. I can see the levers and your Olympic gold medal is fading in the sun.
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Mar 14, 2010
Mar 14, 2010 at 3:11 PM UTC
Olympic Gold Megal
*"The Dresden clock continued ticking on the mantelpiece And the footman sat upon the dining-table Holding the second housemaid on his knees-- Who had always been so careful while her mistress lived" — From "Aunt Helen" by T.S. Eliot* It's laugh-out-loud funny how one death can change things. If she were here I'd blame it on a lifelong ill- fascination with Charlie McCarthy or a hang-up that's lingered since the bourbon-scented Santa invited me to sit. At some point you've got to get back on the horse though my levers aren't so easy to work and, I better get more than a stuffed Pooh bear out of this trip. It's still-deep water under the bridge because she's not.
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Jun 2, 2010
Jun 2, 2010 at 5:41 PM UTC
Ventriloquism gone awry
I would have taken Medusa Held her in my palms Freezing you from delicate feet To high strung arms I would have knelt to Athena With a smirk To deflower a goddess But you were too wise for that My flirts would be accompanied with a smack I would have carried Zeus upon my back Walking  88,729 miles from the sun In a race Where being fifth place Lets me know I've won Yes i would have been your reason Your brown leaves bringing about a new season I would have brought with me A silver bow And golden lyre Bringing about songs of Apollo As embers from the fire Hollow trees The holes in my heart I have filled with wine Dionysus in true of his time I would have called you mine I would have loved your beauty Touched your desires As i admired Aphrodite in blue The color i witnessed As i kissed you I would have been clever As i pulled the levers to your mind Quick as lightening To put out the thunders of our fighting Yes I'd be your Hermes And I would have named you **** When your lust for youth was taken I would have awakened as Aries Prepared for war When you had battles within I would have been a god To slay your demons
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Jul 21, 2013
Jul 21, 2013 at 4:24 AM UTC
Mythology
I see you and the moments pass so quickly I take hold as you slip away Time is tricky Forever in a day A day can last forever All that's left is to remember I begin to play with the clock's levers Out of control Too bold Too desperate I just want you now Now that it's passed Why can't I grasp impermanence? Denying the ticks of illusions Explosive tears can't drain this longing This sense of belonging Take some more of my breath Plus the hours I've spent pondering transitory periods It's my curse and the curse of most women Holding onto fairytales From childhood dreams Of princesses and thieves My hearts been stolen from my sleeve and hung out to bleed Watch as the blood hits my paper and savor your conquer As I wonder aimlessly Aging painfully
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Feb 3, 2014
Feb 3, 2014 at 3:28 AM UTC
Volatile
This poem was mused by: "Shakespeare won't look at me" by Thomas_W._Case -----------------------------------  -------------------------------- We fill our lives with work and stress in the lust for new possessions we're taught that this is called success and it makes for good impressions But pleasures we’re taught to suppress so our souls will fly up to the heavens but this flesh that god has gifted us are our only true possessions If we find ourselves casually undressed which is frankly, our natural condition and if ****** needs should be addressed there’s no need for ****** confessions for pleasure is something to be expressed if we’re alone or in a marvelous coalition So I wish you satisfaction in elations quest as you work the knobs, slants and levers because this isn’t some kind of competition P.S. Will Shakespeare was familiar with masturbation's guilty thrills. "The expense of spirit, in a waste of shame is lust in action" . . A song for this: Flowers by Miley Cyrus
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Jan 30, 2025
Jan 30, 2025 at 9:47 PM UTC
knobs and levers
Once the levers are pulled down squealing and removing themselves from silence, once we become noisy and our baritones are barges across rivers that separate us, once you become the Rock of Gibraltar and I can point my nose at you in the fog to gauge not only distance, but time as well, then I think it will resume. But as the night holds your tongue on its own tongue, moving you around inside its mouth in a *** of dense violet clouds, as so many cities burn in the sky, I will never hear a thing. I will only see your eyes running the gauntlet of a dense violet night and its violence of lighthouses revolving quicker than pulsars, increasing the walls of space. They scream in the void for some empty barge and its horn of compassion.
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Feb 17, 2012
Feb 17, 2012 at 7:31 AM UTC
Form.
The click, flick resounding from two sticks to summon forth flame that crackles across green which dulls reaction times and entices the brain has reached an end Synapses have been deceived sun up, sun down excited unnaturally in attempt to blanket the fear of future pressures Now the absence of substances has left the levers, switches, cogs, and wheels free to spin at top notch speeds accelerating realizations that I should no longer be afraid to be me
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Aug 19, 2013
Aug 19, 2013 at 1:19 PM UTC
A Farewell
A person sits and cries Knees together, holding her face Lips quiver, and tears leak from cracks Hide from the world Not just a girl But full grown A woman, long A clock clicks Wordless in the night It's not the precision preferred Everything is not all right It's face so pretty Decorated with scrolls Beautiful in architecture It tells the time But cannot really see inside It's mind isn't shattered It's still beautiful Cogs, levers, springs and gears It can only look at others Knows something is wrong It sees the world, all the other faces Clocks themselves, faces hiding minds Only hears the tick, click and tock Sometimes it rains, humidity brings Another tock, and knows it's off Just one more tick Make it work One has to look past the face See it's mind, complete Not the pretty, but Admire the precision Mechanical beauty Revenged emotional Struggling time Always trying so hard Get through the hours Minutes in seconds Maybe it's ok, a little slow A little fast, time makes time Looking at clocks Feeling only wrong But it's the slow and fast Moments between When someday, it seems That ticks and tocks Patchwork healing Shrugging, painful seconds Keep perfect time The other clocks Faces hiding broken minds Look to that grand Ol' tock See only that it goes Not its struggle So in her hands Tears slide down Her woman's cheeks All red, eyes puffy A mind restrained She hides her face, not So all the other clocks Can all go tick, tock Click, whir She only knows her Ignoring the fact that Her time is perfect For everything he needs Because the beauty of Elegance is precession His sense is timeless Wonder not measured For hours, creep Minutes, tick Seconds, wander But altogether She is everything
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Aug 20, 2014
Aug 20, 2014 at 6:14 AM UTC
The Clockwork Patchwork
A person sits and cries Knees together, holding her face Lips quiver, and tears leak from cracks Hide from the world Not just a girl But full grown A woman, long A clock clicks Wordless in the night It's not the precision preferred Everything is not all right It's face so pretty Decorated with scrolls Beautiful in architecture It tells the time But cannot really see inside It's mind isn't shattered It's still beautiful Cogs, levers, springs and gears It can only look at others Knows something is wrong It sees the world, all the other faces Clocks themselves, faces hiding minds Only hears the tick, click and tock Sometimes it rains, humidity brings Another tock, and knows it's off Just one more tick Make it work One has to look past the face See it's mind, complete Not the pretty, but Admire the precision Mechanical beauty Revenged emotional Struggling time Always trying so hard Get through the hours Minutes in seconds Maybe it's ok, a little slow A little fast, time makes time Looking at clocks Feeling only wrong But it's the slow and fast Moments between When someday, it seems That ticks and tocks Patchwork healing Shrugging, painful seconds Keep perfect time The other clocks Faces hiding broken minds Look to that grand Ol' tock See only that it goes Not its struggle So in her hands Tears slide down Her woman's cheeks All red, eyes puffy A mind restrained She hides her face, not So all the other clocks Can all go tick, tock Click, whir She only knows her Ignoring the fact that Her time is perfect For everything he needs Because the beauty of Elegance is precession His sense is timeless Wonder not measured For hours, creep Minutes, tick Seconds, wander But altogether She is everything
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76
Yellow-tinted-noxious-lung-warf-stunk-salty-oysters-stolen-rotten. Where am I? but the driftwood castle promenade, fish market gardens. Congo jungle, steam ship sunken in crying river, village elder persists at warning. Hear the fiddle burning, drug sullen quarter note steadily, it's veracious creak reverberates through me, the loveliness reveals me, and yet I cannot behold the. Negligent narcissus subdue me, hurry up and ***** me. Here is the birthplace of living curse, whats bottles up by living thirst, awakening face down in a black-bellied hearse. Driven hard line through desert ambit , throttle locked at 85, no control, levers, nobs, or nodes. Half a Cuban snuffed out poorly, sleeping in gaping jowls, I could not believe this thing even had an ash tray. Death had bailed and locked the doors, filled the tank, and whipped the devils horse. I worn the blinders and found my pockets stuffed with carrots and a lighter. Then i smoked what was left without protest, I was not about to ask what came next.
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May 18, 2013
May 18, 2013 at 3:50 PM UTC
Getting Gone.
light fixtures hanging down by a single wire, a single lightbulb adorning the end. large, gray and brown tiles checkered beneath my feet. inviting leather arm chairs caressing inviting cellular people glued to their books or cellular phones. warm, minty walls and a cool breeze through the door- the chill of autumn- so comforting. older, disgruntled, bearded men- most likely freelance writers? and soccer moms in yoga pants coming in for their six dollar lattes. not to mention the elderly ladies here for coffee and book club... the college student in a sweatshirt and jeans, fixated on typing- two espressos in hand. the baristas- in plaid shirts or floral dresses or striped blouses- busily taking orders, pressing buttons, pulling levers, calling out coffees. and me. sitting in my black cafe chair at my caramel cafe table with my large, smooth coffee, drowned in cream, and with my .5 pilot pen in hand, and with my old notebook before me. writing the autumn morning away.
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Oct 18, 2013
Oct 18, 2013 at 1:43 PM UTC
autumn mornings
Le Géranium d'Alger (dédié à mon ami Abder). C'était un plant de géranium, sans racine apparente qui avait poussé à Alger, sous le soleil si vif de la terre d'Afrique. L’ami Abder, me l'avait apporté, comme un présent choisi d'orange ou de soleil Il venait de «La bas», que nous feignons d'oublier Mais ou tant de souvenirs nous relient, par-delà l'amertume Tant de haine et de préjugés. Même si des plaies restent à vif maigres les porteurs de braises et les vaine vengeances entretenant les feux. au lieu de les éteindre et de jeter leurs forces pour rapprocher nos Peuples préserver notre même mer. Notre Méditerranée lustrale qui borde nos deux rives et de rechercher ensemble l'eau qui étanchera les soifs de demain, quels que soient nos Dieux ou nos idéaux. Je craignais pour ce géranium aux radicelles menues, qu'il succombe au vent d'autan et à ce printemps si pluvieux mais l'hôte d'Alger était de bonne souche accrochée à la vie et soucieux d'embellir «Tolosa la belle», qui brille et resplendit sur ces terrasses solaires de «la Comtale» nous faisant oublier que nous vivons en ville et goûter ce bonheur. emplissant mes yeux d'une multiplicité de plantes Méditerranéennes; bien sûr, irisées pas les fluides solaires arrosées par tant de couchers de soleil et les levers de lune. Ce géranium à trois têtes courbées par ces vents si fréquents, côtoie la menthe, le fenouil et la sauge et scelle une amitié profonde de natifs des rives de notre même Méditerranée. Paul Arrighi
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May 18, 2016
May 18, 2016 at 6:25 PM UTC
Le Géranium d'Alger
Le Géranium d'Alger (dédié à mon ami Abder). C'était un plant de géranium, sans racine apparente qui avait poussé à Alger, sous le soleil si vif de la terre d'Afrique. L’ami Abder, me l'avait apporté, comme un présent choisi d'orange ou de soleil Il venait de «La bas», que nous feignons d'oublier Mais ou tant de souvenirs nous relient, par-delà l'amertume Tant de haine et de préjugés. Même si des plaies restent à vif maigres les porteurs de braises et les vaine vengeances entretenant les feux. au lieu de les éteindre et de jeter leurs forces pour rapprocher nos Peuples préserver notre même mer. Notre Méditerranée lustrale qui borde nos deux rives et de rechercher ensemble l'eau qui étanchera les soifs de demain, quels que soient nos Dieux ou nos idéaux. Je craignais pour ce géranium aux radicelles menues, qu'il succombe au vent d'autan et à ce printemps si pluvieux mais l'hôte d'Alger était de bonne souche accrochée à la vie et soucieux d'embellir «Tolosa la belle», qui brille et resplendit sur ces terrasses solaires de «la Comtale» nous faisant oublier que nous vivons en ville et goûter ce bonheur. emplissant mes yeux d'une multiplicité de plantes Méditerranéennes; bien sûr, irisées pas les fluides solaires arrosées par tant de couchers de soleil et les levers de lune. Ce géranium à trois têtes courbées par ces vents si fréquents, côtoie la menthe, le fenouil et la sauge et scelle une amitié profonde de natifs des rives de notre même Méditerranée. Paul Arrighi
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