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Queso Nov 2012
Man had wept
as he watched the fall of Lucifer,
not so much due to the tragedy itself,
rather than the cutting, crystalline
beauty of the Icarian descent

After the absence of three hundred years
since the forgotten burning of Magdeburg(1),
when the Devil had returned to Europe
from the smoldering ashes of
South Africa(2),
Namibia(3),
and Congo Free State(4),
the soft hills of Picardy were
embroidered in gold
with roses and clematises

And since our girl had been fed with naught
but the shimmering positivism of Auguste Comte
from a silver spoon manufactured in Manchester,
beneath the charmingly moorish face of a lover
and a Prada he wore
quilted with railway, nation-state,
Art nouveau, electricity,
and liberal democracy,
never in her wildest, most horrendous nightmares,
-one of which was mere few dozen Jews dying in pogroms-
could she possibly imagine
His robust fingers,
so caressingly wrapped around her neck and cheek,
concealing the bayonet claws
of mustard gas and industrialized massacres

A god whose name we only knew
and whose warmth we only read of,
had called for the blood sacrifice of utmost purity,
to be fed to its altars for the promises of salvation

As the Devil ravaged her body frozen as the Siberian gulags
and her soul smoking away to the chimneys of Auschwitz,
he raked his nail to her cheek seized by the throat,
lasciviously whispering,
‘Here, this,
This is the kiss of progress
You have thrown so warmly your arms around’

Ninety-eight years had passed
since that fatal kiss of a lovesome late June,
though the summer days had returned in Picardy,
roses and clematises
no longer bloom on her hills
except as tributes for silenced youth
which petals lay as a civilization’s tears
as shroud over a massive bomb-crater of La Boisselle(5)

And never again, could she fall in love,
notwithstanding all the lover’s whispers
of the rational organization of human society
or the ultimate liberation of the working class,
for in her heart have always lingered,
the shadow of the Devil
whose chilling warmth of the Lubyanka cells
and the fiery dearth of the crematoriums of Poland
we had shared as whole, consummate days of youth

For there lies a tragic aestheticism
in deflowering of a rose just about to bloom,
for one delirious sense of snapping off the stem,
we had burned away all ardor of love for a century

---------
(1) http://en.wikipedia.org/wiki/SackofMagdeburg
(2) Concentration camps were first used as means of civilian incarceration by the British against the Afrikaaners during the Second Boer War
(3) http://en.wikipedia.org/wiki/HereroandNamaquaGenocide
(4) http://en.wikipedia.org/wiki/Congo
FreeState#Humanitariandisaster
(5) http://en.wikipedia.org/wiki/Lochnagar_Crater
judy smith Mar 2016
If you had to pick one adjective to sum up Michael Kors' collection at last month's New York Fashion Week, a good bet might be "feathery."

The designer was going for "the flirty freedom of things that move," to quote his production notes, and there were flirty feathers on at least 10 of the looks he sent down the runway - starting with feathers adorning a pair of jeans, and moving to feathers on a houndstooth tweed coat, on a denim or tweed skirt, and on black silk for ultimate evening effect.

There also were plenty of sequins, adding a very bright sheen to some of the fashions, especially a silver sequin embroidered "streamer" dress, with the hem cut into strips that indeed looked like streamers, and also a pair of seriously glistening silver metallic stretch tulle pants.

This is Kors' flagship collection, not his more accessibly priced secondary line.

Kors always has a healthy celebrity contingent at his fashion shows, and February's event was no exception: Blake Lively and Jennifer Hudson were among the front-row guests. They were there to witness an anniversary of sorts for Kors.

"I'm not one for anniversaries and I'm really not a big kind of looking-over-my-shoulder kind of guy," Kors said in a backstage interview. "But when I started designing this I realized, oh my God, this is my 35th fall collection. That's crazy!"

Kors added that as he reflected on the milestone, he realized the most important thing was to keep his fashion fun.

"I wanted this to be full of fun and charm," he said. "So it's very flirty, short, leggy, not a gown in sight. All the rules are broken because stylish people break the rules ... The seasons are crazy anyway. So when the weather's terrible, don't you want to put on a fabulous apple green coat to change your spirits? Don't you want to wear tweed with flowers? Don't you want to put feathers on flannel? Wear flats at night? Wear metallic for a day?"

From his sunglasses to his gold glitter pumps, Kors' collection exuded fun, not fuss. Even a denim skirt is luxe, when covered in feathers. A hoodie adds reality to a silver sequin cocktail dress. And who doesn't love handbags the colors of jelly beans.

CAVALLI'S DECADENCE

MILAN - Even while venturing back in time to the Belle Epoque era, Peter Dundas' latest collection for Roberto Cavalliremains rooted in the rock 'n' roll '60s and '70s. His collection bowed during Milan Fashion Week last month.

The languid looks were strong on glamour and workmanship, from the ephemeral sheer beaded evening dresses in pale shades to the colorful patchwork fur coats worthy of any rock star: art nouveau meets Janis Joplin.

''Decadence, superstition, mysticism, Gustav Klimt, Aubrey Beardsley - things that give me a kick," Dundas said backstage, describing his inspirations.

He said the Roberto Cavalli woman for the season is ''a little wild and instinctive."

The Cavalli animal print for next winter is tiger, in long skirts and short bomber jackets, while denim gets its due with a long trailing coat and flared embroidered jeans. Looks were finished with long scarves tied casually around the neck, makeup hastily done and hair loose and natural.

Notwithstanding the labor involved in his creations, Dundas says he would like to see his collections get into stores more quickly than the current system permits.

''I wish I could. I am working on it," Dundas.

DIOR'S PARISIENNE

PARIS - Vogue fashion doyenne Anna Wintour, former French first lady Bernadette Chirac and Chinese actress Liu Yifeiwere among the celebrities on the front row of the Dior show held in an annex inside the picturesque Rodin Museumgardens in January.

In the clothes, the "spontaneous, relaxed Parisienne of today" mixed with the iconic styles of the 1940s and 1950s.

High-cut post-War shoes with occasional retro ankle bows accessorized embroidered silk gowns in freestyle volumes - often with "sensual, bare" accentuated shoulders. A couple of flapper-style lace, chiffon and tulle look also evoked the joyful feeling of the 1920s - the period between the two World Wars.

Dior's studio team of designers also set about experimenting with the famed "bar jacket" - it "changes appearance depending on whether it is worn closed or loose," said the program notes.

It thus came in myriad forms: in tight, embroidered black wool, loose and white, open to expose the breast sensually, oversized and masculine, or as a beautiful dark navy wool coat.

There were also traces of the historical musings of past creative directors - such as Galliano and Simons - set off nicely in one look off-white wool "bar" jacket interpretation with flappy 18th-century cuffs.Read more at:www.marieaustralia.com/bridesmaid-dresses | www.marieaustralia.com/short-formal-dresses
İlayda Korkmaz Aug 2018
Take me to Vienna where the music walks.
Where the buildings invite you to sit,
And accompany them for a cup of melange.
Where the many palace gardens have jovial pique-niques,
With their bikes resting by the trees.

Take me to Vienna where life ebbs out
Where the past lives on,
And composers wave out the windows.

Take me to Klimt's golden city,
The city where even the grey Donau is welcoming.
Take me to Vienna and don't take me back.
EP Mason Mar 2014
I wish I were Frida Kahlo's vibrant Mexican flowers

Or Salvador Dali's dripping watch

Van Gogh's maleficent moon

Warhol's saturated polaroid

Klimt's ****** lips

Or Vermeer's cornflower blue and singular pearl

But I am yet to make a stroke in ones historical
aesthetical
eye
© Erin Mason 2014
Mateuš Conrad Mar 2020
.a very prominent interlude of bitterness - something that needs to be drank as an antidote of the aftertaste of a brothel... bourbon - sickly-sweet bourbon of a brothel... otherwise the best beer on these isles: the original stout: st. guinness - second, 13... hop house lager by the same culprit... i don't know about you but a regular IPA doesn't float my boat... stale pale ale of 3 day old sputnik ***** excavation of bio-matter living off of iron shrapnel and termite ****... let's not go over-board with the bitterness of fenugreek seeds added to a curry... but... a hop lager is not an indian pale ale... because? well: because of the excited circumstance of extra bubbles! once upon a time that horrid absinthe period... last time i checked i became the st. peter of the drug details... ***** tells you too many truths come the moral-hangover the next day... but ms. amber in her guise of adele bloch-bauer by klimt: take her for a whiskey, take her for a bourbon... a chanel no. 5... or a brandy or a cognac... please excuse me from drinking the ales... goldwasser: athens, sparta, venice... dan dan Danzig... i'd call the genesis of world war II to be... that envy of the city-state... the little cosmopolitan high-heavens of a concentrated locum... of affairs of both tourism and the subsequent merchant class... that Danzig didn't belong to anyone: not really... does it even matter now? the current city-state model is... don't bother filtering the excesses... it has to become diluted... you'll find pockets of concentration near them... yes... homogenous... therefore solaced by that fact alone... only teasing incorporating outside influences... it's not going to be a replica venice or danzig... for that you'd need a window... st. peter designated the window into europe as a capital with an access to the sea... not land locked... even though i'm pretty sure that moscow has a river running through it... jump-start the window: a capital by the sea... hey presto! a window: the baltic sea into europe... words that become apparent: microcongestion of undigested souls... a schrödinger's cat... one foot in limbo... another foot in reicarnation... lob it or nutmeg the footie: it's a particle when observed and a wave when not observed... an orbit for the schematic... but a cloud when getting into the nitty-gritty details: specifics oblong... misnomer... if my ******* into a tissue, subsequently flushed... then a baptism of a shower... is not a genocide? then... bullseye... the ***** that made it into the ****... it's an abortion mid-week... i'd count that ****** come a certain count of months... otherwise... well... there's that cat of his... one foot in limbo and one foot in reincarnation... wasn't it the western exhausted theological mind: from that god of the omni- litany looking toward the budding-ha-ha? abortion... prized ***** makes it to the egg... ah... ****** from the argument of effort... me and the basic schematics of genocide... otherwise: schrödinger's cat... one foot in limbo... one foot in reicarnation... better still... Farinelli! drop the ******* don a niqab! the muslims and an eye-fetish... mind you... i do have a hand-fetish... "fetish"... i can count five of hers and only four of mine... fingers! unless she is a proper Arab bride with roots of synonyms in the Ukraine... and she has butcher's hands... hot-dog fingers... and a kardashian thick-*** that is just readied for a 12" dung-digger of ******... while at the same time... breaking the floral patterns of a porcelain geisha's... "missing tongue O"...

manícorona: peanut-crown!

               in between the hype and...
in between the trough...
and the happy pigglets of prop
and grandour...

little charlie little dervish of
a dar: gift...
                        win-win scenario...
i'm worried about...
constipation...
           terribly bothered...
                    
         but there's also the fact that
i haven't seen a dentist for...
a donkey can count a decade:
at least that's my hope...

my tooth filling has become lose...
having finished with yesterday's
etc. i tried to fall to sleep...

the pain came as a blunt object
in need of sharpening...
it wasn't a sharp object per se:
to begin with...

the radio was off...
the dream of falling asleep to the sound
of rain like it might be
a song off the cure's disintegration
album: lost...

                 i concluded:
it must be a dream...
how else explain this trivial pain
of a tooth when all the bones lay
intact in a body in an impeding grave?

to have been lullabied by a trivial
pain of a loose filling...
                   i'll give it until monday
to check a dental clinic...
i'll wait... because:
god only knows i am bound
to learn something new from
this crazed - infuriating pain -

          but at least that has
constipation covered...
    fear not: ****** **** of the golem heights!
no chelsea smile up your alley:
any time soon...

        the crown virus...
sooner or later: yes my liege...
yes my sire...
i'm sure the africans will... jump the queue...
we've been raising money for
a malaria vaccine...
i'm sure they'll be quick-on-the-mark
to raise money for the crown-virus
epicenter! europe!

oh... come come... komme komme, meine liebe!
it's true!
the europeans will be fundraising
money for malaria...
while the africans will be fundraising
money for the peanut-crown virus...

or... i like that one quote i heard,
"somewhere"...
   a stewardess asks a mother whether
or not her son would like some peanuts...
the mother says... he's allergic to peanuts...
he's allergic to maize... air...
glutten... ******* haribo gelatin and all...
he's allergic to hiccups...

                           there's a winking match
involving imitation chess between
the very sick psychiatrists
and the mildly sick schizophrenics...
a bilingual comes along into their foray...
and asks: who's multiplying
and who's in charge of division?
all a splendid metaphor... wouldn't you agree?
there... metaphor...
already the focus is gone... splinters...
some go to metaphysics,
some go to metaphors...
some go to orthography...
some go to: telepathy...
        some go down the para-
hello, my name is Norman...

         it's natural then... darwinism in action...
hold a peanut to a crowd of
people allergic to peanuts...
the joy of cashews...
the joys of pecans...
   cashews, pecans, brazilians...
macademians... hazels and waldorff's...

no other feeling...
like a ripe hop lager in between
a bourbon's drip drip drip...
      
                   horrid breaking up an already
comfortable ideology... isn't it?
when something like this speaks for itself
and the "lamm von gott" is brought before
the altar...
                           darwinism sings!
sings! like the brian jonestown massacre...
this is my body... my peanut...
brought to a cult of peanut-allergy-riddled
anemics and haemophiliacs...
        
the darwinian ideology fizzles out...
when it's not longer looking up through
the telescope of a primate's ***...
but looking through the form most primodial...
i've been gardening for the past week...
i've watched an earthworm here...
an earthworm there...
        life without eyes without ears
without music... but this idiotic god-given
impetus, imperative, "will": "freedom"...
virus... crown virus...

sooner or later we'll all be kings and queens,
sneezing and waiting for the entire
small intestine to come out of our noses
like glue: glut and gelatin pieces
wobbling where once bones stood
to be later broken...

a beer in between these slugs of bourbon
will do just that...
all good when it concerns
of apes and men...
           the similarity greatly helps...
but of course we'll borrow from other
skeletons...
                  no one ever heard of a headache
from having "too much"...
i.e. od przybytku: głowa nie boli...
o ale boli boli boli...

      constipation...
            the peanut crown virus...
and a loose tooth filling...
                ***** blondes and "how many"
light-bulb jokes it would take
for a tsunami of bleached ***** hairs to turn
into a happy cousin itsy-bitsy:
a spider cravat... what else?

otherwise history...
   either a wet-dream or a castration...
              or the bull wrestled by the horns...
or a dog wrestled by either kicking it in
the ******* or wrestling with its mandible jaw...
echoes of warriors...
warriors and pirates... the lesser muscles
of a farmer? a blacksmith?
              either a wet-dream or a castration...
lost avenues of "heroes":
all leading to: up my ***... otherwise known
as my original churchill's V...
the welsh longbow men: ditto the fwench...

such a shame that so much of history
is to be filtered when the children learn of it...
and whenever returning to it...
it's as stale as an antique's roadshow...
or it's: skimmed over...
whatever natural selection gave...
i don't know whether it's natural
to witness this historiological selection...

some would say:
too much of a congested toilet: n'est-ce pas?
too many of the dead are still haunting us...
natural selection contra:
historiological selection...
                             the ape versus the virus...
it is over-inflated...
where are the boils, the blisters...
the glutton spew of ****?
                              
                     this is... it?
panic riddled neurotics?
   so... so... twiddle-thumb-twiddle-toe...
where are all the psychotic:
airing of the soul examples?
smoke and mirrors...
   if i see a *****?
   i'll let you know!
          we'll huddle and watch
tom hanks win an oscar for
Philadeplhia...
                          show me a *****
******* a zombie...
         this, this grand disguise as flu...
it's almost a precursor
to a greater joke...
       of... phantom limbs that
had grenades worth of champagne
bottles being uncorked as
the origin of the demise of...
if only they named the ship Prometheus...
Titanic is so general...
     Atlas... Hyperion...
                  Oceanus...
                                   you can't expect
to keep an adjective as a noun: afloat...
or could have... could you?

but about time you listen to all the darwinists...
when the seas are: a'rough...
ask them about not looking up from
that telescope via a monkey's ****...
about the darwinism of a...
very original... very basic: a first...
first in line end result...
that might have been us...

                 tough luck bringing
no wine and no bread...
to the congregation...
nut-allergy riddled whisperers and soon-enough
to be drop-off counts of: the sieve...
the peanut! crown - and:
if only it was as simple as a reconquista
of what the goths left behind having
stalled spain's worth
and having died off in north africa...

now's the time to stop looking through
a darwinistic: famous detail of:
the peeled banana on the inner-sleeve...
the root or yellow...
teasing you unpeeled for all that was
the velvet, the velvet and the underground...
a very pushy bladder...
i mean: fickle bladder little gremlin
with a yappy-yappy for a mouth...
and it's not the sort of mouth that echoes:
hungry! hungry!
the sort of mouth, though...
give it the plumber...
                          
        how very pedestrian of me.
Joshua Levesque Jan 2022
If I could take your hair on a loom
and weave the strands
into fine golden wool
to spin out a blanket,
I would melt down
into sleep
I think
Trevor Gates Jun 2013
It was the rain against the windows
And the moonlight sonata playing
That accompanied my transition
Into melancholy insomnia

In the mid-morning deluge of the overcast sky

The reading of books and Freudian dreams
The watching of movies, Kubrick stare and all
Where emotions are captured and paraphrased
Amidst fight clubs and Fantasia

The Klimt surrealism outreaching from the walls

A lone piano listens, glistens; ripples of time
All dissimilar reinventions
Swirling in the incense smoke rings
Dancing in the flowing spirit air

Free and marvelous among vacant living room eyes

Memories recall the rain of Pasadena
Over rustic-themed modernism for
Eager tourists and the nonchalant few
Whispering words to descend the stairs

From the surface to below where thrusting cocktails reside

Years ago in the same position
But younger than I am now
At another desk with a bleeding pen
Pouring over the torn fickleness and skin I saw

Matchstick men smoking flesh roaches in alleyway shadows

Something hidden underneath the seen frailty
Single mothers courting hairless young men
Cracked anchor teens moving to a beat not of their own
Act of demon from the hand of God

Itching skin and slimy **** for sexes of all;
the men can take a turn in bearing the small.

Tales written from reflection and soul
Those wanderers and solicitors passing over the sick
The dead that laugh and the living that cry
Cold flesh injections stock markets for cattle to imbibe

Like so many humans do
Onoma May 2018
effusion on the
melt, lingua franca
of gold.
tongued to the tip
of its flame, twine
of dusted skin--
lit with professing.
pilgrimage's keel over
into otherness, that
far off land.
tried truer than truth
on the lips.
membranous bouquets,
rippling beside rectangular
rain.
patchwork of an amorphous
doorway, administering
symbolisms that outshine
light.
scale's draw, the weight
of open arms met with
like weight.
a kiss such as the forgetfulness
of faces, as if to say: we've
come to this my love--lateness
surrounds.
*Inspired  by  Austrian Symbolist painter Gustav Klimt's: The Kiss.
fray narte Jul 2019
We were always so good at pretending, weren’t we? We would always climb rooftops and pretend that we were stargazers, christening constellations with our favorite songs. Look, there was Somebody Else. There was Nobody’s Home. There was Chasing Cars.

We would pretend we were souls from the 50s, reincarnated into another life — into another happy ending. We would pretend we were art critics, as if we knew **** about Klimt; as if we could tell apart baroque from classical. We would tell each other our weirdest dreams and analyze them, as if we were Freud or something, that misogynistic pig. Oh, you dreamt about us drowning together in the Black Lake? Oh, that means we were gonna have *** tonight, in the absence of the moon. We would pretend that we’ve circled the whole world and that Italy’s got the ******* blandest pizza. We would pretend that we were rock stars, surfing on the crowd.

We would pretend that we’d read the classics. Was that Harry or Henry in The Picture of Dorian Gray? Yeah, Hamlet was pretty cool, but who was Ophelia? ******* pseudo-intellectuals, we were. Nonetheless, I loved pretending with you. We loved pretending that the whole world wasn’t crashing down — that we weren’t stuck in this ******* of a small town, and that the world spun for us. We loved pretending that everything would be okay — that we could leave someday without looking back. We loved pretending that our lives weren’t all over the place. We loved pretending that we were the brave ones, that we could **** ourselves by 40 because the world wouldn’t be kind when we’re all old and saggy.

We loved pretending that we were too cool for mental breakdowns and for any kind of feeling. Honey, we loved pretending that we were psychopaths, too voided for love and all that other crap — that we hated clichés, while doing the most romanticized clichés anyway. We loved pretending that this was where the chapter would end, and that we were together in our make-believe ending. We loved pretending that we were the ones who stayed and made it.

Now, sometimes, I would pretend that we did. Other times, it would be me pretending I was all there ever was — that you never were here to pretend with me, and that I was okay. I would pretend that the rooftop wasn’t too high, and that I didn’t need your help to climb — that the company of city lights and the empty space were enough, honey they never were. Honey, I would pretend too that I never missed you. But I did.

I always did. More than that I would ever admit.

I would look at the stars, the ones we named but I guess they all had already fallen to the earth. You said that when you died, you would live in the shooting stars so that you could crash to the earth and come back to me. But it had been more than a decade since the angels took you away and I no longer stargazed, except tonight. And maybe, just maybe, when I would catch a glimpse of a falling star, I still wouldn’t wish that you didn’t chase your meds with *****. I wouldn’t wish that we didn’t find bubbles coming out of your mouth, like they were a part of your soul. I wouldn’t wish that I didn’t see you die. I wouldn’t wish that you were okay; we both knew we wouldn’t have clicked if one of us was happy or okay.

Heaven, hell, we didn’t believe in those. But when a star would fall unto my chest, I would wish that wherever you were right now or wherever you would be in the next life, darling, you would no longer feel the need to pretend.

And with no lies, no masks, no pretenses, I loved you. Here. And in the next. And in the lives after that, until we lived in one where we would both have the courage to abandon all pretense and just sit on a different rooftop, sharing silence — sharing honest thoughts — sharing the luster of distant stars. And tomorrow, our demons wouldn’t rise with the sun. And we would be okay.
judy smith Mar 2017
The streets of Paris were clogged by rallies and demonstrations on the Sunday of fashion week. At the Trocadero, a pro-rally for embattled French conservative presidential candidate Francois Fillon, blocking the route between the Valentino and Akris shows; at Bastille, an anti-Fillon demonstration.

The French elections — and ever-increasing security — were providing a tense backdrop to the autumn-winter collections, much like Donald Trump, Brexit and Matteo Renzi did on the fashion circuit of New York, London and Milan this season. Politics and the changing of the guard, women’s rights and diversity may make fashion seem irrelevant until you add up the value of the industry to the world economy. In Britain it is £28 billion ($45bn) — and that is small fry next to France and Italy.

Perhaps politics and social change have influenced the French designers for there was much less street style this season and a lot more tailored, working clothes on the catwalk. They used mostly masculine fabrics but worked in such a graceful way. You need only look at Haider ­Ackermann, Chanel, Alexander McQueen, Christian Dior, Lanvin, Akris and Ellery to see this — lots of great wearable clothes.

Karl Lagerfeld wanted to fly us to other worlds (to abandon the mess here perhaps) in his Chanel space rocket. There were checks, cream, silvery white and grey tweeds, for suits and shorts and dark side of the moon print dresses that cleverly avoided the 60s’ ­futuristic cliches. Silver moon boots, space blanket stoles and rocket-shaped handbags were as space-age-y as it got. There was quiet, seductive tailoring at Haider Ackermann — tapered silhouettes in black wool and leather softened with a knit or the fluff of Mongolian lamb for a blouson or skirt. At McQueen the asymmetric lines of a black coat or pantsuit were ­inspired by the fluid lines of ­Barbara Hepworth’s sculptures, whereas David Koma reclaimed the soaring shoulderline of Mugler’s 80s silhouette for pantsuits and mini-dresses for the brand.

Christian Dior’s uniform-inspired daywear was produced in tones of navy blue with 50s-style navy belted skirts suits, long pleated skirts and some denim workwear. “I wanted my collection to express a woman’s personality, but with all the protection of a ­uniform,” explained Maria Grazia Chiuri before the show.

There was more suiting at ­Martin Grant with voluminous trousers, cummerbunds and men’s shirting. The cut was more mannish at Ellery and Celine with ­Ellery balancing her masculine oversized jacket looks with feminine bustier tops with giant puff sleeves. The mannish look at ­Celine was styled with sharp ­lapels, slim-cut trousers under crushed textured raincoats, whereas ­double-breasted jackets (a trend) and peacoats over loose-cut trousers appeared at John Galliano.

Checks jazzed up the tailoring at Akris where there were more sophisticated double-breasted jackets and swing coats, and at ­Giambattista Valli from among the flirty embroidered dresses a dogtooth coat emerged with a waspie belt and a suit with a peplum skirt.

Stella McCartney displayed her Savile Row skills in heritage checks for her equestrian-themed show. Of course, she is crazy about riding and her prints featured a famous painting by George Stubbs, Horse Frightened by a Lion. It turns out Stubbs was another Liverpudlian, like her dad Sir Paul.

Of course Hermes’s vocabulary started with the horse and there were leather-trimmed capes and coats that fitted an equestrian, or at least country theme worn with woollen beanies and big sweaters, offering a different way of tailoring, in an easier silhouette with a soft colour palette.

The highlight of the week for Natalie Kingham, buying director at MatchesFashion.com was ­Balenciaga. “Great accessories, great coats and great execution of ideas,” she says of Demna Gvasalia’s off-kilter buttoned coats, stocking boot and finale of nine spectacular Balenciaga couture gowns reinterpreted in a contemporary way. “It was wearable, modern and the must-see show of the week.” It was also, she pointed out “the must-have label off the runway with every other person on the front row decked out in the spring collection”.

Although tailoring worked its subtle charms on the catwalk, there were flashes of brightness, graceful beauty and singularity. Particularly bright were Miu Miu’s psychedelic prints, feathered and jewelled lingerie dresses and colourful fun fur coats with furry baker boy hats. Then there was the singular look evoked by Austrian-born Andreas Kronthaler in his homage to his roots, with alpine flowers, Klimt-style artist smocks and bourgeois chintz florals worked in asymmetric and padded silhouettes for Vivienne Westwood — some of it modelled by the Dame herself.

Pagan beauty, the wilds of Cornwall, ancient traditions such as the mystical “Cloutie” wishing tree led to Sarah Burton’s enchanting Alexander McQueen show, which was another of Kingham’s favourites with its unfinished embroideries inspired by old church kneelers and spiritual motifs. “I loved the artisanal threadwork and the spiritual message that was woven throughout,” she says. The artisanal and spiritual she considers an emerging trend around the shows. “It had a slight winter boho vibe but much more elevated.”

Chitose Abe shared that mood for undone beauty with her Sacai collection of hybrid combinations of tweed and nylon for an anorak, and deconstructed lace for a parka, and puffers with denim re-worked with floral lace for evening.

There was more seductiveness at Valentino and Issey Miyake. The latter’s collection shown in the magnificent interiors of Paris’s Hotel de Ville, shimmered with the colours of the aurora borealis and used extraordinary fabric technology to create rippling movement as the models walked.

Valentino was a high point. On a rainswept Sunday Pierpaolo Piccioli cheered us with high-neck Victoriana silhouettes and long swingy dresses in potentially (but not actually) clashing combinations of pink and red in jazzy patterns of mystical motifs and numerology inspired by the Memphis Group of Pop Art. The sheer loveliness of the collection was enough to drown out the world of politics only a few blocks away.Read more at:http://www.marieaustralia.com/short-formal-dresses | www.marieaustralia.com/blue-formal-dresses
anmey Sep 2014
I am from piano keys
from steel strings and sticky wood.
I am from the sheet music under the stairs.
(Crumbled, torn,
it felt like old age.)
I am from the vinyl shelf,
The stack of cassettes
whose voices I remember more clearly
than my own.

I’m from van Gogh and Klimt,
from paint spills and ink stains.

I’m from sketchbook enthusiasts
and color pencil hoarders,
from More contrast! and Less lines!
I’m from stacks of canvas
with pastel faces
and a charcoal line to connect them all.

I’m from Grandpa’s radio and Grandma’s paint set,
vanilla melodies and citrus colors.
From my sister’s hands over my own
on the keys,
on the brushes with bent handles.

Between my fingertips are a
slew of eighth notes,
an abundance of contoured figures
to slip in my mind.
I am from these things—
painted and composed through—
a casualty of family art.
This was an assignment for English class. Our teacher had us emulate the style of George Ella Lyon in her poem "Where I'm From".
Madison Brooke Jul 2014
You are not a work of art.
Has the Mona Lisa ever breathed? Did the Venus de Milo blush the first time a sweaty shaking nervous palm slid into hers?
No;
The girl with the pearl earring never laughed so hard her stomach hurt. Klimt’s gold-shrouded lovers never heard a song so beautiful it was hard to speak.
But you?
You have lost yourself in the pages of a book. You have felt gravel shred the skin of your bare knees, cried when your goldfish turned belly-up in its glass bowl, extracted a sliver from your thumb. Last summer when the night seemed to stretch a million miles in either direction you sat in the backseat of your best friend’s ****** car, windows open, your eyes closed as the music and the soupy August air washed over you.
When you took that painting class you studied the swirls and whorls of Starry Night and traced the careful strokes of a master painter. What your teacher never told you to do was stare at your eyes in the mirror and do the same.
You spent all those years in awe of the lounging picnickers formed by millions of miniscule spots so close together they formed a whole. You never marveled at your own skin, at the pores and goosebumps and freckles that make up your flesh.
So begin.
You are more than marble. You are more than brushstroke. You are soul and sweat and skin and blood and life. There was something so important that the greats always failed to capture: that awful, aching, breathtakingly beautiful thing keeping  your eyes blinking, your synapses firing, your heart beating and feeling.
You are not a work of art. You are so much more than that.
moon child Jan 2019
Only the finest of artwork on my walls
Mark Rothko
Gustav Klimt
And countless photos of you
Ken Pepiton Feb 2023
You can say that again, later, it is -time
lace up the daily bag and pass it
for all private interpretation
removal, from the rumen, to the next
- gaseous we, Huxley called us, 1957

No, this ain't show business, this
is living, made in a made up mind,
being finished doing, just
living.

Making up reasons to dispute liars.

Maybe not a good living, but it's free.
Or paid for, any way.
Bought with a price
my grands won't be forced to pay.
- divided attention makes
- ads obliviate into the mercantile
- classification, in attention econ 101
It's free - this living
in the way well fed children do,
in America, outside the cities;

Joy pursued and grabbed in happy
fistfuls that fill laughing memory bubbles
to store for when these become
the olden days.

No, this ain't show business,
its sacred duty,
work of a thing,
made from a boy who looks
into flies eyes, gazing up
from the bottom of the cup,
a little glazed, perhaps,

owing the fly an easy escape, look away

Tricae,
tricae
"perplexities, hindrances, toys, tricks,"

The collections of thoughts,
the access to held thoughts, knotted
messages
to you
private moments,
time alone, as a mortal human being,
humus built, auto-repairing thing being

being, eh?
One-like, only, or
on-like, only going on and on and on,

becoming fruitful
becoming useful
becoming less and less useful, but
becoming more and more curious
becoming full enough to become superfluous.

Lay preachers can create cushions
for lazy wishers wishing to be comforted,
but the weighing of the worth of comfort,

lay preachers seldom do, to my knowledge.

Terminus gnosis, all I know, my bubble of knowns;
this is it…
a thousand stacks of sensible lines, atop precepts,

strewn beside the trail.
Heavy
heuristic heretical how-to do as I dones,
published by faith in the thousands, litter
the little hills the psalmist asked,
why they writhed and twisted,
as in a dance of anger wishing,

clear channel, me and the truth, today,
just/instance, this/ now.

Free am I, by the faith in me, but you
already
knew that,

don't you?
Don't you know, there is a musing mind,
we wear to bed, some nights,
we lay on memory foam, some nights.

Thinking sorted thoughts, untying lying links,
links to educated guesses fed you as new reasons

to be ever vigilant, ever ready to defend the faith,
the laughing faith of a child, leaping
into the sky

- my grandson, I just learned,
- asked for more math.

No class common man, that is what I am,
on the cusp of next, looking back,
at the mess I left, like a cyclone,
randomly distributing seeds of kindness, specs
by which an idle word can activate troves
of ancient autoresponders, each guessing
what if, what if not,
what if, what if not,
what if, what
if
not now, when. Pop.
Bubbles of been, leave go, go on, think it

through, and passed through, into
the now
where we formed, letters, letting words wait,
sit still, ready
for the reader, ready
to steady the quivering fearful thing,
lost in thought,
stuck in stacks of holy orders, hearer only,
only ordainded doers do the trick,
intricate, folding to make not a paper swan,

too, easy. Make a protein. With no model,
just the idea in the word applied to science,
proper pose, super knowing, proto-life-ish thing,
that is digestible using an infantile nourishing node.

What tricks do you know?, the magi aske Moshe.
Snake from a staff.

From the crozier of goatherd, sure,
we can all do that. What else?
---
Allusions to ever knowing, knowing as old
as knowledge given girls at their flowering,
as old a mystery as any orphaned mother may tell
her great grand daughters,
nobody told me any thing,

but I took it as normal,

As the patient potency prefecting
effectual
fervent
prayer, dramatized, made big as all
art
any
bubbled artifice holding essences,

essential bits of the daily grind to gloss
the leading intellect's reason for being
so shiny,
Klimt golden, as that one kiss I recall,

yes, a facsimile, a memory evocation,

a kiss, golden in that moment, infected
with a feeling
dramatized to be offered to all who see,
intricacies,
khipu twists and loops and bundles and beads,

accounting for dues,
instructing kaballah, pass it on

Excuse me, are you in the right realm,
we feel pluralized,
but you don't fit,
we are uniform,
uninformed,

excathedra, listen up, all eight billion now living, are destined
for certain death,
it is a matter of time, dying once,
can happen anytime,

and if there is a second death, so far,
I never saw any body do it twice,
once truth makes what I am free,
we stay free,
amen,
reception accepted kaballah, et al,
take that greasy grace, feel it,
as the oil ran down Aaron's beard,

and there were no poor denied
starship rations,
until the comet hit and all
but a single mind
blew, into this
a complete fiction,
or another compleat guide to fishing

Imagine the magic of the sailor's accounting book,
envision the magic of levers, and pulleys and cogged
wheels feeling the weight

ping
2023 Gravity driven or gravity powered, is it
one
or the other, when it come be to inspire
first fears
to frame wisdom pools,
at depths we learn
to believe,
prove each participant,
worthy of keeping,
the secret.
Salt of the earth, deep down dehr dat
Caribbean Sea,
shore line fracture,
follow the riverwise road,
any thing you think you must bear,
don't blame,
sometimes it pays, to bend.
Grasshopper Locust practice, for the mind
of an ant.

Wisdom harnessed the fear of God,
put it down,
in other words,
when there was nothing
but E, mass and time being assent
esse, sentient, in sentient and ex
insentience, sapient over lay,
- honeycomb tripe pattern, say
- why not ruminate enclosed
- in a beauteous inner digestive
- recluse-exclusive-sub-science con
ified, tied ligously, fi,
to witty means, and ways we prove
gravity is our friend, driven power for all life,
strong as earth itself, but, we are

in the burning phase,
let me bring you down,
cause being accused, does that
to a stranger
being
entertained, or entertaining, on an aitia
let me
reason,

have you come for more, or do we have
too much
of too many things
to make too much
sense
of any particular reader/writer ifery algorithm,
if then,
else is this, current, slow, nodding, flux,
capacitance
loading axially,
if each mind thinks right once,
today, we have enough,
let's save the world.
- that easy, eh?
global restoration, Christ, yes,
that is the plan.
As the planet was.
Prior to Peleg's days.
Intended to have a single
dry land mass,
Wisdom pushed
for plates meeting
and using ice
at the top
of the world, as seen polaris up,
spinning
in a slow wobble
through four
seasonal positional hot-cool-cold-warm
gyre drivers, saline liquid epicycles, sisters
of the four winds
as a flywheel effect
in the telling times… a little imbalence leaning helps
with the wobble,
in the event,
slim to none,
the odds, but,
Don't Look Up. It could
reoccur, and shall, if
Nietzsche's epicycle

has wheels. Graham Hancock, on clocks…cosmic

Mindspacetime, the elite flight,
secretshitistic, it is, most certain, it is
fantasmic imagining
E not equal any thing, mere words
-jello-timingoooisht
between me and thee,
no point, not one, between the we
we become,
in the final analysis, if you wish,

might
you wish,
long, lazy river readers, re-mind
their lost selves, how innocense felt.

The worth of an unsold story, given
as a gift, as a poor artist might
attempt
a portrait
of their daughter's children

- "that little thing"
Done. As best he could, he believed,
at the time,
as it is
with
everything being as is when we arrive,
we adapt
or become the insane opposition,
to anything,
just
be the counter weight on the pendulum,

keep things swingin'

feel time slide
into the real deal,
at the crossroads
in the wayback seat,
sayin' honey, you ain't here
after what I'm here after,
y'gonna be there, after I'm gone, as  asong
that was
once a joke ended you gonnabe here
after I'm gone, but

seemsayin' eye
squint, see,
way back
when,
we were otherwise involved, affirming
sacred oathes, we swore as children learn
IT being life, whatever,
it don't mean
nothin'
is not a joke, it's ahint, to readers, ready
writing is key to reading,
vertical eyed
qwerty keying is learned,
phone wide,
natural, feels familiar
style adaptation
as cuneiform once was,
years of hearing the same words,
said and resaid, story after story stacked
in
time, measured by stargazers, called, by god,
eyes like eagles, these minds expand, and see
the order of the cosmos,
and the chaos of the collective sub-science

locked by a generational curse on oathes
under the God those kids had in mind,
September, 1954, first day of school,
all across the Wyatt Earp of Nations,
each child not religiously exempted,
stood, right
hand on heart and repeated, as a national
student body, K through 12, a pledge,
local time 9 a.m. nationwide,
not unlike
a true Tenant's pledge of fealty,
as recorded in
The Compleat English Copyholder:
Common and Statute LAW of
England, relating to Manors
and Lords of Manors Et c.
- buzz nod what instance… seven seconds
Sorry, Under God, was added to the pledge
that year, that affectionizes those exposed,
we meander under god, think it not strange.
It’s a legendary trait, we'll all be remembered a bit.
- default modemod is always beguiling temptation
- for temptation sake, win a game, get the rush.
of chasing hares
to where the conies hide,
feeble folk, but they live among big rocks,
reason enough,
use what you know is right,
hide from things that eat you,
that evolves
in nations
with no elders, constant defence mode
peace makers seem
feeble folk,
who knew,
and fell away, impossible to renew,

whoah, zeke play me that riddle,
'bout scrublands being humbly blissed
so long- wayback, anchoring the authority
17
that's me, I
fiddled around
and blew the clearwater revival
to kingdom come, Muddy Waters, aight
and there was hippies, ever whar, swanee,
so I do, I swan no no no no mo
lie like the devil for the sake of church heritage,
holy warrior sworn, heart torn, tears shed, tongues
spoken.
You know, when gravity is taken
in, your weight, sunk
into the reasoning
swung wide
in progress, no aim, past the cloud,
for crying out loud, this is louder than ever,
listen, no
silence
all that
noise, is natural
to persons genitivally, ok, cross
shadowed animus anima imitation,
in your cultural genes, cowgirl
seeing the world a yingyang thang,
with gravity and the E-magnetic shields
allowing systems to com-uni-cate locally,

scarey
indeed

too much,
the scope
of any thing one might think
or ask,
as in what was that rule
of LAW once?
I read
Compleat Fisherman's Guide U recall led
to , yes, The Compleat English Copyholder:
Common and Statute LAW of
England, relating to Manors
and Lords of Manors Et c.
is on Google books, masterfully typeset

Feel free to learn all you will, 'tis all in the Common.

as, by now is much that may have been, otherwise,
in needier times,
less riches, more sorrow,
less sorrows, more riches, peace.

Made that my after all battlefield task,
no mas win or lose.

My side, on the scalar models is gravity empowered,
heavyweight, ancient concept,
gradient slopes
with long lazy loops
on the downhill side,
listening
to kids make all the noise they wish,
two chalk walls away,
in the bubble we all breathe.

To this day, whatever it took, it worked.
Life gets as good as you can make up a mind

to accept, as
this is it,
this is my bit. My close up. To the exact point
where I breathed that bubblierised wedom-opinion

opinion opinion opinion okeh, settle years ago, okay
we all say okeh here, holy ground,
entire collection of recollection on that victory alone.

Okeh, is still the proto voice model, ok.
If you like it, I'd love if you shared it in whole or in part, it is a whole chapter in a novel form of literature, native to the internet age,
type set for vertical receivers
Connor Feb 2017
The unsettling fishtank
dream remains/ luminous!
& yet confined to it's own/serene state
of sheltered existence, there is no/reaching in and interrupting this Indian fire two thousand years old/only a deep sense of burden that you couldn't n will never/
be a section of its gaze

There will be no kindling of Spirit while whispering the secret of your/madness to
a staircase/
      There will be no eyes & alms to forgive and guide your restlessness at night/the sky will not forget your cowardice in absolute emotional expression
How you stray from kissing a holy lover the way you've always ached to!

The Summer will not reverse its eternal poetry from your skin/
will not smile watching you blunder through childhood, tending to your fear with higher
priority than your great wound

It (this longing to be smothered & worthy rest) will not reschedule to next week
just because you read the daily horoscope
and it "applies" to you now!
/soldier & your MobyDick heart & saintly revelations on the silence of your neighbors & shaving off ur insecurities/causing you to bleed & be sent off to the HOSPITAL & the staff is laughing down at your mangled face, anyways

& you have done with the destruction caused in a moment of blushing cheeks

Dye fills the head with ego painting & unexpressed volumes ! Oh!

      The circus remains fearless but still uninformed, worn down in its senseless practice & schoolboys cry observing the clouds lose train of thought to the music of Berlioz

My terrible soul skips/unblinking from the pondrous black cat who lingers above my dreamworld/to Gustav Klimt & his empyrean entanglement/
      out to the parking lot which cannot mind it's own bussiness

    trees of insoluble space
         haiku lion
                  prisons kept hush hush
                         so its prisoners may forget
                         again where they weep

(how are you dear? I wish I could be a lasting impression)

Since birth
many of us have successfully
avoided the barbaric
heat of life
        I haven't been uplifted by beautiful
        laughter in a long time
the laugh that uplifts this whole Earth

A child to die so early
Chikelu Eshe May 2017
satisfaction when falling
into the bottomless
two minutes slip by

all my lifetime of trying to recognize
spiritual masters, instead -
potential parents
flood the tunnels with the bad manners and
dressed in dark grey and green

such repugnance -
decadent as **** malevich
i crawl into his smoky rib cage
forget that the language
is dead.
he pauses, rushes and pants
paints his face skeleton
eyelids blank like i pictured - but
no seattle sound. math rock and machines going off they rocker
no rolling stone
**** her string along that neck
come back reborn. shut the door
collapse in the bathroom, throwing up
into the telephone -
sa ding **** made up words
or looped cuban songs -
back in the day is gone
not anymore not anymore

what do ripped jeans mean to you?
or 16th century persian poets?
when your mind is set afire
swarthed
you like women in klimt’s canvas
light beams through your slits
so you won’t drown in
ruthless thoughts stream
when your deafened ear catches
the ovations
pervading, dying blue note
still not the ending

madame blavatsky unfolding the envelope:
i’m the circle on palm leaf manuscripts
with a dot in the middle -
you’re the reason. the clarity and the void
the eye in between
the missing capstone, i am the folklore
strange beings with fishtail and
i might be the lizard
king, violet violent dressed in crimson
you squeezing them lemons
tequila so creamy
when spiky black leather rips through
the wires, sound effects are your favorite
print shops, in them zines. your dialect
you savor - licking your lips,
saturated and smeared, paranoid
black sabbatical
moon-kissed.

i know you all umbilical visceral
bite your teeth into and cut
catalonia - two halves, dry mouth
and scorching sun
you know i’m subtler than the red
a lotus flower growing in the west
silk sheets in ultraviolet, as soon as
you come to rest
i can smell the war in your curl
jet black and charcoal -
no matte.

no hole in your chest - yet
microchips, they flicker
under your skin as the muscles twitch
in the rem sleep;
black madonna’s humble soft gaze
through the painted veil. marble or onyx
did you feel defeated? when you’ve fallen?
into the bottomless - unknowing
fungus-like growing
upsidedown along with the
torus

cycles and waves, when it’s not subatomic
i wish we’d perceived past the
electromagnetic; distant planets and stars
tease my potential. if only
i wasn’t eclectic, if only
i was in zazen

i accept; sit back sense the vibrations
mind-vacuumed perception not split into parts;
a black whole: if you, color, still there
up high; this deceiving metronome
sound time-travelling in circles
splashes across; carmen in carmine
a girl walks home alone
feline; l'via, cygnus,
jimi,
come on
why don’t you set me free
vf Mar 2015
A yellow, Klimt-colored aura,
knuckles brushing,
the scent of old money. Vaguely
I get a feeling that I'll remember you
for all of the rest of my life.
youre so special in a normal way
Dr Peter Lim Jul 2021
Her sorrow she hides

she weeps when none is around

love is betrayal
fray narte Sep 2019
i cold write poems about
klimt’s the kiss, soiled and stained in your garage,
how we’re all a mess of basorexia and urgent fingers,
darling, take me in your hands, i’m not gonna fall apart
like dead chrysanthemum petals.


i could write poems about long nights and long drives,
how the road had seen all those **** promises,
love, we’ll never repeat my parent’s history of falling out of love.
and yet history does rewrite itself
in different words,
different phrases,
different roads yet all the same.

i could write poems about
how you resemble the moon —
exquisite, beguiling,
and i am icarus,
all wide-eyed, all moonstruck,
all aware of the risks.

but no, darling

because as it turns out, this poem is about
the kisses planted on wrong places
and our bed, it’s filled with petals soiled by the earth.

darling, this is about us,
zipping ourselves in my parent’s skin,
oh how they lead us back to blood and bones
we’re running away from.

this is about the moon’s deceptive silver shades
and icarus,
falling,
plummeting,
crashing once more to the ground.

this poem is a mess of words
about our downfall.
this poem is a mess of words about you, darling.
a mess of words about you —
a mess of words about you gone.
Emily Miller Oct 2017
White walls,
No windows,
Perfect square,
Rough carpet,
Same chairs in every room,
That trademark color,
Not green,
Not grey,
But some unfortunate color in between,
Like someone ate grey,
Then washed it down with green,
And someone else opened them up,
And that’s the partially digested color that they found.
Everything gilded in dull alluminum,
Like a poor man’s Klimt,
Cold table legs
And chalkboard trays
And door handles,
Door handles all day long,
I touch the door handles sixteen times a day here,
And I can feel the hands of every sweaty, unwashed  drone
That has touched it before me,
That unpolished texture grating against the tips of my fingernails,
The cold,
The vibrations of the grinding hinges,
And the herds of zombies on the other side,
Anyone touching the door,
Making that loud, resonating sound
That moves through to the ******, monotonous handles
And into me.
Linoleum,
All day, every day,
That God forsaken color,
Checkered with white tiles,
Something like white,
But not quite white,
Not nearly as white as the walls,
Speckled with another color,
Like something that would burst out of a caterpillar if you stepped on it,
In an infinite mosaic from hall to hall.
The mood is set on this liminal stage,
By a series of florescent spotlights.
The same light by which we watch the dreary, surreal dreams play in our heads,
It is this light that illuminates my waking nightmare,
The knocks on the nerves behind my eyeballs,
And I hide,
And pretend that no one’s home.
a name Dec 2021
i'd love to forget the first time we did it
so that every moment after will feel like it's brand new

the wind covered us in a cold blanket
bringing us closer to each other's warmth

there was nothing pretty elsewhere
no sunset
no butterflies
no flowers

but you

and only you
only your cheeks
your chin
your ridges
your lips

and so i went
a slow progression
sightsee and pilgrimage

and i felt riches from every visit
till i reach your mecca

softer than finger touch
smoother than wine glass
moister than tiredness

first with the hesitation
two puzzle pieces with fuzzy edges

but it didn't take long for them to fit

and when the right pair aligned
it formed an image prettier than any mystery

eat your heart out, klimt
no gold can ever gild us the same
than our touch

eat your heart out, botticelli
my venus is fairer than creation

eat your heart out, mansa
i have crossed tougher beliefs
tougher wars
tougher deserts
just to get where i am

and where i am is in the memory of her lips

and where she is in my soul
poetryaccident Sep 2017
All art is ******
so said the great Klimt
master of gender
put to oiled cloth

expressing emotion
the lens that reveals
well of desires
cloaked in abstract

gold leaf enhances
nature’s pure bliss
attraction to eyes
from curves mixed with lines

back to ******
though I’ve not far swayed
from master’s side
with words put to page

I’ll look to my own
how I echo him
hinting the lewd
while stating the lust

mine is mix
objective one day
subjective another
the blur is my kitsch

exploring dynamics
the spectrum of life
those I inhabit
and those that I love

the craft speaks to carnal
then turns back to skill
beauty expressed
****** revealed.

© 2017. Sean Green. All Rights Reserved. 20170930.
Gustav Klimt is credited with the quotation “all art is ******”.   I found this to be incredibly intriguing,  especially as I walk the line of eroticism in my poetry.  An examination of this created the poem “****** Revealed”.
CC Nov 2019
Where do I meet you my dear friend?
If you are both the past and the end
Then will you come with me to the middle?
We could be together like children
We aren't truly who we want to be
Until we find out that we haven't got enough money
We aren't who we truly want to see
Until we find out that we are worth more than money
Wherever you think you should be
It's not the elsewhere that you should be in
Take the inside of your life
And unfold it so you can see
It's much bigger than what you thought
Please don't claim littler things for yourself
Claim the bigger bigs that your remote control heart asks for
Volume up until you realize you're not speaking loudly enough
You raise your glass like you raise your voicebox
To toast all the minor scenes you've been an extra in
Prove to yourself, you're made for the silver screen
If a sliver of gold could fill a Klimt
Then the canvas you have ready would be worth a golden bar
Listen up my dear friend
You're not in a box, you're in an inbetween pause in the composition of this song
We can meet sometime in the middle
Where you're 29 years old and I'm 30

— The End —