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Kendall Mallon Jul 2013
Book One


Prelude:

As Romans before them, they built the city upward—
layer ‘pon layer as the polar caps receded
layer by layer—preserving what they could, if someday
the waters may recede back into the former polar
ice caps; restoring the long inundated coastlines.


Home:

A man sat upon a tall pub stool stroking
his ginger beard while grasping a pint loosely
in his other hand. An elderly gent stood
next to him. The older gentleman noticed
that the ginger bearded man’s pint sat almost
quite near the bottom of its tulip glass.

A woman with eyes of amber and hair
as chestnut strolled through a vineyard amongst
the ripening grapes full of juice to soon
become wine. She clutched a notebook—behind (10)
thick black covers lay ideas and sketches
to bring the world to a more natural
state—balancing the wonders and the merits
of technology apace with the allure ‘n’
sanctity borne to the natural world.

When the ginger bearded man finished the
final drops of his stout, another appeared
heretofore him—courtesy owed to the elder
gentleman. “Notice dat ye got d’ mark
o’ a man accustom amid the seas,” (20)
he inferred; gesturing the black and blue
compass rose inscribed inside a ship’s wheel,
imbedded into the back of the ginger
bearded man’s weathered right hand.
                 “I have crewed
and skippered a many fine vessel, but I
am renouncing my life at sea—one final
voyage I have left inside of me:
one single terminal Irish-Atlantic
voyage t’ward home.” (30)
“Aye d’ sea can beh cold
‘nd harsh, but she enchants me heart. Ta where
are ye headed fer d’ place ye call home,
d’ere sonny boy?”
     “’tis not simply a where,
‘tis a who. Certain events have led me
to be separate from my wife. For five
eternal years I have been traveling—
waiting to be in her embrace. The force
of the Sea, she, is a cruel one. For (40)
it seams: at every tack or gybe the farther
off I am thrown from my homeward direction
to stranger and stranger lands… I have gone
to the graveyard of hell and the pearly gates
of (the so called) heaven; I have engaged
in foolhardy deals—made bets only a
gambling addict would place. All to just be
with Zara. I am homesick—Zara is my
home—it doesn’t matter where (physically)
we are located, my home is with Zara. I (50)
was advised to draw nigh the clove of Cork
and wait; wait for a man, but I was barely
given a clue as to who this man is,
only I must return him this:” the ginger
bearded man held out a dull silver pocket watch
with a frigate cut into the front cover
and two roses sharing a single stem
swirling upon themselves cut into
the back.
   “Can it be? ‘Tis meh watch dat meh (60)
fat’er gave t’ meh right before he died…
I lost it at sea many a year ago.
It left meh heartbroken—fer it was meh only
lasting mem’ry of him… Come to t’ink I
was told by a beggar in the street—I
do not remember how long ago—dat
I would happen across a man wit’ somet’ing
dear t’ meh, and I’d accomp’ny dis man
on a journey, and dis man would have upon
‘im d’ mark of a true sailor…” (70)
    “Dear elder man,
my name is Abraham; the mark you see
represents the control that I have on my
direction—thought it appears the Sea retains
some ascendancy… Yet now, it appears,
the Sea is upholding her bargain—though
a bit late... Do you, by chance, own a vessel
that can fair to Colorado?—all across
this mist’d island no skipper ‘ll uptake
my plea; they fear the sharp wrath of the Sea (80)
or (if they have no fear) simply claim my home
‘is not on their routes…’ i’tis a line I’ve
heard too often. I would’ve purchased a vessel,
but the Sea, she, has deprived me completely
of my identity and equity.”

Zara, with her rich chestnut hair sat upon
a fountain in a piazza—her half empty
heart longing to savor the hallow presence
of Abraham, and stroke his ginger beard…
Everyday she would look out at the sea (90)
whence he left…
     All encouraged her to: “forgo
further pursuit”; “he is likely deceased
by now”—his vessel (what left) scuttled amidst
the rocks of Cape Horn, yet Zara could feel
deep-seated inside her soul he is alive;
Alive (somewhere) fighting to return home.
Never would Zara leave; never would she
abandon post; she made that promise five
years ago as Abraham, ‘n’ his crew,
set out on their final voyage; and she (100)
would be ****** ere she broke her promise—a promise
of the heart—a promise of love. Abraham
said: “You are my lighthouse; your love, it, will guide
me home—keep me from danger—as long as you
remain my lighthouse, I’ll forever be
set to return home—return home to you.”

Out from Crosshaven did the old man take
steadfast Abraham en route to his home.
Grey Irish skies turned blue as they made their
way out on the Irish Sea, southwest, toward (110)
the southern end of the Appalachian Island.
The gentle biting spray of the waves breaking
over the bow and beam moistened the ginger
bearded face of Abraham; his tattooed
hands grasped the helm—his resolute stare kept him
and the old man acutely on course.
A shame,
it struck the old man, this would be the final
voyage of Abraham… he: the best crew
that the old man had ever came across; (120)
uncertain if simply the character
of Abraham or his pers’nal desire
to return home in the wake of five long
salty-cold years—a vassal to the Sea
and her changing whim. Never had the old
man seen his ship sail as fast as he did when
Abraham accorded its deck—each sail
set without flaw: easing and trimming sheets
fractions of an inch—purely to obtain
the slightest gain in speed; the display warmed (130)
the heart of the old man.
        And thus the elder
gent mused as he lightly puffed on his pipe
while sitting on the stern pulpit regarding
at Abraham’s passion to return home
(as he calls her):—maybe dis is d’ reason
d’ Sea has fought so hard, and lied, t’ keep
Abraham from returning home… Could not
bear t’ lose such fine a sailor from her
expanses—she is known t’ be quite a jealous (140)
mistress…
      But for all Abraham’s will and passion,
the old man insisted for the fellow
to rest; otherwise lack of sleep would cause
the REM fiddler to reap his debt—replace
clarity of mind with opacity.
Reluctantly stalwart Abraham gave
in and retire below deck—yet the old
man doubted the amount of rest that he
acquired in those moments out of his sight. (150)

For the days, then weeks, in the wake of their
departure from the port-island Crosshaven,
the seas were calm as open water can:
gentle azure rolling swells oscillated
and helped impel the vessel forward. The southern
craggy cape of the Appalachian
Island pierced the horizon. Like a threshold
it stood for Abraham—a major landmark;
the closest to home he had been in five
salty long years—his limbo was beginning                               (160)
to fade, his heart slowly—for the first time since
he left port in eastern Colorado—
started to feel replete again. The Great
Plains Sea—his final sea—he would not miss
the gleam of his lighthouse stalwart on shore.




Book Two

Oracle:**

Upon a beach, Abraham found himself alone—gasping
in gulps of moist air like that of a new born baby first (10)
experiencing the breathe of life; he felt as if he
would never become dry again… the salt burning his skin
as it crusted over when the water evap’rated
into the air; Abraham took the first night to rest, the
next day he set to make shelter and wait for a rescue
crew; out he stared at the crashing waves hoping for a plane
or faint form of a ship upon the horizon…days and
nights spun into an alternating display of day then
night: light then dark—light, dark, light, dark, grey, grey, grey…

Abraham (20)
gave up marking the days—realized the searches are done—
given up after looking in the wrong places (even
he did not know where he was…) the cold waves and currents took
him to a safe shore away from his ship and crew, in a
limp unconscious float…
From the trees, and what he could find on
the small  island, Abraham occupied himself with the
task of building a catamaran to rid himself of
the grey-waiting.
Out he cast his meager vessel into (30)
the battering surf; waves broke over his bows and centre
platform—each foot forward, the waves threatened to push him back
twofold… Abraham struck-beat the water with the oars he
fashioned; rising and falling with the energy of the
waves; Abraham stole brief looks back with hopes of a van’shing
shoreline—coast refused to vanish… his drenched arms grew tired;
yet he pushed on knowing he would soon be out passed the
breaking waves; then could relax and hoist sail; yet the waves grew
taller—broke with greater power… Abraham struck-beat the
water with his oars—anger welled—leading to splashes of (40)
ivory sea-froth instead of the desired progress
forward; eventually, his arms fell limp beyond the
force of will… waves tumbled him back to shore as he did the
first night upon the island…
Dejected Abraham lay
in the surf that night—the gentle ebb of the sea added
to insult, but hid the tears formed in the corner of his eyes—
salt water to salt water… the next day Abraham took
inventory of damage: the mast snapped in multiple
places, the rudders askew—the hulls and centre structure (50)
remained intact; the oars lost (or at least Abraham cared
not to search); over the next weeks he set to improve
the design and efficiency of his vessel—the first
had been hurried and that of a man desperate to leave;
the bare minimum that would suffice—he set to create
a vessel to ensure his departure from the des’late
accrue of sand and vegetation; Abraham laboured
to strengthen his body—pushing his arms further passed the
point his mind believed they could go—consuming the hearty,
protein-rich, mollusks, and small shellfish he could find inside (60)
tide pools or shallows—if lucky, larger fish that dared the
nearby reefs.
Patiently, Abraham observed the tides and
breaking water; he wanted to determine the correct
time to set off to ensure success—when the waves would not
toss him back to the beach; the day: a calm clear day—only
within few metres of soft beach did there exist any
breaking waves, and those that broke were barely a metre high;
loading provisions upon the vessel, Abraham bid
farewell to the island (out of wont for the sustenance (70)
it gave not for nostalgia) grasping his oars, he set forth
to find open sea—where the waves do not break and set you
gingerly on foreign shore(s); Abraham paddled passed the
first few breaking waves, his heart pounding with hope—he stifled
the thoughts (celebrate when the island is but a subtle
blue curve upon the horizon); as the island began
to shrink in his vision, the sky to his back grew darker…
the waves started to swell—moguls grew to hills—Abraham
stroked up and rode down; the cursèd Island refused to shrink…
if not begin to grow wider… stroke by stroke Abraham (80)
grew frustrated—stroke by stroke frustration advanced into
anger—stroke by stroke anger augmented into fiery
beating of the water!—Abraham struck and struck at the
Sea—eyes closed—white knuckles—trashing!—unsure which direction
he paddled…sky pitch-black, wind blowing on-shore Abraham
bellowed out to the Sea in inarticulate roars of:
hatefrustrationpitydesperationheartache!
Towards
Abraham’s in-linguistic roar, the sky let out a crack
of authority! a wave swept the flailing Abraham (90)
into the ocean—cool water only heated the rage
in Abraham’s mind—his half empty heart only wanted:
to sail home, become whole  again—sit under and olive
tree and stroke the chestnut hair of Zara as she drifted
off to sleep on his chest while he would whisper sweet verses
into her ear… Abraham’s rage, beyond reason, forgot
the boat and all clarity, he tried to swim away from
the cursèd island—scrambling up waves only to tumble
back with their breaking peaks—salt, the only taste in his mouth;
churning his stomach to *****; his kidney’s praying he (100)
would  not swallow anymore… his gasps stifled any curse
Abraham’s head wished to expel onto the Sea—yet she
swore she heard one final curse escape his lips! at that the
Sea tossed Abraham (head first) into his ghost-helmed vessel—
all went dark for hostile Abraham…

Contemplating back
at his rage—knowing the barbarian it makes of him,
Abraham peered into the band inscribed into his
ring-finger and saw the knot tying him to Zara—shame
at his arrogant-uncontrolled-fury sent Abraham (110)
into a meditative exile inside of his mind
(within the exile of the island…) in his mental
exile Abraham spun into deeper despair at his
two failures—even more at the prospect of failing the
vow he professed onto Zara: return home—home from this
final voyage, grow old with her on solid ground, never
to die apart and cause the pain of losing a loved one
without the closure of truly knowing the death is real,
to die by her side white, white with the purity of age…
Abraham’s destitution turned inward—his fury, the (120)
lack of control, the demon he becomes when rage surges
through his muscles; equiping him with untamed strength without
direction or self-possession—so much potential, yet
no productive way to use it… Abraham’s half-full-heart
burned, ached with passion and anguish—all desire
focused on home, his return, but the mind’s despondency
and insistent ‘what-ifs’ kept poor Abraham prostrate in
his mental cave—all his wishing for anger and vi’lence
to force his will, it did more to retain him upon the
cursèd island than bring his heart closer to fulfillment: (130)
his long awaited home…
Out of his mental exile did
Abraham’s irises dilate and contract with blinding
illumination—self-pity is not what make things happen—
it would only serve to anger Zara—nothing other
than I can be to blame for my continued absence; I
am stronger than that!—looking at the tattoo in his hand,
he remembered the reasons for the perennial brand—
the eight-spoke ship’s helm: the eight-fold-path—I must cut off my
desire for anger to be the solution and focus (140)
on the one path to Zara—the mind can push the body
further than the body believes is possible—the star:
the compass to guide me via celestial bodies
to where my heart can see the guiding beam of my lighthouse!
This is the Final Voyage epic thus far. I am converting Home into blank verse and it is taking longer than I thought to do; which is why that part is incomplete here. I also added line numbers. I changed The names as well.
Morning and evening
Maids heard the goblins cry:
"Come buy our orchard fruits,
Come buy, come buy:
Apples and quinces,
Lemons and oranges,
Plump unpeck'd cherries,
Melons and raspberries,
Bloom-down-cheek'd peaches,
Swart-headed mulberries,
Wild free-born cranberries,
Crab-apples, dewberries,
Pine-apples, blackberries,
Apricots, strawberries;--
All ripe together
In summer weather,--
Morns that pass by,
Fair eves that fly;
Come buy, come buy:
Our grapes fresh from the vine,
Pomegranates full and fine,
Dates and sharp bullaces,
Rare pears and greengages,
Damsons and bilberries,
Taste them and try:
Currants and gooseberries,
Bright-fire-like barberries,
Figs to fill your mouth,
Citrons from the South,
Sweet to tongue and sound to eye;
Come buy, come buy.-"

               Evening by evening
Among the brookside rushes,
Laura bow'd her head to hear,
Lizzie veil'd her blushes:
Crouching close together
In the cooling weather,
With clasping arms and cautioning lips,
With tingling cheeks and finger tips.
"Lie close,-" Laura said,
Pricking up her golden head:
"We must not look at goblin men,
Who knows upon what soil they fed
Their hungry thirsty roots?-"
"Come buy,-" call the goblins
Hobbling down the glen.

"Oh,-" cried Lizzie, "Laura, Laura,
You should not peep at goblin men.-"
Lizzie cover'd up her eyes,
Cover'd close lest they should look;
Laura rear'd her glossy head,
And whisper'd like the restless brook:
"Look, Lizzie, look, Lizzie,
Down the glen ***** little men.
One hauls a basket,
One bears a plate,
One lugs a golden dish
Of many pounds weight.
How fair the vine must grow
Whose grapes are so luscious;
How warm the wind must blow
Through those fruit bushes.-"
"No,-" said Lizzie, "No, no, no;
Their offers should not charm us,
Their evil gifts would harm us.-"
She ****** a dimpled finger
In each ear, shut eyes and ran:
Curious Laura chose to linger
Wondering at each merchant man.
One whisk'd a tail,
One *****'d at a rat's pace,
One crawl'd like a snail,
One like a wombat prowl'd obtuse and furry,
One like a ratel tumbled hurry skurry.
She heard a voice like voice of doves
Cooing all together:
They sounded kind and full of loves
In the pleasant weather.

               Laura stretch'd her gleaming neck
Like a rush-imbedded swan,
Like a lily from the beck,
Like a moonlit poplar branch,
When its last restraint is gone.

               Backwards up the mossy glen
Turn'd and troop'd the goblin men,
With their shrill repeated cry,
"Come buy, come buy.-"
When they reach'd where Laura was
They stood stock still upon the moss,
Leering at each other,
Brother with queer brother;
Signalling each other,
Brother with sly brother.
One set his basket down,
One began to weave a crown
Of tendrils, leaves, and rough nuts brown
(Men sell not such in any town);
One heav'd the golden weight
Of dish and fruit to offer her:
"Come buy, come buy,-" was still their cry.
Laura stared but did not stir,
Long'd but had no money:
The whisk-tail'd merchant bade her taste
In tones as smooth as honey,
The cat-faced purr'd,
The rat-faced spoke a word
Of welcome, and the snail-paced even was heard;
Cried "Pretty Goblin-" still for "Pretty Polly;-"--
One whistled like a bird.

               But sweet-tooth Laura spoke in haste:
"Good folk, I have no coin;
To take were to purloin:
I have no copper in my purse,
I have no silver either,
And all my gold is on the furze
That shakes in windy weather
Above the rusty heather.-"
"You have much gold upon your head,-"
They answer'd all together:
"Buy from us with a golden curl.-"
She clipp'd a precious golden lock,
She dropp'd a tear more rare than pearl,
Then ****'d their fruit globes fair or red:
Sweeter than honey from the rock,
Stronger than man-rejoicing wine,
Clearer than water flow'd that juice;
She never tasted such before,
How should it cloy with length of use?
She ****'d and ****'d and ****'d the more
Fruits which that unknown orchard bore;
She ****'d until her lips were sore;
Then flung the emptied rinds away
But gather'd up one kernel stone,
And knew not was it night or day
As she turn'd home alone.

               Lizzie met her at the gate
Full of wise upbraidings:
"Dear, you should not stay so late,
Twilight is not good for maidens;
Should not loiter in the glen
In the haunts of goblin men.
Do you not remember Jeanie,
How she met them in the moonlight,
Took their gifts both choice and many,
Ate their fruits and wore their flowers
Pluck'd from bowers
Where summer ripens at all hours?
But ever in the noonlight
She pined and pined away;
Sought them by night and day,
Found them no more, but dwindled and grew grey;
Then fell with the first snow,
While to this day no grass will grow
Where she lies low:
I planted daisies there a year ago
That never blow.
You should not loiter so.-"
"Nay, hush,-" said Laura:
"Nay, hush, my sister:
I ate and ate my fill,
Yet my mouth waters still;
To-morrow night I will
Buy more;-" and kiss'd her:
"Have done with sorrow;
I'll bring you plums to-morrow
Fresh on their mother twigs,
Cherries worth getting;
You cannot think what figs
My teeth have met in,
What melons icy-cold
Piled on a dish of gold
Too huge for me to hold,
What peaches with a velvet nap,
Pellucid grapes without one seed:
Odorous indeed must be the mead
Whereon they grow, and pure the wave they drink
With lilies at the brink,
And sugar-sweet their sap.-"

               Golden head by golden head,
Like two pigeons in one nest
Folded in each other's wings,
They lay down in their curtain'd bed:
Like two blossoms on one stem,
Like two flakes of new-fall'n snow,
Like two wands of ivory
Tipp'd with gold for awful kings.
Moon and stars gaz'd in at them,
Wind sang to them lullaby,
Not a bat flapp'd to and fro
Round their rest:
Cheek to cheek and breast to breast
Lock'd together in one nest.

               Early in the morning
When the first **** crow'd his warning,
Neat like bees, as sweet and busy,
Laura rose with Lizzie:
Fetch'd in honey, milk'd the cows,
Air'd and set to rights the house,
Kneaded cakes of whitest wheat,
Cakes for dainty mouths to eat,
Next churn'd butter, whipp'd up cream,
Fed their poultry, sat and sew'd;
Talk'd as modest maidens should:
Lizzie with an open heart,
Laura in an absent dream,
One content, one sick in part;
One warbling for the mere bright day's delight,
One longing for the night.

               At length slow evening came:
They went with pitchers to the reedy brook;
Lizzie most placid in her look,
Laura most like a leaping flame.
They drew the gurgling water from its deep;
Lizzie pluck'd purple and rich golden flags,
Then turning homeward said: "The sunset flushes
Those furthest loftiest crags;
Come, Laura, not another maiden lags.
No wilful squirrel wags,
The beasts and birds are fast asleep.-"
But Laura loiter'd still among the rushes
And said the bank was steep.

               And said the hour was early still
The dew not fall'n, the wind not chill;
Listening ever, but not catching
The customary cry,
"Come buy, come buy,-"
With its iterated jingle
Of sugar-baited words:
Not for all her watching
Once discerning even one goblin
Racing, whisking, tumbling, hobbling;
Let alone the herds
That used to ***** along the glen,
In groups or single,
Of brisk fruit-merchant men.

               Till Lizzie urged, "O Laura, come;
I hear the fruit-call but I dare not look:
You should not loiter longer at this brook:
Come with me home.
The stars rise, the moon bends her arc,
Each glowworm winks her spark,
Let us get home before the night grows dark:
For clouds may gather
Though this is summer weather,
Put out the lights and drench us through;
Then if we lost our way what should we do?-"

               Laura turn'd cold as stone
To find her sister heard that cry alone,
That goblin cry,
"Come buy our fruits, come buy.-"
Must she then buy no more such dainty fruit?
Must she no more such succous pasture find,
Gone deaf and blind?
Her tree of life droop'd from the root:
She said not one word in her heart's sore ache;
But peering thro' the dimness, nought discerning,
Trudg'd home, her pitcher dripping all the way;
So crept to bed, and lay
Silent till Lizzie slept;
Then sat up in a passionate yearning,
And gnash'd her teeth for baulk'd desire, and wept
As if her heart would break.

               Day after day, night after night,
Laura kept watch in vain
In sullen silence of exceeding pain.
She never caught again the goblin cry:
"Come buy, come buy;-"--
She never spied the goblin men
Hawking their fruits along the glen:
But when the noon wax'd bright
Her hair grew thin and grey;
She dwindled, as the fair full moon doth turn
To swift decay and burn
Her fire away.

               One day remembering her kernel-stone
She set it by a wall that faced the south;
Dew'd it with tears, hoped for a root,
Watch'd for a waxing shoot,
It never saw the sun,
It never felt the trickling moisture run:
While with sunk eyes and faded mouth
She dream'd of melons, as a traveller sees
False waves in desert drouth
With shade of leaf-crown'd trees,
And burns the thirstier in the sandful breeze.

               She no more swept the house,
Tended the fowls or cows,
Fetch'd honey, kneaded cakes of wheat,
Brought water from the brook:
But sat down listless in the chimney-nook

               Tender Lizzie could not bear
To watch her sister's cankerous care
Yet not to share.
She night and morning
Caught the goblins' cry:
"Come buy our orchard fruits,
Come buy, come buy;-"--
Beside the brook, along the glen,
She heard the ***** of goblin men,
The yoke and stir
Poor Laura could not hear;
Long'd to buy fruit to comfort her,
But fear'd to pay too dear.
Who should have been a bride;
But who for joys brides hope to have
Fell sick and died
In her gay prime,
In earliest winter time
With the first glazing rime,
With the first snow-fall of crisp winter time.

               Till Laura dwindling
Seem'd knocking at Death's door:
Then Lizzie weigh'd no more
Better and worse;
But put a silver penny in her purse,
Kiss'd Laura, cross'd the heath with clumps of furze.
At twilight, halted by the brook:
And for the first time in her life
Began to listen and look.

               Laugh'd every goblin
When they spied her peeping:
Came towards her hobbling,
Flying, running, leaping,
Puffing and blowing,
Chuckling, clapping, crowing,
Clucking and gobbling,
Mopping and mowing,
Full of airs and graces,
Pulling wry faces,
Demure grimaces,
Cat-like and rat-like,
Ratel- and wombat-like,
Snail-paced in a hurry,
Parrot-voiced and whistler,
Helter skelter, hurry skurry,
Chattering like magpies,
Fluttering like pigeons,
Gliding like fishes,--
Hugg'd her and kiss'd her:
Squeez'd and caress'd her:
Stretch'd up their dishes,
Panniers, and plates:
"Look at our apples
Russet and dun,
Bob at our cherries,
Bite at our peaches,
Citrons and dates,
Grapes for the asking,
Pears red with basking
Out in the sun,
Plums on their twigs;
Pluck them and **** them,
Pomegranates, figs.-"--

               "Good folk,-" said Lizzie,
Mindful of Jeanie:
"Give me much and many: --
Held out her apron,
Toss'd them her penny.
"Nay, take a seat with us,
Honour and eat with us,-"
They answer'd grinning:
"Our feast is but beginning.
Night yet is early,
Warm and dew-pearly,
Wakeful and starry:
Such fruits as these
No man can carry:
Half their bloom would fly,
Half their dew would dry,
Half their flavour would pass by.
Sit down and feast with us,
Be welcome guest with us,
Cheer you and rest with us.-"--
"Thank you,-" said Lizzie: "But one waits
So without further parleying,
If you will not sell me any
Of your fruits though much and many,
Give me back my silver penny
I toss'd you for a fee.-"--
They began to scratch their pates,
No longer wagging, purring,
But visibly demurring,
Grunting and snarling.
One call'd her proud,
Cross-grain'd, uncivil;
Their tones wax'd loud,
Their looks were evil.
Lashing their tails
Elbow'd and jostled her,
Claw'd with their nails,
Barking, mewing, hissing, mocking,
Tore her gown and soil'd her stocking,
Twitch'd her hair out by the roots,
Stamp'd upon her tender feet,
Held her hands and squeez'd their fruits
Against her mouth to make her eat.

               White and golden Lizzie stood,
Like a lily in a flood,--
Like a rock of blue-vein'd stone
Lash'd by tides obstreperously,--
In a hoary roaring sea,
Sending up a golden fire,--
Like a fruit-crown'd orange-tree
White with blossoms honey-sweet
Sore beset by wasp and bee,--
Like a royal ****** town
Topp'd with gilded dome and spire
Close beleaguer'd by a fleet
Mad to tug her standard down.

               One may lead a horse to water,
Twenty cannot make him drink.
Though the goblins cuff'd and caught her,
Bullied and besought her,
Scratch'd her, pinch'd her black as ink,
Kick'd and knock'd her,
Maul'd and mock'd her,
Lizzie utter'd not a word;
Would not open lip from lip
Lest they should cram a mouthful in:
But laugh'd in heart to feel the drip
Of juice that syrupp'd all her face,
And lodg'd in dimples of her chin,
And streak'd her neck which quaked like curd.
At last the evil people,
Worn out by her resistance,
Flung back her penny, kick'd their fruit
Along whichever road they took,
Not leaving root or stone or shoot;
Some writh'd into the ground,
Some ***'d into the brook
With ring and ripple,
Some scudded on the gale without a sound,
Some vanish'd in the distance.

               In a smart, ache, tingle,
Lizzie went her way;
Knew not was it night or day;
Sprang up the bank, tore thro' the furze,
Threaded copse and ******,
And heard her penny jingle
Bouncing in her purse,--
Its bounce was music to her ear.
She ran and ran
As if she fear'd some goblin man
Dogg'd her with gibe or curse
Or something worse:
But not one goblin scurried after,
Nor was she *****'d by fear;
The kind heart made her windy-paced
That urged her home quite out of breath with haste
And inward laughter.

               She cried, "Laura,-" up the garden,
"Did you miss me?
Come and kiss me.
Never mind my bruises,
Hug me, kiss me, **** my juices
Squeez'd from goblin fruits for you,
Goblin pulp and goblin dew.
Eat me, drink me, love me;
Laura, make much of me;
For your sake I have braved the glen
And had to do with goblin merchant men.-"

               Laura started from her chair,
Flung her arms up in the air,
Clutch'd her hair:
"Lizzie, Lizzie, have you tasted
For my sake the fruit forbidden?
Must your light like mine be hidden,
Your young life like mine be wasted,
Undone in mine undoing,
And ruin'd in my ruin,
Thirsty, canker'd, goblin-ridden?-"--
She clung about her sister,
Kiss'd and kiss'd and kiss'd her:
Tears once again
Refresh'd her shrunken eyes,
Dropping like rain
After long sultry drouth;
Shaking with aguish fear, and pain,
She kiss'd and kiss'd her with a hungry mouth.

     &nb
Jonny Angel Mar 2014
I heard my mojo calling
in the sound of a million crickets,
singing their song in splendid harmony.
Under the smiling moon,
I saw shadows amongst the conifers,
in a place we once called home.

And now all I have
is your handmade dreamcatcher,
a bandana with your fragrance
imbedded in the paisley
& memories of you on me.
Mateuš Conrad Aug 2018
. so yeah, perhaps the aboriginals, the argument for the noble savage is there... point being, they have a narrative, more eloquent than the moneticised outside the frantic fanaticism of Harry Potter, a plagiarism of Merlin... etc. etc., with all the scientific superiority, a narrative in collectivism based upon plagiarism? does it really matter? the people who spurn on the superiority of western culture... let's just say, they love to gamble, but don't understand nature's gambling pattern of weeding out the weak... and... given their opinions? i wouldn't want to share a meal with them... contradictory *******... tell them about the Manchester attacks, and they'll cite Yemen! i find it rather uncomfortable sharing a public toilet with them... to begin with... but eating with them? what a strange anticipation of the most profound profanity!
            
                                 so yeah...
  nice critique...
"philosopher" *** sophist -
namely a rhetorician...

i love the giggles,
don't you love the giggles?

philosophy is something to engage
with, rather than explain...
more a tartar steak than
a medium-done slash of slaughterhouse
debris...

ahem... where's your western narrative?
where is the sociological focus?
the focus point?
the campfire?

  where, is, the, glue?

    can't see it...
western civilization is superior,
i grant you that,
but, where is the self-inflammatory
implosion?
  the self-reflecting critique?

look at your literature!
my good fellow!
  the pop-***** of vampire-clad-
neo-gothica?
you have to be kidding me...
too many facts, imbedded with
seeking counter-doubts (i.e. facts):
compensated with an antithesis
of a narrative principle...

a right, without a wrong...
a fact, without a narrative,
is pointless educational rubric -
no more finding an point
of answer, than regurgitating a bunch
of facts...
      i would be so certain as to joke
about the aboriginal culture...
when the western narration continuum
is plagued,
   by inconsistent narratives...
narratives that would never
want me to allow myself
a focus for congregating...

   no, sorry...
           you sit that **** alone in youir
little group-therapy sessions...
i'm about to do a Pontius Pilate
revision...
   i'm washing my hands away
from the gloat...
i can't stomach it...

      i don't want to stomach it...
i don't even adhere to an I.Q. discussion
as astounding racial differences...
i have already the point breaker:
and why so few black athletes compete
in the swimming events,
while so many are prescribed the
100m / 200m distance?

            what comes naturally...
800m / 1500m races?
white...
          the quasi-marathon running?
evidently Kenyan or Ethiopian...

i hate this, the vest iz v besht...
                       i regurgitate on this
factoid...
               with diarrhoea...

for all the science involved...
what is it, exactly, that constitutes,
the gluing fabric of community?

    i hate to say this,
but seldom facts are a differential aspect
    of exploratory conundrums...
Moby **** type of narratives?
the integral aspects...
      science has overtaken the expression
of life, sanitized it,
   securing an antithesis of
misery and mortality...
                    with: "facts"...
      
i might share the pH scale with someone...
but if i don't share the commonality of
a narrative?
  **** me, third party sources...
why should i share?
we share the same factoid,
why should we even bother consummating
this fact, over lunch?!

no bother!
there is no reason!
      live your life, let me live mine...
but don't you ******* even bother
dictating what i can, or can't do,
on the allowance of having invested
in a private property,
you, *******, english, ****!

  savvy?!

  the vest iz z best-chore...
   sure sure...
      love your literature, wonder
of the ******* world!
          YA ******* and your journalism?
makes Mecca pilgrims blush!
  wonderful!
                
...and for not particular reason...
vampires, werewolves,
zombies, the whole generic
exhausted stereotype -
   applause! applause!
applause!

              what?! health service?
i was lucky to have met up with my socialistic
accessible doctor,
   how many? 2 years to spare from
the last visit...
   zee vest iz z best!

            because why would i have considered
studying chemistry to an edinburgh university
level...
    and not began a post-scriptum of schooling,
beginning work in a supermarket?!

nice narrative, love the advertisement...
keep up the belittling tactic...
   glorifying your ***** wiped clean...
nay bother...
  as the Picts used t say...
                there is an actual masochistic
attache of internalized hate,
that even i can accommodate...

                     i hate gloating,
i hate boasting...
   and i hate the sort of people who
self-identify themselves as philosophers...
rather than sophists...
the sort of people:
who, simply, can't, keep, their, mouths,
shut!

don't criticise cultures,
when your own culture...
   is gearing up to problematic investments
of its own,
most notably, the teenage mental
health crisis...
          please...
                       this is not a time scant
for diminishing the already
queuing problems,
   by resorting to I.Q and race arguments...
the ******* can claim to be
philosophers, and entertain
the centre stage...
   i have a bench...
  in a park, talking to an old east london
geezer about rayleigh bikes...
and the scalpel attitude to
finding a prefix, negation,
                in the word disease...

western civilization has been gripped
with an Sunni Islam virus of
a superiority complex...
             they sure as **** know how
to point the good stuff...
   but slightly less...
                dream-detached when it comes
to the current,
    problems...
                  but hey!
the barbaric peoples are our closest
allies of worthy comparison...
   compare a ******* donkey
to a galloping horse!
  that'll fix it!

- but i thought that western culture was
all for the inbreds,
the down syndromes?
  the last birth mothers?!
   so?
        some cultures are somehow
more clingy to a peoticization of
the past...
    which... says much more...
for what currently grips the western
inconvenience in the pursuit of
a narrative, whether historical,
or fictional.
Kendall Mallon Feb 2013
A man sat upon a pub stool stroking his
ginger beard while grasping a pint with his
other hand; an elderly gent sat down next to
him; this older man saw the ginger bearded
fellow’s pint was quite ne’r the bottom

A woman with eyes of amber and hair like
chestnut strolled through a vineyard amongst
the ripening grapes full of juice soon to become
wine she clutched a notebook—behind black
covers lay ideas and sketches on how to bring
the world to a more natural state; balancing
the wonders and benefits of technology with
the beauty and sanctity of the natural world

When the ginger bearded man finished
the last bit of his pint another appeared
before him—courtesy of the old man,
“Notice you got the mark of a man accustom
to the seas,” said the old man gesturing to
the black and blue compass rose inscribed
in a ship’s helm, imbedded into the back
of the ginger bearded man’s right hand.

“I have crewed and skippered a many fine
vessel, but I am giving up the sea. I have
one last voyage left in me—to my home.”

“Aye the sea can be cold and harsh,
but she captures me heart. To where
are ye headed for home, there son?”

“’tis not a where, ‘tis a who. Sets of events
have lead to separate from me my wife. I
have been traveling for  five years waiting
to be in her embrace. The force of the sea,
she, is a cruel one for at every tack, or gybe
I am thrown off my course to stranger and
stranger lands… I have gone to the rotunda
of hell and the gates of the so called heaven.
I have struck deals, and  made bets only a
gambling addict would accept. All to just be
with her. I am homesick—she is my home; it
doesn’t matter where—physically—we are
my home is with her. I was told to come to the
clove of Cork and wait, wait for a man, but I
was not told anything about this man only that
I must return him this,” the ginger bearded man
held out a silver pocket watch with a frigate
engraved on the front and two roses sharing a
stem swirling on the back upon themselves.

“Can it be? ‘tis my watch t’at me fat’er gave
me before he died… I lost t’is at sea many a
year ago; it left me heartbroken. For ‘twas me
only lasting memory of him… Come to t’ink
I was told by a beggar in the streets, I do not
remember how long ago, but it has been many
a years, t’at I would meet a man with something
very dear to me, and I would take this man on
a journey, and this man would have the mark
of a sailor. What is ye name? Can it be…?”

“My name is Lysseus dear old man—it seems
the Sea is holding up her bargain—though a
little late... do you have a ship that can fair to
Rome? All across this land, none a skipper will
uptake my plea; they fear the wrath of the sea.
If they have no fear, they claim my home ‘is not
on their routes…’ ‘tis a line I’ve heard too often;
I would purchase a boat, but the sea, she, has
robbed me identity and equity; I’m at her mercy.”

Penny with her rich chestnut hair sat on a fountain
in a piazza—her half empty heart longing to feel
the presence of the Lysseus and stroke his ginger
beard… everyday she would look out at the sea;
where she saw him leave port—five long years ago…

All said she should give up; that he
was dead by now—his ship (what
was left) was found amidst the rocks
of Cape Horn, but she knew there was
hope, she should feel deep inside her
soul he is alive somewhere fighting to
return home. Never would she leave;
never would she abandon her post.
She made that promise five years ago
as he set out on his ‘last’ sail off shore.
And she would be ****** before she
broke her promise—a promise of the
heart; a promise of love. He said, “You
are my lighthouse; your love will guide
me home—keep me from danger. As
long as you remain my lighthouse I will
forever be able to return home—to you.”

Off from Crosshaven the old man took
steadfast Lysseus en route to his home.
Grey Irish skies turned blue as they made
their way out on the Celtic Sea, southeast,
to the Straight of Gibraltar; gentle cold
spray moistened his ginger beard, his
tattooed hands grasped the helm—his
resolute stare kept the two on course.

It was a shame to the old man that this
would be Lysseus’ final voyage—he was
the best crew the man had known; he
was  not sure if it was just the character
of the  fellow or his personal desire to
return  home after five long, salty-cold,
years being a slave to the sea and her
changing whim—never had he seen his
ship sail as fast as he did when Lysseus
was his crew—each sail trimmed perfectly,
easing  the sheets fractions of an inch to
gain just the slightest gain in speed; the
sight warmed the heart of the old man.

The old man mused: maybe this is the
reason the sea has fought so hard and
lied to keep Lysseus from returning
home… she could not bear to lose such
fine a sailor from her expanses—she
is known to be a jealous mistress…

The old man, as he smoked his pipe, sat on
the back pulpit staring at Lysseus’ passion
to return home, as he calls her. But for all
his will and passion the, old man had to
insist for the fellow to rest; otherwise he
would go mad without sleep; reluctantly he
would retire below deck, but the old man
doubted the amount of rest he actually
acquired in those moments out of his sight.

The seas were calm as open water can be,
rolling swells rocked and pushed the vessel
forward. The Straight of Gibraltar opened
up on the horizon like a threshold—a major
land mark for the Lysseus; he was closer to
home than he had been in five long, salty,
years. His limbo was starting to fade, his
heart slowly—for the first time since he left
port—was beginning to feel whole again.
The Mediterranean Sea—his final sea—he
would not miss the gleam of his lighthouse…

The closer they sailed to Rome, he could sense a
change in the water, a change in the weather; clouds
grew darker and bellowed like gluttonous bulbs. As
he feared, the Sea was breaking her promise—she
was not done with him yet. She could not let him
return home—the jealous temptress who has ruined
many a fine men—the least honest of all the elements.

“I see she ain’t done wit’ ye yet,” said
the old man. Surveying the dark, grey,
clouded noon-day sky from the bow pulpit.

“Nothing will keep me from reaching home; even if I
have to swim the final nautical miles. I will not let the
Sea break her deal; I will make her keep at least one of
her deals. My love is stronger than her forces. That I
know for certain. That I know beyond doubt.” Such
cried Lysseus out to the darkening sea and old man.

As if on cue—waiting for Lysseus to finish
his soliloquy—the clouds let out a deafening
cacophony of thunder cracks rolling through
the heavens towards their vessel. Lighting
grounded on the horizon around them creating
a cage of light and electricity. The gentle rolling
swells grew in stature with every cracking
second. The bow smacked and dove into on
coming waves; drenching both Lysseus and
the old man; with each flood of water over
the deck. The swells grew to such heights the
horizon transformed into dark clouds and
white peaked waves merging with the sky.

A wave crashed over the windward side of
the ship, the force of it cracked the base at
which the compass stood fastened to the deck
of the cockpit a larger wave hit abeam further
loosening the compass from its purchase; with
the angle of the ship and the rise and fall in the
waves it was all Lysseus could to do hold on
and watch the Sea slowly take the ship’s
navigation instrument into Her dark cold depths…

“Oh why do you curse me you foul tempest?
Cannot you see all I desire is to return to my
home!? I have done all you asked; I have
played all your games and won! now it is my
turn now—time for you to play by my rules!”
Lysseuc beckoned the old man to seek refuge
below deck—he would sail them through the
storm, and assured him the ship would reach
port afloat; for, “I can feel my lighthouse in
the distance; do you hear me Sea? You can
take away our mariner’s compass, but you
cannot take away the compass in my heart;
and the light of my home on shore. Five long
years ago she made a promise to me to be
my lighthouse—to guide me home no matter
what—regardless what you do, Sea, you can
never break her promise—only your, promises.”

As a lighthouse she stood through the weather
of the night—risking pneumonia, for Penny’s
heart told her she could never abandon her
promise as the waters fell flat and the sun peaked
through the storm clouds, a silhouette stretched
in the sunrise light, pointing to her feet. Upon the
bow Lysseus stood, his eyes fixed at the dock
where his lighthouse stood, fixed. Upon the dock
he jumped into the warm, loving, arms of his
home both of their hearts became whole again.
In my head, this is the beginning of a longer epic, which I still have yet to write. Would any of you who read this like to have more to the story; or do you like it as it is?
Mateuš Conrad Sep 2018
.you might ask: why isn't third-party "issues": 34% in bold?! simple... depends who you do it with... AND believe me... we must be living in the golden age of prostitution... god they care about protection, one even said to me: i get checked for S.T.D.'s on a regular basis... and i'm pretty sure AIDS doesn't travel from the oral consumption of ****... stomach acids and whatnot... see... transparency... even if it was "****"... when she's crying like that... would i walk into a shop a buy / steal a leg of lamb with or without the usage of a transaction meta-object? hell... i'm interested in the metaphysics of money, sue me... but you never invest a person into the formula of ******* with a *******... there's absolutely zilch, in terms of investing with something beside your body... your character and what not... pure Newtonian physics... two ****-naked bodies colliding... and since it's a legal transaction... ****... what lie is there, breach of conduct? if you don't pay... the **** gets his way: adding fist to the face, first, and then a fist up your ***: and you can scream ****! ****! ****! all you want by then... the English can't accomplish the perfected art of an affair akin to the French... it's not in their Huguenots' nature... so why the elaborate lie? **** it... an hour at a brothel... and let me tell you... a ******* will ask you questions like a priest: questions like: do you have a girlfriend? affair over what? an hour, an impersonal hour with what allures a soul, a thought, but is fundamentally the reciprocal posit of your own body... sure as **** beats the ******* / stripper profession ****-tease... god... they're so ******* ethical these days, actually caring, telling you whether or not they check themselves regularly for STDs... mind you... one of them told me a story about a ****** in a Spanish brothel, by some pundit.

let's be honest, for once...
there's no point parading the matter,
orchestrated by some
distant pompous sentiment
for: whatever life was
supposed to be, for all of us,
but never became -
an alignment of thought and
being...
              
  what the **** has someone
done with my fox?! well... "my" fox...
he hasn't been seen
for two nights and i'm getting
worried!


i am a drunk -
        my maternal grandfather
was a drunk,
my paternal grandfather was
a drunk, my uncle is a drunk...
only my father with his
father complex is the odd one out...
genes took over...
if i didn't drink,
as i once did...
   bah... a fairy tale...
           why bother lying?

point being: i'm far from a drunk fiend...
a fiend nonetheless -
benevolent at times -
like... ah... **** it... whatever:
i'm not going to gloat about
my antics...

but at least i own my predisposition,
and thank **** that i'm
not looking for a partner -
as my grandmother used to
say about her son (my uncle):
it be better he stays alone
that brings misery to any woman...

hey, i have a drunk's perfect
stash of interests!
   i'm not going to repent either...
do "you" even think it would
be possible to
read a single book of philosophy
when paired to a woman?
i don't think so...

            and the hours i spend at
night, headphones on,
listening to **** like 90s sub-grunge
akin to mad season (song,
i'm alone)?
   **** no!

                i'd have philosophy in
body, looking across from me...
    i'm starting to contemplate
that man has internalized
the perfect woman...
while woman?
  has internalized the most imperfect
man...

           i'm starting to think
that, the whole physical reality,
puritanical materialism -
hell - going as far as undermining
the theory with transgenderism...
can i say that men are more patient
than women, when it should
be the opposite?
   well... then again, "should"...

i am what any woman would
consider - broken goods...
good... i like that...
       it means i can be left the **** alone...
drink as much as i want,
read as much of what middle-aged
women call: drivel (philosophy)
and spend my time listening
to a back-catalog of bands from
the 90s... or the prior century...

what... with the current statistics
from the Sunday Times Style
magazine?
      53% contra 32% of women
and men (respectively)
          are happier post-divorce...
61% contra 47% are happy staying single
post-divorce...
happy new singletons:
aged 55...
                 42% of marriages
are affected by divorce...
                86% cited not being ashamed
of divorce...
      ill harbor imbedded in
a former spouse men (17%) - women (8%)...
argument for divorce:
my spouse "changed" (49%) -
now... this is interesting -
i remember seeing this same *******
over a wide span of time...
the second time i saw her -
she said to me: but you haven't changed -
and subsequently starting crying
while drunk during ***...
so i know where "change" argument comes
from...
    ***** i aged... finito!
males more likely to date within
the first 6 months...
     66% had children of ex-spouses...
    90% agreed that staying in an unhappy
marriage is worse than divorce...
   i bet 99% would find life more rosy
than being dead: what with being wed
to life... sure as ****: i've seen my grandparents
at it... my parents... life outside of
marital constraints is so ******* rosy!
food stamps and no central heating...
rosy as ****!
          third-party "issues": 34%...
lack of communication: 29%
    incompatibility: 23%
          abuse: 22%...
           different "life goals": 20%...
***-related problems: 11%...
                  in-laws: 7%,
  parenting problems: 5%...
          financial issues: 14%...
well... well well...
isn't life just peachy!
           those percentages in bold?
they're in bold for a ******* reason...
the only reasons that would
make a divorce definitely prudish...
    the rest?
fickle people... little fickle people...
it's like eating a bowl of Haribo sweets!
the choices!

stats? Style report -
     1,060 of women and men surveyed
Fleur Britten...
     Style Magazine 23 Sept 2018...

well... i'm out, always was out...
no woman wants a drink,
and i have Sophia to think about...
       and what a spectacular failure
i am in this department...
the longest "relationship" i was in
didn't even pass the half year mark...
and that's even before i started
my career in drinking with Jack -
(by the way, he sends his warmest
regards) -

            bitter? no... not really...
i can't share a bed with a ******* cat,
let alone something much larger
and not furry...
             my bitterness dies within
the confines of an hour with
some Bulgarian girl
   who cries when she notices
my heart is an unwavering rock...

            hell... when she started crying
like that during ***,
talking about her daughter...
    what are you supposed to do
if not stop, cuddle,
and kiss her tears?
kMargaret Nov 2012
Look at me and I'll look at you
Give to me what you used to
Do to me what you used to do
Kiss me
Reminisce with me
Extend your hand
Pull my fingers into yours
Leading me through those double doors
Mess up your bed
My heart
My head
Piece together your reasons in a picture you like
Shatter my picture on the floor
Step tip-toe around the pieces
Don't cut your feet on your way out the door
Just leave me bleeding in a heap on the ground
Reaching all around
Frantically gathering
Piling
Frantic Panic
Pieces and shards,
They're missing
I'd like to think they've imbedded themselves in your feet when you left
Maybe you still feel me every time you step
That sting.
Pinch.
Reminder of what you had and
Broke.
Took, cradled, coddled, and dropped
Too heavy in your arms my burden was
You cry
Tell me you're so sorry
That you want me it's just that
You can't anymore
Take your tears
Dampen a cloth
And wipe the blood from my chest
Reveal the gaping hole
Gaze into it like an orb
Remember what was
What you took from me and what I gave
What you gave to me and what I took
And I'm sorry about that
I can't give it back
Fill this hole in my chest with that which I lack
I want all of you
Every part
Your cracking neck and knuckles
The stupid way you dress
And that head of yours
Filled with intellect, goodness, and laughter
I want that too
I just beg of you to
Remember
Who I am and who you are
I'll wait for now
Until you do
Hold my jaw in your hands
Realize what's between your
Palms
A second chance
Don't let me go this time
I'll hold you up
Carry you
Carry me and
Hold me up
Just a moment and you ease me to the ground
In a pile of my blood and reasons
Curled into a ball
Fists in the splinters
Head to the floor
I feel the vibrations of your leaving feet
****** footprints out the door
Polar Feb 2016
Goblin Market
by Christina Rossetti

Morning and evening
Maids heard the goblins cry:
"Come buy our orchard fruits,
Come buy, come buy:
Apples and quinces,
Lemons and oranges,
Plump unpecked cherries,
Melons and raspberries,
Bloom-down-cheeked peaches,
Swart-headed mulberries,
Wild free-born cranberries,
Crab-apples, dewberries,
Pine-apples, blackberries,
Apricots, strawberries; -
All ripe together
In summer weather, -
Morns that pass by,
Fair eves that fly;
Come buy, come buy:
Our grapes fresh from the vine,
Pomegranates full and fine,
Dates and sharp bullaces,
Rare pears and greengages,
Damsons and bilberries,
Taste them and try:
Currants and gooseberries,
Bright-fire-like barberries,
Figs to fill your mouth,
Citrons from the South,
Sweet to tongue and sound to eye;
Come buy, come buy."

Evening by evening
Among the brookside rushes,
Laura bowed her head to hear,
Lizzie veiled her blushes:
Crouching close together
In the cooling weather,
With clasping arms and cautioning lips,
With tingling cheeks and finger-tips.
"Lie close," Laura said,
Pricking up her golden head:
"We must not look at goblin men,
We must not buy their fruits:
Who knows upon what soil they fed
Their hungry thirsty roots?"
"Come buy," call the goblins
Hobbling down the glen.
"Oh," cried Lizzie, "Laura, Laura,
You should not peep at goblin men."
Lizzie covered up her eyes,
Covered close lest they should look;
Laura reared her glossy head,
And whispered like the restless brook:
"Look, Lizzie, look, Lizzie,
Down the glen ***** little men.
One hauls a basket,
One bears a plate,
One lugs a golden dish
Of many pounds' weight.
How fair the vine must grow
Whose grapes are so luscious;
How warm the wind must blow
Through those fruit bushes."
"No," said Lizzie: "No, no, no;
Their offers should not charm us,
Their evil gifts would harm us.'
She ****** a dimpled finger
In each ear, shut eyes and ran:
Curious Laura chose to linger
Wondering at each merchant man.
One had a cat's face,
One whisked a tail,
One tramped at a rat's pace,
One crawled like a snail,
One like a wombat prowled obtuse and furry,
One like a ratel tumbled hurry scurry.
She heard a voice like voice of doves
Cooing all together:
They sounded kind and full of loves
In the pleasant weather.

Laura stretched her gleaming neck
Like a rush-imbedded swan,
Like a lily from the beck,
Like a moonlit poplar branch,
Like a vessel at the launch
When its last restraint is gone.

Backwards up the mossy glen
Turned and trooped the goblin men,
With their shrill repeated cry,
'Come buy, come buy.'
When they reached where Laura was
They stood stock still upon the moss,
Leering at each other,
Brother with queer brother;
Signalling each other,
Brother with sly brother.
One set his basket down,
One reared his plate;
One began to weave a crown
Of tendrils, leaves, and rough nuts brown
(Men sell not such in any town);
One heaved the golden weight
Of dish and fruit to offer her:
"Come buy, come buy," was still their cry.
Laura stared but did not stir,
Longed but had no money.
The whisk-tailed merchant bade her taste
In tones as smooth as honey,
The cat-faced purr'd,
The rat-paced spoke a word
Of welcome, and the snail-paced even was heard;
One parrot-voiced and jolly
Cried "Pretty Goblin" still for "Pretty Polly";
One whistled like a bird.

But sweet-tooth Laura spoke in haste:
"Good folk, I have no coin;
To take were to purloin:
I have no copper in my purse,
I have no silver either,
And all my gold is on the furze
That shakes in windy weather
Above the rusty heather."
"You have much gold upon your head,"
They answered all together:
"Buy from us with a golden curl."
She clipped a precious golden lock,
She dropped a tear more rare than pearl,
Then ****** their fruit globes fair or red.
Sweeter than honey from the rock,
Stronger than man-rejoicing wine,
Clearer than water flowed that juice;
She never tasted such before,
How should it cloy with length of use?
She ****** and ****** and ****** the more
Fruits which that unknown orchard bore;
She ****** until her lips were sore;
Then flung the emptied rinds away
But gathered up one kernel stone,
And knew not was it night or day
As she turned home alone.

Lizzie met her at the gate
Full of wise upbraidings:
'Dear, you should not stay so late,
Twilight is not good for maidens;
Should not loiter in the glen
In the haunts of goblin men.
Do you not remember Jeanie,
How she met them in the moonlight,
Took their gifts both choice and many,
Ate their fruits and wore their flowers
Plucked from bowers
Where summer ripens at all hours?
But ever in the moonlight
She pined and pined away;
Sought them by night and day,
Found them no more, but dwindled and grew gray;
Then fell with the first snow,
While to this day no grass will grow
Where she lies low:
I planted daisies there a year ago
That never blow.
You should not loiter so."
"Nay, hush," said Laura:
"Nay, hush, my sister:
I ate and ate my fill,
Yet my mouth waters still:
Tomorrow night I will
Buy more;' and kissed her:
"Have done with sorrow;
I'll bring you plums tomorrow
Fresh on their mother twigs,
Cherries worth getting;
You cannot think what figs
My teeth have met in,
What melons icy-cold
Piled on a dish of gold
Too huge for me to hold,
What peaches with a velvet nap,
Pellucid grapes without one seed:
Odorous indeed must be the mead
Whereon they grow, and pure the wave they drink
With lilies at the brink,
And sugar-sweet their sap."

Golden head by golden head,
Like two pigeons in one nest
Folded in each other's wings,
They lay down in their curtained bed:
Like two blossoms on one stem,
Like two flakes of new-fall'n snow,
Like two wands of ivory
Tipped with gold for awful kings.
Moon and stars gazed in at them,
Wind sang to them lullaby,
Lumbering owls forebore to fly,
Not a bat flapped to and fro
Round their rest:
Cheek to cheek and breast to breast
Locked together in one rest.

Early in the morning
When the first **** crowed his warning,
Neat like bees, as sweet and busy,
Laura rose with Lizzie:
Fetched in honey, milked the cows,
Aired and set to rights the house,
Kneaded cakes of whitest wheat,
Cakes for dainty mouths to eat,
Next churned butter, whipped up cream,
Fed their poultry, sat and sewed;
Talked as modest maidens should:
Lizzie with an open heart,
Laura in an absent dream,
One content, one sick in part;
One warbling for the mere bright day's delight,
One longing for the night.

At length slow evening came:
They went with pitchers to the reedy brook;
Lizzie most placid in her look,
Laura most like a leaping flame.
They drew the gurgling water from its deep.
Lizzie plucked purple and rich golden flags,
Then turning homeward said: "The sunset flushes
Those furthest loftiest crags;
Come, Laura, not another maiden lags.
No wilful squirrel wags,
The beasts and birds are fast asleep.'
But Laura loitered still among the rushes,
And said the bank was steep.

And said the hour was early still,
The dew not fall'n, the wind not chill;
Listening ever, but not catching
The customary cry,
"Come buy, come buy,"
With its iterated jingle
Of sugar-baited words:
Not for all her watching
Once discerning even one goblin
Racing, whisking, tumbling, hobbling -
Let alone the herds
That used to ***** along the glen,
In groups or single,
Of brisk fruit-merchant men.

Till Lizzie urged, "O Laura, come;
I hear the fruit-call, but I dare not look:
You should not loiter longer at this brook:
Come with me home.
The stars rise, the moon bends her arc,
Each glow-worm winks her spark,
Let us get home before the night grows dark:
For clouds may gather
Though this is summer weather,
Put out the lights and drench us through;
Then if we lost our way what should we do?"

Laura turned cold as stone
To find her sister heard that cry alone,
That goblin cry,
"Come buy our fruits, come buy."
Must she then buy no more such dainty fruit?
Must she no more such succous pasture find,
Gone deaf and blind?
Her tree of life drooped from the root:
She said not one word in her heart's sore ache:
But peering thro' the dimness, nought discerning,
Trudged home, her pitcher dripping all the way;
So crept to bed, and lay
Silent till Lizzie slept;
Then sat up in a passionate yearning,
And gnashed her teeth for baulked desire, and wept
As if her heart would break.

Day after day, night after night,
Laura kept watch in vain
In sullen silence of exceeding pain.
She never caught again the goblin cry,
"Come buy, come buy"; -
She never spied the goblin men
Hawking their fruits along the glen:
But when the noon waxed bright
Her hair grew thin and gray;
She dwindled, as the fair full moon doth turn
To swift decay and burn
Her fire away.

One day remembering her kernel-stone
She set it by a wall that faced the south;
Dewed it with tears, hoped for a root,
Watched for a waxing shoot,
But there came none.
It never saw the sun,
It never felt the trickling moisture run:
While with sunk eyes and faded mouth
She dreamed of melons, as a traveller sees
False waves in desert drouth
With shade of leaf-crowned trees,
And burns the thirstier in the sandful breeze.

She no more swept the house,
Tended the fowls or cows,
Fetched honey, kneaded cakes of wheat,
Brought water from the brook:
But sat down listless in the chimney-nook
And would not eat.

Tender Lizzie could not bear
To watch her sister's cankerous care,
Yet not to share.
She night and morning
Caught the goblins' cry:
"Come buy our orchard fruits,
Come buy, come buy:" -
Beside the brook, along the glen,
She heard the ***** of goblin men,
The voice and stir
Poor Laura could not hear;
Longed to buy fruit to comfort her,
But feared to pay too dear.
She thought of Jeanie in her grave,
Who should have been a bride;
But who for joys brides hope to have
Fell sick and died
In her gay prime,
In earliest winter time,
With the first glazing rime,
With the first snow-fall of crisp winter time.

Till Laura dwindling
Seemed knocking at Death's door.
Then Lizzie weighed no more
Better and worse;
But put a silver penny in her purse,
Kissed Laura, crossed the heath with clumps of furze
At twilight, halted by the brook:
And for the first time in her life
Began to listen and look.

Laughed every goblin
When they spied her peeping:
Came towards her hobbling,
Flying, running, leaping,
Puffing and blowing,
Chuckling, clapping, crowing,
Clucking and gobbling,
Mopping and mowing,
Full of airs and graces,
Pulling wry faces,
Demure grimaces,
Cat-like and rat-like,
Ratel- and wombat-like,
Snail-paced in a hurry,
Parrot-voiced and whistler,
Helter-skelter, hurry skurry,
Chattering like magpies,
Fluttering like pigeons,
Gliding like fishes, -
Hugged her and kissed her:
Squeezed and caressed her:
Stretched up their dishes,
Panniers, and plates:
"Look at our apples
Russet and dun,
Bob at our cherries,
Bite at our peaches,
Citrons and dates,
Grapes for the asking,
Pears red with basking
Out in the sun,
Plums on their twigs;
Pluck them and **** them,
Pomegranates, figs." -

"Good folk," said Lizzie,
Mindful of Jeanie:
"Give me much and many:" -
Held out her apron,
Tossed them her penny.
"Nay, take a seat with us,
Honour and eat with us,"
They answered grinning:
"Our feast is but beginning.
Night yet is early,
Warm and dew-pearly,
Wakeful and starry:
Such fruits as these
No man can carry;
Half their bloom would fly,
Half their dew would dry,
Half their flavour would pass by.
Sit down and feast with us,
Be welcome guest with us,
Cheer you and rest with us." -
"Thank you," said Lizzie: "But one waits
At home alone for me:
So without further parleying,
If you will not sell me any
Of your fruits though much and many,
Give me back my silver penny
I tossed you for a fee." -
They began to scratch their pates,
No longer wagging, purring,
But visibly demurring,
Grunting and snarling.
One called her proud,
Cross-grained, uncivil;
Their tones waxed loud,
Their looks were evil.
Lashing their tails
They trod and hustled her,
Elbowed and jostled her,
Clawed with their nails,
Barking, mewing, hissing, mocking,
Tore her gown and soiled her stocking,
Twitched her hair out by the roots,
Stamped upon her tender feet,
Held her hands and squeezed their fruits
Against her mouth to make her eat.

White and golden Lizzie stood,
Like a lily in a flood, -
Like a rock of blue-veined stone
Lashed by tides obstreperously, -
Like a beacon left alone
In a hoary roaring sea,
Sending up a golden fire, -
Like a fruit-crowned orange-tree
White with blossoms honey-sweet
Sore beset by wasp and bee, -
Like a royal ****** town
Topped with gilded dome and spire
Close beleaguered by a fleet
Mad to tug her standard down.

One may lead a horse to water,
Twenty cannot make him drink.
Though the goblins cuffed and caught her,
Coaxed and fought her,
Bullied and besought her,
Scratched her, pinched her black as ink,
Kicked and knocked her,
Mauled and mocked her,
Lizzie uttered not a word;
Would not open lip from lip
Lest they should cram a mouthful in:
But laughed in heart to feel the drip
Of juice that syruped all her face,
And lodged in dimples of her chin,
And streaked her neck which quaked like curd.
At last the evil people,
Worn out by her resistance,
Flung back her penny, kicked their fruit
Along whichever road they took,
Not leaving root or stone or shoot;
Some writhed into the ground,
Some dived into the brook
With ring and ripple,
Some scudded on the gale without a sound,
Some vanished in the distance.

In a smart, ache, tingle,
Lizzie went her way;
Knew not was it night or day;
Sprang up the bank, tore thro' the furze,
Threaded copse and ******,
And heard her penny jingle
Bouncing in her purse, -
Its bounce was music to her ear.
She ran and ran
As if she feared some goblin man
Dogged her with gibe or curse
Or something worse:
But not one goblin skurried after,
Nor was she pricked by fear;
The kind heart made her windy-paced
That urged her home quite out of breath with haste
And inward laughter.

She cried, "Laura," up the garden.
"Did you miss me?
Come and kiss me.
Never mind my bruises,
Hug me, kiss me, **** my juices
Squeezed from goblin fruits for you,
Goblin pulp and goblin dew.
Eat me, drink me, love me;
Laura, make much of me;
For your sake I have braved the glen
And had to do with goblin merchant men."

Laura started from her chair,
Flung her arms up in the air,
Clutched her hair:
"Lizzie, Lizzie, have you tasted
For my sake the fruit forbidden?
Must your light like mine be hidden,
Your young life like mine be wasted,
Undone in mine undoing,
And ruined in my ruin,
Thirsty, cankered, goblin-ridden?" -
She clung about her sister,
Kissed and kissed and kissed her:
Tears once again
Refreshed her shrunken eyes,
Dropping like rain
After long sultry drouth;
Shaking with aguish fear, and pain,
She kissed and kissed her with a hungry mouth.

Her lips began to scorch,
That juice was wormwood to her tongue,
She loathed the feast:
Writhing as one possessed she leaped and sung,
Rent all her robe, and wrung
Her hands in lamentable haste,
And beat her breast.
Her locks streamed like the torch
Borne by a racer at full speed,
Or like the mane of horses in their flight,
Or like an eagle when she stems the light
Straight toward the sun,
Or like a caged thing freed,
Or like a flying flag when armies run.

Swift fire spread through her veins,
knocked at her heart
Met the fire smouldering there
And overbore its lesser flame;
She gorged on bitterness without a name:
Ah! fool, to choose such part
Of soul-consuming care!
Sense failed in the mortal strife:
Like the watch-tower of a town
Which an earthquake shatters down,
Like a lightning-stricken mast,
Like a wind-uprooted tree
Spun about,
Like a foam-topped waterspout
Cast down headlong in the sea,
She fell at last;
Pleasure past and anguish past,
Is it death or is it life?

Life out of death.
That night long Lizzie watched by her,
Counted her pulse's flagging stir,
Felt for her breath,
Held water to her lips, and cooled her face
ok it's long but in my opinion it will always be one of the most awesome poems ever!
Mark Lecuona Jan 2015
You dream of love
And fantasy
I cannot any longer
Because of reality
My face is shadowed
By a memory
While yours glows
From your insanity
The insanity of passion
And the sexuality
Imbedded in a promise
Of fidelity
And a lifetime
Of matrimony
Yes I am past that
But I speak honestly
About life
As a casualty
Of love
And adultery
But I need to believe
In love for me only
But if you cannot
Then let me be lonely
An older man talking to a younger woman
Mateuš Conrad Jul 2018
and i remember going out in london,
seeking bloc party, and a fan-b -
or *****... or sycophancy in practice...
snogging a finnish girl
who did the shadow work for the white
stripes, donning a eisernes kreuz
t-shirt, feeling like: well...
this could work... but it didn't...
ended up in upper-side of what was,
what is, what if of london...
cradling an ex-girlfriend on a bean
bag,
while our hosts did *******
below us...
     and i can only remedy myself,
now, with the memory,
  as vivid as a holocaust denier...
    shaking...
              petrified shaking,
but wholly imbedded by a trust...
              she wasn't something akin
to a size-difference fetish of
   a reverted teddy-bear / pillow,
in my arms...
   standing an astouding 6ft...
                        indian and trans-irish
roots...
                 (one antidote to identity
politico? **** it... spice it up
with terms like afro-saxons)...
                               her shaking...

semi-epileptic,
   but what a sensation, lodged into
a mind that has become purely
memoria cameo theatre...
what am i getting at?

ah!

    the slack boys get playing video games...
hell, i play video games while taking
a ****, on the throne of thrones,
but when i'm mobile?
closed eyes, sitting on a folded leg
on a window-sill,
   eyes, closed, ears armed with
a thumping sound akin to static-x,
"watching" a moo-v...
                did i eat any beef before
the mad cow disease broke down
the blind train of journalism?
    so... i have aspects of a mad cow
disease in me?!
             be and only be:
a relentless *******...

  but boys getting the slack for their
cognitive geography...
            
     but...

    a girl obsessing disney movies,
with her critique?
     apparently the world of boys
isn't colourful enough,
   or: too grey...
              well... we have the noir range...
but before that blossoms,
it's taken down, and has a psychiatric
institution impose its...

wait... **** addiction?
   ever try to alleviate that sort of addiction
by, actually buying a ***** mag.,
from a shop, and not even blushing?
there are alternatives to psychiatry -
i think the slur comes along
the rubric of:            wh     o      r        e:
oh... that fading french hark
within the straitjacket of for...

               huh? not a fork...
               boys are stupid for playing
video games,
  but girls are a o.k. doing disney cartoon
critiques...
    or that story of assorting a pyramid
but not an extending rectangle hierarchy...
        
boys stop playing video games,
girls stop having a fetish for idealistic
cartoons...
                  fair enough?

oh i'm ******...
                   because how can you
grind the one, but not observe the other?
cartoon movies
are video games what
girl is to boy:
                    replica -
                                counter-mimic.

yet... i can still only remember her
shaking body, left, in the *****
of my embrace...
        like i might love a ***** star...
with... the coincidence of:
not allowing a knowledge of
a past...

               it's not that ignorance
is bliss... certain types of ignorance...
simply do not hurt...

                and we woke up in the top
floor (there were only two to begin with)
of the werehouse,
   and with the sunrise, we parted...

she having children, i having the burden
of too many poems -
             the irrational reality of
inverted claustrophobia continually
****** a blank white pixel space
         with my maggoty wordings...
                  
a ***** addiction?
1. go into a shop and buy a mag.
2. watch videos of girls *******
3. watch videos of girls
     giving critique of YA novels
4. **** a lemon in the morning
   after a night of drinking?
5. consider the implanted
  impetus within the confines
of a circumcision?
Sophia Adelle Apr 2015
it's a mistake
a mistake I'll always pay
slowly
deeply
surely
it'll sink into me
and it'll stop
then it's all over
they will forget about it
but i won't
imbedded in me forever
it's now part of me
it can't be undone
leave but it sinks into you too.

(s.a)
my own creation please give credit :)
Theresa M Rose Oct 2015
The Midnight Dawn: The ship begins to dock.
A woman stands, looking down, silently. Black waters swirl salty white foam; Icy waters move through flapping rudders; The sounds of shifting motors pound; This is a beckoning scene for one in feelings of immersing self-isolation; And, Lora stands at this very edge. Lora stands completely unaware of the true beauty that surrounds her at this very moment.
         The ship’s docking, at Dearing's port, in the Kotzebue Sound... Alaska's pre-dawn dark blue skies with it’s tawny orangey gray clouds; A  panoramic view of white snowy peak mountains surrounds the port. And yet, the only thing Lora has on her mind … is a small Inuit village that will soon make her isolation complete.

    Out onto the deck Jeff calls, "Lora!"

Lora turns towards her husband's voice; But then, turns her eyes back to the whirling water over the stern.
  
    "Sweetheart?" Jeff places his hand on Lora’s arm, "I called the shore; The transport will be waiting… as soon as we're finished docking."
Jeff's voice becomes serene.
“ Wow. Lora, I can’t believe it. It’s been eight years since I been home last."
Jeff places his hand on Lora's.
“ It’ll be good for us to be with family. We'll leave the ship before the sunrise and we’ll arrive in the village just in time to see the final day of Tribal Awareness Week. Lora, I wish we were here a couple of weeks ago. I think my mother would have been happier meeting you when she wasn't so busy...."
  
Lora turns…, "You know, Jeff; I do wish you would just shut the hell up!”
Lora pulls her hand away.
“ Please, just keep still until we get up there.”
Her teeth clench.
“ It's another four and a half-hours, to get to  where we need to go. And, quite frankly, I think it's going to be hard enough for me to what needs to be done; And, I’d much rather get through this without having to listen to your mouth all the way up there."

"Alright.", Jeff says in a somber voice.  He turns to walk back inside but then he sees a new flicker of hope.
"Lora, I see the biplane. It's pulling in..; See it? See it, down there, at slip four, on the pier?!” Jeff smile’s pointing to the small transporter; As he does he grabs Lora kissing her cheek. “ I'm go get the porter to help me with our bags and we'll meet you down at the clearing, All right?”
"Fine.” Lora,…with a strain in her throat.
"Fine, let's just get this over with..."

    Lora stands at the clearing;… She watches the ships crew set-up for a day of helping  passengers board and depart the ship.  Jeff arranged for the two of them to leave the ship two hours earlier than everyone else so they could meet up with their connection.
As Jeff and the porter comes down the ramp a man comes down the dock waiving.
“ Jeff!”

    Jeff calls out. "Lora, here comes Gabe!"
“ Gabe! Gabe!”
"Gabe?"
"Honey!? This is my cousin, Gabriel." Jeff says to Lora as they started down the pier to the biplane. “ He runs our local transport."
    Gabe turns towards Lora.
" Yeah, I run everyone from our village up and down the river; Sometimes, I think this little craft here thinks she's just another boat! She so seldom has a chance to be airborne.”
The luggage is placed on board, Jeff and Lora settle into their seats and Gabe starts moving up the sound; Then, after about fifteen moments the little plane begins to lift, up and out, off the water.
  
    Lora becomes startled, "I thought the plane wasn't going to leave… I thought we were not going to be airborne?! I thought we were riding up the river?"
  
"Yes, Lora." Gabe states with a giggle,
"Yes, the Koyukuk River! I'm sorry, I thought Jeff would have told you?! We'll be airborne for just over an hour then we’ll reach the Koyukuk River and then, from that point, we’ll be riding the river for another three hours till we reach the village."

"Oh."
Lora sits back… and begins to stare out at the enormity of the Alaskan skyline. For her, it seems to have no end; And yet, for Lora there seems to be, nothing, nothing at all but endings on her horizon.

    The procession begins...
The parade comes down the main road in the small Inuit village. The local people are all playing drums, jingles and bones and they’re all wearing traditional ceremonial attire.

    Lora starts looking around to find her husband but Jeff is gone. Lora thinks, angrily.
‘ This is so senseless!? Why did Jeff ******* up here? I can't believe this; Here I am at The Koyukon Festival to tell his mother we're divorcing!? His mother never wanted me in his life. He was just suppose to finish his studies and come back home. I'm sure she'll be relieved to see me gone from his life.’

    Jeff comes up behind her, smiling.
"Honey, Honey isn't this wonderful?! I remember my parents and I participating all together in these events when I was small.”
Jeff points down the road. “ Hey Hon, look!" He places his arm on Lora's waistline.

    Lora turns to him with a grimace," Remove that…!"
    Jeff moved his hand and Lora turns to see where Jeff is pointing.
Lora sees, her mother-in-law, PaKaSuk; PaKa begins down the road dressed in her traditional Inuit tribal clothing.
    She has on a headdress made from the skin and skull of a coyote, and there’s a pair of small antlers imbedded on it. And, she has on tall boots made of polar-bear fur that are adorned at the rims with dangling teeth from the hunts of the past.
PaKa sings long mournful notes as she plays a soft singular beat over and over again on a drum-snare of  sealskin and whalebone.
    Jeff waves to his mother; As she sees her son, she begins to call out,


” Come fellow me one and all…;

Come fellow me to the place of the great hall;

Come to hear a tale that must be told;

Come hear the words from the time of old.”

As PaKa reaches the doorway she gestures to Jeff and Lora.
"Please come, sit here near the fireplace."
    As everyone-else  finds seat’s; PaKa kneels down, she looks deep into Lora‘s eyes; She smiles and then hands Lora a small long rectangular box.
Speaking softly, "Lora, please, hold this… But, do not open it right now; Wait until I’m done with my story. I'll return and we will talk."
  
    Lora stares at PaKa thinking…
‘She is an odd woman. To give me a gift? Looking down at the small rectangular box. She makes a huff, ‘ It's probably a brand new pen to sign the divorce papers with. She's probably…; But wait!’
Lora remembers, ‘ Jeff hasn't told her anything about the divorce yet. ‘
Lora places the box on her lap.

    The show begins...
    PaKa hushes the assembly; Cues the drums to play.
    The drums start. It is a slow, low singular beat  beating over and over…; Over and over. beating  slow low beats; Over and over... Again.

    Jeff bends down; He whispers, "Lora, the crowd is so much larger then I ever remembered it being before."
    Just then, a woman comes and sits right next to Lora and the woman has a baby sleeping in her arms.
Lora closes her eye and thinks,…
‘ Oh God… Why couldn’t this woman find somewhere else to sit; Anyplace other than here?’

    "Welcome! I am PaKaSuk...I am the Coyote-woman for my people…, now! But my story is of a Coyote-woman of long ago. Her name,… GaTraRa; The Coyote-woman Who Lost Her Tears.
Come one and all close your eyes. We shall breath deep the air and hear the drums beat…; And, we shall go… into the past.

            GaTraRa became a coyote woman when she was young. Much younger than the old custom....The old Coyote-woman would chose a young girl to replace her and she would teach the girl all of the knowledge  needed to help her people; She would learn all the wisdom of the herbs that cure and when ready she would take place. GaTraRa was chosen… And with great pride and joy of all the tribe.
She had learned much in a small time working at the side of the old Coyote-woman. But, a great sickness came to the people; Nearly half the tribe were lost...
The old coyote woman was lost…  GaTraRa was now The Coyote woman; …without knowing all the wisdom  the old coyote woman needed to give…

    Lora, sits there listening to her mother-in-law; She starts feeling cold beads of sweat against her skin. She starts feeling a slow low ache in the pit of her stomach.
    Jeff looks at Lora, "Are you alright?"
    "Leave me alone!” She swats at him. "Just go away! I'm fine. Leave me to hear this..."

    PaKaSuk continues "By our old traditions the Coyote-woman is not to join with any man; It was said… She’s to care for all the people of the tribe; But…, for GaTraRa;  GaTraRa was highly favored in the eyes of the council, And, especially by the chief elder's son, NeKraRa.
NeKraRa, who wanted the tribes very young new Coyote-woman to be his spoke a plea to the elders; GaTraRa wanted to be his as well. But she knew a Coyote-women was not allowed to join.  GaTraRa was surprised and overjoyed when the elders told her that she and NeKraRa being allowed to be joined...She felt the spirits were pleased.  And, soon after their joining they were blessed...They had conceived a child.
  
    The drums begin sounding faint and far away to Lora. The scent from  the smoke seems to be making her feel hazy.

Lora feels a low dark ache in the pit of her belly; It begins to grow; Her head lowers and her breath begins to labor. The pain is so deep Lora's eyes feel full of heat and she holds-back a feeling to cry out...
  
    PaKaSuk continues…, "It was the time of the hunt!”
  
    Eyes tighten. The pain becomes overwhelming to Lora; From a deep place within … A howling cry cries out!
"AAAAIIIIEEEEE"


    GaTraRa pushes; A baby’s cry fills the room. Her beaming sweaty body falls back onto the bedding.
    "It is a boy! You have a son!” mother-in-law smiles while wiping off the tiny crying new born.
"My child, he is a, strong, healthy boy! And, look, look see how his face shines like dawning light. NeKraRa will be pleased when he returns."

    As her husband's mother places the new born into her waiting arms, GaTraRa thinks ‘ No woman could ever be this happy.’
She looks up and says, "This day is the day of my greatest joy,"
  
Several weeks come and go. It will soon be  time for the men to return

Several weeks come and go without the young men.
The sound of drums call out from the distance; The time  for the return has come at last.
Many come to the Great Hall to greet the men when they arrive. The young Coyote-woman lefts her baby and runs happily to show her husband, NeKraRa, his fine new son.
Looking out, beyond the path, the men could be seen; They look weary of their hunt; Not all who left seems to be coming… The elder  hunters  may be a day or two behind bringing the treasures of their travels ;All the trades made with the outsiders.  The younger men come with the new pelts to cure and with the fresh meat and fish for the smoke.  As the men come closer the young women gain sight of their man; They run to walk with them to the Great Hall. But, but GaTraRa could not find her man. Her husband, NeKraRa, was nowhere among the men.
“ NeKraRa; NeKraRa !“ The young Coyote-woman begins thinking…’ He may be with the elder hunters; But why?’ She calls out several more times “ NeKraRa!”
Grabing at the men as they pass she asks,
"Where is my husband?"
    None of the men would speak to her or even look up at GaTraRa They’d just keep pass by her and enter the tribal council. Leaving her standing there holding her small baby.

    NeKraRa's father comes out of the council hall; He walks to GaTraRa and places his hand upon her arm.
"My child, our NeKraRa met his death over the ice on the very first night of the hunt."
  
    She looks down into the face of her small child.
"That was the night his son was born..."
Softly, sadly she speaks to her sleeping child cradling him in her arms,
"You will hold your father's name, my sweet boy...and his spirit.“
She walks home.

    Her mother-in-law meets her at the door, crying.
In a deep mournful tone, "My child!"
    GaTraRa just stands there with a void look on her face. Then, she looks at her baby. She lifts him up and hands him to her mother-in-law,
"Here mother," in an increasingly laboring tone,
"Here, here is our NeKraRa."

    The next day, mother-in-law waits for the baby to wake. She waits, long…, but there is no cry. She goes to lift him up and to wake him but as she pulls the blanket back she sees the baby's body is still, motionless. The baby is cold, blue and silent,
She lifts him and lets out a long wailing cry, "No...!"
  
GaTraRa runs…, only to see her baby in her mother-in-law's arms; A face full of tears and crying out over and over again, "He's gone...He is gone!"
GaTraRa falls to the floor; She begins to rock, repeating
"No…! No…! No…!"
But yet, now, not a single tear falls from her eyes.
  
Weeks pass since the death of her baby. Her duties as coyote woman become harder for her. Whenever others seek out her help she becomes angry. She says, "The spirits curse me; I went against them with family and now I have nothing; They will allow me no peace!"
All she does is watch the doorways; it is as she is waiting for someone or something...

    The council watches GaTraRa closely. Mother-in-law brings her worries to the elders.
“GaTraRa‘s sadness grows. “
Mother-in-law tells them, “She must be watched. Our Coyote-woman has felt the brush of the Raven’s feathers; Her tears are stuck within… No tears fall.”
Mother-in-law pleas to them, “ Her sorrow grows, silently! I fear, if we do nothing, she will be taken from us as well.”

    The women of the council gather together; They decide to have the grieving ritual for GaTraRa. But, none them has ever done this ritual. This was something the Coyote-woman would do.

    Days pass, the men are preparing to leave for the last hunt of the season. And, the women begin to prepare the council hall. They gather up all the things they could remember from having watched the ritual done times before.
    The chief elder sees the woman; And he asks, “What are you women doing?”
Mother-in-law tells him of what she and the other women have plan.
Shaking his head, “For as far as back as my memory takes me I have never seen a Grieving-Ritual done during this season before; And, without the young men being around. Do you really know what you are doing?”
All the women said, “ We must!”

    The men are gone…

    The women take GaTraRa to the council hall. They place her near the fire. GaTraRa watches as women gather herbs and place them in bowls.
She speaks out, “You don’t know what you are doing!?” Then, her voice saddens.
” …or maybe you do.”

    The women do not listen; Without a word, they begin to place the bowls in all the places they have remembered seeing them before…Recalling, all the men would play drums all night, during the vigil, they each pick up a drum. They gather around the fire. They stand and surround  the fire with their drums; The woman slowly begin to play.
GaTraRa, motionless, looks to the women thinks to herself, ‘Why are they doing this…I did this…to myself. They should not care
As always, I enjoy any and all  feedback you could give me.
brandon nagley Jun 2015
Appetite grows on strong
For one to touch mine skin
Hunger groweth long
For one to let me in

Dearth is a silent creation
Up from below
It wraps me in bad sensation
Abundance hath let me go

I cadge
In agonizing fear
I dread
This buzz of SALT tasted tears

I'm imbedded on nails
Crucified with no one to let me down
These wings hath broken off
Corrupted the ground...
kMargaret Jun 2013
They call it being the big spoon
The Big Dipper of the bodies
And you insisted on that being your job.
But it was the middle of the night
And you turned over
Letting me press my body against your back.
Fitting myself into all your open spaces
Nothing breathed between us
You reached out your arm
Pulling mine up and over
Hugging my hand to your bare chest.
And I
Listened,
My ear to your back
My hand to your heart
We beat in unison
And I
I couldn't tell who's heart was who's.
Tracing the freckles on your back.
Using the tips of my fingers
And my lips
To connect the constellations
Your skin glowed as if touched by stars
They are imbedded in your skin.
How were we supposed to know
That beneath the surface of your porcelain
That you were burning alive.
For the stars weren't those you wish upon
But those that scorch you from the inside out.
The ones that set you on fire
How were we to know that the constellations imbedded in your back
Were not constellations at all,
But veins filled with poison.
A cancer feeding on you
Destroying what you are
Burning stars,
Poisonous, deathly stars,
That big spoon
Pouring hot acid through your bones
Extinguishing the light that once enveloped you.
You lay here
And your eyelashes
They start to fall to your cheeks
You cry and
I say
Beautiful.
Glowing from the inside out,
I traced the Big Dipper into your back
How was I to know you were burning.

Make a wish, baby
It's not over until you stop fighting.
"Hark! Lakshman! Hark, again that cry!
                 It is, — it is my husband's voice!
             Oh hasten, to his succour fly,
                 No more hast thou, dear friend, a choice.
             He calls on thee, perhaps his foes
                 Environ him on all sides round,
            That wail, — it means death's final throes!
                 Why standest thou, as magic-bound?


             "Is this a time for thought, — oh gird
               Thy bright sword on, and take thy bow!
           He heeds not, hears not any word,
               Evil hangs over us, I know!
           Swift in decision, prompt in deed,
               Brave unto rashness, can this be,
           The man to whom all looked at need?
               Is it my brother that I see!


           "Oh no, and I must run alone,
               For further here I cannot stay;
           Art thou transformed to blind dumb stone!
               Wherefore this impious, strange delay!
           That cry, — that cry, — it seems to ring
               Still in my ears, — I cannot bear
           Suspense; if help we fail to bring
               His death at least we both can share"


          "Oh calm thyself, Videhan Queen,
               No cause is there for any fear,
           Hast thou his prowess never seen?
               Wipe off for shame that dastard tear!
           What being of demonian birth
               Could ever brave his mighty arm?
           Is there a creature on earth
               That dares to work our hero harm?


           "The lion and the grisly bear
               Cower when they see his royal look,
           Sun-staring eagles of the air
               His glance of anger cannot brook,
           Pythons and cobras at his tread
               To their most secret coverts glide,
           Bowed to the dust each serpent head
               ***** before in hooded pride.


           "Rakshasas, Danavs, demons, ghosts,
               Acknowledge in their hearts his might,
           And slink to their remotest coasts,
               In terror at his very sight.
           Evil to him! Oh fear it not,
               Whatever foes against him rise!
           Banish for aye the foolish thought,
               And be thyself, — bold, great, and wise.


           "He call for help! Canst thou believe
               He like a child would shriek for aid
           Or pray for respite or reprieve —
               Not of such metal is he made!
           Delusive was that piercing cry, —
               Some trick of magic by the foe;
           He has a work, — he cannot die,
               Beseech me not from hence to go.


           For here beside thee, as a guard
               'Twas he commanded me to stay,
           And dangers with my life to ward
               If they should come across thy way.
           Send me not hence, for in this wood
               Bands scattered of the giants lurk,
           Who on their wrongs and vengeance brood,
               And wait the hour their will to work."


           "Oh shame! and canst thou make my weal
               A plea for lingering! Now I know
           What thou art, Lakshman! And I feel
               Far better were an open foe.
           Art thou a coward? I have seen
               Thy bearing in the battle-fray
           Where flew the death-fraught arrows keen,
               Else had I judged thee so today.


           "But then thy leader stood beside!
               Dazzles the cloud when shines the sun,
           Reft of his radiance, see it glide
               A shapeless mass of vapours dun;
           So of thy courage, — or if not,
               The matter is far darker dyed,
           What makes thee loth to leave this spot?
               Is there a motive thou wouldst hide?


           "He perishes — well, let him die!
               His wife henceforth shall be mine own!
           Can that thought deep imbedded lie
               Within thy heart's most secret zone!
           Search well and see! one brother takes
               His kingdom, — one would take his wife!
           A fair partition! — But it makes
               Me shudder, and abhor my life.


           "Art thou in secret league with those
               Who from his hope the kingdom rent?
           A spy from his ignoble foes
               To track him in his banishment?
           And wouldst thou at his death rejoice?
               I know thou wouldst, or sure ere now
           When first thou heardst that well known voice
               Thou shouldst have run to aid, I trow.


           "Learn this, — whatever comes may come,
               But I shall not survive my Love,
           Of all my thoughts here is the sum!
            Witness it gods in heaven above.
         If fire can burn, or water drown,
             I follow him: — choose what thou wilt
         Truth with its everlasting crown,
             Or falsehood, treachery, and guilt.


         "Remain here with a vain pretence
             Of shielding me from wrong and shame,
         Or go and die in his defence
             And leave behind a noble name.
         Choose what thou wilt, — I urge no more,
             My pathway lies before me clear,
         I did not know thy mind before,
             I know thee now, — and have no fear."


         She said and proudly from him turned, —
             Was this the gentle Sita? No.
         Flames from her eyes shot forth and burned,
             The tears therein had ceased to flow.
         "Hear me, O Queen, ere I depart,
             No longer can I bear thy words,
         They lacerate my inmost heart
             And torture me, like poisoned swords.


         "Have I deserved this at thine hand?
             Of lifelong loyalty and truth
         Is this the meed? I understand
             Thy feelings, Sita, and in sooth
         I blame thee not, — but thou mightst be
             Less rash in judgement, Look! I go,
         Little I care what comes to me
             Wert thou but safe, — God keep thee so!


         "In going hence I disregard
             The plainest orders of my chief,
         A deed for me, — a soldier, — hard
             And deeply painful, but thy grief
         And language, wild and wrong, allow
             No other course. Mine be the crime,
         And mine alone. — but oh, do thou
             Think better of me from this time.


         "Here with an arrow, lo, I trace
             A magic circle ere I leave,
         No evil thing within this space
             May come to harm thee or to grieve.
         Step not, for aught, across the line,
             Whatever thou mayst see or hear,
         So shalt thou balk the bad design
             Of every enemy I fear.


         "And now farewell! What thou hast said,
             Though it has broken quite my heart,
         So that I wish I were dead —
             I would before, O Queen, we part,
         Freely forgive, for well I know
             That grief and fear have made thee wild,
         We part as friends, — is it not so?"
             And speaking thus he sadly smiled.


         "And oh ye sylvan gods that dwell
             Among these dim and sombre shades,
         Whose voices in the breezes swell
             And blend with noises of cascades,
         Watch over Sita, whom alone
             I leave, and keep her safe fr
Fragrance imbedded in my mind
Fragrance of a very special kind
Like parfume of the cherry blossoms
Rising up to heaven.
Walking through the streets
memories of you and me
connected with this fragrance
Bringing everything back to life
Pleasure, pain and delight.
All feelings
like imbedded fragrance
Stay forever in the mind.
How I loved your fragrance.

Shell✨🐚
Fragrance can bring you back instantly to long forgotten places. Memories of love ones.
Everything that once was so simple, now all seems so lost to me.
Lost to the world that fought me.
I feel my words blurring together with a broken jaw type of numbness.
It feels like my thoughts were beaten from my lips from the inside out.
I can still feel the burns of thoughts unsaid. I miss when times were tangible and things were nailed down.
But now my life feels like water.
Violent like the tides, dragging me out into a place where I don’t know how to swim.
It’s the words that I don’t know how to place that fill my lungs with every choking breath.
I’m in life too deep to get out now.
I’m imbedded, addicted.
Fastened to this current.
Like the van der waals force of my heart beating.
My lips tragically crave the taste of air and my heart painfully keeps the rhythm.
Step Step Step Step.
“Let’s go on,” my feet say in agreement with my heart.
The tears drag down and even they demand to be felt.
No parts of me want to go, but they all beat down on me demanding that I supply them with more energy to live.
I grow weak and hobble at my knees and wonder, “When will this addiction end?
When will I get some rest?” and just like that I’m gone.  
Not fighting the current, just floating.
Not swimming, just floating.
Not quite drowning,
but still,
only floating.
Black Swan Mar 2010
Presumptuous, perhaps arrogant,
My perception of reality.
I invoke, with humility,
The Great Spirit and
Receive an answer.
Heavenly manifestations
In the form of trees,
Birds and dreams.
My reality.
But, what about me?

I am important.
I am destined.
I am.
I
Regulate and manipulate
My world.

Channeled energies, memories
Are brick and mortar
For the building of myself.
I build and build,
Adding rooms,
Windows, staircases.
My domain.
My center draws farther
From the edge.
Understanding expands.
I know more and more.
I sleep.

I dream of angels,
Of nature in bliss,
Of blue skies imbedded
With soft clouds,  
Of worlds--
Many, many, worlds--
And, I dream of myself.
I wake up.
I wake.
I

Am aware, facing
A being not of my choosing,
Beyond myself.
Shrill whistles,
Bright, flashing bulbs,
Agitated bees,
Forgotten memories,
Woven into the
Space that unfolds--
And more.
No longer under my control,
The earth spins on
Its axis.  
A world apart from me.
Presumptuous, perhaps arrogant,
My perception of reality.
Black Swan © 2008
When I was young,
fairy tails filled my head.
And I could be a lost boy,
Fighting captain hook.
I was never the princess.  

When I was young,
Playing was all I did,
but I climbed up trees,
and splashed in streams,
never touching Barbie dolls.

I was a boy back then.
It wasn’t till I grew,
that I became a lost boy.
Was it when the boys stop playing with me?
Was that when I broke inside?

Lost in a world,
In a world not made for lost boys.
So I let them put makeup on me.
I let them buy me dresses.
I pretend to fancy other boys.

Lost my true self,
But hints of him were there.
He was smart and
He was brave,
He was imbedded within her.

But as he grew,
She saw him,
She heard him calling her.
Save me, find me.
We are a lost boy.

I am a lost boy,
but its not pirates I’m fighting.
I’m fighting to be just a boy.
One who is a boy,
No matter what they say.

I am a lost boy.
One who is reclaiming what they took.
Reclaiming my body.
I must relearn to be a boy.
Just a boy.

This lost boy cut his hair,
hides his *******.
He stands tall and proud.
Because he knows,
He is a boy.

I am a boy.
It doesn’t matter what you say.
I know what I am.
So I will return from Neverland,
And wave goodbye to my lost boy
Inspired by the song - Lost Boy by Ruth B
Mateuš Conrad Oct 2018
.too dumb, it would seem, to evolve into a bilingualism, but then... somehow, miraculously, able to dictate censoring the origins story, while at the same time dictating a counter to identity politics, while simultaneously working around a trans-grammatical feud with: what's involved in the geographic region of donning underwear... well **** me! so the atypical English man, who's turning into a complete and utter, ****... allows me to smoke a cigarette in the street... but has a problem with me smoking on my private property?! has a problem with me being bilingual calling me a schizophrenic?! but he doesn't mind a Pakistani grooming gang from operating in the north of England?
look who's looking for some long lost allies? not me! there's so much i can do to integrate... but i can't just, erase, a knowledge of a language i said my first syllables MA MA in... you be the pretty boy... English, man... learn a second language, or keep your ******* on a tight leash! because i'll fight... i'm actually hoping for  fist fight... after i put out cigarette stumps on my knuckles? i don't care about winning or losing... i'm a sadist... i enjoy pain! no, you don't get to tell me to erase the tongue i said my first syllables in... teach a **** to fry you a battered cod next time!


so... the idea of integration
is fine...
while i'm some ****
instrument of insurgence?
but not when i'm a ******...
who says...
sure...
i'll learn your language...
your ******* tongue...
i'll learn it...
i'll even learn to practice the profanity,
much agreed upon,
of eating fish & chips
on Friday night...
    oh you're ******* pushing it...
you're pushing it!
you want me, to,
forget, ever speaking,
a single word,
of my native tongue?!
WHAT?!
you have to be ******* with me
right now...
you, expect, WHAT?!
WHAT?!
    how about you get off your
lard greased *** and learn a language
yourself?
guess why Western, your
so prized Western Europe
is experiencing a migrant crisis?
ever heard, how...
Belgians speak better English
than the natives?
  it's like they have
an imbedded
        coercion with the English tongue...
**** me...
they must have conquered these
lands prior!
the Norwegians speak better
English than the English!
wait... or **** on me...
vikings! it must have been the vikings!
guess what...
why do the migrants do not come
to "eastern" Europe?
well done,m sport...
just shy of the Urals
in terms of a geography class...
you want an: east is in the east,
and the west is a vaguely defined term...
whether in Copernican
terminology or, otherwise...

no, ******, i can dance dance dance
like a can-can ponce all night long!
i'll do it for free to boot...

no, the English people didn't vote
to leave the European union
with a fear of the Turks...
former colonies...
these wankers hated the notion
of the A8 coming over...
they doubled down
on Romania and Bulgaria
joining the party...

  the Turks were never the problem...
plenty of Turkish shops,
and god save the barbers to boot!

good for the "eastern" Europeans...
not speaking a *****-tongue
of English...
            they only arrive on the Western
shores because.
English?
         pristine... perfected even...
outside the confines of these,
**** grand isles of beauty and
perfection...
         and don't mind if i do...
shock multiplied by awe,
whenever a school trip took place...

the Belgians speak better English
than the actual English...
and have a diacritical neutrality
to boot...
         well **** me!

                      ain't that, something?!
no... English isn't a secondary
language necessary
to be spoken in a nation that's
past or south of Berlin...
  no necessary...
          the usage of English is,
a gateway "drug"...

but if the English, "think",
that i'll be properly integrated
into their culture,
while: speaking their native
language and respecting their culture
and whims is not enough,
and that i'll have to forge a pact
with myself to forget or rather,
erase the language i was born with?

how are your matriarchs of
Manchester doing?
  why do i ask?
   i'll sooner cut my **** off and
then **** on it...
before i speak a word of English
in my household,
or for that matter,
"integrate" by erasure...
  
  you best be ready to cut my tongue out...
which is why...
how can a Welshman be
deemed an esteemed creature
of kept pride...
if he doesn't speak a word of
the "hiding" tongue?
the Belgians speak a better English
than the ******* English!
whether or not they still
retain speaking Flemish is beside
the point...

               what cause for whatever there
be a need to make, a cause,
if the Welsh are not speaking
Cymru,
and the Irish are not speaking Gaelic?!
you don't make an argument
in a language that
has left Europe's west flank...
******* its way through
being easily speakable,
and semi-integrate-able;
thank god the majority
of the Polacks do not speak,
even a majority riddled
tourist majority English...
   and they don't...
even in places like in Warsaw...
it's like banging
their heads against
a brick wall when it comes
to the Muslim, wealthy tourists...
no hope in sight...
but no...
i will rather retain my native
tongue,
and respect the culture of
the English, than allow myself
to "forget" my native tongue
of Urdu... let's say...
and then turn around,
and abuse the native culture....
calling it... debased...
no!
you don't come against my
tongue, and then expect
me to remain neutral...
    but if you do...
you come, dictating what the rules
of integration are?
i'll be there...
telling you,
where you went wrong...
not everyone likes
the culture that England
entertains...
but everyone likes
a citation using the English
tongue, with however
horrid diacritical disorientation...
and i will give a part of me, up,
to, "integrate"...
take my language away?
you might as well blind me
and cut my tongue off...

   no... i'm telling you...
smarten up...
  how about you learn a second
language?
rather than discriminating
against bilingualism like
it's a schizophrenia?!
Polka Dot, Polka Dot, a one pony show
Strange name for a child, but she loves it so
Cheerful wee girl with sweet smile aglow
Adores all round shapes, expects you to know

Her twenty one garments sport assorted dots
Basic eight pairs of footwear, orange and green spots
Gaudy bows for her hair, with colored rings, lots
Dot sees spheres imbedded in her eyes and thoughts

Blankets and curtains, guess what, dots and lace
The spotted mouse toy for the cat to chase
Walls with orbs and specks on all space
In the right light they reflect on your face

Dot's off to school with a polka dot hat
Coat, umbrella with circles, imagine that
Polka dotted notebooks, pencils and backpack
Rides pink spotted two wheeler, parks in bike rack

Poor Polka Dot started feeling sickly ill
Sent to school nurse where she refused a pill
Saw the Doc, calamine lotion and advice to chill
Spots! Chickenpox! Polka Dots notable thrill
Evynne Apr 2013
Just like love, just like how you know life
With your heart beating and your eyes big with wonder and awe
You want to feel each day slip away as you long to get closer to death
For death seems to be the only logical escape
The way you view the world, there is too much evil, too many horrible things going on
Not enough goodness, no justice
You long to possess the right to inform people about how mankind has managed to lose its soul and fervor to pain, hurt, evil
Evolving in all of the wrongs ways, developing all the wrong ideals
You try to say the words right, try to make them coherent
And at night you think and think
And in your mind, things look so little but so unattainable

You are a spirit of light
Your left hand longs to be held by another's right hand
Your face longs to be caressed, to be admired and remembered
You need some reason to keep on living
For on your own, you are just waiting for death to sweep you off your feet and take you away
It is the only thing that seems to feel right
The only thing that really makes sense to you

You choose to remain in your thoughts and in your head
For it is a good place to be
You can smile a new smile, take your hands and dig them deep within the sun and the moon
You can hold the universe and maybe even restore the hope that was once present and flourishing within you
But once you must leave your mind and your dreams and your thoughts
You slowly and begrudgingly come back to reality and your stomach falls to your feet as you hear the pangs of the outside world coming back alive inside of you
You ponder the concept of the word "home" and remember an old body that you used to seek safety in
Cold and dark tears contemplate falling and you wish to live in the sky, gone from the world, slipping away in your dreams, leaving behind the dreadful drone of your own existence
You ache to be left alone in your thoughts
Your mind travels back to the days that once consisted of innocence and simplicity
So alluring and true
Tangible
Withholding pure and utter bliss
Now, so unattainable and distant
Forever gone

You try to stop your mind from traveling further but you think about the person you used to be, the girl you once knew
Her lips are now forever gasping for more and more air and the feeling of fear is hard and sharp in her heart that is broken beyond repair
You long for better days, for better things to come to you
But there is something dark and black that rests deep within you and you cannot live a moment without noticing its lurking presence
You long to be free of it
But death is so far away and sleep is only temporary
Your eyes are open but there's a path behind them compiled of pasts years that you continuously walk day after day after day
And they don't taste sweet and your breath is trapped within you, making it seem as if blood tastes better than this
And once again, death and truth seem attainable but so very, very out of reach

The weather is gloomy and rain is falling from the clouds above
You stand and let the rain kiss every inch of your warm and tingling flesh and you feel happy as you turn with the wind and taste the raindrops on your lips
Your heart is red with fire and warmth, beating graciously as you believe each and every raindrop is a healing kiss to your troubled and aching soul
Times of hate and despair trickle down your body with the rain and you feel both dead and alive all at once, waiting for something other than hurt and emptiness to be your dearest friend, waiting for the loneliness that swims through your veins to go looking for someone else to invade with its poisonous ways
The rain is trying to help but the loneliness was there before the rain ever existed and it cannot die inside of you
For it is very much alive as it stands in the room behind your ribcage, holding out its arms, loudening its voice today and every day, this morning and every morning, until it is eventually noticed tonight and every night
With its feet imbedded to the floor of your body and your bones, forever attempting to taint the beauty of your soul
You try to forget, but instead you understand
You lay in bed and it all feels so real as you look desperately to the stars
The same stars you have been looking to and wishing on ever since you were a small child
And you recall the first time you ever saw a star, still so full of innocence and ambition and wonder
But innocence isn't a permanent friend like loneliness which lies at the door to your heart
Innocence is forced to change its shape until it disintegrates all together
Just as you have sat and watched the stars for all these years, you sat and watched your innocence slowly fade away with age and the progression of life and time
Then comes the wonder of the beloved memories when you still possessed that innocence and its hurts and everything seems lonely once more
So you write as you look to the moon and the earth and the song they sing each night
And even though you have grown accustomed to the darkness
You are sure it was once was something that took too frequently and took too soon until it became a friend instead of an enemy
Because what other choice did you have other than to form an alliance with it?
And soon enough the words flowed from your fingers and nothing mattered as long as you could write and feel something, whether it was the pain from under a razor blade or the earth beneath your feet or the taste of wine on your tongue
It was still something

Oh little miss silence, the quiet and unnoticed observer
Seen by no one, your head high in the clouds as you continuously demand the reason for why you are living
You lay and wait for the great and warm sea to scoop you up and break you apart until you are nothing but particles floating about, forming other unknown entities
But people lie and we are all terrible human beings
Spiteful and cold
Critical
Deceiving
Although you have always felt different from the rest, small and everything less than perfect
Always thinking thoroughly, slowly, deeply
Always acting as a caretaker to others and their wants, and needs, and feelings
You discovered at a very young age that helping others makes your heart dance and that fighting for those who are in need is of utmost importance
You always speak so softly because your efforts are never enough to change anyone or anything
You are kind when others are mean, strong when others are weak
Every single night you lay your head down to sleep and pray and pray for better things and better people to reign, just as you did every single night as a child
But things get harder as youth diminishes
And once it finally leaves, you find that you are the person you'd never thought you'd become
And knowing that is extremely painful
It is a constant, stabbing feeling

You look for peace, talk of it, listen for it
Longing to make your insides bright again
Searching for a reason to keep on living
But your mouth is locked shut and you hide with the trees and hold dear true laughter and listen to the music in everything as you see reality through one set of eyes, and the world within your mind, through another
You feel sorry as you look for some person or some place to build a home
And you long to grow with the trees that will rest beside it and to float with the clouds that will rest above it
A world to live and breathe comfortably in is all that you long for
But you are living in hell as this world is the farthest thing from comfortable
You lay beneath the sky and ache and ache as you listen to the voices that sing above you
And you feel apart from everything and the sad feelings surface once more and you try and try to escape but instead more things wake inside of you and walls build up and around you until your story is just another poem you will write in the future

You watch the tree from your window and try to remember what you felt like before you lost everything
Mateuš Conrad Dec 2016
i know of Knausgård -  sure, and i share this concerns for
the art of taking to lumber and chopping,
  as novelists tend to do, write with an axe,
philosophise with a hammer...
          metaphor turned into imagery
counter-turned into literalism...
   i once imagined him not being there -
i once wrote ich kampf, stressing
that it was an indefinite expression
of expression, primarily due to the content
of the pronoun... and i was referring also
to the definite expression (much obliged,
atheism, a- without, and the- with,
or indefinite and definite articulation) -
the English eye sees one stance as definite,
and another as indefinite, and juxtaposes
the two interacting...
                          they duly interchange...
i can say ich kampf and say i internalise
verbs: a movement of the hand,
   a strutting or a waltzing circumstance
of owning a body... that's what it's indefinite...
that's why Sartre slithered in counter to
his expanse in philosophy: because i really loved
his novels...
                          but in terms of a mein or
a mit (including me) struggle i find not
ease... no one dares to devalue ****** as a human,
not talking about the past history in purely human
terms urges the postscript of a dictator,
it actually elevates him to a godly status...
           not realising the human is to make flaws
of what the en masse does: raises him to a godly status...
     Zeus had a beard... not a Charlie Chaplin moustache...
right now he's laughing in his grave...
                      old Aldous ******...
   and aren't dictators born because people find their
surnames a little bit funny? it starts so
innocently...          and then it morphs...
   and it becomes an unstoppable morphing...
    yes... i know of a certain number of fellow
      contemporaries... because i want to? no,
because i have to. like rewatching the 2015 film
android - some films you have to rewatch...
   what's being debated? autism and artificial intelligence...
   hyperactive autism, i grant you that...
        it dawned on me... at autistic person could
fake a normal human response treating it as
      artificial... artificial also means mimicked -
  it means that "smart" guy at a bar reciting poetry
he hasn't written... artificial intelligence or the study of it
or even creating it has nothing original about it...
it's not groundbreaking in the same sense that
discovering champagne or penicillin is...
or l.s.d., because these examples have the magic of
being discovered by chance... humanity has been
artificially simulating intelligence since time
immemorial... it's that natural consequence of not being
endowed with a peacock's array of feathers
   to create a soothing, and sickly gentle wind of a woman
resting in a hammock under the shade of a palm tree...
artificial intelligence was inherent in us...
       it's the unravelling of the historical noumenon of man,
the per se that has only crept up on us,
   and before the reality of such a foundation being
established... the humanities create the "prophetic"
citations of it being true: in the "near" / impeding future.
    if god is a noumenon, then man cannot be a
phenomenon... but he is and paradoxically the two
of mutually compatible on a basis of exclusive rather than
an inclusive naturalisation...
               we are talking nature:
  we are talking god naturalised by the medium
suggesting: for i am bound to create obstacles and test
the body, rather than the mind of man...
    as so is man, also naturalised by the medium
of the elements, saying: for i am bound by a body,
   and have to utilise the body first, to overcome the wind
and the snow and the furthermore, until i reach
the labyrinth of the mind...
  and man has done just that, he has bypassed the struggles
of the body, and created entertainment using
the body that once struggled against the elements...
   for he has created the god Minotaur: and the psychic
labyrinthe... as with the Titans whom the gods
usurped, so too comes the twilight of the gods...
but being usurped by demigods...
       Minotaur was a demigod... who usurped the gods
of the trinity that were Zeus, Poseidon and Hades...
        for only the Greeks could create a Judaic bewilderment
as to why a sign was given unto an infant...
           but that's getting technical...
the film, android (2015)? it supports the misconception,
the anguish of a highly functioning autism...
      whereby showing a woman's carelessness in the realm
of adaptability with what some would claim to be
the beginning point of: overcoming the elements...
sure the odd tsunami and earthquake...
   but there's also the tiger, and winter, and parasite,
   and diseases of so many variations...
              man has not been endowed with complete
control over his surrounding... but in becoming partially
overlord of the ones tamed, he has created a mental
labyrinth... a world of such complexity that will
inevitably produce instances of autistic genius...
                 artificial intelligence is already imbedded in us,
just as cloning and Islam has already existed
(Christianity is too schismatic to be considered a cloning
definition... and Judaism as a monotheistic principle
has a heresy embedded in its orthodoxy that it simply
ignores: reincarnation... the Malachi heresy...
  that a second Elijah comes... and god becomes a half)...
   we see artificial intelligence everywhere...
        if the myth goes that woman fed man the original
lie of Eden... then man has nothing else to do than
attempt to polymer that one single lie...
       and repeat it... a reverse intrusion to what "could"
have been an utopian splendour.
      we all see artificial intelligence rummaging about
in the choices people make... it's called lying
   to gain access to a ****** gratification...
  or as i like to call it: a way to compensate our falling short
of the norm, a norm that focuses upon creating
   the most complex startup a Silicon Valley genius
can't comprehend... a family.
    these times prescribe such a bewilderment...
              families are artefacts of what some believe
precipitated into barbarity so close to us: the 20th century...
        and all those arguments you hear that might
discourage the opposite ***, as in damning your parents
for a piece of seashore **** fest of the *****?
   probably came from a person born from a surrogate
mother... well... an incubator, a very expensive *****...
   homsexuality created the evolution of prostitution,
once bound to the genitals... now bound to the womb...
     i.v.f. kids calling natural kids ******...
   i never liked the matrix movies in all honest...
but we're seeing the reversal of the original idea...
                 in the matrix of knowledge... hearts become
piñata: chockies sweet, sensations abundant,
  the spectrum is yours.
                but this poem isn't really about that...
i can sip a whiskey and actually find these things when
i start to utilise these symbols... it sometimes happens
that they fall through... all i was really thinking about
is the "theoretical" score of 147...
                      i'll call them billiards rather than *****
to excuse a "he-he" Michael Jackson laugh at a chance
of "nuance"...
       yellow (2), green (3), brown (4), blue (5), pink (6), black (7)...
and plenty of red (1)... points in bracket respectively...
                  of course from childhood memory i sided with
ronnie... also from Romford... an obscure town in Essex
that oversees the shard and canary wharf from
a distance...                    but watching snooker as a child...
          not too bad at pub-snooker: i.e. pool...
and that game show when snooker was hot back in
the 1990s... big break, with jim davidson as host...
    and of course: john virgo as the rejuvenated
                         ghost of alex higgins... this whiskey
swiggly is on me al.
                 but this final... ****! at one point it was
a century after a century...
                     chess with mathematics, trigonometry
and Pythagoras in motion...
                                    the gods playing with saturn
and jupiter neptune planetary arrangements...
            i can't word it properly... but it'll definitely sound
better than a concussion after too much rugby and
the rough-stuff of "manhood" strutting with bulging
muscle tensions... rather than this Japanese warrior-monk
in a waistcoat and bow-tie swirling a stick in the air...
           i just thought of one thing...
15 wildebeests on an African savannah...
       out comes one lioness...
    and she nibbles at the pack... and she picks off
the weakest of the 15 wildebeests...
              she nibbles the pack before the pack breaks away...
         she looks left (red) and then looks right (yellow,
green, brown, blue, pink, black) -
                      and she picks at the pack, one by one
they fall... but there are two games going on...
   there's the no-man's land snooker where the game is
about entrenchment, and snookering the opponent
for a foul... and then there's the tsunami snooker...
which kinda looks like one person playing chess...
     with no opponent other than a chance mistake...
misjudgement on the case of instinct and how they ******
well know what angle to fudge the white lioness
                onto the billards... and with what force...
      tsunami snooker, or cascade snooker is basically
a monologue...
                             after seeing 3 centuries in a row
you get to crave classical snook -
                                       the mind games of safety shots...
   and teasing, and tempting, and teasing, and tempting,
before the Rubic cube unravels itself,
   and you find that light at the end of the tunnel...
                        and the black pops into...
i'll be honest, i haven't watched snooker for a long time...
        maybe that's why i feel so enthusiastic about it...
       it's sometimes good to be fed this mundane diet
of sport-fanaticism that football is in accordance with
religious dogma... it's a good thing...
             then you end up watching a game of snooker
and all these things start firing up your brain...
   and you end up saying:
      the Taj Mahal can be there for all i care...
the Grand Canyon can be there for all i care...
                    such things don't really require a photograph
with my gimp-face trying to make other people jealous
by actually being there: only to take a photograph,
rather than feed into the air and the thrill of being there...
        as they say... it's a small world after all...
better get used to it being much bigger inside your head.
Mateuš Conrad Sep 2018
.there always comes a threshold of tedium, esp.around this time, when two sides are at each others' throats... you can't escape it, both sides are at each others' sides... you're either collateral, or the, "supposedly", dumb spectator... you're in it no matter what, but the point being: there's no winning or losing invoked, or involved... but after a while: the stale quality of the drama, the persistent repetitiveness of the content become - so ******* dry... you give off a whiff of a prune mentality worthy of an atypical English soap operatic manoeuvring... basic said to basic: i'm just tired of one side telling lies, but i'm also tired of the other side exposing the said lies... i'm tired of both.... it's pretty much me quintessentially, scratching my itching genital region whenever i hear one side and the other, attacking each other... scratching my itchy genitals is more entertaining than wartching these sides argue for the same ******-momentum: money! i'm starting to see: neither side having the high-ground... it's simply tiresome... and, as a message to content creators vs. legacy media outlets.. as a content ingesting mechanism of an individual worth: sorry... no... by now i can't tell the difference... what was once a dichotomy, has become a dualism... click-bait... i figured: i can't be expected to fathom a bias, either side... as far as i know... the alt.-media could be, just as well, covert mechanisms of the same paradigm of spewed opinion... who the **** is to say that these unique, supposedly "unique" youtubers are not subcontractors of the major media contracting apparatus? i realized there's a need to stop buying revenue, primarily based on the exfoliation of the exploitation of drama... i'm not smart, but i am drunk, and attentive... big ******* difference! and i know what a threshold of tedium implies... i know when original content becomes exhaustive... it implies: the content is no-longer original.

you'd think you'd be able
to escape the playground
drama sequence. of events,
given how people
make money n youtube...
apparently
that's not the case...
  i think i'll need another
whiskey to write this "critique"...
like a whiff of
bothersome flies...
    like: but unlike:
a whiff of bothersome flies...
fusiliers to the common
"rain" of canon fire...
        so much drama!
too much, to be exact...
        a vanity ****,
with anything but
the without attempts at claiming:
fair...
   to make videos
in order to simply make excuses...
what a waste of time...
    take up a career in drinking,
then you'll see what
sort of stupid **** sober people
get up to!
and, these, are,
sober, people? yes?!
  my god...
        if they're sober,
and i'm drunk...
           maybe i should stop drinking
and join the funfair of
soberness!
   then again...
god i abhor the drama
of some pumpkin mope glass
akin to a chimney-sweep
in the form of:
pittance for a Cinderella...
  the jokes goes along the lines
of:
back east there's a Cabaret...
back in the west there's the comedic
monologue of a stand-up comic...
back east there's no soap-opera...
back in the west:
   there's no tele novella -
which only old women
appreciate...
but there's soap opera:
which, even the english
class teachers advised not to watch,
encompassing girls as young
as 15...

with the said advice...
   how wonderful to be made
esteemed of...
     i could never blog using
video...
the whole medium is plighted
with an implosion...
           it imploded by the "sentiment"
to simmer solipsism...
   it's way beyond an echo
chamber...
   it's a claustrophobia...
i could never make video content...
because as far as i know:
only lazy people watch videos...
while the diligent people
read anything at all...

    i've grown tired...
simply... tired...
              of the video content...
i also remember the glory days
when i'd listen to music
on youtube...
  and later buy the merchant's
allure of goods...
pristine physical artifacts...
via the uncensored suggestions...

i hate drama...
the faking, the blood-sports,
you name it...
    for a while i tuned in...
now i'm thinking
about coupling
last.fm with youtube.com...

   i never paid, and i was also
never paid...
my concerns are not the concerns
of the creator throng...
    tired?
is tired the most simple word
to bind to an excuse?
no...
              i hate imploding
drama;
that gets me...
              
no wonder i write:
  it's overtly selective within the domain
of the regards to who actually
digests the content...
      video my lazy...
     video my lazy...
          writing has an imbedded
censorship,
that is a pseudo-censorship...
     thankfully more
women read, than the men that talk.
midnight prague Oct 2010
ponder with me as I throw these diaries
filled with tales of ******* and burnt down cities
towards the direction of every ear
that had but a moment to listen to my plea
of how other lands hold the children of my sanity
of how in other lands I see decadent beauty
how I feel the gnawing tearing in me awfully

supernatural were the nights I imbedded in sultry
cringed smiles and listened to the forgein birdies
inhaled the fumes of gasoline and drowned in the glorifying sunny
wet my lips in salty water and enjoyed the stinging in my eyes
graced the cannabis valleys
and the meadows of sustenance and endless possibility

the waterfalls of magnificent hidden deep in the earth
behind the roses of my ancestors

speak to me my land
call on to me louder
hinder me away from this place
and manifest within in me your womanly power

seek me oh mother land
and cast me away from shattered lives
bring me back to you
and beg me todestroy this demise

I am toughly and sickly
at the same time

shower me with your graciousness
and devoutly banish my crime
I will wait for the thunder calling
and make excuses for this ****** place in the meantime
devante moore May 2015
He lost his arm
By a cooked bomb
His world lit up like firecrackers
He was engulfed in fire and metal shards
Then his body went numb
So he was stitched up
And sent back home
There was a new brand of limbs
So he volunteered to be experimented on
For a prosthetic arm
As he went through new trials during the day
He suffered at night
He had night terrors about where he was evacuated from
Seeing himself holding a ticking time bomb
While bullets whisked past above  
The bomb sunk into his hand like a solider in the slums
And as the time ticked one
His arm turned to glass and exploded
The shards from his arm imbedded themselves in his skin
This was his dreamed
He beg to be fixed
But even though they could give him a new arm
They couldn't fixed what he saw when he closed his eyes
Don Brenner Oct 2010
****** bone feathers and yellow beak imbedded in brain
exposed an aviary corpse when the burial dust settled
the last Dodo fell with eighty eight avocado trees cut
down that day and they fell like tipped cows slow
slow fast thud dirt sprayed like winter breath
but before trees tumbled and avocados
rolled downhill north sawteeth
scratched bark and cut
at one hundred fifty
degree angles
and wedges
pried tree
trunks
while the last Dodo slept in the last inhabited Dodo nest
like the last of a long genealogy abhorring what was left
of a final family

a weak decrepit Jones or Smith
tumbles down stairs
of a two story home
in Maine.
2010
Alysia Michelle Jul 2016
Too often are we obsessed
with nesting,
making homes
out of other people
rather than ourselves
we make ourselves cozy
within the confines of the walls
they had to let down in order to welcome us in
we lace ourselves in between their fingers ,
hoping that we might also find ourselves
imbedded in their heart
we embrace the richness of their voice
as if it were a lullaby drowning out
the voice in our own heads
a person was never meant
to be made into a home
just trying to find their own way
in their uneasy bones
people are
fickle homes
with restless minds
and tired bones
i am learning to make a home
within myself
to clean the dust off of the blinds
that shield my eyes
and see the world a little clearer
it is time to clean out the attic of my mind
to paint my skin a different color
because I have always wanted my home
to be as colorful as i feel
i will explore the depths
of my own temple
and build in myself
a strong foundation
because the foolish man built
his house on the sand,
the foolish man also
made a home, out of a man.
F White May 2013
dead birds in my ceiling
tiny imbedded wings
they know who's laughing
and who refuses to sing

their beaks are listless
no longer in need of their eyes
their ears are long gone, past
so they don't hear the future's lies

dead birds in my ceiling
tiny imbedded wings
they see when I struggle
they see
everything.
AN: I work in an old, kind of run down school. My office is on the stage, and the soundproofing on the ceiling has become quite grotesque. One day, I was staring up at it, and this image came to me.

copyright fhw, 2013
Evynne Mar 2013
a love like the way the ocean feels
a heart like that day you treasure with every bit of your beating heart
a face that makes you want to kiss every single freckle
a body warm like the sand under the rays of the beating sun
arms like the ocean’s waves, strong and inviting
a home like the way your bed feels in the morning

the pain that is left inside each cigarette she smokes
eyes that stare off and reveal her deep-seated loneliness
the cold and stale secrets she releases as she blows smoke out of her mouth and then inhales it back into her nose

never fully loved, she aches when she is touched
you think of all of the secrets that rest inside of her
she needs time with her hands so she can do all of the things that keep her youth

dealing with another’s touch is more of a blessing to her than it is a curse
her long and waving brown and reddish hair emits a warmth and shines bright in the light
every day she prays someone might remember her existence
forced with a beauty and flesh that is seen easier by others is difficult for her to accept and become accustomed to
the deep luster that sparkles in her perfect eyes that turn green in the sun

her head laying lightly on her pillow, she is broken and things are hard for her
she tastes times of despair in her mouth as she searches for her quiet voice
you notice how beautiful she really is not only on the outside, but more so on the inside which makes you consider falling for the gold rings wrapped tightly around her piercing pupils
but you know she won’t let you in
her eyes when she smiles remind you of a warm cup of coffee first thing in the morning
her lips are a curse in the darkest comfort of life and look as if they taste like bliss

but she doesn’t how how to picture forever and all you want to do is hold her hand as the two of you get lost in some form of nature
you feel weak as you think of her mind and all of the ideas that stay hidden in its deepest parts
you think of all of the people she has exhaled and all of the promises that endlessly resemble relentless stolen time and all of her inviting smiles that are ultimately never-ending
you can tell how beat-up but peaceful her heart is as she reaches out to no avail
you want to give her gifts and take photos of her face in frustration as her mind jumps in every single direction
you want to swear to her that you will provide endless embraces and chase her alluring irises with kisses
you want to promise her mornings of early alarms and warm company

you start to think of the sunshine that is instantly ruined with the apparent glints and bent pleasure of her daringly beautiful crescent-shaped smile
you see her as a drain, rare and spiraling, with acidic-like thoughts and emotions that disappear with the presence of a healing and loving touch
the extreme to which her deadly looks are stronger and more alluring than any flower and any paradise

you imagine her self-portrait and what she looked like with the pressure on her shoulders as she dug deep down and forced herself to acknowledge her looks and her charm
you wonder how she deals with being so tense as she tirelessly searches for reason and understanding

the stronger she puffs her cigarette the more desired are the intervals between each breath as she tries to find the right sentences and forget about how unbearable everything is
she is quiet and her face emits freckles that pop out at you as you gaze in awe at her beauty
she sits and thinks of the six prior people that have threatened her strength and ultimately left her heart broken and aching
there are newborn, salty tears that radiate on her cheeks as she mutters something under her breath in the doorway, she dreams of another dimension

her insides are constantly churning and you ache to know her habits and you ache to know how her molars taste with your tongue inside of her mouth
she is quite the commodity and you desperately want to blurt out everything to her
but her trust has been demolished and her heart has been metamorphosed and she wouldn’t know what to do as she would emptily reply “i am so sorry.”

you think of her as an enchantment and how she is really an inconvenience to your peace of mind
you rant on and on about all of the feelings that reside, and are upheld, secretly in the plethora of your thoughts that are diffident of being spoken aloud
her lifestyle baffles you as you try to contain your amazement and admiration of how disciplined she really is
and your heart aches and you feel worthless as you look in the mirror and stare at your eyes that faintly reveal exhaustion, appearing to be both passionately and tirelessly struggling to find some form of sanity residing deep within you

it is getting harder as she is loyal to what she needs out of life and what she needs out of other people
and it hurts as you think of all of the remaining endings for this eighteen year old ocean of beauty and difficulty and all of the interrupted conversations and the tingling sensation that a saturday morning brings
she is alluring as her body defines the sun’s rotting reflections that pry at her insides and the canals of her heart, possessing a revealed and evicted magnitude that could keep you in raw amazement for days
the thought of her lips, always faintly quivering, is like a weapon, as you watch her wandering about, never changing the perplexed look that rests perfectly on her face
you want to run up to her and beg her to stay
but the thought of the stress it would cause keeps you away
you try to delete her from your thoughts but that is starting to seem more and more pointless

you notice she has fallen and all of the feelings and words swell up inside of you and the thought of holding her hand causes you to run to her
but the world is mean and your teeth shatter under the pressure as you try to imagine the years you have spent without her
your heart emits a familiar warning and the sun seems dead and older and the tears start to form

you finally muster up enough courage to wrap your arms around her as you resist the urge to kiss her nose
you can feel how lonely she is and you hope to god you will be able to accept that later
you grasp her tighter as you listen to the despair that flows from the tips of her fingers that burn when she writes
her skin is smooth and her entire body is light with love but heavy with the vast amounts of pain and years of hurt that are imbedded into her skin and into her bones

you imagine her as the sea, apart from everything, but one with it at the same time
she is friendly, even as she remembers the forgotten hours of anger that used to torment her
you caress her soft cheeks and softly tell her to shut off the bad thoughts and forget those who have left her
you turn to reach into your pocket and you catch a glimpse of the moon
you feel your stomach fall as it reminds you of her; sometimes lost, part of her always hidden away, but full of strength and light and beauty
you had forgotten how much it resembles her until you look at both of them in the presence of the other

you look back down at her and notice how her lips long to be kissed and then comes the poem you will write in order to remind you of this night
you feel as though you are in the middle of a war and that you really need to sleep and everything around you is abnormally quiet, like there are blockades of passion built up and around you
you stand there, trying to look alive and say, with every piece of strength you contain, “i love you,” softly but assuredly

she looks at you like you are human and then she looks at the surrounding landscape and takes what seems to be a week, to say, “but why?”
you wrap your hand tightly around her palm and try to explain but your voice shakes and cracks and you can’t seem to find the words when suddenly a tree of courage and unadultered passion grows inside of you and you say,
“because you are beautiful and you are broken but you are trying. because you are human and you are one person and two hands and one heart. because i want nothing more than to clean your burns and bruises and make the wanderer in you build a home and stay. because looking at you feels like nothing i have ever felt and because you deserve to be loved, you deserve to be shown that another person’s love won’t turn into knives and anxiety and pain in your heart. you deserve to be healed and to be whole. i love you because you are you and there is no better way to describe you other than that. i love you because you are beautiful on the inside, no matter how many times you have been hurt. i love you because you light my insides on fire and because you never leave my mind. i love you because i can feel you, in my heart and in my bones and in every fiber of my being. i love you. i love you. i LOVE you. and i could go on and on telling you WHY but the desire to kiss your lips is so strong i feel as though my legs could give out at any second!”
you are breathing heavily as you realize her eyes have risen up to catch yours and she leans toward you
she looks golden under the moon light and the surface of her eyes are rapt with a soothing flare that burns into you as you gaze at the reflection of the moon in the circles of her eyeballs
you gaze at the beautiful curve of her body in your arms as her eyelids blink open and shut slowly as she quietly moves her lips as close to yours as they can get without touching, slightly moves away, almost like she is trying to prove something, then breaks your gaze as she closes her eyes and kisses you like you are something she has wanted and longed for her entire life

it is at this moment, as you feel her poking ribcage under the warmth of your hand and feel your body collapse, that you realize how certain and profound your love for her is
kissing her, you feel the ghosts that live inside of her, moving around as she clenches you tighter
you can smell the hurt that swells like water inside of her
there is a strong and longing presence about it and you can hear her heartbeat coming from inside of her chest, hidden underneath all of the sadness she has felt the entire duration of her life

kissing her makes you feel like you are kissing the universe, like it is a once in a lifetime chance
she pulls away and looks into your eyes and touches your face with her thumb so softly and so effortlessly that it feels as if you two have been doing this for your whole lives, loving each other
you can feel her wandering away from you so you grab her tighter and she snaps out of it and looks at you and says, “when i wasn’t there, you actually searched until you found me. no one has ever done that before. thank you.”

you can tell she is trying to forget old poisons as you read the expression on her face
she never said it back but that is okay because you know how terrifying those three words are to her and you know she will say it once she is ready

you let out a long sigh with the admittance of such a huge confession and everything is okay

you close your eyes and whisper, “finally.”
I went on a writing rampage last night and scribbled out ten handwritten pages. It was very strange  because I didn't know what I had written until I went back and read it. I just wrote until my hand stopped and it turned out to be a very interesting poem, or story, or whatever you want to call it. I'm not sure who the people in it are, maybe it is me and someone I know, I'm not sure. Maybe my sub-conscience or unconscious is trying to tell me something. I just thought I would share it. Enjoy.
Perri Jun 2015
Nana,
words cannot explain
the love you shared with me
no one
to this day
saw in me what you'd see

our souls were intertwined
from the day of my birth - 08/10/92
to the day you died - 08/11/2010
Eighteen years and one day
lovely nana, you had never left me astray

Nana, I loved how we'd feed off
each others curiosity
to me, you passed down  
your warm soul
genuine mind
and extreme generosity

your love for me was so pure and deep,
and you would tell me no other compared
and that is a secret I will surely keep

I hope you are now watching me, nana
as I hurt knowing your love is part of the past
But just so you do know, nana,
the love you shared with me
is imbedded in my soul and bones
and I know it will forever last.
she was my best friend and no one will ever have a love for me like she did.
Liz Devine Jan 2012
I know your smell
Like warm bread,
like sweet, hot breath
It follows as I leave
It clings lazily to my clothing
and it's imbedded in my hair

I let the water fall on me
and so you swim down the drain
I can never get clean from you,
because you can never make me feel *****
Only alive

There's throbbing and aching,
in the place where you've been
I smile and remember,
as I close my eyes
You know all my sweet spots

You have never taken from me
You only give, and give, and give
and you're with me when I go

I breathe in and say,
this is what love is for
Sebastian Perez May 2012
A created moral aspect of human awareness imbedded deep within the hearts and minds of mankind.

Who's sympathetic to the pain and suffering of others, aspirating the need to reach forward with compassion.

Feeling the sorrows of the poverty stricken and the ill afflicted soul as one struggle to extend his hands in alms while his strength quickly diminishes.

Even the impiety of the ungodly, feels the remorse of the neglected, has they take sight of a weak child who struggle to place a grain of rice into her savoring mouth.

While the tears of one who's compassionate, are channel through his ducts, forming a matrix of a salty saline solution that falls like the morning dew from a leaf.

The life around her fragile body falls dramatically as she watches her under nourish flesh wrap around her tiny bones while holding on to a seemless life that holds no promise.

A vulture wait patiently with anticipation and eagerness for carrion, as her emaciated body collapse in preparation to sleep soundly in the afterlife.

By no means shall you attain righteousness unless you give of that which you love and whatever you give, of a truth, God is all knowing.
In memory of Kevin Carter
Mateuš Conrad Aug 2018
.my prime allegiance was always to the language, as a child of 8, it was always the language... the people? secondary at best, but mostly tertiary incubators of my own ****** in terms usage; oh way past caring for the organic, as my ex-girlfriend who i lost my virginity at university from Grenoble pointed out when i offered to be her psychology test subject: only native speakers allowed... who gives a **** about native speakers... it's not like the English language is organically contained to the British Isles... and since it isn't? why pay dues to the ******* natives, imagining them as Christ-like figures, "saving" the world... sorry, no... not even the king of England would have thie sort of audacity to speak down to me, like some of his peasants took the liberty of... suddenly, England... isn't a UNESCO paradise, nor the ******* moon!

english language is an inorganic entity
imbedded in me, learned...
my mother-tongue, on the other hand?
organic... with a sensibility of a past...
now...
   identity "politics"?
    seems to me, that the Spanish language
has no notion of such bogus ideas...
to me, a language most lax...
    see... i wouldn't have played the identity
politics card...
    if... some ******* retards didn't
come by, and assert their hyper-ventilating
status of grammatical intimidation...
   why?!
         i wasn't born with this language:
i nurtured it...
   i kept it for what it's worth...
    but i can't simply erase my ethnicity
away...
        i can't suddenly turn to the English
term slav with a "hidden" E...
and not think of germans as GERMS...
          in my tongue?
   slav = słowianin -
            whereby słowo = word...
i'm a wordsmith -
          no more, no less...
                   i'm praying to god that
the Bulgar and the Romanian economy
starts off,
   so the bogus claims by the so-called
English cripples makes a finite gesture
of counter-proof!
         i'm dying to see it!
   all of a sudden, whittle Bwitain thinks
itself the crown jewel of hegemony...
but these Anglican *****-whips have never
experienced the nausea and monotony
of a homogeneous society...
   every time i visit my grandparents...
i'm struck-dumb...
   thinking: i hope i don't end up
******* my distant cousin...
                but if a peoples, who are so adamant
in their status as islanders,
who don't even recognize Europe
as a continent spreading to nibble
on the Ural mountains?
   the **** are we talking about?
            oh no... the english i speak is
not organic, it's inorganic...
but as i said before...
you want me fully integrated?
you want me to speak English in private,
in my own home?
*******!
             i'll speak your language
in public...
   now...
learn a tad bit of French, while you're at it!
who knows?! you might also
learn a thing or two about
etiquette! but i doubt that you would
or will;
                   manners ≠ mannerisms.
Emily Morgan May 2013
me to cigarette
by emily morgan

cool quiet entrance
now his.
burrowed
invaded
imbedded
little stones
chipped wood
plastic fuzz glass
burnt laid down in a bed of
debris
sogging sitting tobacco
back from where he came


cigarette to me
by emily morgan

get your iphone out of my face
instagram ignorance
snapchat social justice
tweet tribal tattoos
facebook fascism/and-any-other-ism-you-know
tumblr sexuality issues
sweaty pierced skin
brow burrowed with thoughts
get your iphone out of my face
Phillip Hooper Sep 2014
I have travelled, many a weary step, so long, and for so long with baited breath,

ANXIOUS

ready to be relieved of the responsibilities of life
craving freedom from calamity and strife
frantic and frenzied
as though at some point i might find the answer
to an oft ignored question

i look up at the stars, as they look down at me
and bask in the glory of the past and present's symmetry
because there are so many of us...
all bound to humanity
now passed through the flame of mortality
the "others"
the ones who have asked themselves why they're here
the intellectuals warriors who have no need for fear
when they look into the veil of death
and sense the first vibrations on the pulse of life

when i used to dip my pen into the ink,
metaphorically, because my  computer helps me to think

i used to doubt engaging in the process of creation
it used to enrage
my self serving denomination

the sensation of never quite being able to express yourself as fluidly as option b
or the devilry that comes from hiding yourself within the layers of flesh referred to as anatomy

i use to cower by act three,
run from the stage before the audience saw through me,
never receiving my final bow

but now i realize,
that at the core of my existence
imbedded in my instincts
is the ability of my creator....

and I'm a fan

so now when i dip my pen to the paper
I'm a masked crusader
cool, liek darth vader
and i aint never going back
to that tired dusty beaten track
refered to, in passing, as memory lane
Jonny Angel May 2015
My fingers
maddenly
stroke across
the letter-keys,
reproducing
my fiery thoughts
about you,
how I feel
& the acts
I want to do.
To kiss your lips
for an eternity,
and to trace
your beautiful form
forever
drives me
to the brink
of raw,
pure,
primordial creativity.
It's hard,
like granite,
these images imbedded
deep,
deep,
deep
inside my mind.
You intertwined,
wrapped around
my genetic impulses,
a ball of ions,
slapping me
into submission
& I release,
I release,
I release in spasms,
these multiple emissions.
Beautiful tokens
of my love for you,
unspoken
& electrical.
Do you ever think about me...
electronically?
Silence Screamz Apr 2015
I sang to the sad man
only to hear my own echo
Reflections pitched in a confused tone,
dancing with silent partners in an empty ballroom.

Circles of sound filled the chamberhall,
nothing heard but the feather that hit the floor
It was me, talking to myself, my whispers imbedded inside my empty head.

I heard the final pin drop.
A lost echo no more.
Do you hear your lost echo? Trapped inside your mind
Nat Lipstadt Apr 2014
the thermometer's rising red mercury,
a truest signal-fire of  the
approaching well-fated
army of summer days,
their inevitable return
prophesied and more accurately foretold by heated degree,
than any solitary red X penned,
marked upon an island's
dog-eared firehouse kitchen calendar

the imaginary sounds of their solacement
inside the heart beats louder
than any timekeeper's ticking clocking counts,
mechanical reminders of a return inevitable,
comforting but impoverished upon compare,
to the warming solace of hearty silent sun sounds
far louder in the mind, than that of measuring throbbing metal

for nigh, nigh the hour's of your carriage come hither
does near approach and laden heavy by
the long time distanced poet's exhausted hopes,
a labored long voyage, soon to be ended,
yet worthy-word laden,
promised peace, carried within it,
a steady straight forward rolling gait heard,
that, it's Paul Revered lanterned combined signaling,
one if by land, two, if by sea,
for I will come back, traversing both

"return, return poet
to where thy fellow musketeers,
wind, sun and sea
have impatiently waited,
we, your corporate grayed chair's guardians and protectors,
memorizer's of the poetry of our yellow scented,
electric conspiracy, rusted silent, now too many months,
your voice transmogrified
by sophisticate urban airs,
man's unnatural pollutions,
we woo and will you, make over"


Ah, that Adirondack throne,
my summer body's glove,
magical wooden carpet
flying the mind's eye
to places where unfriendly times,
give way to reworked words
in a refreshed world, that makes sense again,
the joy tears that layup on and in it imbedded,
know only of the comfort of a
nature's shelter never withheld

"the winter's pale thrashing has skinned
and stripped your voice of its true timbre,
you gaze only inward, obstacled your vision,
seeing only whitecap seas of internal distress


come hear the seagrasses waving windy welcome
listening rapt  to your summons of convocation,
and the celebration of your traditioned blessed evocation,
a combine of old poems, old tears, and fine oak memories,
new candles lit, new waves crashing but soul soothing,
let us cleanse the taunting taints that inhabit,
our duty to inhibit the unforgiving stale self-reproach
of winter's ugly poems and slushy fears


we are folk honest, your summer companions,
acknowledging that what haunts your interior,
to the task of cease and desist we are inferior,
but in your chair, by the bay, the old words refreshed,
and the new poems of hope and scents
of yet better days promised


of that, of that
we do not promise,
of that that we bonded guarantee
a pledge of mutual fealty


we smell you and taste you in every old recirculated breeze,
as you inhale us and exhale toiled tribulations,
we will be married-vow renewed,
a new peace of sorts imbued,
far far better, than no peace at all!
"
I write more and will post less,
but this weekend I hope to journey
my own one hundred miles, across three isles,
employing bridges and ferry,
to get back to where I write a different kind of poetry,
and the bad, the surface cracks within welded shut,
the winter's road ruts,
filled and sealed,
melded by nature's lighter than air cement

though the cracks within cannot be
filled or healed
by them alone,
a lush quietude invades
and does the best it can...
the photo my winter's hairy tale,
scissored and dispatched,
and an old memory restored, replaced,
my new island audience and followers,
who disapprove or approve of what I write,
by leaving, or honking OK!

if you care, search my old summer poems,
and discover the story's of the chair, the island, and it's unforgiving
demand to write...

— The End —