Afternoon sun touched the cloister garth. The office of None had just completed. Sister Teresa walked slowly down the cloister from the church, letting her failing eyesight search for the opening to the garth. Heard the clink of cups on saucers; the chatter of voices; nearby the smell of the flowers in the flowerbeds. Her white stick tapped against the wall as she walked; her arthritic hand gripped it painfully. Felt the sun's rays on her face; the slight breeze touch her habit like as saucy child. Remembered a summer long ago before she entered the convent. The green of grass in her memory and a kiss. Who's kiss? She searched her memory like one seeking through an old chest. Jude. Yes, Jude. Smiled. Felt opening in the wall; turned into the garth. She remembered vaguely his face; felt the grass beneath her feet. Someone touched her arm with their hand. One of the sisters spoke. Not Sister Clare. Dead now. Most of them were she knew. She listened to the tone of the voice; her eyes failed her again. Sister Mark. Her mind grasped the image that fitted the voice. She smiled. Sister Mark had led her by the arm and asked about tea and cake. Tea, yes, no cake, she said. Mama had a similar voice. Mama had said not to let them touch. Not men; not to be trusted. Or was that papa? She couldn't remember. Take it easy, Mother Abbess had told her; take things steady. Fifty years since she came that summer. She recalled the heat of that summer. The cloister's smell of bread and incense. Papa's face when she left home that day; the tears in his eyes; the awkward smile on his lips. No one came now. All dead and buried. Clare in the convent cemetery next to the wall; mole holes along by the gravestone. That had been an adventure in the art of love. A secret known only to God and them. Mea culpa, she whispered. Sister Mark handed a cup and saucer; soft hand touched hers; sweet voice spoke of the weather and the smell of the flowers. Sighed. Breathed in the air. Sipped tea. Cup rattled in the saucer. Stood here once and spoke to all; now few speak; only the kind and brave. Sister Mark spoke of the new novices and of the freshness about them. Sister Teresa looked about her; a vague scan of images; of faces in white and their youthful giggles and chatter. She had been as such once. She, her loves, and her memories. The bell tolled from the cloister clock; voices stilled. The breeze calmed. The sun eased off and hid behind a cloud. Someone took her cup and saucer and placed a hand on her arm. Not to touch, not over much. Mama had said. One of the dead. The God blessed dead. She walked back along the cloister, the hand still on her arm; flesh on flesh. Not to touch, not over much, a soft voice whispered of long ago.

The Key To Success
A leaf has many veins connected by the midrib, similar to the Corolla in flowers connected by the sepal,

A stem has many leaves, connected through it, even the roots in this design- fibrous or tap are in their own way special,

Many stalks form a branch, many branches form a tree but all connect at the base, the trunk,

This happens in every tree, but to rebirth has to separate some chunk,

The message being conveyed by nature is unity is the key to success in this world where every person is a different type of petal,

Land Of The Ganga
In this Garth,  trees are never watered by a soul, but the river Ganges herself,

The trees even after sinking inwards into the ground, continue to bloom in themselves,

Filled with myriad species of undreamt trees and the rarest of all florets in the daintiest of bowers

The most prodigious banyan tree with about three hundred aerial roots is the main

attracter

A tree that stores water is one of the hundred phenomena in the Botanical Garden in the land of the Ganga itself

1.

One Day the Amarous Lisander,
By an impatient Passion sway'd,
Surpris'd fair Cloris, that lov'd Maid,
Who cou'd defend her self no longer ;
All things did with his Love conspire,
The gilded Planet of the Day,
In his gay Chariot, drawn by Fire,
War now descending to the Sea,
And left no Light to guide the World,
But what from Cloris brighter Eves was hurl'd.

2.

In alone Thicket, made for Love,
Silent as yielding Maids Consent,
She with a charming Languishment
Permits his force, yet gently strove ?
Her Hands his ***** softly meet,
But not to put him back design'd,
Rather to draw him on inclin'd,
Whilst he lay trembling at her feet;
Resistance 'tis to late to shew,
She wants the pow'r to sav -- Ah!what do you do?

3.

Her bright Eyes sweat, and yet Severe,
Where Love and Shame confus'dly strive,
Fresh Vigor to Lisander give :
And whispring softly in his Ear,
She Cry'd -- Cease -- cease -- your vain desire,
Or I'll call out -- What wou'd you do ?
My dearer Honour, ev'n to you,
I cannot -- must not give -- retire,
Or take that Life whose chiefest part
I gave you with the Conquest of my Heart.

4.

But he as much unus'd to fear,
As he was capable of Love,
The blessed Minutes to improve,
Kisses her Lips, her Neck, her Hair !
Each touch her new Desires alarms !
His burning trembling Hand he prest
Upon her melting Snowy Breast,
While she lay panting in his Arms !
All her unguarded Beauties lie
The Spoils and Trophies of the Enemy.

5.

And now, without Respect or Fear,
He seeks the Objects of his Vows ;
His Love no Modesty allows :
By swift degrees advancing where
His daring Hand that Alter seiz'd,
Where Gods of Love do Sacrifice ;
That awful Throne, that Paradise,
Where Rage is tam'd, and Anger pleas'd ;
That Living Fountain, from whose Trills
The melted Soul in liquid Drops distils.

6.

Her balmy Lips encountring his,
Their Bodies as their Souls are joyn'd,
Where both in Transports were confin'd,
Extend themselves upon the Moss.
Cloris half dead and breathless lay,
Her Eyes appear'd like humid Light,
Such as divides the Day and Night;
Or falling Stars, whose Fires decay ;
And now no signs of Life she shows,
But what in short-breath-sighs returns and goes.

7.

He saw how at her length she lay,
He saw her rising ***** bare,
Her loose thin Robes, through which appear
A Shape design'd for Love and Play;
Abandon'd by her Pride and Shame,
She do's her softest Sweets dispence,
Offring her ******-Innocence
A Victim to Loves Sacred Flame ;
Whilst th' or'e ravish'd Shepherd lies,
Unable to perform the Sacrifice.

8.

Ready to taste a Thousand Joys,
Thee too transported hapless Swain,
Found the vast Pleasure turn'd to Pain :
Pleasure, which too much Love destroys !
The willing Garments by he laid,
And Heav'n all open to his view ;
Mad to possess, himself he threw
On the defenceless lovely Maid.
But oh ! what envious Gods conspire
To ****** his Pow'r, yet leave him the Desire !

9.

Natures support, without whose Aid
She can no humane Being give,
It self now wants the Art to live,
Faintness it slacken'd Nerves invade :
In vain th' enraged Youth assaid
To call his fleeting Vigour back,
No Motion 'twill from Motion take,
Excess of Love his Love betray'd ;
In vain he Toils, in vain Commands,
Th' Insensible fell weeping in his Hands.

10.

In this so Am'rous cruel strife,
Where Love and Fate were too severe,
The poor Lisander in Despair,
Renounc'd his Reason with his Life.
Now all the Brisk and Active Fire
That should the Nobler Part inflame,
Unactive Frigid, Dull became,
And left no Spark for new Desire ;
Not all her Naked Charms cou'd move,
Or calm that Rage that had debauch'd his Love.

11.

Cloris returning from the Trance
Which Love and soft Desire had bred,
Her tim'rous Hand she gently laid,
Or guided by Design or Chance,
Upon that Fabulous Priapus,
That Potent God (as Poets feign.)
But never did young Shepherdess
(Garth'ring of Fern upon the Plain)
More nimbly draw her Fingers back,
Finding beneath the Verdant Leaves a Snake.

12.

Then Cloris her fair Hand withdrew,
Finding that God of her Desires
Disarm'd of all his pow'rful Fires,
And cold as Flow'rs bath'd in the Morning-dew.
Who can the Nymphs Confusion guess ?
The Blood forsook the kinder place,
And strew'd with Blushes all her Face,
Which both Disdain and Shame express ;
And from Lisanders Arms she fled,
Leaving him fainting on the gloomy Bed.

13.

Like Lightning through the Grove she hies,
Or Daphne from the Delphick God ;
No Print upon the Grassie Road
She leaves, t' instruct pursuing Eyes.
The Wind that wanton'd in her Hair,
And with her ruffled Garments plaid,
Discover'd in the flying Maid
All that the Gods e're made of Fair.
So Venus, when her Love was Slain,
With fear and haste flew o're the fatal Plain.

14.

The Nymphs resentments, none but I
Can well imagin, and Condole ;
But none can guess Lisander's Soul,
But those who sway'd his Destiny :
His silent Griefs, swell up to Storms,
And not one God, his Fury spares,
He Curst his Birth, his Fate, his Stars,
But more the Shepherdesses Charms ;
Whose soft bewitching influence,
Had ****'d him to the Hell of Impotence.

Is there anything more lonely than the sound of boy playing a banjo on a spring afternoon? Oh yes, yes, it’s the sound of girl playing a banjo on a spring afternoon. A boy would lean back on the porch chair and let the instrument fall and rest on his chest to feel the raindrop-plucked vibrations, one by one. This girl, she sits on a kitchen chair, but not in the kitchen, and folds herself over her Daddy’s 5-string. The banjo rests on her blue-cottoned thigh, the lower metal edge firm against her stomach, her slight ******* pressed against the upper wooden rim. If you were standing in the doorway of the workshop you’d see her blond hair falling, falling over her face. There would be that dead-centre parting and just visible the edge of her wire-rimmed glasses.  Then, the denim jacket worn over the kind of summer-blue flowered frock pulled from her Mummy’s clothes that with her passing have now migrated into her bedroom. The thought of clothes is what there is close to hand at the break of day.

When Kath woke this morning, when the morning woke Kath, the valley air was already as sweet, as fresh as any April morning could possibly be in this green hollow of her home. She had lain there feeling the air caress her forehead. The window, always open beside her tangled bed, let in the ringing song of the waterthrush. Newly returned this handsome brown migrant warbler, his whitish breast streaked with brown, more thrush than warbler, she’d watched in the stream yesterday wading on his long, pink legs bobbing his tail like a spotted sandpiper. Soon there would be a nest somewhere in the beech and hemlock hollow along by the stream in the interstices of some fallen tree.

Ellen was due home this morning. She’d hear the Toyota from way up the track, driven overnight from Philadelphia she’d have stopped and stopped. Tired and so tired, she’d go from truck stop to truck stop, the radio her only company and the thought of Joel between her legs arching into her to keep her warm. But she’d drive with the windows down swallowing the night air as the ***** brown car swallowed the miles. Kath would have the coffee waiting, potato cakes on the stove, she’d have a fresh towel placed on her bed, underwear warm from the dryer, spring flowers bunched in mug on the window sill.

Ellen would never come right in when she arrived home, but sit down with the dogs on the porch step and gather herself, watch the mist rise down in the valley, drink in the bird-ringing silence. Kath would steal open the door and crouch beside her with Mummy’s coffee cup thrown, glazed and fired at Plummer’s Fold. Head resting against the porch supports Ellen would allow the cup to be placed between her hands, her fingers uncurled then curled by Kath around its rough circumference. There would be a kiss on the back of the neck and she’d be gone back upstairs to sit with her notebook, those new lyrics she’d been fashioning, her Plummer’s Fold diary – yesterday had been a rich day as she’d walked the bounds of Brush Mountain on the Big Tree Trail singing and plucking an invisible banjo all the while. Those songs of her great-great uncle she’d discovered in a pile of Library of Congress recordings just echoed through her, had become part of her. They were as much a part of the hinterland of Brush Mountain as the stones on the trail. Garth Watson’s voice, well she knew every turn and breath. She’d been listening to them since she was thirteen. She saw herself at the old Victrola blowing off the dust, placing the forgotten disk on the central spindle, scratching the needle with her finger to test the machine, gauge its volume. Then, that voice surrounding her, entering her, as lonesome as the scrawny girl just out of junior high that she had been, the dumb silent girl from the backwoods with that cute clever sister who played guitar and was everybody’s friend, who the boys rushed to fill the empty seat next to her on the school bus.

They’d recorded this song on their Lonesome Pine album. Kath had it all arranged, had it all imagined, brought it to that session at One-Two Records. She had been so scared Ellen would smile gently and say ‘Kath, not this ol’ thing surely. Why I remember Daddy singing this song into the night over and over.’ But no. When Kath had sung it through, looking into the bowl of her denim skirt, she’d raise her eyes to see tears running down Ellen's face. Everything between them changed at that moment. The location studio in The Farm House disappeared and they were girls on their home porch. In an hour they had it down and Larry had said. ‘My God, Holy Jesus, where did that come from’. So they went straight home and listened to those old records all night and most of the next day. They rewrote the album they’d spent a year planning (and saving for).

So now when they came together on those country fair stages, in the cafes in Baltimore or Philly it was that haunting Appalachian music that ran through their songs. Kath still shy as a blushing bean, hiding in the hair and glasses, reluctantly singing harmony vocals, Ellen– well, that girl had only to look wistfully into the audience and they were hers.  

And so they were living this life holed up in their family place, keeping faith with Plummer’s Fold. Daddy was in a home in Lewis now. He’d taken himself there before his dementia had taken him. He played his girls’ CDs all day long on his Walkman, had their pictures in his near to empty room – just a rocker, a table, a pile of books by his bed with Dora’s wedding quilt.

This music, this oh so heart-breaking music, the loping banjo, the tinkling, springing, glancing accidental guitar and their innocent valley voices. They’d exhausted the old records now and, their education in the old ways done, were back with new songs and Kath’s ideas to only record in the Fold and build songs with soundtracks of the world around them. She’d been laying down tracks day after day whilst Ellen was on the road with the Williams Band and often solo, support for the Minna Peel as ‘an outsider folk artist from deepest Appalachia.’

Kath wouldn’t travel more than a day away from the farm. Every show was an agony, except for the time they were performing. She couldn’t bear all that stuff that surrounded it – all that waiting, the sound check, more waiting, that networking **** One-Two constantly wanted her to be part of. She’d ***** off as the guys gathered around Ellen. She’d take a book and sit in the Toyota. She couldn’t do people, though she loved her folks, she loved her sister like she loved the trees and stones, the birds and flowers on Brush Mountain. Always shy, always afraid of herself ‘Too sensitive for your own good, Kathy girl’, her Daddy had said. Never been kissed in passion, never allowed herself to fall for love, though her body drove her to feelings she had read about, and thus fuelled had succumbed to. There was a boy she’d see in Lewis just from time to time who she thought about, and thought about. She imagined him kissing her and holding her gently in the night . . .

Garth lay still in the gilded cage
Unable to move a thing,
The bars were merely spiders’ webs
Of a faery’s magicking.
He’d wandered into the Faery Ring
Where he’d seen the mushrooms spread,
And now was caught in a faery spell
With the rest of the living dead.

With Tom, the Candlestick Maker’s son
And a barrel of candlewax,
He’d dawdled home from the marketplace
And lay in the beckoning grass.
He woke to find he was tightly bound
With a faery up on his chest,
She said, ‘Lock him in the cage as well,
Along with all of the rest.’

And Madge, the maid with a milking pail
Who was sent to milk the cow,
She’d wandered off on her way; she thought,
She needed to feed the sow.
She woke to mushrooms, ten feet tall
All towering over her head,
The stalks were bars, set under the stars
And her limbs, they felt like lead.

While Tim the Tinker was there as well
With his knives and sharpening tools,
His grindstone lay in a pile of hay
And the bonds on him were cruel.
The beggar lay in his filthy rags
While the rich man muttered, ‘Shame!’
He’d soiled his boots and his Regency suit,
Was bound with his watch and chain.

They lie not far from the caravans
Of a gypsy camping ground,
So Faeries say: ‘Let’s take them away
Before they’re seen and found!’
But dancing into the faery ring
Is the Gypsy, Mavourneen,
Who stumbles over the gilded cage
And steps on the Faery Queen.

The top flies off from the gilded cage,
The webs of the bars are torn,
And Garth crawls over the mushroom heads
To swear, ‘I feel reborn!’
The faeries weep as they carry their Queen
In death, to their Faery Dell,
There’s mushrooms still in that Faery Ring,
But now, Toadstools as well!

David Lewis Paget

High on Tumuli,
Keeled in sways washed out from brazen oceans...

...the birds may have me now...

Prey!..strip this ageing skin, then take my eyes.

Let the Oort Cloud iris break upon
these lakes of trancing humour,
as Veronicas of astral grace
silk down the valley strides.

Dawn breaks. Sliver of light
through shutters, wakes Sister
Blaise, stirs her from sleep.
Bell rings. Chimes loud.

She sits up, legs over the
side of the bed. Bare feet,
wooden floor. Coldness bites.
Rubs arms, legs. Crosses

herself with middle digit,
in nomine Patris. Bright light
through shutters slices into
floor. Prayer said she rises

from her bed. Thoughts race
through her head. Drab night
gown, grey, long. She walks
to the enamel bowl, pours

cold water, washes face and
neck and hands. Et Filii, et
Spiritus Sancti. Lets water
run through fingers. Wash

me whiter. The Christ on
the wall hangs there in His
silence. Picture of Christ on
her desk, hands out stretched.

She runs water through her
fingers, wet, cold. Wash me,
cleanse me. She dries her
hands on the old white towel,

rubbing dry fingers, hands,
face and neck. Uncle used to.
Pushes thoughts of him away,
they slip back in place, eel like.

Uncle used to touch. Bless me
Father. She folds the towel,
places it neatly at the foot
of her bed. She removes the

nightgown. Dresses in her habit.
White and black. Mother said
nothing. Silence and the turning
of the head. Finger pressed

against lips. Dressed, she sets
about her cell. Tidying, sorting,
bed making. Uncle used to touch
her. For I have sinned. She opens

the shutters, lets light in, opens
the windows, fresh air, birdsong,
slight breeze. Father used to beat.
The Christ hanging from the cross

on the wall is silent. Nailed hands,
hands curled. She has kissed the
nailed feet. Now she stares at the
turned head, turned slightly to one

side, crown of thorns, wood carved.
Sister Clare is in the cloister. She
watches her walk. She stops. Looks
into the cloister Garth. Flowers

growing, neat rows, large bushes.
Mother said nothing. Beatings.
Lies told about Uncle he said.
Sent to bed, no supper. The sun

is warm, light on head. She walks
from the window and stands in
front of the crucifix. His hands
curled, nailed, old nails, pins.  

Feet one on top of the other, nailed
in place. She kisses His feet.
Presses soft lips. Uncle used
to touch, said our secret, sin

to tell, little girl. She presses
lips to His feet. Mother weak,
said nothing, dying now, cancer,
pain, hurts. Father dead. Never

make old bones he said. Proved
right. She closes her eyes. Touches
His legs, runs finger along. Stiff,
cold, smooth. Uncle did; she never

told again. Father displeased, the
beating pleased. The bell rings again.
Echoes along cloister. She crosses
herself with middle digit. A bird sings.

Wind moves branches by window,
He calls, must leave, must go.

The concert was
July 27, 1980
I attended the concert with
My good friend Garth
but sadly Garth and Johnny have
passed on
someone else has the other shoe
but I really don't know who
I do remember July 27, 1980
I didn't steal the shoe,
it was given to me.

The names I would give if I had 26 sons.

Abel
Benjamin
Conway
Darth
Evan (After my nephew)
Fabian
Garth
Hollis (My dad)
Joey (My brother)
Isaac (My grandfather)
Kent
Lemuel
Matthew
Nathaniel
Othniel
Paul
Quinton
R­ichard (My middle name)
Sandage (My grandmother’s maiden name)
Terry (My name)
Uzziah
Val
William (My great grandfather)
X (One of my favorite wrestlers was Doctor X)
Yale
Zacchaeus

It all started with an urge to go to the movie theater
PTA's "The Master"
It was a 35 minute walk to the nearest cinema in Brooklyn
Nighthawks is what it was called

1:10pm, 4:10pm, 6:10pm, 10:10pm, the show times
Since I woke up at 12:45am, 1:10pm was out of the question
4:10pm seemed plausible but when the clock rolled around I was still puttering around the house
I could putter no more by 6:00pm and flew the cooped up den

The air, brisk and crisp
Time fell back
Women's heels clap the sidewalk in applause
All for the autumn on a Sunday frozen in time

I arrive, show sold out
I walk across the Williamsburg bridge, why not?
First theater in Manhattan I see turned out to be live art
So I turned out and left

Manhattans alive while Brooklyn slumbers
I dart down Clinton St toward the old Avenues
November, I could go without the cold weather, but I love the seasons
Pumpkin lattes **** my wallet dry like lesions

Soon I'm walking down 2nd Av, feeling familiar with my surroundings
Funny, feeling familiar, in a city I thought I'd never know, (you'll never know if you don't go)
Got some dollar pizza on St Marks
Followed by a dollar falafel, which tasted awful, (now I know why it was a dollar)

I walked in circles around Union Square, in union with everyone there
Happy that my feet were to the street, where they belong
Freezing, frozen, frigid, shakin' in my britches
Wrapped around my neck a borrowed scarf
Bumping into people, "I'd like to get by now", like Garth

(keep moving, you'll find what you want to find)
In big bright neon light at Village Cinema
"The Master"
(In 70mm)
Huh, 70mm, "Cool", I thought

The theater, empty as a loners funeral
I was the only one there, red velvet lined seats
I missed Halloween
Maybe this is my treat

The world is beautiful
This city is mine,
All I had to do
Was leave my old one behind

Il dio è il miei testimone e guida, Sister Maria, the refectorian, had said, Sister Teresa remembered walking passed the refectory, touching the wall with her fingers. God is my witness and guide, she translated, feeling the rough brick beneath her fingers. She stood; turned to look at the cloister garth. Sunlight played on the grass. Flowers added colour to borders and eyes, she thought, letting go of Maria's words as if they were balloons. Ache in limbs; a slowness in her movements. Age, she muttered inaudibly. The war had taken her cousin's sons in death. Two of them. Peter and Paul. Burma and D-day. Three years or more since. She brought hands together beneath the black serge of her habit. Flesh on flesh. Sister Clare had touched. Not over much, not over much. Papa would lift her high in his arms as a child, she mused, her memory jogged by the sunlight on the flowers. Higher and higher. Poor Papa. The spidery writing unreadable in the end. She sniffed the air. Bell rang from church tower. Sext. She looked at the clock on the cloister-tower wall. Lowered her eyes to the grass. So many greens. Jude had lain with her once or was it more? She mused, turning away from cloister wall and the sight of grass and flowers. Thirty years since he died. Blown to pieces Papa had written. Black ink on white paper sheet. Flesh on flesh; kiss to lip and lip. She paused by church door; allowed younger nuns to pass; so young these days, she thought, bowing, nodding her head. Placing her stiff fingers in the stoup, she made cross from breast to breast. Smell of incense; scent of wood; bodies close; age and time. She walked to her place in the choir stall, bowed to Crucified tabernacled. Kneeled. Closed eyes. Murmured prayer. Heard the rustle of habits; clicking of rosaries; breathing close. Opened eyes. Sister Clare across the way. A nod and a smile, almost indiscernible to others, she thought, returning the same. Mother Abbess tapped wood on wood; chant began; fingers moved; sign of cross; mumbled words. Forty years of prayer and chant; same such of fingered rosaries; hard beds; dark night of soul and such. She sensed Papa lifting her high in thought at least; Mama's touch on cheek and head. Jude's kiss. Embrace of limbs and face. Il dio è il miei testimone e guida, she recalled: God my witness and guide. Closed eyes. Sighed. Sister Clare had cried; had whispered; witness and guide; witness this and guide, she murmured between chant, prayer, and the scent of incense on the air.

The old monk
with Parkinson’s disease,
bug eyed

through thick lenses
spectacles,
his fingers

shaking the host,
is unable to find
the tongue

in sick monk’s
static mouth.
I weeded

the cloister Garth
flower bed,
back aching,

God
at my young
bent shoulder.

The youngest monk,
squat and black robed,
holds the ewer,

while the abbot
holds between
knobbly fingers,

the aspergillum,
to bless the monks
in the choir stalls,

after Compline,
before
the Angelus calls.

Sister Pius can still sense the taste of coffee on her tongue from breakfast with the slice of brown bread with a thin spread of butter as she turns over the page of the book on contemplation written by some unknown Carthusian nun the words momentarily failing to reach her the message left on the page the thought of the next meal already making her mouth moisten and the smell of fresh made coffee tempting her nose bringing to mind the first time she had come to the convent as a guest and young girl full of enthusiasm for the idea of being a nun much to her parent’s disquiet especially her mother who had wanted and been looking forward to grandchildren even though Eve as she was then had never been interested in boys or that side of things but her mother had said that would come she would find Mr Right and that side of things would come naturally implying Sister Pius muses now that being a nun was unnatural against nature and only the oddities in the world would want to be shut away from the world and men and their families and the prospect of marrying and having children and there had been the rows and the tempers frayed and the words said in haste and even on the day she entered her mother had not come around to the idea even if her father had accepted the fait accompli rather grudgingly and in all the years she had been in the convent her parents had not written once not a word just the one visit her father made looking at her as they spoke as if she had grown another head or caught a dreadful disease and had said her mother couldn’t bring herself to visit the place her daughter had died in and those words hurt the way her father had just come out with them the place her daughter had died in and yet she had her secrets too the things she had never told her parents especially her mother never mentioned once that her Uncle Randolph her mother’s brother had molested her one summer while she was staying with him and Aunt Grace while her parents were off on some tour of Europe and as she places her hand on the page of the book in front of her she can still feel his hands on her still sense his breath on her that smell of beer and tobacco and the roughness of his unshaven face as she leaned over her and as the memory returns again she closes the book with a small slam and the echo of it fills the room disturbs a paper on the table in front of her and the memory still fresh the deeds done so imbedded deeply that she doesn’t think it will ever go that it will ever leave and she had not said a word about that summer to anyone not even her mother not even to make a point about what men could do even those who were supposed to be close to you and yet she never did never said one word about him and the things he had done and taking a deep sigh she gets up from the chair and walks to the window looking down on the cloister garth and the mulberry tree that is now full of fruit and can see birds in the branches and a nun walking along the cloister ready to pull the bell for the office of Prime and even now she dislikes the smell of apples the smell of them cooking or the smell of apples being stored because apples she associates with him and the place he took her and the things he did and it was apples she could smell as he touched her and interfered with her and the scent of apples in the air as he leaned over her and looking down again into the cloister the nun has gone and the early morning sun is coming over the cloister wall and the bell is being tolled for Prime and making the sign of the cross she pushes the memory of him and his deeds and that summer back into the depths of her mind closes the door on it in the room in her brain’s memory cells and looking up at the Crucified on the wall above her bed with the features of the Christ battered by time and its hands she nods her head and looks away taking in her mind the image of Him and perhaps a sense of peace and the fact that she is a bride after all a bride of Christ married to one who would not ****** or hurt or say cruel words or betray and where no smell of apples will spoil her day.

I rise with the morning bell, said Sister Agnes; I hear it now in my ears. It rings in the ears and heart. The window shows dawn just about to come over the cloister wall like a mischievous child about to play forbidden games. I sing in choir with my voice absorbed by the voices of others and the walls of the church. I walk the cell like one waiting to die; listen to the birdsong outside like one wanting new life or life renewed. Sister Blaise is in the cloister garth walking with the birds, the morning chill resting on her black serge shoulder. I watch her walk; her feet tread like one on eggshells. Her hands hidden beneath her blackbird breast, her head bowed like one at prayer. She has birds at her feet, St Francis like. I shall leave her, kneel in prayer, and climb the stairway to contemplation. My father's tears settle on my sight; his voice broken; his eyes looking out at the garden where once we walked. He would have had me stay at home; dry old-maid fashion at his beck and call day and night as my mother did until cancer dragged her weeping to the far beyond. I shut my lids against the dawn; press my lids like one seeking blindness to the harsh day's light. My brother, George, sits in some Paris café talking of art and painting his oil-drench canvases in his back street studio. Father talks of him as one who is lost. Both of us are lost to him, each in their own way. George cares not; his art and women are his all. Thoughts push their way through the curtains of my prayer; they are rude and unclean; they are ill bred like the children my mother despised. I rise from prayer like one defeated. The light from the dawn blesses me with warmth; my flesh touched like one in love. I look at Sister Blaise and her birds; her hands are open like one crucified. Her rosary hangs from her belt; a thousand prayers cling to each bead. Last night I saw her kiss the feet of the stone ******; lay her hand on the Saviour's head. Holiness nests in her heart like a white bird in a dark bush; she shall hold me in my dim hours. The bell rings once more; its echo vibrates my ears and heart. I was happy when I entered your house; your handmaiden shall attend your needs. Prayers escape me; liturgies are my food and drink; my beads shall be my stones of pain. My aches shall be the nails to crucify me in my dark hours; my Christ bleeds in my monthly death. All shall be forgiven. The stones shall break my bones; the words pierce my fleshy heart. I shall go now; descend the stairs for dawn time prayer. Night flees me like one unfaithful to a lover's kiss.  I come.  My bridegroom

The peasant monk
walks slow
through the cloister

carrying a bucket
gripped in his
peasant hand

- red knuckles,
head bowed-
I **** the beds

around the cloister garth
-she had me
between her thighs

and the excitement
within her eyes-
Dom Leo

tall and slim
waits outside
the refectory door

to say farewell
before he leaves
for Rome

the following day
-She ****** me dry
in her bed
gazing eye to eye.

Amidst a melancholy darkness, all is silent, all is still. Mimicking the nature of my soul at this precise instant...

A river flows within me dancing to the beat of a lonesome drum, waltzing me into a million realms of true disbelief where my thoughts linger eternally. I play the role of a mere onlooker to the sheer terror that ensues within the darkest chasms of my imagination...

Despite the sonnet of insanity playing alongside my unconsciousness, a drum still calls, a sweet psithurism flows through the branches of memory and a serpentine red river continues to flow mortally like clockwork...

Salty drops of rain embrace the names engraved in stone as beautifully decorated couples dance atop their ancient beds.

You see, their rivers stopped flowing at the final beat of their fateful drums, imprisoning them to a non-existent world where memories are no longer created. For now, they're dancing; while they await the final judgement.

A holy holy flash of light strikes the center of my still pounding drum, all the wine has been drunk and the last cigarette smoked, rivers are a flowin'. I awaken breathless, to an empty, white chamber. I know I am home. Without a pulse.

-Garth Lebowski

I wish I lived in Wayne’s World,
where Wayne and Garth are real.
I wish I had Cassandra’s curls,
and her *** appeal.

I wish I dated Jason Dean,
and coloured him impressed.
I wish I had the killer gene,
but never ever confess.

I wish I went to Ashfield Hospital,
and looked a little on edge.
Explored shutter island in the spittle,
and made the Marshall pledge.

I wish I lived with Yeats,
or in the lonely moated grange,
I wish I danced on table tops,
my body for money,  fair exchange.

I wish reality didn’t exist,
or better yet just me,
all those opportunities would be missed,
and at peace I’d finally be.

it's like walking into a garth,
overwhelmed by the blossoms.
there's nothing better than this
making my heart whole blooms.

yet it's like an autumnal equinox,
there's a time to whither and die.
albeit leaves fall on the ground,
but I bet it'll be remembered.

I feel not blithe nor blue
whilst entering the whole new chapter,
'cause it won't be the same like before.
it makes me to wonder,
how blue will be defined after?

She was this silver moon
alight her seldom seen swing
or virtually then
as time in a bottle

and in this antiquity
on Saturday night
she grew the orchard
by the cloverleaf

when her bridge opened wide
and she felt so granted
that it was her ambiance or garth
near a point then

she went combing a ride
the bus did go that way
and her muggy wantonness
burst inside her chest every moment