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Kaycee33 Nov 2012
After the battle done did rage,
my spoil of war, a frenchman,
I put in my basement in a cage,
this rarity I would not relinquish,
my personal love adviosr and sage.

He called me a " fatty american"
even though I was slim,
and said it was torture that
I kept bothering him.
He counted time like Louey Pasteur,
that was how he pronounced "hour."

I told him I was french in lineage,
and he said " I don't think so,
" the french are biologists,
perhaps your mother was a fungus
that grew on oak."
so I sprayed him with some water very cold,
" be nice, or you'll get the hose."

I told him, for his advice I would pay,
his currency was cow's milk from Calais,
he brightened even more after
I installed an *** tickling bidet.
and he would make, then nibble cheese,
as he was lecturing me.

" If you want the girl, you must always whisper,
and she will lean closer, and then you kiss her,"
such advice, this frenchman delivered.

We became bon amis, with each other pleased,
but he needed more than a bidet and cheese.
" You can either have a french wife,
or an oven for cooking bread,"
before I  even finished what I said,
" Oui, a bread oven I'll have instead."

So every night, I spent by his iron side,
Descarte and Victor Hugo we would recite,
" and against the british we helped you fight"
" and you still owe us money," he said calmly,
as he offered me a baget and I took a bite.

" We french, know the power
of the mushroom and the bedroom,
that is why we avoid the scuffle,
would rather marinate our truffle."
I gobbled up his words,
so sweet and sauteed,
and admired the clothes he made,
and he made me some
so I  "could get laid."

Then the news came, a peace treaty,
war and my personal frenchman were finished,
the United States were now
at war with the Finland,
" Right when we just started to begin,"
I yelled and he nodded his chin,
" What the hell am I gunna do with a Finn."

So I released the frenchman back into the wild,
crying like a mother seeing off her child,
I had to push and shove, he would not go,
but we had to part for the sake of love,
he dillied and dallied and bent low,
picking mushrooms that wild grow.
" For the sake of love, just go,"
I yelled, and threw a baget at him,
and he retreated into the woods,
and I wiped the tears from my eye,
and everytime I see frills or  fungi,
I think of that time, I had a frenchman in a cage,
and as I talk to the finn,
****** ,.it just ain't the same.
by
Alexander K Opicho

(Eldoret, Kenya;aopicho@yahoo.com)

When I grow up I will seek permission
From my parents, my mother before my father
To travel to Russia the European land of dystopia
that has never known democracy in any tincture
I will beckon the tsar of Russia to open for me
Their classical cipher that Bogy visoky tsa dalyko
I will ask the daughters of Russia to oblivionize my dark skin
***** skin and make love to me the real pre-democratic love
Love that calls for ambers that will claw the fire of revolution,
I will ask my love from the land of Siberia to show me cradle of Rand
The European manger on which Ayn Rand was born during the Leninist census
I will exhume her umbilical cord plus the placenta to link me up
To her dystopian mind that germinated the vice
For shrugging the atlas for we the living ones,
In a full dint of my ***** libido I will ask her
With my African temerarious manner I will bother her
To show me the bronze statues of Alexander Pushkin
I hear it is at ******* of the city of Moscow; Petersburg
I will talk to my brother Pushkin, my fellow African born in Ethiopia
In the family of Godunov only taken to Europe in a slave raid
Ask the Frenchman Henri Troyat who stood with his ***** erected
As he watched an Ethiopian father fertilizing an Ethiopian mother
And child who was born was Dystopian Alexander Pushkin,
I will carry his remains; the bones, the skull and the skeleton in oily
Sisal threads made bag on my broad African shoulders back to Africa
I will re-bury him in the city of Omurate in southern Ethiopia at the buttocks
Of the fish venting beautiful summer waters of Lake Turkana,
I will ask Alexander Pushkin when in a sag on my back to sing for me
His famous poems in praise of thighs of women;

(I loved you: and, it may be, from my soul
The former love has never gone away,
But let it not recall to you my dole;
I wish not sadden you in any way.

I loved you silently, without hope, fully,
In diffidence, in jealousy, in pain;
I loved you so tenderly and truly,
As let you else be loved by any man.
I loved you because of your smooth thighs
They put my heart on fire like amber in gasoline)

I will leave the bronze statue of Alexander Pushkin in Moscow
For Lenin to look at, he will assign Mayakovski to guard it
Day and night as he sings for it the cacotopian
Poems of a slap in the face of public taste;

(I know the power of words, I know words' tocsin.
They're not the kind applauded by the boxes.
From words like these coffins burst from the earth
and on their own four oaken legs stride forth.
It happens they reject you, unpublished, unprinted.
But saddle-girths tightening words gallop ahead.
See how the centuries ring and trains crawl
to lick poetry's calloused hands.
I know the power of words. Seeming trifles that fall
like petals beneath the heel-taps of dance.
But man with his soul, his lips, his bones.)

I will come along to African city of Omurate
With the pedagogue of the thespic poet
The teacher of the poets, the teacher who taught
Alexander Sergeyvich Pushkin; I know his name
The name is Nikolai Vasileyvitch Gogol
I will caution him to carry only two books
From which he will teach the re-Africanized Pushkin
The first book is the Cloak and second book will be
The voluminous dead souls that have two sharp children of Russian dystopia;
The cactopia of Nosdrezv in his sadistic cult of betrayal
And utopia of Chichikov in his paranoid ownership of dead souls
Of the Russian peasants, muzhiks and serfs,
I will caution him not to carry the government inspector incognito
We don’t want the inspector general in the African city of Omurate
He will leave it behind for Lenin to read because he needs to know
What is to be done.
I don’t like the extreme badness of owning the dead souls
Let me run away to the city of Paris, where romance and poetry
Are utopian commanders of the dystopian orchestra
In which Victor Marie Hugo is haunted by
The ghost of Jean Val Jean; Le Miserable,
I will implore Hugo to take me to the Corsican Island
And chant for me one **** song of the French revolution;


       (  take heed of this small child of earth;
He is great; he hath in him God most high.
Children before their fleshly birth
Are lights alive in the blue sky.
  
In our light bitter world of wrong
They come; God gives us them awhile.
His speech is in their stammering tongue,
And his forgiveness in their smile.
  
Their sweet light rests upon our eyes.
Alas! their right to joy is plain.
If they are hungry Paradise
Weeps, and, if cold, Heaven thrills with pain.
  
The want that saps their sinless flower
Speaks judgment on sin's ministers.
Man holds an angel in his power.
Ah! deep in Heaven what thunder stirs,
  
When God seeks out these tender things
Whom in the shadow where we sleep
He sends us clothed about with wings,
And finds them ragged babes that we)

 From the Corsican I won’t go back to Paris
Because Napoleon Bonaparte and the proletariat
Has already taken over the municipal of Paris
I will dodge this city and maneuver my ways
Through Alsace and Lorraine
The Miginko islands of Europe
And cross the boundaries in to bundeslander
Into Germany, I will go to Berlin and beg the Gestapo
The State police not to shoot me as I climb the Berlin wall
I will balance dramatically on the top of Berlin wall
Like Eshu the Nigerian god of fate
With East Germany on my right; Die ossie
And West Germany on my left; Die wessie
Then like Jesus balancing and walking
On the waters of Lake Galilee
I will balance on Berlin wall
And call one of my faithful followers from Germany
The strong hearted Friedrich von Schiller
To climb the Berlin wall with me
So that we can sing his dystopic Cassandra as a duet
We shall sing and balance on the wall of Berlin
Schiller’s beauteous song of Cassandra;

(Mirth the halls of Troy was filling,
Ere its lofty ramparts fell;
From the golden lute so thrilling
Hymns of joy were heard to swell.
From the sad and tearful slaughter
All had laid their arms aside,
For Pelides Priam's daughter
Claimed then as his own fair bride.

Laurel branches with them bearing,
Troop on troop in bright array
To the temples were repairing,
Owning Thymbrius' sovereign sway.
Through the streets, with frantic measure,
Danced the bacchanal mad round,
And, amid the radiant pleasure,
Only one sad breast was found.

Joyless in the midst of gladness,
None to heed her, none to love,
Roamed Cassandra, plunged in sadness,
To Apollo's laurel grove.
To its dark and deep recesses
Swift the sorrowing priestess hied,
And from off her flowing tresses
Tore the sacred band, and cried:

"All around with joy is beaming,
Ev'ry heart is happy now,
And my sire is fondly dreaming,
Wreathed with flowers my sister's brow
I alone am doomed to wailing,
That sweet vision flies from me;
In my mind, these walls assailing,
Fierce destruction I can see."

"Though a torch I see all-glowing,
Yet 'tis not in *****'s hand;
Smoke across the skies is blowing,
Yet 'tis from no votive brand.
Yonder see I feasts entrancing,
But in my prophetic soul,
Hear I now the God advancing,
Who will steep in tears the bowl!"

"And they blame my lamentation,
And they laugh my grief to scorn;
To the haunts of desolation
I must bear my woes forlorn.
All who happy are, now shun me,
And my tears with laughter see;
Heavy lies thy hand upon me,
Cruel Pythian deity!"

"Thy divine decrees foretelling,
Wherefore hast thou thrown me here,
Where the ever-blind are dwelling,
With a mind, alas, too clear?
Wherefore hast thou power thus given,
What must needs occur to know?
Wrought must be the will of Heaven--
Onward come the hour of woe!"

"When impending fate strikes terror,
Why remove the covering?
Life we have alone in error,
Knowledge with it death must bring.
Take away this prescience tearful,
Take this sight of woe from me;
Of thy truths, alas! how fearful
'Tis the mouthpiece frail to be!"

"Veil my mind once more in slumbers
Let me heedlessly rejoice;
Never have I sung glad numbers
Since I've been thy chosen voice.
Knowledge of the future giving,
Thou hast stolen the present day,
Stolen the moment's joyous living,--
Take thy false gift, then, away!"

"Ne'er with bridal train around me,
Have I wreathed my radiant brow,
Since to serve thy fane I bound me--
Bound me with a solemn vow.
Evermore in grief I languish--
All my youth in tears was spent;
And with thoughts of bitter anguish
My too-feeling heart is rent."

"Joyously my friends are playing,
All around are blest and glad,
In the paths of pleasure straying,--
My poor heart alone is sad.
Spring in vain unfolds each treasure,
Filling all the earth with bliss;
Who in life can e'er take pleasure,
When is seen its dark abyss?"

"With her heart in vision burning,
Truly blest is Polyxene,
As a bride to clasp him yearning.
Him, the noblest, best Hellene!
And her breast with rapture swelling,
All its bliss can scarcely know;
E'en the Gods in heavenly dwelling
Envying not, when dreaming so."

"He to whom my heart is plighted
Stood before my ravished eye,
And his look, by passion lighted,
Toward me turned imploringly.
With the loved one, oh, how gladly
Homeward would I take my flight
But a Stygian shadow sadly
Steps between us every night."

"Cruel Proserpine is sending
All her spectres pale to me;
Ever on my steps attending
Those dread shadowy forms I see.
Though I seek, in mirth and laughter
Refuge from that ghastly train,
Still I see them hastening after,--
Ne'er shall I know joy again."

"And I see the death-steel glancing,
And the eye of ****** glare;
On, with hasty strides advancing,
Terror haunts me everywhere.
Vain I seek alleviation;--
Knowing, seeing, suffering all,
I must wait the consummation,
In a foreign land must fall."

While her solemn words are ringing,
Hark! a dull and wailing tone
From the temple's gate upspringing,--
Dead lies Thetis' mighty son!
Eris shakes her snake-locks hated,
Swiftly flies each deity,
And o'er Ilion's walls ill-fated
Thunder-clouds loom heavily!)

When the Gestapoes get impatient
We shall not climb down to walk on earth
Because by this time  of utopia
Thespis and Muse the gods of poetry
Would have given us the wings to fly
To fly high over England, I and schiller
We shall not land any where in London
Nor perch to any of the English tree
Wales, Scotland, Ireland and Thales
We shall not land there in these lands
The waters of river Thames we shall not drink
We shall fly higher over England
The queen of England we shall not commune
For she is my lender; has lend me the language
English language in which I am chanting
My dystopic songs, poor me! What a cacotopia!
If she takes her language away from
I will remain poetically dead
In the Universe of art and culture
I will form a huge palimpsest of African poetry
Friedrich son of schiller please understand me
Let us not land in England lest I loose
My borrowed tools of worker back to the owner,
But instead let us fly higher in to the azure
The zenith of the sky where the eagles never dare
And call the English bard
through  our high shrilled eagle’s contralto
William Shakespeare to come up
In the English sky; to our treat of poetic blitzkrieg
Please dear schiller we shall tell the bard of London
To come up with his three Luftwaffe
These will be; the deer he stole from the rich farmer
Once when he was a lad in the rural house of john the father,
Second in order is the Hamlet the price of Denmark
Thirdly is  his beautiful song of the **** of lucrece,
We shall ask the bard to return back the deer to the owner
Three of ourselves shall enjoy together dystopia in Hamlet
And ask Shakespeare to sing for us his song
In which he saw a man **** Lucrece; the **** of Lucrece;

( From the besieged Ardea all in post,
Borne by the trustless wings of false desire,
Lust-breathed Tarquin leaves the Roman host,
And to Collatium bears the lightless fire
Which, in pale embers hid, lurks to aspire
  And girdle with embracing flames the waist
  Of Collatine's fair love, Lucrece the chaste.

Haply that name of chaste unhapp'ly set
This bateless edge on his keen appetite;
When Collatine unwisely did not let
To praise the clear unmatched red and white
Which triumph'd in that sky of his delight,
  Where mortal stars, as bright as heaven's beauties,
  With pure aspects did him peculiar duties.

For he the night before, in Tarquin's tent,
Unlock'd the treasure of his happy state;
What priceless wealth the heavens had him lent
In the possession of his beauteous mate;
Reckoning his fortune at such high-proud rate,
  That kings might be espoused to more fame,
  But king nor peer to such a peerless dame.

O happiness enjoy'd but of a few!
And, if possess'd, as soon decay'd and done
As is the morning's silver-melting dew
Against the golden splendour of the sun!
An expir'd date, cancell'd ere well begun:
  Honour and beauty, in the owner's arms,
  Are weakly fortress'd from a world of harms.

Beauty itself doth of itself persuade
The eyes of men without an orator;
What needeth then apologies be made,
To set forth that which is so singular?
Or why is Collatine the publisher
  Of that rich jewel he should keep unknown
  From thievish ears, because it is his own?

Perchance his boast of Lucrece' sovereignty
Suggested this proud issue of a king;
For by our ears our hearts oft tainted be:
Perchance that envy of so rich a thing,
Braving compare, disdainfully did sting
  His high-pitch'd thoughts, that meaner men should vaunt
  That golden hap which their superiors want)

  
I and Schiller we shall be the audience
When Shakespeare will echo
The enemies of beauty as
It is weakly protected in the arms of Othello.

I and Schiller we don’t know places in Greece
But Shakespeare’s mother comes from Greece
And Shakespeare’s wife comes from Athens
Shakespeare thus knows Greece like Pericles,
We shall not land anywhere on the way
But straight we shall be let
By Shakespeare to Greece
Into the inner chamber of calypso
Lest the Cyclopes eat us whole meal
We want to redeem Homer from the
Love detention camp of calypso
Where he has dallied nine years in the wilderness
Wilderness of love without reaching home
I will ask Homer to introduce me
To Muse, Clio and Thespis
The three spiritualities of poetry
That gave Homer powers to graft the epics
Of Iliad and Odyssey centerpieces of Greece dystopia
I will ask Homer to chant and sing for us the epical
Songs of love, Grecian cradle of utopia
Where Cyclopes thrive on heavyweight cacotopia
Please dear Homer kindly sing for us;
(Thus through the livelong day to the going down of the sun we
feasted our fill on meat and drink, but when the sun went down and
it came on dark, we camped upon the beach. When the child of
morning, rosy-fingered Dawn, appeared, I bade my men on board and
loose the hawsers. Then they took their places and smote the grey
sea with their oars; so we sailed on with sorrow in our hearts, but
glad to have escaped death though we had lost our comrades)
                                  
From Greece to Africa the short route  is via India
The sub continent of India where humanity
Flocks like the oceans of women and men
The land in which Romesh Tulsi
Grafted Ramayana and Mahabharata
The handbook of slavery and caste prejudice
The land in which Gujarat Indian tongue
In the cheeks of Rabidranathe Tagore
Was awarded a Poetical honour
By Alfred Nobel minus any Nemesis
From the land of Scandinavia,
I will implore Tagore to sing for me
The poem which made Nobel to give him a prize
I will ask Tagore to sing in English
The cacotopia and utopia that made India
An oversized dystopia that man has ever seen,
Tagore sing please Tagore sing for me your beggarly heat;

(When the heart is hard and parched up,
come upon me with a shower of mercy.

When grace is lost from life,
come with a burst of song.

When tumultuous work raises its din on all sides shutting me out from
beyond, come to me, my lord of silence, with thy peace and rest.

When my beggarly heart sits crouched, shut up in a corner,
break open the door, my king, and come with the ceremony of a king.

When desire blinds the mind with delusion and dust, O thou holy one,
thou wakeful, come with thy light and thy thunder)



The heart of beggar must be
A hard heart for it to glorify in the art of begging,

I don’t like begging
This is knot my heart suffered
From my childhood experience
I saw my mother
Every night before I go to bed
I turn off the lights to kneel and pray
and looking up to our vast galaxies
I beseech them god's with hands clasped
please, I don't want to come back a frenchman

Oh I have nothing against them
just don't want to be one
most of them talk like....
well like they have a mouthful of phlegm
so I don't want to come back as a frenchman

The french language is utterly banal
it's like the poor ******* are punch drunk
so what ever happens to this poor sod
I pray to the god's
anything but a frenchman

By Christos Andreas Kourtis aka NeonSolaris
Well I am certainly not going to Paris for a while after that write ...lol
ALEXANDER K OPICHO

(Eldoret, Kenya;aopicho@yahoo.com)

Poetry is a network of rivers
One river flowing into another
A big river into a small river
A small river into a big one
Some rivers are dead in the catacombs
Others are rapidly flowing down
And up their course making noisy
Roaring waterfalls and poetic whirlpools
Full of the ripple circumlocution as
The whirlwind of gales in the harmattan
And this is the spirit of poetry.

I will sing the songs of Schiller
Hugo, Shakespeare the bard
Alexander Pushkin and Mayakovski,
Homer and Dante the Frenchman son of Maugham
And Dante the Italian father of the divine comedy,
I will sing their songs as they are European rivulets
Of poetry flowing into huge water masses
Of African poemocracy in which
The poetic dystopia is clearly
Couched in the gears of black and white.

I will sing and chant the songs of India
Land of Tagore by shouting his name
Rabitranathe Tagore! Sing for me
The ways of the Indian baby
Your Indian voice is mellifluous like the
Zulu ****** dances Song in full watch
Of King Mswati with dint of libido.

I will sing the songs of revolution
From Bolivia and Chile, neighbours
Of Mexico and Brazil; Brazil in which
Pablo Neruda the dog burrier is a religion
In which was born Paul Freire who forgot
To sing for the world chants and the songs
Of pedagogy of the dystopian poet
Pedagogy of the utopian thespian
Pedagogy of the dystopian bourgeoisie
Pedagogy of the cacotopian capitalist
And pedagogy of the utopian Marxists
Who are mealy mouthied with mutton in  between their ears
Manufacturing and venting dystopian phantasmagoria
I will sing.

Poetry is the river Nile of Africa
Cradling from Uganda at Entebbe
Flowing to Egypt into the Mediterranean Sea
Leaving the statue of Mahatma Gandhi at the cradle
Chanting the pearls of the satyagra
That; in God there is truth and
In truth there is God,
As poetry of Nile flows upwards
Not carrying only poems of love
Or bourgeoisie cosmetic Haikus
Singing carols of summer and Christmas day
But its poetic fluvial is washing away
The heavy social **** of Globalectics
Fearing Pushkin and his love
Shakespeare and his **** of Lucrece
Vladimir Mayakovski and
His slap in the face of public taste,
Schiller and his Cassandra
Master Homer and his Odysseus Iliad
Mocking in an ugly  snook
The Albatross book of the English verse
In tune with Yeats and Rudyard Kipling
Reversing the stanzas to sing of
The world as the Whiteman’s burden.

I will sing everyman and his *****
Every woman and her *******
Every ****** and her flower
I will sing them all and their names
And duties of roles pertinent
In healing the world, abode of mankind
From the impish Mr. Hide of cacotopian streak
To pave way for the saintly Dr. Jekyll
To lull man to sleep in his Cinderella
Of social utopia
As Robert Louis Stevenson
Holds the world a stage
Of dystopia.



Thank you for your audience!
Evan Stephens Nov 2024
They build their gods by hand
on Frenchman Street -

cup by cup inside baroque bars
bearded by brine-iron galleries,

fronting veils of mourning-lace
over ruddy O-mouthed faces,

dotted with glitter-fizzed phone forms,
glass skins decanted into alleys

shoving light down cobbled brows
and back up the laddered spine of palms.

They fill their gods with song,
the hairy-starred sky a smoking mirror

that pushes the music back onto us
as we scroll night markets in slashes

of color and money, strangers dreaming
on each other, discharged from the dives.

They don't build their gods to last
on Frenchman Street -

every night is only walked the once -
dissolve your empires, let the words

plunge under the strange black lash
that drowns the eyes to sleep.
Foreigners are people somewhere else,
Natives are people at home;
If the place you’re at
Is your habitat,
You’re a foreigner, say in Rome.
But the scales of Justice balance true,
And *** leads into tat,
So the man who’s at home
When he stays in Rome
Is abroad when he’s where you’re at.

When we leave the limits of the land in which
Our birth certificates sat us,
It does not mean
Just a change of scene,
But also a change of status.
The Frenchman with his fetching beard,
The Scot with his kilt and sporran,
One moment he
May a native be,
And the next may find him foreign.

There’s many a difference quickly found
Between the different races,
But the only essential
Differential
Is living different places.
Yet such is the pride of prideful man,
From Austrians to Australians,
That wherever he is,
He regards as his,
And the natives there, as aliens.

Oh, I’ll be friends if you’ll be friends,
The foreigner tells the native,
And we’ll work together for our common ends
Like a preposition and a dative.
If our common ends seem mostly mine,
Why not, you ignorant foreigner?
And the native replies
Contrariwise;
And hence, my dears, the coroner.

So mind your manners when a native, please,
And doubly when you visit
And between us all
A rapport may fall
Ecstatically exquisite.
One simple thought, if you have it pat,
Will eliminate the coroner:
You may be a native in your habitat,
But to foreigners you’re just a foreigner.
“Nullus enim locus sine genio est.”

  Servius.

“La musique,” says Marmontel, in those “Contes
Moraux” which in all our translations we have insisted upon
calling “Moral Tales,” as if in mockery of their
spirit—”la musique est le seul des talens qui
jouisse de lui-meme: tous les autres veulent des
temoins.” He here confounds the pleasure derivable from
sweet sounds with the capacity for creating them. No more
than any other talent, is that for music susceptible
of complete enjoyment where there is no second party to
appreciate its exercise; and it is only in common with other
talents that it produces effects which may be fully
enjoyed in solitude. The idea which the raconteur has
either failed to entertain clearly, or has sacrificed in its
expression to his national love of point, is
doubtless the very tenable one that the higher order of
music is the most thoroughly estimated when we are
exclusively alone. The proposition in this form will be
admitted at once by those who love the lyre for its own sake
and for its spiritual uses. But there is one pleasure still
within the reach of fallen mortality, and perhaps only one,
which owes even more than does music to the accessory
sentiment of seclusion. I mean the happiness experienced in
the contemplation of natural scenery. In truth, the man who
would behold aright the glory of God upon earth must in
solitude behold that glory. To me at least the presence, not
of human life only, but of life, in any other form than that
of the green things which grow upon the soil and are
voiceless, is a stain upon the landscape, is at war with the
genius of the scene. I love, indeed, to regard the dark
valleys, and the gray rocks, and the waters that silently
smile, and the forests that sigh in uneasy slumbers, and the
proud watchful mountains that look down upon all,—I
love to regard these as themselves but the colossal members
of one vast animate and sentient whole—a whole whose
form (that of the sphere) is the most perfect and most
inclusive of all; whose path is among associate planets;
whose meek handmaiden is the moon; whose mediate sovereign
is the sun; whose life is eternity; whose thought is that of
a god; whose enjoyment is knowledge; whose destinies are
lost in immensity; whose cognizance of ourselves is akin
with our own cognizance of the animalculae which
infest the brain, a being which we in consequence regard as
purely inanimate and material, much in the same manner as
these animalculae must thus regard us.

Our telescopes and our mathematical investigations assure us
on every hand, notwithstanding the cant of the more ignorant
of the priesthood, that space, and therefore that bulk, is
an important consideration in the eyes of the Almighty. The
cycles in which the stars move are those best adapted for
the evolution, without collision, of the greatest possible
number of bodies. The forms of those bodies are accurately
such as within a given surface to include the greatest
possible amount of matter; while the surfaces themselves are
so disposed as to accommodate a denser population than could
be accommodated on the same surfaces otherwise arranged. Nor
is it any argument against bulk being an object with God
that space itself is infinite; for there may be an infinity
of matter to fill it; and since we see clearly that the
endowment of matter with vitality is a principle—
indeed, as far as our judgments extend, the leading
principle in the operations of Deity, it is scarcely logical
to imagine it confined to the regions of the minute, where
we daily trace it, and not extending to those of the august.
As we find cycle within cycle without end, yet all revolving
around one far-distant centre which is the Godhead, may we
not analogically suppose, in the same manner, life within
life, the less within the greater, and all within the Spirit
Divine? In short, we are madly erring through self-esteem in
believing man, in either his temporal or future destinies,
to be of more moment in the universe than that vast “clod of
the valley” which he tills and contemns, and to which he
denies a soul, for no more profound reason than that he does
not behold it in operation.

These fancies, and such as these, have always given to my
meditations among the mountains and the forests, by the
rivers and the ocean, a tinge of what the every-day world
would not fail to term the fantastic. My wanderings amid
such scenes have been many and far-searching, and often
solitary; and the interest with which I have strayed through
many a dim deep valley, or gazed into the reflected heaven
of many a bright lake, has been an interest greatly deepened
by the thought that I have strayed and gazed alone.
What flippant Frenchman was it who said, in allusion to the
well known work of Zimmermann, that “la solitude est une
belle chose; mais il faut quelqu’un pour vous dire que la
solitude est une belle chose”? The epigram cannot be
gainsaid; but the necessity is a thing that does not exist.

It was during one of my lonely journeyings, amid a far
distant region of mountain locked within mountain, and sad
rivers and melancholy tarns writhing or sleeping within all,
that I chanced upon a certain rivulet and island. I came
upon them suddenly in the leafy June, and threw myself upon
the turf beneath the branches of an unknown odorous shrub,
that I might doze as I contemplated the scene. I felt that
thus only should I look upon it, such was the character of
phantasm which it wore.

On all sides, save to the west where the sun was about
sinking, arose the verdant walls of the forest. The little
river which turned sharply in its course, and was thus
immediately lost to sight, seemed to have no exit from its
prison, but to be absorbed by the deep green foliage of the
trees to the east; while in the opposite quarter (so it
appeared to me as I lay at length and glanced upward) there
poured down noiselessly and continuously into the valley a
rich golden and crimson waterfall from the sunset fountains
of the sky.

About midway in the short vista which my dreamy vision took
in, one small circular island, profusely verdured, reposed
upon the ***** of the stream.

So blended bank and shadow there, That each seemed pendulous
in air—

so mirror-like was the glassy water, that it was scarcely
possible to say at what point upon the ***** of the emerald
turf its crystal dominion began. My position enabled me to
include in a single view both the eastern and western
extremities of the islet, and I observed a singularly-marked
difference in their aspects. The latter was all one radiant
harem of garden beauties. It glowed and blushed beneath the
eye of the slant sunlight, and fairly laughed with flowers.
The grass was short, springy, sweet-scented, and Asphodel-
interspersed. The trees were lithe, mirthful, *****, bright,
slender, and graceful, of eastern figure and foliage, with
bark smooth, glossy, and parti-colored. There seemed a deep
sense of life and joy about all, and although no airs blew
from out the heavens, yet everything had motion through the
gentle sweepings to and fro of innumerable butterflies, that
might have been mistaken for tulips with wings.

The other or eastern end of the isle was whelmed in the
blackest shade. A sombre, yet beautiful and peaceful gloom,
here pervaded all things. The trees were dark in color and
mournful in form and attitude— wreathing themselves
into sad, solemn, and spectral shapes, that conveyed ideas
of mortal sorrow and untimely death. The grass wore the deep
tint of the cypress, and the heads of its blades hung
droopingly, and hither and thither among it were many small
unsightly hillocks, low and narrow, and not very long, that
had the aspect of graves, but were not, although over and
all about them the rue and the rosemary clambered. The
shades of the trees fell heavily upon the water, and seemed
to bury itself therein, impregnating the depths of the
element with darkness. I fancied that each shadow, as the
sun descended lower and lower, separated itself sullenly
from the trunk that gave it birth, and thus became absorbed
by the stream, while other shadows issued momently from the
trees, taking the place of their predecessors thus entombed.

This idea having once seized upon my fancy greatly excited
it, and I lost myself forthwith in reverie. “If ever island
were enchanted,” said I to myself, “this is it. This is the
haunt of the few gentle Fays who remain from the wreck of
the race. Are these green tombs theirs?—or do they
yield up their sweet lives as mankind yield up their own? In
dying, do they not rather waste away mournfully, rendering
unto God little by little their existence, as these trees
render up shadow after shadow, exhausting their substance
unto dissolution? What the wasting tree is to the water that
imbibes its shade, growing thus blacker by what it preys
upon, may not the life of the Fay be to the death which
engulfs it?”

As I thus mused, with half-shut eyes, while the sun sank
rapidly to rest, and eddying currents careered round and
round the island, bearing upon their ***** large dazzling
white flakes of the bark of the sycamore, flakes which, in
their multiform positions upon the water, a quick
imagination might have converted into anything it pleased;
while I thus mused, it appeared to me that the form of one
of those very Fays about whom I had been pondering, made its
way slowly into the darkness from out the light at the
western end of the island. She stood ***** in a singularly
fragile canoe, and urged it with the mere phantom of an oar.
While within the influence of the lingering sunbeams, her
attitude seemed indicative of joy, but sorrow deformed it as
she passed within the shade. Slowly she glided along, and at
length rounded the islet and re-entered the region of light.
“The revolution which has just been made by the Fay,”
continued I musingly, “is the cycle of the brief year of her
life. She has floated through her winter and through her
summer. She is a year nearer unto death: for I did not fail
to see that as she came into the shade, her shadow fell from
her, and was swallowed up in the dark water, making its
blackness more black.”

And again the boat appeared and the Fay, but about the
attitude of the latter there was more of care and
uncertainty and less of elastic joy. She floated again from
out the light and into the gloom (which deepened momently),
and again her shadow fell from her into the ebony water, and
became absorbed into its blackness. And again and again she
made the circuit of the island (while the sun rushed down to
his slumbers), and at each issuing into the light there was
more sorrow about her person, while it grew feebler and far
fainter and more indistinct, and at each passage into the
gloom there fell from her a darker shade, which became
whelmed in a shadow more black. But at length, when the sun
had utterly departed, the Fay, now the mere ghost of her
former self, went disconsolately with her boat into the
region of the ebony flood, and that she issued thence at all
I cannot say, for darkness fell over all things, and I
beheld her magical figure no more.
mark john junor May 2016
the painting was literal
figure hunched walking a dirt road in rain
its hues and tone spoke
mute but vividly
each brush stroke matched the images birthplace
in the authors crippled heart

each leaf a burnished gold of autumn
each a dying fragment of the withered tree
even the mans footprints in muddy soil
one can almost feel the squalid mud underfoot
his uniform and helmet named him a frenchmen
from the great war
his boots rendered with bloodstain

figure hunched walking dirt road in rain
a great dying had come to france that day
swords drawn they charged into deaths embrace
this man and his comrades in this awful place

the painting hangs in some museum
an awkward moment for the viewer
is he going into the storm of battle
or going home after
the tale is left untold
it is just the tale of a man on a road in the rain
a frenchmen in the world war
a lone figure in rain
re-write of old piece
Andrew T Apr 2016
Wimbledon’s playing on the TV in the living room. Dad and I are watching on the sofa.

In the kitchen, Mom cuts carrots and cucumbers with a long blade. She slices the vegetables one by one. Orange pieces. Green pieces.

I glance over Mom chops up the carrots and cucumbers without a cutting board, taking each long carrot and cucumber and slices it with precision, as though she’s a professional like the film with Natalie Portman and Jean Reno.

But she’s not a little girl and she’s not a Frenchman. She’s like a mix-in-between, like the asphalt in our driveway and the grass sprouting in between the cracks.

Dad is a computer engineer. He used to be an artist. Used to study technical drawing in a university in Saigon.

He met mom when he was working on a play. She was the lead actress. Shakespeare had said, “All the world’s a stage, and all the men and women merely players: they have their exits and their entrances; and one man in his time plays many parts, his acts being seven ages.”

He’s right, but right now I can’t tell what act I’m in. Dad focuses on the TV. Watches Federer and Djokovic, his eyes, darting from left to right like the mood of a young boy that crosses back and forth from light to dark, and back again.

Blade in hand, Mom makes longer and deeper cuts across the cucumber, cutting away the skin, leaving deep cuts in the vegetable. Dad turns his head towards her, his neck cracking like the forehand swung by Federer.

He clears his throat, softly, soft as gas leaking out from a stovetop from a studio apartment, like the scene in Fight Club, a match about to be struck.

Mom sets the blade down on the table, and bites her lip. Her nostrils flare. I press down on the couch arm, and stand up, my head bent, my eyes wandering to the doorway.
Queso Jun 2012
‘Twas but a rare, snowy day in Paris,
a January day, as all the lights of the city
rested, as dancers of the Moulin Rouge
fixed their make up during the intermission

And in the graveyard of Père Lachaise
there stood a solitary figure of an old man,
his hands gathered together politely,
in front, clenching on to a tattered flat cap

The man stood in front of a grey wall,
“a tomb without a cross or chapel,
or golden lilies, or sky-blue church windows,”
but with an equally lonesome little plaque
that read, ‘Aux mort de la commune,
21 28 Mai 1871’

He lit a cigarette, from which he took just one puff,
stuck it upside-down on a patch of dirt,
then notwithstanding the thunderstorm
of camera flashes from Japanese tourists,
he started to sing, with a hoarse yet firm voice,
“Debout, les damnés de la terre,
Debout, les forçats de la faim…”

As the wrinkle on his forehead began to stretch,
the dusty particles of ice piled higher and higher
on neighboring graves commemorating
French members of the International Brigades
and Spanish maquis of the French Resistance
-apparently the 3,400 meters height of Pyrenees
was merely a backyard *****
for ideas and fates to tread over barefooted-

His song was a ballad of unrequited passion;
when he got to the chorus about some final struggle
and the unity of human race in a silly hymn,
a song that was never played on a radio,
for which no cool kid would ever
spend $0.99 on iTunes store,
his voice started cracking in amorous choke

The old man was a lifetime lover
in the truest spirit of a Frenchman,
spent all his life trying to charm a girl named Emma Ries,
and whenever he dreamed of holding
the eloquently bruised hands of that sixteen years old seamstress,
his eyes swelled of nostalgic heart,

And he used to cry joyfully,
dropping tears of bullets back in the days,
whether by the guillotine in Place de la Concorde,
behind the barricades of Belleville amidst the cannonballs,
******* in front of the Gestapo firing squads,
or under the truncheons of gendarme in Quartier Latin

As the expired old ******* moaned wet dreams,
hallucinogic delusions of his bygone youth, however,
the chilly, soggy winter of 20th arrodissement piled on,
the ashen slums of Ménilmontant depressingly ugly as always
with brownish-grey molten snow spattered all over
the streets trotted by drug dealers and wife beaters,
and neither the fiery oratory of Maurice Thorez
nor the sanguine grenade of Colonel Fabien
was around to arson the frost into the proletarian spring

In the same winter that the old man sang
the first, only, and last lovesong of his life,
it had been more than two decades already
since the Berlin Wall had tumbled down
and the ruling parties in Greece and Spain,
both socialists,
had just driven 500,000 workers out of their jobs

-J.P. Proudhon, Marx and Engels, Jean Jaures, V.I. Lenin,
Leon Trotsky, Antonio Gramsci, Leon Blum, Abbie Hoffman-
by the time the old man muttered an old pop-song nobody cared for,
all of those names were as relevant as some Medieval knights,
characters from an obscure chronicle centuries ago,
who died by charging horseback into windmills,
mistaking them for giants that held whom they thought as
a princess of an ugly peasant woman,

Eventually, right before his voice cracked
into an embarrassing fuddle of choked-up tears,
impressive for a seventy something years old,
the man finished the song from his memory,
all the way up to the sixth stanza;
yet the curvaceously splintered palm of a seamstress,
it was still so far away from his hands that’s been pleading
since 1871 for that glorious *******
which once stood so proudly in the face of a Czernowitz magistrate

When the cigarette he stuck upside down on the dirt
burned all the way down, he reached into his coat,
took out a rose, laid it softly, like his own infant child,
in front of the plaque which golden inscriptions
turned grey from unwashed grimes of ages
and as the old fool walked away,
his back turned away from the solemn wall,
there was but one little patch of dirt in the whole of Paris
uncovered by snow, still hoping for the spring to come.
glass can Dec 2014
Deep as the motives of an empire,
his chest rises and falls
as quickly as kings through centuries.

---

You may be marooned in my bed,
     but of all the boys that have been lost
in the blueish depths left on my neck,
     I'm glad you lingered there
Alan McClure Dec 2010
Marie, I remember the last time we met
it was right here in Paris and you were upset
by a big, burly Frenchman whose insolent tone
had reminded you how far you were from your home
"Now don't worry, darling," I said with a smile,
"We need only look out for ourselves for a while!"
But you angrily told me our love was a goner
unless I turned round and defended your honour.

Well the Frenchman in question was not a small man
he'd a dangerous eye and piratical tan
my nerve sprang a leak with no sign of a plumber
I started to shake like an aspen in summer
"No, no," I suggested, " - a coffee, and then
"We could stroll arm in arm on the banks of the Seine!"
But you stood and you shouted, demanding to see
how seriously you mattered to me
and shaking with rage you began to aver
I was less of a man than the nearest Pierre,
or Jean-Paul or Jean-Charles, or Pepe, or Jacques
you threatened to leave me and never come back
Well there's only so much that a coward can take
so I ******* up my courage and made my mistake.

I could see the man's back as he moved down the street
and I fondly imagined he beat his retreat
so I followed him down there to make the man see
what becomes of the ones who insult my Marie
But the colour drained from the Parisian crowds,
they seemed to be wearing funereal shrowds
I moved in slow-motion, caught the man's shoulder
He swung round and punched with a fist like a boulder
Planets and satellites buzzed round my head
then he danced on my rib-cage and left me for dead
But through the concussion I managed to see
You were standing beside him and laughing at me
Then taking his mutton-shaped fist in your arm
you helped him avoid an approaching gendarme
As darkness descended I managed to cry,
"Oh Marie, gay Paree will not be where I will die!"

Well it's taken me several years to recover
but I've traced you right back here, my treacherous lover
You're taking communion, don't know where I am
But I'm hunched at the back of the great Notre Dame,
And you cannot see me, but I can see you,
I'm not even sure what it is I will do,
but one thing is certain - revenge will be sweet,
You'll know how it feels to be left in the street
Losing consciousness under Parisian skies,
Oh Marie, gay Paree is the place where you will die!

So I creep up the aisle, approaching the altar,
my hands do not tremble, my steps do not falter
Clearing my throat, but before I can speak,
You spin on your heel and you wallop my cheek
where a stain starts to grow like the stain in the glass
And I stagger backwards and land on my ***
This cannot be happening, how could you attack?
You hit me again and I'm back on my back,
Now standing above me, a gleam in your eye
Oh Marie, gay Paree,
Oh Marie gay Paree is the place where I will ........
This is a song.  A minor, G, F and E all the way through, in case you're interested!
Ian C Prescott Aug 2011
He wished her ill the sweet Frenchman
As he descended the stair in fury
Leaving the rose embroidery of the carpet to
Extend its thorny clutch to ravage
The ruching of her dress

Later how it would unravel strand by strand along with her to the floor
The frailest of ladies that the Frenchman had adored

“How dare you refute me that which is not yours?”
He implored in anger as he locked her two front doors
"The iniquity of the fathers upon the children."


O the rose of keenest thorn!
One hidden summer morn
Under the rose I was born.

I do not guess his name
Who wrought my Mother's shame,
And gave me life forlorn,
But my Mother, Mother, Mother,
I know her from all other.
My Mother pale and mild,
Fair as ever was seen,
She was but scarce sixteen,
Little more than a child,
When I was born
To work her scorn.
With secret bitter throes,
In a passion of secret woes,
She bore me under the rose.

One who my Mother nursed
Took me from the first:--
"O nurse, let me look upon
This babe that cost so dear;
To-morrow she will be gone:
Other mothers may keep
Their babes awake and asleep,
But I must not keep her here."--
Whether I know or guess,
I know this not the less.

So I was sent away
That none might spy the truth:
And my childhood waxed to youth
And I left off childish play.
I never cared to play
With the village boys and girls;
And I think they thought me proud,
I found so little to say
And kept so from the crowd:
But I had the longest curls,
And I had the largest eyes,
And my teeth were small like pearls;
The girls might flout and scout me,
But the boys would hang about me
In sheepish mooning wise.

Our one-street village stood
A long mile from the town,
A mile of windy down
And bleak one-sided wood,
With not a single house.
Our town itself was small,
With just the common shops,
And throve in its small way.
Our neighboring gentry reared
The good old-fashioned crops,
And made old-fashioned boasts
Of what John Bull would do
If Frenchman Frog appeared,
And drank old-fashioned toasts,
And made old-fashioned bows
To my Lady at the Hall.

My Lady at the Hall
Is grander than they all:
Hers is the oldest name
In all the neighborhood;
But the race must die with her
Though she's a lofty dame,
For she's unmarried still.
Poor people say she's good
And has an open hand
As any in the land,
And she's the comforter
Of many sick and sad;
My nurse once said to me
That everything she had
Came of my Lady's bounty:
"Though she's greatest in the county
She's humble to the poor,
No beggar seeks her door
But finds help presently.
I pray both night and day
For her, and you must pray:
But she'll never feel distress
If needy folk can bless."
I was a little maid
When here we came to live
From somewhere by the sea.
Men spoke a foreign tongue
There where we used to be
When I was merry and young,
Too young to feel afraid;
The fisher-folk would give
A kind strange word to me,
There by the foreign sea:
I don't know where it was,
But I remember still
Our cottage on a hill,
And fields of flowering grass
On that fair foreign shore.

I liked my old home best,
But this was pleasant too:
So here we made our nest
And here I grew.
And now and then my Lady
In riding past our door
Would nod to nurse and speak,
Or stoop and pat my cheek;
And I was always ready
To hold the field-gate wide
For my Lady to go through;
My Lady in her veil
So seldom put aside,
My Lady grave and pale.

I often sat to wonder
Who might my parents be,
For I knew of something under
My simple-seeming state.
Nurse never talked to me
Of mother or of father,
But watched me early and late
With kind suspicious cares:
Or not suspicious, rather
Anxious, as if she knew
Some secret I might gather
And smart for unawares.
Thus I grew.

But Nurse waxed old and gray,
Bent and weak with years.
There came a certain day
That she lay upon her bed
Shaking her palsied head,
With words she gasped to say
Which had to stay unsaid.
Then with a jerking hand
Held out so piteously
She gave a ring to me
Of gold wrought curiously,
A ring which she had worn
Since the day that I was born,
She once had said to me:
I slipped it on my finger;
Her eyes were keen to linger
On my hand that slipped it on;
Then she sighed one rattling sigh
And stared on with sightless eye:--
The one who loved me was gone.

How long I stayed alone
With the corpse I never knew,
For I fainted dead as stone:
When I came to life once more
I was down upon the floor,
With neighbors making ado
To bring me back to life.
I heard the sexton's wife
Say: "Up, my lad, and run
To tell it at the Hall;
She was my Lady's nurse,
And done can't be undone.
I'll watch by this poor lamb.
I guess my Lady's purse
Is always open to such:
I'd run up on my crutch
A ******* as I am,"
(For cramps had vexed her much,)
"Rather than this dear heart
Lack one to take her part."

For days, day after day,
On my weary bed I lay,
Wishing the time would pass;
O, so wishing that I was
Likely to pass away:
For the one friend whom I knew
Was dead, I knew no other,
Neither father nor mother;
And I, what should I do?

One day the sexton's wife
Said: "Rouse yourself, my dear:
My Lady has driven down
From the Hall into the town,
And we think she's coming here.
Cheer up, for life is life."

But I would not look or speak,
Would not cheer up at all.
My tears were like to fall,
So I turned round to the wall
And hid my hollow cheek,
Making as if I slept,
As silent as a stone,
And no one knew I wept.
What was my Lady to me,
The grand lady from the Hall?
She might come, or stay away,
I was sick at heart that day:
The whole world seemed to be
Nothing, just nothing to me,
For aught that I could see.

Yet I listened where I lay:
A bustle came below,
A clear voice said: "I know;
I will see her first alone,
It may be less of a shock
If she's so weak to-day":--
A light hand turned the lock,
A light step crossed the floor,
One sat beside my bed:
But never a word she said.

For me, my shyness grew
Each moment more and more:
So I said never a word
And neither looked nor stirred;
I think she must have heard
My heart go pit-a-pat:
Thus I lay, my Lady sat,
More than a mortal hour
(I counted one and two
By the house-clock while I lay):
I seemed to have no power
To think of a thing to say,
Or do what I ought to do,
Or rouse myself to a choice.

At last she said: "Margaret,
Won't you even look at me?"
A something in her voice
Forced my tears to fall at last,
Forced sobs from me thick and fast;
Something not of the past,
Yet stirring memory;
A something new, and yet
Not new, too sweet to last,
Which I never can forget.

I turned and stared at her:
Her cheek showed hollow-pale;
Her hair like mine was fair,
A wonderful fall of hair
That screened her like a veil;
But her height was statelier,
Her eyes had depth more deep:
I think they must have had
Always a something sad,
Unless they were asleep.

While I stared, my Lady took
My hand in her spare hand,
Jewelled and soft and grand,
And looked with a long long look
Of hunger in my face;
As if she tried to trace
Features she ought to know,
And half hoped, half feared, to find.
Whatever was in her mind
She heaved a sigh at last,
And began to talk to me.
"Your nurse was my dear nurse,
And her nursling's dear," said she:
"No one told me a word
Of her getting worse and worse,
Till her poor life was past"
(Here my Lady's tears dropped fast):
"I might have been with her,
I might have promised and heard,
But she had no comforter.
She might have told me much
Which now I shall never know,
Never, never shall know."
She sat by me sobbing so,
And seemed so woe-begone,
That I laid one hand upon
Hers with a timid touch,
Scarce thinking what I did,
Not knowing what to say:
That moment her face was hid
In the pillow close by mine,
Her arm was flung over me,
She hugged me, sobbing so
As if her heart would break,
And kissed me where I lay.

After this she often came
To bring me fruit or wine,
Or sometimes hothouse flowers.
And at nights I lay awake
Often and often thinking
What to do for her sake.
Wet or dry it was the same:
She would come in at all hours,
Set me eating and drinking,
And say I must grow strong;
At last the day seemed long
And home seemed scarcely home
If she did not come.

Well, I grew strong again:
In time of primroses
I went to pluck them in the lane;
In time of nestling birds
I heard them chirping round the house;
And all the herds
Were out at grass when I grew strong,
And days were waxen long,
And there was work for bees
Among the May-bush boughs,
And I had shot up tall,
And life felt after all
Pleasant, and not so long
When I grew strong.

I was going to the Hall
To be my Lady's maid:
"Her little friend," she said to me,
"Almost her child,"
She said and smiled,
Sighing painfully;
Blushing, with a second flush,
As if she blushed to blush.

Friend, servant, child: just this
My standing at the Hall;
The other servants call me "Miss,"
My Lady calls me "Margaret,"
With her clear voice musical.
She never chides when I forget
This or that; she never chides.
Except when people come to stay
(And that's not often) at the Hall,
I sit with her all day
And ride out when she rides.
She sings to me and makes me sing;
Sometimes I read to her,
Sometimes we merely sit and talk.
She noticed once my ring
And made me tell its history:
That evening in our garden walk
She said she should infer
The ring had been my father's first,
Then my mother's, given for me
To the nurse who nursed
My mother in her misery,
That so quite certainly
Some one might know me, who--
Then she was silent, and I too.

I hate when people come:
The women speak and stare
And mean to be so civil.
This one will stroke my hair,
That one will pat my cheek
And praise my Lady's kindness,
Expecting me to speak;
I like the proud ones best
Who sit as struck with blindness,
As if I wasn't there.
But if any gentleman
Is staying at the Hall
(Though few come prying here),
My Lady seems to fear
Some downright dreadful evil,
And makes me keep my room
As closely as she can:
So I hate when people come,
It is so troublesome.
In spite of all her care,
Sometimes to keep alive
I sometimes do contrive
To get out in the grounds
For a whiff of wholesome air,
Under the rose you know:
It's charming to break bounds,
Stolen waters are sweet,
And what's the good of feet
If for days they mustn't go?
Give me a longer tether,
Or I may break from it.

Now I have eyes and ears
And just some little wit:
"Almost my lady's child";
I recollect she smiled,
Sighed and blushed together;
Then her story of the ring
Sounds not improbable,
She told it me so well
It seemed the actual thing:--
O keep your counsel close,
But I guess under the rose,
In long past summer weather
When the world was blossoming,
And the rose upon its thorn:
I guess not who he was
Flawed honor like a glass
And made my life forlorn;
But my Mother, Mother, Mother,
O, I know her from all other.

My Lady, you might trust
Your daughter with your fame.
Trust me, I would not shame
Our honorable name,
For I have noble blood
Though I was bred in dust
And brought up in the mud.
I will not press my claim,
Just leave me where you will:
But you might trust your daughter,
For blood is thicker than water
And you're my mother still.

So my Lady holds her own
With condescending grace,
And fills her lofty place
With an untroubled face
As a queen may fill a throne.
While I could hint a tale
(But then I am her child)
Would make her quail;
Would set her in the dust,
Lorn with no comforter,
Her glorious hair defiled
And ashes on her cheek:
The decent world would ******
Its finger out at her,
Not much displeased I think
To make a nine days' stir;
The decent world would sink
Its voice to speak of her.

Now this is what I mean
To do, no more, no less:
Never to speak, or show
Bare sign of what I know.
Let the blot pass unseen;
Yea, let her never guess
I hold the tangled clew
She huddles out of view.
Friend, servant, almost child,
So be it and nothing more
On this side of the grave.
Mother, in Paradise,
You'll see with clearer eyes;
Perhaps in this world even
When you are like to die
And face to face with Heaven
You'll drop for once the lie:
But you must drop the mask, not I.

My Lady promises
Two hundred pounds with me
Whenever I may wed
A man she can approve:
And since besides her bounty
I'm fairest in the county
(For so I've heard it said,
Though I don't vouch for this),
Her promised pounds may move
Some honest man to see
My virtues and my beauties;
Perhaps the rising grazier,
Or temperance publican,
May claim my wifely duties.
Meanwhile I wait their leisure
And grace-bestowing pleasure,
I wait the happy man;
But if I hold my head
And pitch my expectations
Just higher than their level,
They must fall back on patience:
I may not mean to wed,
Yet I'll be civil.

Now sometimes in a dream
My heart goes out of me
To build and scheme,
Till I sob after things that seem
So pleasant in a dream:
A home such as I see
My blessed neighbors live in
With father and with mother,
All proud of one another,
Named by one common name,
From baby in the bud
To full-blown workman father;
It's little short of Heaven.
I'd give my gentle blood
To wash my special shame
And drown my private grudge;
I'd toil and moil much rather
The dingiest cottage drudge
Whose mother need not blush,
Than live here like a lady
And see my Mother flush
And hear her voice unsteady
Sometimes, yet never dare
Ask to share her care.

Of course the servants sneer
Behind my back at me;
Of course the village girls,
Who envy me my curls
And gowns and idleness,
Take comfort in a jeer;
Of course the ladies guess
Just so much of my history
As points the emphatic stress
With which they laud my Lady;
The gentlemen who catch
A casual glimpse of me
And turn again to see,
Their valets on the watch
To speak a word with me,
All know and sting me wild;
Till I am almost ready
To wish that I were dead,
No faces more to see,
No more words to be said,
My Mother safe at last
Disburdened of her child,
And the past past.

"All equal before God,"--
Our Rector has it so,
And sundry sleepers nod:
It may be so; I know
All are not equal here,
And when the sleepers wake
They make a difference.
"All equal in the grave,"--
That shows an obvious sense:
Yet something which I crave
Not death itself brings near;
How should death half atone
For all my past; or make
The name I bear my own?

I love my dear old Nurse
Who loved me without gains;
I love my mistress even,
Friend, Mother, what you will:
But I could almost curse
My Father for his pains;
And sometimes at my prayer,
Kneeling in sight of Heaven,
I almost curse him still:
Why did he set his snare
To catch at unaware
My Mother's foolish youth;
Load me with shame that's hers,
And her with something worse,
A lifelong lie for truth?

I think my mind is fixed
On one point and made up:
To accept my lot unmixed;
Never to drug the cup
But drink it by myself.
I'll not be wooed for pelf;
I'll not blot out my shame
With any man's good name;
But nameless as I stand,
My hand is my own hand,
And nameless as I came
I go to the dark land.

"All equal in the grave,"--
I bide my time till then:
"All equal before God,"--
To-day I feel His rod,
To-morrow He may save:
            Amen.
JR Potts Sep 2015
It felt as though the humidity itself
carried a hint of liquor as we walked
out into the night, wanting only to escape
our lives for a little.
Deep down in Vieux Carre
twisted brass clashed with a piano
running half step from the crowded clubs
on Frenchman Street.
We filled our lungs with the city
and found her to be like certain kinds
of dangerous doses--
intoxicating.

It was our second night
and the more we drank
the more I began to see glimpses
of the specters spoken of by locals.
They linger in my peripheral,
watching me with their sunken eyes.
You could faintly hear them moan,
only in defeated tones
and their collective scowl danced
in the heavy air of summer
as though it were a part from
all that jazz.

In the stranger hours of morn
I was approached by a ghost
a few blocks off Bourbon.
He offered up nothing but his ***** palms
in hopes of some false salvation.
I wrestled a dollar from my pocket
and passed it on to him,
only to watch him fruitlessly grasp at it
before it slide through his ghostly hands
to the floor below.
He looked down at the dollar
all helpless-like and he said
"It’s been slipping through my fingers
like dat for years now
and ain't nobody help’n me."

I walked from him, realizing then
why I had needed this trip,
I needed to remember all the love in my life
because the only difference between
me and the ghosts of N'awlins
was someone cared about me,
and I cared enough about them
not to destroy myself.
Matthew M Lydon Feb 2015
she stood outside the apartment
finger halfway up her nose
scratching with her free hand
a **** loosely encased
in patchy, ***** blue jeans
ratty sneakers with holes where
her toes and dignity poked through

usually a whiner, a brayer
a donkey among gently purring cats
calling down thunder and racket
like a motorcycle tearing circles through a lamp shop

today, of all days, she swayed

silently
in loose waltz time
to soft piano of a long-dead Frenchman
curling down from speakers
mounted in windows
across the street

her misshapen hips and flexing calf muscles
lifting her up in a rude en pointe
somehow made elegant
by a quiet ballad, a soothing moment
on a hot August morning
in Main Street
of the hinterlands.

2/12/2015
the marriage of people I know, and music I only think I know.
Mark Lecuona Oct 2015
walking without my skin
but the bones are still there
cooling themselves but a bit much today
children so engrossed in not knowing our problems
old women, together on a bench, obsessing
the wind passing through me, cleaning the sidewalk
I thought of being like a Frenchman
or at least maybe the charm, or so women say
I can’t speak the language; but so what?
I wondered about understanding what’s good
not swept up in things, but knowing myself
there’s a style about living
we each have our own
we don’t even know it, but everybody else does
they watch, as we walk, noticing our eyes
what they notice
if they are hard
or soft
can we or should we remain as we are
or do we just accessorize
taking on someone else’s ideas for ourselves
transforming us because we are looking
for something
downstairs at the front of the book store
or upstairs alone in a chair, sinking into the past
stretching and sighing
where is my wine glass?
oh, only single serving bottles
plastic
ok, it doesn’t mean I’m not a Frenchman
not the plastic
not the age of the wine
not the fact that I’m not one
but is my charm apparent to anyone
this Westie I noticed knows
he knows that I like Westies
he knows
he saw my soft eyes
how can you know me so well little Westie?
it’s because he looked and I looked back
I was able to smile as long as I wanted
instead of glancing
pretending I’d hardly noticed
even though I had
for a long time
I stared at my coffee
the wine was just talk
I was only wishing
it’s breakfast and I’m already thinking about wine
but your dress
and your eyes
yes, they are soft
but maybe you’re just sleepy
so I’ll blow out the imaginary candle
next to the imaginary wine
burn my lips on my coffee cup, freshly poured
and go
maybe I’ll see someone crazy enough to make me laugh
that’s why I live in this town
to hear someone singing
as we all stare
wondering about him
and why we are dreamers
who imagine moments instead of living them
ghost queen Oct 2020
Night was falling, a full bright silver moon was rising, and Seraphine’s hunger had become unbearable. She needed to feed, had to have young fresh female blood, to stay alive and young.

Science had caught up with the reason vampires needed to feed on the youngest, preferably baby’s blood. In 1866 a Frenchman named Paul Bert had conjoined rat’s circulatory systems in a process called parabiosis, and thus the Prize of Experimental Physiology from the French Academy of Science.

In 2012, Cambridge University’s Julia Ruckh found old mice cojoined to young mice physically and mentally rejuvenated, becoming younger, smarter, and more energetic. Subsequent research discovered proteins in the plasma caused the rejuvenation. News outlets had proclaimed, “fountain of youth discovered in ordinary plasma.”

Seraphine needed the youngest, which has the highest concentration of rejuvenation proteins and hormones;  the purest, which is virus-free, and female, which has the highest levels of estrogen and progesterone.

Ideally, a baby girl’s blood would be best, but in today’s modern society, killed babies drew attention. The next best and the pragmatic thing was a 15-year-old runaway girl. L’ Association Assistance et Recherche de Personnes Disparues (ARPD), estimates 1000s of Parisienne girls, ages 10 to 18, runaway each year due to ****** and or physical abuse, ending up on the street, and having survival *** in 48 hours or less for food and or protection. And few if anybody cared. They disappeared, never to be found, presumed dead from a ****** overdose, or stabbed in a fight for food, money, or drugs.

Since runaways had high levels of disease due to survival ***, ****, and ****** addiction, Seraphine focused her attention on young troubled Arab girls living in the Habitation à Loyer Modéré (HLM) or projects of the 93rd, the department number of Seine-Saint-Denis, the poorest, predominantly Maghreb Islamic Arab banlieues of Paris.

Seraphine would undo her ponytail, letting her raven black hair cascade down around her shoulders, so she could fly around and into the projects at night landing on rooftops, listening for arguments, yelling, or shouting of eahira (*****), waqha (****), or haram (forbidden). When she heard those words, she knew a father was forcing old-world customs and religion on his born and raised in France daughter. The daughter, going to secular French public school, knew neither Arabic nor Islam, rebelled, wanting to live a secular, feminist rather than a submissive religious life.

Seraphine had found this month’s mark. She focused her superhuman hearing and sight on a tenth-floor open balcony window of the building across the street.

She could see an older man dressed in the traditional white dishdasha tunic, and taqiyah skull cap worn to evening prayers, yelling and throwing his hands in the air. Further in the flat, Seraphine could see a girl, crying. The man yelled waqha, waqha, then slapped her, and she fell to the floor. An old woman pulled the man back, as the girl got up and ran out the door.

Seraphine knew how this would play out and where the girl was headed. Four blocks away was the Lycée Général et Technologique, which housed a 24-hour crisis center for teens facing physical and or ****** abuse, pregnancy, homosexuality, ****** addiction, or homelessness.

As foreseen, the girl burst out the front doors of the HLM, running, crying down the street. Seraphine leaped from the 13-floor building into the air, silently following the girl like a bird of prey. The girl walked down Rue Bonnevide to Rue Guy Moquet, taking a shortcut through a wooded park.

Seraphine flew down to the ground, landing without a sound, and followed the girl from a distance. She could smell her youth, see her round hips and long shiny hair. When the girl had walked deep into the dark and silent park, Seraphine sprang forward like a puma, tackling the girl to the ground, and slitting her throat before she could scream.

Seraphine savored the ****, drinking the squirting blood from the carotid artery, relishing the warm fresh blood. The girl, in shock, blinked rapidly, trying to process what had just happened to her. She tried to speak but gurgled only blood, tears of fear started streaming down her cheeks. She knew she was dying, was afraid of dying, and wished her father was here to protect her, and make it all go away.

The blood slowed to a trickle. The girl had bled out and her body died. Seraphine continued to drink, ******* harder to get the remaining blood. The girl’s body convulsed then stilled as her brained slowly and finally died.

Seraphine had fed and would be satiated till another full moon.  She got up and licked her lips of residual blood. Her clothes were drenched in sweat and blood. She looked at the girl’s dead body, admiring her clear complexion, and big brown doe eyes, but felt no remorse for the ****.

She picked up the girl’s body in her arms, jumped into the night sky, and flew 65 kilometers northeast of Paris to La Foret De Compiegne in la department d’Oise, a secluded and rural part of northern France. Dead center in the forest lies Saint-Jean-aux-Bois, a small, and forgotten farming village of septuagenarian and octogenarian.

Seraphine flew to a farm a kilometer outside of the village. As she neared the farm, she could smell the putrid stench of pig ****. She started her descent, dropping the girl’s body, which hit the ground with a thud, in the barnyard, as she gently touched down.

The farm was dark, the only light was that of the full moon. She heard a rustling coming from the farmhouse. She saw an old man walking her way, holding a dim flamed oil lamp. He did not look at her, only at the ground, afraid of what would happen if he looked her in the eyes.

Seraphine grabbed the girl’s body by the hair and dragged it to the main pigpen, and threw the body over the fence and into the pit of sleeping pigs. The body hit a pig, startling it out of its sleep, squealing, waking up the other pigs, and realizing they had been fed fresh meat. The pigs sheared the flesh off the bones, then chewed and ground the bones. Within a couple of hours, there would be no trace of the young girl’s body. She was just another disappeared runaway.

Seraphine turned her attention back to the farmer, pulled out a brick of Euros from her coat, and threw it at his feet. He didn’t dare pick it up. He was too afraid of her. He knew what she was. And she knew, he knew what she was.

He’d seen the countless girl’s bodies come through like chicken carcasses at a processing plant over the decades. He knew he would die of old age soon, and only hoped God would forgive him for helping a monster.

Seraphine turned around, jumping into the sky, and disappeared. He was trembling and relieved that she was gone. He won’t see her for another full moon. He painfully bent over and picked up the brick of Euros. His hands were shaking.

******

Seraphine got out of the shower and wrapped her hair in a towel. She looked in the mirror and admired herself, the flawless white skin, the blood red lips, the pear shaped figure, but most of all her firm perky *******. She was brushing her teeth, when the doorbell rang. She rinsed out her mouth and wrapped a towel around her, walked to the door and opened it. It was Damien. She mischievously and alluringly smiled. He grinned back, knowing why she’d called. “I was so glad you were still up when I called,” she said poutingly.

She took his hand and led him to her bedroom. It was softly lit, a low yellowish light, not unlike that of a candle’s. The walls were decorated in red damask wallpaper with gold crown, base, and chair moulding. It was very elegant, very French. The bed was a large four posted red ruffled canopy, covered with a red duvet and pillows.

She got to the foot of the bed, turned around, unwrapped herself, sat on the bed, and shuffled herself to the headboard. She looked at him and spread her legs, showing, offering herself to him. Damien took off his clothes and crawled to her, over her, and leaned down to kiss her. She rose up to meet his kiss, wrapping her arm around his neck, then dragging him down in her.

She kissed him hard, ******* his tongue into her mouth, biting his lower lip. She stopped. He looked at her, a questioning look on his face. Then she pushed him down towards her *****. She had a trimmed and sculpted bush, just enough not to hide her full lips.

He started kissing around her bush, her tummy, and inner thighs. He could feel her squirming, as he circled around, edging closer to her *******. He kissed her lips, sliding his tongue up and down, then penetrating her.

She was wet, and tasted fresh, like sweet spring water. How amazing he thought to himself. I’ve never tasted a woman like this before. He went deeper with his tongue, pulling back the lips with his hands. She pushed his head hard into her. He licked her splayed ******, as she moaned in pleasure and approval. He moved his tongue up till he got to her ****, and lightly rubbed it then stopped, kissing her tummy. She relaxed and sighed.

He kissed his way down to her ****, kissing it softly then circling it with his tongue. She arched her back as he vigorously rubbed her **** with the tipe of his tongue. She moaned, then yelled stop, stop, in breathy gasps, then fell back into the pills. She took his head in her hands, and pulled him up to her mouth, and gave him deep, passionate baiser amoureux.

She took his hard **** in her hand and guided him towards her *****. She slid his **** up and down her *****, lubing up the head of the **** with her wetness. Then she let go, and he penetrated her slowly, as she gasped then moaned. He felt her wetness and heat as he slid deeper into her.

He started to pump rhythmically back and forth, slowlying picking up speed, as she moaned and groaned as he bottomed out his **** into her. He was going to *** and started to moan, when she yelled, “choke me, choke me.”

Taken back, he slowed. She looked up at him quizzically. “Choke me,” she said sternly. “You're a big boy. Choke me,” she repeated with a bit of irritation in her voice. He placed his hands around her neck and lightly pressed and started pumping. He got back into the rhythm and was back on track, getting close to *******. “Harder,” she said, “hard like you mean it.” It turned him on, and he clamped down harder as he pumped harder, animalistically.

He knew she was getting close to orgasming as she moaned and writhed under him. “Oui, oui, oui,” she screamed, and in a blink of an eye, she’d flip him on his back. Her hands on his chest, holding him down, as she rode him hard. She screamed, “ah, ah, ah,” then collapsed on his chest. His ****, still hard, inside her. She slowly rolled over, taking him with her, till he was on top, then rocked her hips, wanting him to continue, to finish.

He started to moan. She hooked her wrist around his neck and pulled him to her mouth, kissing him hard and deep as he came. He convulsed collapsing  on top of her. His **** still inside her, as she wrapped her arms around and rocked him back and forth, kissing the top of his head as if comforting a child.

He rolled over, crashing into the bed with exhausting and fatigue. He looked over at her. She was staring up at the ceiling. He saw the reddish purple strangulation marks he’d left on her neck, and slipped into a deep sleep.
ogdiddynash Jan 2015
X-rays of the soul,
Madame Chan proclaims,
translucent we stand,
visible out and inside
before our creator,
but only to that
limitable being

if only there were a machine such,
on earth, as in heaven

perhaps seventeen Frenchman,
one hundred and forty five,
mostly Pakistani children,
or thirty five
no longer alive,
just barely mentioned,
already forgotten,
Yemeni young
police cadets,
two NYPD,
might still be adjudged
innocent by those

who only see themselves in mirrors,
blindly believing
they are created
in the image of
God
and knowledgeable in the
execution of
his will

if human Justice is thus blinded,
perhaps God is too?

we need much betters cameras...
more accurate selfies...
Heather Butler Mar 2012
Well, what now, hey?
     I threw the dog overboard yesterday.
     The day before, the day?
Where will you go, hey?

I heard the orchestra-man play
The same way,
     Sanctum, requiem, asylum
All Latin in his French dog-eared play.

     Hear the monkey, playing accordion play
To the whirling whirly-whirly-ghig
     Tre dramatique, no? Today
I understand you're just as "tramatig."

I want to hear your Frenchmen play
Play ***** pipes play play
      In his dog-eared French *****-man
Play

But I cannot, cannot say
     Tears of joy, in hydrant spray
The Hyades triumphant rainbow stay
     Cough your little fears away;

Hear the Star Spangled Francis Key play
Frenchmen play, play,
Little piggies counted play
Black white keys with little piggle-plumps play

Atone-al, A-tonal---atonal tonal sounds as if to say
"Getting married here to stay"
       All alone and all today
      Settle down if for a day
And who will hear the trumpet play
When *****-man Frenchman say
"Where? Home of the free" and stay

Keep your hands away
Never want to        let you say
               "Hear me, hear ye, all you weary, weary dreamers
         But never left your confidence like Russell-rustle leaf-blown willow-white

You fill them up with seventy two pay
      Make a kite, to(k)night, allRight
      Thank god for the fleas in the right
Hairless creatures for to sway

I threw the dog overboard yesterday
The day before, the day
And if you'd wanted it to stay
You should've say, you should've say

But never let my hand betray
The vein, the line, the artery
Of arterial shells bombastically
Loquacious to a fault, this day

They say "You want another day"
They say "You never wanted say"
They say "You wasted every day"
They say "They say, they say, they say"

                   But e'er forget, ne'er forget
                   I'll despise you abandon heaven for earth to get
       And leave your money, your millions behind
       For mansions with my Lord to find

But in the ceiling never was a god to pray
Johnny Noiπ Sep 2018
The boy & the girl in the beautiful home of that ***** the stripper;
her sister studying music at school to get money
from the senses of             the prophetic elderly gentlemen standing
in line waiting to kiss her cheerleading to ruin the Christmas cruise
for the **** club strippers' Dreams of the original arena;
          machines receiving the cold eye of a rich rainbow
waiting for the genius of the smell of Icarus,   the sickness activity in the daughter's drawers powerfully drawn to the earth;    a picture of Christ in
                                                   his own language,
the birth of a letter,                           beginning with, as it were on the wall;
& the cops also loved the alchemy,   turning the robot on by sticking a Magic Marker in mom's scientific snooch of sand-grains that is Einstein's Favorite;
                         Up the breath while steam rises from the depths of Bettie;
Written with the **** of his star of the choir; 1 remember holding enough WINDS      of the daughters of:     The Ladies in the act of understanding which is born of the town of the Corporation's crazy                            |    |
Web flames; Empty Garden sexually kiss him, he watching the ****
buried in the Temple of the invisible monster playing with guns;
Only move the teeth from the center of the corner stood leather Mom.
Ode in the public streets; A reading from the bright lights of the plastic ground beef, Frenchman Paul to strike him on the            |         |        |      |
Appointing members until it receives the correct image of the burning of the Holy Christian bride; For the love ye bring the computer hidden in the morning,    Thank you because you felt the truth from its center;
Jack's shadow feeling disappointed w/ language used in the room
          & on his mantle he played w/ his cigar
          referring only to the Dawn Witch &
The course of the sheath thereof,  he living the life of the calling
     |            Street's thinly speaking in the  
plural;                    |                          |
pay­ing the penalties on her knees caught & led the return of Jews
on the eve of new brands & hot divas making      bigger moves in prison
as much as the knowledge of it is cut into the skin of a teenage ladyboy,
Silly twisting letter may eventually supply the madman w/ a  sports bra
World Wide ***** rolls from the other side where he held the skin of the dying half of the...; Hey.   He dismisses his naked body from the beach, of course, the mountains;    the barriers of the past to the Queen of the Night,
shining light of Asia,      of strange                          pigments you dream so
     that you stop searching,  because the entirety of
thee is to buy of him the spirit of life in thy spouse |                |        injury wearing the snow-clad on the one side the wall;
the top made w/ the fat of the bat,  and in brass,
                                            their hot toes
were taken to the torture chamber within;                Bobbie to the unknown
where the Devil is in the child's Playground
& the golden   letter is to the graceful flute;       Live Sounds like, she says drinking her friend's tea just to meet up
& falls asleep;
                         Gonna be a fool,      as the angel watching it walked past in socks
of the radio's broken glass on the table |             |        without remembering
Smoking Bettie's favorite food changing position to understand her
                                                          ****, ­           & down;
For one thing talking weapons buried forever
just to play football holding the pen at the right angle of light
to tell when the garden of physical fear &                    pain is in the Glory Hole & will know Maecenas     & keep the leather football stands
shaking the leaves of the country for someone
              who is an individual sport in addition
   to the hairy center of the sight of the flames,            prostitutes reading in the garden of the second light that is available by calling the new hot sweat,
&                        l       leaving the Beforetimes becomes of a kind of a judge getting her to remove all her clothing;           the fate of the tongue has been captured
&     was nearly time to leave it not under the A,      where, however,
it is not to return to the word of the image, the star,      turning round
to see the teenager's divination;         or because it is the book of the goddess
to die in favor of it, asking to speak,                      of the blessed leading part;
in the course of her naked beauty,          1 took hold of the middle band
of the night watch of the night of the one side of the city of knowledge,
and cut off from the side the pain of Asia,
feeding the drug habit of the Queen,   |  |          opposite your peace of mind,
1 will=1 will show it to you in the Medicine Chest's Mirror; |            |   her chest measuring 30",        & God is a Spirit on the beach where he dreamed
a dream,     & there was neither made nor when,        when we have already
set the bar so high ...                                                     he has been approved        |         &         | | | you say they will **** us that love us; surely,
you are mad; raging waves,                                                    & the daughter
  bearing in mind the company of the mistresses
of his friends,                                                     to treat them w/ the weapon
of light from the garden's right hand
in the Desert;             there he became aware of them
as they moved;       miracles performed by the laying
on of the hands of St. Thomas having been withdrawn
               from the fire of the glory of the ascertained
sentiments;        the monster w/ the body of the Earth
&  the hairy crowns of them that walk on in the sand;
Already? A stranger from the sand of the watch,
               at his side his wife because he was righteous;
     In the midst of her **** was the respect for persons;
                In the law of the sight of a man standing
in the doorway when we are changing, our being
in warm weather the Harlots are given rewards for the
                                few seconds it takes to give off heat;
                                          which is their own unique brand of light;
                           that is, the sultry example, hot, & that
the caller would not say;     |         so that a new 1 starts
where people rebuild the old women           |
Please,  speaking to his clothes,              he lived on the
Avenue captured,     |   insufficient Southern bright love
mountain town solves the World's Children of their debtors benefit
from the gesture Dragon Soul Temple-producing guns like Gloria
knew of the women's kiss | Women naked women's faces, friends, poets and the *****'s mother died; the daylight is a donkey dung and young Americans from the left side of a major party of snooch lukewarm & innovative in Green Tights the queen of the college finds a poetic beauty, in the golden age of life, she is polluted by old money &  working hard in Hell; the powerful stars w/in stars thought the poet's death w/ ****** ***** six big [                     ] answers by saying that it is in the skin,
the heavenly will, however, along with Greek all into the state of nature,
but in all truth causes the wildcat of the three stars of the yellow color
of a scarlet color of the color of the walls variously unworthy of the son
of Medusa; they feel the fear of the mouth hole in this little work;     Pre-K mother being gay, which is going to open his mouth and the Barbie [Yech] leaving my sweet ******, the French Association for Friendship running
into the depths of the Russian's brains into another's writing;  
& in the Book of John,         it's raining girls dancing on fire
in the perfect open window to the best version filled w/ a false tongue;
the most detestable secret for a revolution on behalf of the guy's feet &
he fought off wild dogs to play w/ the men who are of the modern age, O
                             Lord, a voice came from the other side of the mirror
                                      of the hexameter that he should eat out the sea,
                                    wherein all things are & may be seen as the 500  
                                    gifts of all that are & it would not be the nations
who are on the ground     from the power of the daughter of the breech;
he wrote the images and it is in your lap,         she bore them,
& the cops began to love us; Wall Street alchemy, the sitting duck;                            During the knowledge of mom's back
   on the beloved robot is to a tree grains of sand
                       that are heard,                  no more,
Mary Einstein's is what is bad in the sacred overreaching culture covered
w/ fat;      every hair on her head numbered     & heating the walls w/ the air,        
                                                 ringers,                         Park is the enemy
in great pain & 1 could see the words,  
& so turn to win the child unknown,
occurs in a living bobble head to meet the Muses,      1 peg and the voice of socks, can not be so stupid,                                   they live peacefully at that,
but they walk not,              have not changed a lot in the mirror of the tablet
was placed in the vapor of smoke:                    1 remembered it to the angel
of light in which the act of understanding
                          of the grace of the motion of the spirit & the rest of the fire,
& broken in two the Top Bettie;           which you may fear going on until it becomes the monster w/ some sweetness intact;       1 saw a man who knew honor's skirt Kissing her skincare agents similar to the part of the street
                  covered w/ leaves;
                  Maecenas' soccer mom's makeup applied poorly;
                                 [Numbers intact,   the flaming shadow],
       which is so rare it takes flames to illuminate the poetry
in the garden,                                 so much so, that is to say,  
after hot pants went the way of the world,  more than most birth fates
on the move,               they should win w/ a tail the destruction of the one language      in the morning, wearing leather leaves to in public,   Marcus playing soccer,    watching as the back of the flames beat the stands &
he looks at the garden torches            & secretly reads off the numbers
of Shadows taking center  & living in a lighted *******'s house paid according to how much they call a hot time for the show from the old
to the sweaty tongued guest on her lap & unstable,            caught behind the second movement under-brained [NCAA:  
White dragon skin returns home without the teenager wearing the goddess' tiara], strictly speaking,                              a yellow star in the late speaking
Barbie has a watch that keeps the spirit & the number of Infinity
thirty below- - she slips on her Uggs        & engages weirdly w/ the letter,
which to say pushing to her knees;                     of the changes to the skin;
of the *****,            about his wife,                   |                 thin, ugly witch,
a teenager's greater nakedness;    | Rolling witch
the course of the stars,  leaving us the goddesses
we have named for his wife Eve but the intervention
of death,    a lady to be happy in that contrary | |
The Holy Spirit moving              a step apart
In dance,  falling on the public temple drought lover
Southern girls kissing a skinny plastic man;
That is natural to God,                  thank you,
                        Invisible to me in my garden,
              incorporating flames
       when they had known        |       |           the mind of the glory
of                    Jack sleeping in the open,          reading the seal &
revealing the vision,                          in the shadow of the woman
her maturity delayed;                        The stranger in the street &
watching;            |                      The girls of light harlots,
                                                  are as strong as the others;
             But they can be destroyed by fire
on other sweaty external nights,
          2 Jews said they weighed
                                   much more
              Then the motion taken down;
talking to a teenager or a divine;
                   According to the man instructed
          in   only in the garment of his skin;
The boy returning to the fate of the skin
Starting to use the *****;   given to him
                                      long & thin;
Then he turns to leave,   The Witch
****               heating the test; parts
           Put to death in the mountains;
Felix, in the powders of the cut back
by the half-naked,               |     is to go to the games;
All wings of the new city
                            that will bear the child's name Eve;
yeah, while holding hostage
                   the three Queens;
waste of Asia,  where the beach is not the first time or place
                                                           accused are the objects;
the demonstration coming           down         out of the cloud,                    
so that what is
                   One is the extreme              but Jerusalem,                                       shall
We begin dreaming
to the Queen of the mountains of Bela the bare-assed
naked; birthday-suited, propagandized and enlightened
by the knowledge of the middle band of the shore
         but the mad one of Asia is bound toward *****
to receive this; there is no spirit at the feet of the kind
      of medicine that is cover for the prey,                     to you and 1
have 1 & 1 will start dreaming about you, | |                     his wife
MC Hammered Dec 2014
Dancing
underneath city lights,
jazz bands
reverberating, breathing in
voodoo shop
musk.

Soul
pulsates beneath
cobblestone,
wide eyes
peering up at
beaded balconies on
Frenchman Street.

Freedom is
coffee and baguettes from
Cafe Du Monde at
midnight,
surrounded by strangers.

Find me under strings of
flickering bulbs,
trading trails with
travelers.

Candlelit doorways illuminate the drifters, the curious, the backpackers,the Kerouacs,
the way to the gypsies past
Bourbon.

But not home.
Aaron Wallis Sep 2014
Burly bleak plumes roll out aloft corn
Where the dragon fell post spin and ditch
A wretched hulk of ruin splintered and worn
Amongst endless blanch green fields which

Arc with a gust and apart where he treads,
Dragging his silk cape afar from flame
Clueless and concussed to a near house he heads
With a tattered scarf that constricts yet ***** about his mane

Black fists of cloud had boomed around him as they soared
His beast spat metal fire whilst the pale sky turned dull
The zipping ballet of warfare smiled throughout as motors roared
Gnashing its teeth and making forgotten martyrs of them all

Shuddering not from demise rather conflict as a whole
He is as content with death as he is to survive
Just not burn the world and condemn his soul
A horror; men of rule seem keen to keep alive

An agrarian self-dines rancorous and crocked
Half sat, improperly perched from where he was shot
Monsters had come for him once before this day
They took his spouse and his daughter and then took them away

He can hear but does not hark to the battle aloft
It is now like the rain and the trees in a gust
But to the boom and the shake he stands with a cough
And as he cites the invader he sees he must do what he must

The grower limps out with a Chassepot in his arms
As the airman’s hands reach up and he falls to his knees
With beads on his brow the man pleads with met palms
The crofter sees naught but a Prussian blue monster disease

The pilot knows his death, ‘Ich bin nicht sicher, wo ich will gehen?”
The old Frenchman just sniggers as he thinks never again
With the rifle’s slug now spent and the horror sent back to his hell
The farmer mumbles to himself, ‘je dois me chercher une pelle,”
Wars happen. It is *******
martin Feb 2014
So I said to this German chappie
If there were ten green bottles hanging on the wall
and one green bottle should accidentally fall
how many green bottles would there be
hanging on the wall,
you do speak English?
Nein he said

So I turned to this Frenchman I said
There's a strange smell around here
Don't you think?
He said  oui
I said I think you're right old son
ConnectHook Sep 2015
ººº

Beware lest anyone cheat you through philosophy and empty deceit,
according to the tradition of men, according to the basic principles of the world,
and not according to Christ.


Colossians 2:4-8 (NKJV)

His Nietzschean trip moved from Comic toward Tragic:
Deleuze’s delusions flew out the fenêtre
Airborne and ****** on philosphy’s magic
(the nihilist suicide’s raison d’être…)
Propelled from the window, transcending the Ontic,
his organless body in textual flight,
a schiz-flow beyond on a voyage turned frantic.
His thought – a nomadic adornment for speed,
multiplicitly viewing a thousand plateaux
was a force for unhinging the doorways of light
and a plea for postmodern decoding indeed.
His frame soon encountered pure striated space
in the form of the pavement caressing his face.

He joins other smokers of Gallic tabac,
other esotericians of cognitive frenzy
(those mullahs of madness, those sultans of Whack…)
Sorely missed by his victims, disciples and friends
he is mourned, misinterpreted, copied, dismissed
– but for semioticians he heads up the list.

Another brave Frenchman, some guy named Debord
a bespectacled Marxist (who missed all the marks)
made the mediums’ message a radical bore
dialectically fading the lights into darks.
Indirectly disrupting pop-culture with Punk
and other anarchic phenomena-junk,
he too chose to leave with a nihilist bang –
while we whimper and suffer down here with the gang.
The old situationist’s last situation:
an agit-prop funeral short on elation…

So to French de-constructor-philosopher-ravers
and all who rejoice while society wavers
I offer these lines, like a quick coup-de-grace
and be warned – they’re now viewing the Good Lord en face.
A schiz-flow elegy for Gilles Deleuze (1925–1995)
& Guy Debord (1931 – 1994)

https://connecthook.wordpress.com/2012/11/27/deleuzional/

ººº
JRBarclay Jun 2010
Your liquid is
leaking
all over my table
yet
you stand tall
beckoning me
4:13 with no mercy
please save
me
drink me
drink me
light another
cigar
...ette
Miette? Miette?
Me yet?
How does this
make sense to
a Frenchman?
How come some
people get fat
but then stop
at a certain point?
Is it
possible to not
lie?
:Tell the truth
all the time
We're all liars
bigots
*******
creators of filth
Will my hair
stop falling out?
Will my hands
stop shaking?
Will my feet
stop pounding?
Will my thoughts
quit pouring out?
Will this
beer
stop flowing down
my throat?
Will the Cure
stop making me cry?
Will Tool ever
break up?
What do people do
when I'm sleeping?
Who do I like more
Black Sabbath or
Led Zeppelin?
Dead Kennedys or
The Misfits?
Mozart or
Beethoven?
Philip Seymour Hoffman or
Daniel Day Lewis?
Natalie Portman or
Scarlett Johannson?
Goth chicks or
Nerdy chicks?
or both
or all of the above?
Do my eyes
perceive reality?
Do my fingers
feel gravity?
Does my tongue
taste sarcasm?
Do my ears
dare to fathom?
Can I trust my friends?
Should I trust my lover?
Mother
should I trust
the government?
Who do I hate more
Nicholas Cage or
Ben Affleck?
Nickelback or
Linkin Park?
George W. Bush or
Adolf ******?
Money or
Women?
or both
or all of the above?
© J.R.Barclay 2010 (except, of course, the obvious Pink Floyd reference)

— The End —