His eyes rivet on the extravagant evening sun,
in frenzied creation, profusely mixing colors,
applying on the canvas of the horizon,
painting her, his lover with astonishing precision,
--portrait of a girl in love
unmindful of what the world thinks about her
and in  total dedication to her man.
Love makes larger than life heroes out of weak mortals,
and creates echoes on the far horizons that keep on reverberating!

She sits quietly holding his hands as if it is all she needs
never thinking, it is obvious, whether this is a fallacy or ultimate truth,
that holds good for all the changing seasons.
With her long chiseled fingers she draws
something beautiful, a motif that emerged in her mind,
in front of them, the seascape, was a lively cyclorama
framed by bright ultramarine.
Like eels just out of water,  their bodies gleaming,
bikini clad glam girls, beach soldiers spearheading
an undeclared beauty attack,
on the look out for hidden challenges
while walking past the love pair,
each one stands awhile, scrutinizing her thoroughly
measuring with a scale, hidden in those eyes,
as if she was a **** on parade, even women couldn't help covet.
Though inappropriately dressed, for the beachfront appearance,
she invites more attention,  she is amused.
But after a tumultuous love, and eventful elopement
she is in bliss,  in her love-land with her prince
she is just ecstatic, no thought could  make her shake off her composure.

Can you feel it
Shh, allow the galaxy to pamper your body, blanket the essence of your mind, bit-by-bit
Travel on a higher awareness to understand the galaxy’s gentle gift
Close your eyes and allow your mind to softly drift

Soft Moonlight Dust
Illuminating the night skies, given warmth of its inner trust
Centered in the sky, a star abates for its enlighten ******
Kindred minds to enrapture, as souls physically adjust

So gentle, as a touch to the skin
An inner space to conquer, there an exploring craving begins
Awareness of self stirring into the constellation
Bodies attuned beyond the stretch of imagination
Savoring on the flavor of the alignment sweeten taste
Desires igniting an inferno, the heat of its flames refusing to wait

Overheated friction surrendering without debates
Runaway yearning weakening in the presence of fate
The ecstasy of the moonlight’s dust felt, abiding to the crack of dawn
Emotions of the elixir slowly withdrawn

A Cheshire moonrise
Always a sacred communion given in surprise
Masked feelings hidden behind the stars in our eyes
Sprinkles of pixie dust as the moon becomes full
Paired upon, as lace meets wool
Interwoven and tenderly spun on a galactic spool

Stars In Exile
Twinkling for eyes to glimpse beyond the earth’s smile
Canopus to Antares, oh how you make me shine
Closing my eyes, coveting your point as I’m making you mine

Settled and glittering as small diamonds binding in the sky
A wondrous elopement to experience in the blink of an eye
Soft whispers to the ones that shoot right before they fall
Such a beautiful and breathlessly cadence to wish under them all

The Gift Of The Sun’s Stroke
Umm, shooting stars kept me awoke
Relentless bodies bathing under the moon
Caresses, touches, entwined souls echoing the note of its weakening tunes

Sweeter and sweeter, deeper and deeper
Bodies fueled, hot as a heater, bodies climbing steeper and steeper
Heat consumes the interior of the temple
Sweat of life, as movements come together and then disassemble
Elated, sedated, dipping in a cool blue lagoon
Kisses under the sun on a beautiful afternoon
Temperatures rising not a moment too soon

June slamming into summer’s heat
A merriment of a sun stroke basking in the glorious feast
The galaxy and its spicy passion
A gift to the world to enjoy in any unbridled fashion

Love.
You came like aurora
appearing with the mist
of a cloudy horizon
carrying the boundless
admiration of your oceanic eyes.
You waited over bridges
we’re about to cross.
In calmness
and life bouys
directing my heart
in a field where dragonflies
are coupled with yellow grass
along the revealing peak
of a mountain and smoke
coming from last night’s bonfire.
Love.
All I feel for you now
is love.

Gray gathering  
Signs fell on the musty register.  Two pallid  
Faces infatuate, braiding the ley lines,
Were married in a dimly lit registry.
Outside, the sky in Dublin was a dark pool,  
The clouds were omen, birds, startled in  
Your eyes, a flashing flue of doves, all wings  
A warring coo, escaping into the dusk.

We walked a ways to that room of dreams
And dined in the Shelbourne’s Aisling room.
I was Ormond, I was Yeats and you  
Were gone. Your happy tears were notes singing
Our sorrows that day.  Our love was castaway  
Our love was time bomb.  Crossing stars, we trembled  
As we talked. Two birds setting sights on some  
Lost ocean’s horizon.  
  
                          When first we met,  
At the meeting hall, cradled in a tempest  
Eye, you gave me your name and it burned on  
The paper as it now burns in my mind  
Like Brigid’s fire.  At once, once, we were one.
Conjoined yet neither one of us a joiner.  
Anointed under the votive stars violently  
Innocent your heart, a spike, my heart  

A rail.  Our love was charmed, our love was time,  
Balm.  To what end this new beginning?

Gray gathering  
Signs fell on the musty register.  Two pallid  
Faces infatuate, braiding the ley lines,
Were married in a dimly lit registry.
Outside, the sky in Dublin was a dark pool,  
The clouds were omen, birds, startled in  
Your eyes, a flashing flue of doves, all wings  
A warring coo, escaping into the dusk.

We walked a ways to that room of dreams
And dined in the Shelbourne’s Aisling room.
I was Ormond, I was Yeats and you  
Were gone. Your happy tears were notes singing
Our sorrows that day.  Our love was castaway  
Our love was time bomb.  Crossing stars, we trembled  
As we talked. Two birds setting sights on some  
Lost ocean’s horizon.  
  
                          When first we met,  
At the meeting hall, cradled in a tempest  
Eye, you gave me your name and it burned on  
The paper as it now burns in my mind  
Like Brigid’s fire.  At once, once, we were one.
Conjoined yet neither one of us a joiner.  
Anointed under the votive stars violently  
Innocent your heart, a spike, my heart  

A rail.  Our love was charmed, our love was time,  
Balm.  To what end this new beginning?

Gray gathering  
Signs fell on the musty register.  Two pallid  
Faces infatuate, braiding the ley lines,
Were married in a dimly lit registry.
Outside, the sky in Dublin was a dark pool,  
The clouds were omen, birds, startled in  
Your eyes, a flashing flue of doves, all wings  
A warring coo, escaping into the dusk.

We walked a ways to that room of dreams
And dined in the Shelbourne’s Aisling room.
I was Ormond, I was Yeats and you  
Were gone. Your happy tears were notes singing
Our sorrows that day.  Our love was castaway  
Our love was time bomb.  Crossing stars, we trembled  
As we talked. Two birds setting sights on some  
Lost ocean’s horizon.  
  
                          When first we met,  
At the meeting hall, cradled in a tempest  
Eye, you gave me your name and it burned on  
The paper as it now burns in my mind  
Like Brigid’s fire.  At once, once, we were one.
Conjoined yet neither one of us a joiner.   
Anointed under the votive stars violently  
Innocent your heart, a spike, my heart  

A rail.  Our love was charmed, our love was time,  
Balm.  To what end this new beginning?

Gray gathering  
Signs fell on the musty register.  Two pallid  
Faces infatuate, braiding the ley lines,
Were married in a dimly lit registry.
Outside, the sky in Dublin was a dark pool,  
The clouds were omen, birds, startled in  
Your eyes, a flashing flue of doves, all wings  
A warring coo, escaping into the dusk.

We walked a ways to that room of dreams
And dined in the Shelbourne’s Aisling room.
I was Ormond, I was Yeats and you  
Were gone. Your happy tears were notes singing
Our sorrows that day.  Our love was castaway  
Our love was time bomb.  Crossing stars, we trembled  
As we talked. Two birds setting sights on some  
Lost ocean’s horizon.  
  
                          When first we met,  
At the meeting hall, cradled in a tempest  
Eye, you gave me your name and it burned on  
The paper as it now burns in my mind  
Like Brigid’s fire.  At once, once, we were one.
Conjoined yet neither one of us a joiner.  
Anointed under the votive stars violently  
Innocent your heart, a spike, my heart  

A rail.  Our love was charmed, our love was time,  
Balm.  To what end this new beginning?

Love, Elopement, Conception, Repetition
All play foully into life
Love: A child will grow up trained to find a partner, like a penguin has a life mate. But they say we descend from the apes who rule by size; who mate by harem. There is not any love.
Elopement: Since the beginning of recognition there has been marriage but it is nothing more that sexist imprisonment; slavery of the female race. Bound by a contract and traded between men; simply a form of bribery.
Conception: Child birth; monster breeding. The abuse of a woman’s womb, body, soul and mind.
Repetition: The fact we don’t learn and do it over and over again

She eloped with my heart,
I am told to wait until dark.

The drifter and the comely young women who gleamed with charisma walk passed the rabble-rousers on their way to tie the knot

The rabble-rousers cheer, tossing out superlatives, praising their oncoming matrimony
The young woman is chomping at the bit to finally settle down
The drifter is on the same boat, he can't keep living the life of a rolling stone
He's gonna give the married life a whirl

She has her dress in a brown paper bag and he has on the shiniest cuff links this side of the Pacific

Some say they just portrayed a happy couple
But behind closed doors they had hidden intentions
But I'd wager that they truly loved each other  
But my my opinion is superfluous, they know in their hearts what they're doing is right
So they got that going for them

They make their way to the ****** who is set to marry the two
Until they are ambushed by pinheads with the gift of gab and know it all's who know nothing  but still try to talk out of their ***** even though their heads are already wedged tightly up them already

Egregious questions and tauntings of habitual bullshitters
What was God thinking during their creation?
Good thing the worst of them all has been tarred and feather and ran out of town on a rail, or so I've been told

They finally reach their destination and say their vows right off their cuffs
Say I do, kiss with just me in attendance
And leave all these sheep all these irritants behind
And embark on their new life together

Gray gathering  
Signs fell on the musty register.  Two pallid  
Faces infatuate, braiding the ley lines,
Were married in a dimly lit registry.
Outside, the sky in Dublin was a dark pool,  
The clouds were omen, birds, startled in  
Your eyes, a flashing flue of doves, all wings  
A warring coo, escaping into the dusk.

We walked a ways to that room of dreams
And dined in the Shelbourne’s Aisling room.
I was Ormond, I was Yeats and you  
Were gone. Your happy tears were notes singing
Our sorrows that day.  Our love was castaway  
Our love was time bomb.  Crossing stars, we trembled  
As we talked. Two birds setting sights on some  
Lost ocean’s horizon.  
  
                          When first we met,  
At the meeting hall, cradled in a tempest  
Eye, you gave me your name and it burned on  
The paper as it now burns in my mind  
Like Brigid’s fire.  At once, once, we were one.
Conjoined yet neither one of us a joiner.  
Anointed under the votive stars violently  
Innocent your heart, a spike, my heart  
A rail.  Our love was charmed, our love was time,  
Balm.  To what end this new beginning?

Gray gathering  
Signs fell on the musty register.  Two pallid  
Faces infatuate, braiding the ley lines,
Were married in a dimly lit registry.
Outside, the sky in Dublin was a dark pool,  
The clouds were omen, birds, startled in  
Your eyes, a flashing flue of doves, all wings  
A warring coo, escaping into the dusk.

We walked a ways to that room of dreams
And dined in the Shelbourne’s Aisling room.
I was Ormond, I was Yeats and you  
Were gone. Your happy tears were notes singing
Our sorrows that day.  Our love was castaway  
Our love was time bomb.  Crossing stars, we trembled  
As we talked. Two birds setting sights on some  
Lost ocean’s horizon.  
  
                          When first we met,  
At the meeting hall, cradled in a tempest  
Eye, you gave me your name and it burned on  
The paper as it now burns in my mind  
Like Brigid’s fire.  At once, once, we were one.
Conjoined yet neither one of us a joiner.  
Anointed under the votive stars violently  
Innocent your heart, a spike, my heart  
A rail.  Our love was charmed, our love was time,  
Balm.  To what end this new beginning?

Gray gathering  
Signs fell on the musty register.  Two pallid  
Faces infatuate, braiding the ley lines,
Were married in a dimly lit registry.
Outside, the sky in Dublin was a dark pool,  
The clouds were omen, birds, startled in  
Your eyes, a flashing flue of doves, all wings  
A warring coo, escaping into the dusk.

We walked a ways to that room of dreams
And dined in the Shelbourne’s Aisling room.
I was Ormond, I was Yeats and you  
Were gone. Your happy tears were notes singing
Our sorrows that day.  Our love was castaway  
Our love was time bomb.  Crossing stars, we trembled  
As we talked. Two birds setting sights on some  
Lost ocean’s horizon.  
  
                          When first we met,  
At the meeting hall, cradled in a tempest  
Eye, you gave me your name and it burned on  
The paper as it now burns in my mind  
Like Brigid’s fire.  At once, once, we were one.
Conjoined yet neither one of us a joiner.  
Anointed under the votive stars violently  
Innocent your heart, a spike, my heart  

A rail.  Our love was charmed, our love was time,  
Balm.  To what end this new beginning?

‘Be waiting up at the window,’ said
The note he sent by hand,
‘I’ll come and collect you at midnight,’
Said the note, ‘the way we planned.’
She heard the clatter of hoofbeats in
The courtyard down below,
And waved to him from the window
As she seized her portmanteau.

She quickly skipped down the staircase
Holding both her shoes in hand,
Trying to avoid the clatter as
She raced down to her man,
It only took but a moment then
To seat her on his horse,
And gallop out of the courtyard on
Their way to the watercourse.

A light appeared in an upper room
And they heard her father roar,
‘By God, you’ll pay for your insolence,
I told you once before.’
He’d promised her to a Banker’s clerk
Who had paid him for her hand,
Though she had said that it wouldn’t work,
She had bowed to his command.

But then the couple had plotted,
He was sworn to break her free,
‘If anyone is to marry, it
Will just be you to me.’
They headed down to the water where
The sloop, ‘The Esperance’,
Was waiting for their arrival
Before sailing off to France.

It took an hour to set the sails
And wait for the tide to turn,
They hid themselves below the deck
In a cabin at the stern,
But soon the thunder of hoofbeats said
They must have been found out,
For then they heard her father’s call,
‘It’s best that you come out,’

He ventured slowly out on the deck
To reason with the man,
Then saw the flash of the powder that
Was loaded in the pan,
The ball cut straight through his windpipe,
Left him sprawling on the deck,
While she was dragged from below, and screamed
‘All curses on your neck.’

He locked her into an attic room
And he wouldn’t let her out,
Though she would wail, and would scream at him,
And curse and yell, and shout,
She waited up till the early hours
Then she set her room alight,
The fire spread till they all were dead
From that single candlelight.

It sits as a blackened ruin now
With soot on the standing walls,
A testament to a daughter who
Refused to be overruled,
And still some nights when the moon is bright
There’s a whisper, close at hand,
‘I’ll come and collect you at midnight,
And we’ll leave, the way we planned.’

David Lewis Paget

.
Gray gathering  
Signs fell on the musty register.  Two pallid  
Faces infatuate, braiding the ley lines,
Were married in a dimly lit registry.
Outside, the sky in Dublin was a dark pool,  
The clouds were omen, birds, startled in  
Your eyes, a flashing flue of doves, all wings  
A warring coo, escaping into the dusk.

We walked a ways to that room of dreams
And dined in the Shelbourne’s Aisling room.
I was Ormond, I was Yeats and you  
Were gone. Your happy tears were notes singing
Our sorrows that day.  Our love was castaway  
Our love was time bomb.  Crossing stars, we trembled  
As we talked. Two birds setting sights on some  
Lost ocean’s horizon.  
  
                          When first we met,  
At the meeting hall, cradled in a tempest  
Eye, you gave me your name and it burned on  
The paper as it now burns in my mind  
Like Brigid’s fire.  At once, once, we were one.
Conjoined yet neither one of us a joiner.  
Anointed under the votive stars violently  
Innocent your heart, a spike, my heart  
A rail.  Our love was charmed, our love was time,  
Balm.  To what end this new beginning?

Part One - Missing presumed dead

Apparently Alec was missing presumed dead
at least that was what the obituary said
how then he got married is still a mystery
life after a very dark period of history

               Jane plodded head down through another long day
               solitude complete in a strange kind of way
               while Kestrels are tacked to an untamed sky
               she screams "Dear Lord wont you please tell me why"

young Alec stood well over six foot tall
legs full of shrapnell disfigured and all
willing to give all for a meagre days pay
a young man with half of his face blown away

                Shepherdess Jane sat under sad twinkling stars
                it was plain to see she had her own mental scars
                the Ferryman's Daughter, she was so kind
                different from the others, Jane was blind

when the bells of victory began to ring forth
it was too much for Alec, he headed up North
up to the North where the bronze fields shone
but Alec's old personality had gone

                 there in the North a young Shepherdess called Jane
                 did dry Alec's tears and soothed his deep pain
                 Her voice rolled over hills in a plaintive wave
                 as they assumed Alec lied in an unmarked grave

In time they married, Jane bore Alec a Son
but talk about the war, Alec would have none
all that he said was "between you and me..
I've seen things that no man should ever see"

                 flashbacks in his mind of the dead still ringing
                 offset by his young Wife's ethereal singing
                 somewhere around the Somme young Alec lay dead
                 at least that was what the obituary said.


Part Two - The Ferryman

The Ferryman vowed he would find his girl
he picked some roses to place in the top room
searched high and low to find his precious lost pearl
swore he would have her back before the flowers bloom

treated like a slave, a young girl in her prime
the Brothers got away Jane was left behind
her body it did whither through the passing of time
She was different from the others, Jane was blind

worked as a Milkmaid her hands would get so sore
under constant threats she still searched for the spark
work never done a family waits on the shore
although Jane was blind she could see in the dark

the moon shone bright on the path to the Ferry House
the gusts picked up on the night Jane ran away
salty wind and sea shanty's awakened the grouse
as Jane finally gets her break from the play

He scoured every square inch of the land
yet couldn't ask why? Or search into his past
at the Wayfarers Inn they'd got it all planned
released from a cruelty that could no longer last

the night the Father died Gaelic psalms they sang
a lonely house still stands like a watch to nature's will
when they buried the Ferryman the church bells rang
the flowers in the attic, they stand there still.


Part three - The Inn (recapitulation)

The Ferrymans lantern swung in the pouring rain
he heard that his Daughter had made it to the Inn
the audience sang to the Drovers refrain
midst discarded cigarettes, rolling dice and gin

Jane had long picked brambles from thorn covered vines
lived an intoned existence yet she had her plans
though Jane was blind she could read between the lines
a chance to escape, she grabbed it with both hands

the Inn's cosy light shone at the end of the lane
to Whiskey Jack, Jane's elopement had come to light
she had nothing to lose and everything to gain
Jane's now with Alec and has recieved her respite

see him dramming away yarns, bereft of what's true
then screaming his lies to the starry sky above
but tidal subtleties are demanding their due
his heart had long died to the trueness of love

the landlord played the piano and felt every note
the Ferryman's lantern swung in the pouring rain
given up his search, now in want of his boat
regular at the Inn but never seen again

he knew that yesterday would never come back
sailing aimlessly like a throw of the dice
he knew there would be no-one to take up the slack
the doomed Mariner paid the ultimate price.

I dance in circles holding
the moth of the marriage,
thin, sticky, fluttering
its skirts, its webs.
The moth oozing a tear,
or is it a drop of *****?
The moth, grinning like a pear,
or is it teeth
clamping the iron maiden shut?

The moth,
who is my mother,
who is my father,
who was my lover,
floats airily out of my hands
and I dance slower,
pulling off the fat diamond engagement ring,
pulling off the elopement wedding ring,
and holding them, clicking them
in thumb and forefinger,
the indent of twenty-five years,
like a tiny rip of a tiny earthquake.
Underneath the soil lies the violence,
the shift, the crack of continents,
the anger,
and above only a cut,
a half-inch space to stick a pencil in.

The finger is scared
but it keeps its long numb place.
And I keep dancing,
a sort of waltz,
clicking the two rings,
all of a life at its last cough,
as I swim through the air of the kitchen,
and the same radio plays its songs
and I make a small path through them
with my bare finger and my funny feet,
doing the undoing dance,
on April 14th, 1973,
letting my history rip itself off me
and stepping into
something unknown
and transparent,
but all ten fingers stretched outward,
flesh extended as metal
waiting for a magnet.

We were born untainted like empty canvas; a bud of roses.
But as time linger we digress from our innocence and actual selves.
We were scratched and polished, from diamonds pulvarized to dirt.
The facade we kept after succumbing to society’s propriety became us,
And the true face and being what we were became lost in time.

The mirror no longer reveals us, because we metamorphosed to someone else.
Another face in society, swallowed by the world’s expectations and encumbrance.
The appropriateness of etiquette, social conformity, and worldly priorities.
Day by day, we became less of ourselves, and more like everyone else.
Converging needs and wants, we lost our personal uniqueness,
And it seems like our attempt to be different is the same as everyone’s else.
By and by, we effort for elopement to get out of the box is futile – rather impossible.

Epitome of wealth and exclusiveness; highest degree of poverty and martyrdom.
In between those of extreme pillars, everyone seems to be in between and at both sides.
The world has become more dimensional, efficient, yet ineffective.
For our sweat and blood goes out for the wrong reasons;
And we fight against one another, (thus fighting against ourselves), to become the winner.

The winners aren’t actually victorious; neither are the loser the ultimate champions.
And this is only a mere microcosm,
to signify how the multifarious constituents that the world has formed:
a composite, complex, compound conformed convolution.

Winston Churchill (novelist)
(Nov. 10, 1871 – Mar. 12, 1947)
From Wikipedia, the free encyclopedia
For the literary career of the British statesman of the same name, see Winston Churchill as writer.

Born November 10, 1871
St. Louis, Missouri, US
Died March 12, 1947 (aged 75)
Winter Park, Florida, US
Occupation Novelist, writer
Genre
Non-fiction
Short story
Historical fiction
Notable works
Mr. Crewe's Career
Mr. Keegan's Elopement
Coniston
The Crossing
A Far Country
A Traveller In War-Time
Spouse Mabel Harlakenden Hall
​
​(m. 1895; died 1945)​
Children 3
Winston Churchill (November 10, 1871 – March 12, 1947) was an American best-selling novelist of the early 20th century.

He is nowadays overshadowed, even as a writer, by the more famous British statesman of the same name, to whom he was not closely related.

Early life
Churchill was born in St. Louis, Missouri, the son of Edward Spalding Churchill by his marriage to Emma Bell Blaine. He attended Smith Academy in Missouri and the United States Naval Academy, where he graduated in 1894. At the Naval Academy, he was conspicuous in scholarship and also in general student activities. He became an expert fencer and he organized at Annapolis the first eight-oared crew, which he captained for two years. After graduation he became an editor of the Army and Navy Journal. He resigned from the U.S. Navy to pursue a writing career. In 1895, he became managing editor of the Cosmopolitan Magazine, but in less than a year he retired from that, to have more time for writing.[1] While he would be most successful as a novelist, he was also a published poet and essayist.

Career
His first novel to appear in book form was The Celebrity (1898). However, Mr. Keegan's Elopement had been published in 1896 as a magazine serial and was republished as an illustrated hardback book in 1903. Churchill's next novel—Richard Carvel (1899) — was a phenomenal success. The novel was the third best-selling work of American fiction in 1899 and eighth-best in 1900, according to Alice Hackett's 70 Years of Best Sellers. It sold some two million copies in a nation of only 76 million people, and made Churchill rich. His other commercially successful novels included The Crisis (1901), The Crossing (1904), Coniston (1906), Mr. Crewe's Career (1908) and The Inside of the Cup (1913), all of which ranked first on the best-selling American novel list in the years indicated.[2]

Churchill's early novels were historical, but his later works were set in contemporary America. He often sought to include his political ideas into his novels.


Churchill at his home, Windsor, Vermont
In 1898, Churchill commissioned Charles Platt to design a mansion in Cornish, New Hampshire. Churchill moved there the following year and named it Harlakenden House. From 1913 to 1915, he leased it to Woodrow Wilson, who used it as his summer residence. Churchill became involved in the Cornish Art Colony and went into politics, winning election to the state legislature in 1903 and 1905.[3] In 1906, he unsuccessfully sought the Republican nomination for governor of New Hampshire. In 1912, he was nominated as the Progressive candidate for governor but did not win the election and did not seek public office again. In 1917, he toured the battlefields of World War I and wrote his first non-fiction work about what he saw.

Sometime after the move to Cornish, he took up painting in watercolors and became known for his landscapes. Some of his works are in the collections of the Hood Museum of Art (part of Hopkins Center for the Arts at Dartmouth College) in Hanover, New Hampshire, and the Saint-Gaudens National Historic Site in Cornish, New Hampshire.

In 1919, Churchill decided to stop writing and withdrew from public life. He was gradually forgotten by the public. In 1923, Harlakenden House burned down. The Churchills moved to an 1838 Federal estate, part of the Cornish Colony called Windfield House (now called Hillside) at 23 Freeman Road in Plainfield, furnishing it with items saved from the fire.[4] In 1940, The Uncharted Way, his first book in twenty years, was published. The book examined Churchill's thoughts on religion. He did not seek to publicize the book and it received little attention. Shortly before his death, he said, "It is very difficult now for me to think of myself as a writer of novels, as all that seems to belong to another life."

Death
Churchill died in Winter Park, Florida, in 1947 of a heart attack. He was predeceased in 1945 by his wife of fifty years, the former Mabel Harlakenden Hall.[5] He is featured on a New Hampshire historical marker (number 16) along New Hampshire Route 12A in Cornish.[6]

Churchill and his wife had three children. Their son John Dwight Winston Churchill was married to Mary Deshon Hand, daughter of Judge Learned Hand.[7] Another son Creighton Churchill was a well-known writer on wines.[8][9] Journalist Chris Churchill of Albany, New York is his great-grandson.[10]

The British statesman
In the 1890s, Churchill's writings first came to be confused with those of the British writer with the same name. At that time, the American was the much better known of the two, and it was the Englishman who wrote to his American counterpart about the confusion their names were causing among their readers.[11]

They agreed that the British Churchill should adopt the pen name "Winston Spencer Churchill", using his full surname, "Spencer-Churchill". After a few early editions this was abbreviated to "Winston S. Churchill"—which remained the British Churchill's pen name. The two men arranged to meet on two occasions when one of them happened to be in the other's country, but were never closely acquainted.[12]

Their lives had some other coincidental parallels. They both gained their tertiary education at service colleges and briefly served (during the same period) as officers in their respective countries' armed forces (one was a naval officer, the other an army officer). Both Churchills were keen amateur painters, as well as writers. Both were also politicians, although the British Churchill's political career was far more illustrious.[13]

Works
Novels
Mr. Keegan's Elopement in magazine format (1896)
The Celebrity (1898)
Richard Carvel (1899)
The Crisis (1901)
Mr. Keegan's Elopement in hardback (1903)
The Crossing (1904)
Coniston (1906)
Mr. Crewe's Career (1908)
A Modern Chronicle (1910)
The Inside of the Cup (1913)
A Far Country (1915)
The Dwelling-Place of Light (1917)
Other writings
Richard Carvel; Play produced on Broadway, (1900–1901)
The Crisis; Play produced on Broadway, (1902)
The Crossing; Play produced on Broadway, (1906)
The Title Mart; Play produced on Broadway, (1906)
A Traveller In War-Time (1918)
Dr. Jonathan; A play in three acts (1919)
The Uncharted Way (1940)

Let's leave
The bewitching branch

Cold carries
its knife, brandishing

Aloof, the sun's
On the track, traversing

Be there ere
He gets in to our fear

And our hands
Are not impregnable enough

I am by you
My beloved, my soul

Your sword, shield
And the net knitted for your life

It's too far
What that is afar

The night
Is on the hunt

And watchmen
Sleep under the fog

Elopement
Is going down swinging

And we are
In the turbulent sea

Time to wait
For the sparks

They are essence of life
And smooth sail of our journey

How I precipitate within and around
trash to steam factory's super chimneys
Ideas *******
amongst rising glow of cantaloupe colored sky
And why am I?

Beholden to a notion
of fanciful or foolish, concept of nuptials
puffing pother  
or why bother to effuse such ******* encumbrance
Trouble sweats unease

Cold feet, that can't afford proper socks
know the sludging embankments
of Camden Crick (colloquialism of creek)
As it were, a driving force of elopement
An eschewal of plastic bottle heap

Knowing fictile landscapes
with condensations murky in skies,
chance entices
Grasping for refuge
from refuse

and that was it
you said your piece, however shallow it may be
(although the depths of you could fill the most desolate valley)
and you didn't even say goodbye

you didn't even say goodbye
which shouldn't confuse or surprise me
for your goodbyes now are fleeting, thoughtless, and cold

i thought about you for a minute, or an hour...a while
and i stopped looking for the right words
because i knew they'd never come
(as i'll never come, and you'll never leave my blood thirsty, orange heart)

i'd waited for you, for touches that never were
for solace, elopement, truth
but you're fading as the color from my cheeks
the little that lingered
from the first time you said "i love you"

i had no need to write it down then, because your words had been
my face
one with the underwater world
the infinite life residing in me

now your words float on my surface,
not etched or engrained or all encompassing
but poorly tossed aside
to land, wherever the wind might blow them

and i knew then, with the lack of resonating
that your resignation had been sent
over the airways
and that my heart was leaps behind
my brain
had already suppressed your name

Newly oriented to certain fragrance
Spring whiffs may never smell the same
Coming out of nowhere, like elopement
or questionless death; perfume or incense

Redolence of planting garlic cloves
Also inhalation of hyacinth gives dissimilar
but now current to what may be good
or more thought provoked with profundity

Deepness sets in and pushes out
All goes on, but different
What's certain is, baseball season has started
and batters will have whiffs

Lately, I wonder.. whats really important?
I wonder if its love and or elopement?

I know the things I want but assume I'm undeserving.
So I keep my mouth shut.
Trying to keep my words vague and reassuring.
Pretending i'm not stuck in this rut.

I crave purpose, I want to take risks.
Intimidated by my shadow.
I slap my wrists.
can't help but feel hollow.

I'll continue to trudge on through.
Because I've been told, that's the right thing to do.

Here's where the sip
drips slowly down my chin

she elaborates on the fragments
some self proclaimed
elopement
between her own bitter desires
to distinguish any fire
while she sits like cinders
singing the same praise
he once made

alone in the corner
headset tangled
her mania ignites
it's a spark
where she once knelt in
parking lots
throwing trash over fences
she stands taller
her embodiment of life
smaller

you sing to her like she's shallow
she cascaded down mountain sides
before she bent to you
sang behind the musty moments
of lover's eyes
broke bones
to mold the same life

you claim is your rightful
and true

she doesn't even beg
if only you knew.

I thought a wedding board was dumb before you.
Friends pinned for a wedding with an unknown man.
Now I find myself glancing at wedding pictures.
“An elopement in Italy sounds nice”
Popped into my head.

If I’m going mad.
Don’t take me out of the rabbit hole.
I like it here.

Yes, believe me you,
I (also considered the best karaoke singer
for the go-go's)
putting Shabrina Leonita to shame
back in two thousand and twenty one
once flew high as the eagles
a grateful dead foo fighting,
earth wind and fire, beastie boy adult,

thus hopefully explaining why
I joined blue oyster cult
begetting the following rhyme I exult
while exuding angelic,
beatific, electric, fantastic,
idyllic, Judaic, kaleidoscopic
halo shimmering galt
garnering heavenly indault.

Without wearing a helm mitt on my head,
yet did suffer inxs
of welts the size of cranberries
amidst talking heads, whose traffic
mishap of cars unable to stp,
thus this passenger indistinguishable from
avast metallica skidrow populated
with heart shaped pearl jam wreckage
upon smashing pumpkins everywhere
with an evanescence shimmering
like spilt midnight oil, which dire straits

charged the super ***** ping
man-made debacle into kiss
from grateful dead village people whose
beatle brows scrunched tight
creating black crows imprimatur
resembling little feet easily mistaken
for hair line fractures,
which strongly appealed to the goo goo dolls,
who lived three doors down
purportedly within which

resided a queen latifah
(an iron maiden ruling america and europe)
plus when asked for bread, she point
in one direction, mere rolling stones away
the black eyed peas, whose ac/dc power
crowded house did feel as if 10,000 maniacs
did squeeze into a tiny black hole,
thus forsaking experiencing nirvana,
with near asphyxiation attributable
to lack of air supply so carpenters got called

to expand and golong
with a gilt emblazoned cupola –
just for kix, and to lure
a silly rabbit doing trix
any wonder full stevie adore,
which teamsters included
skilled one tradesman
roof WinWrite, these collective souls,
a veritable culture club unto themselves
off phish shill lee within the a similar
reo speedwagon as sly and the family stone
choosing king crimson to manage the influx

qua motley crue, which jane's addiction
kept ideal bad company for alice n chains,
the latter whose enslavement
akin to cinderella deprived such indigo girls
to jet set with their sought after
prince charming (even resigning themselves
to a Jethro tull type), or a chap
similar to the garden variety allman brothers,
who didst serve as Lumineers
doobie brothers morale booster

to an imaginary dragon (which beastie boy
foo fighting animals owned
by the legendary kings of leon),
whose mythic storied
BuzzFeed  incorporated their encounter
with blondie (who donned a golden earring),
which Dixie chick happened to be hail a van
driven by the everly brothers,
which latter escaped be combing caged
like monkeys in a zoo,

and carved out a niche
as beach boys blessedly banished,
where they fed on red hot chili peppers
dredged via bay city rollers
to sustain their being a survivor,
and welcomed by experiencing rebirth
viz genesis, whar
mambo kings proffered palliative
to smooth kinks concomitant with cast off
as a foreigner on maroon 5.

Zealousness yowled x wise,
venturesomely urged viz thighs
sensuousness roared qua prize of nascent
marvelous libidinal kisses jeweled iridescent
hides genital fulfillment
explodes delicious capacious brides’
atonement breathtakingly conceding conception
decides elopement fashions gustatory hoopla
insides jot kickstarter
latching mightily nourishing oxides
maids visited  unmet
testosterone satiation roared.

The brothers Gibb
lit roches ****** madness
jumpstarting, mustering puckering,
snickering at barenaked lady
male fraud betraying faithful missus,
(a veritable madonna)
meowed lamentably
analogous to cat stevens
kindling joyousness indeed.

Hotmail garnered fingerhut egghead
drew capitalone BuzzFeed amen.

Our silvered tongues dance

A serpentining elopement, unholy matromony of us devil's scraping symphony. Slashing swords, daggers strike embers into a kindling of deep desire. Stab into me, this poison that knows home in my soul and only makes bedding elsewhere when it needs rest.

The flesh of virgined neck defines my tongue and teeth's path; a malignant manifestation of a trail of rash and hive that marks us monsters.

It embeds me. I rest in my nest in their head

of scorpion stinging poison us marriage,
whereby the missus and I
experienced genesis as
mama and papa respectively.

(jest kibitizing)

thus explaining why I
(a sixty five year young adult,
albeit beatle browed)
joined blue oyster cult
to live out my dream as
a Norwegian bachelor farmer
yours truly doth exult.

Without wearing a helm mitt on my head,
yet did suffer inxs
of welts the size of cranberries
amidst talking heads, whose traffic
mishap of cars unable to stp,
thus this passenger indistinguishable from
avast metallica skidrow populated
with heart shaped pearl jam wreckage
upon smashing pumpkins everywhere
with an evanescence shimmering
like spilt midnight oil, which dire straits

charged the super ***** ping
man-made debacle into kiss
from grateful dead village people whose
beatle brows scrunched tight
creating black crows imprimatur
resembling little feet easily mistaken
for hairline fractures,
which strongly appealed
to the goo goo dolls,
who lived three doors down
purportedly within which

resided a queen latifah
(an iron maiden ruling america)
plus when asked for bread, she point
in one direction, mere rolling stones away
the black eyed peas, whose ac/dc power
crowded house did feel
as if 10,000 maniacs
did squeeze into a tine hole,
thus forsaking experiencing nirvana,
with near asphyxiation attributable
to lack of air supply
so carpenters got called

to expand and golong
with a gilt emblazoned cupola –
just for kix, and to lure
any wonder full steve adore,
which teamsters included
skilled one tradesman
roof WinWrite, these collective souls,
a veritable culture club unto themselves
off phish shill lee within the a similar
reo speedwagon as sly and the family stone
choosing king crimson
to manage the influx

qua motley crue, which jane's addiction
kept ideal bad company for alice n chains,
the latter whose enslavement
akin to cinderella deprived such indigo girls
to jet set with their sought after
prince charming (even resigning themselves
to a Jethro tull type), or a chap
similar to the garden variety allman brothers,
who didst serve to Lumineers
doobie brothers morale booster

to an imaginary dragon
(which beastie boy
foo fighting animals owned
by the legendary kings of leon),
whose mythic storied
BuzzFeed  incorporated their encounter
with blondie (who donned a golden earring),
which Dixie chick happened to be hail a van
driven by the everly brothers,
which latter escaped be combing caged
like monkeys in a zoo,

and carved out a niche
as beach boys blessedly banished,
where they fed on red hot chili peppers
dredged via bay city rollers
to sustain their being a survivor,
and welcomed by experiencing rebirth
viz genesis, whar
mambo kings proffered palliative
to smooth kinks concomitant with cast off
as a foreigner on maroon 5.

Zealousness yowled x wise,
venturesomely urged viz thighs
sensuousness roared qua prize of nascent
marvelous libidinal kisses jeweled iridescent
hides genital fulfillment
explodes delicious capacious brides’
atonement breathtakingly conceding conception
decides elopement fashions gustatory hoopla
insides jot kickstarter
latching mightily nourishing oxides
maids visited  unmet
testosterone satiation roared.

Queefer madness puckering of naked missus
(a veritable madonna)
meowed lamentably kindling joyousness indeed.

Hotmail garnered fingerhut egghead
drew capitalone BuzzFeed amen.

What happens when poets marry each other secretly?

Nothing much.

They will write a poem on elopement !