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Overnight, very
Whitely, discreetly,
Very quietly

Our toes, our noses
Take hold on the loam,
Acquire the air.

Nobody sees us,
Stops us, betrays us;
The small grains make room.

Soft fists insist on
Heaving the needles,
The leafy bedding,

Even the paving.
Our hammers, our rams,
Earless and eyeless,

Perfectly voiceless,
Widen the crannies,
Shoulder through holes. We

Diet on water,
On crumbs of shadow,
Bland-mannered, asking

Little or nothing.
So many of us!
So many of us!

We are shelves, we are
Tables, we are meek,
We are edible,

Nudgers and shovers
In spite of ourselves.
Our kind multiplies:

We shall by morning
Inherit the earth.
Our foot's in the door.
Terry O'Leary Aug 2014
The darkness, now descending, floods the city as it dies
while shadows lurk in legions 'neath the looming Evil Eye.
Its frozen stare envelops all, it penetrates and pries,
denouncing loathed dissenters to the keepers in the sky.

One’s inner thoughts are well descried before they’ve passed one’s lips
and cruelly crushed with grim contempt twixt despots’ fingertips;
but if no taboo-idea’s found, with which to come to grips,
the stymied Eye dispenses pus as fabrication drips.

The Eye peers down upon us now, to conquer and control,
and mark our every movement, whether hiding in a hole
or preening like a purple parrot perched upon a pole.
Our welfare and our happiness? No, certainly not the goal.

While phantoms fade, then reappear within the urban sprawl,
the gloom (adorned with Evil Eyes which pierce the livid pall)
pervades the ache and agony that poets sometimes scrawl
of plenitude to penury, how life endures the fall.

And should the herd dare whisper words of freedom's fragrant bloom
or murmur sighs of worriment at earth's impending doom,
the Evil Eye will squint a bit at those who so presume,
condemning nascent unchained thoughts to wither in the womb.

The Evil Eye bores everywhere, a tattletale to Kings,
who scrutinize their puppet people, strumming on their strings,
extracting secrets of their souls like spiders plucking wings
that flutter with the hangman’s knot as the corpse of freedom swings.

Yes, Princes rule with tungsten fists wherever they may roam
and sip from golden goblets, nectar, sweet as honeycomb
while peons (stripped of mind and soul) stray never far from home,
with faces 'neath the iron boot, ****** deep below the loam.

And peasants pass, parading by to fill the golden urn
with pennies for the afterlife wherefore the faithful yearn,
though screams of babes with empty eyes are never of concern
to those who covet silver coins, eyes cold and taciturn.

To hide the pains of purgatory, far-flung distant shores
(on islands of containment) cache the dingy dungeon doors
and inquisition water-boards that buoy their holy wars,
while sandmen drape our eyes with dust, with rainbow metaphors.

We’ll know the party's over when there's little left to eat
and all the learned scholars, lean, stay silent when they meet -
the Eye, withal, will spawn distrust on matters indiscreet.
The signs are all around us - even sheep no longer bleat.

                        Epilogue
One sightless seer scans the skies and mourns the heretofore.
Nine limbless men descend the stairs to find there is no floor.
Eight tongueless women babble, telling tales of nevermore.
Four earless children drown within the ocean's muted roar.

When hope becomes defiance, ask: Will bedlam soon arrive?
Will doves appear above us all? Or drones to guard the hive
while fed with milk and honey by the Queen and kept alive
to gut the gale below them? Will we let the Eye survive?
IN A CHANG’AA DRINKING SPREE

(ONE ACT PLAY)

BY

ALEXANDER   K   OPICHO










CASTE
Advocate; self-styled advocate, his real job is insurance agent
Sampaza-changaa drunkard
Teacher-brother to Sampaza, also a changaa taker
Monica-changaa seller
Austeen-a lad, son to Monica
Watchman-changaa drunkard
Rono-friend to watchman
Njeri-friend to Monica, single mother
Atieno-friend to Monica, single mother
Driver- changaa taker and a smoker
Barasa-changaa taker and electrician
Ndhiwa- changaa taker, brother to barasa
Yator-changaa taker brother to barasa
Mavachi-changaa taker, with a fallen out wife
Mandila-relative to mavachi
Agnesi-wife to teacher
Music
*chang’aa is homemade alcoholic spirit consumed by the peasants in east and central Africa.




ACT ONE
In a slum area of Eldoret town, very many ramshackle muddy walled houses are seen; the setting takes place in the house of Monica the Changaa seller. There is low tone music humming from the DVD, playing Vincent Ongidi’s ‘mother is better than father.’
Music; Bakeni Nebekhale, bukula indika,
           Bukula indika samwana, Udimake kungeni
          Khusoko busia, bukula indika omusumba,
          Bakhwee nebechile, bukula indika
          Udimake khusoko yaya, bukula indika….
Driver; (dancing with a tumbler of chang’aa in his hand) let me dance! This is my best Sunday, let me dance, I am son of a woman. Sing! Sing! Sing! For us Vincent, you son of Ongidi, (pointing at the DVD).
Advocate; the problem you are only dancing with your class a half empty, moreover, you are not following the rhythm , I thought you dance to this song by shaking your shoulders, but instead you are gyrating your waistline.
Driver; (still dancing) let me dance because when I will go to the grave I will not get another chance to dance.
Advocate; (gulps from his tumbler) will you buy me chang’aa of ten shillings?
Driver; let me finish dancing first, I will see what to do about it.
(Enters Sampaza and teacher, as music goes off)
Sampaza; why are you dudes stopping the music on my entering?
Driver; it is not us who have stopped the music; you go and ask Vincent Ongidi why he did not sing a long song.
Sampaza; (sits at the old couch) where is Monica?
Driver; you burn us a cigarette before you ask for Monica, were you not with Monica upto the mid of last night?
Sampaza; why were you spying on me upto the mid of the night?
Advocate; (to Driver) give Sampaza time to introduce his friend to us
Sampaza; (to teacher) sit on this stool, forget about this drunkards.
Teacher; will this stool not break and sent me down like humpty dumpty? (Shakes the stool and sits on it)
Sampaza; It cannot even Monica herself sits on it and she is more huge than you do
Advocate; (to Sampaza) this is your brother?
Sampaza; now listen all off you
All; Sampaza we are listening to you all of us
Sampaza; had I killed our mother, he could not have born, (pointing to teacher).
Driver; if someone had not told me, there is no way I could know that this man is your brother. You are totally different from one another. Look, he is fat, strong, clean, well shaven and groomed brown and is like he took a bathe in the morning before he came here to chang’aa place, but you Sampaza tell us when you last washed your clothes? Even forget of washing your body.
Sampaza; (to driver) if you want to beg chang’aa from teacher just beg without using your desperate tricks of false praises.
Advocate; but me, I could easily know that teacher is a brother to Sampaza by simply comparing the shape of their heads, they look alike.
Teacher; who is serving chang’aa today?  I want to buy some for you guys.
Driver; it is Austeen, let me call him for you (goes at the door shouting) Austeen! Austeen! Aha! This boy is as earless as a female monitor lizard, (comes back) I have called him for you.
Teacher; thanks, let me believe he won’t take time, I am really thirsty.
Advocate; you can mitigate your thirst with this one of mine (gives teacher a tumbler).
Teacher; (sips) it was not a bad stuff (passes the tumbler to Sampaza)
Sampaza; (takes a full swig) uhm! The stuff is really the tears of the lion.
(Enters Austeen)
Austeen; My God, Sampaza is here again! Sampaza, why did you run away with my money last time? You take the beer and run away, even you made my mother to quarrel me yester night.
Driver; (to Austeen) you boy manage your mouths, don’t you see Sampaza is the age of your mother?
Austeen; wait! Sampaza must give me the money, give me the money you Sampaza!
Teacher; let me pay for him, how much was it?
Austeen; imagine Sampaza took off running into the darkness of the night after taking chang’aa of fifty shillings. Imagine a whole tumbler of fifty shillings.
Teacher; that was bad, Sampaza you did something very bad. You know Monica is a single parent and you run away with her money. This chang’aa is like Monica’s husband, so please let us be honest and pay our bills;
Austeen ;( to teacher) are you paying for Sampaza?
Teacher; yes, but before that; pour a tumbler of chang’aa worthy fifty shillings for each of these elders, including Sampaza. I am going to pay that one myself. But serve me with a tumbler of chang’aa that goes for a hundred shillings. May be it can quench my thirst.
Driver; brother you are a man (shakes teacher’s hand).
Austeen; (to Advocate) stand up for some minutes; I want to remove a grenade from your chair.
Advocate; you mean I was just sitting on the tears of the lion?
Austeen; yes (he fishes out a yellow plastic container, feels each tumbler as required).
Sampaza; you boy! What are you doing? Fill my tumbler to the brim, why are you now conning me off my chang’aa?
Austeen; (politely) Sampaza listen, you know my hands always shake when I am holding something. I didn’t want to spill chang’aa by struggling to fill your tumbler to the brim.
Teacher; (sipping, closing his eyes) Austeen now play for us another music.
Driver; yaah! The music, play for us Marashi ya karafu.
Austeen; my mother has not yet bought the DVD for Marashi ya karafu, let me play for you this one (shows him the DVD), it will thrill you to your bone marrow, (inserts the DVD in to the player).
Music ;( playing) ukiwa wa enda nyubani kwangu heee,
                          Umwambie stella mimi  sitakucha,
                         Umwambie stella mimi nimefungwa jela,
                      Anisalie mtoto mama nitaleaaaa!
Driver; ndio hiyo! (Stands up to gyrate his waist swiftly) that is my best song from Tanzania. How I wish I was still in prison on Christmas day of last year.
Sampaza; (sipping at his tumbler) if you want to be in prison go and make love to your goat and call people to help you.
Driver; look at you, with all this women, why should I go for a goat?
Sampaza; (standing up to dance, shaking his shoulders) because you want to be in
Prison.
Austeen; (giggling and shouting) look! Look! Look at Sampaza, he does not know how to dance, he is waving his hands like wings of a chicken.
Sampaza; you dance and I see (daring Austeen)
Austeen ;( dancing) look! Look! Fire! Fire! Fire! (He goes to sit)
All; (laughing loudly and clapping) Austeen! Austeen!
Advocate; this boy Austeen, became old while in his mother’s womb
                     (Enters Monica, Rono and watchman)
Driver; here comes Monica, (provokes Monica for a dance, they both dance).
Advocate; (joins Monica and driver to dance) Monica! Monica! Daughter of Zinjathropus, Waa!
Monica; I am an early woman, yaani! Womanopithecus africanus (dancing).
Driver ;( pushing away advocate), dance away from here, why are you bringing here this evil smelling sweater of yours?
Advocate; I am sorry.
Driver; that is empty jealousy, you only saw Monica’s pelvis touching mine and you jumped here to disrupt my gusto.
                               (Music stops and they all get sited)
Monica; (to Austeen) give watchman and his friend chang’aa of twenty bob, I will pay myself.
Austeen; yes mama (serves watchman and Rono chang’aa)
Rono; Kongoi, I mean thank you Monica, you are such a generous woman? (Takes a full swig).
Monica; Karibu, don’t mind I am always and I will be always an early woman.
Sampaza; (to watchman) when you came in I thought you were the crow.
Watchman; (sipping) who? Me, I was a policeman ten years ago but I was ******.
Driver; (to Sampaza) this man is not a muriakole, he is not a cop. This is a D.D.O.
Advocate; meaning?
Driver; daily drinking officer, hmmm! The DDO.
All; laughing loudly.
Monica; (to advocate) how is your brother and his witchdoctor of a wife?
Advocate; Monica, just keep quiet, my brother is in problems.
Monica; which problems? I told him to marry me and he refused because I did not have book education.  I am now making more money from chang’aa in a day than even he does from his education. Let that man, that brother of yours, chew the full scale of his misfortune. Now tell me which problem has he?
Advocate; today very early in the morning I heard my brother screaming, of course from his house. Out of anxiety I rushed there to find out what was happening. Jesus! What I so…..
Driver; what was it? Just say.
Monica; a man has nothing to fear just say.
Teacher; where is Austeen?
Austeen; I am here
Teacher; serve each of us chang’aa of fifty shillings, start with him (pointing at the advocate) give Monica, your mother a tumbler, that one of a hundred shillings.
Austeen ;( serving as he sings) how long will they ****,
              Our brothers, while we stand watching them,
                Redemption songs, Bob Marley! Sons of ghetto!
Sampaza; Austeen you are always not measuring my chang’aa to the money given, now look, does this grasshoppers spittle qualify to be chang’aa of fifty shillings?
Austeen; Sampaza, I told you my hands are not steady, they always shake whenever I am holding something.
Sampaza; (to Monica) I will bring a medicine man to give some manyasi to this son of yours, so that he stops shaking his hands like an epileptic.
Monica; Sampaza, you drink your chang’aa and to hell with your medicine-man. Let us listen to what happened to the brother of advocate.
Advocate; now, as I was saying I found my brother’s wife had swollen my brothers ***** to its base, the ***** was full deep in her mouth, my brother was screaming but the was dead silent ******* the *****, her teeth tightly gripping it at the same time.
All; laughing loudly
Teacher; Maybe it was oral ***, but not domestic violence
Monica; oral ***!?
Teacher; yes, it is possible
Advocate; but why was he crying?
Monica; because his wife was ******* his *****
Teacher; that is the case
Advocate; if at all it was pleasurable then why was my brother screaming?
Teacher;  maybe he was on ******* ecstasy, the same way a woman can be when you suckle or even ****** her *****.
Monica; but I can’t allow a man to suckle the eye of my breast.
Driver; even me, I can’t suckle my wife
Teacher; why?
Driver; even also, in my culture, one is not allowed to suckle a woman’s ****
Teacher; is that sexuology or culture?
Watchman ;( to driver) yes, answer that! Answer that question from teacher.
Monica; but it is only a foolish woman who can allow a man to suckle her *****, or if she can then she is not serious with that man.
Teacher; (to Monica) then which man do you like? Sampaza?
Monica; Me do love Sampaza?
Teacher; yes, Sampaza
Monica; this Sampaza, is always as miserable as a corpse in the grave without a coffin.
Advocate; you are as miserable as a corpse in the grave without a coffin.
Sampaza; I am not, I know am great
Teacher; yes, and capable to love the early woman like Monica.
Sampaza; (to Austeen) play for us some better music.
Austeen; which one mama? Which music can I play?
Monica; play for them Pamela Nkutha (sings) Nakula ebusi,
                  Nakula ewunwa, lalalaa! Lalalaa! Laaaa!
Austeen; Mama, that one we don’t have. Let me play for them Brenda *****.
Music; (playing) Songea nikubambe, songea nikubusu,
                          Nakupenda, nakubusu ehee monica eheee!
Austeen; Kula Ngoma; he who does not have chic let him embrace a stone (exits)
All; (dancing violently) Monica! Monica waaaaaaa!
Watchman; (dancing) Sampaza can you suckle the ***** of a woman?
Sampaza; ask driver that question.
Driver; I cannot suckle the ***** of my wife.
Teacher; I depend with nature of a woman you are in the bed with.
Watchman; correct , some women has fallen ******* like chapattis, but if a chic has ***** and pointed breast, I  can ****** and suckle her like nothing else in this world. I can even suckle her *******.
Teacher; by the way, ******* are the fountain of pleasure to a woman, when you suckle her she will just moan; Sampaza! Sampaza! Sampazaaaaa!
All; laugh raucously
Monica; these men are drunk.
Driver; no, they are now happy, pick one of them for yourself.
Monica; the man that I can love now must be having a death certificate.
Teacher; what does it mean? Me I thought you need a dark skinned man like Sampaza, you know the dark the skin of a man the greater the ****** pleasure ehee…
                       (Enters Njeri and Atieno)
Njeri; Monica, are you not aware that were are late for Chama? Look you are still *****, you have not even combed you hair.
Monica; Njeri come in why are rioting at the door, look at Atieno she is as miserable as usual.
Njeri; she was flogged by the husband.
Atieno; (to Njeri) you! Watch your mouths, I don’t have a husband.
All; laugh, (Njeri and Atieno sits).
Sampaza; look at this one (pointing to Njeri) can I give you some money so that you do me a favour.
Njeri; which favour?
Sampaza; of this…(Makes a sign of *** with his fist).
Njeri; I don’t sleep with chang’aa drunkards
Atieno; even me
Sampaza; (staggering, and then falling on Njeri’s laps) I want! Truly I want!
Advocate; Sampaza is drunk, let me take him home (pulls Sampaza).
Sampaza; (resisting, avoiding to be pulled out by advocate) leave me alone! You thief! You are an insurance thief! Who told you that you are an advocate? You are not! You want to steal my money. No, all these people are thieves, Monica is a big thief, and they want to steal my brother’s money!  Teacher! Come out of here! This is a den of pickpockets! They will still your wallet, come we go! Thieves! Thieves!
                        (Advocate pulls Sampaza out, as they both exit)
Driver; Sampaza does not have manners.
Njeri; Imagine he fell on my laps, what if my husband found him?
Monica; He would have now divorced you for eating rats.
Njeri; When I have not eaten any rat, it was only a drunkard supporting himself on my legs.
Atieno; he has spoken a lot of words.
Driver; and all the words were total lies.
Monica; no, whatever is in the inner heart of a sober man is always on the tongue of the drunkard man.
Teacher; to mean what? Anyway, forget about Sampaza.
Watchman; by the way
Rono; I am also off my senses, I am seeing each of you having seven heads, and the heads are a
Now, man of croziers, shadows called our names
And then away, away, like whirling flames;
And now fled by, mist-covered, without sound,
The youth and lady and the deer and hound;
'Gaze no more on the phantoms,' Niamh said,
And kissed my eyes, and, swaying her bright head
And her bright body, sang of faery and man
Before God was or my old line began;
Wars shadowy, vast, exultant; faeries of old
Who wedded men with rings of Druid gold;
And how those lovers never turn their eyes
Upon the life that fades and flickers and dies,
Yet love and kiss on dim shores far away
Rolled round with music of the sighing spray:
Yet sang no more as when, like a brown bee
That has drunk full, she crossed the misty sea
With me in her white arms a hundred years
Before this day; for now the fall of tears
Troubled her song.

                   I do not know if days
Or hours passed by, yet hold the morning rays
Shone many times among the glimmering flowers
Woven into her hair, before dark towers
Rose in the darkness, and the white surf gleamed
About them; and the horse of Faery screamed
And shivered, knowing the Isle of Many Fears,
Nor ceased until white Niamh stroked his ears
And named him by sweet names.

                              A foaming tide
Whitened afar with surge, fan-formed and wide,
Burst from a great door matred by many a blow
From mace and sword and pole-axe, long ago
When gods and giants warred.  We rode between
The seaweed-covered pillars; and the green
And surging phosphorus alone gave light
On our dark pathway, till a countless flight
Of moonlit steps glimmered; and left and right
Dark statues glimmered over the pale tide
Upon dark thrones.  Between the lids of one
The imaged meteors had flashed and run
And had disported in the stilly jet,
And the fixed stars had dawned and shone and set,
Since God made Time and Death and Sleep:  the other
Stretched his long arm to where, a misty smother,
The stream churned, churned, and churned - his lips apart,
As though he told his never-slumbering heart
Of every foamdrop on its misty way.
Tying the horse to his vast foot that lay
Half in the unvesselled sea, we climbed the stair
And climbed so long, I thought the last steps were
Hung from the morning star; when these mild words
Fanned the delighted air like wings of birds:
'My brothers spring out of their beds at morn,
A-murmur like young partridge:  with loud horn
They chase the noontide deer;
And when the dew-drowned stars hang in the air
Look to long fishing-lines, or point and pare
An ashen hunting spear.
O sigh, O fluttering sigh, be kind to me;
Flutter along the froth lips of the sea,
And shores the froth lips wet:
And stay a little while, and bid them weep:
Ah, touch their blue-veined eyelids if they sleep,
And shake their coverlet.
When you have told how I weep endlessly,
Flutter along the froth lips of the sea
And home to me again,
And in the shadow of my hair lie hid,
And tell me that you found a man unbid,
The saddest of all men.'

A lady with soft eyes like funeral tapers,
And face that seemed wrought out of moonlit vapours,
And a sad mouth, that fear made tremulous
As any ruddy moth, looked down on us;
And she with a wave-rusted chain was tied
To two old eagles, full of ancient pride,
That with dim eyeballs stood on either side.
Few feathers were on their dishevelled wings,
For their dim minds were with the ancient things.

'I bring deliverance,' pearl-pale Niamh said.

'Neither the living, nor the unlabouring dead,
Nor the high gods who never lived, may fight
My enemy and hope; demons for fright
Jabber and scream about him in the night;
For he is strong and crafty as the seas
That sprang under the Seven Hazel Trees,
And I must needs endure and hate and weep,
Until the gods and demons drop asleep,
Hearing Acdh touch thc mournful strings of gold.'

'Is he so dreadful?'
                     'Be not over-bold,
But fly while still you may.'
                              And thereon I:
'This demon shall be battered till he die,
And his loose bulk be thrown in the loud tide.'
'Flee from him,' pearl-pale Niamh weeping cried,
'For all men flee the demons'; but moved not
My angry king-remembering soul one jot.
There was no mightier soul of Heber's line;
Now it is old and mouse-like.  For a sign
I burst the chain:  still earless, neNeless, blind,
Wrapped in the things of the unhuman mind,
In some dim memory or ancient mood,
Still earless, netveless, blind, the eagles stood.

And then we climbed the stair to a high door;
A hundred horsemen on the basalt floor
Beneath had paced content:  we held our way
And stood within:  clothed in a misty ray
I saw a foam-white seagull drift and float
Under the roof, and with a straining throat
Shouted, and hailed him:  he hung there a star,
For no man's cry shall ever mount so far;
Not even your God could have thrown down that hall;
Stabling His unloosed lightnings in their stall,
He had sat down and sighed with cumbered heart,
As though His hour were come.

                              We sought the part
That was most distant from the door; green slime
Made the way slippery, and time on time
Showed prints of sea-born scales, while down through it
The captive's journeys to and fro were writ
Like a small river, and where feet touched came
A momentary gleam of phosphorus flame.
Under the deepest shadows of the hall
That woman found a ring hung on the wall,
And in the ring a torch, and with its flare
Making a world about her in the air,
Passed under the dim doorway, out of sight,
And came again, holding a second light
Burning between her fingers, and in mine
Laid it and sighed:  I held a sword whose shine
No centuries could dim, and a word ran
Thereon in Ogham letters, 'Manannan';
That sea-god's name, who in a deep content
Sprang dripping, and, with captive demons sent
Out of the sevenfold seas, built the dark hall
Rooted in foam and clouds, and cried to all
The mightier masters of a mightier race;
And at his cry there came no milk-pale face
Under a crown of thorns and dark with blood,
But only exultant faces.

                         Niamh stood
With bowed head, trembling when the white blade shone,
But she whose hours of tenderness were gone
Had neither hope nor fear.  I bade them hide
Under the shadowS till the tumults died
Of the loud-crashing and earth-shaking fight,
Lest they should look upon some dreadful sight;
And ****** the torch between the slimy flags.
A dome made out of endless carven jags,
Where shadowy face flowed into shadowy face,
Looked down on me; and in the self-same place
I waited hour by hour, and the high dome,
Windowless, pillarless, multitudinous home
Of faces, waited; and the leisured gaze
Was loaded with the memory of days
Buried and mighty.  When through the great door
The dawn came in, and glimmered on the floor
With a pale light, I journeyed round the hall
And found a door deep sunken in the wall,
The least of doors; beyond on a dim plain
A little mnnel made a bubbling strain,
And on the runnel's stony and bare edge
A dusky demon dry as a withered sedge
Swayed, crooning to himself an unknown tongue:
In a sad revelry he sang and swung
Bacchant and mournful, passing to and fro
His hand along the runnel's side, as though
The flowers still grew there:  far on the sea's waste
Shaking and waving, vapour vapour chased,
While high frail cloudlets, fed with a green light,
Like drifts of leaves, immovable and bright,
Hung in the passionate dawn.  He slowly turned:
A demon's leisure:  eyes, first white, now burned
Like wings of kingfishers; and he arose
Barking.  We trampled up and down with blows
Of sword and brazen battle-axe, while day
Gave to high noon and noon to night gave way;
And when he knew the sword of Manannan
Amid the shades of night, he changed and ran
Through many shapes; I lunged at the smooth throat
Of a great eel; it changed, and I but smote
A fir-tree roaring in its leafless top;
And thereupon I drew the livid chop
Of a drowned dripping body to my breast;
Horror from horror grew; but when the west
Had surged up in a plumy fire, I drave
Through heart and spine; and cast him in the wave
Lest Niamh shudder.

                    Full of hope and dread
Those two came carrying wine and meat and bread,
And healed my wounds with unguents out of flowers
That feed white moths by some De Danaan shrine;
Then in that hall, lit by the dim sea-shine,
We lay on skins of otters, and drank wine,
Brewed by the sea-gods, from huge cups that lay
Upon the lips of sea-gods in their day;
And then on heaped-up skins of otters slept.
And when the sun once more in saffron stept,
Rolling his flagrant wheel out of the deep,
We sang the loves and angers without sleep,
And all the exultant labours of the strong.
But now the lying clerics ****** song
With barren words and flatteries of the weak.
In what land do the powerless turn the beak
Of ravening Sorrow, or the hand of Wrath?
For all your croziers, they have left the path
And wander in the storms and clinging snows,
Hopeless for ever:  ancient Oisin knows,
For he is weak and poor and blind, and lies
On the anvil of the world.

S.  Patrick.        Be still:  the skies
Are choked with thunder, lightning, and fierce wind,
For God has heard, and speaks His angry mind;
Go cast your body on the stones and pray,
For He has wrought midnight and dawn and day.

Oisin. Saint, do you weep? I hear amid the thunder
The ****** horses; atmour torn asunder;
Laughter and cries.  The armies clash and shock,
And now the daylight-darkening ravens flock.
Cease, cease, O mournful, laughing ****** horn!

We feasted for three days.  On the fourth morn
I found, dropping sea-foam on the wide stair,
And hung with slime, and whispering in his hair,
That demon dull and unsubduable;
And once more to a day-long battle fell,
And at the sundown threw him in the surge,
To lie until the fourth morn saw emerge
His new-healed shape; and for a hundred years
So watred, so feasted, with nor dreams nor fears,
Nor languor nor fatigue:  an endless feast,
An endless war.

                The hundred years had ceased;
I stood upon the stair:  the surges bore
A beech-bough to me, and my heart grew sore,
Remembering how I had stood by white-haired Finn
Under a beech at Almhuin and heard the thin
Outcry of bats.

                And then young Niamh came
Holding that horse, and sadly called my name;
I mounted, and we passed over the lone
And drifting greyness, while this monotone,
Surly and distant, mixed inseparably
Into the clangour of the wind and sea.

'I hear my soul drop down into decay,
And Mananna's dark tower, stone after stone.
Gather sea-slime and fall the seaward way,
And the moon goad the waters night and day,
That all be overthrown.

'But till the moon has taken all, I wage
War on the mightiest men under the skies,
And they have fallen or fled, age after age.
Light is man's love, and lighter is man's rage;
His purpose drifts and dies.'

And then lost Niamh murmured, 'Love, we go
To the Island of Forgetfulness, for lo!
The Islands of Dancing and of Victories
Are empty of all power.'

                         'And which of these
Is the Island of Content?'

                           'None know,' she said;
And on my ***** laid her weeping head.
Rangzeb Hussain Nov 2010
The walking dead slumber with deadly aim
and let sleeping dogs die,
Mongrels
heat anger in forges of spiteful flame,
Corpses see and hear more
than these walking sightless, tongueless, earless
lifeless poor,
When shall these sleepers awake?

The Bonfire had been piled high,
Almost reaching the cold abode of Mars,
The fear to light it was replaced by
recklessness as the season rolled on.

The stage was set and the audience of
Porcupines and hawks were eager, impatient
for the peaceful Overture to expire
and the deadly Act to commence.

Young Spring was delivered from the womb
and cried for nourishment
when,
Suddenly,
The last bars of the Overture faded into obscurity
and
“The Unholy Holy Crusade”
was ignited upon the starry stage.

The embers of Autumn burst into lashings of blame’s flames
and into forgetful numb snow did the show go.

The porcupines raised high their itchy spikes
to cast their vote of united damnation
while the crowds outside the theatre
cheered the unseen and unheard.

Earth herself
trembled beneath the raw fury of the
Satanic Play,
The volcanic eruption of unnatural hatred threatened
to torch the outer reaches of Mars.

This Bonfire of passionate poison
showered upon the naked body of Truth,
First it gagged and then it bagged Dad,
Mum’s screaming lungs were ****** out,
Her ears were drummed
while her lovely eyes sprouted wings
and flew out from their socket cages,
Her seductive legs snapped away
from the weight of her body
and waltzed headlong into the vaporised night,
Her faithful Left arm stayed to comfort her
but the Right one was yanked away and eloped with a
hot man-made
mushroom cloud that blotted the heavens,
The people were hugging loved ones tightly as they scattered
in the winds of bombastic devastation.

Moonlight dripping from the eyes of a restless red Moon,
Lone witness to the uncivilised crime.

The stork brought a newly born Life
wrapped in the soft garments of innocence,
He held the precious Life in his beak carefully,
caringly, lovingly,
On Bonfire Night he delivered the package to
a young ****** bride,
When the present was unwrapped
warm flames kissed the young baby inside,
A newly born Life arrived,
She was wrapped in soft and sinless rags,
She was carefully caressed,
Lovingly fed,
On Bonfire Night was this desert princess born
to a young untarnished bride,
Three storm soldiers arrived bearing candy,
When the sweet was unwrapped
warm flames burst out to kiss the young baby’s insides,

“Aargh!”

“Aargh!”

Silence...

Death plucks another trophy from the garden of Life.

The broken, charred fingers of the child
clutch the peeled hand of the unborn mother,
The earth of the child has shattered,
Her globe is no more,
Her remains are strewn across the industrial carnage
of the cold Spring.

An act of war against Mars,
“O, sacrilege!
Man, thou dost concoct evil.
Vagabond, thinkest thou superior?
I shalt shackle thee yet
to the accursed gates of Hades!”


The first Act ends,
The safety curtains drawn
and the theatre of blood explodes with applause,
The hawks shout out at the top of their wheezy lungs,
“*******,
it was like the Fourth of July celebrations!
Wow, man!
The sky was full of stars!
Stars, our stars!”


There is a lull between the next Act,
The walking dead gather up the sticks
for the next Bonfire Night,
Windows on the world continue to
drivel and stir the steaming early evening news,
Invisible men pick at the brains
of the sleeping,
This race is the supreme master of
exchanging insanity for black diamonds.

Beware you guy,
They are sipping the priceless grey treasure
that is your birthright,
It will be
with the theft of your precious
jewel that will finance
another glorious victorious production of
The Bonfire Night,
This time, perhaps, in
stunning Summer.

Remember,
Remember,
Don’t you ever forget
the
Filth
of
November.




©Rangzeb Hussain
C Dec 2010
A drugstore pallid in waning light, always illuminated in halogen halos.
I am earless with music.
Black metal loud in clanging sets and blows-
foreshadowing the smell of cleaning solution,
air freshener and the outside
sweet at my back
all steeped deep in the rip roaring undertone torrent of cigarette smoke
blended with cheap perfume until I cannot tell the difference.
There is a limp familiarity to the underlying odor
born partially of personal encounter and-
nestled in the hive mind of social experience.
A distillation of regret and remorse,
of lonely,
of irrelevance;
this black hole swallows my voice the way of my ears,
eaten by rust.

Four cans of beans,
kidneys,
in cans squeezed without any power against sagging swells
melting into other curves
and I swerve close and around guiltily,
noting you only as the source of this pungent spring.
You are smiling apologies
ignorant of my apparent inhumanity-
blind to my selfish hands..

Pinioning belly flesh,
flattening,
reaching
and gaining attendance from a better man
retrieving every dropped can.
I’m retreating,
shaken,
tense to alternatively slacken.
My sweat slippery palms with whitened red sharp fingers feel foreign
and I am surrounded by razors then shaving cream,
moving from shampoo to conditioner,
the whole store is infected with smell.
Staring at nail clippers/snipers clipping touch smooth sooth my tense mind-
don’t look
don’t
look

I can sense little else but dread
drawing closer
you are now crouched so close I’m gagging,
taken forcefully-swept away in an olfactory flood
roiling in rot,
currents of solitude exude from your smiling sullen appearance when I turn to you
fumbling
with my electric ears,
surfacing
in a breath of Amish silence
broken with simple request
and I want to scream at you that I am not a man to ask opinions of
that it does not matter what fake nails she glues to her body
that she is excluded and I don’t know why.


I choose swirls of cream suspended within watery milk,
over childish lady bugs framed by yellow
or dots of red alternating to black,
an epitaph to a lifelike effigy.
Life's a Beach Aug 2014
A fear of crazy turned
Psychotic
****** Rotting Cakes
Dribbled sugared wax
And the birds spat out
Their alphabet
Out
Pouting expletives
At an earless void

Too Sweet
Incomplete
A single (W)hole

Freezer left to boil
mEb Nov 2010
Lamentation; infelicity through neurotransmitters
Passing fleetly; swift but disturbed
Grids of brainwaves for the degraded
Overhead LED view is negroided

Chapter 1 Migraines;

A klaxon that grains into migraine
From there on out, strolling convulsion lane
Deriving from deception; antibodies start to lead loosely
Throe after throe I choose not to fuss
Laceration in hemikrania is conversing with the rest of my body,
Frequent as days turn nightly
I host the severe megrimly

Chapter 2 Vomiting;

A horendous bile builds up in my throat
Moaning like a ghoul; I banish the gloats
Disgorging from nothing, Heaving and heaving the dry
Although I force myself not, all the nosh turns into emit rye
Vital fluid very crimson soon came
From the cranium, I dislose, head pain
Frequent as the waves harsh blows
I host a ***** hose

Chapter 3 Tumor;

A neoplasm underneath I've found out
Unvisible but there; my flesh will start swelling undoubt
Below I feel like a mutant
All putant and disformed
Like globular liquids dripping from sewage waste
As long as I can still haste
Crescendo and surge won't ado
Frequent as traffic builds a rush hour
I host a cyst that is sour

Chapter 4 Deaf;

An absense of all frequencies
I daze everso daily;
Feeling like an earless statue; sound unaccompanied
Missing the wind's howls that ululate,
Clamors and bellows that spoliate
I can't sight the same verbiage
Without sonancy to inflicit, I see one big mirage
Frequent as birth enfolds
I host a soundless toll

Chapter 5 Brain Cancer;

A malignant fate told today
Disease spreading like a machine,
Programmed to enquire all it knows
A gruesome and hateful dose;
Withering casually away
Grown apart of, I'm the prey
As we hunt the beasts'
An invisible naked eye is poaching
Frequent as a house infested
I host a cancerous clothing

Chapter 6 Death;

A termination soon to unfold
I am as finished and ruined as story told
Biological function ending
Senescence through spending
User maat I haven't seen all wanted
Alas I am greatful for what has been daunted
Frequent as a death anew
I host a dissolution

*My evolution; through.
iffahnabilah Sep 2014
I started from the bottom,
isolated in an endless pit of darkness.
The barriers i faced within myself,
caged my desperate soul
in a collection of fearful,
baseless insecurities.
turnover
I danced the bandages loose from its tight binds around me.
It's not that i'm no longer afraid.
It's that i wasn't afraid to be scared anymore.
I learnt to ignite a spark
into a fire -
bursting in a confetti of passion,
my body is use
to express.
i will no longer have this toxic suppressed.
fear?
fearless.

( FAH )
dedicated to my dearest dancer, felicia koh.
spysgrandson Jan 2013
the candy cane sign  
is gray with frost  
its spiraled dance
stopped years before
the old man died    
he, the emperor of hair,
meant to get it repaired  
like all good intentions
and the clipped hair
that got swept away  
day by day,
hour by hour,
minute by
m o m  e n t o u s    
m o n o t o n o u s
minute  
the cutting,
the sweeping
punctuated by
the clang of the register
the hardy laugh at a racial joke  
the passing of a borrowed smoke  
and the buzzing silences
in between
when I would watch and wonder
what spell he was under  
in his royal white regalia  
chopping and chatting away
(at eyeless and earless heads I thought)  
until I would sit in his chair  
and escape the gulag of my life  
with his ponderous questions
about  
feather light skies  
heavyweight jabbing  
the “old lady gabbing”  
the engine
in my “shrimp nip” car  
and how very far
I would go
when I rose from his
leather and chrome throne  
and once again be on my own  
with hair a bit shorter
and life a bit neater  
for a minuscule dot in time  
I would not even remember
when I thought of his implacable place
in the cold past
Benjamin Mar 2018
Reeds tickle
from the edges of stems
- moving fingertips

which you hear
from my chapped lips

- commitment.
wordvango Oct 2014
I ate a gnat
then spat
sat
down
digesting that
what
had happened
when
a fly flew
up
my
***

and tickled
so
I farted
blew him
to
three
or four parts.

Then,
thinking
all was
done,
a Beagle
came and bit my
ankle.

I snatched him
earless.

Then to my dismay an
Eagle came and said,
"god ******, we are just hungry"

He snatched my thumb and flew away
into the frigid night
with my digit.
I now sit here,
twaddlin'
wordvango Dec 2014
I ate a gnat
then spat
sat
down
digesting that
what
had happened
when
a fly flew
up
my
***

and tickled
so
I farted
blew him
to
three
or four parts.

Then,
thinking
all was
done,
a Beagle
came and bit my
ankle.

I snatched him
earless.

Then, to my dismay, an
Eagle came and said,
"god ******, we are just hungry"

He snatched my thumb and flew away
into the frigid night
with my digit.
I now sit here,
twaddlin'
spysgrandson Feb 2014
pull the trigger many times
leave the unsuspecting wall behind you
a scalded scarlet tapestry
a Picasso of every raging memory
etched on your festering finite folds
splatter your secrets through the earless, eyeless air
it will not care,  but you must pull the trigger
over and over, for every silent sin
must be expiated, and one shot is never enough
all that is written must be erased
no speck of you may be seen,
no letters may form your name
the world of faceless readers must forget
you were ever there, lest your death
will have been in vain
there is nothing final in the stopping of a heart
pull the trigger again and again
leave no trace but art's dripping masterpiece
in red
still have writers block but this popped out in a noisy hotel room Saturday night
A tempest strung like so many small sick men, would never hold water,
were the eyes of ants to open,
and the mouths of the dead to speak.

Yet find, I dare you!
one person bigger then a mote,

and I will show you more ants
then can be counted.

It is not for lack of men and women with a tree amongst the bones of the chest that keep birds from singing;
but the greater number of def lambs and earless worms.

A word can be spoken in a white castle,
set on a mountain made of sand,
through a billion
empty
windows


and they call it truth.

And yet,
at the bottom of the largest ocean man has made,
these words ring truer,
yet more silent,
then where all men must go.
The tempest is the feeling that my government is too powerful to stop.

Small sick men describe the people in power.

The ants with the eyes closed and the dead describe those that refuse to admit there is anything wrong and are content to live there daily lives working day in and day out as if nothing is wrong.

The men and women with trees in there chest are those that have grown a back bone. they stand up against what is wrong with this country.

The birds represent change.

The white castle is the White-House in Washington .

The mouton made of sand represents the instability of our country with the idea that a single wave could wash it away.

The empty windows represent the televisions in every home.

The sea that man has made represents the internet.

The phrase "where all men must go" describes the ultimate fate of men.
effaced Jan 2015
L oveless
I nfectious
F earless
E mpty
-
I solated
S uffering
-
N otorious
O ver-rated
T erminal
-
W oeful
O dible
R uthless
T ime-consuming
H ateful
-
L onely
I ntoxicating
V icious
I illaqueates
N narquois
G leek
--
Kimi Jan 2018
Positive thinking got you drinking yourself in shrinking it off like it was a bad day, just a bad play, that it'll go away maybe if you pray
Blinking the lies, closing the lids at the rest of your life, just to avoid losing your way, stop you from jumping off the bay, try to find that ray
Meditate, let the light illuminate your mind, realize that it is not your day, your month, your time to be alive, shoulda just dived
Leave behind the weight, everything that's falling off your plate, starve, **** off your *** drive, collide into the divine light

 Job, having a boss barking off orders behind the shop, his saliva tasting like cola pop, go back to making corn on the cob
Walk the fury off going to the bus stop, have the boss pass by with the new drive, feeling like your head is in a throb, your whole life is a joke
There you go asserting, to make sure you keep that earning, determined that this what you should be deserving, absorbing it because you got no other yearning
You're overworking, jerking yourself off cause you got everyone overlooking you, shaking you off, like you're nothing, of no concerning

Come back home alone, grab a beer to cheer yourself up, forget that you have no one dear, no peer to be sincere or express your biggest fear
Eat some made up meal, feel like a pioneer putting together some canned tuna with weird aroma, do some tear and stir, end up with an unclear gear
Binge watch some netflix, six episodes in a sitting, call it a quick fix for your emotional mix, wonder if its time to bring the crucifix, 
Expel the demons that keep making snips and ticks, writting a bad script for your life, six episodes and six more and another six, wonder if its all just a bad trip

You're a meaningless grain, this pain is in vain, you're not even part of the food chain, abstain from being the main one to entertain
Don't let the grey slob penetrate your right brain, don't complain to the earless strangers about your acid rain, they'll call you insane, show off their gain
You won't find in anyone a golden ray, they'll shower you golden then flush the drain,  steal your blood when you cut off your aortic vein, 

Rise above before your demise, realize you're the one holding the light, that life is more than smelling like french fries, that if there's no light, you rob a flashlight.
Cries and kicks won't bring the sunrise, sanitize your thoughts, do not penalize your gut, ride the highs before you die, customize your hell ride.
You're on your own, and time is drippin on, you don't get a clone to do a re-do and reach the throne, get off your phone, soon you'll be staring into a light in your tombstone
Grow a backbone, burn down your belief of home, do not pospone your will to live because its out of your comfort zone
SB Oct 2017
It was revealed to me that dreams do come true
Since then I would feel them with open eyes
I always worked to be the finest and unbeatable
Every time I struck goal the world would echo my name
Folks and friends always proud to cheer from the crowd
Badges and trophies were the souvenirs of my crib
I shone the brightest in my tiny galaxy
I could view my fearless luck walk towards me
All I had to do was jump up high to touch the sky
Without second thought I ran to grab it all
Unable to sight the hurdle on the path I fell hard
Clustered the scrap of me stood strong and promised not to dream again
In seconds my cosmos turned dim and earless
When I capitulated everything a pal held my hand
Re-routed me to my course sung lullaby for me to dream again
Mentored to take tiny step one after another crawled and walked along
Have to shape my dreams into existence because one day my broken dreams won't be broken anymore
Max Neumann Jun 2020
apart from the city, steven is sleeping
his fur is made of sunlight
steven's retinals, archives of memories, are glowing

beneath is a lake that reflects the shining
steven's relaxed glimpse swims on the surface
earlier, his pack was murdered

above his head, an orbital cloud is floating
ghosts of the dead ones
urge to communicate

across the lake, a maze of wishes
drifts through the water
empty faces, eyeless and earless
Today is a good day.
Willow Sunbeam Jul 2016
Tumbling through the rabbit hole
down sets of spiral stairs

You try to keep your candle lit
But darkness never scares

There are walls in place to separate
craft of your own hand;

Bricks of thoughts so heavy
Even dreams don't stand a chance

Poison heavy poison
works these walls from outside in

You slam doors that can't be opened
pinch your skin to wake again

You are trapped
Tick tick

Hunched in half
Tick tick

Lungs collapsed
Tick tick  

Now the queen of your being
Cuts off her own head
The wrong Alice
Wrong alice
Wrong Alice
she said

Let me go
you beg the earless cease  
Shrink and grow
Seek silence
{               }
SLAY THE BEAST
a woman
of God

I try
to be

but sin
is in
the air

as much
as salt
ia in
sea

my lust
licks
the heart
of my
lips

there are
body parts
I am blind
of

the shame
of being
thirty five
and never
know the
touch of
a man

drawing
a map
of the
world
on my back
with his finger
in my sweat

the arch
of it
when his hand
casually marks
Africa

A woman of God,
I am not

But a woman,

a tender lover
my head folding
into his neck
as if the angles
had been calculated
exactly, beforehand

I am earless
in the face
of the battlefield
that every woman
crosses, every day

I am clever
a devourer of booka,
article, savagely attacking
tainted tabloid trash

I am a Godless woman,
but a thousand times more
a woman than God could make me
Safana Jan 2021
You are faceless
to my sight,
earless to my
listening and
breathless
to my breath but
I am feeling you
in me
🥀🥀🥀
I really love you
whatever type
color you are
I love you with a doubtless Truth
Mark Bell Nov 18
My mate Vincent
Diamond geezer
Loved poppy juice
And his Mona Lisa
Upon a darken starry night
He would show her
His guiding light,
With all his sunflowers
And a wooden chair
Mona Lisa wanted to share
My mate Vincent
Diamond geezer
Did everything for mona
But could not please her.
This left Vincent very sad
Down and out feeling bad
Of to the asylum
With a smile there he
Would paint and stay awhile
He always missed his Mona Lisa
He still died a earless geezer
I do love you sexless
I do love you bodyless
I do love you handless, armless, feetless, thighless
I do love you dressless
I do love you necklace
I do love you faceless
I do love you eyeless, earless, hairless
I do love you senseless, timeless, placeless
I do love you nonetheless.
KorbydAngyle Aug 2020
It's mnemonic aspectant ibex dander  
on the summers eve looking in at loyal burse factions
Processions begin yet Osiris is surveyor saucier and candor
Raging fool zincous celestian
Let's not retain the momentum
These words your best I don't know you're saying you've been sent?
Revel in the spice however good the singing interlude for the perfect
accompaniment to inertia of the ditty that offers you as food
Implications compuctional wolves of deeper assonance than assume
assertive amnesty abeyance azalea in full bloom
Dancing fool cenobite weapon
Let us not pick it up from where this did begin
Fall and roll without every word radiating succinct functioning devour
Raff merchant of veritas thoughts elimination vary on the absurd
and less than irate on the hour
This you've been writing and maybe didactic armour though not of the trochaic pentameter
Earless spools of threatening human remains scavenged by servers and wires
Simpleton fool wisecracking presbyter
Do not as you know you should'nt I defer
As the bodies appel epiphanal life derives and acquires that dottle of omnibus foolery
Begin again virtue of versatility you've waddled through the chicanery
For soon this fool's comic rapture shall be the stain of your treacherous
Raging fool zincous celestian
Lets maybe retain the momentum
write on babe what little good it does you can thank
at least virtue for being there
Dennis Willis Jun 2021
You have to follow because
it follows
Of course I made this up
and that's ok these days
R wants you to know
there are people eating poets
and things even less nice
are going on with short story writers
(just had to)
and nobody and I mean

is paying attention
or talking about this
and it's a conspiracy
affecting many many
there must be dozens
wolfed down like
whiny popcorn

oh the indemnity
of being earless
and mundane
and I'm running
thataway

— The End —