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PrttyBrd Nov 2014
It turned cold quickly
Almost skipping Autumn
Reluctant to wear a jacket
Or a hat, or gloves
Too distant for my arms
To keep him warm against my chest
He said he never wore a scarf
But if he did, he would go Dr. Who style
I had to laugh as i looked up the reference
Fifteen feet of mismatched stripes
Maybe not the stripes, he said
I happened upon a huge skein of yarn
It felt like a warm blanket in the oddest,
Most interesting colors
Manly, neutral, and perfect for Fall
So i crocheted a scarf and pictured him warm
The pattern in those colors was a mess
I chuckled at why they would make such an ugly pattern
I crocheted every stitch with love
Through arthritic hands that felt no pain
I crocheted a scarf, stopping only when it dragged the floor when i put it on
Two feet short, but ridiculously long
I bordered it in shades of green to match
Not realizing it was variegated into Brown's and maroons along the way
But it matched the odd mix of colors
And finally made it almost pretty to me
I covered myself in perfume
And put it around my neck
As I turned I caught a glimpse in the mirror
It wasn't a horrible amalgamation of hideous colors
It was camouflage, with a matching border
I laughed so hard, and felt so bad
My hillbilly in camouflage
Wearing a scarf way too long
Maybe he would hate it
Maybe he won't wear it
I knew better
So, I packed up his bag of gifts
And sent it to the frozen mountains
He never wore a scarf
He opened it and put it on
It smells like You, he said in blssful remembrances
It's definitely camouflage, he laughed
It's perfect baby, I'll wear it whenever it's cold
And in the picture he sent
I saw its beauty
It wasn't in the patterns of crisscrossing colors
It wasn't in the accidental way
The border perfectly complimented the body
It wasn't in the fact that he would be able
To wrap himself up in me to stay warm
It was in that picture
It was the joy that filled his smile
It was in his eyes that danced in love
It was in the fact that he believes
Because i made it, it's perfect
Yes, i accidentally crocheted a thirteen foot camouflage scarf
And he loves that I can keep him warm.
11414
One Christmas was so much like another, in those years around the sea-town corner now and out of all sound
except the distant speaking of the voices I sometimes hear a moment before sleep, that I can never remember
whether it snowed for six days and six nights when I was twelve or whether it snowed for twelve days and twelve
nights when I was six.

All the Christmases roll down toward the two-tongued sea, like a cold and headlong moon bundling down the sky
that was our street; and they stop at the rim of the ice-edged fish-freezing waves, and I plunge my hands in
the snow and bring out whatever I can find. In goes my hand into that wool-white bell-tongued ball of holidays
resting at the rim of the carol-singing sea, and out come Mrs. Prothero and the firemen.

It was on the afternoon of the Christmas Eve, and I was in Mrs. Prothero's garden, waiting for cats, with her
son Jim. It was snowing. It was always snowing at Christmas. December, in my memory, is white as Lapland,
though there were no reindeers. But there were cats. Patient, cold and callous, our hands wrapped in socks, we
waited to snowball the cats. Sleek and long as jaguars and horrible-whiskered, spitting and snarling, they
would slink and sidle over the white back-garden walls, and the lynx-eyed hunters, Jim and I, fur-capped and
moccasined trappers from Hudson Bay, off Mumbles Road, would hurl our deadly snowballs at the green of their
eyes. The wise cats never appeared.

We were so still, Eskimo-footed arctic marksmen in the muffling silence of the eternal snows - eternal, ever
since Wednesday - that we never heard Mrs. Prothero's first cry from her igloo at the bottom of the garden. Or,
if we heard it at all, it was, to us, like the far-off challenge of our enemy and prey, the neighbor's polar
cat. But soon the voice grew louder.
"Fire!" cried Mrs. Prothero, and she beat the dinner-gong.

And we ran down the garden, with the snowballs in our arms, toward the house; and smoke, indeed, was pouring
out of the dining-room, and the gong was bombilating, and Mrs. Prothero was announcing ruin like a town crier
in Pompeii. This was better than all the cats in Wales standing on the wall in a row. We bounded into the
house, laden with snowballs, and stopped at the open door of the smoke-filled room.

Something was burning all right; perhaps it was Mr. Prothero, who always slept there after midday dinner with a
newspaper over his face. But he was standing in the middle of the room, saying, "A fine Christmas!" and
smacking at the smoke with a slipper.

"Call the fire brigade," cried Mrs. Prothero as she beat the gong.
"There won't be there," said Mr. Prothero, "it's Christmas."
There was no fire to be seen, only clouds of smoke and Mr. Prothero standing in the middle of them, waving his
slipper as though he were conducting.
"Do something," he said. And we threw all our snowballs into the smoke - I think we missed Mr. Prothero - and
ran out of the house to the telephone box.
"Let's call the police as well," Jim said. "And the ambulance." "And Ernie Jenkins, he likes fires."

But we only called the fire brigade, and soon the fire engine came and three tall men in helmets brought a hose
into the house and Mr. Prothero got out just in time before they turned it on. Nobody could have had a noisier
Christmas Eve. And when the firemen turned off the hose and were standing in the wet, smoky room, Jim's Aunt,
Miss. Prothero, came downstairs and peered in at them. Jim and I waited, very quietly, to hear what she would
say to them. She said the right thing, always. She looked at the three tall firemen in their shining helmets,
standing among the smoke and cinders and dissolving snowballs, and she said, "Would you like anything to read?"

Years and years ago, when I was a boy, when there were wolves in Wales, and birds the color of red-flannel
petticoats whisked past the harp-shaped hills, when we sang and wallowed all night and day in caves that smelt
like Sunday afternoons in damp front farmhouse parlors, and we chased, with the jawbones of deacons, the
English and the bears, before the motor car, before the wheel, before the duchess-faced horse, when we rode the
daft and happy hills *******, it snowed and it snowed. But here a small boy says: "It snowed last year, too. I
made a snowman and my brother knocked it down and I knocked my brother down and then we had tea."

"But that was not the same snow," I say. "Our snow was not only shaken from white wash buckets down the sky, it
came shawling out of the ground and swam and drifted out of the arms and hands and bodies of the trees; snow
grew overnight on the roofs of the houses like a pure and grandfather moss, minutely -ivied the walls and
settled on the postman, opening the gate, like a dumb, numb thunder-storm of white, torn Christmas cards."

"Were there postmen then, too?"
"With sprinkling eyes and wind-cherried noses, on spread, frozen feet they crunched up to the doors and
mittened on them manfully. But all that the children could hear was a ringing of bells."
"You mean that the postman went rat-a-tat-tat and the doors rang?"
"I mean that the bells the children could hear were inside them."
"I only hear thunder sometimes, never bells."
"There were church bells, too."
"Inside them?"
"No, no, no, in the bat-black, snow-white belfries, tugged by bishops and storks. And they rang their tidings
over the bandaged town, over the frozen foam of the powder and ice-cream hills, over the crackling sea. It
seemed that all the churches boomed for joy under my window; and the weathercocks crew for Christmas, on our
fence."

"Get back to the postmen"
"They were just ordinary postmen, found of walking and dogs and Christmas and the snow. They knocked on the
doors with blue knuckles ...."
"Ours has got a black knocker...."
"And then they stood on the white Welcome mat in the little, drifted porches and huffed and puffed, making
ghosts with their breath, and jogged from foot to foot like small boys wanting to go out."
"And then the presents?"
"And then the Presents, after the Christmas box. And the cold postman, with a rose on his button-nose, tingled
down the tea-tray-slithered run of the chilly glinting hill. He went in his ice-bound boots like a man on
fishmonger's slabs.
"He wagged his bag like a frozen camel's ****, dizzily turned the corner on one foot, and, by God, he was
gone."

"Get back to the Presents."
"There were the Useful Presents: engulfing mufflers of the old coach days, and mittens made for giant sloths;
zebra scarfs of a substance like silky gum that could be tug-o'-warred down to the galoshes; blinding tam-o'-
shanters like patchwork tea cozies and bunny-suited busbies and balaclavas for victims of head-shrinking
tribes; from aunts who always wore wool next to the skin there were mustached and rasping vests that made you
wonder why the aunts had any skin left at all; and once I had a little crocheted nose bag from an aunt now,
alas, no longer whinnying with us. And pictureless books in which small boys, though warned with quotations not
to, would skate on Farmer Giles' pond and did and drowned; and books that told me everything about the wasp,
except why."

"Go on the Useless Presents."
"Bags of moist and many-colored jelly babies and a folded flag and a false nose and a tram-conductor's cap and
a machine that punched tickets and rang a bell; never a catapult; once, by mistake that no one could explain, a
little hatchet; and a celluloid duck that made, when you pressed it, a most unducklike sound, a mewing moo that
an ambitious cat might make who wished to be a cow; and a painting book in which I could make the grass, the
trees, the sea and the animals any colour I pleased, and still the dazzling sky-blue sheep are grazing in the
red field under the rainbow-billed and pea-green birds. Hardboileds, toffee, fudge and allsorts, crunches,
cracknels, humbugs, glaciers, marzipan, and butterwelsh for the Welsh. And troops of bright tin soldiers who,
if they could not fight, could always run. And Snakes-and-Families and Happy Ladders. And Easy Hobbi-Games for
Little Engineers, complete with instructions. Oh, easy for Leonardo! And a whistle to make the dogs bark to
wake up the old man next door to make him beat on the wall with his stick to shake our picture off the wall.
And a packet of cigarettes: you put one in your mouth and you stood at the corner of the street and you waited
for hours, in vain, for an old lady to scold you for smoking a cigarette, and then with a smirk you ate it. And
then it was breakfast under the balloons."

"Were there Uncles like in our house?"
"There are always Uncles at Christmas. The same Uncles. And on Christmas morning, with dog-disturbing whistle
and sugar ****, I would scour the swatched town for the news of the little world, and find always a dead bird
by the Post Office or by the white deserted swings; perhaps a robin, all but one of his fires out. Men and
women wading or scooping back from chapel, with taproom noses and wind-bussed cheeks, all albinos, huddles
their stiff black jarring feathers against the irreligious snow. Mistletoe hung from the gas brackets in all
the front parlors; there was sherry and walnuts and bottled beer and crackers by the dessertspoons; and cats in
their fur-abouts watched the fires; and the high-heaped fire spat, all ready for the chestnuts and the mulling
pokers. Some few large men sat in the front parlors, without their collars, Uncles almost certainly, trying
their new cigars, holding them out judiciously at arms' length, returning them to their mouths, coughing, then
holding them out again as though waiting for the explosion; and some few small aunts, not wanted in the
kitchen, nor anywhere else for that matter, sat on the very edge of their chairs, poised and brittle, afraid to
break, like faded cups and saucers."

Not many those mornings trod the piling streets: an old man always, fawn-bowlered, yellow-gloved and, at this
time of year, with spats of snow, would take his constitutional to the white bowling green and back, as he
would take it wet or fire on Christmas Day or Doomsday; sometimes two hale young men, with big pipes blazing,
no overcoats and wind blown scarfs, would trudge, unspeaking, down to the forlorn sea, to work up an appetite,
to blow away the fumes, who knows, to walk into the waves until nothing of them was left but the two furling
smoke clouds of their inextinguishable briars. Then I would be slap-dashing home, the gravy smell of the
dinners of others, the bird smell, the brandy, the pudding and mince, coiling up to my nostrils, when out of a
snow-clogged side lane would come a boy the spit of myself, with a pink-tipped cigarette and the violet past of
a black eye, cocky as a bullfinch, leering all to himself.

I hated him on sight and sound, and would be about to put my dog whistle to my lips and blow him off the face
of Christmas when suddenly he, with a violet wink, put his whistle to his lips and blew so stridently, so high,
so exquisitely loud, that gobbling faces, their cheeks bulged with goose, would press against their tinsled
windows, the whole length of the white echoing street. For dinner we had turkey and blazing pudding, and after
dinner the Uncles sat in front of the fire, loosened all buttons, put their large moist hands over their watch
chains, groaned a little and slept. Mothers, aunts and sisters scuttled to and fro, bearing tureens. Auntie
Bessie, who had already been frightened, twice, by a clock-work mouse, whimpered at the sideboard and had some
elderberry wine. The dog was sick. Auntie Dosie had to have three aspirins, but Auntie Hannah, who liked port,
stood in the middle of the snowbound back yard, singing like a big-bosomed thrush. I would blow up balloons to
see how big they would blow up to; and, when they burst, which they all did, the Uncles jumped and rumbled. In
the rich and heavy afternoon, the Uncles breathing like dolphins and the snow descending, I would sit among
festoons and Chinese lanterns and nibble dates and try to make a model man-o'-war, following the Instructions
for Little Engineers, and produce what might be mistaken for a sea-going tramcar.

Or I would go out, my bright new boots squeaking, into the white world, on to the seaward hill, to call on Jim
and Dan and Jack and to pad through the still streets, leaving huge footprints on the hidden pavements.
"I bet people will think there's been hippos."
"What would you do if you saw a hippo coming down our street?"
"I'd go like this, bang! I'd throw him over the railings and roll him down the hill and then I'd tickle him
under the ear and he'd wag his tail."
"What would you do if you saw two hippos?"

Iron-flanked and bellowing he-hippos clanked and battered through the scudding snow toward us as we passed Mr.
Daniel's house.
"Let's post Mr. Daniel a snow-ball through his letter box."
"Let's write things in the snow."
"Let's write, 'Mr. Daniel looks like a spaniel' all over his lawn."
Or we walked on the white shore. "Can the fishes see it's snowing?"

The silent one-clouded heavens drifted on to the sea. Now we were snow-blind travelers lost on the north hills,
and vast dewlapped dogs, with flasks round their necks, ambled and shambled up to us, baying "Excelsior." We
returned home through the poor streets where only a few children fumbled with bare red fingers in the wheel-
rutted snow and cat-called after us, their voices fading away, as we trudged uphill, into the cries of the dock
birds and the hooting of ships out in the whirling bay. And then, at tea the recovered Uncles would be jolly;
and the ice cake loomed in the center of the table like a marble grave. Auntie Hannah laced her tea with ***,
because it was only once a year.

Bring out the tall tales now that we told by the fire as the gaslight bubbled like a diver. Ghosts whooed like
owls in the long nights when I dared not look over my shoulder; animals lurked in the cubbyhole under the
stairs and the gas meter ticked. And I remember that we went singing carols once, when there wasn't the shaving
of a moon to light the flying streets. At the end of a long road was a drive that led to a large house, and we
stumbled up the darkness of the drive that night, each one of us afraid, each one holding a stone in his hand
in case, and all of us too brave to say a word. The wind through the trees made noises as of old and unpleasant
and maybe webfooted men wheezing in caves. We reached the black bulk of the house. "What shall we give them?
Hark the Herald?"
"No," Jack said, "Good King Wencelas. I'll count three." One, two three, and we began to sing, our voices high
and seemingly distant in the snow-felted darkness round the house that was occupied by nobody we knew. We stood
close together, near the dark door. Good King Wencelas looked out On the Feast of Stephen ... And then a small,
dry voice, like the voice of someone who has not spoken for a long time, joined our singing: a small, dry,
eggshell voice from the other side of the door: a small dry voice through the keyhole. And when we stopped
running we were outside our house; the front room was lovely; balloons floated under the hot-water-bottle-
gulping gas; everything was good again and shone over the town.
"Perhaps it was a ghost," Jim said.
"Perhaps it was trolls," Dan said, who was always reading.
"Let's go in and see if there's any jelly left," Jack said. And we did that.

Always on Christmas night there was music. An uncle played the fiddle, a cousin sang "Cherry Ripe," and another
uncle sang "Drake's Drum." It was very warm in the little house. Auntie Hannah, who had got on to the parsnip
wine, sang a song about Bleeding Hearts and Death, and then another in which she said her heart was like a
Bird's Nest; and then everybody laughed again; and then I went to bed. Looking through my bedroom window, out
into the moonlight and the unending smoke-colored snow, I could see the lights in the windows of all the other
houses on our hill and hear the music rising from them up the long, steady falling night. I turned the gas
down, I got into bed. I said some words to the close and holy darkness, and then I slept.
Cindra Carr Jun 2011
Eighteen misses and three survivors
Two broken marriages with one spiteful lost love
Two warring sisters and too many brothers
Numbers don’t always make the lives of another
Crocheted angels and heartfelt hugs
Gone are the days of each of those
Responsible, avoidant, and spoiled
Resentment, confusion, and miscommunication
Ghosts of the past
Harried, busy, and distant
Buy back the time
Patience, hope, and acceptance
Crowding the cast
Three lives play out creating six more
One life still here caught in time
One life locked in with ghosts of the past

cc062611
Helen Dec 2013
Before you start reading this I feel I must tell you, this is long and very possibly, very very boring but, so very important to me and hopefully to my dedicated*


I sat back upon cracked heels
that represented, simply,
just a good place to sit
Somewhere close to the ground
where I could trail fingertips
in the dirt, drawing pictures
of deserted castles
and skeleton butterflies
with wings of fractutured glass
and fairies
with silken headdresses
of thorns
and Unicorns,
missing their horns
and other creatures
of similar ilk

Staring at the fence,
Fifty million years high
I sigh
because beyond the fence
in a babble of voices
they whisper of
Contentment
The underlying sentiment
of precocious antic dotes
spilling precious needs upon
any slight breeze
drifting like glowing dust motes
fills me with a resentment
that is voraciously ferocious
because they
spoke to each other
while all I had was dirt
beneath my fingernails
and partially deformed nightmares
that blew away
on the slightest exhale

As I cleaned the slate
with a flick of my wrist
Rain turned to mist
my dust board of memories
became a mud pile
I couldn't smile
I could hardly even frown
I was still as close as I could ever be
to the ground
I was now no longer kneeling
I was laying with one cheek
against my impression of Calliope,
who is carvorting silently
with rucked up skirts and lute in hand
but not longer in motion
just a muddied mess of dirt and tears
capturing all my naked fears
erased beneath a spirit
that hides in the dirt
on the other side of the fence

This is where he found me
All ragged and breathing stale air
All gasping for solace
trying to wrap myself in warmth
of the voices
from the other side of the fence
It was not blanket sized
more just a crocheted square
enough to cover my heart
which needed the warmth
I swear, I went cold so often
that the dirt that remained
under my fingernails
was the only thing
that kept my fingers warm

He crouched beside me
and said softly
What have we here?
Oh baby bird with broken wing
but whose song I did hear sing
Little Callista, mute from your screams
Broken from your nightmares
that started as dreams...
I saw you through the fence


As I stared into tapestry eyes
and followed the outstretched hand
that didn't try to touch me
sensing my fragility
He pointed to a pinprick space
devoid of concrete and mortar
Just inches from my dirtied face
in the Fifty million year high fence
he graced me with a weary look
I heard you ask once
while chasing skeleton butterflies
if they came from over fence...
Would you like a look?


He stood up over ten feet tall,
simply clasped his hand together
With eyebrow raised
and a twitch to lips
he invited me to stand
with a nod of his head
and a flick of eyes to the fence
I simply unwove all my dreams
and delicious unfantasies
stood, put a hand on his shoulder
a ***** foot in his palms
and he hoisted me

What I saw over the fence was
Magical, Mystical
a complete break to my reality

A simple garden of verdant green
the sublime shade of an unspoken tree
a single little girl
with ten thousand voices
spilling from her lips
from her I caught
just a small crocheted square
on the other side
but it still made no sense
what I saw,
hanging from the fence
until I looked back down
into taperstry eyes
that smiled
with a knowledge of Soloman
having pulled apart
and put back together
a struggling humanity
He simply grinned at me
and trumpeted
She is you, she writes Poetry
You are her and I, We, believe
in both of you.
As you can clearly see
there is nothing beyond the fence
that you cannot be


And he simply bent his knees
and lifted his hands
to the Sun
and toppled me over the fence
so I could, again
become one
I don't know if I said anything as I sailed over the fence to land the right way down but, thanks for the leg up :)
Kerli Tulva Mar 2015
Trust is fragile
Trust is made from the finest glass
Crocheted from the Ice Flowers
Pieced together with hundred hours.

Trust is tender
Trust has the wings of a butterfly
Blessed with the heart of a hummingbird
Invisibly, with delicacy, Trust is dispersed.

When Trust shatters
The sharp pieces stream together in your heart
As it will take hundred more hours
To find every fragment, yet hundred more days
To make up the Ice Flower with hardest ways.
AC Nov 2012
It's like that time the windows blew open,
And the gust carried snow in towards us,
Us huddled on the couch under that calico crocheted blanket,
And I looked at you, corners of my mouth pulled down,
And you,
You sighed, and shrugged,
Removed your arm from around my comfortable shoulders,
Struggled up and over to wrestle the pane
And lock the shutters,
And when you sat back down, you looked at me,
And all I had to do was smile.

It's like that time when we packed a picnic to the park,
And we only made it so far as the lake
Before our stomachs rumbled and your grumbling gave us an early lunch,
And then after, lay in the grass, pointing out
All the obscurities of our imaginations in the clouds.

It's like that time I came home,
So tired and worn out,
Hair askew with a smudge of dirt on my cheek,
And the lights were out, but you had lined the hall
To the bathroom with candles,
And as I made my way through their soft, whispering light
Towards the escaping tendrils of steam,
You jumped from the dark,
Stifling my shriek with a hug.

It's like that time I realized that I loved you,
It's like that time right now.
In a Somerville coffeeshop, waiting for his single origin light roasted Pour over,

Frankenstein reads a philosophy magezine, seductively planted by the lounging area.

"One lives two lives."
The magezine reads,  
"That which one spends in their physical body,
and that which begins the moment one leaves that body,
lasting until all witness to ones first life has spoken its final word".

The baristas eyes widen when he sees Frankenstein,
The barista says nothing.
He knows better than to raise the dead.
Frankenstein is often confused
for his monster.

Condensation rises between crocheted mittens, Frankenstein Lingers on the Cherry notes in his Coffee, while it combs icicles into his snow white mustache.

He likes this new version of an afterlife. It empowers him to take advantage of the time he has now, to make his second life last as long as possible.
He's in the middle of this thought
When his face slams against ***** snowbank.
Dog **** mixing into the icicles of his moustache.
A familiar mob of torches and pitchforks only see the monster.
They take turns kicking.
Kicking
Frankenstein wakes to a lynching.

When he lives
He is not a monster.
Ken Pepiton Dec 2018
Kids play differn't these days
not so flat, more points of focus in less time,

more  POVs and Portals and Morphic Resonance and such

Minecraft. If you never watched a child at play
building a world from available resources,
near-infinite, digital resources limited
by algorithms based on

science.
Eco-industrial-only-mortal-home-known science.

You should see it.

Stones and plants and animals and winds and water
using right, effecting change, shaping things
in her world.

You should see what your grandchildren think.

They have access to tools we only imagined.
Remember what you imagined a road grader could do?

She built heaven with a stairway and I suggested
an elevator.

She said I could build one, a heaven elevator,
for old people in a world I make up.

She had planned to teach me if she had the chance.
She made me several avatars, she knows me.

wizard grandpa who asks if we know
the sweet influences of Pleiades,

his hand points up to the right
because this is the night after the first

quarter of the final moon pre-solstice
and he is looking west.

That one,
that is the one I will be-- wizard grandpa
square head with a pyramid on top,

minecrafty me exploring the undeveloped
fractal morphing algorythms

I'll-go grandpa, go go rhythm of the winds

drifting in what might have been a micro fiber dust bowl
waste land of 8640 chips and Zunes

(you can listen to books and play, Grandpa, at the same time)

Ah, Sam Harris, you asked a reason for the faith that is in me and my grandchildren know it so honor is at stake

and many other pride sourced sorts of things
contention tension challenging the tensegrity of made up minds

working together, serially parallel on every level of the grid, kid

Worlds with no evil intended,
that can be envisioned, practically, tested,
in Minecraft the game in conjunction
with the suggested myth in
Minecraft the interactive story

and Grandpa's story
in the world he migrated from, the journey way and back to

The Desert in The Rain shadow of the Moral Landscape
we can jump off right here

I have photos, in the cloud

trust me, things hap
ex acted
when
done
didone done
done
AM radio
The golden tones of Johnny Gravel
Kay tripple AAAAAAAAAA

A delightful ditty from the fifties programing,
in the fifties this one goes out to Rosemeade

Ah, the idyllic four bedroom ranch
now on the end of a street that dead ends
at the I-5 cliff.

A tune, whistle, while you work,
it's a hap hap happy day all the clouds have blown off

the doors of my perception
my mind expended, spent fi'ty years on the trip,
weary wearisome make ever much
some effort to discover the act

of effectual prayer
which took prayer, effectual or not, by faith, leap
fast
over the edge,
you learn that, day one, in Minecraft Training
by Brynn Aulyn

next is always over the edge,

of my perception
my expent
effort to discover the act

of effectual prayer
which took prayer,
and fasting,
over the edge,
you learn that, day one, in Minecraft Training by
******* Grandpa

next is always over the edge,

but I did not grow old after playing Minecraft as a child.
I grew old after playing with dynamite in a mine
as a child.

Major POV cred Grandpa

My weapons are not carnal.

Is there a monster if jack
finds treasure at the top of the beanstalk
and says to hell with the suffering
mother so he becomes
a god, in harmony with the giant, doing any good he can?

Let the dead bury the dead.

This is for ever.
What they don't know won't,
will not, would not, has no volition to hurt them, ever.

Good, you know, good. No good is ever bad and
the nintendray dooblay is, like rackabilly,
intentional
pre
positioning me for the idle word of the day to be ******
from hiding into the light of
double entendre? how do you mean?

light. OK, okeh, no other resupposings,

there is never light in a creation myth
until some utterance of the idea of light is communicated

which btw
mean there must be sentience from the get go

and mebbe, I thank on it, other wise, as well

as before, the get go,

it was gitgo, all the way down back ahead to Happy Together,
the song,
British invasion,
very creative hope sorta vibe
Turtles all the way down,
Hawking could not put it in words. He could keep time.

You had to be then, it was a brief history. Funny though.

The old ones gone on, they say okeh.
We good to go
happy hunting. Merry Christmas, take any open door
and listen.

The game is making many decisions based on what you pay attention to. In reality attention weighs decisively more than money in any form.
Doncha luvit, life is so unbelievable, until

you die, you think, you've seen something like what you think is possible happen, you've seen death objectively

anybody can do that right? That is evil.

Killing or dying?

Both.

Lizard brain.

the great game, neath ever more layers of moth eaten cotton and worm spun silk lace

crocheted and starched to make doilies for the parlor
when the pastor comes to pay his due attention

to chicken, made sacred for the occasion
in boiling oil, not golden,  but
fried chicken could look golden in the right light seen from the right height, apron strings high.

I could say my grandma served the man of god a golden dead bird.
And the blessing that was said came upon me

because the window in the top of my head never shut.
Air head. hearer of secrets where secrets
make themselves known, as truth sets one free. Jesus knows.
If anybody does. Wait and see. Be good.

Soyal, Yule, Christmas and the contenders, also rans
in the mid-winter hope leverage ceremony
rites of passage missing
or missed? Missed
Messages of a way promised where there seemed no way.

It is finished. The wireless grid. On the AM dial one

wee zero beat beyond simple,

you find sublime. define that. You feel what I said, Merry,

my wish to you, Merry, message of the promised way to you,
make you merry upon remembering

good wins, it never quits winning.
good, we know, personally,
good, right now,
not bad, we can touch, you and me, imagine that being good.
if feels Christmassy, in that good way.

the old way, where good is, find that. Then later, I am the way, believe me when I say I know where the kingdom of God is,

My granddaughter, somehow, gifted me a Map,
it was delivered by a messenger fly.
No war toys. *******. Watch the boys play Minecraft.
Real world, Christmas Spirit wish from me, KP, may the best be what you have too much of.
Ramonez Ramirez Feb 2011
Dusk’s last breath puff up the curtains
in a flash of the post traumatic kind.
A crocheted-cliché, peach-purple duvet
drape the mountains in war paint;
redwood generals’ shadows on attention,
disorderly pine infantrymen struggle
against the wind,
some broken,
most wounded,
shattered limbs on display.

The war hero sighs into the bowels
of an instant noodles cup; dumplings shiver
((uncooked liver)) when he whistle-whispers
untold stories of courage,
guts served on blood-soaked battlegrounds;
no-one listens,
save spiders
with hairy legs
that hang on his every word.
CH Gorrie Jul 2012
Countless strangers sit or stand in wonder
at tall statues and head-height tombs
of solid, austere men who cannot utter
a word to explain the cathedral’s gloom.
The ostentatious architecture’s croon
from a tattered breeze
dithers through deathless abbeys
where memorialized men lay strewn.

The vacillation of their hearts
remains hidden like it did in life,
their public presence disallowed it then
as carved marble and stone now imparts.
That common unresting inner strife;
what was and what could have been.

I know it well (as well as I can),
that unfinished man Frederic Leighton’s tomb,
his beautifully ebullient Flaming June
brought to mind as I gaze on the grave
breathlessly overwhelmed, trying to understand
how anyone can frown on how artists behave.

That thought-drowned sculptor Henry S. Moore
is situated among the others, beguiled
without grave, a resting statue, “Mother & Child”:
in the smoothed out bends of arching stone,
from troughs between figures down to the floor
I read his face, all it held and could hold alone.

Down the crypt on straight-cut-steps I descend,
pressing on further through candle-lit corridors,
commemorations surround in half-light that offends
receding memories on sandless shores.
Horatio Nelson, John Donne, Sir Flemming, Chris Wren,
each pass till I find a man I’d adore:
Philip Sidney, that grounded man, that defender of art,
consumed in the ensuing century’s heart.

Consumed likewise I stand
gasping, beached upon a strand
of a non-physical contagion;
we’ll suffer it all again.


Three minutes more or less I gaped
until my feet forced my face away
and weaved my soul among the wooden pews.
This hallowed place where the past is draped
is an icicle looped through the fray
of my ambition’s thinning view.

Another adoration there!
That visionary mythology sewer
William Blake, whose piteous glower
for mankind begot his lasting dream.
On his placard chiseled rhyming pairs
beg: take things, not as they seem.

My fingers run the lines of text
slowly, strongly, as if forced by the air.
I fall down a thousand winding stairs
taller than St. Paul’s in my heart.
I compose all my strength to regain context
of cathedral, pull away from Blake, part.

Up the stairs I climb
back to the street.
The rustling, busy fleet
of tourists entwines
about me in my haste
to get outside the tomb,
that time-reversed womb,
of men who didn’t waste
time, place, talent, skill,
but impressed their lives on eternity.
The clock is still,
I’m out in the street –
cathedral shadows
twirling high, then low,
over my body and feet.

What is there, inside that place, is intangible and petrified by reality;
it is trailing smoke from the pipes of sages who spoke,
in broken thoughts, sworn things that cannot be repealed.
It is time unwoven and crocheted again into patchworks of undefinable color.
I must have died a hundred times unaware of it all – out of nothing it called.
It was felt and known, ended and rebuilt accidentally out of the contagion of guilt.
It was a small drag off of nothing.
ebh Jan 2020
i’m crocheting a little friend
a stingray
out of teal and white yarn i am spinning him
he is tighly woven and
thinly drawn

and his eyes are stitched of black yarn woven into sloppy crosses
i don’t know if i’ll keep my little friend once he is complete
he is something that should be given away
to someone who needs his soft company more than i
i could make a thousand stingrays once i understand the pattern
but in giving him away he would be
someone’s only stingray
and i think everyone should have
a soft tightly wound sea creature
at least once in their lives
Alaska Dec 2013
She was a mischievous child.
Young, beautiful, playful, curious.
And at the mere age of six,
She had a secret.

Her eyes were two twinkling, shooting stars.
Stars that she had mischievously reached up and snatched from the sky one night with a butterfly net
When no one was looking.
She kept them safe, tucked away in secretive sockets so no one would know what she'd done.
They were her secret to keep.

The world spun on, and she aged and aged.
Her life went on.
She married, she worked, she had children of her own,
And not a single soul did she tell her secret of stolen light to.

Finally,
It was her last day on this planet.
She lay in her bed, covered in crocheted blankets, adorned in wrinkles
With her six year old granddaughter sitting at her bedside.

She felt herself starting to die.
She mustered up all the strength she possessed to sit up one last time.
She leaned over towards her granddaughter.
She put a bony, gentle finger to her pursed lips, and winking at the darling youth.

And then,
Mischievously, with a knowing smile,
She reached up and plucked the two twinkling, shooting stars from her eye sockets.
She extended a frail hand, palms filled by two orbs of pure shimmery light
And with a tender, placid touch
Set the stars into the sockets of her granddaughter
For the girl keep for her lifetime
Just as she had.

She slowly, calmly, laid back down.
She winked again at the youthful girl, who, in turn, put her finger up to her pursed lips.
Then, leaving her long-protected secret in the hands of  her darling kin with new sparkling eyes,
The aged mademoiselle gently shut her eyelids over dark, empty sockets
For the very last time.

{alaska}
Robert Zanfad Sep 2013
It was cold last night.  Grandma’s homemade crocheted afghan wasn't long enough to cover foot to nose. It had too many holes where hugs should have been woven. Numb toes woke first in hollow shoes, dancing and eager for morning to come. I ignored them.  But a filled bladder proved too much to pass, so I rose to *** in the paper soda cup I’d saved for the purpose. Now, hours later, the sun is shining, burning our condensed breathes from the windshield. It’s warm again.

We’re both hungry again, too. The yorkie yaps his need in time with mine:

“Let’s eat.”

“Hush! Wait, “ I say;

“Gotta check our balance.”

As if He were listening... no reason to draw attention of passersby to out position inside.

There’s not much left in my pocket; bank’s closed ‘till tomorrow.

Yesterday’s highlight was our dollar store lunch for which we gave thanks:

cold, fat-pocked, vacuum-packed salami between pale, tasteless crackers. The biscuits came in a shiny mylar bag which I found more fascinating than than its contents, even on an empty stomach.

All that for two dollars. No tax. A deal.

The disks of sustenance were ringed in pink plastic which pulled away easily from the soft, greasy “meat”. Dog ate meat, accepting crackers, seemingly, as a reluctant favor when the flesh was finished. I didn't mind sharing salami. The texture of crunchy crackers was better, no matter how wanting for flavor they were.

I thought of the animals from which the label claimed the slices were made: chickens, pigs and cows; lives awaiting harvest to an unknown and grander purpose. We’re not so different. Dog, me, living only in cages of different sizes. From enough distance, who would know?

Just before - they cried with horror. I might, if I were looking. I don't.  It’s nice that weeds and wheat don’t weep. It makes it easier to eat them. God prefers blood but I could never understand why. I used to stare, silent, at stars for the answer, printed words found lacking. But, for certain, we like ******, we just give it different names so it tastes better. Like hamburger.

It is Sunday.

Better dressed,  I could be in church reading words, pretending to sing hymns, eating His flesh. That has always had the form of torn shreds of bread because He’s been dead forever, and now fat free. The blood of wonder, still sweet and fruity in tiny plastic glasses, is not the thick congealing kind like mine or dog’s.  There's a reason to look forward.

(I'm too slow to block blows and can't see up-close without glasses anymore. So she always goes for my eyes first. It doesn't hurt. Machines wear out - they don't feel pain. But I still bleed -it stains the torn shirt.)

Jesus doesn’t allow dogs, so we sit outside and imagine grace behind the colored glass. At least I do. Dog can't read and prefers to scratch the grass. Besides, he might ***. They say He cried, too ... just before harvest. Jesus should have had a dog.

There will be a call later, as always. We’ll go back of habit, pretend mind storms are over. We’ll get warm again. Eat real food again. Get another broken finger or whacked on back of the head by a random household implement. I won’t flinch; just wait like another chicken or man. We’re cursed in knowing our ends. Dog licks my hand. Jesus might understand.
Redshift Sep 2013
i am wearing a purple hat
that someone crocheted
and i don't know where the **** it came from
i found it on the floor
of my bedroom
but i feel like jo
from little women
so basically like a badass *******
don't bother me
i've got an amy to take care of
...*****
Antony Glaser Jan 2014
She counted the night away
the neon street lights disappaiting,
sitting on her grandmothers crocheted bed cover
her pink knickers hid her body wide goosebumps,
the froid unheated bedsit
plied with her emotional turmoil,
vexed boyfriend and always tomorrow.
Milushka Oct 2010
bye, bye, pie in the sky*

I made a dream

I made you out of nowhere,
Out of the mountain snow and out of the air.
I was spinning your head
On my spinning wheels
Out of warm sunshine and out of cool moon beams.
For months and months,
I was spinning your head.

I was weaving your hair
Out of silky threads
For weeks.

Carefully pedaling my old fashioned,
Singing
Sewing machine,
I spent nights
Stitching adornments on your pockets,
Embroidering your cuffs.

Crochet crazy,
I crocheted laces for your sheer enjoyment
And for your windows,
Hooked on the crocheting hooks
Way up high.

I knitted sweaters
For your sacrificial lambs
Of colourful wools.

You are almost finished,
My just a dream, just a dream,
I'll let you go
With the African hot wind.
I am all done
With you.

Sorry, I couldn't hold on
To my golden
Knitting needles
Any longer.

(1-16-07)
~This is not my Poem; this belongs to me Lamushkia; (Milushka) who is no longer with us.
Check out her other poems in her collection here.
She deserves to be remembered.
~Anna
David May 2013
I am a raccoon masked self sabotage tycoon specialist with a self inflicted past-biased hit list peeked at through urban eye sags pulled down by years of troubled pleasantries now darkened with giant grey glass fingers touching the skies and casting shadows on their own concrete feet providing my disguise wrapped in a capitalist bow tied blessing,
Oh forward progression,
Pathetic Fraud 101 is in session,
Catch me if you can,
I am my own cynical supremacist nemesis thief in the black and white mellow drama trauma,
I play all the rolls,
And these places take their toll on my soul because fossil fuel herds have replaced the sea you see,
Peel your eyelids back and allow me to derail your ignorant yarn sewn seam day dream from it's crocheted track,
Societies a chemical fire train wreck attack,
The difference between metal and wool is fire and flesh,
They're bound to mesh within a Chinese children tears committee calamity tragedy,
You think your H&M; hemmed subliminal photo-shoot suit is moral free?
Or is it that you refuse to look past your own pictures hung around your face by D.O.S. operated framed fixtures screaming "ME-ME-ME-ME-ME-ME-ME!"
Or whatever O.S. you bless your shrine with,
Our world is a glass screen neon pawn lit mess with a p.o. box address,
Completely impersonal!
The true core of this horror lies within your head on your bed that morning you woke up and realized
"I can't fix it!"
I applaud you for having such a great start!
You're heart will settle and the city sunsets will become beautiful once you're full of this revelation:
**"I am not my own salvation."
Lisa Barbero May 2016
Our bed is the prayer rug where I found God.

Yeah, THE God –

Not circumnavigating morality
Or bones of old saints
Lonely illusions of the sad and middle-aged
All Fat Tuesday freakshows in comparison

Our bed is the altar of sacred rites –

Marked with the devil’s ******* Sharpie
And the intricately crocheted lace of sin
Nightly baptized in warm, honey-coated nothing
Pink patterns of iron and salt on linen

Painted idols on the shrine –

Absolution pours through drafty windows
Older than our bodies
Glass frosted by years without suds
Only rain

A holy city of yours and mine –

With gentle pyro ways
Stone and mortar become flame
The balustrades collapse
You light candlewicks with your fingertips
1.16.12 | Lisa Barbero (LB)
Terry Jordan Dec 2015
My Mom called me a clever girl
It felt like a slap in the face
She said, “My sister did that, too,
Wrote silly poems and crocheted lace”

Since Alpha, her older sister
Had a bad rheumatic heart
Too weak to help with the farm work
She cooked a little for her part

While Mom, the Swedish farm girl
With a rope tied around her waist
Up at four to reach the barn
Six feet of snow was every place

She had to milk the cows then
It was bone-freezing cold
Her older brother Forrest
Plowed the fields at twelve years old

Their father died and left them
To run the family dairy farm
Soon after Alpha passed on, too
Depression inflicted more harm

That year was 1931
Ancient history one might say
Grandmother never recovered
Her depression years there to stay

Cokato, Minnesota
Who could blame my mom for running
Her mother could not forgive her
Til she installed indoor plumbing

She had run away to Oakland
A California nursing school
Her mother called her *******
And disowning her was cruel

But she was the lone survivor
In her family of five
So she nursed her future husband
After World War II arrived

They married and moved to Boston
The Yankee soldier and farm girl
It was 1950’s suburbs
To my father it was rural

Theirs was such a raucous union
Like a constant fire alarm
That when I could I moved down South
My dream came true-I bought a farm

How history repeats itself
And leaves its own impression
Alpha was reborn as me
But treated for depression
Growing up, My brothers & I heard my mother's stories about growing up on a dairy farm in Cokato, Minnesota.  My grandparents were immigrants from Sweden who had 3 children.  My mother's older sister, Alpha, had rheumatic fever as a young child, which damaged her heart and caused her death at 19.  I think that both my Grandmother and mother suffered from depression most of their lives.  When I started writing poetry as a child, my mother would be dismissive about it, saying that's all her sister Alpha did, other than crocheting and reading, while she & her brother had to do all the  hard work.  And we heard the story about when she tied a rope around her waist to get to the barn, and back, without getting lost in the snow-a million times.  She'd laugh at my interests that were so like her sister Alpha's that I believed I WAS her sister, Alpha, especially since I looked like her, too.   The farm girl & city boy, my parents, were a mismatch, like many who met from different places during the Post-war years.  It sounded romantic, the way she nursed him when he was hospitalized for Malaria in California after WWII.  I just had to try and get it out in this poem...
jo spencer Jun 2013
The miraculous Quinoa has been exported out of the local market.
The westerner deems this as their  super deed.
The idea that the  Inca finally died at  the  grocery shop
grew root,
furnished  beneath the serving glare of the exceptional  crocheted beards.
Wanderer Nov 2013
Wild heart
Gypsy soul
Traveler of the outskirts
Dancing through the darkness
Stars dangle in my hair
Tasting midnight on my lips
You mark me every time
Teeth. Hand-prints. Essence.
I never leave whole
Pieces of me, of you, crocheted into grandma squares
Dot the journey between us
Hansel and Gretel style
"Pick them up"
You pick them up!
Connect their edges
Our nimble fingers weaving through
A wash of color and heartache stretches between us
In order to grow we must hurt
One of your smiles nips at my pinky as my needle moves
I miss their edge
Moaning softly, shaking memories loose
Warmth easing through the distance between you and I
"Let's wrap up in each other"
But we are not done!?
..."We never will be. I want you now."
Jennifer Marie Mar 2012
The day I turned nine, I hiked up
            my honeysuckle tutu, and raced
                        to find you –
            there, sprawled out on the hissing
asphalt driveway, with precise strokes of neon
            sidewalk chalk, you were writing the words
                        “I love you.”
            We dotted our names with lop-
                        sided stars and scribbled
stick-figured versions of ourselves years and years
            in the future. And when the first zig-
                        zagged bolt crossed the sky, we screamed
                                    and then laughed, loud
                        barking laughs at the heavy raindrops.

The night I turned twenty, I cried
            myself to sleep, and tucked the paper under
                        my crocheted blanket. With eyes
            closed, I counted the colors behind my lids –
                        three, four, a kaleidoscope.
Your name still appeared though
– inky, blurring into the foreground,
                        along with that childhood chalk.
© 2012, Jennifer Marie
Damaré M Dec 2013
Sistah soul
Foundation like my soles
Warmth like the sol
Strings attached like you sew
Invest your feelings so you stow

My sol shines from you
My soul is proud of you
The arch of my feet rely on you

You keep me from shivering
You keep my feelings rendering
And my feet from blistering

My soul
Sol
And soles

Solely my soul sistah, lover, friend, and homie

Just you and I knitted together
Hope you and I stay crocheted forever
Tethered tightly
And sewed by our souls staggeringly

You are my Soul Sistah
Dearest
Cheerful
Merest
Miracle
Spiritual

I love my soul
I love you so
CH Gorrie Sep 2012
The State is stitched into itself, crocheted
by two hooks of its own creation
into a multiform mirage; man obeyed
his design --- he flirts with devastation.
Despite the deathly brinks, he continues on,
blinded by an insatiable desire.
In West California, sprawled on a lawn,
a boy laughs at his power over fire;
cross-legged monks in Sansara's clasp
sit in bare caves while snows rage outside:
they boy's enamored with all he can clasp,
the monks yawn, meditate: endlessly they've died.
Phoenix Rising Dec 2014
<3
Love like a crocheted scarf
that hugs my heart,
time taken dearly to give warmth.
Hayley Neininger Apr 2013
I remember her red dress,
Of how when night came its thin straps slipped over her thinner shoulders
Falling slowly into a wrinkled circle on my floor.
I remember her seeing me seeing her put it on
She stood in front of our ice curtained window the next morning
And even though that dress was too short for autumn she would wear it anyway.
I think it was because she knew it drove me crazy.
I remember she would hide it underneath her long winter sweater
Like she was keeping safe a secret that was only just for me.
When she put on that sweater the light from the dawn
Would sneak out through the tiny holes in the fabric
It would look like sun-ray freckles kissing her skin
Her pale and previously unmarked body.
She pulled it over her head ever so slowly.
The leisurely motion in some way made me image a 9 year old boy
Who I imagine for the first time that winter hesitated
To pull but his snow boots over thickly crocheted Christmas socks.  
His feet look like her head in some way.
Both are somewhat unwilling to slide into warmer weather clothes
Both hiding a secret heating joy.
topaz oreilly Dec 2012
Words and phrases
runs counter as daffodils
defiantly shy from beauty
listening to the vetch's forlorn,
sometimes we face long standing fears,
in time we question
if we really belonged to this ungainly,
the word of fable instinctively  protests,
unfolding its quilt
pledging Crocheted yarns of winding roads,
we then assuredly dream of
open spaces.
Olivia Kent Nov 2013
Is it normal to feel this way?
My heart got let out of the window.

Got caught on the summer breeze.
Back in the seventh month while, in seventh heaven.

Henceforth;
It vanished.
It blew away.

Blew away.
It won't come back.

Can't catch it on a spike.
Or in a net of mesh.

Now it's gone I sit and cry.
Darling, I still want to die.

It's all a pretence.
This pretending not to give a fk

Waiting to hear once more your voice.
Or read power of love straight from your pen.

You said hell, there's no relationship.
I don't know how you could.

Maybe not a proper one, but what we had was f
cking good.
Unless your heart was damaged first.
Or made of rotting wood!

Maybe your heart crocheted from wool.
Soft and fluffy.
But nobody's fool.

The sweet lady, Livvi.
Really cute and cool,

Snatched your heart and broke the rules.
For how much longer must I regret?

Your ring's positioned safely back in my drawer.
Hurts too much to wear it still.

Was not a bragger never will be,
Nor out to gain repute.

A rider on your reputation.
Have one of my own to declare and protect.

Adores poetry.
Livvi, the lady.

She bows in respect to you and her.
Have to say she loves you slightly more.

Just a little bit.
For you are a real being,

With human touch.
Emotion and devotion.

Worth having.
Not with a heart of stone.

Her poetry she will still flow.
Whether you stay or whether you go.

As I perceive you already know.
Had a week off.

Missed sheer joy.
Not being curled up with overgrown boy!
(C) Livvi 17/11/13
By ladylivvi1

© 2013 ladylivvi1 (All rights reserved)
Cynic on the loose!
Evynne Jan 2014
He built houses out of
Tiny twigs
Along the etched lines
On the palms of his
Rugged hands
To give me somewhere
To call home again

They say most things are better,
When shared with another.
Well,
No one else comes to mind when I think of
The ideal and only person
I would be willing to share
All of my love with.
All of my life
My joy
My sorrow
My everything.
He* is the ultimate answer
Love is the ultimate answer
He and love
They are the same
And they are
Everywhere
In everything
In every ounce of my boiling blood
And every fraction
Of every fiber
In my timid being.

He is overwhelming
In the same way in which it feels
To be in a beautiful foreign country
For the first time
He is addicting
Like the first three
(And next four)
Cigarettes you smoke
After telling everyone you have quit
He is irresistible
Just like that
One certain scent
The one that always brings
A flashflood of memories
And feelings
And beauty
And safety
Back up to surface until
Every inch of your skin
Is tingling
With raw sensation
A thirst explodes out of
the deepest part of you
As it brings you back
To the very last time you ever
felt something so special

Which is exactly the reason
You will do anything in your will
To get
One more lungful
Just to bring you back
To that beautifully indescribable place
One more time

He crocheted me with kisses
And wooed me with words
Penetrating the years of fear and hurt
Built like a fortress around my heart
And sending every nerve in my body
Into a ****** tangent.
Under the right light,
It's as if I am adorned
With flowers

**Because of him.
Kim Keith Sep 2010
Crocheted into a chain stitch to capture the unruly;
I believe the French
translated this to make it more suitable
for movement.

Pins and knitting needles roll up inedible buns;
one, serious and severe
from its top perch—a force worthy of Lucas flicks
in oppositional pairs.

Heated cylinders of ceramic or metal
mold a shock of springs;
bringing bounce where limp boredom
once ruled.  Make it permanent
with foul activation.

Science’s compound approach: application,
timing, rinse.  Every hue known to Eve,
but beware brass;
fading and sprouting needy roots, common downfalls.

Too much of any of these renders
7-10 splits in the end—no
hope to be spared.  Maybe start entirely
over: the bowling ball might be “in” for summer, at best.
At worst, a way to break a six-to-eight week chemical habit—

Habit: nuns have it easy.
First Published By: The Centrifugal Eye available in print at-- http://www.lulu.com/product/paperback/the-centrifugal-eye-august-2010/12473379 and also available online here: http://centrifugaleye.com/
I left a little of my love for her in the waters edge.
The rise and fall of the tide, tinted gold by sunset.
I remember how she loves the beach.
The feeling of warmth,
Being kissed by the sun,
cooled by the bubbling serine waters.
I left a little of my love for her in my dance shoes.
The twinkles of a rhythm in every step of tele-tones.
The beauty and hardship in my grishkos.
I remember how much she loves to dance.
The energy in her body as she danced across a floor.
Lightning, glowing plasma moving strong and sharp.
Summoning pure love for her craft with every step.
I remember how she could completely change for a dance,
Become someone, something, so different from the girl I saw inside.
I left a little of my love In the music.
Allowing my fingers to play for more love,
More love.
Kissing each note that left my lips
Telling them
Find her,
Reach my love for me
Each note sung for her like a siren
‘Feel my love. Know it. It is the truest thing of me.
It is my song.’
She always said she loved my voice.
And and I would sing only for her.
I left a little of my love in the poetry.
In FaceTime chats,
Helping her write lines for class,
Her flustered tones,
As she struggled writing the prose
That so easily came to me in starlight.
When I was in love.
Every poem was about her,
My love.
The lines of my heartstrings
Written in rhythmic prose
I could have written about her forever,
How her hair bounced like fizzy pop
The way she walked,
As if she were always onstage.
I fell in love with the rhyme in her steps.
I left a little of my self with her
I don’t know if she can feel it.
The love I left with her,
A letter with a return address.
She may never send it back,
But it will always be there in her,
In friendship.
I am waiting for the first meeting
To relive the first time we talked.
I do not need lost love,
Yet I miss friendship lost in time step,
The amity in backstage jokes,
And crocheted scarves.
So
Should she ever need love,
I will always be here for her.

— The End —