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tangshunzi Jun 2014
Questo matrimonio balla la linea tra giardino e rustico ;prendendo la bellezza naturale di una cerimonia all'aperto e abbinamento con la bellezza industriale del Sodo Park.dove da pranzo in stile familiare regna regina .E piegato in graziosi dettagli è abiti da sposa on line l' abilità di progettazione di McKenzie Powell .belle immagini da Bryce Covey fotografia e un video di nozze da Super Frog Salva Tokyo che è andato virale per una buona ragione .Date un'occhiata qui ancora di più.

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Da Sposa .Così molti dei nostri amici e parenti viaggiato incredibilmente lontano per essere al nostro matrimonio a Seattle .quindi abbiamo davvero voluto tutto il giorno .non solo per essere una festa.ma sento come una grande cena di famiglia in stile .Abbiamo tirato un sacco di ispirazione dai terrosi .cene comunitarie avevamo sempre adulato in Kinfolk .così abbiamo messo l'accento su avere lunghi tavoli comuni fattoria .una tavolozza di colori neutri / caldi .e un sacco di verde e di fiori .Abbiamo anche un colpo con un bellissimo spazio di accoglienza con soffitti alti e travi a vista che non richiedono alcun fluff supplementare .

E 'stato sorprendente vedere i pezzi si uniscono il giorno - di .ma onestamente .i nostri amici e parenti hanno giocato il ruolo più importante nel rendere tutto il giorno al di là di quello che mai avremmo immaginato .Abbiamo avuto così tanto coinvolgimento da parte di tutti - dai progetti bricolage e materiale stampato .ad avere un caro amico ci sposare .e tutta la mia famiglia che canta presso la nostra reception Von Trapp - style - ognuno ha lasciato la propria impronta sulla nostra giornata .( mio cugino èun panettiere ed effettivamente volato nostra torta tutta la strada da Toronto !) che ha reso incredibilmente memorabile per noi .La ciliegina sulla torta doveva essere la festa da ballo che seguì .Abbiamo avuto un incredibile equipaggio di amici e parenti per festeggiare con abiti da sposa on line .nessuno escluso .e venditori di eccezionale talento che ci ha aiutato a tirare fuori tutto il giorno !

nostro slow motion stand era il sottoprodotto di tasking una agenzia creativa per fare un video di nozze .SFST non sono video di nozze .ma mio marito .Quang .è un maestro nel convincere le persone a fare cose che normalmente non farei mai .( E probabilmente aiutato il fatto che egli è un co -proprietario di SFST . )

L' idea per la cabina è nata dopo aver realizzato un paio di cose : Ci sarebbe voluto molto tempo per loro di modificare il video completo di nozze .ma ancora più importante .abbiamo voluto provare e sfruttare alcune delle cose che SFST è in realtàbravo a - come fare le cose belle vanno virale.In verità.era quasi un dopo pensiero .Dalla realizzazione di idea era forse dieci secondi.

hanno suggerito di mettere una telecamera RED in una sezione della sala ricevimento e sparare tutto ad un frame rate elevato .Ma il successo del video è nel modo in cui è stato eseguito.e gli amici e la famiglia che hanno partecipato .L' uomo dietro la macchina da presa .Blaine Lundy .ha avuto la personalità perfetta per indirizzare la gente e ha fatto un lavoro incredibile modifica del pezzo .Anche i più timidi ospiti sono stati persuaso a taglio sciolto davanti alla telecamera .Re-



guardare il filmato per la prima volta .e vedere tutte le imbrogli che sono andati durante il nostro ricevimento è stato un momento davvero divertente sia per noi
Fotografia : Bryce Covey Fotografia | Videografia : . Super Frog Salva Tokyo | Event Design :Mckenzie Powell | Floral Design : McKenzie Powell Designs | Gown : Jenny Packham | Cake: The Cocoa Cakery | Cerimonia Luogo : Greg Giardino presso l'Università di Washington | Banco Luogo : Sodo Parco By Herban Festa | Bridesmaids Dresses : Amsale | Catering : Herban Festa |Calligrafia : Esque Script | Giorno di coordinamento: Get Stuff Done Group | Dress Boutique : La Teoria Dress | Trucco E Capelli : Erin Skipley | Photo Booth : Usnaps | Supporto Stampato : Katrina Mendoza | Veil : Sara GabrielAmsale e Sara Gabriel sono membri della nostra Look Book .Per ulteriori informazioni su come vengono scelti i membri .fare clic qui .McKenzie Powell Floral \u0026 Event Design e Bryce Covey Fotografia sono membri del nostro Little Black Book .Scopri come i membri sono scelti visitando la nostra pagina delle FAQ .McKenzie Powell Floral \u0026 Event ... vedi portfolio Bryce Covey Fotografia VIEW abiti cerimonia on line
http://www.belloabito.com/goods.php?id=876
http://188.138.88.219/imagesld/td//t35/productthumb/2/4166135353535_396981.jpg
http://www.belloabito.com/abiti-da-cerimonia-c-63
Rustico Sodo Parco di nozze e un divertimento Rallenti Film_vestiti da cerimonia
a covey small tan and brown feathered avian sprites
in brittle grass on desiccated hills hidden in plain sight
perching still as death will my close presence them excite
do they sense the ending that will mark their panicked fright?
I'll move they'll billow forth in the vagaries of flight
fluttering trajectory will intersect my sights
wild beauty convoluted billowing feathers ignite
ending in a tumbling stumbling failure of their flight
their camouflage plumage flecked with stains of crimson light
do they regret never seeing their progeny's delight?
do they feel a longing for more than is their right?
they will provide a meal for my family tonight
JaQuise Caldwell Nov 2014
Diminutive in frame and stature
defines him not, but instead enhances the
brilliance of his smile’s shine.
The golden flakes of honesty in his warm brown eyes
covey one vice that is captivation.
They hold hostage your most destructive thoughts
to instantaneously
replace them with the best; of
joy, contentment, and love-the best of him.

His high cheek bones define a mouth
so perfectly constructed.
They rise and fall like oceans’ waves with
every gentle gesture.

He thinks of love as a pool of chances
and illogically
he dives into the hurt he’s found himself in once
twice, no wait, three times.
But still, he never falters to give “chance”
just one more chance to prove he’s done what’s right.

Secondary comes his needs, in light of someone else’s.
The thoughts, “too tired” or “too busy” does nothing for him because
if someone needs help, you help them undoubtedly.
I  have seen the coat that once
cascaded on his back give warmth to one
who had no coat
or smile
or joy
or light.

And for that one he lowered his head
to ask God for a favor.
I met this guy, this “perfect” guy when innocence consumed me
and since that day we’ve been each other’s confidant and comforter.
My love towards him supersedes that of a friend or
the best of that.

The truest thing I know is that when everyone one else
disappears to the mundane norms of life,
he will be there with me to cut through
the silence with rolls of laughter.
At what? It does not matter.
Because when I’m with him and he’s with me
there is a “we” that is formed and that “we” is captivates me

An infinite truth is that I will never stop
loving this young man.
He keeps my heartbeat steady so I
must exclaim the best of
joy, contentment, and love-the best of him.
As I was saying . . . (No, thank you; I never take cream with my tea;
Cows weren't allowed in the trenches -- got out of the habit, y'see.)
As I was saying, our Colonel leaped up like a youngster of ten:
"Come on, lads!" he shouts, "and we'll show 'em," and he sprang to the head of the men.
Then some bally thing seemed to trip him, and he fell on his face with a slam. . . .
Oh, he died like a true British soldier, and the last word he uttered was "****!"
And hang it! I loved the old fellow, and something just burst in my brain,
And I cared no more for the bullets than I would for a shower of rain.
'Twas an awf'ly funny sensation (I say, this is jolly nice tea);
I felt as if something had broken; by gad! I was suddenly free.
Free for a glorified moment, beyond regulations and laws,
Free just to wallow in slaughter, as the chap of the Stone Age was.

So on I went joyously nursing a Berserker rage of my own,
And though all my chaps were behind me, feeling most frightf'ly alone;
With the bullets and shells ding-donging, and the "krock" and the swish of the shrap;
And I found myself humming "Ben Bolt" . . . (Will you pass me the sugar, old chap?
Two lumps, please). . . . What was I saying? Oh yes, the jolly old dash;
We simply ripped through the barrage, and on with a roar and a crash.
My fellows -- Old Nick couldn't stop 'em. On, on they went with a yell,
Till they tripped on the Boches' sand-bags, -- nothing much left to tell:
A trench so tattered and battered that even a rat couldn't live;
Some corpses tangled and mangled, wire you could pass through a sieve.

The jolly old guns had bilked us, cheated us out of our show,
And my fellows were simply yearning for a red mix-up with the foe.
So I shouted to them to follow, and on we went roaring again,
Battle-tuned and exultant, on in the leaden rain.
Then all at once a machine gun barks from a bit of a bank,
And our Major roars in a fury: "We've got to take it on flank."
He was running like fire to lead us, when down like a stone he comes,
As full of "typewriter" bullets as a pudding is full of plums.
So I took his job and we got 'em. . . . By gad! we got 'em like rats;
Down in a deep shell-crater we fought like Kilkenny cats.
'Twas pleasant just for a moment to be sheltered and out of range,
With someone you saw to go for -- it made an agreeable change.

And the Boches that missed my bullets, my chaps gave a bayonet jolt,
And all the time, I remember, I whistled and hummed "Ben Bolt".
Well, that little job was over, so hell for leather we ran,
On to the second line trenches, -- that's where the fun began.
For though we had strafed 'em like fury, there still were some Boches about,
And my fellows, teeth set and eyes glaring, like terriers routed 'em out.
Then I stumbled on one of their dug-outs, and I shouted: "Is anyone there?"
And a voice, "Yes, one; but I'm wounded," came faint up the narrow stair;
And my man was descending before me, when sudden a cry! a shot!
(I say, this cake is delicious. You make it yourself, do you not?)
My man? Oh, they killed the poor devil; for if there was one there was ten;
So after I'd bombed 'em sufficient I went down at the head of my men,
And four tried to sneak from a bunk-hole, but we cornered the rotters all right;
I'd rather not go into details, 'twas messy that bit of the fight.

But all of it's beastly messy; let's talk of pleasanter things:
The skirts that the girls are wearing, ridiculous fluffy things,
So short that they show. . . . Oh, hang it! Well, if I must, I must.
We cleaned out the second trench line, bomb and bayonet ******;
And on we went to the third one, quite calloused to crumping by now;
And some of our fellows who'd passed us were making a deuce of a row;
And my chaps -- well, I just couldn't hold 'em; (It's strange how it is with gore;
In some ways it's just like whiskey: if you taste it you must have more.)
Their eyes were like beacons of battle; by gad, sir! they COULDN'T be calmed,
So I headed 'em bang for the bomb-belt, racing like billy-be-******.
Oh, it didn't take long to arrive there, those who arrived at all;
The machine guns were certainly chronic, the shindy enough to appal.
Oh yes, I omitted to tell you, I'd wounds on the chest and the head,
And my shirt was torn to a gun-rag, and my face blood-gummy and red.

I'm thinking I looked like a madman; I fancy I felt one too,
Half naked and swinging a rifle. . . . God! what a glorious "do".
As I sit here in old Piccadilly, sipping my afternoon tea,
I see a blind, bullet-chipped devil, and it's hard to believe that it's me;
I see a wild, war-damaged demon, smashing out left and right,
And humming "Ben Bolt" rather loudly, and hugely enjoying the fight.
And as for my men, may God bless 'em! I've loved 'em ever since then:
They fought like the shining angels; they're the pick o' the land, my men.
And the trench was a reeking shambles, not a Boche to be seen alive --
So I thought; but on rounding a traverse I came on a covey of five;
And four of 'em threw up their flippers, but the fifth chap, a sergeant, was game,
And though I'd a bomb and revolver he came at me just the same.
A sporty thing that, I tell you; I just couldn't blow him to hell,
So I swung to the point of his jaw-bone, and down like a ninepin he fell.
And then when I'd brought him to reason, he wasn't half bad, that ***;
He bandaged my head and my short-rib as well as the Doc could have done.
So back I went with my Boches, as gay as a two-year-old colt,
And it suddenly struck me as rummy, I still was a-humming "Ben Bolt".
And now, by Jove! how I've bored you. You've just let me babble away;
Let's talk of the things that matter -- your car or the newest play. . . .
Jonathan Witte Oct 2016
Having lost her forever,
he steps off the escalator
into hard sunshine, drops
to the sidewalk and caves—
a troubadour whose songs
have been dismantled
by the sadistic hands
of a subway conductor.

Guitar strings slip his fingers,
and nothing will bring her back.
Not a song. Not a psalm. Nothing.
Not the angelic back
of his leather jacket,
spanned by a score
of safety-pins formed
into silver-studded wings.
Not his listless body,
tattoo-inked and wrecked,
blue quarter notes slinking
down a tight treble clef,
wires stretched across his neck.
Not his mind, spinning
in a head blue-veined
and stubble-shaved.
Not his angry steel-tipped boots.

He lost his love because he looked.
One by one,
the silver pins
have come
unhooked.

Meantime,
far below
the sidewalk,
banished forever,
she slumps cheated
and dispossessed
in the vinyl seat
of a hellbound
subway car crawling
with scorched graffiti,
spray paint-scrawled
filigree spelling her doom.
Ghost of a snake bite
below her knee.  

Mohawk depressed,
she leans against
the train window.
Dead glass reflects
a chorus of piercings,
steel threaded through
skin so translucent
her veins and arteries
glow blue and red:
mapped subway lines
circulating misfortune,
coursing with dread.

The train rattles along rails
encrusted with gems and bones.
Disgorging sparks and smoke,
it thunders into stygian gloom,
ferrying her to a heartless god.

What if her shadow
had made a sound?
A backward glance was all it took
to squander a lavish second chance.

High above his beloved,
awakened by moonlight,
Orpheus regains his senses
and gathers the guitar.
The case flung open
at his boots awaits a drizzle
of tossed dollars and coins,
piteous currencies of loss.
Hard pick between thumb
and finger, a downstroke
strum delivers plaintive
waves of power chords.

The song ignites
a crowd of women
in tight band t-shirts
and skinny jeans,
smacking cherry gum,
their flaming hair
casting embers
upon night air;
radiant specks
suspended
like lighters
in a sunless
stadium.

Spurred by his song,
the covey of maenads
coalesces and attacks,
enraptured, enraged.
A rush of bodies,
the crazed crush tears
him limb from limb,
splits him to close to cipher,
until what remains of the star
on the sidewalk is his heart:
the four-chambered *****
held in a hundred hands,
picked up and packed
into the red plush lining
of the grisly guitar case,
golden hinges snapped shut.

Entombed in coffin-black
chrysalis, the heart pauses
like an untouched drum—
a dormant instrument
awaiting metamorphosis
that, like Eurydice,
will never come.
Nat Lipstadt Oct 2023
The “little” Art I Possess

~writ for, inspired by, and warmly dedicated to
Kelly Rose Saccone~

“So an artist does…They say that often when you fill your walls with art you often forget it’s there and you don't absorb its beauty, but I enjoy what little art I have everyday. Sometimes it is just the color or the passion that hits me anew when I look at them.”
KRS

<~>

long ago the new~knowledge,
“newlodge” came brewing~infusing me;
art was not capable of being possessed

my reversal~eyes opened
the senses over~fulfilling,
body sensations brimming,

for I was the container,
only in temporary possession!

the art, in whatever the day’s chameleon guise,
is the professor-possessor, I am the missionary~emissary
remaindered by-product,
just
the vassal~vessel

when to gaze upon a poem~creation of years ago,
my expected mistakes appeared, a wee pride,
largesse of satisfaction, but these are frailties,
weaknesses, human misperceptions,
human ill-delusions!

never

ever was a poem among my possessions,
it was “in-sighted” within me
what was placed in my cupboard,
stored by my sensual conduits,
mine only to covey, not to covet,

art that tempest resides in as part,
a parcel in of the entirety of your body+soul composition,
but “out for delivery,”
seeded, stored & carry~birthed, given forth,
in a completed quantity
that’s so grand,
it takes five senses to truly comprehend!

it is pieces, a child of you,
recombinant,
you the birth sac,
how could ever be assessed as merely

little?

you are better understood to be a translator,
a temp~progenitor,
taking what all of nature and human experience
has installed on your inner walls, and then dispatched,
by you, gestated and unhesitatingly dispatched,

and when gift unwrapped from the plain brown paper of
our now orphaned belly skin,
it is to be hallelujah greeted,
for you, artist, translator, poem~mother,
have done you job, hallowed and sacrosanct,
and now the renewed giant emptiness,
will soon,
needy to be refilled, and
retransmitted once more:

this is no little, limited, mean feat,
your gifting is
beyond any words that limit,
no size constrains,
no words,
neither sufficient and insufficient,
you, are in loco parentis,
you’ve take what you/we are given,
beyond sizing,
and it seizes and is seized,
until you give it away
completed

and that is the grandest art .
inseminated within you,
true artistry!




7:42am
Fri Oct 27
2023
X Jul 2014
When I was a newborn, less than 4 days old, you bought as many stuffed toys as your car could fit and surrounded them around my crib, ignoring my grandmother who kept telling mom that newborns don't know how to look at objects.
I moved my eyes and looked at them.

When I was a toddler, you encouraged me to watch Beauty and the Beast and Aladdin and didn't want me to watch Cinderella and Sleeping Beauty because you "wanted your daughter to learn a lesson, not just waste time".

When I was 7 you took me everywhere with you and didn't mind me listening to your friends' political arguments. On our way home though you always told me "Don't grow up to be like them.  Don't let people lead you."
And I didn't. I pushed a girl because she wanted to be the group leader in our science project.

When I was 11 you started discussing books by Stephen Covey and made me listen to Zig Ziglar cassettes. "Don't blindly follow the crowd," you said. "Always raise your neck and look around. If you don't like where they're going, take another road."
And I did. Girls my age were giggling about boys and bras while my eyes were wide open and excited about all the facts I read from my science textbook.

When I got to middle school and got my eating disorder, I refused to eat the apple in algebra class so that I could take my quiz, and didn't mind my teacher calling you to pick me up for my "resistance".
I got in the car waiting for you to pat my back and tell me I did well for refusing to give in to her ultimatum. I waited for you to tell me that I didn't need help anyways. But the drive back home was silent.

When I was 14 and went to my brother's school to beat up the kid bullying him, you called. I thought you called to give me a pep talk, or give me some tips on how to break his nose. All you said was "stay in the car. Leave the beating for the boys". I came back home confused.

When I was 17 and told you about my goals, you said "When you're young, you have unrealistic dreams. You feel like flying from your positive energy and like you have the whole world in the palm of your hand. But you grow up and realize that you need to be realistic."
I opened my mouth but closed it right after remembering you telling me "Think before you speak. If the outcome of what you'll say is useful, say it. If it'll hurt people, don't." I don't think it would've been useful. What use would it be to scream in your face about how that 'unrealistic dream' was the only goal I had, the only distraction from suicide. What use would it be to tell you that I don't remember the last time I felt like I was about to burst from the positive energy that I had?

You taught me how to be different. You taught me to love math and science. You taught me to be my own person and not let people decide what I should do in my life. But what you forgot to do is teach me how to feel okay. You didn't teach me how to reply to people who tell me that I watch too many American shows and that I let go of our traditions because of my opinion on marriage. You didn't teach me how to not feel lonely as hell when it's 3 am and I'm spewing out everything I binged and wiping my tears away while my throat bleeds and the music is playing to cover up the sound of me choking on the last words I screamed at myself and the gasps of relief when I purge out all my feelings and lay on the floor feeling numb. You didn't teach me how to pretend to blend in when the girls my age would take boys' phone numbers and I'd ask them questions like "but how are you guys together now? You don't know each other's personalities. You only just met." You taught me how to be smart, educated Belle and rebellious, going-by-her-own-rules Jasmine..

Daddy, you taught me how to be my own person in a place where you're supposed to be everyone else's clone, and I am forever grateful.. But sometimes, just sometimes, I wish you had taught me how to pretend to be like Aurora or Snow White.
Mateuš Conrad Dec 2015
a. aristotle's nonchalance in comparison to his other ideas when investigating the lagoon (although wrong on the no. of teeth in a woman's mouth and the origin of flies from rotting fish - two jars, one open, the other covered - he treated his theory of adaptation of an animal / in humans on an individual basis - with less concentration of necessity for the theory to be expanded than his logic or poetics) - i.e. it was not good enough to be made dogmatic, like darwinism, therefore aristotelian darwinism does not exact a necessity to put the theory akin to a theological standpoint.

b. 'the darkened mind, whether that be by illness or some other cause illuminates in reverse to the mind of the plateaus: the stark difference is that the darkened mind attracts light like a moth into it, although it does this attraction without ever revealing the pin-point, the last revealing point of what the light has to illuminate, it's no good providing this point in a reference to psychology searching for the "ego" of that known existential notative abstraction working on the basis of the pro-verb: know your self. the darkened mind is in fact providing the basis for the search of nothing, and a subsequent of offshoot of what knowledge nothing provides: whether that's geology, pharmacology, chemistry, physics, or any of the humanities - although the humanities actually provided the basis for scientific study, since it was poetry that was criticised, and provided the basis for the two socratic pillars: knowledge of your self | knowledge of nothing - without a critique of poetry none of the subsequent investigations beginning with a non-empirical study that's philosophy would still be among the crumbs of history and stone of the parthenon. subsequently the mind of the plateaus simply regurgitates via regression to a known origin, it illuminates with knowledge that was hidden for a while, esp. during the times of illiteracy, which made it easier, although these days almost every man is literate, he is still illiterate in the sense that he prefers images to words / symbols... he's being fed a second illiteracy even though he is literate, therefore whatever knowledge is provided, it's immediately hidden, hidden via the use of images to distract, because words and the symbols that create them are not of an ontology of distraction, but harsh / labouring engagement - esp. if they are not used for the utility of speech, but made solely cognitively optical, they resonate with a double decker bus filled with about 90 people and only one person reading a book.

c. ah the introduction is over, and then the actual poem,
if i could remember it exactly,
it dealt with a cartesian contemplation
dealing with an extension from the trinity model,
what was the extension model? what was the basis
of it? i remember noting that the mind of the plateaus
originality came only with coinage of phrases,
i.e. coining a phrase, or simply crafting a
new compound from words rather than chemical
derivatives... the philological monstrum
of a fixed prefix like sub- or un-
and then the all encompassing suffix
like -conscious - and then some grand complication,
like the word oedipus becoming a complex,
and this complexity reaching a point
where no original idea can be encompassed,
because what's required is the practice
of creating and using an analogue,
so that those in the range of the intended
gesture do not have to go further in their reading
but further their practice: a draw of stars...
none longer or shorter than the other,
all uniform... one shoe fits all story...
i mean how can words conjure ideas
(esp. original ideas) if words are intended
for meaning, and solely that?
ideas come when the intended usage of
such symbols as a - z are not expressed in
how they were intended to be expressed:
pre vox. if you spend a long time with these
symbols in the optic area rather than the
larynx area... you'll find the holy grail of
crafting and fathoming ideas...
philosophy begins here... seeing rather than
the utility of these symbols... to see with them
rather than to speak with them... after all...
think twice before saying something stupid.
i'm still bothered by that cartesian connection,
how did i manage to tangle in the one third
of the equation: substance, thought, extension?
what the hell was i comparing to make that
analogy? surely it wasn't a way of working
from the way existentialists abstracted
something concrete as an identity and decided
to do the pontius pilate of washing their
hands clean of any responsibility using the ditto
marks? sure this abstract enclosure for an identity
(in phonetic units expressed as ego)
cannot have stable if not merely sane grounding
in all serious theoretic engagement by the logic
of being a possessor of a soul;
first they dispossess the people's confines
of the soul's existence, later they come after thought,
and it's there, the proof, like today in the supermarket,
me waltzing for my intended purchase,
and a horde of zombies bewildered by
the abundance of products... standing about the aisles
mouths open, ready for the wind to change
direction and their mouths perpetually opened
with the medussa wind... or simply waiting for
the next pigeon to do his duty on a copper statue
of churchill outside parliament sq., bleached crop
of hair with **** in it.
honestly... the zombies are coming...
first they fool the people that they have no soul,
backed up by the logic of a soul that, when
compounded (i.e. psychology) makes it sounds
important, like an edict by the house of windsor
about to make rise to the 2nd lord protector
via a re-emergence of oliver cromwell...
then they decide to invade the parameters of thought,
they used psychology (the existent non-existence
of the soul) to banish all original thinking...
thought has become banished into hades...
if the soul is not allowed in the body, then
thinking surely isn't either, and how did they do it?
they said: the existent non-existence of the soul
will convince thought to disappear, making
the body virtually mirror like invisible -
like a black kid before the social revolutions
at the back of the bus, before the old lady stepped up,
and yet in the 21st century, the old minotaur is there
at the gate of the new labyrinth; in my school days
all the black boys sat... well... you guest it...
at the back of the bus... so much for the old lady
making a stand.

d. as the title suggests i was working up to a crescendo,
i was about to mention the sort of confusion cuneiform
might have provided had it existed in writing
but not in thought, although we write with latin symbols,
i'm sure that our thinking is still ingrained in
the coming of the three magi and the loss of cuneiform,
all the many offshoots of christianity you'd think
we were living in babylon, where the king went
mad, and the hebrew architects scratched their heads
so hard and so long that it caused the babylonian
king to become sensitive to scratching sounds,
he ran out of the palace screaming:
'cockroaches! cockroaches everywhere!'
then the enslaved hebrew architects just said:
but sire... gardens upside down? earth above sky?
how will that work... we did the pyramids,
perfect geometry, perfectly understandable geometry,
but garden that grow trees upside down?
didn't you hear the greek theory of how trees grow
by eating the earth from below, rather than above?
'cockroaches! cockroaches are nibbling!'
so i did end the poem i lost via a message on the screen...
jimi is dead, forget jim.
i ended it by noting the admiration of the romans
when it came to the mausoleum at halicarnassus,
persian design, intended for mausolus,
so admired that the word mausoleum gained
popular public everyday usage status,
a bit like a war-pig / war-dog in the legionnaire army,
above the general's servant: does battle...
doesn't do pampering with perfumes.
seems fair enough, got the warring grunts / barks,
runs miles with the horses, has a piquant snout and tongue
for human flesh... plays dead, finds mushrooms
beneath the slain... speaks broken german war-cry...
perfect for combat... not really perfect for my quarters of rest.

e. what does it really matter, this 200,000 million
or thousand year old historical co-ordinate?
the chinese were drawing dragons with the welsh
concerned with st. george long before dinosaur
bones were unearthed; if this isn't an example
of the jungian collective unconscious of being
"clued-in" then i don't know what is...
esp. given that not even 2000 thousand years of
history fits into my brain when i boil
a kettle filled with water in 5 minutes...
smoke a cigarette in the same amount of time,
it makes no sense to "pump iron" so much
when practising history to go as far back as that,
it makes in-the-moment living so far detached
from life per se, that you begin to wonder
why we went further than the epic of galgamesh
(where all western take on history begins)
or the upanishads... when the caste system
became operational: from dark skinned sri lankans
to the masters on the boarder of the himalayas:
un-believable... racism within a society
that did not expand into colonialism...
strange to have kept the blue indians in mint condition
due to the cuisine... and have slaughtered the red
indians keeping them a minority to such an
extent as to keep them in nature reserve parks...
black president is a phenomenon? a slave, former,
is a phenomenon? i puppet i suspect...
get a native on the top seat and their will be
less jubilation i gather.
but that blue indian word for demon: rakshasa...
from the serialisation on the t.v. entitled indian summer...
the h as silent as in dhaal?

f. if something profound has happened to you,
and you want to speak about it,
remember to take hold of the psychiatric buffer,
this buffer zone will enable you to see
an atypical sociological reactive compound
of the ****** expression, it will reveal
who you can reveal a secret to,
after all, psychiatry is all about listening,
therefore not thinking, therefore not doubting,
therefore actively engaging with the precursor
negation... sartre to descartes:
i use too many punctuation and "punctuation"
marks, therefore i can't couple thinking with
doubting, i must therefore couple thinking
with negation... descartes to sartre:
i always knew that even though we salvaged
the latin alphabet by adding the diacritical marks,
our punctuation and style would get the better of us...
what's the point of ć ń ś ó if we have
the capsule of " " to mind in terms of what words
are allowed a blessed disunion from meaning
when over-used esp. when you to deceive rather
than covey orthodox meaning?
Hal Loyd Denton Oct 2012
How do you fit when you’re just pieces? The stage was set it just needed his entrance they were all
Seated boredom played on their faces he had seen it all before he strode to the stage picked up the long
Neck Guitar he strummed the strings then he laid his voice over the music that rose and drifted across
The room a wooden floor rafters bare his eyes were soulful they seemed to read the crowd what ever
Story they told he knew it well then he infused a golden melody in the cold gray darkness he sang of
Dreamy green forest that danced and swayed in the Colorado wind he threw a ranch house in he built it
Strong and his voice rose and rattled the window pane maybe even a few drops of rain fell and slid
Down the glass the song related a widow and her sons it was sad enough it could have been tears and
Not rain his words ran like a train it picked up speed it squalled through the valley as the mountain
Loomed high over head it slowed on the curves did you ever see lighting flash all darkness briefly slashed
By light and then you were woefully back in the dark he spoke from his own heart and he made a
Connection with the crowd they had known the dark shady places you find in life’s journey he took them
Through the seasons made it clear and inviting they set among the scenes he created with his voice they
Drew comfort as one person and many smiled at each other it was good to distance trouble for a period
Of time in detail he gave riveting stories of hard times then filled it as a cold picture of ice water on a hot
Summer day they drank deeply the water took sloping sliding turns ever deeper it ran until the well
Springs of the spirit were found even the old and haggard found new birth looked spry and smiled
Broadly it could only be explained by a sea captain because he brought the wind up on a still and dead
Sea the sails ballooned out and seemed to creak with joy off they ran toward the far horizon new
Adventures now would be found experience only the boundless waves could create the gloom of
Darkness was swallowed by light his grin broadened as he splashed them with fun and pleasure that
Some had not known for a period of time hope rose as a great unfurled flag it was waving in the distance
Pride and exuberance charged the room he had seen it before knew the thrill shared the joy but he
Lifted his eyes and saw the door he knew in a few more treasured moments the place he stood would
Be Bare he would leave them full of joy and sweet dreams but for him it was only the dark road there
Was a time when he was naive he thought he would be accepted he drew near felt the greatest feelings
He had ever known then killing words spilled from sweetest lips that he thought was a friend when she
Said this is an acquaintance of mine his heart lost all of its magic that he spun for others he sought the
Resplendent free coursing memories of happier times they would have to do for now stranger is the
Hardest real bonds there is to break it comes with many names but they covey one meening you are an
Outsider and the great old saying applies know your place well its least a good thing to know that life is good
if don’t weaken and try to lay claim to that which will forever lie out of reach the fall is to great the pain is harder to bear loneliness brings it’s
Own dead comfort.
Celestial Dec 2020
To you I applaud.
Your eyes will always say more,
Than that you covey with,
Words and gestures recalled.

Thank you for your sypmathy,
And what you can afford with empathy.
What I can't explain,
You hold and wait.

For my words and what comes,
From them.
I'm sorry to fill your plate.
But you say it's ok.

It is not yet full,
And you could never have enough,
Of me!? You forgive my confusion,
You believe in my pull.

I'll still say what a fool.
Don't you see this pool?
I don't see where I'm standing,
Yet you're here with me.

The water is nice,
And I'm so good at,
Pretending to breathe.
Now we've rolled the dice.

Save yourself,
You are what is important.
Fate is not with me and,
I am not boyant.

After my admiration,
Please float away.
To show my weight,
Can't hold you and my obsession.

To sink rather than swim.
I can give you the excuse,
Of currents and lack of strength.
That goes to no length.

Your eyes tell me those,
Are my lies.
So why? When we try,
Do my feet stick.

The tears add to the pool,
And I move in everyway.
The ground swallows my ankles,
Making soft shackles.

I'm so good you believe too,
That I can breathe.
Thank you for listening to my plea.
I watch your eyes,

As they let go.
You now float and the grip,
It weakens then slips.
I'll say goodbye and standby.

I can breathe I say.
It was the best anyone could do.
You can't float, you don't want to.
It's better here, hidden, keep them safe.
My letter to those who have all left.
Hal Loyd Denton Nov 2011
Just the Broken pieces of a Man
How do you fit when you’re just pieces? The stage was set it just needed his entrance they were all

Seated boredom played on their faces he had seen it all before he strode to the stage picked up the long
Neck Guitar he strummed the strings then he laid his voice over the music that rose and drifted across

The room a wooden floor rafters bare his eyes were soulful they seemed to read the crowd what ever
Story they told he knew it well then he infused a golden melody in the cold gray darkness he sang of

Dreamy green forest that danced and swayed in the Colorado wind he threw a ranch house in he built it
Strong and his voice rose and rattled the window pane maybe even a few drops of rain fell and slid

Down the glass the song related a widow and her sons it was sad enough it could have been tears and
Not rain his words ran like a train it picked up speed it squalled through the valley as the mountain

Loomed high over head it slowed on the curves did you ever see lighting flash all darkness briefly slashed
By light and then you were woefully back in the dark he spoke from his own heart and he made a

Connection with the crowd they had known the dark shady places you find in life’s journey he took them
Through the seasons made it clear and inviting they set among the scenes he created with his voice they

Drew comfort as one person and many smiled at each other it was good to distance trouble for a period
Of time in detail he gave riveting stories of hard times then filled it as a cold picture of ice water on a hot

Summer day they drank deeply the water took sloping sliding turns ever deeper it ran until the well
Springs of the spirit were found even the old and haggard found new birth looked spry and smiled

Broadly it could only be explained by a sea captain because he brought the wind up on a still and dead
Sea the sails ballooned out and seemed to creak with joy off they ran toward the far horizon new

Adventures now would be found experience only the boundless waves could create the gloom of
Darkness was swallowed by light his grin broadened as he splashed them with fun and pleasure that

Some had not known for a period of time hope rose as a great unfurled flag it was waving in the distance
Pride and exuberance charged the room he had seen it before knew the thrill shared the joy but he

Lifted his eyes and saw the door he knew in a few more treasured moments the place he stood would
Be Bare he would leave them full of joy and sweet dreams but for him it was only the dark road there

Was a time when he was naive he thought he would be accepted he drew near felt the greatest feelings
He had ever known then killing words spilled from sweetest lips that he thought was a friend when she

Said this is an acquaintance of mine his heart lost all of its magic that he spun for others he sought the
Resplendent free coursing memories of happier times they would have to do for now stranger is the

Hardest real bonds there is to break it comes with many names but they covey one meaning you are an
Outsider and the great old saying applies know your place well its least a good thing to know that life is
good

if you don’t weaken and try to lay claim to that which will forever lie out of reach the fall is to great the pain is harder to bear loneliness brings it’s
Own dead comfort.
Sam Temple Dec 2014
startled by the fight
in a diseased and dying body
I sit over her
looking through fogged eyes
recalling a slice of heaven
on a little tributary
of the raging Santiam –
cheek high pasture weeds
brushes a five year old face
as I nearly tunnel after long tan legs
sunshine and pit bulls
a covey of quail and
the old ****** pelt drying plywood
cut in the shape of a giant stop sign
a bedded down doe crashes through an Oak thicket
as our adventure continues –
lazy afternoons of swimming in the creek
chasing tree frogs
and picking wild flowers
fill my pre pre-school memories
as I stare
and wait for her to take another breath –
shireliiy Sep 2015
Income to another level but wondered if she had to get an office to do so or hire an assistant.you must exercise all or any of the following.You just have to learn how to get it.A receptionist may try to impress those waiting to see her boss with how important he is and how they should not mind waiting a long time to see him cheap polo ralph lauren.believe it ralph lauren australia outlet,

Most people will live they re entire life completely unaware of how they re beliefs are effecting they re feelings polo australia cheap sale.,He shared how he felt lighter and freer and wonderfully productive,Eat breakfast. Which ranges from about. 1 3 hz.Rich Life Experiences are experiences you create for yourself from a state of purpose,They are caught up in the rat race of life and a worldly way of thinking.That is the characteristic of good leadership,For instance.and then they judge themselves on all those things they haven t done,Whether it is simply holding a door open for the next person or making room on the subway.Change your beliefs about yourself and start thinking well about your future.Is there really a secret ,When we get something of lesser purpose,hair.

When the feet has a desire to move forwards.Some times rarely people. Do just that.We are always deciding whether we are aware of it or not,They drive the speed limit.Now I call it Kansas Time,7 Habits of Highly Effective People Steven Covey Another must have in your self improvement book collection,It is an unbreakable rule that never fails.right? You ve got no qualifications.Once we shift our consciousness from being currency centered to being connected with our true inner worth.s you,I could have endlessly thought about what was not working in my life.shoes,If the challenge is a medical issue or mental health problem.You can look for themes within the pages and see if.
http://www.granadacoworking.com
Ken Pepiton Oct 2021
Part 2 read first leaves one wondering tense…

Plucking seeds from threads so twisted…

Division deceptive guess I know
you know

I know a man, caught up to third heaven

on behalf of this man, this sentient being
living in me, by fi
do or die,
- I shape as story formed from facts
- as mirror neurons bher witness,
- yes, we saw, as fate
- might have it
- a mote in one's own eye
- detected with the beam in the gleam
that bit herein
therein sof-ein, tic
we are in
the book of life, as opposed to one of the
books in life, though
as we know, although, you may doubt,
knowing doubt is so good, it is hard wired.
Think
whether in or out of the bubble we breathe,
I have no knowing, un re prove able,
as a witness of truth being known, I know
relatively
nothing of the daily habits Plato had,
or even if he hated that name, it signaled shame,

what if it were not shoulders broad,
big ol' Hoss Cartwright
or Mean Joe drinkin' m' Coke, big as an Ox.

A castrated bull, you see, in a world lit
only by fire, every boy knows how oxen
are made
to pull the plow, bulls are made for cows,
and hides.

--- okeh, reproven, this is that, we have
a salty trail forming,
tear tracks.

These, in ever after ever before,
these lead to lost souls, soulds, sold ones, yes

this is the good we may do, should we wish
Tom Cruise never replaced
Marshall Dillon's brother, in the Mission Impossible
Drama reoccurring phenomenon, we see it
the impossible mission accepted

Great Red Spot, drifting in the swirl force
upon it
as a point in a sub-known-use of story per se,
si, no, se we know,

---- real time, long past, save we know, all things
reflect
and defracts, signs found in faces or traces of tea,
we make up what we wish you
to leave
be true,

do, and say, I did. That's done. Amen.

And Forrest looked behind him,
-- in the future, we have links, you may see
what any true heir of wind would wish to see

View of Monument Valley in Utah, looking south on U.S. Route 163 from 13 miles (21 km) north of the Arizona–Utah state line.

From <https://en.wikipedia.org/wiki/Monument_Valley>

however Fustus wit' d' Mostus namesake, a fact
I was aware of due
to John Kenworthy, who played ball with Roger Staubach,
and was a clerk-typist Marine in 'Nahm, he stressed,
while telling me of learning the knack
the key to the short story, which is

Know the story before you tell it.
Covey, the Mormon guru of success habits, said
Begin, with the end in mind.
In mind of that, I think, I remember Brenda Lussier,
had a meme, in the form of a poster, same thing, really.
It says, as it remains memish once it functions as a meme:
If YOU aim at nothing. YOU will hit it.

compliments of adult children of alchoholics, non-profit
meme makers aiming to make it all better. Small print.
New medium, new means to inform ways. Practice unceasing being, until I can't imagine more....
Traveler Mar 2019
Notice!
Silence seems to have
Taking over
It's Sunday morning
Am I the only one up
Or even sober?
Somebody, anybody
Sing me a song
A poem about cutting
Would be better then none
Surely some Poet
Has pain to covey
When you get home from church
Write what you may
I'll shoot you a heart
Some loving thoughts
HP is my addiction
This is the cost
.....................





...
Traveler Tim
Asha Nicole Jun 2012
I hear many emotions disguised as words
These spoken feeling are dried then stuffed
all their glorious masculinity, now compacted
and their complexity is now rather compressed
emotions grinded into flat and blank thoughts


Sometimes i don't believe in words,
The way force themselves in and out .
For they falter when trying to explain colors,
Shades and tones always lack proper description.
Rarely do words capture that exact bend in light.


Nor that exact bend of your long neck,
foreign sensations my fingers once knew.
Words lack terms for the roughness of your face,
lack measurements for the smoothness of your lips.
And paragraphs won’t explain the feeling in my chest.


Nor can they explain the hollowness within my heart
When I could tell no one the secrets of my grief.
Only so many words can be used in a dying breath,
And Last words are usually much later said.
what did she wish to tell us on her death bed?


Nor can words covey those underlying emotions,
who tend to not speak too well for themselves
See, feelings tend to simply mumble and stumble
By sending mixed signals and double meaning
They ramble until the phrase is finally complete


But it is said that words are like a dusty window
They are like a man’s beloved yet cracked spyglass
Although words appear to be not quite clear,
And often find themselves fumbling desperately to be heard
They offer a outlet for our souls, otherwise left unspoken.
Jeremy Bean Feb 2019
Sorry I can't relate to you
or if my act seems see through
as the voices scream I'm destined to lose
on a path that Im told I can choose
yet the only one praised seems lead to a land of fools

how does a man covey
the truths that we evade
its like we're playing a game
we know no winners escape

I'm at a loss for words
and the more that I blurt
the more it seems absurd
contemplating what is worse
to quit this race and go unheard
or push on only to be burned
wading in a world of hurt
reducing it all to a blur

Nation, or relation,
religion or procreation
assimilates me deeper
into disassociation

maybe they taught me how to fear all the hatred
but rarely how some love and cheer can change the situation

now I'm just exhausted
waiting for the rules to change
being accosted
by those who always point the blame

reptilian brains
thats been raised
bound by chains
to anothers mission
driven insane
by the thoughts ingrained
with repetition
same old same
to envision
imposed superstitions
to be swallowed whole
polluted souls
who no longer have control
with no indication
no escape
no letting go

sickened and disgusted by your ******* cause
to raise a sense of greed
for everything
above of all

the more feelings taken from me
the more I feel like a machine
that I never wanted to be
am I too far from rescuing?

in a group of robots
who know not what they do
who will use any excuse
to continue what their used to

am I the only one who seems to see this cell?
because when I point it out I am told to go to hell
PJ Poesy Apr 2016
One day's Spring cover of incipient blooms
Dogwoods pinks and whites
Scamper mountainside in Persephone's rites
Winter's forgotten timbers now hollows, wombs
Cuniculi sprout bantling bunnies from these rooms

Under thicket comes innocence's smallest one
Separated from covey, teeny trifling
Quail chick ta-taying in other atmosphere stifling
Mood was changed as baby bird imprinted this son
Thought I his mother; Persephone laughed in her fun
Carly jo Aug 2018
Do you believe In fate
Or is everything just strung together like a series of mistakes on a thread.
I’m happy now
That’s what I keep repeating to the reflection in the mirror.
Happy.
What a stupid broad word.
This digital world we live in. Where our only memories live in our phones. Mindless.
Meanwhile we’re killing each other over our complexion.
My person asks me why I cry so much and all I respond with is why wouldn’t I.
Everything hurts and I don’t know how to bandage myself.
Am I even healing if I’m just covering it all up?
I miss writing with a pencil or a pen scribbling all my thoughts and mishaps.
Now when We feel things we post  something to covey even the littlest amount of emotion.
A picture is worth a thousand words. But what are our words worth?
The morning fires of Ola have resumed
Leaves are whisked across rested -
pastures and workable fields
The bells of Hereford and Charolais announce the -
sunrise meal
The lick is filled , the trough watered ,
the herd counted , the busy day plotted
Orpingtons pick cracked corn , barley and
grit
The first firing of the tractor , the beagles -
leading the farmers rowdy contraption in -
hopes of a stirred rabbit or a covey of game birds
Ola's country air is thick with new- day diesel ,
fresh harrowed field and wild onion , thickened
with pine an fresh hewn hardwood ...
Copyright March 11 , 2018 by Randolph L Wilson * All Rights Reserved
Walking home one evening , right as the sun was going down , coming back from a friends house just down the road ! The day before Halloween in 1974 , a boys imagination at ten years old ! Couldn't help but think of goblins and ghost , haunted houses , witches on broomsticks , scarecrows and pumpkin patches ! Thoughts of Headless Horseman and baying coonhounds in the distance quickened my pace ! I crawled under the barbed wire fence , the house a quarter mile ahead .. The driveway was tree lined and dark so I chose an alternate path through a cornfield , bathed in bright orange Harvest Moon , determined not to get spooked ! Focused on the ground , trying not to look around , walking faster every few feet , finally started running ! About the time I convinced myself that I was safe a covey of quail flew up around me in every direction ! I jumped to the ground to catch my breath , raised up slowly , took off again , ran like a swamp rabbit behind the barn , took off my overalls , threw away my drawers ! Off to the house , food on the table . Wash up , Grace , a hard fought supper !
Copyright October 26 , 2015 by Randolph L Wilson * All Rights Reserved
Sherry Asbury Jul 2015
A covey of old men
perch on a concrete park bench.
Their wattled bob - their heads nod.
It is warm enough to be without shirts,
and they watch the young men who are -
remembering when they could.
They are too aged to wolf-whistle,
dry lips peel in the light of day;
but they appreciate every curve and *****.
Pecking at morsels of life, they spend
the hours of their afternoons.
They gather at the park to smoke and spit and cuss  out whoever is on their list for the day.
devante moore Apr 2015
When body meets ink
And it stains the skin  
When the reward outweighs pain
So it becomes vague
When it's no longer just a needle
It's use as a tool to covey her body a canvas
She has become a stencil
Her skin a piece of paper
The needle a ink pen
And even if you don't understand
The meaning is more then what's on her skin  
It seep into her veins
And now her heart pumps it
She's ok that it tainted her blood  
This ink has become her
A walking collage
But unless you are her
You won't understand her
To her this is more then just a hobby  or sport
It's her life
Tattoos is her art
effaced Mar 2015
you were the first
boy that i said
'i love you' to and
really meant it...
and i've chosen
to never tell
another man that
i  love him.
because
people say
' i love you'
to get what they want
and it's accepted
and i will not
so who ever i
find myself with next
will have to except

that society's perception
of love, does not fit mine
but trust me,
i will find a way to covey
what i feel for the next,
it will just be in a
less destructive way.

flatter yourself
when you hear that
i won't tell another
man that i love him
but
bring yourself back down
when you're laughed at
because what we had
was stupid, childish, and destructive
and i don't wish to bring those
words into my next relationship
because those words are
the description of 'i love you' .

because not only have i left you behind,
but i've left all my 'i love you's' behind too.
The Fire Burns Sep 2016
Quails in a covey
Hide under cover of brush
Flush unsuspecting
Stéphanie Apr 2021
When I was seven years
I tried for the first time to pray
On my knees, hands folded
Thanked him for all the richness
But no response to my covey
Maybe he is busy right now
I will come back another day

When I was eleven years
I tried once more to pray
Sat down with my rosary
But God wasn’t there at all  
He still had nothing to say
I figured, he doesn’t exist
There is no one to repay  

Then I was sixteen years
And instead of trying to pray
I tried to find all the richness
Again I couldn’t find God
Yet I found out that day
I have to thank this universe
As much as I can anyway
Please let me know what you think!
wordvango Jul 2018
You sit in your covey all
Conforming to its boxy confines
Every corner filled to its limit
With fleshy retreats
The box constraining your minute
The corners defining your
Face your shoulders
Your thighs pressed to your cheeks in grimace the cardboard
Outlining your
Territory you've yet to explore
The whole thing.
And wonder about the things
Yet you may find when
You explode
From the constraints
What size may you become
What shape other than
Square. What space
You will find
When someday you come to find
The box was all in your mind
And the limits all fake
And self-imposed.
SkinlessFrank Sep 2016
a kidney bean
once became lodged
deep inside
my ear canal
and i don’t think
i need to remind you
how a sweet polyp
like that
will sprout roots
among the white axons
grow throughout the squid
and drink in salvation
from the brainpan

god knows
i’ve tried what i can
even
turned to the
purgative artillery
strong medicine for sure
but
my throat muscles
only strained and expelled
a bulky stool
so gassy

and when
the shaman
sat atop me
with his covey of broken clam shells
scraped the flesh from back of
my neck

wouldn’t you know it
the beast only sneered
from the hole and spat

so i guess
i’m resigned now
to co-exist with my friend
and no
as you’ve gathered
it’s not a symbiosis

but i’ll get by
Ring around he covey
pocket full of pharmacy
money flew out the window
death to all that sin though

Free the owner of the slave
be the druggie at the rave
bless the ones that finger fun
hold me close I think I'm done

Now I'm off and on the run
eating big macs and dodging facts
no new thing under the sun
the thing is toppling see the cracks
nonsense plus
Moss grows unchecked on the
granite surface , cushioning bare feet
like velvet , pine forest obscured with
morning mist , a sun kissed peak , a wetted
valley , a covey of bobwhites , a coopers hawk
Oaks of every shape and size stair step the lone
trail to the top
Her overlook is grandiose
Boot sized ponds and cacti share the precipice
with cottontails and whitetail does
Tall hardwood canopies lie row upon
row , a place of solitude , where earth moves
slow , where creativity grows , where fragrant
summer breezes blow , where secrets are withheld that only the mountain knows* ...
Copyright February 13 , 2017 by Randolph L Wilson * All Rights Reserved
The Fire Burns Sep 2017
Echoing cicada calls,
shatter the deafening silence,
brown oak tree leaves flutter to the ground,
northern winds slowly begin to blow.

A cold front oozes in from the north,
escorting fall out the door,
snowflakes cover the ground behind it,
as it leaves its mark upon the countryside.

Squirrels scramble hiding last minute nuts,
a covey of bobwhites scurry by headed for shelter,
they disappear into the tall grass on the fenceline,
the trees, begin to sway in earnest, as the breeze changes.

Gray clouds, blot out the sun,
a blue feeling falls across my soul,
temperature dropping quickly to near freezing,
a barn owl, flies from tree to tree, looking for a hollow.

My front porch becomes inhospitable,
blowing snow begins to pile,
I retreat inside, a fire already burning,
I feed it some wood and watch winter take hold.
Alan S Jeeves Oct 2020
Partridge red, how fine you fly;
Winging, gliding up on high.
We down below as you sweep by,
Esteem the rapture to our eye.

Partridge red, how deft you try
To fill the heavens with your cry;
As you ride so fleet and spry
When for your covey fore you vie.

Partridge red, alert yet shy
I call and wait for your reply.
Alas, I close my eyes and sigh
As someone shoots you from the sky.

                                       ASJ
The Fire Burns Aug 2017
Tumbleweeds ease by,
as daylight draws dim,
the evening breeze weakening,
in the oil fields of the west.

The pump jacks speak,
as the flares burn,
igniting excess fumes,
and lighting the night as if day.

Jackrabbits wander and roam,
as rattlesnakes slither into dens,
the occasional bat swoops by,
trying to dodge the Nighthawks.

The oil trucks never stop,
the back roads ever busy,
a covey of blue quail
take it all in stride.
Faizel Farzee Aug 2019
Looking through my window pane
Tear stained, I loved you
What a crying shame
You Left me, like I’m the one to blame
I Always had this notion that we both felt the same
What you said, caused so much pain
why then drown in disdain
Fog cleared from this window pane
My Spirits lifted, like by a crane
Is this all I have to say
Is there more anger to obtain
I'm Not angry any more
I’ve grown in strength, without decay
Your picture smashed, what a beautiful dame
These conjured words I say today
Is simply to convey
We over,
These feelings.....
A smashed covey on display
My heart’s over you.... ok
Moving on is never easy,
I’m over you memories faded
You just a jaded
Part of my life forgotten
Getting over someone is never easy, but if we dig deep...it can become easy
I am moving as a spirit.  I am rippling through the rye
I am hunting in the corn with malice in my eye
I run through the fields beneath a misty moon
And cavort in the corn amid the scent of elderbloom
I am stalking in the wind, I am weaving through the hedge
I come and go between the worlds and trot along the edge
I prowl through the darkness until the night withers
Now through the dappling leaves the first daylight dithers
The soft summer breeze ruffles through the thorns
And Venus sparkles brightly in the bezel of the dawn
I run beneath the chorus, the fluting whistle-trill
Of the long billed curlews as they wheel above the hills
A covey of grey partridge is stirring in the spurrey
They see the ripple in the corn and set up wings a-whirring
I skirt around the homesteads with their whimpering curs
And run under the lapwings circling over moors
I come again to cornfields sparkling with dew
The cornflowers opening to reveal their vibrant blue
The first blush of poppies is just starting to bleed
A wavering tide of scarlet along the edge of fields
The days they are longer and so the nights are short
While the moors are being gilded with bristling golden gorse
At the silent casting off of the deep blue night
The lapwings dart over me flashing black and white
And far above the brambles and the dog-rose bloom
The owls doze and dream and wait the day out for the moon
The brown soft-hued ducks and the bright gaudy drakes
Startle and take flight across the sedge-rimmed lake
They are not prey, I leap away over whispering rush-lined rills
That wriggle through the meadows and down the low-backed hills
Faintly growling, I am prowling, I am a mist of grace
Who has swirled for centuries and stalked about this place
Padding through both peace and war, rippling through both sun and storm
Hackling at those I see, yet few have seen my silver form
I run under the thorn trees that spring decked in white
My howl shivers the barley beneath the shortening nights
I run through the hedges that will yield the blue-black sloes
I leap with ease between the worlds.  At will I come and go
I hunt my prey through night and day, through the dusk and dawn
I am the ripple in the rye, the demon wolf of corn
The rattle of the lilac blooms rusting on the trees
Carries on the waves of the summer-scented breeze
I smell the bruised stalks of the purple creeping thyme
The undertones of yarrow and corn chamomile
As a fitful breeze veers towards me cool and fresh
I catch the unmistakable smell of human flesh
They go about their mortal world without a sense of fear
For ignorance is bliss - they do not know that I am here
Modern man has forgotten that I even exist
Only my victims see me form as silver mist
I do not need to eat - I am a spirit of the corn
But do not take me lightly, indeed, be warned
I can manifest at will and the breeze is my breath
And should I so desire my fangs will rend your flesh
In the barley and the wheat and the rye I am at home
Be mindful should you ever walk these fields alone
Ask yourself, if you ever catch my glinting eye
If it's really just a breeze that ripples through the rye.

— The End —