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"birdlike" poems
There is a wildness still in England that will not feed In cages; it shrinks away from the touch of the trainer's hand, Easy to **** not easy to tame. It will never breed In a zoo for the public pleasure. It will not be planned. Do not blame us too much if we that are hedgerow folk Cannot swell the rejoicings at this new world you make - We, hedge-hogged as Johnson or Borrow, strange to the yoke As Landor, surly as Cobbett (that badger), birdlike as Blake. A new scent troubles the air -- to you, friendly perhaps But we with animal wisdom have understood that smell. To all our kind its message is Guns, Ferrets, and Traps, And a Ministry gassing the little holes in which we dwell.
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4.8k
The Condemned
A loose handed emblem, of folded thoughts, Loss is weaponized in enchanted red, Wrongs corrected stemming from the blissful bare signed gawky individuals. Homage backtracked and renounced Barely earnest calls for a curious fathom-ability Heaven bound birdlike shadows, Bright light gagged and janky, Found little finger blood tacked to the earth.
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Aug 18, 2018
Aug 18, 2018 at 5:11 PM UTC
Birdlike Shadows
I never thought of fragile as an insult until I saw the way you spat it through clenched teeth "God you're so ******* fragile" hissing barbed wire insults like they'd cut your tongue if you held them in any longer before, I thought of fragile as the ultimate compliment a sign that my concave stomach was home to fingerprint bruises that you were afraid to hold me too tight lest I break but then I heard it dripping slow dark molasses off your tongue coating every syllable with thick syrupy tar it didn't make sense to me that your voice, petal soft and pitched for laughter accustomed to slurring my name on dizzy nicotine breaths and over crackling long distance calls could wrap its fingers around my lifeline and crush it until long after I chose to stop being your answering machine sounding board yes man lap dog you never cared about my hollow birdlike bones or the blooming violet footsteps beneath my eyes you said I was too ******* fragile that my eyes were leaky taps and you had no plumbing experience that my heart was a pincushion voodoo doll and you didn't know how to protect its satin softness from daily wear and tear I got hurt too easily and playing tag with someone else's insecurities isn't fun I never thought of fragile as an insult until you choked it out from behind your own iron voice box and I realised it wasn't so much an insult as a burden now there is leather binding forming around my cotton stuffed heart and I'm doing my best to tighten the valves in my tear ducts I'm still fragile But it's not your job to hold me together anymore
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May 3, 2016
May 3, 2016 at 5:33 PM UTC
Fragile
I never thought of fragile as an insult until I saw the way you spat it through clenched teeth "God you're so ******* fragile" hissing barbed wire insults like they'd cut your tongue if you held them in any longer before, I thought of fragile as the ultimate compliment a sign that my concave stomach was home to fingerprint bruises that you were afraid to hold me too tight lest I break but then I heard it dripping slow dark molasses off your tongue coating every syllable with thick syrupy tar it didn't make sense to me that your voice, petal soft and pitched for laughter accustomed to slurring my name on dizzy nicotine breaths and over crackling long distance calls could wrap its fingers around my lifeline and crush it until long after I chose to stop being your answering machine sounding board yes man lap dog you never cared about my hollow birdlike bones or the blooming violet footsteps beneath my eyes you said I was too ******* fragile that my eyes were leaky taps and you had no plumbing experience that my heart was a pincushion voodoo doll and you didn't know how to protect its satin softness from daily wear and tear I got hurt too easily and playing tag with someone else's insecurities isn't fun I never thought of fragile as an insult until you choked it out from behind your own iron voice box and I realised it wasn't so much an insult as a burden now there is leather binding forming around my cotton stuffed heart and I'm doing my best to tighten the valves in my tear ducts I'm still fragile But it's not your job to hold me together anymore
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Writing poem is like, Pouring out your heart in rhyme form. Make rhyming strike, And not regular free form a social norm. Birdlike, not childlike, Respect poetry, it's not cuss but an art form.
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Apr 1, 2021
Apr 1, 2021 at 8:34 AM UTC
Poetry Writing
Beautiful darkness Lighting strikes the stones As my mouth unpeels Liquefy on the edge of hope Descending toward imagines of my ghost My weapons are my words Spiritually sickened Convulsing with electritcy as it undresses my wounds Comatose hallucantions howled Unhinged  calamity of the naked shivered sky As the womb needs its whiskey high Birdlike flapping my anxieties away The twine is weak morally I will drown My bones begin to find me as I go down Arms and legs that no longer move As my eye lashes begin to kiss the night My teeth and lips will never feel a kiss Looking out the windshield of sobriety Entwined lovers drunken mourners I beg of you to slit my tears
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Sep 9, 2013
Sep 9, 2013 at 12:12 AM UTC
Whiskey In The Womb
September rain falls on the house. In the failing light, the old grandmother sits in the kitchen with the child beside the Little Marvel Stove, reading the jokes from the almanac, laughing and talking to hide her tears. She thinks that her equinoctial tears and the rain that beats on the roof of the house were both foretold by the almanac, but only known to a grandmother. The iron kettle sings on the stove. She cuts some bread and says to the child, It's time for tea now; but the child is watching the teakettle's small hard tears dance like mad on the hot black stove, the way the rain must dance on the house. Tidying up, the old grandmother hangs up the clever almanac on its string. Birdlike, the almanac hovers half open above the child, hovers above the old grandmother and her teacup full of dark brown tears. She shivers and says she thinks the house feels chilly, and puts more wood in the stove. It was to be, says the Marvel Stove. I know what I know, says the almanac. With crayons the child draws a rigid house and a winding pathway. Then the child puts in a man with buttons like tears and shows it proudly to the grandmother. But secretly, while the grandmother busies herself about the stove, the little moons fall down like tears from between the pages of the almanac into the flower bed the child has carefully placed in the front of the house. Time to plant tears, says the almanac. The grandmother sings to the marvelous stove and the child draws another inscrutable house. -Elizabeth Bishop
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Aug 13, 2013
Aug 13, 2013 at 9:54 AM UTC
Sestina
September rain falls on the house. In the failing light, the old grandmother sits in the kitchen with the child beside the Little Marvel Stove, reading the jokes from the almanac, laughing and talking to hide her tears. She thinks that her equinoctial tears and the rain that beats on the roof of the house were both foretold by the almanac, but only known to a grandmother. The iron kettle sings on the stove. She cuts some bread and says to the child, It's time for tea now; but the child is watching the teakettle's small hard tears dance like mad on the hot black stove, the way the rain must dance on the house. Tidying up, the old grandmother hangs up the clever almanac on its string. Birdlike, the almanac hovers half open above the child, hovers above the old grandmother and her teacup full of dark brown tears. She shivers and says she thinks the house feels chilly, and puts more wood in the stove. It was to be, says the Marvel Stove. I know what I know, says the almanac. With crayons the child draws a rigid house and a winding pathway. Then the child puts in a man with buttons like tears and shows it proudly to the grandmother. But secretly, while the grandmother busies herself about the stove, the little moons fall down like tears from between the pages of the almanac into the flower bed the child has carefully placed in the front of the house. Time to plant tears, says the almanac. The grandmother sings to the marvelous stove and the child draws another inscrutable house. -Elizabeth Bishop
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The workman told you to bury a curled dark lock Of your dead baby’s hair in the earth, A quiet offering to a quieter god You spent several months weeping to the sky Your small hands curled into your white frock Work was left unattended in your colorful house No food on the stove, No boiling salt fish, or softened dumplings in murky white water The pungent smell of cured fish filling the quieter home The home, austere and shrinking into the long street Your helper comes to do all this Your children understand in their small ways You covered the lock of dark hair with fresh dark soil Palm fronds wave in the wind Salty sea air kisses your wet skin Tears make tracks on your cheeks like a map pointing to Nothingness, like a page of a book with words of moroseness Once you had my mother, birthed her into a world of noise The sure and strong hands of the matriarchal mother, Your mother, who’d delivered more babies than she’d had her numerous children Then you cooked, you toiled, swept the veranda with your broom Left the buried lock of hair in the locked cabinet of your mind Now, when I make the saltfish, I do it with stilted preparation My hands form lumpy misshapen cornmeal dumplings I fry the little ***** of dough for too long, they come out dry I pop one into my mouth and chew There, the fragrant smell of your perfume, Sweet lull of your voice, your birdlike hands.
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Nov 10, 2023
Nov 10, 2023 at 8:27 PM UTC
of loss & primal ancestry
Do you feel the strength? In your birdlike chest and your bloated stomach? The urge to glut yourself on beer and vittles. Chips and guacamole. Holy **** This is delicious. But what should we do - Eat Or should we abstain in The middle of the night? I’ve had a few beers since The couple margaritas, But I have no chance stopping ‘Til the shows have ended. There’s more I need to know.
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May 4, 2021
May 4, 2021 at 11:43 PM UTC
Beer and Vittles
tuck my face behind the camera myself in the shadow of the corner colors slashed on paper fingers raw from the strings my eyes heavy lidded, I never knew that self-deception was such an art or that my inner critic was my greatest enemy embrace change? I always have Now my throat sighs and misses joy My limbs do not celebrate, they yell to me too quietly my brain runs the show It has run down the tracks This is sly flirtation with death stop talking I want to listen to the water and the trees, I am paralyzed here, fear for the future pathetic screams the monster pick myself apart at the seams something birdlike and cryptic but not beautiful
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Dec 28, 2012
Dec 28, 2012 at 3:50 AM UTC
The monster is behind the show
we were laying on the floor talking about your perpetually ***** hands, stained from rusty machinery, and I got to thinking that they looked an awful lot like terra sigillata, or marmalade or yams or tulip poplar honey-- waxy, with a glazed finish you brush your left thumb down my pinky and comment on the thinness of my skin (unsurprisingly) I mean, look at my hands! you say and I do and you're right, your hands are like slabs of green wood--in fact your whole body seems like some sort of pliable tree trunk but I don't say this because we've lapsed into a silence or an otherwise conveniently synchronized thought that has billowed up around our hips until our arms are overlapped and extended like a petiole of our bodies with my palm cradled in yours like some aeriform body, birdlike and gentle. You're tracing those lines like they mean something. Like they mean something to you. you have to understand that I am too often inside myself, awash on a shore, grown into the sand like a clam, experiencing solitude through a shell, keeping at bay on the bay sending prayers up like signal flares pumped up into the sky, silent on the horizon, loud from in here, so when I tentatively thread my fingers through your hair, know that I do so in supreme intimacy because words supposedly say the most (depending on who you're talking to) but my hands are a different language a different place, a different time a company of dissarranged thoughts and emotions, rippling and swelling trying to make sense of being touched so softly
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Feb 25, 2016
Feb 25, 2016 at 8:27 PM UTC
Swedish Stroke & Venation Patterns: Act II, Scene ii
we were laying on the floor talking about your perpetually ***** hands, stained from rusty machinery, and I got to thinking that they looked an awful lot like terra sigillata, or marmalade or yams or tulip poplar honey-- waxy, with a glazed finish you brush your left thumb down my pinky and comment on the thinness of my skin (unsurprisingly) I mean, look at my hands! you say and I do and you're right, your hands are like slabs of green wood--in fact your whole body seems like some sort of pliable tree trunk but I don't say this because we've lapsed into a silence or an otherwise conveniently synchronized thought that has billowed up around our hips until our arms are overlapped and extended like a petiole of our bodies with my palm cradled in yours like some aeriform body, birdlike and gentle. You're tracing those lines like they mean something. Like they mean something to you. you have to understand that I am too often inside myself, awash on a shore, grown into the sand like a clam, experiencing solitude through a shell, keeping at bay on the bay sending prayers up like signal flares pumped up into the sky, silent on the horizon, loud from in here, so when I tentatively thread my fingers through your hair, know that I do so in supreme intimacy because words supposedly say the most (depending on who you're talking to) but my hands are a different language a different place, a different time a company of dissarranged thoughts and emotions, rippling and swelling trying to make sense of being touched so softly
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Darkness falls upon the land the time is finally here Chirps now belong to crickets And blind birdlike beasts appear A couple bound by cobweb shackles Bathe in nighttime’s crooked smile Whilst weaving in the shadows The captors wait a while Sounds of leaves from dying limbs Dance deftly on the midnight breeze No life within their brittle veins Forever strangers from their trees Natures waning lunar grin Is concealed behind a haloed cloud. Who knows what sins that it commits Behind its wispy shroud? Stars look down intently With sinister twinkles in their eyes Spies that stalk the witching hour Corrupting faultless skies An owl perches on a twisted giant Whose Wooden arms stretch out It searches with its focussed gaze For creatures scurrying about Whilst The shielded hedgehog wanders Foraging the ground It’s weapons at the ready For any predators around minions retreat to their houses And with a final smirk Nights guardian begins to fade And the sun begins it’s work
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Apr 7, 2021
Apr 7, 2021 at 12:15 AM UTC
After sunset
I see myself in her... Back when I was made of ice, Every slice and bite precise. Grandmother's collarbones like Soft skin cut by knives; birdlike. I see myself in her... The treadmill is her best friend. Against herself, she contends, Stuck in a world of pretend. Her own skeleton: her friend. I see myself in her... Grandmother chilled to the bone. Present summertime unknown. She's carving her own tombstone, Out of her sharp hipbones. I see myself in her... Was that how they looked at me? With confusion and worry? Was I the storm on the sea? Or the dark depths underneath?
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Nov 28, 2015
Nov 28, 2015 at 5:02 PM UTC
Grand Likeness
know what is gone and what is beyond the dandelion veil know what is just out of reach, something you can just barely taste on the  tip of your aching  tongue you're a whole-headed nightmare some rare birdlike enigma  flapping through the warm night like godspeed, glory, send us away to some place we've never known once, you told me my poetry was too sad and if you were just there for me maybe we wouldn't be a fire of burning feathers your bones are my bones and isn't that enough?
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Jun 24, 2017
Jun 24, 2017 at 8:31 PM UTC
summer
breakfast with my mother is now a song of tapping,clinking noise as the tremor in her hands grow beyond the medications control she will be 85 within month and has become small and birdlike in appetite conversations have become vocal exercises in loud short projections but she is not deaf the world has just stopped speaking clearly her eyes have seen so much, her heart has encompassed both great joys and deep sorrows the sharp cutting edges of her mind are now becoming butter knifes it saddens me to know her mental acuity is dwindling like yarn unraveling to pool in a muddled mess of colour on the dusty floor i watch her over my coffee cup we are so different and disparate i once truly believed my self to be anothers child our personalities were so divided by lifes spectrum but as i muse now as a mother myself watching her it comes to me if i am just an inkling of her strength and grace then i am an amazon incarnate incarnate
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Mar 19, 2014
Mar 19, 2014 at 5:59 PM UTC
breakfast with my mother
father son I saw them **** out of hunger the angel could prepare angel - it is wholly birdlike the thought that brings oil to god - the sleeping alien is not without its headless astronaut (the first thing - one sees hallucinates
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Jan 22, 2016
Jan 22, 2016 at 11:25 AM UTC
ruth
In the weeks leading up to your death there was no fire in your lips and no water in your eyes and you seemed happy for a turn so I let it be; when you licked into my mouth and it felt like feather candy, like I’d ticked off all the right choices, no red lines and I thought that we were safe. As you curved under the inside of my birdlike wrists and fed me praise, kisses where you projected cuts I had no heart for sight and but knots to stomach, that you loved me a little bit. I loved you less than a bit, then, but maybe it was always like that. I wake up to your shoes strung on a wire and that is fine but; i see you strung on a wire and things are not fine.
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Apr 26, 2018
Apr 26, 2018 at 1:18 AM UTC
shoestring, wires
deep, quiet and soft he puts my soul to sleep like the sun, as it dips over the hill and my heart, like the moon, it rises contained, timid, calm this brittle branch a twig beneath my foot his fragile, pressured posture he seems a birdlike thing until he sparks- snaps across the room lightning on a hot summer day unexpected, and explosive, and beautiful, that bright, electric beam
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Apr 30, 2024
Apr 30, 2024 at 9:18 PM UTC
crush
You offered me your hand, In fear I stepped away... Who could ever truly want An empty piece of clay? And that's all I was... Till your love shaped me. Into a birdlike form, Finally I was set free. Except I wasn't. So much held me down. Not happy with so little My smile turned to frown. Everyday you reminded me What made me who I am And eventually I smiled again As I started to understand: Even if I shattered into a thousand pieces Having you  around will always be enough. If love were to be considered a crime, Is it one we are both guilty of.
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Jan 29, 2018
Jan 29, 2018 at 5:54 PM UTC
Object of Your Love
Female Conversations She talks in stacatto, stenographical bent Flowing along without pause Her mind flits from one thought to another Avian style in a birdlike frame of ideas Rapier fast in her intent Before I can tune into her words The subject’s changed again Lost in the progress of the process I frown in puzzlement But she’s moved on And when I finally comprehend She speaks of something different And now I’m totally lost But laugh at her commitment A lateral thinker to the last I feel as if I’m drowning in The ocean of her mind But she is swimming fast to shore She’s left me far behind
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May 19, 2016
May 19, 2016 at 4:43 PM UTC
Female Conversations