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"bene" poems
Trek my siel uit met swart onlogiese krapmerke op my pick n pay strokie. Breek my fingers af op n hout skryf blad en hou die honde naby vir die bene wat spat. Vermergel dan my vellies en gooi dit op n graf en se dis vir al die girlys -dis van papers wat smag. Edel en opreg is die regter se kaf. Heilig is die helde van die bars van die nag. Ons onthou die spoke van Oranje stad, Ons kleef aan hulle woorde soos n tros vol kak. Ons hou van die serries en die doef van Jak, En moenie met my stry nie ek sal jou in pak. Melodie jou wysie met ewige tone, mengel mooi jou woordtjies met jou oulike drome. Hou die fort van veiligheid en nasionalisme, Wees n patriot en vermoor Anglisisme. Beskerm jou mother language teen n kombuis taal. Daar is niks in hierdie wereld wat die taal mag vaal.
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Jan 25, 2010
Jan 25, 2010 at 8:55 PM UTC
Die Digter -Afrikaans
Your grandmother wants to be friends on Facebook.   hey you, can’t recall where or how i know ya, but your grannie is very kewl, (we agree on the proper pronunciation) boldly asked if that included “benefits,” she heartily answered **** right” “one man is pretty much as good as the next, but younger is definitely better, and you a spring chickadee, at age of sixty years and three, so many years ahead to share, your social security bene-fits, making me swoon and giving me ‘flashes ‘n fits’ and given your life expectancies, spousal wud be nice, even ain’t a necessity, looking forward to pleasuring your company” **remind me again, where do I know you from?** shoot.   HELLOOOOO POETRY!
0
Aug 5, 2018
Aug 5, 2018 at 4:35 PM UTC
Your grandmother friended me on Facebook
A true story of a chance gathering of strangers in the back room of a Gelato Parlor *** restaurant, two years ago, in a little village near the bay, on a land surrounded by vineyards. Come visit. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Gelato Nation There is a place, location secret, mine to keep, mine with which you to tease, make you envious, a back room 'office' jealous guarded by a barkeep, whose chosen invites sweeps you into a reality that is what you will it to be. But nota bene, note well, remembrances of things swell from your past be the only tongue spoken here.   Code word entry only, a shared whisper. Perhaps One Woman, may reveal its pleasures, if she so chooses, which are: gelato laughs, poetry snaps, Beatle songs sung ensemble, by rag tag strangers self-collected accidentally, sung de rigeur off key by voices lubricated by cognac, laughter, and the coldest of white wines, issue of the very soil upon which we sit.   Words to value properly, not in my possess to capture the few moments in time when; Strangers transform themselves into a triple A nation united, that will never be S&P; downgraded. A holy alliance celebrating July 4th all night long, all participants signatory witnesses to its gelato conception, as well as pallbearers to its last drink dissolution, the fullness of its lifetime a vintage of a few hours extant, a vintage, once drunk, is a history, forever gone. Mixologists please record: One playwright, a psychologist, bond trader and a social scientist with a dash of museum director, and do not forget the Hundred Year Old Woman, whose Dowager Princess Daughter (she, a mere eighty)' from Central Park West clarifies all of life dilemmas with the singular analytical tool of: But is it good for the Jews? **But t'is the barkeep who is the leavening in this evenings human pastry-petrie dish.** He makes the pastiche,         the ions of personalities, coalesce best, guitar strummer, singer of songs that were our multiple national anthems when we were pseudo-rebels starting out on our long and winding roads.   Long the King of the Keep! Long live the memory of our Gelato Nation, may it stay sweet in our antique collection of the best moments of our intersecting lives. July 2011
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Jul 4, 2013
Jul 4, 2013 at 6:00 PM UTC
Gelato Nation (July 4th, 2011)
A true story of a chance gathering of strangers in the back room of a Gelato Parlor *** restaurant, two years ago, in a little village near the bay, on a land surrounded by vineyards. Come visit. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Gelato Nation There is a place, location secret, mine to keep, mine with which you to tease, make you envious, a back room 'office' jealous guarded by a barkeep, whose chosen invites sweeps you into a reality that is what you will it to be. But nota bene, note well, remembrances of things swell from your past be the only tongue spoken here.   Code word entry only, a shared whisper. Perhaps One Woman, may reveal its pleasures, if she so chooses, which are: gelato laughs, poetry snaps, Beatle songs sung ensemble, by rag tag strangers self-collected accidentally, sung de rigeur off key by voices lubricated by cognac, laughter, and the coldest of white wines, issue of the very soil upon which we sit.   Words to value properly, not in my possess to capture the few moments in time when; Strangers transform themselves into a triple A nation united, that will never be S&P; downgraded. A holy alliance celebrating July 4th all night long, all participants signatory witnesses to its gelato conception, as well as pallbearers to its last drink dissolution, the fullness of its lifetime a vintage of a few hours extant, a vintage, once drunk, is a history, forever gone. Mixologists please record: One playwright, a psychologist, bond trader and a social scientist with a dash of museum director, and do not forget the Hundred Year Old Woman, whose Dowager Princess Daughter (she, a mere eighty)' from Central Park West clarifies all of life dilemmas with the singular analytical tool of: But is it good for the Jews? **But t'is the barkeep who is the leavening in this evenings human pastry-petrie dish.** He makes the pastiche,         the ions of personalities, coalesce best, guitar strummer, singer of songs that were our multiple national anthems when we were pseudo-rebels starting out on our long and winding roads.   Long the King of the Keep! Long live the memory of our Gelato Nation, may it stay sweet in our antique collection of the best moments of our intersecting lives. July 2011
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86
In praise of Eliza, Queen of the Shepherds See where she sits upon the grassie greene, (O seemely sight!) Yclad in Scarlot, like a mayden Queene, And ermines white: Upon her head a Cremosin coronet With Damaske roses and Daffadillies set: Bay leaves betweene, And primroses greene, Embellish the sweete Violet. Tell me, have ye seene her angelick face Like Phoebe fayre? Her heavenly haveour, her princely grace, Can you well compare? The Redde rose medled with the White yfere, In either cheeke depeincten lively chere: Her modest eye, Her Majestie, Where have you seene the like but there? I see Calliope speede her to the place, Where my Goddesse shines; And after her the other Muses trace With their Violines. Bene they not Bay braunches which they do beare, All for Elisa in her hand to weare? So sweetely they play, And sing all the way, That it a heaven is to heare. Lo, how finely the Graces can it foote To the Instrument: They dauncen deffly, and singen soote, In their meriment. Wants not a fourth Grace to make the daunce even? Let that rowme to my Lady be yeven. She shal be a Grace, To fyll the fourth place, And reigne with the rest in heaven. Bring hether the Pincke and purple Cullambine, With Gelliflowres; Bring Coronations, and Sops-in-wine Worne of Paramoures: Strowe me the ground with Daffadowndillies, And Cowslips, and Kingcups, and lovèd Lillies: The pretie Pawnce, And the Chevisaunce, Shall match with the fayre flowre Delice. Now ryse up, Elisa, deckèd as thou art In royall aray; And now ye daintie Damsells may depart Eche one her way. I feare I have troubled your troupes to longe: Let dame Elisa thanke you for her song: And if you come hether When Damsines I gether, I will part them all you among.
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4.4k
A Ditty
In praise of Eliza, Queen of the Shepherds See where she sits upon the grassie greene, (O seemely sight!) Yclad in Scarlot, like a mayden Queene, And ermines white: Upon her head a Cremosin coronet With Damaske roses and Daffadillies set: Bay leaves betweene, And primroses greene, Embellish the sweete Violet. Tell me, have ye seene her angelick face Like Phoebe fayre? Her heavenly haveour, her princely grace, Can you well compare? The Redde rose medled with the White yfere, In either cheeke depeincten lively chere: Her modest eye, Her Majestie, Where have you seene the like but there? I see Calliope speede her to the place, Where my Goddesse shines; And after her the other Muses trace With their Violines. Bene they not Bay braunches which they do beare, All for Elisa in her hand to weare? So sweetely they play, And sing all the way, That it a heaven is to heare. Lo, how finely the Graces can it foote To the Instrument: They dauncen deffly, and singen soote, In their meriment. Wants not a fourth Grace to make the daunce even? Let that rowme to my Lady be yeven. She shal be a Grace, To fyll the fourth place, And reigne with the rest in heaven. Bring hether the Pincke and purple Cullambine, With Gelliflowres; Bring Coronations, and Sops-in-wine Worne of Paramoures: Strowe me the ground with Daffadowndillies, And Cowslips, and Kingcups, and lovèd Lillies: The pretie Pawnce, And the Chevisaunce, Shall match with the fayre flowre Delice. Now ryse up, Elisa, deckèd as thou art In royall aray; And now ye daintie Damsells may depart Eche one her way. I feare I have troubled your troupes to longe: Let dame Elisa thanke you for her song: And if you come hether When Damsines I gether, I will part them all you among.
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55
Cara, ti vorrei scrivere il mio amore; cara, ti vorrei dire che sei come un purissimo vaso che si incrina, ma se tu vuoi riuscire a guardarmi nel viso come Psiche fece nel tempo andato con Amore tu rimarrai delusa e poi ferita. No, non volgerti indietro, la vestale cammina adagio, lenta, a sé davanti guardando sempre; no, non ritornare su ciò che hai fatto, può essere morte: te lo dice un'antica profetessa che è una povera madre e ti vuol bene.
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4.5k
A mia figlia
Life's now fleeting moments with you Flow through my mind like a whirl pool. The minutes we think last forever, on a cycle which will never cease to exist, drastically come to a stop with no announcement. The silence of your voice is infinite, bringing uncontrollable tears to my eyes. What I would do to say goodbye. One last hug, one last laugh, one last season in the garden, one last cheers of our glass. What I would do to make those moments last a life time. To My Nonna, my Nonno -  Ti voglio bene asi... asi...asi The knowledge, wisdom, kindness and love you have given me will live on forever through me. Thank you for everything, this is only goodbye for now. Until next time. I love you.
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Sep 1, 2022
Sep 1, 2022 at 1:07 PM UTC
For Nonna & Nonno
I’m indebted to the Oxford Dictionary of Quotations, 4th Edition 1996 **Ab Imo Pectore A**b imo pectore, Blandae mendacia linguae, Cadit quaestio, Desunt cetera. E*st modus in rebus. Faber est quisque fortunae suae, Gigni de nihilo nihilum, in nihilum nil posse reverti. Hic finis fandi, Interdum stultus bene loquitur? Jacta interdum est alea, Labuntur et imputantur. Magni nominis umbra, Nec scire fas est omnia, Omne crede diem tibi diluxisse supremun, Pallida mors aequo pulsat pauperum tabernas regumque turres; Quid rides, mutato nominee de te fibula narrator, Res ipsa loquitur. Solvitur ambulando… Tempora mutantur, nos et matamur in illis. Urbi et orbi, Vestigia nulla retrorsum.* From The Bottom Of The Heart From the bottom of the heart,  the falsehoods of a smooth tongue, The question drops, the rest is wanting. There is a balance in all things, every man is the creator of his own fate. From nothing, nothing can come, into nothing, nothing can return. Let there be an end to talking, for who can tell when a fool speaks the truth? The die is sometimes already cast, A moment comes and goes, and is laid to our account. From the smallest shadow to the mightiest name, No one can claim to know all things, I believe that every day that dawns may be my last, Pale death knocks impartially at both poor and rich men’s houses; Don’t laugh, change the name and the story is yours, It’s so obvious, it speaks for itself. As the concept of motion is proven by walking… So in time all things change, as we must, in time, all change. And to all the world, There’s no turning back. Ab Imo Pectore / From The Bottom Of The Heart Ab imo pectore, From the bottom of the heart, Blandae mendacia linguae,   The falsehoods of a smooth tongue, Cadit quaestio, The question drops, Desunt cetera. The rest is found wanting. Est modus in rebus, There is a balance in all things, Faber est quisque fortunae suae. Every man is the creator of his own fate. Gigni de nihilo nihilum, in nihilum nil posse reverti. From nothing, nothing can come, into nothing, nothing can return.   Hic finis fandi, Let there be an end to talking, Interdum stultus bene loquitur? For who can tell when a fool speaks the truth? Jacta interdum est alea. The die is sometimes already cast, Labuntur et imputantur. A moment comes and goes, and is laid to our account. Magni nominis umbra, From the smallest shadow to the mightiest name, Nec scire fas est omnia, No one can claim to know all things, Omne crede diem tibi diluxisse supremun, I believe that every day that dawns may be my last, Pallida  mors aequo pulsat pauperum tabernas regumque turres; Pale death knocks impartially at both poor man and rich men’s houses; Quid rides, mutato nominee de te fibula narrator, Don’t laugh, change the name and the story is yours, Res ipsa loquitur. It’s so obvious, that it speaks for itself. Solvitur ambulando… As the concept of motion is proven by walking… Tempora mutantur, nos et matamur in illis. So in time all things change, as we must, in time, all change. Urbi et orbi, And to all the world, Vestigia nulla retrorsum. There’s no turning back. r10.1
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Nov 27, 2013
Nov 27, 2013 at 6:41 PM UTC
Ab Imo Pectore / From The Bottom Of The Heart
I’m indebted to the Oxford Dictionary of Quotations, 4th Edition 1996 **Ab Imo Pectore A**b imo pectore, Blandae mendacia linguae, Cadit quaestio, Desunt cetera. E*st modus in rebus. Faber est quisque fortunae suae, Gigni de nihilo nihilum, in nihilum nil posse reverti. Hic finis fandi, Interdum stultus bene loquitur? Jacta interdum est alea, Labuntur et imputantur. Magni nominis umbra, Nec scire fas est omnia, Omne crede diem tibi diluxisse supremun, Pallida mors aequo pulsat pauperum tabernas regumque turres; Quid rides, mutato nominee de te fibula narrator, Res ipsa loquitur. Solvitur ambulando… Tempora mutantur, nos et matamur in illis. Urbi et orbi, Vestigia nulla retrorsum.* From The Bottom Of The Heart From the bottom of the heart,  the falsehoods of a smooth tongue, The question drops, the rest is wanting. There is a balance in all things, every man is the creator of his own fate. From nothing, nothing can come, into nothing, nothing can return. Let there be an end to talking, for who can tell when a fool speaks the truth? The die is sometimes already cast, A moment comes and goes, and is laid to our account. From the smallest shadow to the mightiest name, No one can claim to know all things, I believe that every day that dawns may be my last, Pale death knocks impartially at both poor and rich men’s houses; Don’t laugh, change the name and the story is yours, It’s so obvious, it speaks for itself. As the concept of motion is proven by walking… So in time all things change, as we must, in time, all change. And to all the world, There’s no turning back. Ab Imo Pectore / From The Bottom Of The Heart Ab imo pectore, From the bottom of the heart, Blandae mendacia linguae,   The falsehoods of a smooth tongue, Cadit quaestio, The question drops, Desunt cetera. The rest is found wanting. Est modus in rebus, There is a balance in all things, Faber est quisque fortunae suae. Every man is the creator of his own fate. Gigni de nihilo nihilum, in nihilum nil posse reverti. From nothing, nothing can come, into nothing, nothing can return.   Hic finis fandi, Let there be an end to talking, Interdum stultus bene loquitur? For who can tell when a fool speaks the truth? Jacta interdum est alea. The die is sometimes already cast, Labuntur et imputantur. A moment comes and goes, and is laid to our account. Magni nominis umbra, From the smallest shadow to the mightiest name, Nec scire fas est omnia, No one can claim to know all things, Omne crede diem tibi diluxisse supremun, I believe that every day that dawns may be my last, Pallida  mors aequo pulsat pauperum tabernas regumque turres; Pale death knocks impartially at both poor man and rich men’s houses; Quid rides, mutato nominee de te fibula narrator, Don’t laugh, change the name and the story is yours, Res ipsa loquitur. It’s so obvious, that it speaks for itself. Solvitur ambulando… As the concept of motion is proven by walking… Tempora mutantur, nos et matamur in illis. So in time all things change, as we must, in time, all change. Urbi et orbi, And to all the world, Vestigia nulla retrorsum. There’s no turning back. r10.1
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85
Like some wind, she roams freely Polishes dusty stones, among which I'm truly A free bird, wanders in the vast blue sky "She will halt eventually", it seems a lie Like Enshrined Enchantress Now All An admirer of beauty, and indeed a beauty herself Infatuation, eventually develops Those beautiful eyes and the irregular smile Occupies my imagination, every once in a while Love Eternal Enroute November Amazon Words were never, and won't ever be enough Soon the weather will come, one that of sneeze and sniff Though seemed, it wasn't so The love was, is, and will always be true Life Endures Empowered Nota-Bene All
0
Nov 13, 2015
Nov 13, 2015 at 11:44 PM UTC
November Amazon
Ever seen the inside of a Teletubbie's belly? I did that **** gave me cataracts and glaucoma which lead to injesting large amounts of guacamole got huge mostly in the head- found a homeless man, let him sleep on my couch he liked to tell stories about his encounters with celebrities oh which he was one back in the day, I think he was on Rosanne never watched it but he was cool enough we biked to the overpass to drop waterballoons on those who needed them most like fake-tanned blondes in convertibles and bicyclers. I love all kinds of people and can forgive their beligerence though mine are quite strange I like canoing in trees and making mosaics from bone fragments and rubies just a bit of a mind juggler smacking singles on counters for pregnancy tests and breath mint tell a tubby his belly is wide and boy you'll be scoutin' a whole new skull.
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Jun 2, 2012
Jun 2, 2012 at 11:31 PM UTC
Bene, grazie!
Ci sarai per sempre un pezzo nel mio cuore, Non sono mai sentita un così bello fiore, Vorrei sapere se, un giorno rincontremo, Perchè non posso pensare di un mondo dove non ci saremo, Tu hai già cambiato tutta la mia vita, Tu sei la mia unica, la mia bella vera città, Non voglio dire mai delle cose che ci viene, Solo qua sembra che tutto potrebbessere va bene.
0
Sep 3, 2012
Sep 3, 2012 at 3:11 PM UTC
Mio Cuore
E stato amore a prima vista Tutto cio che dici e vero Vero amore "Vieni qui," disse "Tu sei una stella...la mia stella Cara mia, ti voglio bene"
0
Mar 17, 2010
Mar 17, 2010 at 8:44 AM UTC
Amore
Plane Poetry: I go to Barber aisle seat C 14, an emergency exit row, forced to solemnly swear that for the extra legroom, I will solemnly assist to open the exit door, me first as my reward, and keep my terrified screaming below an elephant's trumpeting mating call what hast this to do with a trip to Barber? you Brits and Aussies, ever economical, say went 'to hospital,' leaving we Ameddicans to dignify that august institution as going to The Hospital Thus advised, be apprised, a Nota Bene Benidictus: I go to Barber, Not I go to the barber. Samuel Barber, Adagio for String Quartet, Barber If unfamiliar with this piece, you will recall it well if "Apocalypse Now" registers at all If not stop immediately, return to Go, start here, www.youtube.com/watch?v=RRMz8fKkG2g be prepared to surrender your mortality, listen and if effected, if you find yourself on your knees weeping, recalling the days of loss, the early empires of hope, the first kiss of your firstborn and unknowingly, the last you gave a loved one if you have the courage to be touched and impacted, as I, then welcome back to right here where why... *I go to Barber where violins soar me heavenwards, where violins rip open sores long since scarred over, I go to Barber and float, eyes sky'd, as water fills and departs my body simultaneously, I go to Barber to know that art can rise beyond, that my weakened, wrecked human flesh, surpassable   I go to Barber to harmonize my disconcordia, romantic lyricisize my waning days, I go to Barber to voluntary confess, admit my impoverishment, to acknowledge that they, my days, yet are capable, I go to Barber to remember and to forget, to mark and unmark time I go to Barber to be created and recreated, to be destructed and despaired I go to Barber to acknowledge, as human, better is forever possible, for of the god spark, yet unextinguished I go to Barber because there is no plane as fast as his slow adagio, to transport me to the who I am and should yet be*
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May 4, 2014
May 4, 2014 at 4:47 PM UTC
Plane Poetry: I go to Barber
Plane Poetry: I go to Barber aisle seat C 14, an emergency exit row, forced to solemnly swear that for the extra legroom, I will solemnly assist to open the exit door, me first as my reward, and keep my terrified screaming below an elephant's trumpeting mating call what hast this to do with a trip to Barber? you Brits and Aussies, ever economical, say went 'to hospital,' leaving we Ameddicans to dignify that august institution as going to The Hospital Thus advised, be apprised, a Nota Bene Benidictus: I go to Barber, Not I go to the barber. Samuel Barber, Adagio for String Quartet, Barber If unfamiliar with this piece, you will recall it well if "Apocalypse Now" registers at all If not stop immediately, return to Go, start here, www.youtube.com/watch?v=RRMz8fKkG2g be prepared to surrender your mortality, listen and if effected, if you find yourself on your knees weeping, recalling the days of loss, the early empires of hope, the first kiss of your firstborn and unknowingly, the last you gave a loved one if you have the courage to be touched and impacted, as I, then welcome back to right here where why... *I go to Barber where violins soar me heavenwards, where violins rip open sores long since scarred over, I go to Barber and float, eyes sky'd, as water fills and departs my body simultaneously, I go to Barber to know that art can rise beyond, that my weakened, wrecked human flesh, surpassable   I go to Barber to harmonize my disconcordia, romantic lyricisize my waning days, I go to Barber to voluntary confess, admit my impoverishment, to acknowledge that they, my days, yet are capable, I go to Barber to remember and to forget, to mark and unmark time I go to Barber to be created and recreated, to be destructed and despaired I go to Barber to acknowledge, as human, better is forever possible, for of the god spark, yet unextinguished I go to Barber because there is no plane as fast as his slow adagio, to transport me to the who I am and should yet be*
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72
Tutti sanno che Los Angeles è un luogo fresco pazzo per sposarsi .ma dire "sì" ai mozzafiato Hilton vestiti da sposa Checkers ed è un nuovo livello di impressionante .Questo perché Hilton Checkers è un hotel che non solo offre sistemazioni incredibili ( controllare la loro politica " blocco di cortesia" ! ) .Ma diversi luoghi sbalorditivi per dire "sì" o gettando quel post o pre-festa di nozze .Dateci un'occhiata qui di seguito . Da Hilton Checkers .Hilton Checkers si trova nel cuore del abiti da sposa on line centro .a pochi passi da molte delle principali attrazioni della città .L' hotel dispone di diversi luoghi unici per eventi .compreso il nostro Rooftop Deck che può ospitare fino vestiti da sposa a 100 persone e offre una vista mozzafiato dello skyline di Los Angeles .Pluripremiato ristorante dell'hotel .Dama Downtown .è disponibile anche per eventi privati ​​fino a 80 . Alla ricerca di una posizione unica per una cena di prova o il brunch di nozze post.il patio hotel offre un rifugio perfetto per il vostro evento speciale . Inoltre .l'hotel dispone di 193 camere e suite arredate con gusto per accogliere gli ospiti per il vostro matrimonio .Per comodità .Hilton Checkers offrono i cosiddettiè eblocchi ourtesyècon un cut-off di 30 giorni.Questo programma consente di bloccare camere con uno sconto di gruppo .senza essere responsabile di tutte le camere di essere raccolto .Quindi.se si blocca di 15 camere e solo 10 di prelievo .che ' va bene .perché quattro settimane prima della data di arrivo .le camere rimanenti nel blocco sarà rilasciato per la vendita generale. Benvenuti alla famiglia .Hilton Checkers !Siamo così felici di averti http://www.belloabito.com/abiti-da-sposa-c-1 http://188.138.88.219/images_ld/td//t35/product_thumb/1/271935353535_394043.jpeg http://www.belloabito.com/goods.php?id=396
0
Jul 16, 2014
Jul 16, 2014 at 10:28 PM UTC
SMP California accoglie i nostri inserzionisti !_abiti da sposa 2014
Tutti sanno che Los Angeles è un luogo fresco pazzo per sposarsi .ma dire "sì" ai mozzafiato Hilton vestiti da sposa Checkers ed è un nuovo livello di impressionante .Questo perché Hilton Checkers è un hotel che non solo offre sistemazioni incredibili ( controllare la loro politica " blocco di cortesia" ! ) .Ma diversi luoghi sbalorditivi per dire "sì" o gettando quel post o pre-festa di nozze .Dateci un'occhiata qui di seguito . Da Hilton Checkers .Hilton Checkers si trova nel cuore del abiti da sposa on line centro .a pochi passi da molte delle principali attrazioni della città .L' hotel dispone di diversi luoghi unici per eventi .compreso il nostro Rooftop Deck che può ospitare fino vestiti da sposa a 100 persone e offre una vista mozzafiato dello skyline di Los Angeles .Pluripremiato ristorante dell'hotel .Dama Downtown .è disponibile anche per eventi privati ​​fino a 80 . Alla ricerca di una posizione unica per una cena di prova o il brunch di nozze post.il patio hotel offre un rifugio perfetto per il vostro evento speciale . Inoltre .l'hotel dispone di 193 camere e suite arredate con gusto per accogliere gli ospiti per il vostro matrimonio .Per comodità .Hilton Checkers offrono i cosiddettiè eblocchi ourtesyècon un cut-off di 30 giorni.Questo programma consente di bloccare camere con uno sconto di gruppo .senza essere responsabile di tutte le camere di essere raccolto .Quindi.se si blocca di 15 camere e solo 10 di prelievo .che ' va bene .perché quattro settimane prima della data di arrivo .le camere rimanenti nel blocco sarà rilasciato per la vendita generale. Benvenuti alla famiglia .Hilton Checkers !Siamo così felici di averti http://www.belloabito.com/abiti-da-sposa-c-1 http://188.138.88.219/images_ld/td//t35/product_thumb/1/271935353535_394043.jpeg http://www.belloabito.com/goods.php?id=396
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8
I wake up and it's tour day Bright shining sunny The little ones line up and fidget Go up to the street's side and watch Some others stream into the museum Whose insides are covered in papers And sketched all over with crayons Depicting a cityscape and palace interiors The parades are full of balloons and yet empty Then the parade has a different balloon It's alive, regenerating, strong A simple face exuding evil Suddenly I know; we have to run. Now. Children are running and crying My friends and I glance at eachother Anxious, fearful I have to dash back and forth Running, trying to calm the children Reassuring myself and my friends doing the same The stenches of fear and pain permeate the air Somehow I need to get away, to escape And run Then two women appear Cold, sterile, lifeless automotons Trying to take me away So I pretend for a bit to follow, buying time Then I struggle away, and run back Mad dash I find two friends and plead help Wyatt is willing, Max is silent, Rachel isn't there The women are back and no time remains After one last plea I jump the wall Fall, climb, stand, run Gary appears barely in time, time for what I don't know He runs along side, pushing, pulling, somehow helping While saying nothing, too far away to touch We're running into eternity, Away from a black swarming wave of putrid evil I wake up, sweating, gasping And I'm still running
0
Nov 27, 2012
Nov 27, 2012 at 7:35 PM UTC
bene male
*Natura certo, quando lasciò l’arte   di sí fatti animali, assai fé bene     per tòrre tali essecutori a Marte.* mankind, however, does not repent this sin and continues, blindly, to forge the very tools with which the earth will be wiped blank with fire and with it gone, the words of Virgil, Homer, Dante the greatest achievements of the hearts of men undone in an instant by the greed of a few the very earth cries out, and burns through the night a light by which few souls are searched although a light which, piercing and bright, might reveal much to those who would gaze within machines of death roll off assembly lines and pass through the hands of many men invariably finding their way, regrettably into hands that will use them for their intended purpose: the destruction of worlds.
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Sep 14, 2010
Sep 14, 2010 at 6:53 PM UTC
destruction
Quale in notte solinga sovra campagne inargentate ed acque, là 've zefiro aleggia, e mille vaghi aspetti e ingannevoli obbietti fingon l'ombre lontane infra l'onde tranquille e rami e siepi e collinette e ville; giunta al confin del cielo, dietro Appennino od Alpe, o del Tirreno nell'infinito seno scende la luna; e si scolora il mondo; spariscon l'ombre, ed una oscurità la valle e il monte imbruna; orba la notte resta, e cantando con mesta melodia, l'estremo albor della fuggente luce, che dinanzi gli fu duce, saluta il carrettier dalla sua via; tal si dilegua, e tale lascia l'età mortale la giovinezza. In fuga van l'ombre e le sembianze dei dilettosi inganni; e vengon meno le lontane speranze, ove s'appoggia la mortal natura. Abbandonata, oscura resta la vita. In lei porgendo il guardo, cerca il confuso viatore invano del cammin lungo che avanzar si sente meta o ragione; e vede ch'a sé l'umana sede, esso a lei veramente è fatto estrano. Troppo felice e lieta nostra misera sorte parve lassù, se il giovanile stato, dove ogni ben di mille pene è frutto, durasse tutto della vita il corso. Troppo mite decreto quel che sentenzia ogni animale a morte, s'anco mezza la via lor non si desse in pria della terribil morte assai più dura. D'intelletti immortali degno trovato, estremo di tutti i mali, ritrovar gli eterni la vacchiezza, ove fosse incolume il desio, la speme estinta, secche le fonti del piacer, le pene maggiori sempre, e non più dato il bene. Voi, collinette e piagge, caduto lo splendor che all'occidente inargentava della notte il velo, orfane ancor gran tempo non resterete: che dall'altra parte tosto vedrete il cielo imbiancar novamente, e sorger l'alba: alla qual poscia seguitando il sole, e folgorando intorno con le sue fiamme possenti, di lucidi torrenti inonderà con voi gli eterei campi. Ma la vita mortal, poi che la bella giovinezza sparì, non si colora d'altra luce giammai, né d'altra aurora. Vedova è insino al fine; ed alla notte che l'altre etadi oscura, segno poser gli Dei la sepoltura.
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1.2k
Il tramonto della luna
Quale in notte solinga sovra campagne inargentate ed acque, là 've zefiro aleggia, e mille vaghi aspetti e ingannevoli obbietti fingon l'ombre lontane infra l'onde tranquille e rami e siepi e collinette e ville; giunta al confin del cielo, dietro Appennino od Alpe, o del Tirreno nell'infinito seno scende la luna; e si scolora il mondo; spariscon l'ombre, ed una oscurità la valle e il monte imbruna; orba la notte resta, e cantando con mesta melodia, l'estremo albor della fuggente luce, che dinanzi gli fu duce, saluta il carrettier dalla sua via; tal si dilegua, e tale lascia l'età mortale la giovinezza. In fuga van l'ombre e le sembianze dei dilettosi inganni; e vengon meno le lontane speranze, ove s'appoggia la mortal natura. Abbandonata, oscura resta la vita. In lei porgendo il guardo, cerca il confuso viatore invano del cammin lungo che avanzar si sente meta o ragione; e vede ch'a sé l'umana sede, esso a lei veramente è fatto estrano. Troppo felice e lieta nostra misera sorte parve lassù, se il giovanile stato, dove ogni ben di mille pene è frutto, durasse tutto della vita il corso. Troppo mite decreto quel che sentenzia ogni animale a morte, s'anco mezza la via lor non si desse in pria della terribil morte assai più dura. D'intelletti immortali degno trovato, estremo di tutti i mali, ritrovar gli eterni la vacchiezza, ove fosse incolume il desio, la speme estinta, secche le fonti del piacer, le pene maggiori sempre, e non più dato il bene. Voi, collinette e piagge, caduto lo splendor che all'occidente inargentava della notte il velo, orfane ancor gran tempo non resterete: che dall'altra parte tosto vedrete il cielo imbiancar novamente, e sorger l'alba: alla qual poscia seguitando il sole, e folgorando intorno con le sue fiamme possenti, di lucidi torrenti inonderà con voi gli eterei campi. Ma la vita mortal, poi che la bella giovinezza sparì, non si colora d'altra luce giammai, né d'altra aurora. Vedova è insino al fine; ed alla notte che l'altre etadi oscura, segno poser gli Dei la sepoltura.
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68
my first book was about you and it described everything perfectly like the way you looked at me when the sunlight filtered in through your window I never could escape from your soul-hold if I tried but I don't want to try I think it's lovely I want to hold onto you until my dying day when the sun is setting on my life and I want my last word to be your name I want it to roll off my tongue like the Italian I tried to learn in your house I want it to reverberate around the world I want everyone to know that the last thing I want to think about before I die is you
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Oct 16, 2013
Oct 16, 2013 at 10:32 PM UTC
Mia Cara, Ti Voglio Bene
Spesso il male di vivere ** incontrato: era il rivo strozzato che gorgoglia, era l'incartocciarsi della foglia riarsa, era il cavallo stramazzato. Bene non seppi; fuori del prodigio che schiude la divina Indifferenza: era la statua nella sonnolenza del meriggio, e la nuvola, e il falco alto levato.
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Spesso il male di vivere ** incontrato
The city's light and darker places are all strange to me. I only see the glint and flash of some other's recognition. But mine is dull and lost. The mist rolls in and dampens all my spark, and on my light-less windows spreads the dew. Here in my gypsy nightmares, search I for you, And reaching out, with staggered hand, write to you. See here, on darkened window, I breathe - Write once, then in great sorrow,  leave.
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Jun 22, 2010
Jun 22, 2010 at 12:53 AM UTC
Nota bene
like dulcet lovers twins on the Aegean two hearts beating in time bis vivit qui bene vivit* never shall innocent blood be shed yet the blood of the wicked shall flow like a river *time ran by leaving ****** footprints time mated with a vengeance does time run down or simply run out of time?* never shall innocent blood be shed yet the blood of the wicked shall flow like a river *blood speaks in a rush and mumbles in corpuscles blood measures heartbeats in pulses between two hearts a silken cord of caring* never shall innocent blood be shed yet the blood of the wicked shall flow like a river *time answers all questions in good time souls are thin rivers running into the same shivering ocean of memories* never shall innocent blood be shed yet the blood of the wicked shall flow like a river *hearts are cymbals beating out the old refrains in time He lives twice who lives well
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Oct 7, 2010
Oct 7, 2010 at 5:06 PM UTC
the cord blood is strongest
I knew it would hurt to see you again. Did I stop loving you? Jamais but I mistook my heart for that of a wanderer's my eyes would get lost in the distance I never saw yours begging that I'd stay that soft chant reste   reste   reste I hear the calling now et mon coeur, I am sorry Je suis très désolée mon bébé peut-être because I lost you though you never strayed or because your heart was put to rest while I became wordly and lonley et j'ai decouvert you were the only one who'd ever matter e vorrei ritornare ma les mots don't get through I think it hurts most to keep a pull in your heart your mind letting you know that quelquechose was forgotten that held unparalled significance in all those should have beens Je ne t'ai jamais oublié mais tu as fait et c'est bon pour tu but now I have to float away encore parce que je ne peux pas observer tu et elle                                                                     *è mi e ti                                                                   o ti e nessuno* on that first date I'll shatter glass if I see you kiss but darling, know I'll always return I'll keep waiting until your alone wait to see you eyes shine with our memories caro mio, I'll be standing in front of you très vite                 le dico      per piacere Reste     Reste    Reste I wouldn't take a single step away again, my love. Should you present her with a ring I wouldn't ever greet home again and if I'm able to keep strong I'd meet people in my travels. I'd try, only for you, resist the graveyard but even now, your voice sometimes crackles my heart hears, rest   rest   rest I'd give anything you wish                      Don't let my unstable mind bind your decision                        It's a part of my soul that was never your fault                          It wavers and crashes and gently glides                             Don't let my turmoil ruin your sand         Ti voglio bene
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Jan 16, 2016
Jan 16, 2016 at 11:55 PM UTC
Reste
I knew it would hurt to see you again. Did I stop loving you? Jamais but I mistook my heart for that of a wanderer's my eyes would get lost in the distance I never saw yours begging that I'd stay that soft chant reste   reste   reste I hear the calling now et mon coeur, I am sorry Je suis très désolée mon bébé peut-être because I lost you though you never strayed or because your heart was put to rest while I became wordly and lonley et j'ai decouvert you were the only one who'd ever matter e vorrei ritornare ma les mots don't get through I think it hurts most to keep a pull in your heart your mind letting you know that quelquechose was forgotten that held unparalled significance in all those should have beens Je ne t'ai jamais oublié mais tu as fait et c'est bon pour tu but now I have to float away encore parce que je ne peux pas observer tu et elle                                                                     *è mi e ti                                                                   o ti e nessuno* on that first date I'll shatter glass if I see you kiss but darling, know I'll always return I'll keep waiting until your alone wait to see you eyes shine with our memories caro mio, I'll be standing in front of you très vite                 le dico      per piacere Reste     Reste    Reste I wouldn't take a single step away again, my love. Should you present her with a ring I wouldn't ever greet home again and if I'm able to keep strong I'd meet people in my travels. I'd try, only for you, resist the graveyard but even now, your voice sometimes crackles my heart hears, rest   rest   rest I'd give anything you wish                      Don't let my unstable mind bind your decision                        It's a part of my soul that was never your fault                          It wavers and crashes and gently glides                             Don't let my turmoil ruin your sand         Ti voglio bene
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55
Sorriderò e sorriderai ma non capirai promesse che non potevi mantenere, melodie che non suonano più bene dicevi guarderemo il tramonto su una spiaggia così stretti in un abbraccio da non respirare in riva al mare a ballare non ci importerà della pioggia perché non ti lascerò andare acquari, dischi e libri io e te in un castello era solo un sogno, era solo un gioco seppur molto bello le mie lacrime sanno di nostalgia mista a rabbia perché in fondo era solo un castello di sabbia.
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Jun 26, 2019
Jun 26, 2019 at 2:04 PM UTC
Castello di sabbia
N man kan ook net soveel vat. Of kan hy meer? Stof vergader in my kern My bene toe onder n wit sy net. N hartklop van gewigte wat val, My teen die bed vasdruk. Elke versreël eindig met n punt. Elke strofe sonder rym. Dit is nie n gedig nie, So hoekom hou ek aan met skryf. In n amper-liefdesbrief: N deuntjie sonder noot. *** okal die besonderse seer. In my antwoord wil ek skree. Ek stagneer jou meer, maar stilstand is my dood.
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Feb 18, 2017
Feb 18, 2017 at 12:52 PM UTC
Stagneer jou meer
Manotello, olto tello, molto bene, alta. Never known before we go before we go, we will sensor. Acradabdakhrabra lies near since we ended up in here. Indios Bravas for you, people, cause we’re crying as Salvador died.
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Jan 28, 2014
Jan 28, 2014 at 2:45 PM UTC
On the death of Salvador Dali