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"augurs" poems
That lamp thou fill’st in Eros name to-night, O Hero, shall the Sestian augurs take To-morrow, and for drowned Leander’s sake To Anteros its fireless lip shall plight. Aye, waft the unspoken vow: yet dawn’s first light On ebbing storm and life twice ebb’d must break; While ’neath no sunrise, by the Avernian Lake, Lo where Love walks, Death’s pallid neophyte. That lamp within Anteros’ shadowy shrine Shall stand unlit (for so the gods decree) Till some one man the happy issue see Of a life’s love, and bid its flame to shine: Which still may rest unfir’d; for, theirs or thine, O brother, what brought love to them or thee?
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Hero’s Lamp
Not mine own fears, nor the prophetic soul Of the wide world, dreaming on things to come Can yet the lease of my true love control, Supposed as forfeit to a confined doom. The mortal moon hath her eclipse endured, And the sad augurs mock their own presage; Incertainties now crown themselves assured, And peace proclaims olives of endless age. Now with the drops of this most balmy time My love looks fresh, and Death to me subscribes, Since spite of him I’ll live in this poor rhyme, While he insults o’er dull and speechless tribes; And thou in this shalt find thy monument, When tyrants’ crests and tombs of brass are spent.
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Sonnet 107: Not Mine Own Fears, Nor The Prophetic Soul
The painted sun on the guava leaves Augurs another winter, Mellowed only till next summer The sun quietly rests in the shade of each leaf Contemplating in melancholy Next winter they won’t be there And the eyes catching his breathless softness May be gone too, But he through seemingly endless time Has to return each winter To rest in the shade of guava leaves And be planted on the coming eyes Mellowing in the on-setting winter!
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Oct 18, 2013
Oct 18, 2013 at 7:57 AM UTC
Mellowed Sun
Collaboration's implicit excitations explicate expectations Unity's myriad augurs geomancy's indications Demagoguery's ostensibly intuitive impetus coordinations Extravagantly exorbitant panaceas appreciate exaggerations Prolifically profuse profundity's autonomous gestations Empirically emulate epistemology's exogamous creations Intrigue's imperative promulgation's quantum fecundations   Fealty's ephemeral enunciation's explicit complications Hypercritically exponential prophylaxis protocol's interpretations Sacrosanct unary's preternatural predilection's extrications Eventuation's evocative illuminism avant garde's ostentations Corrupt costume counselor's indicative explications Assimilation's synthetic synthesis' ascensional implications Ominous phenomenon portrayal detinue's integrations Umbrage ultraism's penumbral platitude's objectifications Futurity's spontaneous flamboyance's apotropaic expiations
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Nov 30, 2018
Nov 30, 2018 at 7:53 PM UTC
Synergy
Beijing’s Child points at the white clouds flying, veils in the somber sky, to the moon under the yielding tree’s red lantern, he is absent-mindedly playing with his brown braids. He pictures himself abroad, by other long shores turning the pages of his dear illustrated book when a fired fish jumps up to the skies clad in its rainbow scales, glistering. Under the yielding tree red lantern Beijing’s Child rubs the green ginkgo Although the snow, winter’s daughter plucks the feather leaves of her silvery coat.... Was it the wind, messenger of the west that brought the Biloba bird until Ta? Under the yielding tree red lantern He thinks about it sprouting, seed of the past. The Child whose name means pagoda lives over the gates of the shining sun chanting to the elements songs and lullabies, Under the yielding tree red lantern. And when Earth vibrates under the storms when the frightened men rise their damped eyes the child wraps his body with the veil of the stars I hear by the mounts his voice and his augurs. But the tree was cut down and cannot offer its sweet sap anymore the red gleam has faded long ago of the marooned torn by time book only one thing remains, and it is a dream. Because, at bedtime, as the world is sound asleep the child pours a golden powder to the souls. Stay awake at night because the Child of Beijing will enchant you until your morning! Written in French in Beijing, October 20, 2011. Translated on May 9, 2014 Lyon, France
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Nov 28, 2015
Nov 28, 2015 at 9:01 AM UTC
Muttered magnificence of the Chinese Seashore
city heat in hard black attire, superconductive glow of a serpent chasing its tail. asphalted lay of holy land-- whose bedraggled pulse snorts in ****** laughter. roadside augurs fester while tying the laces of traffic, through passed out archways. bird's beaks are broken open, in mad waterless monologues. as the nucleus of this wizened apple, casts oblique shadows... for curly cue-ing worms flirtatious doom. sped billboards imminently flattening the world, under a Columbus-blue sky. going, going...gone! ice cream trucks mangle dueling theme songs, sloughed off by sensational tides of kids. distraction's lustful lick, an informationless tombstone busy with curves. here, whole-body shaves of renouncement... and steady showers of salt, will make worthy the truest Himalayan meditation.
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Jun 17, 2018
Jun 17, 2018 at 12:34 PM UTC
Himalayan Meditation
Words whose inspiration I refuse to trace so I claim they are about no one: everyone writes about blood and maybe that's because it's deserved and maybe where there is desert there is no cliché. Everyone I've ever loved has peeled their lips a little too much and been left with blood running down to their chin. Sanguine seems the perfect word, now, but it's been charged with too much meaning and here I give her leave to drop to her knees screaming, 'I am the thick, deepness you've been searching for.' Blood-red a noun that augurs poorly for those whom take themselves too seriously and here I let it work. I should have recognized the portent provided by rivulets of multiple mediums but I was focused on trying to figure out how your eyes vacillate from my ****** to my amphetamine, and back again. I picked up some of your habits and have held them longer than I held you. Between the blood and tears dripping off my chin in a reality you thought you could never reconcile with words lay you, telling me, woven in secrecy between gasps, that everything has fallen into place. There's a metaphor in there somewhere about how nature's strongest shape is the triangle and the two of us could never stand up to the weights slowly placed on us. I'm not yet confident enough to flesh out the metaphor because all I was ever comfortable with was your flesh and I've yet to deduce the other points of the triangle, but at least I now know what they're not. Everyone before tasted like practice and I realize that's what you thought of me. I slipped truth under your door while you slept and years later I think about your morning before you opened my letter and worked through the ink stains shifted by rain & tears, but mostly rain, I promise.
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Jan 16, 2014
Jan 16, 2014 at 12:40 PM UTC
Untitled
Words whose inspiration I refuse to trace so I claim they are about no one: everyone writes about blood and maybe that's because it's deserved and maybe where there is desert there is no cliché. Everyone I've ever loved has peeled their lips a little too much and been left with blood running down to their chin. Sanguine seems the perfect word, now, but it's been charged with too much meaning and here I give her leave to drop to her knees screaming, 'I am the thick, deepness you've been searching for.' Blood-red a noun that augurs poorly for those whom take themselves too seriously and here I let it work. I should have recognized the portent provided by rivulets of multiple mediums but I was focused on trying to figure out how your eyes vacillate from my ****** to my amphetamine, and back again. I picked up some of your habits and have held them longer than I held you. Between the blood and tears dripping off my chin in a reality you thought you could never reconcile with words lay you, telling me, woven in secrecy between gasps, that everything has fallen into place. There's a metaphor in there somewhere about how nature's strongest shape is the triangle and the two of us could never stand up to the weights slowly placed on us. I'm not yet confident enough to flesh out the metaphor because all I was ever comfortable with was your flesh and I've yet to deduce the other points of the triangle, but at least I now know what they're not. Everyone before tasted like practice and I realize that's what you thought of me. I slipped truth under your door while you slept and years later I think about your morning before you opened my letter and worked through the ink stains shifted by rain & tears, but mostly rain, I promise.
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Collaboration's implicit excitations explicate expectations Unity's myriad augurs geomancy's indications Demagoguery's ostensibly intuitive impetus coordinations Extravagantly exorbitant panaceas appreciate exaggerations Prolifically profuse profundity's autonomous gestations Empirically emulate epistemology's exogamous creations Intrigue's imperative promulgation's quantum fecundations   Fealty's ephemeral enunciation's explicit complications Hypercritically exponential prophylaxis protocol's interpretations Sacrosanct unary's preternatural predilection's extrications Eventuation's evocative illuminism avant garde's ostentations Corrupt costume counselor's indicative explications Assimilation's synthetic synthesis' ascensional implications Ominous phenomenon portrayal detinue's integrations Umbrage ultraism's penumbral platitude's objectifications Futurity's spontaneous flamboyance's apotropaic expiations
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Apr 10, 2017
Apr 10, 2017 at 8:18 PM UTC
Synergy
The Unbearable Winter’s mist The winter’s mist, peculiar, the sky augurs blue and sun mellow, but clouded vision begets and besets, my own and owned melancholy vision is a consequential snake like blurry speckled band, of my own drawing, covering my eyes, when I read Márai‘s wit, write, legal writ, but with my corrected add of the un and my own self assigned grade is a bright red F eye of the beholder Life becomes unbearable *”when one has come to terms with who one is, both in one's own eyes and in the eyes of the world. We all of us must come to terms with what and who we are, and recognize that this wisdom is not going to earn us any praise, that life is not going to pin a medal on us for recognizing and enduring our own vanity or egoism or baldness or our potbelly. No, the secret is that there's no reward and we have to endure our characters and our natures as best we can, because no amount of experience or insight is going to rectify our deficiencies, our self-regard, or our cupidity. We have to learn that our desires do not find any real echo in the world. We have to accept that the people we love do not love us, or not in the way we hope. We have to accept betrayal and disloyalty, and, hardest of all, that someone is finer than we are in character or intelligence.”* Sándor Márai
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Jan 10, 2024
Jan 10, 2024 at 2:36 PM UTC
The Unbearable Winter’s Mist (eye of the beholder)
spinning whilst ripping piercing it's way through my dreaded fate dripping sovereign blood on you clogged, congested, compressed our hearts need augurs now too in order to wash away the horrible things that we do to ourselves
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Aug 13, 2014
Aug 13, 2014 at 5:08 PM UTC
Augurs
Where are you my love, where are you? A strange unknown beauty in my dreams, blinding yet soothing rays from her beams. Words of beauty and pulchritude she whispers, words so perplexing yet that of augurs. Where are you my love, where are you? I hear her faint voice amidst thunder and clouds, a being so enigmatic yet alluring behind black shrouds. Words of beauty and pulchritude she whispers, words so perplexing yet that of augurs. Where are you my love, where are you? Sound of waves cannot subdue her feeble enchanting call, mesmerized and hypnotized, I act like a thrall. Words of beauty and pulchritude she whispers, words so perplexing yet that of augurs. Where are you my love, where are you? Sounds of forest whithin fog and hills so intriguing, but her sound, frail yet so distinct and enthralling. Words of beauty and pulchritude she whispers, words so perplexing yet that of augurs. Where are you my love, where are you? Now she has become my ultimate desire, she is burning in me like wildfire. Words of beauty and pulchritude she whispers, words so perplexing yet that of augurs. Where are you my love, where are you? Ruined, with sword, green turban, clothes stained in blood and dirt. I'll wait for you in a dangerous yet fascinating desert, words of beauty and pulchritude she whispers words so perplexing yet that of augurs. Where are you my love, where are you? We will meet together with a long awaited kiss, together we will head towards the land of eternal bliss. words of beauty and pulchritude she whispers words so perplexing yet that of augurs. Where are you my DEATH, where are you?
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Nov 3, 2014
Nov 3, 2014 at 12:04 AM UTC
Where are you my love, where are you?
Where are you my love, where are you? A strange unknown beauty in my dreams, blinding yet soothing rays from her beams. Words of beauty and pulchritude she whispers, words so perplexing yet that of augurs. Where are you my love, where are you? I hear her faint voice amidst thunder and clouds, a being so enigmatic yet alluring behind black shrouds. Words of beauty and pulchritude she whispers, words so perplexing yet that of augurs. Where are you my love, where are you? Sound of waves cannot subdue her feeble enchanting call, mesmerized and hypnotized, I act like a thrall. Words of beauty and pulchritude she whispers, words so perplexing yet that of augurs. Where are you my love, where are you? Sounds of forest whithin fog and hills so intriguing, but her sound, frail yet so distinct and enthralling. Words of beauty and pulchritude she whispers, words so perplexing yet that of augurs. Where are you my love, where are you? Now she has become my ultimate desire, she is burning in me like wildfire. Words of beauty and pulchritude she whispers, words so perplexing yet that of augurs. Where are you my love, where are you? Ruined, with sword, green turban, clothes stained in blood and dirt. I'll wait for you in a dangerous yet fascinating desert, words of beauty and pulchritude she whispers words so perplexing yet that of augurs. Where are you my love, where are you? We will meet together with a long awaited kiss, together we will head towards the land of eternal bliss. words of beauty and pulchritude she whispers words so perplexing yet that of augurs. Where are you my DEATH, where are you?
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Awe inspired While the whole world was Expecting a Brilliant lady In the white-house, Drawing a blank It witnessed a Clown in a Farce House,where With the rob of Democracy Takes stage Autocracy! If spoken must Be the truth The revolting unfolding Augurs ill to the youth-- The successors, The task forces of A given nation, Who deserves More attention To take the nation To a new height Where it will prove A beacon light! Vampires to Their hearts' delight Hold and chew More than they can bite Blind to others' plight! So we must slam on the face A ****** speech is out of place! "As the saying goes 'Back to square one-- subjugation, segregation ,gender and colour discrimination... devilation-- We shall again be A predator &brutal; nation" "Business has become red hot By fair means or foul Let us get rid of The non-Anglo Saxons Rivals from the melting *** Putting in the dark From where we  ourselves got The *** The bottom line is, Brushing aside Democracy's mockery If preference treatment Is necessary Setting aside (college vote) It is successors' Voice that must get More weight In making a nation great. It is also little The attention of the fickle(with3 wives) For the fair *** This we have to battle.
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Dec 2, 2016
Dec 2, 2016 at 9:21 AM UTC
A White House or A Farce House ?
Kick me? Kiss me. (sonnet #MMMMMMCCLIII) As greyish twilight's pink clouds on the pale East haunt lo, the first note of dawn, blue thence Mair ghostly oh! I think "how calm tis hence--" Like ninety-mile winds had been here, the frail Peace breathless nor but waiting to avail. And where the golden shafts draw fir trees' dense Forms on dead houses' silence, know that sense Is odd, cuz our electric'ty ne'er went stale. Oh Andrew! My heart's on the West coast, poor Though just friends augurs, where th'uprooted crew Of ancient trees and battered houses that your Eyes know too keenly mar the waking view. And your heart grieves to note all, whiles mine fer Just having you okay, gives thanks oer you. 08Apr17a
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Apr 15, 2017
Apr 15, 2017 at 1:07 AM UTC
I Swear It's Been Too Quiet Here
The ancients put tremendous matters On oracles and auguries.   When godhood speaks, the priest agrees. Glib cunning fails when trouble batters.   Calculations have a thousand ways To err, while chance can cut the odds To one in ten, or more if gods Drop hints about our dossiers.   Augurs read events to come From entrails, bones, and scattered sticks.   Their guesses are arithmetics For problems reasoning can’t sum.
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Jan 17, 2022
Jan 17, 2022 at 10:06 AM UTC
Auguries
⸎⟆⥉⦕⫯⟴ Ode to the Count De St. Germaine ⸎⟆ Dearest Count, I know you watch and listen. It is through you I set sail upon this ship of thoughts To you, to whom, I christen. These polysemic effulgence do, alas, waxen, wane, but seldom in vain. In antediluvian silence drawn, manifests in hyperborean dearth a logos, sir in autochthonous rebirth. Their, hierophantic murmurs will obfuscate, the omphalos of matter, still inchoate, where perichoresis in vertiginous tide the fractal that doth assuredly bide. A palimpsest of null embrace where these false augurs drink from hollowed urns, and time itself forgets to turn. Perfidious orisons, whisper-thin, in circumflected aeons spin, converging on the cusp of naught, where paradigms in silence rot. A chrysalis of paradox, enshrouds the fey, unbridled clocks, that chime in fugue, then dissipate beyond the hinge of latent fate... The pericombobulatory grand design deliquesces in auctorial decline! (Syncretic palingenesis unspools, within the aether’s epistemic pools, a syzygetic parallax unweaves the thaumaturgic spoor that time bereaves.) For naught but vacuous profundities remain, a simulacrum of the arcane mundane, where in sesquipedalian grandeur lies a syllogism clad in grandiloquent guise. Ouroboric concatenations of antinomian design, circumvolute within paracryptic paradigms malign, as obmutescent theogonic vestiges coalesce in the eidetic zymurgy of aphasic largesse. Metagnostic palimpsests, fracto-linear and obtuse, catachrestically wane in hyperchromatic profuse, whilst locutions, effulgent yet contrite, obumbrate the paramorphic tautology of night. A transcendental abecedarium, paralogical and vast, consanguineous with the inexorable umbrage of our shared Jungian past, germinates within the syntagmatic— Ever relaxed or ecstatic, Coalesced to pragmatic, Lugubriously emphatic. Within this hypostatized ratiocinative mire, where sophronistic axiom and non-being conspire, one finds but an echolalic, chimerical gleam, an ontosemantic palinode to the dream. The Archetype realized. The Alchemist mystically re-materialized. Count, oh Count. "Wherefore art thou," indeed, in this : our time of greatest need.
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Feb 24, 2025
Feb 24, 2025 at 4:23 PM UTC
⸎⟆⥉⦕⫯⟴ Ode to the Count De St. Germaine ⸎⟆⥉⦕⫯⟴
⸎⟆⥉⦕⫯⟴ Ode to the Count De St. Germaine ⸎⟆ Dearest Count, I know you watch and listen. It is through you I set sail upon this ship of thoughts To you, to whom, I christen. These polysemic effulgence do, alas, waxen, wane, but seldom in vain. In antediluvian silence drawn, manifests in hyperborean dearth a logos, sir in autochthonous rebirth. Their, hierophantic murmurs will obfuscate, the omphalos of matter, still inchoate, where perichoresis in vertiginous tide the fractal that doth assuredly bide. A palimpsest of null embrace where these false augurs drink from hollowed urns, and time itself forgets to turn. Perfidious orisons, whisper-thin, in circumflected aeons spin, converging on the cusp of naught, where paradigms in silence rot. A chrysalis of paradox, enshrouds the fey, unbridled clocks, that chime in fugue, then dissipate beyond the hinge of latent fate... The pericombobulatory grand design deliquesces in auctorial decline! (Syncretic palingenesis unspools, within the aether’s epistemic pools, a syzygetic parallax unweaves the thaumaturgic spoor that time bereaves.) For naught but vacuous profundities remain, a simulacrum of the arcane mundane, where in sesquipedalian grandeur lies a syllogism clad in grandiloquent guise. Ouroboric concatenations of antinomian design, circumvolute within paracryptic paradigms malign, as obmutescent theogonic vestiges coalesce in the eidetic zymurgy of aphasic largesse. Metagnostic palimpsests, fracto-linear and obtuse, catachrestically wane in hyperchromatic profuse, whilst locutions, effulgent yet contrite, obumbrate the paramorphic tautology of night. A transcendental abecedarium, paralogical and vast, consanguineous with the inexorable umbrage of our shared Jungian past, germinates within the syntagmatic— Ever relaxed or ecstatic, Coalesced to pragmatic, Lugubriously emphatic. Within this hypostatized ratiocinative mire, where sophronistic axiom and non-being conspire, one finds but an echolalic, chimerical gleam, an ontosemantic palinode to the dream. The Archetype realized. The Alchemist mystically re-materialized. Count, oh Count. "Wherefore art thou," indeed, in this : our time of greatest need.
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Collaboration's implicit excitations explicate expectations Unity's myriad augurs geomancy's indications Demagoguery's ostensibly intuitive impetus coordinations Extravagantly exorbitant panaceas appreciate exaggerations Prolifically profuse profundity's autonomous gestations Empirically emulate epistemology's exogamous creations Intrigue's imperative promulgation's quantum fecundations   Fealty's ephemeral enunciation's explicit complications Hypercritically exponential prophylaxis protocol's interpretations Sacrosanct unary's preternatural predilection's extrications Eventuation's evocative illuminism avant garde's ostentations Corrupt costume counselor's indicative explications Assimilation's synthetic synthesis' ascensional implications Ominous phenomenon portrayal detinue's integrations Umbral ultraism's penumbral platitude's objectifications Futurity's spontaneous flamboyance's apotropaic expiations
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Dec 23, 2020
Dec 23, 2020 at 7:04 PM UTC
Synergy
The Muses, of peace,                                and the women of proven experience and expertise in their good intentions,         they are merely mentioned, and as far as the corner of the empty place of the tongue, light, form, color, a garden, and witnesses by witnesses whoever does them and it is bitter, very much: the fat, oil, sodium hydroxide is very good, and he who is in the sign of the fire, 1 have heard lots of the six men, the counsel of the 1 live 1 loose a half of the body from the very fact of the softness of the hurricane and the spirit of the excellent torturer took a sword, and brought him out of the water in the pain of Asia, in the image of the skin of the white blocks [buttocks] to move the augur, a fool, a fool, Satan: for it are moved                       as it is meet to improve. An accuser of the time of the movement of the strange things, without images, and the six of us, the Jews, who were such great impact on the examples to be in himself, as God has not suffered him to pass the praise and to us, the work follows that the largest external interface outside of this is to do what,                    for what so many of the girls that are loose and the body of a lot of good-looking men, by what is natural to him is to you too; And the Muses themselves, and peace, are the women of proven experience and expertise are of a good into the ideas, not that their names are mentioned, and as far as the corner of his hunger, it is not of the tongue, light and image; the color is, in the garden of the testimony of a witness, and those who make them, and it is bitter, memories, and the fat, the oil, sodium hydroxide, the hydroxide is very good, and the signal light, and the many specifications laid down by 1 men's open 1                              to 1 loose life half by the very fact that the softness of a strong windstorm and her best played exhibition takes the sword away and in the pain of Asia,  the image of the white blocks augurs you to stupidly stupid move your body as it is cast to play.           The prosecutor's movements of the time sounds strange to statues and the six of us and the Jews that had a big impact in the form of your body as the face of a very commendable merit of the external interface to the outside, for many girls are soft and cute people of your nature.
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Oct 7, 2018
Oct 7, 2018 at 10:59 AM UTC
The Muses, of Peace
The Muses, of peace,                                and the women of proven experience and expertise in their good intentions,         they are merely mentioned, and as far as the corner of the empty place of the tongue, light, form, color, a garden, and witnesses by witnesses whoever does them and it is bitter, very much: the fat, oil, sodium hydroxide is very good, and he who is in the sign of the fire, 1 have heard lots of the six men, the counsel of the 1 live 1 loose a half of the body from the very fact of the softness of the hurricane and the spirit of the excellent torturer took a sword, and brought him out of the water in the pain of Asia, in the image of the skin of the white blocks [buttocks] to move the augur, a fool, a fool, Satan: for it are moved                       as it is meet to improve. An accuser of the time of the movement of the strange things, without images, and the six of us, the Jews, who were such great impact on the examples to be in himself, as God has not suffered him to pass the praise and to us, the work follows that the largest external interface outside of this is to do what,                    for what so many of the girls that are loose and the body of a lot of good-looking men, by what is natural to him is to you too; And the Muses themselves, and peace, are the women of proven experience and expertise are of a good into the ideas, not that their names are mentioned, and as far as the corner of his hunger, it is not of the tongue, light and image; the color is, in the garden of the testimony of a witness, and those who make them, and it is bitter, memories, and the fat, the oil, sodium hydroxide, the hydroxide is very good, and the signal light, and the many specifications laid down by 1 men's open 1                              to 1 loose life half by the very fact that the softness of a strong windstorm and her best played exhibition takes the sword away and in the pain of Asia,  the image of the white blocks augurs you to stupidly stupid move your body as it is cast to play.           The prosecutor's movements of the time sounds strange to statues and the six of us and the Jews that had a big impact in the form of your body as the face of a very commendable merit of the external interface to the outside, for many girls are soft and cute people of your nature.
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Collaboration's implicit excitations explicate expectations Unity's myriad augurs geomancy's indications Demagoguery's ostensibly intuitive impetus coordinations Extravagantly exorbitant panaceas appreciate exaggerations Prolifically profuse profundity's autonomous gestations Empirically emulate epistemology's exogamous creations Intrigue's imperative promulgation's quantum fecundations   Fealty's ephemeral enunciation's explicit complications Hypercritically exponential prophylaxis protocol's interpretations Sacrosanct unary's preternatural predilection's extrications Eventuation's evocative illuminism avant garde's ostentations Corrupt costume counselor's indicative explications Assimilation's synthetic synthesis' ascensional implications Ominous phenomenon portrayal detinue's integrations Umbral ultraism's penumbral platitude's objectifications Futurity's spontaneous flamboyance's apotropaic expiations
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Nov 30, 2024
Nov 30, 2024 at 12:02 AM UTC
Synergy
The 'Bleak Weald', 'Dusk-Woods', 'Grove of Screeching Wights'— A land of many names and many routes. While veiled in gloom and dusk, with looming heights, It ***** the ashen tears through creeping roots. The grasping claws of forests, seeking moon, Would turn around at slightest sound to pierce The hearts; for those who dare disturb are hewn And strewn apart for augurs' sights to pierce. The pilgrim hastens into darkened woods And stumbles fast through death, awaiting prey. From satchel worn, returns the stolen goods To woods betrayed—the moonlight, craved and prayed. Thus, 'Bleak Weald', 'Dusk-Woods', 'Grove of Screeching Wights' Became the Twilight Woods of sage and sights.
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Feb 19, 2025
Feb 19, 2025 at 11:36 AM UTC
The Twilight Woods
The only one along this road… riding shotgun through my mind Tomorrow waits for someone else, lost wanderings consigned Forgetting what the moment augurs, living in the past Confirming what I’m most afraid of —behind whoever’s last (The New Room: January, 2022)
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Jan 15, 2022
Jan 15, 2022 at 12:02 PM UTC
Bringing Up The Rear
The drums of doom are echoing Across the barren hillsides. Heavy carts on wheels of hatred Loaded high with steaming tubs of vitriol And the ugly trolls who brewed it, Are rolling down the twisted roads, Toward a city newly named Perdition, There to dance the Sarabande While flocks of screaming Peregrines Circle through the storm black clouds And all the shutters are nailed tight Against the wind that that rattles doors And augurs the millennium. ljm
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Feb 15, 2024
Feb 15, 2024 at 11:01 AM UTC
APOCALYPSE