You can feel it spinning
                                         fast
the Chinese, Japanese, American and European junk
orbiting at several thousand miles per hour could
                                                           ­                             punch
a hole in your armor, future. Thanksgiving passes, then Christmas.
A nuclear detonation, we absorb that fact. The scientist in us
delays sadness by recording observations. What is is,
sorrow's for tomorrow.

By reducing probabilities to near zero I hope to avoid sorrow.
In yr suburb.
In history when there were many fewer people we still found reason
to cross space, explore, trade and war. Now
                                                             ­                 overpopulation
may not be the problem but food and water shortages
get our attention.
                              I have Korf's fears.
And hear what I want to hear.

Some hear singing, some hear speeches or complaining.
Martin Luther King sang his complaints, dreamed of a brotherly nation
which came to pass, spinning fast, past Thanksgivings, past jailings
into reconnaissance, small wars, drones, renaissance, inventions.
At the border,
                         where the Juaristas fought Maximilian:
Benito Juarez (1806-1872) Zapotec Amerindian who served five terms as president of Mexico. He was the first Mexican leader who did not have a military background and also the first full-blooded indigenous person to lead a country in the western hemisphere in over 300 years. For resisting French occupation, overthrowing the Empire, and restoring the Republic, Juarez is regarded as Mexicoxs greatest and most beloved leader. 

Each soldier chooses what war at what border, or just
                                                            ­                                   shows up
spinning with the planet.
The neighborhood and surrounding nature is orderly.
But always there is implied force, violence holding it together,
                                                       ­                                                       chaos
is contained
kept out of the playground, government buildings, childrenxs games
but lies within
the force maintaining order, a spinning tumor, a gyroscope of
                                                              ­                                                inertia.
The force of the spinning, the speed of the force bring one to one's
      death
seasons, weather, earth.
                                         While the emperor's being beheaded
enduring seeds are discovered and invented, cross-fertilized and bred.
Corn, yams, potatoes, sunflowers, rice.
                                                           ­       Food is life and a good study,
useful discipline
                           daily meditation.
                                                     ­   The fighting man protects the farmer
and the farmer feeds the fighting man.
They elect the governor
                                        who serves the people. Peace out.

Peace and war are transitory manifestations of spinning
electrons, planets.
                               The sun's a nuclear detonation, essential
to spring and planting. Food is life. Seeds endure
if man goes to his daily discipline. If woman is man.
Birth and death
                           together are orderly, the border can be known,
voluntarily. How we live together, by prayer or force,
is our story.

Knowledge
from laboratory to starry corridor keeps us very
                                                            ­                         versed.
Did Juaristas consider the rights of animals not to be eaten?
Not during that spinning.
                                              And perform the history that surrounds us.
All that can be done
is written in the spinning:
"The people of the land, the Indian farmers of North America - like their counterparts in Mesoamerica, the Andean region, and the Amazon - have continuously cultivated maize, beans, squash and other crops for more than five thousand years. One of the salient features of their traditional farming systems is the high degree of biodiversity. These traditional farming systems have emerged over centuries of cultural and biological evolution, and they represent the accumulated experience of indigenous farmers interacting with the environment without access to external inputs, capital or scientific knowledge. In Latin America alone, more than 2.5 million hectares under traditional agriculture in the form of raised fields, polycultures, agroforestry systems and the like document indigenous farmers' successful adaptations to difficult environments."

Love Sonnet XVII
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

I do not love you like coral or topaz,
or the blazing hearth’s incandescent white flame:
I love you like phantoms embraced in the dark,
secretly, in shadows, unrevealed and unnamed.

I love you like shrubs that refuse to bloom
while pregnant with the radiance of mysterious flowers;
now thanks to your love an earthy fragrance
lives dimly in my body’s odors.

I love you without knowing how, when, why or where;
I love you forthrightly, without complications or care:
I love you this way because I know no other.

Here, where “I” no longer exists, nor “you” ...
so close that your hand on my chest is my own,
so close that your eyes close gently on my dreams.

Keywords/Tags: Neruda, translation, Spanish, love, sonnet, rose, topaz, coral, dark, shadow, obscure, secret, fragrance, hand, chest, eyes, close, dreams



More Pablo Neruda translations ...

You can crop all the flowers but you cannot detain spring.
―Pablo Neruda, loose translation by Michael R. Burch

While nothing can save us from death,
still love can redeem each breath.
―Pablo Neruda, loose translation/interpretation by Michael R. Burch

As if you were set on fire from within,
the moon whitens your skin.
—Pablo Neruda, loose translation/interpretation by Michael R. Burch

Please understand that when I awaken weeping
it's because I dreamed I was a lost child
searching the leaf-heaps for your hands in the darkness.
―Pablo Neruda, loose translation/interpretation by Michael R. Burch

I’m no longer in love with her, that's certain ...
yet perhaps I love her still.
Love is so short, forgetting so long!
—Pablo Neruda, loose translation/interpretation by Michael R. Burch

I alone own my darkness.—Pablo Neruda, loose translation/interpretation by Michael R. Burch

I own my own darkness, alone.—Pablo Neruda, loose translation/interpretation by Michael R. Burch






Religión en el Este (“Religion in the East”)
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

for Tom Merrill

I realized in Rangoon:
the gods were our enemies
as much as God;
alabaster gods elongated like white whales;
gilded gods gleaming like golden ears of corn;
serpentine gods coiling around the crime of being born;
naked detached buddhas
smiling enigmatically at cocktail parties,
contemplating pointless eternity
like Christ on his grotesque cross;
all of them capable of any atrocity,
of imposing their heaven upon us;
all armed with implements of torture, or death;
all demanding piety or, better yet, our blood;
avaricious gods imagined by men
to excuse their cowardice, or to conceal it;
gods everywhere, inescapable;
and the whole earth reeking of heaven,
for sale, like merchandise.



In all the languages of men only the poor will know your name.—Pablo Neruda



The Heights of Machu Picchu, Canto VIII
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

for Martin Mc Carthy, who put me up to it

Ascend with me, my American love!

Let’s kiss these mysterious stones together!

The Urubamba’s torrential silver
lures pollen to fly from its golden chalice
while above this canyon’s unbroken silence
everything soars: the climbing grapevines’ fruitless branches,
the shopworn plants, each inflexible garland.

Come, elfin life, test your wings above the earth,
test the cold, crystalline air,
****** the embrittled emeralds aside,
test even these frigid waters, cascading from the icepacks.

Test love, lambent Love itself, until the night's sudden implosion
over the Andes' atlean peaks,
when, reeling on the reddening knees of dawn,
you feast your startled eyes on its snowblind offspring.

Oh Wilkamayu of the sonorous looms,
when you unleash your thunderbursts,
when you crazily rend your thunder’s skeins
leaving gauzy white clouds to bind wounded snow,
when your wild winds whip sheer cliffs into avalanches,
roaring as if to arouse the sky from its sleep,
what language will you awaken at last in the ear,
thus lately freed from your Andean inundations?

Who imprisoned the frigid lightning bolt,
left it chained to these Promethean heights,
scattered its glacial tears,
brandished its mercurial swords,
hammered out the threads of its war-torn stamens,
led it to this warrior's bower
then left it to lie in a rocky fissure?

What do your harried illuminations reveal,
your rebellious lightnings signal?
Must we travel inhibited by words?
Impeded by frozen syllables,
these dark languages, gold-brocaded banners,
fathomless mouths and conquered cries
arising from your silver arterial waters?

Who decapitates lily-like eyelids
from those come to observe the earth’s occupants?
Who scatters dead seeds
flung from your waterfall hands
only to atrophy here
into fossilized coal?

Who flings branches over precipices
only to bury our banal farewells?

On love, Love!, do not approach the boundaries;
avoid idle adoration of sunken heads;
nor let time exhaust all possibilities
in this strange abode of broken overtures;
nor think, between these cascading waters and sheer cliff walls,
to reclaim high mountains’ elevated airs,
nor the wind’s white laminations,
nor the blind canal’s guidance toward high cordilleras,
nor the dew’s brilliant solicitations;
but ascend, blossom by blossom, through the thickets,
clambering up the coiling serpent flung from the crags above.

From this escarpment zone of flint and forest,
from this emerald stardust broken by jungle clearings,
Mantur, the valley, emerges like a living creature
save for its eerie silence.

Ascend to my very being, to my own individual dawn,
even to this higher crown of solitudes.

This fallen kingdom survives in us nonetheless.

While racing across the Andes' sundial the condor's shadow
passes black as a marauder.



For now, I ask no more than the justice of eating.—Pablo Neruda



La Barcarola Termina (“The Watersong Ends”)
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

It is time, love, to sever the somber rose,
to shut off the stars, to re-bury the ashes in earth;
and then, in the insurrection of light, to awake with those who awoke,
lest we continue this dream of reaching the far shore of a sea without shores.



One Pillar
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

One pillar props up consolations,
so please don’t bother telling me anything!
Does the pale metalloid heal you, really?
I have a terrible fear of re-becoming an animal,
of the terrible anger that devolves men to boys.
And after so many words?



Soliloquio en Tinieblas (“Soliloquy at Twilight”)
from Estravagario, 1958
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

Don’t you know there’s no one in the streets
and no one inside the houses either? Only eyes in the windows.
If you lack someplace to sleep,
knock on a door and they’ll open it,
but only to a certain point,
and you’ll see that it’s cold inside,
that the house is empty
and wants nothing to do with you,
because your stories are worthless.
And if you suggest tenderness
the dog and cat will bite you.



Poesía (“Poetry”)
from Memorial de Isla Negra, 1964
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

Something transpired in my soul,
a fit of fever or a flurry of wings,
after which I made my way,
deciphering that fire;
finally I wrote the first faint line,
pale, insubstantial, pure nonsense,
or perhaps the pure wisdom
of someone who knows nothing;
then suddenly I saw
the heavens
revealed,
gates flung wide open.



I love you only because I love you
by Pablo Neruda
loose translation by Michael R. Burch

I love you only because I love you;
I am torn between loving and not loving you,
Between apathy and desire.
My heart vacillates between ice and fire.

I love you only because you’re the one I love;
I hate you deeply, but hatred
Bends me all the more toward you, so that the measure of my variableness
Is that I do not see you, but love you blindly.

Perhaps January’s frigid light will consume my heart with its cruel rays,
robbing me of any hope of peace.

In this tragic plot, I am the one who dies,
Love’s only victim,
And I will die of love because I love you,
Because I love you, my Love, in fire and blood.



Every Day You Play
by Pablo Neruda
loose translation by Michael R. Burch

Every day you play with Infinity’s rays.
Exquisite visitor, you arrive with the flowers and the water.
You are vastly more than this immaculate head I clasp tightly
like a cornucopia, every day, between my hands ...



Love Sonnet XI
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

I crave your mouth, your voice, your hair.
I stalk the streets, silent and starving.
Bread does not satisfy me; dawn does not divert me
from my relentless pursuit of your fluid spoor.

I long for your liquid laughter,
for your sunburned hands like savage harvests.
I lust for your fingernails' pale marbles.
I want to devour your ******* like almonds, whole.

I want to ingest the sunbeams singed by your beauty,
to eat the aquiline nose from your aloof face,
to lick your eyelashes' flickering shade.

I pursue you, snuffing the shadows,
seeking your heart's scorching heat
like a puma prowling the heights of Quitratue.



The Book of Questions
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

Is the rose ****
or is that just how she dresses?

Why do trees conceal
their spectacular roots?

Who hears the confession
of the getaway car?

Is there anything sadder
than a train standing motionless in the rain?



In El Salvador, Death
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

Death still surveils El Salvador.
The blood of murdered peasants has never clotted;
time cannot congeal it,
nor does the rain erase it from the roads.
Fifteen thousand were machine-gunned dead
by Martinez, the murderer.
To this day the coppery taste of blood still flavors
the land, bread and wine of El Salvador.



If You Forget Me
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

I need you to know one thing ...
You know
how it goes:
if I gaze up at the glowing moon,
if observe the blazing autumn’s reddening branches from my window,
if I touch the impalpable ash of the charred log’s wrinkled body ...
everything returns me to you,
as if everything that exists
―all aromas, sights, solids―
were small boats
sailing toward those isles of yours that await me.

However ...
if little by little you stop loving me
then I shall stop loving you, little by little.

And if you suddenly
forget me,
do not bother to investigate,
for I shall have immediately
forgotten you
also.

If you think my love strange and mad―
this whirlwind of streaming banners
gusting through me,
so that you elect to leave me at the shore
where my heart lacks roots,
just remember that, on that very day,
at that very hour,
I shall raise my arms
and my roots will sail off
to find some more favorable land.

But
if each day
and every hour,
you feel destined to be with me,
if you greet me with implacable sweetness,
and if each day
and every hour
flowers blossom on your lips to entice me, ...
then ah my love,
oh my only, my own,
all that fire will be reinfernoed in me
and nothing within me will be extinguished or forgotten;
my love will feed on your love, my beloved,
and as long as you live it will be me in your arms ...
as long as you never leave mine.



Sonnet XLV
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

Don't wander far away, not even for a day, because―
how can I explain? A day is too long ...
and I’ll be waiting for you, like a man in an empty station
where the trains all stand motionless.

Don't leave me, my dear, not even for an hour, because―
then despair’s raindrops will all run blurrily together,
and the smoke that drifts lazily in search of a home
will descend hazily on me, suffocating my heart.

Darling, may your lovely silhouette never dissolve in the surf;
may your lashes never flutter at an indecipherable distance.
Please don't leave me for a second, my dearest,

because then you'll have gone far too far
and I'll wander aimlessly, amazed, asking all the earth:
Will she ever return? Will she spurn me, dying?



My Dog Died
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

My dog died;
so I buried him in the backyard garden
next to some rusted machine.

One day I'll rejoin him, over there,
but for now he's gone
with his shaggy mane, his crude manners and his cold, clammy nose,
while I, the atheist who never believed
in any heaven for human beings,
now believe in a paradise I'm unfit to enter.

Yes, I somehow now believe in a heavenly kennel
where my dog awaits my arrival
wagging his tail in furious friendship!

But I'll not indulge in sadness here:
why bewail a companion
who was never servile?

His friendship was more like that of a porcupine
preserving its prickly autonomy.

His was the friendship of a distant star
with no more intimacy than true friendship called for
and no false demonstrations:
he never clambered over me
coating my clothes with mange;
he never assaulted my knee
like dogs obsessed with ***.

But he used to gaze up at me,
giving me the attention my ego demanded,
while helping this vainglorious man
understand my concerns were none of his.

Aye, and with those bright eyes so much purer than mine,
he'd gaze up at me
contentedly;
it was a look he reserved for me alone
all his entire sweet, gentle life,
always merely there, never troubling me,
never demanding anything.

Aye, and often I envied his energetic tail
as we strode the shores of Isla Negra together,
in winter weather, wild birds swarming skyward
as my golden-maned friend leapt about,
supercharged by the sea's electric surges,
sniffing away wildly, his tail held *****,
his face suffused with the salt spray.

Joy! Joy! Joy!
As only dogs experience joy
in the shameless exuberance
of their guiltless spirits.

Thus there are no sad good-byes
for my dog who died;
we never once lied to each other.

He died, he's gone, I buried him;
that's all there is to it.



Tonight I will write the saddest lines
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

Tonight I will write the saddest lines.
I will write, for example, “The night is less bright
and a few stars shiver in the distance
as I remember her unwarranted light ...”

Tonight I will write her the saddest lines:
that I loved her as she loved me too, sometimes,
all those long, lonely nights when I held her tight
and filled her ears with indecipherable rhymes ...

Then she loved me too, as I also loved her,
compelled by the spell of her enormous eyes.
Tonight I will write her the saddest lines
as I ponder love’s death and our mutual crimes.

Outside I hear night―silent, cold, dark, immense―
as these delicate words fall, useless as dew.
Oh, what does it matter that love came to naught
if love was false, or perhaps even true?

And yet I hear songs being sung in the distance.
How can I forget her, so soon since I lost her?
I seek to regain her, somehow bring her closer.
But my heart has been blinded; she will not appear!

Now moonlight and starlight whiten dark trees.
We also are ghosts, by love’s failing light.
My love has failed me, but how I once loved her!
My voice ... this cursed wind ... what use to recite?

Another’s. She will soon be another’s.
Her body, her voice, her infinite eyes.
I no longer love her! And why should I love her
when love is sad, short, mad, fickle, unwise?

Because of cold nights we clung through so closely,
I’m not satisfied to know she is gone.
And while I must end this hell I now suffer,
It’s sad to remember all love left undone.

We frolicked under the tears
of the Andean moon,
danced on cobblestone streets
in the sacred valley.

Our minds were laced
with fermented corn,
we connected to the gods.

And you,
you with your celebratory-nature,
changed my fate forever
with the flick of your wrist,
downed sweet memories
of the perfect world
nobody ever lives.

You kept him
alive in a sterling heart,
next to your own,
permeating passions
to be fulfilled
by hearty revelers,
and I did.

In Yucatan, the Maya sonneteers
Of the Caribbean amphitheatre,
In spite of hawk and falcon, green toucan
And jay, still to the night-bird made their plea,
As if raspberry tanagers in palms,
High up in orange air, were barbarous.
But Crispin was too destitute to find
In any commonplace the sought-for aid.
He was a man made vivid by the sea,
A man come out of luminous traversing,
Much trumpeted, made desperately clear,
Fresh from discoveries of tidal skies,
To whom oracular rockings gave no rest.
Into a savage color he went on.

How greatly had he grown in his demesne,
This auditor of insects! He that saw
The stride of vanishing autumn in a park
By way of decorous melancholy; he
That wrote his couplet yearly to the spring,
As dissertation of profound delight,
Stopping, on voyage, in a land of snakes,
Found his vicissitudes had much enlarged
His apprehension, made him intricate
In moody rucks, and difficult and strange
In all desires, his destitution's mark.
He was in this as other freemen are,
Sonorous nutshells rattling inwardly.
His violence was for aggrandizement
And not for stupor, such as music makes
For sleepers halfway waking. He perceived
That coolness for his heat came suddenly,
And only, in the fables that he scrawled
With his own quill, in its indigenous dew,
Of an aesthetic tough, diverse, untamed,
Incredible to prudes, the mint of dirt,
Green barbarism turning paradigm.
Crispin foresaw a curious promenade
Or, nobler, sensed an elemental fate,
And elemental potencies and pangs,
And beautiful barenesses as yet unseen,
Making the most of savagery of palms,
Of moonlight on the thick, cadaverous bloom
That yuccas breed, and of the panther's tread.
The fabulous and its intrinsic verse
Came like two spirits parlaying, adorned
In radiance from the Atlantic coign,
For Crispin and his quill to catechize.
But they came parlaying of such an earth,
So thick with sides and jagged lops of green,
So intertwined with serpent-kin encoiled
Among the purple tufts, the scarlet crowns,
Scenting the jungle in their refuges,
So streaked with yellow, blue and green and red
In beak and bud and fruity gobbet-skins,
That earth was like a jostling festival
Of seeds grown fat, too juicily opulent,
Expanding in the gold's maternal warmth.
So much for that. The affectionate emigrant found
A new reality in parrot-squawks.
Yet let that trifle pass. Now, as this odd
Discoverer walked through the harbor streets
Inspecting the cabildo, the facade
Of the cathedral, making notes, he heard
A rumbling, west of Mexico, it seemed,
Approaching like a gasconade of drums.
The white cabildo darkened, the facade,
As sullen as the sky, was swallowed up
In swift, successive shadows, dolefully.
The rumbling broadened as it fell. The wind,
Tempestuous clarion, with heavy cry,
Came bluntly thundering, more terrible
Than the revenge of music on bassoons.
Gesticulating lightning, mystical,
Made pallid flitter. Crispin, here, took flight.
An annotator has his scruples, too.
He knelt in the cathedral with the rest,
This connoisseur of elemental fate,
Aware of exquisite thought. The storm was one
Of many proclamations of the kind,
Proclaiming something harsher than he learned
From hearing signboards whimper in cold nights
Or seeing the midsummer artifice
Of heat upon his pane. This was the span
Of force, the quintessential fact, the note
Of Vulcan, that a valet seeks to own,
The thing that makes him envious in phrase.

And while the torrent on the roof still droned
He felt the Andean breath. His mind was free
And more than free, elate, intent, profound
And studious of a self possessing him,
That was not in him in the crusty town
From which he sailed. Beyond him, westward, lay
The mountainous ridges, purple balustrades,
In which the thunder, lapsing in its clap,
Let down gigantic quavers of its voice,
For Crispin to vociferate again.

Declared as an UNESCO Heritage Site in 1983, is today a place of tourist attraction, - this ancient city of Inca pride! Please read its absorbing story, you will not regret it ! Thanks, - Raj Nandy

MACHU PICCHU: THE LOST CITY OF THE INCAS!

(I)
At those ethereal heights where only eagles dare,
And where the Condor glides to gently perch;
Above the Urubamba Valley of Peru, -
Stretches the peaks of Machu Picchu and Huayna
Picchu;
Where the sky above is a clear cerulean blue!
And on a cloud-draped ridge connecting both
these Andean peaks, -
Lies the magnificent site of Machu Picchu, –
which many tourists seek!
A city hewed and carved out of rocks and stones,
Which in proud defiance to marauding time,
Stands there for nearly six hundred years, -
A majestic symbol of Inca pride!
(II)
The Inca Kings were the ‘child of the sun’,
Their chief deity was the Sun God - ‘INTI’,
Their ninth king who expanded and consolidated
their Empire,
Was known as the great Emperor Pachucuti!
This king and his architects, at an altitude of
8000 feet built the great Inca City!
To worship their gods and honor their ancestors,
And as a royal family resort and a summer retreat!
Inca religion was based around Nature, and their
architecture blended with the landscape around!
At Machu Picchu they felt closer to their gods,
And could almost hear His sound!
Pachucuti also built the city of Cuzco, the capital
of the Inca Empire,
They never had horses or wheels those days,
Their ‘runners’ covered their kingdom entire!
With posts located at suitable distances, for
relaying messages throughout their Empire!
(III)
The ruins of Machu Picchu covers 13 sq kms,
Lying some 70 kms north-west of Cuzco city,
Nestled amidst the navel of the mountain rocks,
Hidden from the praying eyes of all adversaries!
Surrounded by gushing mountain rivers and
yawning chasms going down deep;
And with secret ropeway bridges, this Inca hideout
was all complete!
It escaped the greedy Pizarro’s eyes, that Spaniard
who came for Inca gold,
Leaving Machu Picchu untouched, for the entire world
to behold!
So the urban sector of Machu Picchu has 140 buildings
still intact;
With steps and terraces cut into steep granite face,
And streams and aqua-ducts to irrigate their lands!
(IV)
The citadel lies on a flat surface, which is a 20 hectares
spread!
With a sacred and a residential area, and houses for
priests, nobility and guests!
‘Amautas’ were men both holy and wise, conducted
ceremonies and read the stars;
But the Incas had no written script, and took help of
the ‘quipu’ by far!
The ‘quipu’ was a numerical system using many
knotted strings, -
With which they kept records and accounts of almost
any and everything!
(V)
A Sacred Area had temples and buildings,
All dedicated to the Gods by Pachucuti;
A Sun Temple, and the sacred Intihuatana Stone,
For ‘binding the sun’ – the great Inti !
During the Equinox on the 21st of March and September,
When the sun was directly above the Intihuatana Stone, <
The priests performed ceremonies and offered prayers, -
To keep the sun caged and in control!
Legend has it that should a sensitive man, keep his
forehead on this sacred Stone, -
His ‘third eye’ would open up, and the ‘spiritual world’
he shall behold!
(VI)
It was Hiram Bingham a professor from Yale University,
Who in July 1911 rediscovered this miniature Inca City!
He took three years to clear the jungles and the wild
vines;
And the artifacts he had found were sent to the US -
as precious finds!
The modern architects who visited Machu Picchu,
all marvelled at the techniques used;
A ‘dry stone technique’* without mortar, had all of
them pretty confused!
Many stones weighed around fifty tones, and others were
cut into various shapes and size;
And were fitted with such precision, leaving no room
even for a blade of knife!
The peaks there often get covered with mist,
And is the abode of white fluffy clouds;
This stairways to where the Inca gods dwell, #
Is where Machu Picchu is to be found!
- Raj Nandy
(- ALL COPYRIGHTS RESERVED -)
Notes: -Huayna Pichu stands behind Machu Picchu -
40mtrs higher! It has a steeper climb and has the ‘Temple of
the Moon’ inside a dark cave! +Declared a Heritage Site
by UNESCO in 1983.< Sun being directly above the sacred stone did not cast any shadow, so the priest said he had caged the Sun! *Dry stone
technique without mortar also used in Egyptian Pyramids! #Many
tribes believed Incas were Gods! Thanks for reading, - Raj Nandy.

............................................. ................................................. .....................

You've asked me how can I see a future when love, in all
Its numinous beauty, is waning?
I reply, the immortal stars still shine above the veil of clouds.
You say, why are the salmon swimming to their pools of origin
Only to die as they spawn?  Only to die?
I tell you their love is unconditional, like mine.
You ask me did the giant sequoia know it was shelter for the burning grasses
When they walked from the seas?  I reply yes they knew.
You question me about the lofty snow cranes that fly over the Himalayas
And I reply by describing
How the priestly flocks, chanting on their mission, honk—
Announcing the mantle steps to the heavens.
You inquire about the elephantine manatees gracing the shallow banks
And wonder if the sea mermaids remember their lives beyond the latitudes
Of capricorn and cancer?
Or you’ve discovered in the wind a new reasoning as to why
The talons of the paired eagles lock in midair as they court?
You want to understand the nimbus garden, ocean slate, of lake Titicaca
Where resides the Andean sea horse gliding above the clouds?
The whales that circle dance in unison collecting krill?
The noetic display of the birds of paradise, the songs of nameless creatures
Playing in the wilderness like a forgotten melody only lovers lips remember?

I want to tell you that true love knows this, that life in its
Prismatic shimmer is all the myriad colours of infinite existence wrapped
In time to the sublime structure of white and bones.  I must tell you
That the flower is mighty in its opening, the humming bird is a sorcerer
Who needles ambrosia with vortex wings weaving his way to the Gods.

But I am nothing beside your disbelief which has arrived, before
I can even imagine the sweet awakening, like doom, my shell is the iridescent
Hollow of the one eyed Abalone, discarded in the deep fathoms
Of the ocean pressures.

I swim the tides as you do, investigating
The endless tendril seas,
And in my chest, during the night, I woke up empty,
The only thing treasured, a golden face
Trapped inside my dreams.

                                                        ­          
                                                             ­­                       — after Neruda

I've chewed the leaves,
lots of them
to ease the pain.
I've guzzled chicha
seeking a vision,
danced
the traditional
spiral
to pan pipes
and a trumpet.
And I've seen
piles of bones
as far as the eye can see
out on the Altiplano,
bleached by the sun,
basking in the rain
for a millennium.

You've asked me how can I see a future when love, in all
Its numinous beauty, is waning?
I reply, the immortal stars still shine above the veil of clouds.
You say, why are the salmon swimming to their pools of origin
Only to die as they spawn?  Only to die?
I tell you their love is unconditional, like mine.
You ask me did the giant sequoia know it was shelter for the burning grasses
When they walked from the seas?  I reply yes they knew.
You question me about the lofty snow cranes that fly over the Himalayas
And I reply by describing
How the priestly flocks, chanting on their mission, honk—
Announcing the mantle steps to the heavens.
You inquire about the elephantine manatees gracing the shallow banks
And wonder if the sea mermaids remember their lives beyond the latitudes
Of capricorn and cancer?
Or you’ve discovered in the wind a new reasoning as to why
The talons of the paired eagles lock in midair as they court?
You want to understand the nimbus garden, ocean slate, of lake Titicaca
Where resides the Andean sea horse gliding above the clouds?
The whales that circle dance in unison collecting krill?
The noetic display of the birds of paradise, the songs of nameless creatures
Playing in the wilderness like a forgotten melody only lovers lips remember?

I want to tell you that true love knows this, that life in its
Prismatic shimmer is all the myriad colours of infinite existence wrapped
In time to the sublime structure of white and bones.  I must tell you
That the flower is mighty in its opening, the humming bird is a sorcerer
Who needles ambrosia with vortex wings weaving his way to the Gods.

But I am nothing beside your disbelief which has arrived, before
I can even imagine the sweet awakening, like doom, my shell is the iridescent
Hollow of the one eyed Abalone, discarded in the deep fathoms
Of the ocean pressures.

I swim the tides as you do, investigating
The endless tendril seas,
And in my chest, during the night, I woke up empty,
The only thing treasured, a golden face
Trapped inside my dreams.

                                                                   
                              ­                                                      — after Neruda

You've asked me how can I see a future when love, in all
Its numinous beauty, is waning?
I reply, the immortal stars still shine above the veil of clouds.
You say, why are the salmon swimming to their pools of origin
Only to die as they spawn?  Only to die?
I tell you their love is unconditional, like mine.
You ask me did the giant sequoia know it was shelter for the burning grasses
When they walked from the seas?  I reply yes they knew.
You question me about the lofty snow cranes that fly over the Himalayas
And I reply by describing
How the priestly flocks, chanting on their mission, honk—
Announcing the mantle steps to the heavens.
You inquire about the elephantine manatees gracing the shallow banks
And wonder if the sea mermaids remember their lives beyond the latitudes
Of capricorn and cancer?
Or you’ve discovered in the wind a new reasoning as to why
The talons of the paired eagles lock in midair as they court?
You want to understand the nimbus garden, ocean slate, of lake Titicaca
Where resides the Andean sea horse gliding above the clouds?
The whales that circle dance in unison collecting krill?
The noetic display of the birds of paradise, the songs of nameless creatures
Playing in the wilderness like a forgotten melody only lovers lips remember?

I want to tell you that true love knows this, that life in its
Prismatic shimmer is all the myriad colours of infinite existence wrapped
In time to the sublime structure of white and bones.  I must tell you
That the flower is mighty in its opening, the humming bird is a sorcerer
Who needles ambrosia with vortex wings weaving his way to the Gods.

But I am nothing beside your disbelief which has arrived, before
I can even imagine the sweet awakening, like doom, my shell is the iridescent
Hollow of the one eyed Abalone, discarded in the deep fathoms
Of the ocean pressures.

I swim the tides as you do, investigating
The endless tendril seas,
And in my chest, during the night, I woke up empty,
The only thing treasured, a golden face
Trapped inside my dreams.

                                                        ­­          
                                                             ­­                       — after Neruda

Every Day You Play
by Pablo Neruda
loose translation by Michael R. Burch

Every day you play with Infinity’s rays.
Exquisite visitor, you arrive with the flowers and the water.
You are vastly more than this immaculate head I clasp tightly
like a cornucopia, every day, between my hands ...

Keywords/Tags: Neruda, translation, Spanish, day, play, infinity, infinity's, rays, exquisite, visitor, flowers, water, head, clasp, hands



More Pablo Neruda translations ...


These are English translations of Spanish poems by Pablo Neruda. There are also English translations of Pablo Neruda quotes and epigrams.

Pablo Neruda (1904-1973) was a Chilean poet who won the Nobel Prize for Literature in 1971 and is generally considered to be one of the world's best poets. Indeed, he was called "the greatest poet of the 20th century in any language" by Gabriel García Márquez.

Neruda always wrote in green ink, the color of esperanza (hope).



Love! Love until the night implodes!—Pablo Neruda, loose translation/interpretation by Michael R. Burch



You can crop all the flowers but you cannot detain spring.—Pablo Neruda, loose translation/interpretation by Michael R. Burch



As if you were set on fire from within,
the moon whitens your skin.
—Pablo Neruda, loose translation/interpretation by Michael R. Burch



The Book of Questions
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

Is the rose ****
or is that just how she dresses?

Why do trees conceal
their spectacular roots?

Who hears the confession
of the getaway car?

Is there anything sadder
than a train standing motionless in the rain?



While nothing can save us from death,
still love can redeem each breath.
—Pablo Neruda, loose translation/interpretation by Michael R. Burch



In El Salvador, Death
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

Death still surveils El Salvador.
The blood of murdered peasants has never clotted;
time cannot congeal it,
nor does the rain erase it from the roads.
Fifteen thousand were machine-gunned dead
by Martinez, the murderer.
To this day the coppery taste of blood still flavors
the land, bread and wine of El Salvador.



Please understand that when I awaken weeping
it's because I dreamed I was a lost child
searching the leaf-heaps for your hands in the darkness.
—Pablo Neruda, loose translation/interpretation by Michael R. Burch



Love Sonnet LXVI
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

I love you only because I love you;
I am torn between loving and not loving you,
between apathy and desire.
My heart vacillates between ice and fire.

I love you only because you’re the one I love;
I hate you deeply, but hatred makes me implore you all the more
so that in my inconstancy
I do not see you, but love you blindly.

Perhaps January’s frigid light
will consume my heart with its cruel rays,
robbing me of the key to contentment.

In this tragic plot, I ****** myself
and I will die loveless because I love you,
because I love you, my Love, in fire and in blood.



I'm no longer in love with her, that's certain ...
yet perhaps I love her still.
Love is so short, forgetting so long!
—Pablo Neruda, loose translation/interpretation by Michael R. Burch



Love Sonnet XI
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

I crave your mouth, your voice, your hair.
I stalk the streets, silent and starving.
Bread does not satisfy me; dawn does not divert me
from my relentless pursuit of your fluid spoor.

I long for your liquid laughter,
for your sunburned hands like savage harvests.
I lust for your fingernails' pale marbles.
I want to devour your ******* like almonds, whole.

I want to ingest the sunbeams singed by your beauty,
to eat the aquiline nose from your aloof face,
to lick your eyelashes' flickering shade.

I pursue you, snuffing the shadows,
seeking your heart's scorching heat
like a puma prowling the heights of Quitratue.



I own my own darkness, alone.—Pablo Neruda, loose translation/interpretation by Michael R. Burch

I alone own my darkness.—Pablo Neruda, loose translation/interpretation by Michael R. Burch



Love Sonnet XVII
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

I do not love you like coral or topaz,
or the blazing hearth's incandescent white flame;
I love you like phantoms embraced in the dark ...
secretly, in shadows, unrevealed & unnamed.

I love you like bushes that refuse to bloom
while pregnant with the radiance of mysterious flowers;
now, thanks to your love, an earthy fragrance
lives dimly in my body's odors.

I love you without knowing—how, when, why or where;
I love you forthrightly, without complications or care;
I love you this way because I know no other.

Here, where "I" no longer exists ... so it seems ...
so close that your hand on my chest is my own,
so close that your eyes close gently on my dreams.



I like for you to be still: it’s as if you were absent;
then you hear me from far away, yet my voice fails to touch you.
—Pablo Neruda “Me Gustas Cuando Callas” translation by Michael R. Burch



If You Forget Me
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

I need you to know one thing ...

You know
how it goes:
if I gaze up at the glowing moon,
if observe the blazing autumn’s reddening branches from my window,
if I touch the impalpable ash of the charred log’s wrinkled body ...
everything returns me to you,
as if everything that exists
—all aromas, sights, solids—
were small boats
sailing toward those isles of yours that await me.

However ...
if little by little you stop loving me
then I shall stop loving you, little by little.

And if you suddenly
forget me,
do not bother to investigate,
for I shall have immediately
forgotten you
also.

If you think my love strange and mad—
this whirlwind of streaming banners
gusting through me,
so that you elect to leave me at the shore
where my heart lacks roots,
just remember that, on that very day,
at that very hour,
I shall raise my arms
and my roots will sail off
to find some more favorable land.

But
if each day
and every hour,
you feel destined to be with me,
if you greet me with implacable sweetness,
and if each day
and every hour
flowers blossom on your lips to entice me, ...
then ah my love,
oh my only, my own,
all that fire will be reinfernoed in me
and nothing within me will be extinguished or forgotten;
my love will feed on your love, my beloved,
and as long as you live it will be me in your arms ...
as long as you never leave mine.



Laughter is the soul's language.—Pablo Neruda



Sonnet XLV
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

Don't wander far away, not even for a day, because—
how can I explain? A day is too long ...
and I’ll be waiting for you, like a man in an empty station
where the trains all stand motionless.

Don't leave me, my dear, not even for an hour, because—
then despair’s raindrops will all run blurrily together,
and the smoke that drifts lazily in search of a home
will descend hazily on me, suffocating my heart.

Darling, may your lovely silhouette never dissolve in the surf;
may your lashes never flutter at an indecipherable distance.
Please don't leave me for a second, my dearest,

because then you'll have gone far too far
and I'll wander aimlessly, amazed, asking all the earth:
Will she ever return? Will she spurn me, dying?



I want to do with you what spring does with the cherry trees.—Pablo Neruda



My Dog Died
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

My dog died;
so I buried him in the backyard garden
next to some rusted machine.

One day I'll rejoin him, over there,
but for now he's gone
with his shaggy mane, his crude manners and his cold, clammy nose,
while I, the atheist who never believed
in any heaven for human beings,
now believe in a paradise I'm unfit to enter.

Yes, I somehow now believe in a heavenly kennel
where my dog awaits my arrival
wagging his tail in furious friendship!

But I'll not indulge in sadness here:
why bewail a companion
who was never servile?

His friendship was more like that of a porcupine
preserving its prickly autonomy.

His was the friendship of a distant star
with no more intimacy than true friendship called for
and no false demonstrations:
he never clambered over me
coating my clothes with mange;
he never assaulted my knee
like dogs obsessed with ***.

But he used to gaze up at me,
giving me the attention my ego demanded,
while helping this vainglorious man
understand my concerns were none of his.

Aye, and with those bright eyes so much purer than mine,
he'd gaze up at me
contentedly;
it was a look he reserved for me alone
all his entire sweet, gentle life,
always merely there, never troubling me,
never demanding anything.

Aye, and often I envied his energetic tail
as we strode the shores of Isla Negra together,
in winter weather, wild birds swarming skyward
as my golden-maned friend leapt about,
supercharged by the sea's electric surges,
sniffing away wildly, his tail held *****,
his face suffused with the salt spray.

Joy! Joy! Joy!
As only dogs experience joy
in the shameless exuberance
of their guiltless spirits.

Thus there are no sad good-byes
for my dog who died;
we never once lied to each other.

He died, he's gone, I buried him;
that's all there is to it.



Let us forget with generosity those who cannot love us.—Pablo Neruda



Tonight I will write the saddest lines
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

Tonight I will write the saddest lines.
I will write, for example, “The night is less bright
and a few stars shiver in the distance
as I remember her unwarranted light ...”

Tonight I will write her the saddest lines:
that I loved her as she loved me too, sometimes,
all those long, lonely nights when I held her tight
and filled her ears with indecipherable rhymes ...

Then she loved me too, as I also loved her,
compelled by the spell of her enormous eyes.
Tonight I will write her the saddest lines
as I ponder love’s death and our mutual crimes.

Outside I hear night—silent, cold, dark, immense—
as these delicate words fall, useless as dew.
Oh, what does it matter that love came to naught
if love was false, or perhaps even true?

And yet I hear songs being sung in the distance.
How can I forget her, so soon since I lost her?
I seek to regain her, somehow bring her closer.
But my heart has been blinded; she will not appear!

Now moonlight and starlight whiten dark trees.
We also are ghosts, by love’s failing light.
My love has failed me, but how I once loved her!
My voice ... this cursed wind ... what use to recite?

Another’s. She will soon be another’s.
Her body, her voice, her infinite eyes.
I no longer love her! And why should I love her
when love is sad, short, mad, fickle, unwise?

Because of cold nights we clung through so closely,
I’m not satisfied to know she is gone.
And while I must end this hell I now suffer,
It’s sad to remember all love left undone.

The moon lives in the lining of your skin.—Pablo Neruda



Religión en el Este (“Religion in the East”)
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

for Tom Merrill

I realized in Rangoon:
the gods were our enemies
as much as God;
alabaster gods elongated like white whales;
gilded gods gleaming like golden ears of corn;
serpentine gods coiling around the crime of being born;
naked detached buddhas
smiling enigmatically at cocktail parties,
contemplating pointless eternity
like Christ on his grotesque cross;
all of them capable of any atrocity,
of imposing their heaven upon us;
all armed with implements of torture, or death;
all demanding piety or, better yet, our blood;
avaricious gods imagined by men
to excuse their cowardice, or to conceal it;
gods everywhere, inescapable;
and the whole earth reeking of heaven,
for sale, like merchandise.



In all the languages of men only the poor will know your name.—Pablo Neruda



The Heights of Machu Picchu, Canto VIII
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

for Martin Mc Carthy, who put me up to it

Ascend with me, my American love!

Let’s kiss these mysterious stones together!

The Urubamba’s torrential silver
lures pollen to fly from its golden chalice
while above this canyon’s unbroken silence
everything soars: the climbing grapevines’ fruitless branches,
the shopworn plants, each inflexible garland.

Come, elfin life, test your wings above the earth,
test the cold, crystalline air,
****** the embrittled emeralds aside,
test even these frigid waters, cascading from the icepacks.

Test love, lambent Love itself, until the night's sudden implosion
over the Andes' atlean peaks,
when, reeling on the reddening knees of dawn,
you feast your startled eyes on its snowblind offspring.

Oh Wilkamayu of the sonorous looms,
when you unleash your thunderbursts,
when you crazily rend your thunder’s skeins
leaving gauzy white clouds to bind wounded snow,
when your wild winds whip sheer cliffs into avalanches,
roaring as if to arouse the sky from its sleep,
what language will you awaken at last in the ear,
thus lately freed from your Andean inundations?

Who imprisoned the frigid lightning bolt,
left it chained to these Promethean heights,
scattered its glacial tears,
brandished its mercurial swords,
hammered out the threads of its war-torn stamens,
led it to this warrior's bower
then left it to lie in a rocky fissure?

What do your harried illuminations reveal,
your rebellious lightnings signal?
Must we travel inhibited by words?
Impeded by frozen syllables,
these dark languages, gold-brocaded banners,
fathomless mouths and conquered cries
arising from your silver arterial waters?

Who decapitates lily-like eyelids
from those come to observe the earth’s occupants?
Who scatters dead seeds
flung from your waterfall hands
only to atrophy here
into fossilized coal?

Who flings branches over precipices
only to bury our banal farewells?

On love, Love!, do not approach the boundaries;
avoid idle adoration of sunken heads;
nor let time exhaust all possibilities
in this strange abode of broken overtures;
nor think, between these cascading waters and sheer cliff walls,
to reclaim high mountains’ elevated airs,
nor the wind’s white laminations,
nor the blind canal’s guidance toward high cordilleras,
nor the dew’s brilliant solicitations;
but ascend, blossom by blossom, through the thickets,
clambering up the coiling serpent flung from the crags above.

From this escarpment zone of flint and forest,
from this emerald stardust broken by jungle clearings,
Mantur, the valley, emerges like a living creature
save for its eerie silence.

Ascend to my very being, to my own individual dawn,
even to this higher crown of solitudes.

This fallen kingdom survives in us nonetheless.

While racing across the Andes' sundial the condor's shadow
passes black as a marauder.



For now, I ask no more than the justice of eating.—Pablo Neruda



La Barcarola Termina (“The Watersong Ends”)
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

It is time, love, to sever the somber rose,
to shut off the stars, to re-bury the ashes in earth;
and then, in the insurrection of light, to awake with those who awoke,
lest we continue this dream of reaching the far shore of a sea without shores.



One Pillar
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

One pillar props up consolations,
so please don’t bother telling me anything!
Does the pale metalloid heal you, really?
I have a terrible fear of re-becoming an animal,
of the terrible anger that devolves men to boys.
And after so many words?



Soliloquio en Tinieblas (“Soliloquy at Twilight”)
from Estravagario, 1958
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

Don’t you know there’s no one in the streets
and no one inside the houses either? Only eyes in the windows.
If you lack someplace to sleep,
knock on a door and they’ll open it,
but only to a certain point,
and you’ll see that it’s cold inside,
that the house is empty
and wants nothing to do with you,
because your stories are worthless.
And if you suggest tenderness
the dog and cat will bite you.



Poesía (“Poetry”)
from Memorial de Isla Negra, 1964
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

Something transpired in my soul,
a fit of fever or a flurry of wings,
after which I made my way,
deciphering that fire;
finally I wrote the first faint line,
pale, insubstantial, pure nonsense,
or perhaps the pure wisdom
of someone who knows nothing;
then suddenly I saw
the heavens
revealed,
gates flung wide open.

Keywords/Tags: Pablo Neruda English Translations, Spanish Poems, Love Sonnets, Quotes, Epigrams, Machu Picchu

You've asked me how can I see a future when love, in all
Its numinous beauty, is waning?
I reply, the immortal stars still shine above the veil of clouds.
You say, why are the salmon swimming to their pools of origin
Only to die as they spawn?  Only to die?
I tell you their love is unconditional, like mine.
You ask me did the giant sequoia know it was shelter for the burning grasses
When they walked from the seas?  I reply yes they knew.
You question me about the lofty snow cranes that fly over the Himalayas
And I reply by describing
How the priestly flocks, chanting on their mission, honk—
Announcing the mantle steps to the heavens.
You inquire about the elephantine manatees gracing the shallow banks
And wonder if the sea mermaids remember their lives beyond the latitudes
Of capricorn and cancer?
Or you’ve discovered in the wind a new reasoning as to why
The talons of the paired eagles lock in midair as they court?
You want to understand the nimbus garden, ocean slate, of lake Titicaca
Where resides the Andean sea horse gliding above the clouds?
The whales that circle dance in unison collecting krill?
The noetic display of the birds of paradise, the songs of nameless creatures
Playing in the wilderness like a forgotten melody only lovers lips remember?

I want to tell you that true love knows this, that life in its
Prismatic shimmer is all the myriad colours of infinite existence wrapped
In time to the sublime structure of white and bones.  I must tell you
That the flower is mighty in its opening, the humming bird is a sorcerer
Who needles ambrosia with vortex wings weaving his way to the Gods.

But I am nothing beside your disbelief which has arrived, before
I can even imagine the sweet awakening, like doom, my shell is the iridescent
Hollow of the one eyed Abalone, discarded in the deep fathoms
Of the ocean pressures.

I swim the tides as you do, investigating
The endless tendril seas,
And in my chest, during the night, I woke up empty,
The only thing treasured, a golden face
Trapped inside my dreams.

                                                        ­­­          
                                                             ­­                      *— after Neruda

if i were to bread my tongue
with rocoto and cornmeal
and twist to reach the andean soil
my tastebuds long for so many nights
out of the year
olfaction and your left-sinus blockage
would stay cradled
in broken-baguette bread-crust baskets,
a trebuchet's missile,
naïve to the horn of the world,
and brittled to a carcinogenic crisp
caped in my earthenblood geysers
en el humo, en la tierra del fuego
in(fierno)

i recount by the tally marks of black felt
resorted to in the puddling of spilt tea,
(like broken china, you never missed
a beat to correct potential error

and my memory),
i count them to remember
the epiphanies standing over a red faucet
a gallon water jug, whistling snail-trickle,
wishing away the cracks in the grout
or the grout itself,
wishing away the cracks in the pottery
or porcelain facade of which
you're so fond and grace with singing cuticles

the fingers of a pianist
lacking the wherewithal
and solid brick gall
to answer the ivory's summons

i am not a piece of clay,
i respond poorly to your sculpture of my surface,
covered in oxides and baked in
hell's oven, your mountain fire
scathes me as it does cedar resin
and i am similarly embittered,
pooling sap & draining smoke
in the embers and dead charcoal
of your embrace

avant le corps, sans l'âme
sans le corps, avant l'âme

A pinch between gums
not hungry on high alert
perpetual high

You've asked me how can I see a future when love, in all
Its numinous beauty, is waning?
I reply, the immortal stars still shine above the veil of clouds.
You say, why are the salmon swimming to their pools of origin
Only to die as they spawn?  Only to die?
I tell you their love is unconditional, like mine.
You ask me did the giant sequoia know it was shelter for the burning grasses
When they walked from the seas?  I reply yes they knew.
You question me about the lofty snow cranes that fly over the Himalayas
And I reply by describing
How the priestly flocks, chanting on their mission, honk—
Announcing the mantle steps to the heavens.
You inquire about the elephantine manatees gracing the shallow banks
And wonder if the sea mermaids remember their lives beyond the latitudes
Of capricorn and cancer?
Or you’ve discovered in the wind a new reasoning as to why
The talons of the paired eagles lock in midair as they court?
You want to understand the nimbus garden, ocean slate, of lake Titicaca
Where resides the Andean sea horse gliding above the clouds?
The whales that circle dance in unison collecting krill?
The noetic display of the birds of paradise, the songs of nameless creatures
Playing in the wilderness like a forgotten melody only lovers lips remember?

I want to tell you that true love knows this, that life in its
Prismatic shimmer is all the myriad colours of infinite existence wrapped
In time to the sublime structure of white and bones.  I must tell you
That the flower is mighty in its opening, the humming bird is a sorcerer
Who needles ambrosia with vortex wings weaving his way to the Gods.

But I am nothing beside your disbelief which has arrived, before
I can even imagine the sweet awakening, like doom, my shell is the iridescent
Hollow of the one eyed Abalone, discarded in the deep fathoms
Of the ocean pressures.

I swim the tides as you do, investigating
The endless tendril seas,
And in my chest, during the night, I woke up empty,
The only thing treasured, a golden face
Trapped inside my dreams.

                                                        ­­          
                                                             ­­                       — after Neruda

King of the Andes
might live to age of fifty
Andean condor

You've asked me how can I see a future when love, in all
Its numinous beauty, is waning?
I reply, the immortal stars still shine above the veil of clouds.
You say, why are the salmon swimming to their pools of origin
Only to die as they spawn?  Only to die?
I tell you their love is unconditional, like mine.
You ask me did the giant sequoia know it was shelter for the burning grasses
When they walked from the seas?  I reply yes they knew.
You question me about the lofty snow cranes that fly over the Himalayas
And I reply by describing
How the priestly flocks, chanting on their mission, honk—
Announcing the mantle steps to the heavens.
You inquire about the elephantine manatees gracing the shallow banks
And wonder if the sea mermaids remember their lives beyond the latitudes
Of capricorn and cancer?
Or you’ve discovered in the wind a new reasoning as to why
The talons of the paired eagles lock in midair as they court?
You want to understand the nimbus garden, ocean slate, of lake Titicaca
Where resides the Andean sea horse gliding above the clouds?
The whales that circle dance in unison collecting krill?
The noetic display of the birds of paradise, the songs of nameless creatures
Playing in the wilderness like a forgotten melody only lovers lips remember?

I want to tell you that true love knows this, that life in its
Prismatic shimmer is all the myriad colours of infinite existence wrapped
In time to the sublime structure of white and bones.  I must tell you
That the flower is mighty in its opening, the humming bird is a sorcerer
Who needles ambrosia with vortex wings weaving his way to the Gods.

But I am nothing beside your disbelief which has arrived, before
I can even imagine the sweet awakening, like doom, my shell is the iridescent
Hollow of the one eyed Abalone, discarded in the deep fathoms
Of the ocean pressures.

I swim the tides as you do, investigating
The endless tendril seas,
And in my chest, during the night, I woke up empty,
The only thing treasured, a golden face
Trapped inside my dreams.

                                                                   
                              ­                               ­                       — after Neruda

You've asked me how can I see a future when love, in all
Its numinous beauty, is waning?
I reply, the immortal stars still shine above the veil of clouds.
You say, why are the salmon swimming to their pools of origin
Only to die as they spawn?  Only to die?
I tell you their love is unconditional, like mine.
You ask me did the giant sequoia know it was shelter for the burning grasses
When they walked from the seas?  I reply yes they knew.
You question me about the lofty snow cranes that fly over the Himalayas
And I reply by describing
How the priestly flocks, chanting on their mission, honk—
Announcing the mantle steps to the heavens.
You inquire about the elephantine manatees gracing the shallow banks
And wonder if the sea mermaids remember their lives beyond the latitudes
Of capricorn and cancer?
Or you’ve discovered in the wind a new reasoning as to why
The talons of the paired eagles lock in midair as they court?
You want to understand the nimbus garden, ocean slate, of lake Titicaca
Where resides the Andean sea horse gliding above the clouds?
The whales that circle dance in unison collecting krill?
The noetic display of the birds of paradise, the songs of nameless creatures
Playing in the wilderness like a forgotten melody only lovers lips remember?

I want to tell you that true love knows this, that life in its
Prismatic shimmer is all the myriad colours of infinite existence wrapped
In time to the sublime structure of white and bones.  I must tell you
That the flower is mighty in its opening, the humming bird is a sorcerer
Who needles ambrosia with vortex wings weaving his way to the Gods.

But I am nothing beside your disbelief which has arrived, before
I can even imagine the sweet awakening, like doom, my shell is the iridescent
Hollow of the one eyed Abalone, discarded in the deep fathoms
Of the ocean pressures.

I swim the tides as you do, investigating
The endless tendril seas,
And in my chest, during the night, I woke up empty,
The only thing treasured, a golden face
Trapped inside my dreams.

                                                                  
                                                             ­­                       — after Neruda

You've asked me how can I see a future when love, in all
Its numinous beauty, is waning?
I reply, the immortal stars still shine above the veil of clouds.
You say, why are the salmon swimming to their pools of origin
Only to die as they spawn?  Only to die?
I tell you their love is unconditional, like mine.
You ask me did the giant sequoia know it was shelter for the burning grasses
When they walked from the seas?  I reply yes they knew.
You question me about the lofty snow cranes that fly over the Himalayas
And I reply by describing
How the priestly flocks, chanting on their mission, honk—
Announcing the mantle steps to the heavens.
You inquire about the elephantine manatees gracing the shallow banks
And wonder if the sea mermaids remember their lives beyond the latitudes
Of capricorn and cancer?
Or you’ve discovered in the wind a new reasoning as to why
The talons of the paired eagles lock in midair as they court?
You want to understand the nimbus garden, ocean slate, of lake Titicaca
Where resides the Andean sea horse gliding above the clouds?
The whales that circle dance in unison collecting krill?
The noetic display of the birds of paradise, the songs of nameless creatures
Playing in the wilderness like a forgotten melody only lovers lips remember?

I want to tell you that true love knows this, that life in its
Prismatic shimmer is all the myriad colours of infinite existence wrapped
In time to the sublime structure of white and bones.  I must tell you
That the flower is mighty in its opening, the humming bird is a sorcerer
Who needles ambrosia with vortex wings weaving his way to the Gods.

But I am nothing beside your disbelief which has arrived, before
I can even imagine the sweet awakening, like doom, my shell is the iridescent
Hollow of the one eyed Abalone, discarded in the deep fathoms
Of the ocean pressures.

I swim the tides as you do, investigating
The endless tendril seas,
And in my chest, during the night, I woke up empty,
The only thing treasured, a golden face
Trapped inside my dreams.

                                                                  
                                                             ­­                       — after Neruda

.
You've asked me how can I see a future when love, in all
Its numinous beauty, is waning?
I reply, the immortal stars still shine above the veil of clouds.
You say, why are the salmon swimming to their pools of origin
Only to die as they spawn?  Only to die?
I tell you their love is unconditional, like mine.
You ask me did the giant sequoia know it was shelter for the burning grasses
When they walked from the seas?  I reply yes they knew.
You question me about the lofty snow cranes that fly over the Himalayas
And I reply by describing
How the priestly flocks, chanting on their mission, honk—
Announcing the mantle steps to the heavens.
You inquire about the elephantine manatees gracing the shallow banks
And wonder if the sea mermaids remember their lives beyond the latitudes
Of capricorn and cancer?
Or you’ve discovered in the wind a new reasoning as to why
The talons of the paired eagles lock in midair as they court?
You want to understand the nimbus garden, ocean slate, of lake Titicaca
Where resides the Andean sea horse gliding above the clouds?
The whales that circle dance in unison collecting krill?
The noetic display of the birds of paradise, the songs of nameless creatures
Playing in the wilderness like a forgotten melody only lovers lips remember?

I want to tell you that true love knows this, that life in its
Prismatic shimmer is all the myriad colours of infinite existence wrapped
In time to the sublime structure of white and bones.  I must tell you
That the flower is mighty in its opening, the humming bird is a sorcerer
Who needles ambrosia with vortex wings weaving his way to the Gods.

But I am nothing beside your disbelief which has arrived, before
I can even imagine the sweet awakening, like doom, my shell is the iridescent
Hollow of the one eyed Abalone, discarded in the deep fathoms
Of the ocean pressures.

I swim the tides as you do, investigating
The endless tendril seas,
And in my chest, during the night, I woke up empty,
The only thing treasured, a golden face
Trapped inside my dreams.

                                                        ­­­          
                                                             ­­                       — after Neruda

You've asked me how can I see a future when love, in all
Its numinous beauty, is waning?
I reply, the immortal stars still shine above the veil of clouds.
You say, why are the salmon swimming to their pools of origin
Only to die as they spawn?  Only to die?
I tell you their love is unconditional, like mine.
You ask me did the giant sequoia know it was shelter for the burning grasses
When they walked from the seas?  I reply yes they knew.
You question me about the lofty snow cranes that fly over the Himalayas
And I reply by describing
How the priestly flocks, chanting on their mission, honk—
Announcing the mantle steps to the heavens.
You inquire about the elephantine manatees gracing the shallow banks
And wonder if the sea mermaids remember their lives beyond the latitudes
Of capricorn and cancer?
Or you’ve discovered in the wind a new reasoning as to why
The talons of the paired eagles lock in midair as they court?
You want to understand the nimbus garden, ocean slate, of lake Titicaca
Where resides the Andean sea horse gliding above the clouds?
The whales that circle dance in unison collecting krill?
The noetic display of the birds of paradise, the songs of nameless creatures
Playing in the wilderness like a forgotten melody only lovers lips remember?

I want to tell you that true love knows this, that life in its
Prismatic shimmer is all the myriad colours of infinite existence wrapped
In time to the sublime structure of white and bones.  I must tell you
That the flower is mighty in its opening, the humming bird is a sorcerer
Who needles ambrosia with vortex wings weaving his way to the Gods.

But I am nothing beside your disbelief which has arrived, before
I can even imagine the sweet awakening, like doom, my shell is the iridescent
Hollow of the one eyed Abalone, discarded in the deep fathoms
Of the ocean pressures.

I swim the tides as you do, investigating
The endless tendril seas,
And in my chest, during the night, I woke up empty,
The only thing treasured, a golden face
Trapped inside my dreams.

breakfast cereal disintegrates between tooth and cheek like
andean snowflakes do underfoot where I go to get
gone from the day-in-day-out ladybugs on the ceiling

I swallow it for the calcium
it doesn’t taste like much

and they smell when they crash into the mirror

~

You've asked me how can I see a future when love, in all
Its numinous beauty, is waning?
I reply, the immortal stars still shine above the veil of clouds.
You say, why are the salmon swimming to their pools of origin
Only to die as they spawn?  Only to die?
I tell you their love is unconditional, like mine.
You ask me did the giant sequoia know it was shelter for the burning grasses
When they walked from the seas?  I reply yes they knew.
You question me about the lofty snow cranes that fly over the Himalayas
And I reply by describing
How the priestly flocks, chanting on their mission, honk—
Announcing the mantle steps to the heavens.
You inquire about the elephantine manatees gracing the shallow banks
And wonder if the sea mermaids remember their lives beyond the latitudes
Of capricorn and cancer?
Or you’ve discovered in the wind a new reasoning as to why
The talons of the paired eagles lock in midair as they court?
You want to understand the nimbus garden, ocean slate, of lake Titicaca
Where resides the Andean sea horse gliding above the clouds?
The whales that circle dance in unison collecting krill?
The noetic display of the birds of paradise, the songs of nameless creatures
Playing in the wilderness like a forgotten melody only lovers lips remember?

I want to tell you that true love knows this, that life in its
Prismatic shimmer is all the myriad colours of infinite existence wrapped
In time to the sublime structure of white and bones.  I must tell you
That the flower is mighty in its opening, the humming bird is a sorcerer
Who needles ambrosia with vortex wings weaving his way to the Gods.

But I am nothing beside your disbelief which has arrived, before
I can even imagine the sweet awakening, like doom, my shell is the iridescent
Hollow of the one eyed Abalone, discarded in the deep fathoms
Of the ocean pressures.

I swim the tides as you do, investigating
The endless tendril seas,
And in my chest, during the night, I woke up empty,
The only thing treasured, a golden face
Trapped inside my dreams.

                                                        ­­­          
                                                             ­­                       — after Neruda
.

You want the high lonesome brought down to earth –
the value of gold – devoid of its worth.

Like herbless reggae – or atheist Bach
like love without romance and time with no clock –

it’s smokeless jazz without the snap
buried treasure without any map.

It’s Andean flutes without the coca
Moon with no shine – un Raton sin Boca

You can’t have your culture without the Gospel
like rain without water, it’s simply impossible.

You can’t keep the tree without having roots
or gather a harvest without the fruits.

So get the hell gone with your atheist bluegrass
lest someone imply you’re an unsaved *******…

Some are drunk,
some are sober,
the men unzip & lean
under the Andean moon,
******* their brains out
against the ancient-wall.

Dogs & feral cats
run through it,
spreading stench
& the smell of ****
through the city streets
on tiny paws.

My dear damsel of glaciers and scuttling roaches

In Andean splendor you startle my heart.

Still seeking a summit, your coldness reproaches;

So little I know you – in whole or in part.

Now that winter recedes as the springtime encroaches

Envision a greening of sorcery’s art.

Lighten up, dark enchantress of icy approaches;

I hope and I pray global warming may start…

Does another bad sonnet addressed to her highness

Allow for a thaw to begin in her soul?

Get over your winter of taciturn shyness!

Or is frozen entombment your element, witch?

This old necrophile waits for a smile (or a twitch).

Hell, I’d marry your corpse – but mere friendship’s my goal.

I love you only because I love you
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

I love you only because I love you;
I am torn between loving and not loving you,
Between apathy and desire.
My heart vacillates between ice and fire.

I love you only because you’re the one I love;
I hate you deeply, but hatred
Bends me all the more toward you, so that the measure of my variableness
Is that I do not see you, but love you blindly.

Perhaps January’s frigid light will consume my heart with its cruel rays,
robbing me of any hope of peace.

In this tragic plot, I am the one who dies,
Love’s only victim,
And I will die of love because I love you,
Because I love you, my Love, in fire and blood.

Keywords/Tags: Neruda, translation, Spanish, apathy, desire, ice, fire, blood, hate, hatred, blind, frigid, light, hope, peace, tragic, plot, Love's, victim



More Pablo Neruda Translations

You can crop all the flowers but you cannot detain spring.
―Pablo Neruda, loose translation/interpretation by Michael R. Burch

While nothing can save us from death,
still love can redeem each breath.
―Pablo Neruda, loose translation/interpretation by Michael R. Burch

As if you were set on fire from within,
the moon whitens your skin.
—Pablo Neruda, loose translation/interpretation by Michael R. Burch

Please understand that when I awaken weeping
it's because I dreamed I was a lost child
searching the leaf-heaps for your hands in the darkness.
―Pablo Neruda, loose translation/interpretation by Michael R. Burch

I'm no longer in love with her, that's certain...
yet perhaps I love her still.
Love is so short, forgetting so long!
—Pablo Neruda, loose translation/interpretation by Michael R. Burch



In all the languages of men only the poor will know your name.—Pablo Neruda



The Heights of Machu Picchu, Canto VIII
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

for Martin Mc Carthy, who put me up to it

Ascend with me, my American love!

Let’s kiss these mysterious stones together!

The Urubamba’s torrential silver
lures pollen to fly from its golden chalice
while above this canyon’s unbroken silence
everything soars: the climbing grapevines’ fruitless branches,
the shopworn plants, each inflexible garland.

Come, elfin life, test your wings above the earth,
test the cold, crystalline air,
****** the embrittled emeralds aside,
test even these frigid waters, cascading from the icepacks.

Test love, lambent Love itself, until the night's sudden implosion
over the Andes' atlean peaks,
when, reeling on the reddening knees of dawn,
you feast your startled eyes on its snowblind offspring.

Oh Wilkamayu of the sonorous looms,
when you unleash your thunderbursts,
when you crazily rend your thunder’s skeins
leaving gauzy white clouds to bind wounded snow,
when your wild winds whip sheer cliffs into avalanches,
roaring as if to arouse the sky from its sleep,
what language will you awaken at last in the ear,
thus lately freed from your Andean inundations?

Who imprisoned the frigid lightning bolt,
left it chained to these Promethean heights,
scattered its glacial tears,
brandished its mercurial swords,
hammered out the threads of its war-torn stamens,
led it to this warrior's bower
then left it to lie in a rocky fissure?

What do your harried illuminations reveal,
your rebellious lightnings signal?
Must we travel inhibited by words?
Impeded by frozen syllables,
these dark languages, gold-brocaded banners,
fathomless mouths and conquered cries
arising from your silver arterial waters?

Who decapitates lily-like eyelids
from those come to observe the earth’s occupants?
Who scatters dead seeds
flung from your waterfall hands
only to atrophy here
into fossilized coal?

Who flings branches over precipices
only to bury our banal farewells?

On love, Love!, do not approach the boundaries;
avoid idle adoration of sunken heads;
nor let time exhaust all possibilities
in this strange abode of broken overtures;
nor think, between these cascading waters and sheer cliff walls,
to reclaim high mountains’ elevated airs,
nor the wind’s white laminations,
nor the blind canal’s guidance toward high cordilleras,
nor the dew’s brilliant solicitations;
but ascend, blossom by blossom, through the thickets,
clambering up the coiling serpent flung from the crags above.

From this escarpment zone of flint and forest,
from this emerald stardust broken by jungle clearings,
Mantur, the valley, emerges like a living creature
save for its eerie silence.

Ascend to my very being, to my own individual dawn,
even to this higher crown of solitudes.

This fallen kingdom survives in us nonetheless.

While racing across the Andes' sundial the condor's shadow
passes black as a marauder.



For now, I ask no more than the justice of eating.—Pablo Neruda



Religión en el Este (“Religion in the East”)
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

for Tom Merrill

I realized in Rangoon:
the gods were our enemies
as much as God;
alabaster gods elongated like white whales;
gilded gods gleaming like golden ears of corn;
serpentine gods coiling around the crime of being born;
naked detached buddhas
smiling enigmatically at cocktail parties,
contemplating pointless eternity
like Christ on his grotesque cross;
all of them capable of any atrocity,
of imposing their heaven upon us;
all armed with implements of torture, or death;
all demanding piety or, better yet, our blood;
avaricious gods imagined by men
to excuse their cowardice, or to conceal it;
gods everywhere, inescapable;
and the whole earth reeking of heaven,
for sale, like merchandise.



La Barcarola Termina (“The Watersong Ends”)
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

It is time, love, to sever the somber rose,
to shut off the stars, to re-bury the ashes in earth;
and then, in the insurrection of light, to awake with those who awoke,
lest we continue this dream of reaching the far shore of a sea without shores.



One Pillar
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

One pillar props up consolations,
so please don’t bother telling me anything!
Does the pale metalloid heal you, really?
I have a terrible fear of re-becoming an animal,
of the terrible anger that devolves men to boys.
And after so many words?



Soliloquio en Tinieblas (“Soliloquy at Twilight”)
from Estravagario, 1958
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

Don’t you know there’s no one in the streets
and no one inside the houses either? Only eyes in the windows.
If you lack someplace to sleep,
knock on a door and they’ll open it,
but only to a certain point,
and you’ll see that it’s cold inside,
that the house is empty
and wants nothing to do with you,
because your stories are worthless.
And if you suggest tenderness
the dog and cat will bite you.



Poesía (“Poetry”)
from Memorial de Isla Negra, 1964
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

Something transpired in my soul,
a fit of fever or a flurry of wings,
after which I made my way,
deciphering that fire;
finally I wrote the first faint line,
pale, insubstantial, pure nonsense,
or perhaps the pure wisdom
of someone who knows nothing;
then suddenly I saw
the heavens
revealed,
gates flung wide open.

Keywords/Tags: Pablo Neruda English Translations, Spanish Poems, Love Sonnets, Quotes, Epigrams, Machu Picchu
These are my English translations of poems by Pablo Neruda.
#neruda #translation #spanish #day #play #infinity #exquisite #visitor #machu #picchu


I love you only because I love you
by Pablo Neruda
loose translation by Michael R. Burch

I love you only because I love you;
I am torn between loving and not loving you,
Between apathy and desire.
My heart vacillates between ice and fire.

I love you only because you're the one I love;
I hate you deeply, but hatred
Bends me all the more toward you, so that the measure of my variableness
Is that I do not see you, but love you blindly.

Perhaps January's frigid light will consume my heart with its cruel rays,
robbing me of any hope of peace.

In this tragic plot, I am the one who dies,
Love's only victim,
And I will die of love because I love you,
Because I love you, my Love, in fire and blood.



Love Sonnet XVII
by Pablo Neruda
loose translation by Michael R. Burch

I do not love you like coral or topaz,
or the blazing hearth's incandescent white flame:
I love you as obscure things are loved in the dark,
secretly, in shadows, unnamed.

I love you like shrubs that refuse to bloom
while pregnant with the radiance of mysterious flowers;
now thanks to your love an earthy fragrance
lives dimly in my body's odors.

I love you without knowing how, when, why or where;
I love you forthrightly, without complications or care:
I love you this way because I know no other.

Here, where "I" no longer exists, nor "you"...
so close that your hand on my chest is my own,
so close that your eyes close gently on my dreams.



Every Day You Play
by Pablo Neruda
loose translation by Michael R. Burch

Every day you play with Infinity's rays.
Exquisite visitor, you arrive with the flowers and the water.
You are vastly more than this immaculate head I clasp tightly
like a cornucopia, every day, between my hands...



Love Sonnet XI
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

I crave your mouth, your voice, your hair.
I stalk the streets, silent and starving.
Bread does not satisfy me; dawn does not divert me
from my relentless pursuit of your fluid spoor.

I long for your liquid laughter,
for your sunburned hands like savage harvests.
I lust for your fingernails' pale marbles.
I want to devour your ******* like almonds, whole.

I want to ingest the sunbeams singed by your beauty,
to eat the aquiline nose from your aloof face,
to lick your eyelashes' flickering shade.

I pursue you, snuffing the shadows,
seeking your heart's scorching heat
like a puma prowling the heights of Quitratue.



The Book of Questions
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

Is the rose ****
or is that just how she dresses?

Why do trees conceal
their spectacular roots?

Who hears the confession
of the getaway car?

Is there anything sadder
than a train standing motionless in the rain?



In El Salvador, Death
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

Death still surveils El Salvador.
The blood of murdered peasants has never clotted;
time cannot congeal it,
nor does the rain erase it from the roads.
Fifteen thousand were machine-gunned dead
by Martinez, the murderer.
To this day the coppery taste of blood still flavors
the land, bread and wine of El Salvador.



If You Forget Me
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

I need you to know one thing...
You know
how it goes:
if I gaze up at the glowing moon,
if observe the blazing autumn's reddening branches from my window,
if I touch the impalpable ash of the charred log's wrinkled body...
everything returns me to you,
as if everything that exists
―all aromas, sights, solids―
were small boats
sailing toward those isles of yours that await me.

However...
if little by little you stop loving me
then I shall stop loving you, little by little.

And if you suddenly
forget me,
do not bother to investigate,
for I shall have immediately
forgotten you
also.

If you think my love strange and mad―
this whirlwind of streaming banners
gusting through me,
so that you elect to leave me at the shore
where my heart lacks roots,
just remember that, on that very day,
at that very hour,
I shall raise my arms
and my roots will sail off
to find some more favorable land.

But
if each day
and every hour,
you feel destined to be with me,
if you greet me with implacable sweetness,
and if each day
and every hour
flowers blossom on your lips to entice me, ...
then ah my love,
oh my only, my own,
all that fire will be reinfernoed in me
and nothing within me will be extinguished or forgotten;
my love will feed on your love, my beloved,
and as long as you live it will be me in your arms...
as long as you never leave mine.



Sonnet XLV
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

Don't wander far away, not even for a day, because―
how can I explain? A day is too long...
and I'll be waiting for you, like a man in an empty station
where the trains all stand motionless.

Don't leave me, my dear, not even for an hour, because―
then despair's raindrops will all run blurrily together,
and the smoke that drifts lazily in search of a home
will descend hazily on me, suffocating my heart.

Darling, may your lovely silhouette never dissolve in the surf;
may your lashes never flutter at an indecipherable distance.
Please don't leave me for a second, my dearest,

because then you'll have gone far too far
and I'll wander aimlessly, amazed, asking all the earth:
Will she ever return? Will she spurn me, dying?



My Dog Died
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

My dog died;
so I buried him in the backyard garden
next to some rusted machine.

One day I'll rejoin him, over there,
but for now he's gone
with his shaggy mane, his crude manners and his cold, clammy nose,
while I, the atheist who never believed
in any heaven for human beings,
now believe in a paradise I'm unfit to enter.

Yes, I somehow now believe in a heavenly kennel
where my dog awaits my arrival
wagging his tail in furious friendship!

But I'll not indulge in sadness here:
why bewail a companion
who was never servile?

His friendship was more like that of a porcupine
preserving its prickly autonomy.

His was the friendship of a distant star
with no more intimacy than true friendship called for
and no false demonstrations:
he never clambered over me
coating my clothes with mange;
he never assaulted my knee
like dogs obsessed with ***.

But he used to gaze up at me,
giving me the attention my ego demanded,
while helping this vainglorious man
understand my concerns were none of his.

Aye, and with those bright eyes so much purer than mine,
he'd gaze up at me
contentedly;
it was a look he reserved for me alone
all his entire sweet, gentle life,
always merely there, never troubling me,
never demanding anything.

Aye, and often I envied his energetic tail
as we strode the shores of Isla Negra together,
in winter weather, wild birds swarming skyward
as my golden-maned friend leapt about,
supercharged by the sea's electric surges,
sniffing away wildly, his tail held *****,
his face suffused with the salt spray.

Joy! Joy! Joy!
As only dogs experience joy
in the shameless exuberance
of their guiltless spirits.

Thus there are no sad good-byes
for my dog who died;
we never once lied to each other.

He died, he's gone, I buried him;
that's all there is to it.



Tonight I will write the saddest lines
by Pablo Neruda
loose translation/interpretation by Michael R. Burch

Tonight I will write the saddest lines.
I will write, for example, "The night is less bright
and a few stars shiver in the distance
as I remember her unwarranted light..."

Tonight I will write her the saddest lines:
that I loved her as she loved me too, sometimes,
all those long, lonely nights when I held her tight
and filled her ears with indecipherable rhymes...

Then she loved me too, as I also loved her,
compelled by the spell of her enormous eyes.
Tonight I will write her the saddest lines
as I ponder love's death and our mutual crimes.

Outside I hear night―silent, cold, dark, immense―
as these delicate words fall, useless as dew.
Oh, what does it matter that love came to naught
if love was false, or perhaps even true?

And yet I hear songs being sung in the distance.
How can I forget her, so soon since I lost her?
I seek to regain her, somehow bring her closer.
But my heart has been blinded; she will not appear!

Now moonlight and starlight whiten dark trees.
We also are ghosts, by love's failing light.
My love has failed me, but how I once loved her!
My voice... this cursed wind... what use to recite?

Another's. She will soon be another's.
Her body, her voice, her infinite eyes.
I no longer love her! And why should I love her
when love is sad, short, mad, fickle, unwise?

Because of cold nights we clung through so closely,
I'm not satisfied to know she is gone.
And while I must end this hell I now suffer,
It's sad to remember all love left undone.

Keywords/Tags: Pablo Neruda, Spanish, Translation, Love, Sonnet, Passion, Desire, Romantic, Despair, Sadness, Dog

Triple jewel so
giant,
so daunting,
you bask under
Andean moonlight.

So bright,
a milenium eagle,
dream weaver beacon,
you create fright
in your staunchest foes,
respect drawn & quartered
into the minds of
the cragsmen,
dead
& alive.

Warm bubbles tickled my nakedness,
a distant dog howled wearily,
cool Andean winds
blew across my unshaven face,
under the canvas of a million suns.

I heard the voices of the ancient ones,
whispering an unknown language,
trance-like I slipped
into an inter-dimensional coma,
lost myself in a gentle riptide
under the light of a million suns.

And it was there,
I found true meaning
to all the mysteries of the ages.
For there, loneliness became my companion,
we bathed in the radiance of sulphur,
under the peace of a million suns.