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RAJ NANDY Apr 2015
Dear Poet Friends, being fond of Art, I wanted to compose on
this topic for a long time in a simplified form! Egyptian Art and
Architecture influenced the Early Greeks, who in turn influenced the Romans and other civilizations! Initially Art and architecture, religion and culture, were all closely inter-related! Real distinction emerged with the Italian Renaissance. Here I have used only a portion of my personal notes. Hope you find this interesting to read! Sorry for the length! Kindly give Comments after you have managed to read the entire portion in your spare time. Thanks, -Raj

INTRODUCTION TO THE STORY
OF WESTERN ART IN VERSE:
          PART ONE
    * BY RAJ NANDY

INTRODUCTION
Art over the centuries has been variously defined,
But an all embracing definition is rather hard to find!
Ayn Rand defined Art as a recreation of reality according to
artist’s values, his view of existence, and choice;
Who recreates by a selective rearrangement of the elements
of reality, and not simply out of a void!
Study of Art History is a study of man’s creative evolution;
A progress of his wakened consciousness, and a restless
striving towards perfection!
The progress of his mind, taste and skill, which has gradually
evolved through past traditions;
Finding ultimate expression in his multi-faceted creations!
I commence this story from its earliest days, and mention those
Ancient Civilizations which influenced Art in many ways.
Art has been greatly influenced by religion, culture and history;
Therefore, knowing these aspects becomes necessary to
fully appreciate this Art Story!

PREHISTORIC STONE AGE ART:
Let us take a ride on the magic carpet of History, down
past millenniums to begin our Art Story;
Right into the ancient Paleolithic, Mesolithic and Neolithic
Eras of the Stone Age,
When early humans left their creative imprints on rock
surfaces and on walls of caves!
Long before the evolution of any proper coherent speech
or communication,
In some 350 caves of France and Spain are seen paintings
of large wild animals like horses, antelopes and bison;
Bearing witness to the story of gradual human evolution!
The cave paintings of Chauvet, Cosquer, and Lascaux, date
between 8000 and 1700 BC,
Drawn by nameless and faceless people who emerged from
an inhospitable Ice Age;
Those nomadic tribes who were hunter-gatherers living in
pre-historic caves!
The Story of Art therefore begins before recorded History,
Pieced together by scholars with the help of science and
archeology!
During the Neolithic Period beginning around 8,000BC,
Ancient man became gradually sedentary, engaging in
agriculture and animal husbandry!
With these nomads settling down in small communities,
Art became mystical and monumental in range;
As seen in the megalithic (large stone) structures of the
famous Stonehenge!
This type of post and lintel structure is also found in ancient
Egyptian architecture, and later in Greece as its special
feature!
Art History spans the entire history of mankind,
Right from the pre-historic days, up to our modern times!
Man’s everlasting quest for immortality lies etched on
rocks and raised stone edifices, defying marauding Time!

MESOPOTAMIAN ART (3500-300BC) :
Let us now travel fast forward on our magic carpet to reach
the Fertile Crescent,
Where the Tigress and the Euphrates Rivers flow, to the
Ancient Civilization of the Sumerians! (3500-2300BC)
The birth of civilization has been traced to Southern
Mesopotamia, where the Sumerians built their first cities,
As the earliest River Valley Civilization around 3500 BC!
It was a period when writing got invented in its earliest
Cuneiform form;  (around 3400 BC)
When Patriarch Abraham established the worship of a Single
God, in a revolutionary religious reform! (Judaism)
Mesopotamian Civilization as the source of our earliest
surviving Art dates back to 3500BC;
When major civilizations like the Sumerian, Akkadian,
Babylonian, Hitties, Assyrian, and the Persians, in this
chronological sequence, contributed to Art History!
Mesopotamian Art in general glorified their powerful rulers
and their connection with divinity;
Reflected on their city gates, palace complexes and ziggurats,

are scenes of both victorious wars and their prosperity!
Art was then highly functional and repetitive; depicting
love of beauty, a sense of order, and power of hierarchy,
- in their sculptures and motifs.
However, no signatures were ever found bearing the name
of the Artist!
It is interesting to note that both the potter’s wheel and the
cart wheel, made their first appearance around 3500 BC
and 3200 BC respectively;
With the Sumerians contributing to art and culture, and the
progress of Human Civilization immensely!
(Ziggurats are semi-pyramid like structures with steps, a temple complex located in the center of all ancient Sumerian cities-states! Saragon the Great of Akkad from the North, defeated the Sumerians in the South, & united entire Mesopotamia around 2300 BC, for the first time in Mesopotamian History, & they ruled for 200 years.)

ANCIENT EGYPTIAN ART :(3000 BC -500BC)
Next we travel to an isolated area of north-east Africa,
Where the White Nile flows down from Lake Victoria.
The Nile enters Upper Egypt traveling through Sudan,
Is joined by the Blue Nile at Khartoum to become one!
Continues its flow north through Egypt Lower, flowing
into the Mediterranean as the World’s longest river!
Historian Herodotus had called Egypt ‘the gift of the Nile’;
Ancient Egypt became a rich treasure trove of art and
architecture for all times!
The Nile valley area was protected by the desert on its
east and the west;
In the north by the Mediterranean, and towards the
south by a rugged mountainous terrain!
Annual flooding of the Nile along with an effective
irrigational network,
Ensured Egypt’s prosperous stability, congenial for her
many innovative architectures and art works!
Egyptian Art got shaped by her geography, mythology
and her polytheistic religion;
Also by their preoccupation with after-life and belief in  
the immortal soul’s continuation;
Thus elaborate funeral rites were performed by priests for  
the body’s preservation by mummification! *
(
’KA’= was a real astral twin or stellar double of an Individual, which continued to exist even after death, requiring the same sustenance as the humans, so food offerings were made in the coffins! ‘BA’= shaped like a human-headed bird, composed of non-physical attributes of an Individual. ‘BA’ collected the deceased’s personality after death from the mummified remains & united it with the ‘KA’, making a person complete; thereby making it possible for the person to be reborn as ‘AKH’ (Star), - in its ultimate unchanging form, to join Osiris in the ‘Happy Fields’! Since this journey to the next world was fraught with danger, magical funerary spells & rites were performed by the priests, with incantations from the ‘Book of the Dead’, inside the funeral chamber of the Pyramid!)

Art During Old, Middle, and New Kingdom Period:
Egyptian Art was concerned with ensuring continuity of the
universe, their Gods, the King and the people;
A projection into eternity a version of reality pure and free
from all earthly evil!
Therefore in ancient Egyptian society, conformity over
individuality was always encouraged;
Artists worked in groups with conservative adherence to
rules, order and form,
And all individual artistic initiatives strictly discouraged !
Their earliest pyramids the Mastaba, the Step, and the Bent
Pyramids were all prototypes;
While the Great Pyramid of Giza built for Pharaoh Kufu,
- was the first true pyramid which still survives!
Art comes down to us as ‘funerary art’ designed for the tombs,
Which was to accompany the royalty in their journey to an
afterlife, with its symbolic forms!
This symbolism is seen in their paintings, statues and architecture;
In vibrant color codes of their paintings as a special feature!
Where White was the symbol of purity, Black for death and night;
Green for vegetation or new life, Blue for water and the sky;
Red for life and victory, and Yellow like Gold as the flesh of the
Gods and also the Sun God ruling the sky!
Thanks to Jean-Francois Champollion’s translation of the Rosetta
Stone, (1822)
We are able to decipher many mysteries of the Ancient Egyptian
with the cracking of the Hieroglyphic Code!
Larger than life statues with poise and austere harmony at the
Luxor Temple complex survive;
Symbolic of the individual’s status, while creating zones of
strangeness for imagination to thrive!
(
’Matsaba’= Egyptian for ‘bench’, referred to bench shaped pyramids;
“Step Pyramids” = were like benches placed one on top of the other in
a tapering form going up vertically!)

The Old Kingdom Period covers a five hundred years span
of Ancient Egyptian History, (2686-2181BC)
Known as the ‘Age of Pyramids’, with Pharaohs from the
Third to the Sixth Dynasty!
“The World fear Time, but Time fears only the Pyramids”,
- is an Ancient Egyptian Proverb;
Whose ‘heterogeneous structure’ made it earthquake
proof, making Time to reluctantly serve! #
Here we find formalized figures with long slender bodies,
idealized proportions and large staring eyes;
Where Kufu’s Great Pyramid of Giza raises its mighty head
as the highest, on the west bank of the Nile;
And the mighty Sphinx guard the entrance to those ancient
royal tombs, though defaced, still survive!
These pyramids were like Pharaoh’s getaways to eternity,
An insurance to an afterlife of peace and prosperity!
(# Pyramids with stone blocks of different sizes & shapes made them
Earthquake resistant; & use of pink granite in the inner chambers
made them erosion resistant against Time!)

The Middle Kingdom Period (2040-1650 BC) :
Following 150 years of civil disorder Theban ruler Mentuhotep
the Second, reunified Egypt and ruled up to Nubia, (Sudan)
And began the Classical Era when Block Statues appear,
indicating political stability;
When artisans worked with bronze and copper alloys, designing
exquisite jewelry!
Kings now preferred to be buried in secret tombs, Pyramids
having lost their appeal,
And work began on the west bank of the Nile, in the Valley of
Kings!
(
Inside those rock cut ‘funerary temples’ on the East bank of the
Nile, opposite Ancient Kingdom of Thebes ; Pharaohs from the
Early and Late New Kingdom Periods were buried, including
Tutemkhamen.)

Early New Kingdom Period (1550 -1295 BC):
Between the Middle Kingdom and this Era, Art remained
static for almost a hundred years,
When the Hyksos from the Near East fought the weak Theban
Rulers!
In 1550 BC Theban Prince Ahmose reunited Egypt, and was
succeeded by able rulers, who ushered in the Golden Age!
Art works continued to maintain its basic traditional style,
With successive Kings from the 18th Dynasty consolidating
their kingdom’s wealth and power all the while!
But Egypt witnessed a change with an innovative style in Art,
When Amenhotep IV in 1353 BC became King, initiating a
fresh start!
This king changed his name to ‘Akhenaten’, the spirit of Aten,
-- ‘The disk of the Sun’;
Abandoned the pantheons of Gods with Aten as the ‘sole God’,
and a religious revolution had begun!
His new capital city of Amarna, 200 miles north of Thebes,
Got decorated with a new kind of art work to make it complete!
The statues now appear more realistic displaying emotions,
With fluidity of movement, unlike those rigid earlier creations!
The artistic talent of this Amarna Period gets best exemplified,
In the exquisite bust of Nefertiti, Akhenaten’s Great Royal Wife!
Regarded as ‘icon of international beauty’, a great archeological
find ! **
(
Discovered by a German team of Archeologists in 1912 at Amarna! This 19 inch long limestone Nefertiti statue weighs around 20 kg, now housed in Berlin Museum; comparable only to the artistic Golden Mask of Tutankhamen!)

King Tutankhamen (1336-1327 BC):
Akhenaten’s unpopular rule was short-lived, with those humiliated
Theban priests calling him the ‘Heretic King’!
A nine year old boy Tutankhamen (‘The living image of Amun’),
was next to succeed him!
King Tut restored the worship of Amun, in a back-lash against
Akhenaten;
Shifted the royal palace back to Thebes, with the religious center
at Karnak once again!
King Tut’s short ten year’s rule remained buried in 3000 year’s
of Egyptian History,
Till Howard Carter found his richly laden intact tomb, in the
Valley of the Kings! (1922)
King Tut’s priceless and exquisitely carved golden face mask,
reflected the exalted standard of art work;
Weighing ten kilos, inlaid with semi-precious stones, and eyes
made of obsidian and quarts!
With the King’s early death, the 18th Dynasty of Pharaohs came
to an abrupt end,
And the 19th and 20th Dynasties of the Late Kingdom Period
commenced!
The famous rock temple of Abu Simbel now got built, under the
warrior and builder Ramses II, one of Egypt’s greatest Kings!


Pharaoh Ramses-II of the Late Kingdom Period :
Here I sweep across centuries of Egyptian History, to mention
King Ramses-II’s contribution to our Art Story!
In Shelly’s famous poem titled “Ozymandias of Egypt” he is
immortalized; (Greeks called Ramses-II “Ozymandias”!)
And as the Pharaoh associated with Moses in the movie “The
Ten Commandments”, he is popularized!
Egyptian Art is intrinsically bound with its religion, pyramids,
hieroglyphs, and architecture;
With a concentrated focus on ‘afterlife’ as its special feature!
In 1270 BC young Ramses took over from Seti the First,
And his rule for a period of 66 long years did last!
As the third Pharaoh of the 19th Dynasty, he had ruled with a
firm hand;
Recovered lost territories from the Hittites and the Nubians,
- earlier captured Egyptian lands!
He enlarged the territories of Egypt ensuring prosperity and
stability;
Became renowned as the famous Warrior and Builder King
of Ancient Egyptian History!
Ramses-II had expanded most of the temples, as recorded in
the artistic motifs and hieroglyphic symbols;
Here a special mention must be made of the Temples of Luxor,
Karnak, and Abu Simbel !

Temples of Luxor and Karnak in Ancient Thebes:
Ancient Thebes was located on the eastern bank of the Nile,
where the modern City of Luxor stands;
Thebes was once the capital of the 11th and 18th Dynasties,
And the power and religious center of all Egyptian land!
Gets mentioned in the 9th Book of Homer’s ‘Iliad’ where “heaps
of precious ingots gleam, the hundred-gated Thebes”!
Excavation work began in Thebes during the late 19th century;
And the gradual unearthing of the Temples of Luxor and
Karnak, added a new dimension to Egypt’s Art Story!
It must be remembered always, that the Ancient Egyptians in
those early days,
Structured their temple architecture to the point of ‘Sacred Art’!
With their knowledge of astronomy and geometry, they
aligned their temples so perfectly,
That the light of the rising sun fell on the temple’s innermost
sanctuary! (Temple of Abu Simbel is a great example,)
Where the Egyptian priests, who were also the artists, healers,
mathematicians, astronomers and scribes;
In dimly lit incense-filled sanctuaries performed the sacred rites!
The temples symbolized the cross roads of the cosmos, where
the divine and the mortal met in perpetual harmony!
These divine scenes were integrated into the very fabric of the
Egyptian society through chants and rituals;
With cosmological symbols of magical hieroglyphs, which
priests alone could transcribe in those days!
(
Thebes began to decline rapidly after Alexander the Great
established the port-city of Alexandria as Egypt’s new Capital
around 332 BC !)

Luxor Temple built by Amenhotep-III, was dedicated to God
Amun, his wife Mut and son Khonsu, - the Theban Triad;
Tutankhamen and Ramses-II expanding the temple during the
New Kingdom Period!
Creator God Amun became assimilated with the Sun God Re;
Was worshipped in Thebes, and in the cult centers of Luxor and
Karnak, - as Amun-Re!
The walls and columns of these cult temples were decorated
with carved and painted relief,
Depicting the interaction with Gods, and military exploits of
Egyptian Pharaohs and Kings!
The sun temple of Amenhotep-III at Luxor has many columns
resembling papyrus bundles,
Symbolic of the primeval marsh from where Creation was
believed to have unfolded !
A Sphinx Alley excavated between Luxor an
ConnectHook Feb 2016
by John Greenleaf Whittier  (1807 – 1892)

“As the Spirits of Darkness be stronger in the dark, so Good Spirits which be Angels of Light are augmented not only by the Divine Light of the Sun, but also by our common Wood fire: and as the celestial Fire drives away dark spirits, so also this our Fire of Wood doth the same.”

        COR. AGRIPPA,
           Occult Philosophy, Book I. chap. v.


Announced by all the trumpets of the sky,
Arrives the snow; and, driving o’er the fields,
Seems nowhere to alight; the whited air
Hides hills and woods, the river and the heaven,
And veils the farm-house at the garden’s end.
The sled and traveller stopped, the courier’s feet
Delayed, all friends shut out, the housemates sit
Around the radiant fireplace, enclosed
In a tumultuous privacy of storm.


                                       EMERSON

The sun that brief December day
Rose cheerless over hills of gray,
And, darkly circled, gave at noon
A sadder light than waning moon.
Slow tracing down the thickening sky
Its mute and ominous prophecy,
A portent seeming less than threat,
It sank from sight before it set.
A chill no coat, however stout,
Of homespun stuff could quite shut out,
A hard, dull bitterness of cold,
That checked, mid-vein, the circling race
Of life-blood in the sharpened face,
The coming of the snow-storm told.
The wind blew east; we heard the roar
Of Ocean on his wintry shore,
And felt the strong pulse throbbing there
Beat with low rhythm our inland air.

Meanwhile we did our nightly chores, —
Brought in the wood from out of doors,
Littered the stalls, and from the mows
Raked down the herd’s-grass for the cows;
Heard the horse whinnying for his corn;
And, sharply clashing horn on horn,
Impatient down the stanchion rows
The cattle shake their walnut bows;
While, peering from his early perch
Upon the scaffold’s pole of birch,
The **** his crested helmet bent
And down his querulous challenge sent.

Unwarmed by any sunset light
The gray day darkened into night,
A night made hoary with the swarm
And whirl-dance of the blinding storm,
As zigzag, wavering to and fro,
Crossed and recrossed the wingàd snow:
And ere the early bedtime came
The white drift piled the window-frame,
And through the glass the clothes-line posts
Looked in like tall and sheeted ghosts.

So all night long the storm roared on:
The morning broke without a sun;
In tiny spherule traced with lines
Of Nature’s geometric signs,
And, when the second morning shone,
We looked upon a world unknown,
On nothing we could call our own.
Around the glistening wonder bent
The blue walls of the firmament,
No cloud above, no earth below, —
A universe of sky and snow!
The old familiar sights of ours
Took marvellous shapes; strange domes and towers
Rose up where sty or corn-crib stood,
Or garden-wall, or belt of wood;
A smooth white mound the brush-pile showed,
A fenceless drift what once was road;
The bridle-post an old man sat
With loose-flung coat and high cocked hat;
The well-curb had a Chinese roof;
And even the long sweep, high aloof,
In its slant spendor, seemed to tell
Of Pisa’s leaning miracle.

A prompt, decisive man, no breath
Our father wasted: “Boys, a path!”
Well pleased, (for when did farmer boy
Count such a summons less than joy?)
Our buskins on our feet we drew;
With mittened hands, and caps drawn low,
To guard our necks and ears from snow,
We cut the solid whiteness through.
And, where the drift was deepest, made
A tunnel walled and overlaid
With dazzling crystal: we had read
Of rare Aladdin’s wondrous cave,
And to our own his name we gave,
With many a wish the luck were ours
To test his lamp’s supernal powers.
We reached the barn with merry din,
And roused the prisoned brutes within.
The old horse ****** his long head out,
And grave with wonder gazed about;
The **** his ***** greeting said,
And forth his speckled harem led;
The oxen lashed their tails, and hooked,
And mild reproach of hunger looked;
The hornëd patriarch of the sheep,
Like Egypt’s Amun roused from sleep,
Shook his sage head with gesture mute,
And emphasized with stamp of foot.

All day the gusty north-wind bore
The loosening drift its breath before;
Low circling round its southern zone,
The sun through dazzling snow-mist shone.
No church-bell lent its Christian tone
To the savage air, no social smoke
Curled over woods of snow-hung oak.
A solitude made more intense
By dreary-voicëd elements,
The shrieking of the mindless wind,
The moaning tree-boughs swaying blind,
And on the glass the unmeaning beat
Of ghostly finger-tips of sleet.
Beyond the circle of our hearth
No welcome sound of toil or mirth
Unbound the spell, and testified
Of human life and thought outside.
We minded that the sharpest ear
The buried brooklet could not hear,
The music of whose liquid lip
Had been to us companionship,
And, in our lonely life, had grown
To have an almost human tone.

As night drew on, and, from the crest
Of wooded knolls that ridged the west,
The sun, a snow-blown traveller, sank
From sight beneath the smothering bank,
We piled, with care, our nightly stack
Of wood against the chimney-back, —
The oaken log, green, huge, and thick,
And on its top the stout back-stick;
The knotty forestick laid apart,
And filled between with curious art

The ragged brush; then, hovering near,
We watched the first red blaze appear,
Heard the sharp crackle, caught the gleam
On whitewashed wall and sagging beam,
Until the old, rude-furnished room
Burst, flower-like, into rosy bloom;
While radiant with a mimic flame
Outside the sparkling drift became,
And through the bare-boughed lilac-tree
Our own warm hearth seemed blazing free.
The crane and pendent trammels showed,
The Turks’ heads on the andirons glowed;
While childish fancy, prompt to tell
The meaning of the miracle,
Whispered the old rhyme: “Under the tree,
When fire outdoors burns merrily,
There the witches are making tea.”

The moon above the eastern wood
Shone at its full; the hill-range stood
Transfigured in the silver flood,
Its blown snows flashing cold and keen,
Dead white, save where some sharp ravine
Took shadow, or the sombre green
Of hemlocks turned to pitchy black
Against the whiteness at their back.
For such a world and such a night
Most fitting that unwarming light,
Which only seemed where’er it fell
To make the coldness visible.

Shut in from all the world without,
We sat the clean-winged hearth about,
Content to let the north-wind roar
In baffled rage at pane and door,
While the red logs before us beat
The frost-line back with tropic heat;
And ever, when a louder blast
Shook beam and rafter as it passed,
The merrier up its roaring draught
The great throat of the chimney laughed;
The house-dog on his paws outspread
Laid to the fire his drowsy head,
The cat’s dark silhouette on the wall
A couchant tiger’s seemed to fall;
And, for the winter fireside meet,
Between the andirons’ straddling feet,
The mug of cider simmered slow,
The apples sputtered in a row,
And, close at hand, the basket stood
With nuts from brown October’s wood.

What matter how the night behaved?
What matter how the north-wind raved?
Blow high, blow low, not all its snow
Could quench our hearth-fire’s ruddy glow.
O Time and Change! — with hair as gray
As was my sire’s that winter day,
How strange it seems, with so much gone
Of life and love, to still live on!
Ah, brother! only I and thou
Are left of all that circle now, —
The dear home faces whereupon
That fitful firelight paled and shone.
Henceforward, listen as we will,
The voices of that hearth are still;
Look where we may, the wide earth o’er,
Those lighted faces smile no more.

We tread the paths their feet have worn,
We sit beneath their orchard trees,
We hear, like them, the hum of bees
And rustle of the bladed corn;
We turn the pages that they read,
Their written words we linger o’er,
But in the sun they cast no shade,
No voice is heard, no sign is made,
No step is on the conscious floor!
Yet Love will dream, and Faith will trust,
(Since He who knows our need is just,)
That somehow, somewhere, meet we must.
Alas for him who never sees
The stars shine through his cypress-trees!
Who, hopeless, lays his dead away,
Nor looks to see the breaking day
Across the mournful marbles play!
Who hath not learned, in hours of faith,
The truth to flesh and sense unknown,
That Life is ever lord of Death,
And Love can never lose its own!

We sped the time with stories old,
Wrought puzzles out, and riddles told,
Or stammered from our school-book lore
“The Chief of Gambia’s golden shore.”
How often since, when all the land
Was clay in Slavery’s shaping hand,
As if a far-blown trumpet stirred
Dame Mercy Warren’s rousing word:
“Does not the voice of reason cry,
Claim the first right which Nature gave,
From the red scourge of ******* to fly,
Nor deign to live a burdened slave!”
Our father rode again his ride
On Memphremagog’s wooded side;
Sat down again to moose and samp
In trapper’s hut and Indian camp;
Lived o’er the old idyllic ease
Beneath St. François’ hemlock-trees;
Again for him the moonlight shone
On Norman cap and bodiced zone;
Again he heard the violin play
Which led the village dance away.
And mingled in its merry whirl
The grandam and the laughing girl.
Or, nearer home, our steps he led
Where Salisbury’s level marshes spread
Mile-wide as flies the laden bee;
Where merry mowers, hale and strong,
Swept, scythe on scythe, their swaths along
The low green prairies of the sea.
We shared the fishing off Boar’s Head,
And round the rocky Isles of Shoals
The hake-broil on the drift-wood coals;
The chowder on the sand-beach made,
Dipped by the hungry, steaming hot,
With spoons of clam-shell from the ***.
We heard the tales of witchcraft old,
And dream and sign and marvel told
To sleepy listeners as they lay
Stretched idly on the salted hay,
Adrift along the winding shores,
When favoring breezes deigned to blow
The square sail of the gundelow
And idle lay the useless oars.

Our mother, while she turned her wheel
Or run the new-knit stocking-heel,
Told how the Indian hordes came down
At midnight on Concheco town,
And how her own great-uncle bore
His cruel scalp-mark to fourscore.
Recalling, in her fitting phrase,
So rich and picturesque and free
(The common unrhymed poetry
Of simple life and country ways,)
The story of her early days, —
She made us welcome to her home;
Old hearths grew wide to give us room;
We stole with her a frightened look
At the gray wizard’s conjuring-book,
The fame whereof went far and wide
Through all the simple country side;
We heard the hawks at twilight play,
The boat-horn on Piscataqua,
The loon’s weird laughter far away;
We fished her little trout-brook, knew
What flowers in wood and meadow grew,
What sunny hillsides autumn-brown
She climbed to shake the ripe nuts down,
Saw where in sheltered cove and bay,
The ducks’ black squadron anchored lay,
And heard the wild-geese calling loud
Beneath the gray November cloud.
Then, haply, with a look more grave,
And soberer tone, some tale she gave
From painful Sewel’s ancient tome,
Beloved in every Quaker home,
Of faith fire-winged by martyrdom,
Or Chalkley’s Journal, old and quaint, —
Gentlest of skippers, rare sea-saint! —
Who, when the dreary calms prevailed,
And water-**** and bread-cask failed,
And cruel, hungry eyes pursued
His portly presence mad for food,
With dark hints muttered under breath
Of casting lots for life or death,

Offered, if Heaven withheld supplies,
To be himself the sacrifice.
Then, suddenly, as if to save
The good man from his living grave,
A ripple on the water grew,
A school of porpoise flashed in view.
“Take, eat,” he said, “and be content;
These fishes in my stead are sent
By Him who gave the tangled ram
To spare the child of Abraham.”
Our uncle, innocent of books,
Was rich in lore of fields and brooks,
The ancient teachers never dumb
Of Nature’s unhoused lyceum.
In moons and tides and weather wise,
He read the clouds as prophecies,
And foul or fair could well divine,
By many an occult hint and sign,
Holding the cunning-warded keys
To all the woodcraft mysteries;
Himself to Nature’s heart so near
v That all her voices in his ear
Of beast or bird had meanings clear,
Like Apollonius of old,
Who knew the tales the sparrows told,
Or Hermes, who interpreted
What the sage cranes of Nilus said;
A simple, guileless, childlike man,
Content to live where life began;
Strong only on his native grounds,
The little world of sights and sounds
Whose girdle was the parish bounds,
Whereof his fondly partial pride
The common features magnified,
As Surrey hills to mountains grew
In White of Selborne’s loving view, —
He told how teal and loon he shot,
And how the eagle’s eggs he got,
The feats on pond and river done,
The prodigies of rod and gun;
Till, warming with the tales he told,
Forgotten was the outside cold,
The bitter wind unheeded blew,
From ripening corn the pigeons flew,
The partridge drummed i’ the wood, the mink
Went fishing down the river-brink.
In fields with bean or clover gay,
The woodchuck, like a hermit gray,
Peered from the doorway of his cell;
The muskrat plied the mason’s trade,
And tier by tier his mud-walls laid;
And from the shagbark overhead
The grizzled squirrel dropped his shell.

Next, the dear aunt, whose smile of cheer
And voice in dreams I see and hear, —
The sweetest woman ever Fate
Perverse denied a household mate,
Who, lonely, homeless, not the less
Found peace in love’s unselfishness,
And welcome wheresoe’er she went,
A calm and gracious element,
Whose presence seemed the sweet income
And womanly atmosphere of home, —
Called up her girlhood memories,
The huskings and the apple-bees,
The sleigh-rides and the summer sails,
Weaving through all the poor details
And homespun warp of circumstance
A golden woof-thread of romance.
For well she kept her genial mood
And simple faith of maidenhood;
Before her still a cloud-land lay,
The mirage loomed across her way;
The morning dew, that dries so soon
With others, glistened at her noon;
Through years of toil and soil and care,
From glossy tress to thin gray hair,
All unprofaned she held apart
The ****** fancies of the heart.
Be shame to him of woman born
Who hath for such but thought of scorn.
There, too, our elder sister plied
Her evening task the stand beside;
A full, rich nature, free to trust,
Truthful and almost sternly just,
Impulsive, earnest, prompt to act,
And make her generous thought a fact,
Keeping with many a light disguise
The secret of self-sacrifice.

O heart sore-tried! thou hast the best
That Heaven itself could give thee, — rest,
Rest from all bitter thoughts and things!
How many a poor one’s blessing went
With thee beneath the low green tent
Whose curtain never outward swings!

As one who held herself a part
Of all she saw, and let her heart
Against the household ***** lean,
Upon the motley-braided mat
Our youngest and our dearest sat,
Lifting her large, sweet, asking eyes,
Now bathed in the unfading green
And holy peace of Paradise.
Oh, looking from some heavenly hill,
Or from the shade of saintly palms,
Or silver reach of river calms,
Do those large eyes behold me still?
With me one little year ago: —
The chill weight of the winter snow
For months upon her grave has lain;
And now, when summer south-winds blow
And brier and harebell bloom again,
I tread the pleasant paths we trod,
I see the violet-sprinkled sod
Whereon she leaned, too frail and weak
The hillside flowers she loved to seek,
Yet following me where’er I went
With dark eyes full of love’s content.
The birds are glad; the brier-rose fills
The air with sweetness; all the hills
Stretch green to June’s unclouded sky;
But still I wait with ear and eye
For something gone which should be nigh,
A loss in all familiar things,
In flower that blooms, and bird that sings.
And yet, dear heart! remembering thee,
Am I not richer than of old?
Safe in thy immortality,
What change can reach the wealth I hold?
What chance can mar the pearl and gold
Thy love hath left in trust with me?
And while in life’s late afternoon,
Where cool and long the shadows grow,
I walk to meet the night that soon
Shall shape and shadow overflow,
I cannot feel that thou art far,
Since near at need the angels are;
And when the sunset gates unbar,
Shall I not see thee waiting stand,
And, white against the evening star,
The welcome of thy beckoning hand?

Brisk wielder of the birch and rule,
The master of the district school
Held at the fire his favored place,
Its warm glow lit a laughing face
Fresh-hued and fair, where scarce appeared
The uncertain prophecy of beard.
He teased the mitten-blinded cat,
Played cross-pins on my uncle’s hat,
Sang songs, and told us what befalls
In classic Dartmouth’s college halls.
Born the wild Northern hills among,
From whence his yeoman father wrung
By patient toil subsistence scant,
Not competence and yet not want,
He early gained the power to pay
His cheerful, self-reliant way;
Could doff at ease his scholar’s gown
To peddle wares from town to town;
Or through the long vacation’s reach
In lonely lowland districts teach,
Where all the droll experience found
At stranger hearths in boarding round,
The moonlit skater’s keen delight,
The sleigh-drive through the frosty night,
The rustic party, with its rough
Accompaniment of blind-man’s-buff,
And whirling-plate, and forfeits paid,
His winter task a pastime made.
Happy the snow-locked homes wherein
He tuned his merry violin,

Or played the athlete in the barn,
Or held the good dame’s winding-yarn,
Or mirth-provoking versions told
Of classic legends rare and old,
Wherein the scenes of Greece and Rome
Had all the commonplace of home,
And little seemed at best the odds
‘Twixt Yankee pedlers and old gods;
Where Pindus-born Arachthus took
The guise of any grist-mill brook,
And dread Olympus at his will
Became a huckleberry hill.

A careless boy that night he seemed;
But at his desk he had the look
And air of one who wisely schemed,
And hostage from the future took
In trainëd thought and lore of book.
Large-brained, clear-eyed, of such as he
Shall Freedom’s young apostles be,
Who, following in War’s ****** trail,
Shall every lingering wrong assail;
All chains from limb and spirit strike,
Uplift the black and white alike;
Scatter before their swift advance
The darkness and the ignorance,
The pride, the lust, the squalid sloth,
Which nurtured Treason’s monstrous growth,
Made ****** pastime, and the hell
Of prison-torture possible;
The cruel lie of caste refute,
Old forms remould, and substitute
For Slavery’s lash the freeman’s will,
For blind routine, wise-handed skill;
A school-house plant on every hill,
Stretching in radiate nerve-lines thence
The quick wires of intelligence;
Till North and South together brought
Shall own the same electric thought,
In peace a common flag salute,
And, side by side in labor’s free
And unresentful rivalry,
Harvest the fields wherein they fought.

Another guest that winter night
Flashed back from lustrous eyes the light.
Unmarked by time, and yet not young,
The honeyed music of her tongue
And words of meekness scarcely told
A nature passionate and bold,

Strong, self-concentred, spurning guide,
Its milder features dwarfed beside
Her unbent will’s majestic pride.
She sat among us, at the best,
A not unfeared, half-welcome guest,
Rebuking with her cultured phrase
Our homeliness of words and ways.
A certain pard-like, treacherous grace
Swayed the lithe limbs and drooped the lash,
Lent the white teeth their dazzling flash;
And under low brows, black with night,
Rayed out at times a dangerous light;
The sharp heat-lightnings of her face
Presaging ill to him whom Fate
Condemned to share her love or hate.
A woman tropical, intense
In thought and act, in soul and sense,
She blended in a like degree
The ***** and the devotee,
Revealing with each freak or feint
The temper of Petruchio’s Kate,
The raptures of Siena’s saint.
Her tapering hand and rounded wrist
Had facile power to form a fist;
The warm, dark languish of her eyes
Was never safe from wrath’s surprise.
Brows saintly calm and lips devout
Knew every change of scowl and pout;
And the sweet voice had notes more high
And shrill for social battle-cry.

Since then what old cathedral town
Has missed her pilgrim staff and gown,
What convent-gate has held its lock
Against the challenge of her knock!
Through Smyrna’s plague-hushed thoroughfares,
Up sea-set Malta’s rocky stairs,
Gray olive slopes of hills that hem
Thy tombs and shrines, Jerusalem,
Or startling on her desert throne
The crazy Queen of Lebanon
With claims fantastic as her own,
Her tireless feet have held their way;
And still, unrestful, bowed, and gray,
She watches under Eastern skies,
With hope each day renewed and fresh,
The Lord’s quick coming in the flesh,
Whereof she dreams and prophesies!
Where’er her troubled path may be,
The Lord’s sweet pity with her go!
The outward wayward life we see,
The hidden springs we may not know.
Nor is it given us to discern
What threads the fatal sisters spun,
Through what ancestral years has run
The sorrow with the woman born,
What forged her cruel chain of moods,
What set her feet in solitudes,
And held the love within her mute,
What mingled madness in the blood,
A life-long discord and annoy,
Water of tears with oil of joy,
And hid within the folded bud
Perversities of flower and fruit.
It is not ours to separate
The tangled skein of will and fate,
To show what metes and bounds should stand
Upon the soul’s debatable land,
And between choice and Providence
Divide the circle of events;
But He who knows our frame is just,
Merciful and compassionate,
And full of sweet assurances
And hope for all the language is,
That He remembereth we are dust!

At last the great logs, crumbling low,
Sent out a dull and duller glow,
The bull’s-eye watch that hung in view,
Ticking its weary circuit through,
Pointed with mutely warning sign
Its black hand to the hour of nine.
That sign the pleasant circle broke:
My uncle ceased his pipe to smoke,
Knocked from its bowl the refuse gray,
And laid it tenderly away;
Then roused himself to safely cover
The dull red brands with ashes over.
And while, with care, our mother laid
The work aside, her steps she stayed
One moment, seeking to express
Her grateful sense of happiness
For food and shelter, warmth and health,
And love’s contentment more than wealth,
With simple wishes (not the weak,
Vain prayers which no fulfilment seek,
But such as warm the generous heart,
O’er-prompt to do with Heaven its part)
That none might lack, that bitter night,
For bread and clothing, warmth and light.

Within our beds awhile we heard
The wind that round the gables roared,
With now and then a ruder shock,
Which made our very bedsteads rock.
We heard the loosened clapboards tost,
The board-nails snapping in the frost;
And on us, through the unplastered wall,
Felt the light sifted snow-flakes fall.
But sleep stole on, as sleep will do
When hearts are light and life is new;
Faint and more faint the murmurs grew,
Till in the summer-land of dreams
They softened to the sound of streams,
Low stir of leaves, and dip of oars,
And lapsing waves on quiet shores.
Of merry voices high and clear;
And saw the teamsters drawing near
To break the drifted highways out.
Down the long hillside treading slow
We saw the half-buried oxen go,
Shaking the snow from heads uptost,
Their straining nostrils white with frost.
Before our door the straggling train
Drew up, an added team to gain.
The elders threshed their hands a-cold,
Passed, with the cider-mug, their jokes
From lip to lip; the younger folks
Down the loose snow-banks, wrestling, rolled,
Then toiled again the cavalcade
O’er windy hill, through clogged ravine,
And woodland paths that wound between
Low drooping pine-boughs winter-weighed.
From every barn a team afoot,
At every house a new recruit,
Where, drawn by Nature’s subtlest law,
Haply the watchful young men saw
Sweet doorway pictures of the curls
And curious eyes of merry girls,
Lifting their hands in mock defence
Against the snow-ball’s compliments,
And reading in each missive tost
The charm with Eden never lost.
We heard once more the sleigh-bells’ sound;
And, following where the teamsters led,
The wise old Doctor went his round,
Just pausing at our door to say,
In the brief autocratic way
Of one who, prompt at Duty’s call,
Was free to urge her claim on all,
That some poor neighbor sick abed
At night our mother’s aid would need.
For, one in generous thought and deed,
What mattered in the sufferer’s sight
The Quaker matron’s inward light,
The Doctor’s mail of Calvin’s creed?
All hearts confess the saints elect
Who, twain in faith, in love agree,
And melt not in an acid sect
The Christian pearl of charity!

So days went on: a week had passed
Since the great world was heard from last.
The Almanac we studied o’er,
Read and reread our little store
Of books and pamphlets, scarce a score;
One harmless novel, mostly hid
From younger eyes, a book forbid,
And poetry, (or good or bad,
A single book was all we had,)
Where Ellwood’s meek, drab-skirted Muse,
A stranger to the heathen Nine,
Sang, with a somewhat nasal whine,
The wars of David and the Jews.
At last the floundering carrier bore
The village paper to our door.
Lo! broadening outward as we read,
To warmer zones the horizon spread
In panoramic length unrolled
We saw the marvels that it told.
Before us passed the painted Creeks,
A   nd daft McGregor on his raids
In Costa Rica’s everglades.
And up Taygetos winding slow
Rode Ypsilanti’s Mainote Greeks,
A Turk’s head at each saddle-bow!
Welcome to us its week-old news,
Its corner for the rustic Muse,
Its monthly gauge of snow and rain,
Its record, mingling in a breath
The wedding bell and dirge of death:
Jest, anecdote, and love-lorn tale,
The latest culprit sent to jail;
Its hue and cry of stolen and lost,
Its vendue sales and goods at cost,
And traffic calling loud for gain.
We felt the stir of hall and street,
The pulse of life that round us beat;
The chill embargo of the snow
Was melted in the genial glow;
Wide swung again our ice-locked door,
And all the world was ours once more!

Clasp, Angel of the backword look
And folded wings of ashen gray
And voice of echoes far away,
The brazen covers of thy book;
The weird palimpsest old and vast,
Wherein thou hid’st the spectral past;
Where, closely mingling, pale and glow
The characters of joy and woe;
The monographs of outlived years,
Or smile-illumed or dim with tears,
Green hills of life that ***** to death,
And haunts of home, whose vistaed trees
Shade off to mournful cypresses
With the white amaranths underneath.
Even while I look, I can but heed
The restless sands’ incessant fall,
Importunate hours that hours succeed,
Each clamorous with its own sharp need,
And duty keeping pace with all.
Shut down and clasp with heavy lids;
I hear again the voice that bids
The dreamer leave his dream midway
For larger hopes and graver fears:
Life greatens in these later years,
The century’s aloe flowers to-day!

Yet, haply, in some lull of life,
Some Truce of God which breaks its strife,
The worldling’s eyes shall gather dew,
Dreaming in throngful city ways
Of winter joys his boyhood knew;
And dear and early friends — the few
Who yet remain — shall pause to view
These Flemish pictures of old days;
Sit with me by the homestead hearth,
And stretch the hands of memory forth
To warm them at the wood-fire’s blaze!
And thanks untraced to lips unknown
Shall greet me like the odors blown
From unseen meadows newly mown,
Wood-fringed, the wayside gaze beyond;
The traveller owns the grateful sense
Of sweetness near, he knows not whence,
And, pausing, takes with forehead bare
The benediction of the air.

Written in  1865
In its day, 'twas a best-seller and earned significant income for Whittier

https://youtu.be/vVOQ54YQ73A

BLM activists are so stupid that they defaced a statue of Whittier  unaware that he was an ardent abolitionist 🤣
Don Bouchard Jan 2012
I remember reading
Martin Luther King, Jr's
Letter from Birmingham Jail
Beecher Stowe's Uncle Tom
Mark Twain's Huck Finn
DuBois' Souls of Black Folk
For the first time

The words of Chief Joseph
Sitting Bull
Tecumseh
James Welch
and Alexie Sherman
And others of indigenous kind
Linger like arrows in my mind.

Of course, there's
Gilgamesh's forlorn quest for Enkidu;
Osiris, Amun, Ra, and Seth,
Homer's Illiad and Odyssey,
And Virgil's Roman treatment -
(For whom the gods destroy
We all must learn bereavement).

I remember reading
Milton's Paradises (lost and found)
And Dante's Infernal quest for Heaven
Through the bowels of Hell with Virgil's spritely guide
And up the Devil's staircase with Beatrice by his side.
John's Revelation of Times' End;
And LaHaye's money-making Left Behind
Apocalypses here to chill my mind.

I have surveyed Dead Presidents
Washington,
Jefferson,
Lincoln
Both Roosevelts, Ted and Frank,
And Reagan
And smatterings of others...
Then hopped the bookish pond to read
Sir Winston and some others,
Not the least of whom is Gandhi G,
Taught by the Queen to free his brothers.

I have studied
Moses
Job
David
Ruth
Esther
Isaiah
Jeremiah
The Disciples
Paul
and James
(Ironically,
Though Jesus is the "Word"
He never penned one).

British poets's thoughts,
Tale tellers long-dead
Have found their way
Into my head:
Beowulf and Chaucer
Old moral plays
Shelley and Keats
Cavalier Poets
Scott and Brownings
Burns and (not) Allen
Spenser and Shakespeare
Dylan and Tolkien
Lewis and Auden
And so many more
That I leave on the floor

Western Americana I have loved
Hemingway and Steinbeck, all worth the time,
Mari Sandoz' Old Jules, and
Rolvaag's Giants in the Earth,
Keroac went on the road, while
Joseph Kinsey Howard showed us the West
Lewis & Clark in journals scribed
Their journey west and back again

I can't forget psychology
And so I will digress
Or Sigmund's accusation stays
That I have but suppressed:
Ellis, Freud, and Eric Berne,
Pavlov, Skinner, Thorndike, Watson,
Wundt, and Wm James, Piaget and Chomsky
Then Vygotsky and Bandura put a social spin
on cognitive psychology, and Everybody's in.
Diverging and Converging, psychic students, all
Could never make transaction
'Til Rogers tried to make some peace
But Ellis wouldn't have 'im.

And then, of course,
The lighter stuff,
The popcorn of the mind:
Clancy, Rankin, Carole Keene
L'Amour and Will James
Stephen King and Poe,
Cruz Smith and Leon Uris,
Grisham, Deaver, Cornwall,
Asimov, Bradbury and Herbert,
Carroll and Baum...
Written Words change us.... I use the term "poem" as Louise Rosenblatt did, namely, a poem is the creation each reader makes to describe the connection between the Text and his or her own life experience, opinion, knowledge, beliefs, feelings, etc. Those "poems" affect and change us in our wanderings on this earth. I am, indeed, changed by the texts I have read and continue to read....
In haphazard fashion, I am starting a collection of writers who give me an understanding of the world's color and shape. This is just the beginning.... If readers have suggestions or reminders, I will add the ones I have read....
Don Bouchard Jan 2016
I remember reading
Martin Luther King, Jr's
Letter from Birmingham Jail
Beecher Stowe's Uncle Tom
Mark Twain's Huck Finn
DuBois' Souls of Black Folk,
Adichie's The Thing Around Your Neck,
Sherman Alexie's Part-time Indian tale....
For the first time

The words of Chief Joseph
Sitting Bull
Tecumseh
James Welch
and Alexie Sherman
And others of indigenous kind
Linger like arrows in my mind.

Of course, there's
Gilgamesh's forlorn quest for Enkidu;
Osiris, Amun, Ra, and Seth,
Homer's  Illiad and  Odyssey,
And Virgil's Roman treatment -
(For whom the gods destroy
We all must learn bereavement).

I remember reading
Milton's Paradises (lost and found)
And Dante's Infernal quest for Heaven
Through the bowels of Hell with Virgil's spritely guide
And up the Devil's staircase with Beatrice by his side.
John's Revelation of Times' End;
And LaHaye's money-making Left Behind,
Collin's Hunger Games and Dashner's Maze Running
Apocalypses enough to chill my mind.

I have surveyed Dead Presidents
Washington,
Jefferson,
Lincoln
Both Roosevelts, Ted and Frank,
And Reagan
And smatterings of others...
Then hopped the bookish pond to read
Sir Winston and some others,
Not the least of whom is Gandhi G,
Taught by the Queen to free his brothers.

I have studied
Moses
Job
David
Ruth
Esther
Isaiah
Jeremiah
The Disciples
Paul
and James
(Ironically,
Since Jesus is the "Word,"
Through men He penned).

British poets's thoughts,
Tale tellers long-dead
Have found their way
Into my head:
Beowulf and Chaucer
Old moral plays
Shelley and Keats
Cavalier Poets
Scott and Brownings
Burns and (not) Allen
Spenser and Shakespeare
Dylan and Tolkien
Lewis and Auden
And so many more
That I leave on the floor

Western Americana I have loved
Hemingway and Steinbeck, all worth the time,
Mari Sandoz' Old Jules, and
Rolvaag's Giants in the Earth,
Keroac went on the road, while
Joseph Kinsey Howard showed us the West
Lewis & Clark in journals scribed
Their journey west and back again

I can't forget psychology
And so I will digress
Or Sigmund's accusation stays
That I have but suppressed:
Ellis, Freud, and Eric Berne,
Pavlov, Skinner, Thorndike, Watson,
Wundt, and Wm James, Piaget and Chomsky
Then Vygotsky and Bandura put a social spin
on cognitive psychology, and Everybody's in.
Diverging and Converging, psychic students, all
Could never make transaction
'Til Rogers tried to make some peace
But Ellis wouldn't have 'im.

And then, of course,
The lighter stuff,
The popcorn of the mind:
Clancy, Rankin, Carole Keene
L'Amour  and Will James
Stephen King and Poe,
Cruz Smith and Leon Uris,
Grisham, Deaver, Cornwall,
Asimov, Bradbury and Herbert,
Carroll and Baum...

The list goes on and on, and will, I'm sure, expand beyond capacity.
Work in progress.... Thanks to Soul Survivor for catching my glitch about Jesus.... Since all Scripture is God-breathed, technically, Jesus is the author of Holy Scripture, and He inspired the text we know as the Bible.... Good catch!
Marieta Maglas Jan 2015
Extraterrestrial humans have traveled through a warp,
Galactic gate to this world wanting to engage with us.
They sought treaties with our United Diplomatic Corp.
'Mayan descendants coming from Nibiru', wrote the press.

'On 5000 BC, that earth map had big continents.
During the time Of Moses, strange Mycenaeans appeared
Having an alphabet for hieroglyphic documents,
While an alien space from Atlantis, for sure, disappeared.'

'Thutmose had a place of the ear for Amun unique god.
For 2000 years, human societies have been like tides
In revolutions of states continuing to maraud.'
'Our telepathic thoughts keep all your historic asides.'

'That Atlantic civilization described by Plato
Disappeared in water together with its continent.
The Aegean islands formed by Santorin volcano
Have been subject to that historical change consequent.'

'Some underground bases with space gates to other planets
In Egypt, Siberia, Germany, China and States
Can be built by us.''This is not foretold by our prophets.'
'The strands of DNA are the same, thus we can be mates.'

'Anunnaki are described on Sumerian tablets.
They crossed the asteroid belt having shipped to reach us.
The Earth slave labourers looked like being chained black rabbits.
Human rights can be assailed.There is nothing to discuss.'

'The origins of the Illyrians remained unclear.
Unlike Dorians, they disappeared into Slavic zones.'
'It's all hooked up with the Illuminati, and it's clear
That with this pass, Nibiru cracks its planetary stones.'

'There's too many of you here, when you are teleported.'
'This unseen infrared planet is ours, though you see us.'
'Vatican knows this, and to keep the secrets they ordered.'
'You need knowledge to survive.''This thing we do not discuss.'

'We belong to this dual-binary solar system.
In the Oort Cloud, there is a large low-mass aborted star
Making our planet orbits be elliptical. Listen
To the interplanetary plasma that breaks so far! '

'Odd records around these times of comets and disasters
Lead to the disintegration of civilization.
This old world sows confusion due to our last massacres.
Many birds, animals and people die from starvation.'

'We're not those lizards, or those giants from your Vedic myth.
We represent the Federation of Living Planets.'
'For us, to celebrate Life with Peace means a Holy gift.
You are near our thermonuclear reactor blankets.'

'Your refusal leads to intergalactic incidents.
Our friends traveled through a spatial wormhole to be with us.
Does the Six Day War support 'elongated' imminence? '
'In front of St Thomas Aquinas we stop to discuss.'

Poem by Marieta Maglas
bjynxthelyric Nov 2015
Lying to yourself can harm the universe
The truth it hurts
That's more than just a bunch of rhyming words to fit into the verse

It's time to pay attention to the things we never do in church
You really think you're blessed because you paid tithes to the church?

Couple more dollars on the plate
But now you're doing worse
Dummy keep your money and your patience
Let him do his work

Looking for the meaning of life without a Google search?
All roads lead your soul
Right back to rebirth
temajung michael May 2015
Pharaoh Tutankhamun graced the Egyptian throne,
A *****, brisk and spry.
From his majestical hands, dangled a scepter
And on his handsome head, sat a crown.

His empire was at its peak
For he wielded influence all over africa.
The bearded Europeans and nubianS sought his protection
For egypt, was a haven.

So organised was the land:

Amun-re and maat protected the people,
The country grew with the help of viziers.
Agriculture was a noble profession in the land,
As her economic markets were the best in the world

Egypt gave light to Greece and Mesopotamia
For her civilisation altered many a life.
And also, was the birth place of man
Such, was the land of egypt

The middle ages stroke and Europe went to sleep
But mama africa gave birth to many strong children:
Ghana, Mali, Songhai and many more
These children shoke the world with their riches and organisation.

Such was the history that africa recorded before they came.

Fredriech Hegel in want of speech said:
“Africa never had a history before the whites came.”
Such a mediocre declaration from an illiterate
For in place of his brain, graced a kidney.

Africa was well civilised before the bearded people came:
We had a religion
We had education as seen in egypt
We had a well organised system in all aspects.

We had everything needed for prosperity,
We attracted them with our gold, thus they came.
But most of all, we believed in equality.
Such was africa before they came

But when the bearded people came,
They altered our ways and put us in stocks
Then said: “we had no history.”
Oblivious that africa had made history,
BEFORE
AND BEFORE
THE
bjynxthelyric Feb 2016
Irrelevance is an illusion
Cast by
A shallow understanding
Of self

Purpose can't be comprehended
Solely in the eyes
But is always projected
By the hidden

Silence the narrator
Dispel the labels
Return to formlessness
Life is never truly bound by flesh
Chris Saitta Jun 2019
The desert is not the grave of the sea.

The heaving reign of pharaohed seas,
Rule in bloodline of palm wine and embalming fluid of brine.
The tides are their mummified lips,
Whispering the coming forth of spells eternally to the sky.  
All goddesses, like shawled Isis, in lamentations of hair
And past-wept somnolence for Egypt,
Lie across the heart-bound murmur of waters
From their dead kings and the kingly divine, Amun-Ra,
Whose bird-starred eyes fill the canopic jar of the cosmos.

The sea is the grave of the desert.
“Palm wine” and spices were used to rinse out the abdomen of the remains.

The Egyptian Book of the Dead was a phrase coined in the 19th century.  A more literal translation is The Book of Coming Forth by Day or Spells for Going Forth by Day.

The heart was actually the only ***** left intact in the mummified dead. The other organs were kept in canopic jars though some were rebound and reinserted into the mummified remains.

For a slide video of this and other poems, please check out my Instagram page at chrissaitta or my Tumblr page at Chris-Saitta.
Tread beneath the sphinx
There, beyond it's hardened gaze
A riverboat waits
Slip among the papyrus
And sail south to Amun-Ra
Lunatic Oct 2015
Autumn scattered allover  sorrow and leafs,
But sun will  shine not knowing  the griefs.
Amun -Ra in other world is happy at last:
Elvish prophet predicted the forecast.

Legends and myths give us hope everyday,
Make think how actually close is Milk Way
And Peter Apostle sometimes with Athena
Waltzing in sands of Coliseum arena .

You know, I  do believe in Jesus the Christ
Prophets of Muhammad are highly priced
I share wisdom of Gautama  the Buddha
In my dreams Vishnu appeared on Garuda.

See nymphs enjoying dew drop in a dawn
Letter on ground made by steps of a faun.
As fables flocking like river through wood,
I shall always believe in love and in Good.
Majd Abbas Dec 2017
-Dear God..
Can you hear my prayers..
Or will my words be swallowed in the snow..
I always feared suffering in your endless inferno..
I can almost hear the screams of the afterlife..
Torture is the ultimate cost of sin..
-To you..Mighty Zeus..I pray..
With trailes of blood and tears on my cheeks..
Your presence fills my lonely days..
Your crystal-draped whispers give me a hint of safety..
Hell is only temporary..eternal is Heaven..
Tartrus is the devine punishment..
To the ones who refuse submission..
And Hades..is the land of lost souls..
-Tell me..Great Odin..
Can you hear the agonized screams of your loyal slaves?
Can you see them waging wars in your name?
Raising the black flags of destruction?
Or are you too busy sipping your precious nectar?
Our silence is not the answer..
We shall ascend to your Asgard..We shall break your throne..
Remember..Great Odin..
Ragnarok approaches!
Divinity is only temporary..eternal is Valhallah..
And injustice is a sin..punishable by death..
-Forgive me..Amun-Ra
I fear the darkness that is you..
I kneel before your divine image..
I tremble at the sound of your voice..
Redeem me..of the evil that is you  
From the wrath embracing my entity..
And reward me..with your resonating light..
Blood..is the cost of forgiveness..
-Dear God..hear me..
Whoever you are..
Whatever name you may hold..
I beseech your wisdom..
They see you in statues..in Heaven..in death..
I see you in the verses of the Bible..
The hymns of the angels..
The warmth of melody..
The scent of parchment..the softness of silk..
I see you in the parades of death..to our sacrificed martyrs..
I see you in her braids..her voice..
The dance we had..
You're the beats of my cold heart..
I ask no forgiveness..but I seek inception..
A chance to start over..
To fall in love once more..
Mateuš Conrad Aug 2017
you know why i can't be much of
                          an atheistic *******?
to be honest?
i - prefer the voice of
someone like black pigeon speaks
than someone with the pompousness
of someone like t. j. kirk,
i'm not a trekkie either!
but come on, the voice whether with,
or without the image...
i just find atheism boring,
esp. if it's the sort of atheism
that subverts free-will,
   what sort of atheism is the type
focusing on discussion,
but the blatant discard of the mark of cain?
why leave the murderer from
your ranks?
                   i'm not an atheist akin
to witch-chard dork-ings citing
a liking for christmas carols...
     me? i prefer the chant of the templars...
salve regina types...
   i'm just bored of atheists...
they're boring me to the death i wished
instilled by islamic terrorists...
          atheism becomes boring
when it finds itself fathomable
within the confines of poetics,
esp. among the ones critical of cubism,
who also make gain by criticism of
the current "status" of poetry...
atheism seems to leisure,
rather than make critical claims...
i just find it so insolent...
that it almost resembles islam in the kindest
stratum of worthwhile discard...
whether poetry, or whether song,
both are to be avoided by
the guiding principle of the caliphate...
mind you: i'd rather make amends
with the shia muslims of iran,
than these berbers of morocco...
   half the casket filled with decapitated heads...
at least the shia knew the concern
of image, knew the bounty of poetry,
of the persian, came prior to the tusken arab
with their barbaric "leisures"
crafting "law"...
      i cite worth the shia above the sun-amun-ní,
and that's how the matter rests...
i will not care to budge a revisionist fable...
atheism bores me...
  it bores me to ensure i make
my bone into an ashen crude fathom
of form, "relieved" by an epitaph...
mark the pilgrim his
            expected tattoo of the haj...
coming from iran,
  mark him with the gesture,
                     of being a welcome guest!
mark him, or forever serve the "peace"
of convening the wake of
            your supposed istishhad;
i say, mark him!
        make peace among the two:
to better see the one,
  minding you avoid the poly-schism
of christianity...
       mark him!
       lever toward a peace among you!
do not suppose you are freed from
a monotheism, than can suddenly
turn into a polytheism of a poly-schismatic
distaste of arguments, akin to christianity...
mark your shia brother!
          mark him! tell him!
tell him: this is as far as our argument
settles to dust, within the perpetuated falter
of argument's invited...
   mark him! tell him!
      you will not allow a third party schism!
tell him! mark him!
     you will not allow a third party islam,
no islam, beyond the already debatable
shia & sunni... no third party!
Carel Prinsloo Mar 2016
some days I look up, up into the mysterious sky
searching for aliens, shooting stars flying by

some days I look up, up until the break of dawn
over the horizon, a light so very bright!

makes me look down, down to the very ground
I see my shadow, my very living shadow

a reflection of Amun-Ra, I truly am
TheWitheredSoul Oct 2021
For my soul that burns in thy Decree
For thy gates of Hell that awaits my arrival
For the song of hades that drags me to hell'
For the wrath of Amun that Plunders my Veins
For the spree of Ra that burns my soul,
For all of me that wanted to reach the field of Reeds,
Faded Away ..!
Away with her smile
Michael Kusi Jan 2019
Pharoah Ramses was dictating the Battle to his scribe.
Saying that, I fought my way and the gods helped me stay alive!
The King’s young daughter, Meritiamen, said Please excuse me.
But it was by my efforts that the Hittites and their allies were made to flee.
Ramses brushed her off and said, Hush young child the pharaoh is speaking.
Now scribe, I could feel the Ptah Division began to weaken.
Mertiamen retorted, Father, it was your Amun Division that broke first.
My Ptah Division came to save you, otherwise it would have been the worse.
The scribe was confused and said to himself, These writings would be my end.
One of them is telling the truth, the other one is living in pretend.
I believe the pharaoh is living in a world where only the gods reside.
Ramses blurted out, Then I stabbed the Hittite high king and he died!
Mertiamen rolled her eyes and said, Then how come we did not recover his corpse.
Father, you did a great service to the gods and Egypt yesterday, you don’t have to force.
It was a great victory, you don’t have to diminish it with a lie
The Hittite High King left the battlefield, he did not die.
Ramses snorted and said, I was all alone, no once around to save .
An arrow narrowly missed me, if it hit I would be in the grave.
The God of Egypt made mortal, it would have been a tragedy too.
Meritiamen blurted out, But my Ptah Division broke in to rescue you.
The scribe said, From now on, I will ask Meritiamen about the dispatch.
Because my pharaoh, it seems as if you don’t have all of the proper facts.
Ramses protested, But we were surrounded with no hope of breakthrough.
Meritiamen shook her head and said, My Pharoah, I would never let them take you.
The Pharoah and his Princess were arguing, and the scribe put his head in his hand.
Muttering to himself, I just cant… I don’t really understand.
I was working for the temple when they said Work for the pharaoh on campaign.
This is the hardest thing I’ve done in my life, and I can feel virtue leaving my brain.
The Princess then smiled saying, Scribe, we will have separate dispatches of the Battle of Kadesh.
I’m sure mine would be better, but the Pharoah also has a tale to embellish.
The Pharoah started up again, and the scribe rolled his eyes.
After so many years of observing Pharoah Ramses, he wasn’t really surprised.
Challenged by the Augur's spell, Vernarth met with his Commanding General and invited him not to be separated beyond the expanses that were fringed by a docile silver lunar wind. They congregate and get close to each other.

Vernarth Says: “What rejoicing surrounds my being, having in this contiguous night our Consecrated Falangists, and the cavalry sleeping in Machiavellian dreams as they fall into their sink, even in their parishioners and in their steeds, so that they do not lose their stinging eyes in the press drain. All spend the night as if they were lying in peaceful ejidos and on the edge of the belly of Chaos, exhorting hallucinations to those who doze on the kraníon rug, with the right utopias of Erebo. Dozing like cataclysmic entities upwards and rubbing himself in Orion, with a pythonic expression and changing his unspoken. Leaving barely a space back to change from caryatid triface tackling secondary Aorion mirages, turned into a decimated captivating Muse, for a desirable delight treating them as his heirs, watching them flatter with their scarlet cape and inscribed with Lambda in your Gaugamela magazine ”. Alexander Magnus responds: “I know that the satirized arms reign by the ****** of Amun, bursting your eyes-ears and eyes-unheard folded in the glaucoma martyrdom of Anubis, re-transforming the constellation of Orion after we rise to annihilate them in this silent furrow, already besieged! Meanwhile, I have to wash your most enema phrases with a thousand storms, more than the restrained bizarre that shelters in my corrected hemisphere, unbalancing the naked Diana of the night, located in the Lambda above her, so that she can accompany me with her nurse to the temple, truncating the sovereign garments by whimpering at the leading febos. "

When Vernarth observed that the Febo slime fell repaired, he quickly he measured on his jaw drying him, smiling at him and at the same time changing his nervous gestures. Taking him and holding him, as he seemed to be held back giddy from his long parliamentary speeches with his feudalists. Then it would be prosperous to let him sit on the side of the talented escort. At that moment they separate and extend their arms towards the envious koelum, join both swords that will also accompany them with the trembling and chattering bronze, puffing their retracted navels.

Vernarth replies: “Dissolute in my childhood I had to walk with my dogs like a thunderbolt immersed in their frame when I was ahead of them, they only sniffed my scarlet halos; which were fading red super-giant and near-Earth stars. Today is the belt of Aorion next to the Great General, beating in its grooves and changing its precessional course. I will move his hallucinations, so that she remains alone in his reddish outline, but not in his component physique "

In this way, Vernarth moved the tunnel of the zephyr with the tip of his Dorus when they bowed, the final glow of the tip of it warned to reopen in the viscera of the firmament as the spear emerged. Machinelike light years passed by for much more to be described, before any exact science and before an inaccurate Dorus, in a universe that is only distant while Vernarth is making use of the governance protocol, stretching on the ground with the kettle, rattling for its dorsal in the direction of its shaft, which was held volatile by the abbreviated gadget, for a spear used as a Xiphos Sword, reaching the apex of Betelgeuse to approach the legatary space of radiosity, and of Persia united in a merely advocative statement. Vernarth appears behind the clouds coughing with cloying fever, and with a rosy ruby hypnotizing the muffins of the colossal cosmic phoenix, and illuminating Alexander Magnus upon awakening. Lastly, the Phrygian Sibyl held the cross with the raised flag, in the same way, that the risen Christ himself does in a corresponding Resurrection scene, in extensive complement to the Sibyls with their Gothic and Renaissance imagination, with the Phrygian sibyl. being the priestess who will preside over an Apollonian oracle in a historical kingdom in the western central part of the highlands of Anatolia, contrasted with Cassandra of the Iliad.

The incipient compunction sequence to redeemed reigns in which the puerperal dawn, intercedes, however, the facets and the screams of the Caucasus, of those who are chained in the coldest irons of their isolation, for whom the panic of the Diaisthisi or foreshadowing, traps him in millennia seized from a heart stuck in the thorax of the Tágmati, towards the Apollyon offered in the abyss of the consecratam and the abyssal, leaping from the unfathomable ground of the abysmal providential destruction, and from its tulle dispatching in those who will not shine after being exalted concluded in silty bottoms of the mist. Lookouts and weeds will rule in intolerable covenants and promises, precociously tinted in the heartbreaking revelations of Saint John, glimpsing Apollyon's intervening diabolos together with the Sheol of the Koumeterium of Messolonghi, redeeming them in Nineveh and ordering themselves in Arbela and Gaugamela, in the indissoluble plantations. of Apollyon's Camels Gigas.
Codex XIV- Ultramundis Primum apud Orionem finale
They all approached the Colosso  from Apsila, from where the eleventh star began to make the quantum leap of conformation of twelfth aligned stars. The combat explorations in multiple routes showed the compliance of the identical Eddaphos or the sacred homeland of Patmos in the significant profile as a strategy by Eddaphs that seemed seas of prejudice and confusion of the farmhouses around which was not conquered by anyone, nor was anyone immolated. It was only the magnificence of the Colosso of Apsila that gave the saddles to empower itself from the detonation of atomic light, which was fired from Tire and Gaza on the riverside where today was the residence of Mardiath; Vernarth's lieutenant of the lights of the capital of Memphis, where he temporized areas that were worthy of an atrium of predilection to repopulate all the areas from where Persephone would sprinkle cinnabar for the Persian yokes, to compensate the Oracle of Siwa in the interstices of a god Hellenic Egyptian Zeus-Amun who would reside between his gums. When capturing the highlands and the lowlands, immediately joining the triangulation of the Beit Hamikdash temple and all the currents of the Euphrates, in the direction of Susiana where Vernarth was sitting on the gold horse, after dismounting from Alikantus, glimpsing luxuries and becoming of specters with the Manes Apsidas, congenializing before entering the Pasargada entrance parapsychology, since these succulent areas of gold managed to cross the Euphrates in parapsychology of annihilation, but when bilocating in the supply units insufficient flow, to divert the Attention from the stubborn Persians who still wanted to pursue their siege vows.

Possibilities of superior authorities remained in the infra predominance of their overexcites that encouraged them to deviate from their points of despotism to become from on high in the stream that shone by making propaganda of two ascars in the breadth of the plain, only leaving the cessation of first admission in front of Zefian and his four arrows with the Scythian Archers, in counterbalance to the contingents that were already in full risk of the target territory in the Eruv of Saint John the Apostle, which had demarcated the lines of pachyderm tracks in the frenzy of an oracle that sneaks in from teleportations of audio-sensory iconographies, discovering the mantle of Saint John where he would lead the garrison that would supply the majestic and triumphant portico of the Souls of Helleniká, taking possession of the paragon of quantum in the portico of Susa, from where shimmering looting of capital increased, helping to minorize the territories that would make it possible to aid the gates balance of the accesses of universal connection between Skalá and Susa, from where thousandths of a dorus would already begin to fly for a Macedonian king reference in the doors that would unite both geophysical zones, after attempts that make retentive in images of the struggles of the spectra to the see them, who then dissipated in advance from the cataclysm by convincing themselves of the eternal refuge where battles that had taken place between two rogues prevailed that never had to confront a conjured and assassinated sovereign, after an attempt to rebel in the Battle of Patmia, unable to avoid the recognition of a Satrap like Bessos like the horror of Artaxerxes.

All had been thrown into the possession where the light was present on the elytra of flying organisms, from where the imperceptibility of time and its aetoí or raptors were made free of some prey from the sky that was uncaused unable to support themselves, in means of the Salpinx and Shofar who heeded the voices of angelic *******. The tenors were stewed in stormy queens that dwelt in the mesosphere where Geburah resided for causes outlined in advance, attracting Hellenic claws that were actually a serpent-bearing Ophiuchus that was the thirteenth of the zodiacal sign of the dragon that was stratified in the Opioukos u Serpentarium opioids to settle that it was teleported by Captain Mardiath from Shots by the Wheel of Animals. The celestial groupings were constellated by lurching incontinence of their wills that were not able to advance and attempt what had already been lost. It was already the point of Aries or Vernal as the equinox was marked, from here with the twelve divisions of the zodiacal of Ophiuchus, where the astronomical limits that were in Vilorta were constellated, embracing the iron that held the thalamus of the plow at the helm of Vernarth, tri meaning supposed datas that could correspond to the limit of the quadrant of Aquarius with four new signs since the twelfth signs were distinguished in the wheels of the animals; being Apollo's oxen, having this spelling of the Dodecanese of Saint John after having toured the twelve churches in Turkey, where the collection of the stations would carry the Kouvalíthike se Vódia, "carried by the Oxen" leaving the precipice of the escarpment to Capricorn as the definitive wheel of the twelve divisions of the Dodecanese in the cardinals of the Shemash, making stations of Capricorn and Vóreios of Hyperborea with Wonthelimar, in the extreme north of this dawning night and of the projected equinox, which would be the tangent of the Sun through the celestial south returning again in the fused iconography of all the innkeepers that the astonished swords possessed in their assistances without being able to detach themselves from the reckless image of the scorpion or of an ***** that is illustrated by the ecliptic of the captains of each military squad. The league of fuss and perplexed reactions left them in the limen that became gaseous behind the ecliptic that transpolated the ends of the decision-makers, in these same with the ecstasy of the limits where each cycle appeared in its stunning sponsorships, related of the uncrossings of the bearer that made the cardinal points vary by the ecliptic of Notós de Borker and Dyticá de Leiak, leaving the dawn in the firmament below the mesosphere and the sunrise that was based on the thirteenth zodiacal abode of Ophiuchus, unraveling the gloss of the first postulate of light that was transferred from the unnameable transit of the Apocalypse's declaration. While everyone looked at each other and did not stop wondering when the Colosso of Apsila rose towards the ecliptic of precessional time where she herself detached herself, emerging in her imperceptible time, and carrying seas in the rivers, and rivers over the mountains where the serpentarium more than the sidereal opus that was distorted in the tertiary scale of Aurion, taking them to the Hebraic ladder of Judas Iscariot. The intertestamental analogy would throw the treatises between the Hellenes and Achaemenides and the Mashiach with his multi-consciousness in Judas Iscariot. In this instant of florilege of the heavenly palaces, it was summed up in the female that spread through the nets, hecatombs and afflictions, with crusts of arches that held the quiver from the claws of Beelzebub, which was not imperative for a Geburah who constrained himself to the tension of a god Íblis,  that if he asserted about the temptations of Judas destroying all the temples in the world and the post-captivity of intergenerational breeds, that they would go to the mercy of the host of fatality and inverted horror, that is, with the onslaught of pseudo-Christians who covered themselves with the mantle of the Ofiusco, creating outpourings of the flood that would extol severe genocides of the universe with the immature Apocalypse, which was protected in the ravages of the devastated territories with plagues and morbidities of septem saecula, which would be the execrable legacy of those who did not know that centuries would be born from these spoils of the escapes of the body by the body, only leaving bizarre souls that would reap the inverted step of the genocide, for escapes in the desert of Jerico where if they saw crimson Ophiuchus of the valleys that are from the boiling thesis of who always sees the twelve Giant camels dragging Judas, and clutching camelid legs where he was never safe.
Battle of Patmia Part III
Mateuš Conrad Jul 2022
ah... Saturday... completely switched off...
in between watching the Wimbledon matches
a nature show came on...
all about bears...

                           bears... funny creatures...
pretty ingenious creatures...
    i think my totem is a bear...
     perhaps it should be a fox...
or an owl... perhaps even a rat...
    maybe a wolf... or a European bison...
or a stork...
      but i feel like a bear...

i'd oddly placed in this world...
i'm a carnivore that's actually an omnivore...
i have thumbs and pandas have
sort of thumbs too...
   pandas need to sit down to eat...
horses... maybe my totem is a horse...
or a boar... perhaps a snake...

but i like bears...
   i sort of walk about lazily like one: from time to time...
bare: bear: beard: beer...
at least in my native language the word
for bear is: niedźwiedź...
bare: bear: beard: beer...
  boor... that's another b-b-but... of course...

i think evolution span to great jokes...
man and bear...
       let's face it... what animal is intelligent
enough to grow thumbs...
and... tell winter to *******...
eh? the hardships of winter?!
   i think i'll just sleep it off...
and come autumn... when all the fruits
have fallen and are starting to ferment...
i think i'll eat like 100kg of rotting apples
and get drunk...

i've seen footage of drunk bears...
no cat video can top it...
drunk bears and drunk deer...
          i mean: cat videos are boring my comparison...

so in between watching Wimbledon this
bear show came on...
          they're carnivores but some "chose" to be
herbivores, they forage... men used to forage...
some are omnivores...
   the only carnivore among them is
the polar bear... what the **** grows in the Arctic
that also green? there's nothing green
in the Arctic except for the Northern Lights...

i feel like a bear...
           i want to be the joker among the carnivores...
be like: hey! look at me!
i can eat berries too! i can slurp honey
climbs trees like a monkey and rip into
coconuts... i swear to god...
apply biology to a geological timeline
and i can almost see some strange creature
emerge out of the bear that would
completely obliterate the origins of monkeys
and the evolution of monkeys...

or perhaps... that wouldn't be the case...
and that's only because bears are loners...
oddly enough: i'm a loner too...
sure... when social-stresses come into play
i switch gears... but... dump me in
a forest and i'll start wandering...
on the odd occasion i might curse at myself...

then again: bears don't have a clue about
conjuring a minotaur, a cyclops(e),
that horse-man-torso-"thing"... or mermaids...
then again: the Egyptian gods had heads
of animals and bodies of man...
hard to combine...
there was never an ancient Egyptian god
with a head of a monkey and a...
a shaved body of a monkey...
      i wonder why they were blind to such
imaginings... perhaps they feared
the obvious?! the similarity?
                            
they must have sensed it back then...
  they would rather put a jackal's head on a human
body than put a chimp's head on a human body...
name them: Amun,
      Anubis, (i'll exclude Apophis and Ma'at)...
  Ra, Horus... Thoth... Sekhmet...
                   Sobek...
but to be honest... i never found the Egyptian myths
alluring... i just mention them now because
i'm thinking about bears...
    but i couldn't just chop my head off
and chop a bear's head off and switch...
for starters... invert this head-chopping business
and put a man's head on a crocodile...
or put a man's head on a cat... or a crane...
hell... sure... enlarge the body of the animal...
for the "shoe to fit"... and what do you get?
sphinx riddles...
                    i'm really ******* surprised the ancient
Egyptians didn't invent the guillotine...
i'm actually shocked they didn't...

wow... what a strange advert: get better therapy...
it has a woman talking to her
Google Nurse... gizmo... or whatever you call
her... the grand A.I. project...
interesting is a buzzword for the tool...
toxic relationships etc. and the advert ends
with: seek real contact with real people...
are there unreal people? most probably...
are there unreal objects? yeah... inanimate objects
that can travel at the speed of light:
given that light is animate "object"....
the sun might be an orb in the sky...
but look at it with naked eyes and you'll
soon see the Ultraviolet pulverising sheen on it...
it doesn't shine... it doesn't glow... the moon does
that...
         the sun is chaotic... it sort of twirls
and "froths" and whirls... in Ultraviolet...
              it's like a melting metal when sieved...

come to think of it... is anything in this world
inanimate? French philosophers loved thinking about
chairs and tables...
i like to think of a chair on an abstract planet...
is the chair inanimate? but the planet is moving...
this advert prompted me...
so many people live a life of lacking question-worthiness...
people ask these stupid questions about
their stupid mistakes they keep repeating...
like the phenomenon of the recurrent dream...

only today i had a "blackout" dream where i was
eating a burger... but i think it was a dream
that informed me that someone was dreaming about me...
because i didn't see anything:
i think i just read while asleep: YOU'RE EATING
A BURGER... am i? i didn't see ****...

i'm dying to find out if i can write the...
right... at least the Hebrews are consistent with their
deity: they always said: it's all scripted...
there's no imagining "him"...
right... so what's the Tetragrammaton in Katakana?

    my best approximate is:

ヤハワ    (ya-ha-wa) - hmm...
                     i know, right... no Adam-and-Eve of the original
hiding of the vowels... and that W is not part of wHEN
but part of vERY...

what's the alternative?
       it's sort of "counter intuitive" when it comes to Katakana...
since? the language is orientated
with syllables that begin with consonants:
consonant-vowel...
there are no syllables of a vowel-consonant nature...
there's MA
                   but no AM...
and with the mysterious Katakana N sharing equal
status with the vowels... hmm...

so it's like: can you please hide a Y in an A?
that's how it works... i had it all wrong...
i seriously had it all wrong... the whole WIKIPEDIA
matrix of Katakana was not
about hiding an A in a Y... but a Y in an A...
for example...

    it's not about hiding ア in ヤ (A in Y)
but Y in A: ヤ in ア...

          タ (T) in ア (A) and not A (ア) in T (タ)...

K (カ) in A (ア) and not ア (A) in カ (K)...
it even looks logical like that... how the vowels
accommodate the consonants,
they "unravel"...
even though there's no AK to each KA...
the vowels are ingesting consonants...

there's only one "strange" dynamic...
between the free-standing vowels and the only
free-standing consonant: N...

the vowels:

ア イ ウ エ オ (a, i, u, e, o respectively)

   the "consonant" N: ン...

it works differently in this instance...
in this instance the "consonant" is ingesting
the vowels... not the reverse of the vowels ingesting
the consonants for the syllables...
just look:

ナ ニ ヌ ネ ノ (na, ni, nu, ne, no, respectively)

but all other consonants work in an opposite
dynamic: although they're written as BA MA KA...
how they're written is actually AB AM AK...

but of course i'd also revel in Hangul...
the Korean script...
but not all websites are compatible with it...
while almost all are compatible with
the Katakana...

i feel like a bear...
            and i'm also feeling terrible English...
there's this current ad. project...
crisps in? or crisps out? in / out of where?
sandwiches... IN! IN!
but unlike someone who's "terribly" English...
sure... crisps inside sandwiches...
but i'm talking about vegetable crisps...
dried beetroot, dried carrots...
dried sweet potatoes, dried parsley...
i don't mean putting standard potato "fries"
into buns of bread-dough... with cheese...
maybe some fresh celery stalks...
some pickles... yummy... i'm already salivating...

last night i got back home around 2am... limping...
the previous night i had a tumble on the stairs...
drank about 35cl of whiskey... tumbled...
****** up one of my toes...
throughout the shift i was walking with a quasi-limp...
trying to re-orientate my toes so i could
place my foot better...

i got home and drank another 35cl of whiskey...
went to bed around 4am... woke up around 2pm...
i felt mentally exhausted...
i love it when they throw me into these situations
above my usual pay-grade...
while about 12 people have been laid off...
i'm still punishing myself with ambition...
well: if i'm aiming to be a chemistry teacher...
might as well learn crowd control...

even today: i'm not even drinking that much...
but i'm already exhausting myself mentally by
peering into the Katakana...
i already mentioned: i would look into Hangul more
often if i could simply ctrl+c / ctrl+p more
of the script... but i'm only allowed 2 examples
of Hangul at a time...

for example?!
                           너    (-|)
     N  (eo)                                 i.e. you...
sort of... better example on:

oh man... but that match at Wimbledon?!
   between  Nick Kyrgios and Stefanos Tsitsipas
today?! that was something...
this is me returning to the sensible secular reality of...
i started watching a tennis match...
i ended watching a tennis match...
but there was this bear show in between matches...

i suppose any European can appreciate
either Hangul or Katakana...
   personally? i can't be the next Ezra Pound and fall
in love with Chinese ideograms...
just like most Europeans can't fall in love
with Russian ideas...
       i abhor English egalitarianism...
                         a lot of people abhor Communism...
i abhor that Capitalism usually invokes
making money from the misery of other people...
or the concept that they are nothing
but useless consumers...
    hmm... just start buying whiskey...
the odd shoe once in a while...
and bicycle parts...
                                start going to prostitutes rather
than trying to get a girlfriend and spend
money on gigs...
       i've distanced myself from pair-bonding...
i can't stomach that pair-bonding *******
when in public... i couldn't stomach a girlfriend
who ended up telling me "what a special we were"
when she was competing for the attention of other
women to show me off...
        
and how hard is it for two bears to mate?
given they solitary creatures?!
pretty ******* hard... but it's purer than some
chimpanzee harem...
perhaps bears didn't evolve to shed their fur
for a ****** good reason...
personally?! i too would love to hibernate
and never have knowledge of winter...
no... i take that back... i wish i could sleep through
the summer... i abhor this cult of:
*** only happens in the summer...
    *** should happen in winter
so that two bodies can warm each other...
counter what nature dictates...
after all: i stand outside of nature,
i stand outside of time i stand outside of space...
i am the abstract quantum of this world...
because i admire fire as much as i fear it...
should i find myself in a forest ablaze...
because i admire water as much as i feart it...
should i find myself in a leaking boat
in a middle of a storm at sea...
    but compare that with drinking a glass of water
on a humid day...

that's my answer to: and you will know the difference
between good and evil...
by consensus that's already decided:
but it's lied about... it's left hidden... for the advantage
of others to gain from...
will i be conflating polar opposites?
will i call night day and day night
should i venture as far north as Alaska during the summer?
should i call 4pm night during winter
but also call 4pm day during summer?

eh... sure... perhaps Latin looks sterile... it doesn't have
a Nomadic aesthetic similar to either Arabic
or Hebrew... but i don't appreciate either
of these scripts... none of them could
have perfected mathematics
in a way that Latin script could...
the Ancient Roman concept of the coliseum would
never be translated into a football stadium
(that massive hole in the ground,
like a meteor crater of the past rumbling
and agitating the present) like the Latin script has
preserved...

since even the dangling sacrifice on the crucifix
couldn't overpower the stature of the Latin script...
i'll call it what it was and is:
a Greco-Hebrew conspiracy against the Romans...
even that couldn't undermine the death
of this script like what was used to undermine
the death of the Babylonian Cuneiform...
and sure... the Glagolitic script died...
   as did the Runes... but they are still retained
and fondly remembered...

but of all the other scripts of the world?
i have envy for two... the Katakana and the Hangul
(the Japanese and the Korean)
respectively... i have no care for the Mandarin
hieroglyphs... they do not speak more sounds than
me: i speak more sounds than them...
their encoding is just too pedantic: ancient even...
alien...
               because they write without
a consonant to vowel differentiation...
Mandarin isn't superior: it's all ******* emoticons!

🐩 🍞💩

basically: less skeleton and more form,
which reads as: dog eat ****...
            but hieroglyphs are hieropglyphs...
the eat might as well have been written as
ate...
     dog ate ****... who cares if it's a poodle?!

i couldn't find an emoji with eating...
so i chose bread...
because... what do you do with bread?
throw it?! you throw rotten vegetables
in a theatre... cabbages and tomatoes...
the best you can do with bread
is dry it... in an oven...
so it doesn't venture into... turning mouldy...
or you soak it up... in milk...
and mix it with pork meat...
and create Slavic pork-burgers...

dog bread ****...
i.e. dog ate ****... no?!

just reminiscent of yesterday... how stressed i was
at the beginning... but then how i dug deep
into the role... how other supervisors spoke
of trouble with some of the stewards
and how i had: ZILCH...
you're never up in a hierarchy...
you're always down... ******* down...

it's so much better to keep them in position
and if they're gagging for a coffee...
you get the coffee for them...
you don't tell them to ask for a toilet break:
you just allow free reign...
it's not ******* prison...
         when you give them free food
how happy they become...
of course i fancied two of the girls on my shift...
one ****** Somali goddess...
i swear i was looking at the Queen of Sheba for a bit...
then this mixed race girl with
my wild hope: god give me a girl with curly hair...
god give me a girl with curly hair...

but i kept roaming... i was always present...
my feet ached by the end of it...
but CONTROL messaged me... 0 times...
i told them: you can be on your phones for as along
as it might take to pretend to checking the time...
how many did go on their phones?!
none...
                  i'm going to celebrate myself...
why the **** not...
   i did a good job... i fed my "pride"...
my... "heard"... i checked on each one...
are you happy? yep... most were happy...
i was just waiting for one of them to say the words:
it was a pleasure working with you...
once that dropped i knew i was waiting
for some other people to get fired...
for... egoism... nothing else... pretentious egoism:
"pretentious" without any cultural
knowledge...

**** me... some websites allow Katakana...
all the emojis... but no enough Hangul...
****** me off...
        
i was really enjoying this match-up between
Kyrgios vs. Tsitsipas...
                it's tennis... ****'s sake with football...
then again: it's tennis... and not squash...
i just remember myself being stressed...
but once the herd / pride were fed...
it's how you look...
               people respond to looks so
much differently when it's otherwise an attitude
assurance...
              the less i spoke the better they
behaved... and the fact that i kept them fed...

walking and walking... more walking...
                 more walking...
                              even i was telling them:
i'm tired of ego-mani(a)c hierachic busy-bodies...
obviously i had one lose canon...
i told the rest of them:
just break yourselves... ignore him...
ignore him...
                 they ignored him...
let him... let him: feel rejection...

                        he's a spare wheel
when the 4 are already working...
                my pride... my herd...
                             that's what i was aiming at:
a reminder... can i work with Matthew?!
i just need that... i need the word to be passed along...
what did "Matthew" do?
he allocated us breaks...
he fed us...

                   that's all i need...
                                 i don't need ego-tripping
hierarchical measures being implemented...
i know i'm dealing with jokers:
but i'm also not a woman...
i don't need minor cues...
as a man i know that when i snap
i'll bite rather than shout...
    
                 perhaps that's why i love the ontology
of masculinity...
           ontological-masculinity is
the antithesis of what's to be ever approached
via the movement of feminism...
the counter to feminism is... ontological-masculinity...
crazy women and ***** men...
perfect coupling... although there's a "third":
***** men: perfectly crazy:
as the prostitutes disclose... ***** men and
prostitutes...

— The End —