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"amir" poems
'Kabali' and 'Badlapur' actor Radhika Apte will be the show-stopper in the upcoming Lakme Fashion Week in the ‘Gulzar’ collections of a prominent Kolkata-based fashion designer. “We have been working with Radhika since 'Majhi the Mountain Man' days (2015) and she will be flaunting our fabrics as show-stopper in India’s premier fashion show which is keenly followed by Bollywood," the well-known city-based woman fashion designer told media after a fashion show in a city hotel last Friday night. The Lakme Fashion Week is a bi-annual fashion event with the summer-resort show taking place in April while the winter-festive show is held in August. This year the winter-festive show will be held from August 24 to 28. Radhika will be wearing bright-colored lehenga since the show will be focused on beautiful India, it’s colours and contours, choreographed with the poetry of nature by Amir Khusro, the designer said. “It can also be termed our tribute to a great name like Gulzar saab who has brought our lyrics and poems to a new level,” the designer Saroj Jalan said. The signature style of the designer, whose works adorn Bollywood actors like Radhika beside well known models Lisa Sharma and former Miss Universe India winner Ushoshi Sengupta, is delicate floral patterns along with the use of Zardozi and array of hand-woven tusser silk and velvet enhancing the experience of the garments and “we will project the same in the Lakme week where the accent is on ethnicity,” designer Saroj Jalan said. Supermodel Ushoshi, having recently debuted in the Bengali film 'Egoler Chokh', said “Lakme show reflects the different tastes of all leading Indian fashion designers who are still rooted to Indian heritage.”Read more at:http://www.marieaustralia.com/short-formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses
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Aug 22, 2016
Aug 22, 2016 at 12:29 AM UTC
Radhika Apte to be show-stopper of Kolkata fashion designer in Lakme Show
'Kabali' and 'Badlapur' actor Radhika Apte will be the show-stopper in the upcoming Lakme Fashion Week in the ‘Gulzar’ collections of a prominent Kolkata-based fashion designer. “We have been working with Radhika since 'Majhi the Mountain Man' days (2015) and she will be flaunting our fabrics as show-stopper in India’s premier fashion show which is keenly followed by Bollywood," the well-known city-based woman fashion designer told media after a fashion show in a city hotel last Friday night. The Lakme Fashion Week is a bi-annual fashion event with the summer-resort show taking place in April while the winter-festive show is held in August. This year the winter-festive show will be held from August 24 to 28. Radhika will be wearing bright-colored lehenga since the show will be focused on beautiful India, it’s colours and contours, choreographed with the poetry of nature by Amir Khusro, the designer said. “It can also be termed our tribute to a great name like Gulzar saab who has brought our lyrics and poems to a new level,” the designer Saroj Jalan said. The signature style of the designer, whose works adorn Bollywood actors like Radhika beside well known models Lisa Sharma and former Miss Universe India winner Ushoshi Sengupta, is delicate floral patterns along with the use of Zardozi and array of hand-woven tusser silk and velvet enhancing the experience of the garments and “we will project the same in the Lakme week where the accent is on ethnicity,” designer Saroj Jalan said. Supermodel Ushoshi, having recently debuted in the Bengali film 'Egoler Chokh', said “Lakme show reflects the different tastes of all leading Indian fashion designers who are still rooted to Indian heritage.”Read more at:http://www.marieaustralia.com/short-formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses
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8
Look at the skeletons – they’re dancing in the yard – And the violet smells in the new day forward. Yesterday is so far, and the party is done; Gone are the petits fours and the sound of the drums. Today the wine is red and I push with my thumbs Some leftovers of bread on the table, some crumbs. Wasps are nibbling the grapes and the time can’t rewind: How cold are the graves; I am losing my mind. They’re clicking the laughters and clapping all the bones; Their pidgins are swishers in cages of the zoos: Mariette and Amir went all the way up there, – Like an old souvenir – and it makes me shiver. Look at the skeletons – they’re dancing in the yard – And the violet smells in the new day forward. Amir was a poet and Mariette a dove. Who can tell that the death is watching out for love? Yesterday the river saw us throwing some stones, And drinking cans of beer. The sunlight and the glows Of tiny water hints: we had to fold the eyes. Who can tell that omens were these water lilies? Mariette was wearing her pretty yellow pearls, Her simple golden ring. The long mane and the curls Of Amir, and his mood, were like hot butterflies They were so young and proud: Why can't I stop my cries? Look at the skeletons – they’re dancing in the yard – And the violet smells in the new day forward. Of what kind is this waltz, this triple meter dance, This strange time with no source, which always starts and ends? Yesterday, tomorrow; this day: a stunning ride On horses of sorrow where I cried as a child. Knucklebones of my hands, and my feet in the snow: Of what kind are these wounds spoiling red my pillow? Mariette cried and laughed, this all at the same time, As Amir depictured the story of their fine And very first kisses under the almond tree. Their sweet and calm faces have fired poetry. Look at the skeletons – they’re dancing in the yard – And the violet smells in the new day forward… (c) Quitterie Kerlach
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Nov 12, 2017
Nov 12, 2017 at 2:46 AM UTC
And the violet smells in the new day forward
Look at the skeletons – they’re dancing in the yard – And the violet smells in the new day forward. Yesterday is so far, and the party is done; Gone are the petits fours and the sound of the drums. Today the wine is red and I push with my thumbs Some leftovers of bread on the table, some crumbs. Wasps are nibbling the grapes and the time can’t rewind: How cold are the graves; I am losing my mind. They’re clicking the laughters and clapping all the bones; Their pidgins are swishers in cages of the zoos: Mariette and Amir went all the way up there, – Like an old souvenir – and it makes me shiver. Look at the skeletons – they’re dancing in the yard – And the violet smells in the new day forward. Amir was a poet and Mariette a dove. Who can tell that the death is watching out for love? Yesterday the river saw us throwing some stones, And drinking cans of beer. The sunlight and the glows Of tiny water hints: we had to fold the eyes. Who can tell that omens were these water lilies? Mariette was wearing her pretty yellow pearls, Her simple golden ring. The long mane and the curls Of Amir, and his mood, were like hot butterflies They were so young and proud: Why can't I stop my cries? Look at the skeletons – they’re dancing in the yard – And the violet smells in the new day forward. Of what kind is this waltz, this triple meter dance, This strange time with no source, which always starts and ends? Yesterday, tomorrow; this day: a stunning ride On horses of sorrow where I cried as a child. Knucklebones of my hands, and my feet in the snow: Of what kind are these wounds spoiling red my pillow? Mariette cried and laughed, this all at the same time, As Amir depictured the story of their fine And very first kisses under the almond tree. Their sweet and calm faces have fired poetry. Look at the skeletons – they’re dancing in the yard – And the violet smells in the new day forward… (c) Quitterie Kerlach
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39
What, what shall I do with you? My gipsy, my fix, my oyster, sea — only a few spiritual members gather in front of you, speechless: my eyes, lips, ***** hands… — And the heart, my love, where is the heart? Here and here, and there, my love, in every place that your lips touch. Amir Or from Let's speak you
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Oct 9, 2015
Oct 9, 2015 at 4:11 PM UTC
"Here"
Regarde les squelettes qui dansent dans la cour Et l'odeur de violette qui va chassant le jour. Hier encore la fête, les nombreux petits-fours, Le sel des cacahuètes et le son des tambours. Aujourd'hui qu'elle est **** la joie de Mariette : Quelques restes de pain sur la table - des miettes - Et des grains de raisins que grignotent les guêpes, Quand le rouge du vin nous fait perdre la tête. Ils cliquettent les rires et grelottent les os ; Il chuinte le sabir des cages dans ce zoo : Mariette et Amir sont partis tout là-haut Sans même prévenir : j'en ai froid dans le dos. Regarde les squelettes qui dansent dans la cour Et l'odeur de violette qui va chassant le jour. Amir était poète, Mariette un amour. Qui sait que la mort guette quand on a de l'humour ? Hier, à la rivière, nous lancions des pierres, Les canettes de bières et les traits de lumières Éclairaient nos visages et plissaient nos regards : Qui sait que les présages ressembl'nt aux nénuphars ? Mariette portait ses jolies perles jaunes Et son rire de Corte. Amir était un faune Dont la longue crinière nous mettaient en chaleur. Qu'ils étaient beaux et fiers : quand j'y pense je pleure Regarde les squelettes qui dansent dans la cour Et l'odeur de violette qui va chassant le jour. C'est une étrange valse, une valse à trois temps, Celle du temps qui passe et te chasse, entêtant. Hier, ce jour, demain : étourdissant manège Aux chevaux de bois dur où je pleurais enfant. Osselets de mes mains, et mes pieds dans la neige : Quelle est cette blessure où s'épuise mon sang ? Mariette pleurait et riait à la fois, Qu'Amir aux yeux dorés nous raconte l'émoi De leur premier baiser sous un bel amandier. Leurs visages apaisés nous ont incendiés. Regarde les squelettes qui dansent dans la cour Et l'odeur de violette qui va chassant le jour...
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Nov 12, 2017
Nov 12, 2017 at 3:09 AM UTC
Et l'odeur de violette qui va chassant le jour
Regarde les squelettes qui dansent dans la cour Et l'odeur de violette qui va chassant le jour. Hier encore la fête, les nombreux petits-fours, Le sel des cacahuètes et le son des tambours. Aujourd'hui qu'elle est **** la joie de Mariette : Quelques restes de pain sur la table - des miettes - Et des grains de raisins que grignotent les guêpes, Quand le rouge du vin nous fait perdre la tête. Ils cliquettent les rires et grelottent les os ; Il chuinte le sabir des cages dans ce zoo : Mariette et Amir sont partis tout là-haut Sans même prévenir : j'en ai froid dans le dos. Regarde les squelettes qui dansent dans la cour Et l'odeur de violette qui va chassant le jour. Amir était poète, Mariette un amour. Qui sait que la mort guette quand on a de l'humour ? Hier, à la rivière, nous lancions des pierres, Les canettes de bières et les traits de lumières Éclairaient nos visages et plissaient nos regards : Qui sait que les présages ressembl'nt aux nénuphars ? Mariette portait ses jolies perles jaunes Et son rire de Corte. Amir était un faune Dont la longue crinière nous mettaient en chaleur. Qu'ils étaient beaux et fiers : quand j'y pense je pleure Regarde les squelettes qui dansent dans la cour Et l'odeur de violette qui va chassant le jour. C'est une étrange valse, une valse à trois temps, Celle du temps qui passe et te chasse, entêtant. Hier, ce jour, demain : étourdissant manège Aux chevaux de bois dur où je pleurais enfant. Osselets de mes mains, et mes pieds dans la neige : Quelle est cette blessure où s'épuise mon sang ? Mariette pleurait et riait à la fois, Qu'Amir aux yeux dorés nous raconte l'émoi De leur premier baiser sous un bel amandier. Leurs visages apaisés nous ont incendiés. Regarde les squelettes qui dansent dans la cour Et l'odeur de violette qui va chassant le jour...
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38
I need to write a poem But look, Jake and Amir Just one video, Amir has got braces oh dear I'll get back to work soon after this Wookie Jesus and kittens that explode New info on The Last Of Us the movie And cracked's opinion on sushi And this gif wont load
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Feb 23, 2015
Feb 23, 2015 at 1:37 PM UTC
Procrastination
You say: to be penetrated, to penetrate. Sea-sand, sand-sea verging on the very centre. Words fall between us like something broken. Listen, I love you. But you, having it only your way, exist, exist, exist. You are not being paid for this and still, Mr. and Mrs. Other, you stroll along the street as if you’re only a name and have no navel. I act like you, repeat the movements which you repeat. Tell me, reflection — I throw another stone at you — is anyone more actual than me? I say sand-sea, sea-sand. Like something broken: a multiplication of faces, legs and hands                 like something that’s there. So: enough. Come back to me. I’ll let you go as often as you like. Now there’s no longer a difference between us, except this poem where some sort of a world lives. Another possibility, not really different: here, you don’t leave at all. You don’t stop coming for a moment. I open a mirror and turn its pages in front of what’s already written. It’s what you are: sadness in front of the blue evening sky, anger, insult, longing ******* the blue from your chest or happiness that suddenly spills in front of the blue of that evening sky; it’s a voice which accompanies what, looking, I see now or don’t see. And I see you: world by world, now by now, one and yet another one. In this poem that stumbles from page to page you watch and flicker between letter and letter and vanish — present in every one of these apparently silent centimeters — and don’t stop coming, and not really coming. So enough, please, don’t hide everywhere, talk to me, all of you at once. Amir Or, from Let's Speak You translated by Ioana Ieronim
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Jan 13, 2016
Jan 13, 2016 at 5:23 AM UTC
"Hand over hand. (What broke out — touches.)"
You say: to be penetrated, to penetrate. Sea-sand, sand-sea verging on the very centre. Words fall between us like something broken. Listen, I love you. But you, having it only your way, exist, exist, exist. You are not being paid for this and still, Mr. and Mrs. Other, you stroll along the street as if you’re only a name and have no navel. I act like you, repeat the movements which you repeat. Tell me, reflection — I throw another stone at you — is anyone more actual than me? I say sand-sea, sea-sand. Like something broken: a multiplication of faces, legs and hands                 like something that’s there. So: enough. Come back to me. I’ll let you go as often as you like. Now there’s no longer a difference between us, except this poem where some sort of a world lives. Another possibility, not really different: here, you don’t leave at all. You don’t stop coming for a moment. I open a mirror and turn its pages in front of what’s already written. It’s what you are: sadness in front of the blue evening sky, anger, insult, longing ******* the blue from your chest or happiness that suddenly spills in front of the blue of that evening sky; it’s a voice which accompanies what, looking, I see now or don’t see. And I see you: world by world, now by now, one and yet another one. In this poem that stumbles from page to page you watch and flicker between letter and letter and vanish — present in every one of these apparently silent centimeters — and don’t stop coming, and not really coming. So enough, please, don’t hide everywhere, talk to me, all of you at once. Amir Or, from Let's Speak You translated by Ioana Ieronim
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34
Sabke zindagi ki kuch aesi kahaniyaan hoti h jo logo s chupi hoti h Jo bsh kuch anjaana sa hota h Tik wese hi yh kahani h Isha ki Logo ka manna tha wo kathor dil wali amir ghamandi ladki h Pr log kya jaane wo amir ** k v akeli h Logo ko kya pta ki wo v bsh kuch waqt pehle khudh s mili h Mohobbat tutne s jada dard apno k ruthne ya bharosha tutne pr hota h Wo to ek maasum si thi Ushe to pta hi nhi tha ki wo kabhi esh Isha s milegi jo ki kathor patthar ki trh sakt h Pr jis waqt ushe fareb, dokha or bewafaae k dard ka ehesash hua Uski sachchae s jo wo wakif hue to usne apni masumiyat ko khudh k saamne mrta paya Usne uske dil ko gilli mitti s kathor patthar bnta paya Usne apne bharoshe pe bharosha kr sb kuch tutta - bikhrta paya Ush din apne ko hi nhi apno ko v khudh s dur jata paya Or ush waqt khudh k maut pr khudh ko rota paya Or fir bn k tayyar hue kathor patthar Jisko puri trh smjhna aaj v aashan ** na paya
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Jun 21, 2021
Jun 21, 2021 at 2:11 PM UTC
Kathor patthar
Jemariku menari di atas aksara. Kemari sayang, nanti malam aku akan ceritakan pertarungan antara Putri Cina dengan Amir Hamzah, dan Pangeran Bulan yang tak pernah datang. Tragedi Sampek yang menjelma kupu-kupu disusul kekasihnya. memilih abadi dalam dunia baka, ketimbang hidup 100 tahun bersama lara. aku akan tutup dongeng malam dengan kisah kita yang abadi dalam dimensi khayal. "Selamat malam."
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May 9, 2019
May 9, 2019 at 2:58 AM UTC
Prolog
This is for amir sofi Because it took me a total of 30 seconds after he walked on stage to think "where is he from" because i'm probably still pronouncing his name wrong Because he is a brown boy in a mistakenly white america Amir i am sorry I share a well known thought process when it comes to you i think "I wonder where his family lives" "I wonder if they are all together" "I wonder how he got here" "I wonder what he believes in" "I wonder if he is a citizen" As if it is any of my god **** business whether or not you pay taxes I am 17 years old, I don't really care about taxes and i don't think they should determine your amount of freedom So why is it when you walk on stage my biggest concern is your citizenship to this country. Amir there is something we need to understand I will not stand here to wallow in self pity about how i am not progressive enough I will not let you stand there and listen to a poem about my underdeveloped thought process We need to be proactive lets make a plan how about we Paint everybody brown We can assemble a street team, some very enthusiastic people with paint brushes who want to change the world Oh Oh how about we assassinate the president that always seems to get a point across. wait, that would be counter productive this president is a step for us Oh i got it! petition to make every american constantly where a blindfold you can't judge skin you can't see petition to paint the white house purple! Thats it! Here me out! You're a brown boy in a country managed by a black man in a white house. This doesn't sound very balanced, people are being represented but you are not all people amir I just think the place where our countries biggest decisions are made should be a color not designated to a certain race. And i kinda like the color purple Alright that's step one Whats next? More paint? Making all of the skittles in the package one color so people don't have a chance to pick their favorites. I heard you amir to many people of color spend their lives painting things white don't change your last name for me i will adapt we will all adapt you to the long and challenging process of acceptance from southern man and us to the to changing our hearts to embracing every color Thank you Amir for your patience I am so sorry about your calluses thank you for what you have become amir I appreciate you amir
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Dec 3, 2014
Dec 3, 2014 at 6:00 PM UTC
AMIR SOFI
This is for amir sofi Because it took me a total of 30 seconds after he walked on stage to think "where is he from" because i'm probably still pronouncing his name wrong Because he is a brown boy in a mistakenly white america Amir i am sorry I share a well known thought process when it comes to you i think "I wonder where his family lives" "I wonder if they are all together" "I wonder how he got here" "I wonder what he believes in" "I wonder if he is a citizen" As if it is any of my god **** business whether or not you pay taxes I am 17 years old, I don't really care about taxes and i don't think they should determine your amount of freedom So why is it when you walk on stage my biggest concern is your citizenship to this country. Amir there is something we need to understand I will not stand here to wallow in self pity about how i am not progressive enough I will not let you stand there and listen to a poem about my underdeveloped thought process We need to be proactive lets make a plan how about we Paint everybody brown We can assemble a street team, some very enthusiastic people with paint brushes who want to change the world Oh Oh how about we assassinate the president that always seems to get a point across. wait, that would be counter productive this president is a step for us Oh i got it! petition to make every american constantly where a blindfold you can't judge skin you can't see petition to paint the white house purple! Thats it! Here me out! You're a brown boy in a country managed by a black man in a white house. This doesn't sound very balanced, people are being represented but you are not all people amir I just think the place where our countries biggest decisions are made should be a color not designated to a certain race. And i kinda like the color purple Alright that's step one Whats next? More paint? Making all of the skittles in the package one color so people don't have a chance to pick their favorites. I heard you amir to many people of color spend their lives painting things white don't change your last name for me i will adapt we will all adapt you to the long and challenging process of acceptance from southern man and us to the to changing our hearts to embracing every color Thank you Amir for your patience I am so sorry about your calluses thank you for what you have become amir I appreciate you amir
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47
This was the temptation: to rub the I against the you, our thought against its images. To feel. We were there before, you remember, without mother or father, without navel, marked only by the first cut. Free of weight, measurement, destruction we wandered inside each other, dreamt worlds, lived. But the stakes were too low, the risk — only a game. Desire was action, instantly complete. And that’s the way (remember?) we got here too: by a single desire, by a glance. And now we’re here, in the viscous air, rubbing this in, with effort — every single sensation, every meeting. Our suns rise and set, our worlds get old, but here: suddenly we find a new wrinkle in our soul, and this — is for real. It’s real. Finally we can lose, destroy, finally we are alive. For a moment we can even die. Amir Or, from Let's speak you
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Aug 9, 2015
Aug 9, 2015 at 1:41 AM UTC
"The Temptation"
Saleel suggested his name for moderator, It increased my curiosity, and I understood he must be lover of our creator. One day a man with same name entered a thread. His opponents were angered and became red. He was merciless and continued with his onslaught. He didn't give up until the lesson was taught. He held tightly the rope of Allah in his fist. Very soon he was in Taskeen's friend list. He believes in the policy of 'tit for tat'. He loves animal specially big round cat. Now I see a different side of him. He is polite, kind, lively and not grim In both worlds may Allah give him fame. Amir Mustafa is his name.
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Nov 9, 2014
Nov 9, 2014 at 5:07 AM UTC
FRIEND FOUND
I’ll be gone by the time you read this, I loved you but you couldn’t see it. Break my heart and slowly slit my wrists before this love ever tries to **** me. This is the part where the story begins or maybe where the beginning ends. We traded in our lives for religion, this is a sinner’s redemption and you’ve been flying kites like Amir. Did I not deserve the kind of love and happiness that I have been consistently writing about? I yearn for a reality worth dreaming about, but lately my heart has been paralysed by doubt. Time is expensive like a Richard Mille watch but every minute I spent with you was worth it. It hurts me to say, that no matter what you say or do, I’ll always be by your side pulling you through. I’ve been feeling hollow, I’ve been feeling pain while trying to let go of memories of the past. I’ve realised that reality is not as beautiful as it seems as soon as the sun set on the horizon of my dreams. You settled for a takeaway when you could’ve had the world on a silver platter. Now that you’ve left, I realised how you were right when you said that I deserve better. But I’m uncertain of how to feel about the heartbreak I once felt a while ago in Hatfield.
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May 24, 2018
May 24, 2018 at 3:14 AM UTC
Hatfield Heartbreak
kuranın ne zaman ve nerede çekileceğini bilmemekle ödüllendirildi insanoğlu.. bir kitapçıda sayfaları çevirirken henüz yazılmamış bir şiirin ilk dizesi sizi gözlerinizden kavrayıp mısradan mısraya vurduğunda küçük bir kıvılcımın büyük bir yangıya dönüşeceği olgusunu kim bilebilir? bu karşılıklı elektriksel akımın sürrealist boyutlarındaki göz eşleşmesi yerini dudaklara bıraktığında kalp çarpıntınız ve tatlı titremeler genital üyeleri sık sık oturuma davet eder bu zaman ve mekan mefhumundan uzak ilahi açlığın ilahi tasarımındaki varoluş yaratım yasası değiştirilmesi teklif dahi edilemez amir hükmü olma hasebiyle, göz dudak ve kalp eşleşmesinin ardından ay'a oranla çekim gücü milyon ışık yılı olan yeni bir gezegenin ilk yapı taşlarını oluşturur genitallerin karşılıklı uyumu.. aşk güven samimiyet ve sadakatle parsellendiğinde, eşleşmelerin dünya balayı taraflardan birinin merkeze alınmasına dek sürer işte ben buna gerçeküstü eşleşmeler diyorum sonu -suz-olmayan sonsuz eşleşmeler.. ..
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Jul 10, 2019
Jul 10, 2019 at 7:40 PM UTC
Sonsuz Eşleşmeler
tata je znao znao je prije mene i mame znao je i patio je duze od nas patio i patio je dok smo se nadali on je znao i sa slomljenim srcem je zivio gotovo dvije godine rekli su nam a moj tata on rekao je da je znao u njemu ni jedna nada nije zivjela samo znanje znao je da Amira nece biti vise dugo my father knew he knew before me and mom he knew and he suffered longer than us he suffered and suffered while we were hoping he knew and with a broken heart he lived almost two years they told us and my father he said that he knew inside him not one hope has lived only the knowledge he knew that Amir won't be any longer
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Feb 27, 2019
Feb 27, 2019 at 12:20 PM UTC
tata je znao / my father knew
There is a cage I observe it from my balcony every day Inside there is a bird Too beautiful and with the chirping shrill It seems someone trapped her brutally! Enduring existence away from the marches of a vast faction of ally Which she couldn't bear to hide emotions When I gazed in her eyes The pain that couldn't be healed! With the suffering and the pain On which a fragile how long can remain! Sometimes she chirrups slowly as the flute of nosogenic tone And downcast eyes when no one notices her miserable life There inside the cage, plenty of happiness As I supposed from the old terrace but There is an absence of Independence and a true pleasure Dreams to fly with the march of ally! There is a crude who kept her in the cage He is like a creepy Crammed with the futile peculiarity, Inside her mind and heart She tries to sing a song but The caged has a fearful trill No Wonder! How moments of joy isn't still! Her wings are clipped and her feet are tied, A bird outside of the cage Sings a song shrill With the cool gentle breeze She follows her dream Singing on the trees to the street With a ray of sunshine She tumbles to fight with the dark, I observe the two birds Always with intriguing wit and eyes One caged and Another flying freely I hear both the nosogenic tone and the chirpings pleasant Sometimes I wonder to my life And I find always bound With the shackles And the nuisance of some who don't belong to my present, future and past! Like the bird caged Inside the bleak path full of dark The dreams I dreamt Through my eyes They decide to put shackles on the wing, There remains a bird and a fragile One caged inside the cage another in the societal life There may be some solution I didn't get through it But There lie a passion and willingness And I have a shackles As she has a cage The bird identifies me as an identical soul Tries to confront And shows compassion But there is a space In between us A lengthy and the vast And the wingless We both Downcasting our gazes Smashed with the expectations We both shuts Our door beneath the profound sky! ©Amir Raza
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Dec 22, 2020
Dec 22, 2020 at 1:20 AM UTC
Caged with dreams.
There is a cage I observe it from my balcony every day Inside there is a bird Too beautiful and with the chirping shrill It seems someone trapped her brutally! Enduring existence away from the marches of a vast faction of ally Which she couldn't bear to hide emotions When I gazed in her eyes The pain that couldn't be healed! With the suffering and the pain On which a fragile how long can remain! Sometimes she chirrups slowly as the flute of nosogenic tone And downcast eyes when no one notices her miserable life There inside the cage, plenty of happiness As I supposed from the old terrace but There is an absence of Independence and a true pleasure Dreams to fly with the march of ally! There is a crude who kept her in the cage He is like a creepy Crammed with the futile peculiarity, Inside her mind and heart She tries to sing a song but The caged has a fearful trill No Wonder! How moments of joy isn't still! Her wings are clipped and her feet are tied, A bird outside of the cage Sings a song shrill With the cool gentle breeze She follows her dream Singing on the trees to the street With a ray of sunshine She tumbles to fight with the dark, I observe the two birds Always with intriguing wit and eyes One caged and Another flying freely I hear both the nosogenic tone and the chirpings pleasant Sometimes I wonder to my life And I find always bound With the shackles And the nuisance of some who don't belong to my present, future and past! Like the bird caged Inside the bleak path full of dark The dreams I dreamt Through my eyes They decide to put shackles on the wing, There remains a bird and a fragile One caged inside the cage another in the societal life There may be some solution I didn't get through it But There lie a passion and willingness And I have a shackles As she has a cage The bird identifies me as an identical soul Tries to confront And shows compassion But there is a space In between us A lengthy and the vast And the wingless We both Downcasting our gazes Smashed with the expectations We both shuts Our door beneath the profound sky! ©Amir Raza
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In this vulnerable, resting, sunset light the eye is thickened with shadow, deepened by absence. Things hang in space, ground down by being seen, transparent — and the mode they exist in now is their mode of fading away. The creating eye has weakened; and the world that streamed — is almost already all sea; whoever’s in front of me, behind me, at my side — is me, but isn’t here. And it’s already late. And the day’s over. And we were left here, alone. On the banks of the world there we sat down, imploring our souls — There we weep, eyeless, when our gaze sinks into the great sea and we suddenly remember who we have been. Amir Or, from Let's speak you
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Aug 9, 2015
Aug 9, 2015 at 1:36 AM UTC
"Sunset"
A glory to your name Engraved in characters clear The Sun itself imparts to your flame
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May 3, 2019
May 3, 2019 at 8:30 AM UTC
Amir
Latin American, Women's, Women's, Women's Women in Islam, WHO family, | | women in America, Kenya / Amir Simaar, USA [Jewish stone jewelry]. Australian cinema, love, love President of the United States fell, watching the dogs of President Joseph 's first dog and four dogs and four dogs of Kenya, Irico, Lal, Her and Lal. Kenya Red, Natura Natura, Italy, Odyssey in 2020, USA, Tourist, Rebels, Free, Oceans, Trees, Pete's Wave, Greece I am sorry, I am sorry, I am sorry, I am sorry, I am sorry, I am sorry, I am sorry, I am sorry, I am sorry, I am sorry, Pitt, Gray Gray, Greece, Greece, 4487 / 5000 Australia Photo State, Kentucky, Australia, United States believes that three stones and gloves have not changed in Australia. || I am sorry, I want something see I am sorry, Erica, George Washington There are four sections, 200 and 200 Exciting examination in European Testing High Court American women, holidays, American singers, in music gambling is a celebration of the city at 9 pm in Australia It I a funeral for the US Red, green, blue, pink, red, green, South Africa, Iran is a bad, friend, but do not hesitate, give all shepherds Einstein, Kennedy, Vitamin, Fine Arts, Italy, women and leaders who not like tennis, talking about shooting I am experiencing 100 animals in Canada with a big problem named Mark Arthur encounters Paul on fossils, guitars, weapons produced by Douglas Red, Red, Purple, Silk, Cotton, Iran made the most beautiful of 200 junior High school students and has 15 children. The best Americans, victims and expensive services of Greece, the United States of America and Latin America are offered The problem of doing it, to succeed in the fire of George, George Wade, Georgia as a good car machine, fire at home, her lesbian friends Einstein's mother, vitamin D cannot sleep.|
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Nov 18, 2018
Nov 18, 2018 at 10:51 PM UTC
Natura Natura [Jewish stone jewelry]
Latin American, Women's, Women's, Women's Women in Islam, WHO family, | | women in America, Kenya / Amir Simaar, USA [Jewish stone jewelry]. Australian cinema, love, love President of the United States fell, watching the dogs of President Joseph 's first dog and four dogs and four dogs of Kenya, Irico, Lal, Her and Lal. Kenya Red, Natura Natura, Italy, Odyssey in 2020, USA, Tourist, Rebels, Free, Oceans, Trees, Pete's Wave, Greece I am sorry, I am sorry, I am sorry, I am sorry, I am sorry, I am sorry, I am sorry, I am sorry, I am sorry, I am sorry, Pitt, Gray Gray, Greece, Greece, 4487 / 5000 Australia Photo State, Kentucky, Australia, United States believes that three stones and gloves have not changed in Australia. || I am sorry, I want something see I am sorry, Erica, George Washington There are four sections, 200 and 200 Exciting examination in European Testing High Court American women, holidays, American singers, in music gambling is a celebration of the city at 9 pm in Australia It I a funeral for the US Red, green, blue, pink, red, green, South Africa, Iran is a bad, friend, but do not hesitate, give all shepherds Einstein, Kennedy, Vitamin, Fine Arts, Italy, women and leaders who not like tennis, talking about shooting I am experiencing 100 animals in Canada with a big problem named Mark Arthur encounters Paul on fossils, guitars, weapons produced by Douglas Red, Red, Purple, Silk, Cotton, Iran made the most beautiful of 200 junior High school students and has 15 children. The best Americans, victims and expensive services of Greece, the United States of America and Latin America are offered The problem of doing it, to succeed in the fire of George, George Wade, Georgia as a good car machine, fire at home, her lesbian friends Einstein's mother, vitamin D cannot sleep.|
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