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There once was a man from Mumbai
Whose face had the laziest eye:
     It opened at noon
     While the other as soon
As the sun rose was focused and spry.
Jeff Bresee Feb 22
There’s a swirling in the sunset
and a swirling in my soul.
A swirling in my heart and mind
that never lets me go.
 
It calls me down a winding path
that twists and turns and bends.
I don’t know where it’s going
but I do know in the end
 
that it will lead me to the shore
where I can sit and see
that wonderous swirling sunset
that was painted just for me.
Maximus Tamo Feb 16
Verdant and lush cliffs of green,
Tangled ivy and hyacinth,
Living brushstrokes paint a scene,
Bright and peaceful labyrinth,

Sweet scent wafting in the breeze,
Reflected light crowns each swell,
Sapphiric hues swirl the seas,
Cobalt depths where shadows dwell,

Granite peaks with greyscale shroud,
Icy peaks where snowflakes fall,
Silent glaciers cloaked in cloud,
Titans tower over all,

Maple, oak, and evergreen,
Dancing sway with nature song,
Lusher robes than kings have seen,
Vines and willows ever long.
Man Feb 13
I like to sprinkle my likeness within my work,
Sometimes it's elusive or hidden.
Sometimes it is plainly written out
If you just read it from the right perspective.
A bird's eye view,
The lense of the cartographer,
The fun of the stenographer:
A wider & broader picture.
Riri Feb 9
The wind dances through your hair,
your steps—light, effortless air.
Have you ever seen it?
The way eyes turn—
watching you move,
watching you twirl.

You sway like a butterfly,
spreading joy as you pass by.
A vision of beauty, soft yet bright,
your presence lingers in my mind.

But did you ever realize?
Beyond the glow of worldly grace,
it’s your optimism—radiant, rare—
that makes you truly beautiful.
Tanmayp Feb 2
शायद तुम्हे उसके सुगंध से मतलब हो
मगर हमे उसकी खूबसूरती चाहिये
तुम काटो से उसकी कमियाँ ढूंडते हो
कभी उसके काटो मे खूबसूरती तो देखो
Thanku for reading
Please comment for motivation and support
Vitæ Jan 25
I had no eyes
until I saw the sun set

with a smile percolating
through golden leaves and
into me.

This same evening long ago
taught me how not to worry

of grand shadows huddled
impatiently at every corner

for they too withdraw
into periphery like all else

if you let them follow you
into the darkness.
We usually say
"step into the light"
when there's
nothing but night
But do we say
"step into the night"
when the light
is so bright
that it not only blinds
but burns out our eyes?

When extremist's
play their games
to blind our
sensitive eyes
it doesn't matter
if they're using
darkness or light

It's all the same
if you're snowblind
or just left alone
in the dark
Whether it's
viral or bacterial
it's still an infection

Feeling our way
in the heavy black air
too thick to breathe
Fumbling around
in the light gray air
too thin to breathe

Caught in the loop of
groping the walls of our
minds in twilight
Struggling to refocus
in moonlight
Then so exhausted
by daybreak
that we sleep it all off
until dusk

Too much darkness
Too much light
Too much cold
Too much heat
Too much pleasure
Too much pain
Too much sunshine
Too much rain
You can have too little
or too much of anything.
©2025 Daniel Irwin Tucker
Jordin Jan 16
Only the other day the vividity was insane
The world my eyes see was smelting/melting
& the world my I's see was smelting/melting
But just then, as I found my centre
The Fantasia of old would hardly enter
It was enough of the stuff & much more than most men
Yet a part of me wants back to that fantastical Zen
In regards to the poem's inception:
It was a day & I went on a walk.
Upon the latter part of my walk, my psyche shifted & there was a stark drop in the vividity of my imagination.
This poem was a reflection upon that moment.

At the time this decrease was unprecedented.
Typically my imagination is a kind of tripple vision.
There is my regular optical vision.
There is the vision of the mind's eye which is usually wrapped in a rainbow colour like theme.
There is the vision of the mind's eye overlaid upon the regular optical vision.

Whilst I have been thinking about triple vision as a concept for some time; predating the poem count by some margin--I later found a kind of parallel with William Blake's notion of Fourfold Vision.

In regards to the poem title:
The word Fantasia is a homophone for Phantasia; where Phantasia, among other things, is the root word for fantasy as well as the ability to visualise in the mind. The name Fantasia was chosen in part over Phantasia given its musical-like connotations.

In regard to the poem's attributes:
This poem is one of the first poems to concentrate on a homophone (eyes & I's).
Within my canon so to speak I play with homophones quite a bit.
This poem is also one of the first poems to have a kind of multipath-like structure (smelting/melting)...

(WARNING: DEEP DIVE AHEAD)

It may be worthwhile to touch upon the conceptual maps of the homophonic pathways.

For instance within eyes & I's & smelting/melting there are 4 core paths so to speak. If one wanted to map out these in a kind of symbolic chain, maybe it would look something like this:

…eyes…melting -> …eyes…process of heating to convert to liquid -> …eyes…liquid -> …visibility…liquid -> …visibility…(indistinct / impressionistic / dreamlike / fluid) ->

…eyes…smelting -> …vision..process of heating to convert into purest form -> vision…pure -> pure vision ->

…I’s…smelting -> …self concept…smelting -> …self concept…process of heating to convert into purest form -> …I’s…pure -> pure I’s ->

…I’s…melting -> …self concept…melting -> …self concept…process of heating to convert to liquid -> …self concept…liquid -> dissolution of self concept ->
I was given at age thirty
Many vision
Many messages
Of the world to come
The first the pandemic
The war in Ukraine
And something much worse
I was also sent to tour hell
As I went through with
The protection of an arch angel
I see that gory scenes of just 3 circle and 9 sub circles
And a poison desert
For the worst of humans
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