Si no me encuentras donde solía esperarte,
no pienses que me fui;
tal vez me perdí buscándote en mí mismo.

He sido un mapa sin rutas,
una brújula herida por el norte de tus ojos,
y aun así, caminé.
Caminé con la esperanza
de que el eco de tu voz
algún día me guiara de vuelta.

No quise ser eterno,
solo inolvidable.
No quise que me amaras para siempre,
solo que no me olvidaras tan fácil.

Si no me encuentras,
búscame en las cosas pequeñas:
el silencio entre dos canciones,
el respiro antes de una lágrima,
el temblor leve cuando alguien dice tu nombre.

(a poem in six stained glass windows)

I. BECOMING

I used to flinch when someone said
“You’re gonna be big someday,”
like—how big?
How loud?
How lonely?
How much of me
do I have to lose
to be loved that widely?

I kissed a boy once
just to see if I could still feel small.
I could.
then I wrote about it,
rhymed tongue with undone,
called it healing.

Some nights I Google myself
with the same hunger
you search a symptom.
Just hoping it’s not fatal.
Just hoping it is.
Just hoping there’s finally
a name for it.

My digital footprint is a shrine
to girls I outgrew but never buried,
their teenage poems
still written in Sharpie
on the back of my ribs.

My first book will ship with
a hand strung bracelet that says
“I survived myself.”

II. PERFORMING

Every time I tell the story
I’m a little more clever,
a little less heartbroken,
a little more
dangerous,
a little more wrong.

I have a bad habit
of leaving confessions in comment sections—
breadcrumbs on the internet floor,
for anyone sad enough
to mistake me
for a map.

I used to rehearse goodbyes in mirrors,
just to see if my eyes could lie
as well as my mouth did.
They could.
They still can.

They called me brave
for saying it out loud.
But I only said it
because the silence was louder.

The secret to staying soft
is deleting the parts
where I’m anything else.

I write best in hotel rooms
because they feel borrowed, too—
because no one expects
the towels to stay white
or the girl to stay quiet.

III. DISGUISING

“SENSITIVE” was printed on my sweatshirt
the night he told me
I hurt myself through him—
at least now he can’t say
I never gave a trigger warning.

Half of my closet is clearance rack chaos,
the other half is second-hand salvation—
each hanger a theory
of who I’ll be next.
Sometimes I dress like the version of me
I think he could’ve stayed for.

Every good body day feels like a plot twist,
like God gave me
a guest pass
to precious.

He said I was too much,
but whispered it like praise.
Now I underline his fears
in neon.

Some nights I still wake at 3:14
to texts I dreamt he sent—
all apologies
and no punctuation.

I screenshot compliments
like they’re prescriptions,
take two every six hours,
pray my body doesn’t reject them.
One day, I’ll ask the pharmacy
if they carry praise
in extended-release.

Every dress in my closet whispers
“wear me to his funeral,”
but he keeps refusing to die,
so I just overdress for brunch—
and sit facing the door
just in case.

IV. SEARCHING

I footnoted the grief.
Added asterisks to all my ‘I’m fine’s.'
Even my browser history
reads like a ******* fire.

My greatest fear isn’t that I’ll fail—
it’s that someday I’ll win
and realize the trophy feels
exactly like loneliness,
but heavier.

I read horoscopes for signs of relapse,
Googling “Do Libras experience nostalgia?”
at 5:15 a.m. like a drunk astrologer
pleading with the stars
to cut me off.

I used to edit Wikipedia pages
for characters who reminded me of myself,
changing their endings to
“she survives,”
“she gets out,”
“she burns the diary.”
They banned my IP
for excessive optimism.
I took it as a compliment.

V. RECKONING

The girls who follow me online
all think I have answers.
I don’t.
I have questions in fancy fonts
and delusions of grandeur
dressed as advice.

My therapist asks me to describe “progress,”
and I show her unsent messages,
leftover pills,
and a notebook filled with
poems written in my sleep—
and one that woke me up
Screaming.

Some of you highlight my breakdowns
like they’re quotes.
I get it.
I do it too.

VI. ALONE

My brain is a group chat
of all the selves I've ghosted,
texting in all caps
and sending GIFs that scream,
"Remember when you thought you'd be happy by now?"

If this poem goes viral,
tell them I made it big.
Tell them I got loud.
Tell them I wasn’t lonely.
Just alone
by design.
Like all cathedrals are.

Half of me and half of you, a point of divergence for you
Half of me and half of you, a point of amalgamation to me
Half of me and half of you, a false pretence to you
Half of me and half of you, a make-believe fairytale to me
Half of me and half of you, a hefty disdain to you
Half of me and half of you, a wishful radiance to me
Half of me and half of you, a lousy freebee to you
Half of me and half of you, a subtle rush to me
Half of me and half of you, a blatant lie for you
Half of me and half of you, a beautiful lie to me
                                                                         -Asher Graves

I smiled so wide my molars got jealous.
Everyone said I looked stunning.
I said thank you in the voice I reserve for customer service and playing dumb.
That’s the closest I’ve come to a scream
this week.

I wore the dress that says: I’m over it.
(It lies.)
I walked like a question mark
straightened out with rage.

There was a man in the corner
making balloon animals.
He asked what I wanted.
I said surprise me.
He handed me a noose
shaped like a swan.

No one noticed.
Or maybe that’s just what I tell myself
to feel interesting.

Later, someone told a joke
I didn’t get.
I laughed like I was being watched.

The punchline wasn’t funny.
It just echoed
like something I would’ve said
before I got careful.

I stood in the kitchen
with a paper plate of olives and nothing,
holding it like proof
I was doing fine.

Someone spilled wine on the couch.
I said I’ve ruined better things.
Everyone laughed
like I meant it to be charming.
(I didn’t.)

A girl in white heels asked me
how I knew the host.
I said same way I know most people—
by accident,
and with the kind of premonition that wears perfume.

The bathroom mirror was cracked.
I counted the breaks like confessions
and chose not to atone.
The soap smelled like fruit
that only exists in dreams
you wake up crying from.

I reapplied my lip stain
like armor,
like alibi,
like an exit strategy.

Then I left without saying goodbye
because I couldn’t figure out
how to do it quietly
and still be missed.

A sheep unshorn, a misfit star,
too wild for wool, too sharp for flocks.
It walked alone where twilight wept,
where mountaintops kissed silver clocks.

Judgment struck like feathered arrows,
but wounds grew wings and took to flight.
"I’ll carve my throne from nameless echoes,
build my own laws beneath the night."

Yet beauty whispered, laced with teeth,
a velvet snarl in hunger’s guise.
The wolves arrived—moonlit beasts,
with gleaming pearls of red-stained lies.

Beauty isn’t soft, nor kind, nor fair,
It’s a rare flame, wild in the air.
A mirage that shifts, a whispered disguise,
Wrapped in illusion, unseen to the eyes.

The sheep stood firm where darkness danced,
while others cursed the sky’s despair.
Was beauty love or sharpened fangs?
A question lost to midnight air.

Bound by fate or freed by choice,
it laughed—"I’ll fall, but not in fear."
For even flight can lead to chains,
and even wolves can disappear.

So fight the feeling//
& hide your tears

it'll all be over
in 100 years//

i saw a half-dead man
at the butcher shop;
he ordered half a kilo chicken,
with half a voice;
his eyes, bloodshot,
sliced open like
the chicken’s clucking throat,  
and surveyed the butcher’s knife
for traces of humanity:
i don’t presume he found any.

the butcher verbalized an
unofficial bill of transaction:
the man paid with a 100,
and a 50 -
he was offered a 20 in return
by the butcher, who pressed
a ****** fingerprint on the note,
at the denomination.

the man reached for it…
but retracted halfway,
and said,
‘keep the change’.

every day, he looked out the window,
his inhibitions toppling over like dominos;
he gawked at the blackbirds, all the same:
he could not tell a friend from a foe.

he never thought he’d go so far -
as to slay ‘the raven’ with a crooked crowbar;
his conscience dripped with sins, and rose -
a thorny heap of fallacies, charred.

he blamed the world for all he was;
convinced in his soul that he had a good cause:
it wasn’t enough to redeem his faux pas, so -
he bore the tag of an ill-fated outlaw.

of all the names, by which he was called,
who knew - one day - he’d cease to show up?
a child dead of his innocence, who
never learned how to -
as they say -

‘grow up!’