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Valo Salo Aug 2014
Modern Up
Modern Down
Modern Art
Modern Clowns

Modern *******
Modern *****
Modern ******
Modern Creeps

Modern Life
Modern ****
Modern Truth
Modern Puke

Modern Lunch
Modern Kiss
Modern Views
Modern Hips

Modern Blood
Modern Brain
Modern Nothing
Modern Insane

Modern Hair
Modern Law
Modern Now
Modern Sick
Chloë Fuller Jan 2015
I'd rather be alone
for the rest of eternity
than spend one more minute
waiting for you
to call me back.
Aesthete Flower Jan 2015
My name is baby and you lean out of your car and spit at my feet it lands in a puddle in front of me and I am thirteen and in a suburban neighborhood on the way home from school and I gag and run with my backpack banging like the echo of your words against my back like you are chasing me all the way home.

My name is sweetie and I am fifteen in the city with my friends for the first time and we get a little lost and you follow us for a full block you name my friends honey and darling and why the **** won’t you talk to me!?

My name is nice *** and it’s two in the afternoon and I still feel my heart slam against my ribs because I am under a hundred and fifty pounds and I have weak lungs and weaker fists and while you saunter down the steps, swinging the beer bottle in your fist, my father who is walking behind me shouts, “she’s seventeen, you *******” and maybe I’m near my family but I don’t feel safe until we’re home again.

My name is ******* and my friend is laughing and we just graduated high school and we feel like we are on the brink of something beautiful and terrifying and she is in heels and about to throw up and you name her drunk enough and I have to physically drag you off and when we go home she cries for four hours because a night that should have been just teenage fun almost resulted in the end of her trust of humans.

My name is look at those **** and we are on a college campus and the boy I am with holds onto my waist just a little tighter while you drive up next to me. You name him **** and throw a bottle at his forehead. I can’t stop shaking until long after it’s over. He says “it happens,” and I say, “It shouldn’t.”

My name is **** girl and we are walking down the street. There are ten of you and two of us and you snap a picture when you think we’re not looking. You tell us to either come inside or you’ll **** us on the street. You all laugh like this is funny. This is a compliment. This is just something boys do to get ladies.

My name is little lady, my name is fine miss, my name is ******* and **** your friends, my name is look me in the face, my name is stop frowning, my name is smile, my name is why did you even glance at him you were asking for it, my name is this is a compliment, so I looked it up according to Oxford that’s “a polite expression of praise or admiration”  I think you've got the definitions mixed up.

My name is  pretty thing,  my name takes nice words and make them into bullet wounds.

My name is  nice body  and no girl I know has dated a man who catcalled her.

My name is  great rack  and it turns out that if you shout things at a stranger, they sound like knives more than flowers.

My name is  women like you never know their place  and every single “nice” thing you say to a woman is something you’d never utter to another man because you know that it’s derogatory.

My name is  princess  and  a reason to get put in prison  and if another man spoke to your mother, sister, or girlfriend like that, you’d **** him.

My name is  ****  and every time I hear someone raising their voice I am thirteen again and I don’t know who you are and I’m running home with a weight on my shoulders and your words like a slap to my spine and your laughter hanging in the air.

I am scared and alone and suddenly so small, and compliments are supposed to make me feel good not afraid for my life, compliments are a way of saying  “I care and I appreciate you and I thought you should know it,”  and if you really meant it as a compliment, you’d care about how I would take it - but you don’t mean it like that, you mean it to show off.

You mean it to make us object, you mean it to shove our names into your back pocket so you can tell your friends  “I saw the hottest little thing  yesterday”  and they can be groan about how we just walked away because you don’t see us go home with keys in our fists and all the lights on and we keep 911 dialed just in case and we triple-check our locks and we don’t fall asleep at all because your compliment knocked us over and took who we are

If we are all saying  “it doesn’t sound like a compliment, it sounds like a threat,”  If you really wanted to make us feel good - wouldn't you stop doing it?
Aesthete Flower Dec 2014
when did
poetry
become a
competition
on
which person
can use
the "enter" key
most
Enigma Dec 2014
Who is she? I do not know.
Inhuman. She tangles my mind like no other.
One look, she glances over your soul  
With her pale hues and feline eyes,
I  have been baffled with her tight grasp.

Celestial. Confusing. Crafty. Cold.
That she is,
She has casted a spell on me,
That can only be broken by her.
Who is she?

Puzzled. I have been,
A witch? Could it be?
Her voice is melodiously venomous,
I have been mesmerized,
She has clung to my soul.

A distinguished walk,
The childlike enthusiasm,
An enigmatic character,
Her signals are vague,
She is full of anonymity.

Marked with beauty, a mask hides her personality
The possessor of the key to my heart,
She is a mystery.
Charles Smith Dec 2014
Little grown-up knows too much.
Terrorism and tweenies, hopscotch and ******,
But the world is happily waltzin’ with Matilda.

He needs to learn, it’s never too late
******* before he fills his flashing trainers.
Little grown-up knows too much.

Mummy says it’s true, so therefore it is fate  
Yes instead of thank you, probably overused,
But the world is happily waltzin’ with Matilda.

You must decide if he’s gay or straight
Baa Baa rainbow sheep burnt to memory, tattoo’s and Christian taboo’s.
Little grown-up knows too much.

Taste the pill, consume this cup, watch his tiny eyes dilate
Staining innocence, hurry up, his naivety is bruised,  
But the world is happily waltzin’ with Matilda.

We dictate to loose weight in our forced-fed free state
Sat, his short legs swing on the cold church pews,
Little grown-up knows too much
But the world is happily waltzin’ with Matilda.

JWS
Children learn everything from society and Adults don't object.
Moon Shine Dec 2014
Sound art is gone he said
Modern music makes me feel dead
On the radio I what I hear
Gives the future fear
There is no talent no and no one cares
I told to him the industry is not fair
The time is now, the technology is here
You have a planet full of songs so near
Why complain about what your friends are listening to
Why don't you go out on your own and find something new
It doesn't matter what the radio or television plays
In the popular music you are not required to stay
Or better yet, why don't you play a tune
Sound you enjoy would come soon
And sing it for the world to hear
Make it loud and clear
Then tell me where the pretty songs were sent
You only see who was in front of you, along with them you went
This type of "today's music is terrible" attitude seems to be trendy right now, but pop music has always been terrible.
Hannah Nov 2014
In the 21st century,
we only care about beauty
and outer appearance,
we sometimes forget
what our lives really mean.

Tiny waists, *******
that aren’t too big, but
are big enough,
a space between
your thighs, and
a smile to ****-
this is what defines you,
If you’re not attractive,
you’re not worth it.

In the 21st century,
it doesn’t matter how you feel,
your self worth will be
flushed down the drain.

In the 21st century,
if you’re not perfect,
just walk away and
don’t
look
back.
MereCat Nov 2014
they lived
like the only customers at a funfair;
weeks caroselling
with swollen rise and fall,
like the horses forgot
to gallop in circles.
they had their own world
of haunted houses
and helter-skelters
but the stalls were all out
of candyfloss
and, as they slotted coins
into cork-rifles,
they shot themselves
to pieces
without winning
a single prize.
Andrew Geary Nov 2014
A nothingness wrapped
in mediocrity owns this
wall, owns your gaze.
Mere sheets and hints
of printed words pinned
to immensity, slathered
in greater glumps of white,
but the description makes it
less as you learn the painting
somehow represents
the communities fractured
by Eisenhower’s highways.
You look at it, then back
at the description. You step
away and travel to the video-
foot exhibit—a boot decimates
pumpkin pie on a screen,
and all you can do is thank God
that there isn’t a description
for this as well.
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