I may mistake the modern day for Salem.
We seem to be mirroring the crazy then verbatim.
Back then, the hysterical banter was of witchcraft and bewitchment.
Now it’s plotless allegations with no plausible way to prove it.

Someone accuses another of a devious deed,
No trial, no proof, I guess that’s no longer a need.
Just escort them, with haste, to the center of the stage,
Light the fire and burn them alive,
Leaving the liar to tell another lie.
The only witchcraft that I see,
Is how people, so thoughtlessly,
Get so passionate about events so petty,
That they become a mob, a stormy sea.
It has nothing to do with their lives,
But they see a cause and sharpen their knives.
A primitive desire to antagonize,
What we believe to be bad, but based on lies.

Truth has become subjective,
Despite its definition, objective.
I can spur a web of lies,
Witchcraft in disguise.
No need for evidence, it doesn’t have to be airtight,
Just enough to incite the urge to fight.
Isn’t that a sorry sight?

“Burn the witches!” They’d scream in Salem.
“Cancel them!” Is the modern verbatim.
They don’t deserve to tell their side,
Just shut them down and ostracize.
Guilty until proven innocent,
Dripping with bitterness and discontentment.
It’s a lose-lose for the accused,
At least they don’t meet their end at the end of a noose.

Perhaps the witches we need to burn,
Are the ones who accuse without evidence to confirm.
Why is the burden of proof on the accused,
And not the ones who defame and misuse,
Justice for a few moments in the news?
Burn naivety, which says that people always tell the truth,
And understand that, sometimes, people are just cruel.
Send the liars out into the center of the stage,
State their case, their proof, and who’s to blame.
Due process, not this foolish nonsense,
Based on feelings used against us.
Before we’re all bewitched by passion,
Which overcomes our reason.

The lonely liar, in search of a lair to lay,
Stumbled into a fancy French place,
Somberly he sat at the bar of burdens,
As he asked the witty waiter for something he'd never had,
Cautiously the character considered,
Then after a monumental moment of thought,
Brought out a blue bottle of *****,
Precisely pouring a pint,
Laying it in the hands of the lustful liar,
"What is this?" He wondered,
"This," the tender told, "Is a liquor called Love."

You put on your glassy mask
So I'll only see
The version of yourself
You contrived for me.

You slip on your suffocating shoes
So you can walk on
Like you're not gasping for air,
And nothing is wrong.

You tie up your hair tightly
So you can pretend
You're that pretty little girl again
With those once loyal friends.

You slide up your dejected glasses
So I can't see your bleeding scars
Hiding behind the facade—
I don't know who you really are.

Summarised tone of speech – let me imagine
the heat of your touch like a fine cigarette;
Your picture in my mind is such a drag.

Open ears to your deceptive voice, callous lines
of ******* in your words; so pure in white lies.
To my tough skin, your deceptive voice will
touch me – not in softness, but piercing into my
Conscience; knowing that even the prettiest looking
flowers aren’t the bunch of friends to hangout with.

Liars have the sweetest smiles, the sourest kisses
after the impression of their love wears off –
Like chewing gum, sweet at the start, until that
taste of nothing chews you up.

From the liar's mouth is the war with themselves,
battling with which lie they’ll use this day.
Telling you that they care so much for you -
liars are the sweetest.