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Clive Blake Jun 2017
In early eighteen-forty-four,
In Cornwall’s heart; on Bodmin Moor,
Charlotte Dymond, a young farm maid,
Had her throat slit with a steel blade,

She crossed fast streams and deadly bogs,
Found her way through mists and fogs,
But couldn’t stop that fatal blow,
That stole her life and laid her low,

She walked to meet someone that day,
Just who that was ... no one would say,
Found days later beside a track,
Laid on a cart; her shroud a sack,

The surgeon, Thomas Good, was fetched,
Had in his mind, her white face etched,
Charlotte untouched by fox or crow,
Had she been moved ... he did not know,

No evidence was ever found,
But her young boyfriend had gone to ground,
Fingers so quick to point his way,
Matthew Weeks panicked; ran away,

The hapless *******, was soon caught,
No other culprit was ever sought,
The judge was just a rubber-stamp,
Bodmin Gaol was dark and damp,

The scaffold built, the crowds arrived,
Matthew swore he had not lied,
The floor gave way, the rope drew tight,
Was justice done ... the verdict right?
Charlotte Dymond was murdered in the circumstances described in this poem.  Much research has been carried out regarding this infamous case and books written about it.  Matthew Weeks’ guilt has been questioned but with no forensic evidence it is is one cold case never to be reopened.  A reconstruction of the trial can be visited at the Shire Hall in Bodmin, Cornwall, UK.
Colm Feb 2017
Mistress of the cliffs
With eyes like lighting
And the rolling thunderous waves crashing down
Just beneath her fingertips

She is Demelza
The Goddess of solidarity and steadfastness

The epitome of emphasis
And the truth behind every last belmaidens wish

Which is of course…
To return to the fields of idleness
Of former youth

To thresh the wheat and kick the chaff
And to walk the surface of the earth
With a joy forgetting the hardships
And the toils of the fast

And so each day
She trudges her way
Though the dark and dull abyss
Until she reaches her new task
And sets herself to another height
For she was born to be mistress of the cliffs
With eyes like ice and hair like flames
Her servants know she cannot be tamed
Or kept on any windy ridge
Don Moore Oct 2016
He sings a song of love and darkness
I twirl away with my leaves of autumn
He stamps his foot and roars his call
I disguise myself in brown and gold
He leaves buds where his feet fall
I must horde my experience
He gives freely what I adore
I am regal and one of four
He has boundless endless love
I let him chase me each year
He chases in our endless game
I whirl like leaves blown on a chill wind
He jumps and twists as he attempts to tryst
Then I must be gone for another year
And He, He is bereft
But watches for my chillier sister who is next
In Greek religion and mythology, Pan is the god of the wild, shepherds and flocks, nature of mountain wilds and rustic music, and companion of the nymphs. His name originates within the Ancient Greek language, from the word paein, meaning "to pasture"; the modern word "panic" is derived from the name. He has the hindquarters, legs, and horns of a goat, in the same manner as a faun or satyr. With his homeland in rustic Arcadia, he is also recognized as the god of fields, groves, and wooded glens; because of this, Pan is connected to fertility and the season of spring. The ancient Greeks also considered Pan to be the god of theatrical criticism.
A Poem from my first draft book, a dark faery tale set in Cornwall, romance and death, the turn of the seasons, and the world,
Don Moore Oct 2016
Winds from far foreign climes beats upon the Lizard rocks
Gulls driven towards the blackest of crags, yet pass over safely inland
In the darkest skies they wheel and spin as if torn by some giant’s hand
White horses gallop crests of waves as they rush towards tiny harbours
There to crash savagely and rend cut stones from their secured places
Men work to save their boats, fighting the storm which mothers sent
Nature conspires to take their very lives as they struggle with her might
Rocks gnash their teeth and boats not safe yet, pass near their faces
Hoping for the safety of their port, men’s white faces line their gunwales
Black, white, red, blue and yellow, boats colours lost within the spray
These same boats that forge the men they carry out upon the sea’s wrath
But now just seek to bring them safely home to their worried wives
Their women stand upon the quay or stare worried from their windows
Churchyards on the hills above seaside villages filled with headstones
Men’s deaths caused by storms in past times of fishing for their living
Leaving spouses, their children to carry on their traditions and religion
Headstones cut from the very granite of the weather worn Lizard cliffs
Menfolk deep beneath the Cornish loam, there to rest for all eternity
Whilst below in the thrashing storm, the families fight once again
Then as quickly as it came, the storm blows out, waters return to placid
Men stretch their aching backs, those hidden from storm turn out
The ******’s mission helps as it can the fractured families
And church maybe rings for those lost out to sea, never to be seen again
There will be time to mourn, and the village will then lament together
And those who are left, they return to their sacred craft of netting fish
Return to shining calm, to ply their trade, to bring food to this isles shore
Writing a Cornish Faery tale presently, and I felt parts of the book would benefit from some prose at the beginning of a chapter...
Don Moore Feb 2016
Part one – The Hedgerow watcher.

He is almost obscured by the Elder branch, which laden with fragrant summer flower heads, casts a shadow on his cloudy features. Nearby, small birds chatter in a hawthorn bush, completely unaware of the figure sitting in quiet deliberation; only his eyes move beneath his darken brows, as he ponders the small animal traffic in the verdant river valley below.

And were you to be hurried, or impatient, and not look too carefully, you would never perceive him at all, so well hidden is he. You would have more chance, if you caught a glimpse of him sideways through the corner of your eye, and even then there is the possibility, you would not believe what you had seen...

His eyes light with golden flecks, as the late evening summer sun, ensnares sparkles off the languid river surface and directs them upwards into the unhurriedly darkening duck egg blue sky. He watches intently as a young female Fern bear snouts her way through and across the lush emerald green grasses just inches away from the river bank, where water voles play, creating tiny V shaped furrows across the shallow stream surface as they cruise the nearly mirror like silver face.

He notices’ that he can see the smoothly pebbled bottom and the rainbow spotted  coloured sides of the almost motionless trout as they hang fins fluttering awaiting the last daytime midges to perhaps drop down and furnish them with one last gulp of dinner.

Native birds flit from branch to branch on the overhanging trees o’er softly trickling water, their tiny songs much muted by the distance, and up above a Buzzard floats on browned wing his eyes trained downwards to impale a darting field vole, which seeks his own dinner of scurrying iridescent Beetle.

A flurry, as a black and red Moorhen jumps onto a small sandy beach at the corner of a turn, long wide toes and even longer legs, carry it up under the curve of bank, as it returns to its night time roost in haste.
A flash of instant Kingfisher cobalt blue and a small fisherwoman arrives upon a twig, her anxious beady eyes blackly spearing the dashing minnows, which with silver sides, play amongst the reeds and gently waving flags.

Part Two - Reynard the sly.

A ripple runs across his hairy back, as upon the delicious breeze, he catches hint of reddish skulking, sulking trickster near, and then from edge of pupil gold, catches merest glimpse of tail held low, as Reynard makes his courtly bow. Neither twitch nor tremor, the watcher makes as deviously this prince appears, his fetid stench announcing him to creatures far and near.

Then slowly as he cowers, the Fox glides by and down the steepest sides, to hope of careless rodent or of bird on nest, that might bring him windfall of instant feast that he may carry for his cubs that play at home beneath the staunchest tree, a woodland Oak of stout and height. They chase their tails in this perfect evening light, but learn of fear and flight, as horn does play upon a Sunday Morn, and colours bright which chase and catch them with some baying dog, not far removed from their much scary plight.

And all along the bottom of the wall, as laid by hand, a hedge pig snuffles for a slug or snail, his attention close upon the leafy mould, and then a surprising squeak as rippling back with reddish fur and chest of white, a family of the weasel exit stone built home and hurry for their evening hunt of beetle, vole or mouse. They disappear amongst the tallest grasses as a damp mound of freshly risen earth ejects the black velvet mole, which sniffs the air before he enters home and tracks the juicy worm back to his lair.

Little by little, so slow in fact, that you would not suspect, the watcher turns his face and looks with wonder to wooded river far, where branches bent create a vault, for shining, winding river run, and there in this, the darkest greenest place he spies a glint of hope as Dragonfly darts its wings a blur, and Mayfly dances beneath its many cathedral branches.
And further still above the trees a line of deepest blue meets lighter blue as sea and sky become no more than one, and smell of salt in distant climes come hither across this idyllic vista...

Part Three – Watcher revealed.

Dog Rose crawls its way across the bushes of the hedge, mixed with twinning convolvulus of purple hue, light green stalked, white capped cow parsley, groups in fading sun, with ragged Robin and dark pink Campion standing proud along with other flowers. Behind the silent Watcher lies a different guise of manmade meadow topped with crop of corn, which yellow in the fading sun, has bread like smell, significant of fresh warm loaves, and Man the farmer, is carrying all his toil, for the harvest of his many labours.

And in amongst this very yield, wild life is binding shoot and ear, as weeds are flourishing with the golden head, but make a pretty sight instead, for walking couple, who do not fear to tread, where woman glides as though a cloud, and pulled along upon her path, a little man who wishes he, was all alone, but must follow in his mother’s stately wake.

Towards the hedge she makes her way, and life goes still and much less vivid, but Watcher never makes his move, whilst beyond the wall the light is dropping further still, he rests his hand on object dear, but still refrains from moving forth.

And just before the barrier itself, she turns her stride and looking north, then moves away along a path, which chosen now will pass all sight, of secret ancient valley. The little man he cannot see what lies beyond his ken, and worries if he misses this, which might be very grand and maybe just beyond this very land. He tugs and pulls his Mother’s calloused palm, and as she continues on her elected special way, for she is old and cannot see, this wonder all around.

The lady now cuts back towards the way she came, and like a ship with boat in tow, she cuts a swathe through sea of golden grasses, and when perchance the little man would look behind to see, if there were aught that he had missed, of life beyond the that wall.

And then, as if on cue, the watcher stands, for he is proud with legs astride upon that hedge, no longer still but raising up, as he does stretch towards the sky, and then with no delay but still with yearning, he lifts up to his lips his instrument of all his learning.

The boy’s eyes are all of shock, for he has seen the Watcher well, half man, half goat, with shortest curling horns upon his almost woolly head, and listens in near rapture as Pan the woodland God, plays a merry breathy tune upon his pipes of river ****. The song is fierce and strong and as the boy pulls hard to stop his mother's walk; he looks away, in hope that he may, in attracting her closer assessment of the apparition, which he has spied in gay abandon, will be more than just a fancy of his dream.
But when he turns his head to take a further glimpse of this sudden ghost, who would be dancing, playing away along a valleys edge, he catches nothing, but the song of bird but which whilst trilling strong, is nowhere near as long as tune in moment gone.

Then in the middle distance church bells as the practice for the Sunday first begins, with peeling clap and stinging ring, and then as if he fears, that he shall never ever see again this horned guise of natural thing. He peers more closely yet again, but all is gone, and though he will return on summer nights, when man not boy he seeks a God, he never ever meets again, the edge to freedom and a God glorious not but never ever vain.
Emily Dawn Aug 2015
Blessed am I to dwell where travellers roam,
weary on their aching feet
they sit here, sand between toes, sunburnt scalp and ice-cream hands.

Where lit fires warm content bones, sheltered from storms beyond the panes.
But our storms are never ugly here,
rain dances bout' the cliffs, wind shaking woods, sky full of bruise coloured clouds.

Not neat,
this land is not of order, she is made of wilder stuff;
of 'untamed'- of 'free',
of rolling land and sprawling wood.
Not neat, no, but peace.
I was thinking about how beautiful Cornwall is, and tried to capture a tiny part of it in words
Silence Screamz Sep 2014
The Swan from Cornwall
Oh gracious on the pond,
Reached out it wings
while singing his song

Listen my friend
like the frets on a guitar
I'll play you a tune
so  distant so far

The words go like this,
So simple and pure
Ripples the effect
I have given the cure.

The banshee it screams
like sirens in the night,
the slow dive that surrounds
its about perfect flight

Oh swan you lifted me
from shadows of past,
No sin is untold
More stories to last

Gratitude and fortune
I wish you a fond
The Swan from Cornwall
Oh gracious on your pond
This is for a friend who got me back into writing.. with a few hidden messages
H. V. Swan
A Gouedard Jun 2014
The cup gleams gold in the light
Golden liquid overflowing
Round bowl on a slender stem.
On the table beside it are apples.
Red, yellow, glowing,
Globed sunlight bursting with juice.
Outside in the meadow, the cows
Brown and white, gentle eyed, lowing,
As the calf pushes and pulls on the ****,
Staggers a little and suckles.
Warm milk for the jug.
A blue and white bowl holds the cream.
Blue and white is the sky above
Brown and deep the buzzing of bees
Making the foxgloves bend and bow
Under the coolness of trees
Where the earth holds the richness of leaves
And the bones of the ancestors rest
In the land of the ever blessed.

— The End —