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Cecil Miller Jan 2016
Into the goblet of life did I poor myself, convivially jaunting; jumping for the juniper as if jolted into life for the first time by the cosmic current that sublimely filtered reality from the dream that had become my truth.

I, beheld to the newly found perceptions, careening through the trees, trampling upon crisp leaves, on my way to scenic experiences, was ever looking forward to the hopeful thrill and living in anticipation of the next climactic excitement.

I would be unable to be complemented by the moment, in which I did not truly live.

The adventure became a tragedy,
As is always with the changing of innocence into untoward regret.

Tears were novelties that were bartered for kindness, traded for the rhyme, but never the shine.

Illumination is priceless.
Good luck figuring this one out. Even I don't quite understand it all. It is like that, kind of abstract, when the flood gates are open and out spill the words.
Cecil Miller Jan 2016
She was here.
She told me how she'd always love me.
It was clear
I was the man in her life.
Why didn't she stay?

I opened up my heart to sorrow,
Not knowing there was no tomorrow.

She was gone
Before I knew.
It hit me hard,
Knocked out my lights,
Quicker than a heartbeat,
Faster than the speed of a lie.

She was here.
I knew she'd have my back always.
It was clear
I would always have her back.
Then, she went away.

She left no way for me to follow.
It happened fast - bitter pill to swallow.

She was gone
Before I knew.
It hit me hard,
Knocked out my lights,
Quicker than a heartbeat,
Faster than the speed of a lie.

It would be better,
If I could only say she had been untrue,
But at the time, I don't even think she knew,
That standing beside me was the one thing she could never do.

All at once my heart was hallow,
Echos of love, my heart is fallow.

She was gone
Before I knew.
It hit me hard,
Knocked out my lights,
Quicker than a heartbeat,
Faster than the speed of a lie.
Written between last night, and this night, 1-29-2016, this is my homage to 80's guitar rock.
Cecil Miller Jan 2016
You can feel the pain of life
cutting deep inside of you,
When you are out there swimming
On the edge of who you are.

You can see a mystic glow
That captures your attention,
Just before you find yourself
Abandoned in the dark.

You can taste the bitterness
Of loosing to the the universe,
Meditating on the sad things
That have made you who you are.

You can hear the hollow breath
That comes from deep within
Your chest as it it heaving,
When you don't know where you are.

You can smell the pheromones
And want to enter paradise
Of the intoxicating lifeforce;
Libidinous and stark.
This one kind of addresses what it can be like to have self-esteem issues, or uncertainty, and the experience of being ruled by it. However, this is not a poem about morality. I wrote it in the wee hours of the day I posted it.
Cecil Miller Jan 2016
The pollywog swims
To the edge of the basin;
Soon it shall have legs.

A bass leaps from pond,
But is not amphibian,
It lives in water.

The worm feeds on green
Foliage sprouting  from soil,
Unaware of flight.

A drop of dew clings
On the underside of a
Leaf splayed like a hand.

A burgundy beam
Of sun burns the soldier ants;
The queen does not grieve.

Feet disturb some twigs;
The crackling sound rapports
All throughout the woods.

Silence gives a heed
To the bird which gathers
Brown straw for its nest.

The lilting song of
A loon rises through the murk;
A sliver of moon glows.
This is a haiku. I hope you enjoy it. Take from it what you will.
Cecil Miller Jan 2016
I've borne the heavy load.
I've worked all the day.
Got two children at the house to feed.
Husband's gone away.

I've a bunion on my toe,
But I've got a corn pad.
With a smile upon my face,
Swear, it don't hurt so bad.

Don't the moonlight look so grand,
Shining in the sky!
Walking home from second shift,
Clean cars are wizzing by.

There's a light mist in the air
That gives me some relief.
In the crock *** waits at home
Hash and good corned beef.

My fingers gnarl and seize,
The handle's hard to grip.
I hope the boss don't send me home.
The kids have a field trip.

When the kids get on the bus
To travel out of town,
I might take a few days off
To lay my tired head down.

Don't the moonlight look so grand,
Shining in the sky.
Walking home from second shift,
Clean cars are wizzing by.

There's a light mist in the air
That gives me some relief.
In the crock *** waits at home
Hash and good corned beef.

I am faithful to the work.
I don't call in sick.
I'm hardworking as a man.
The foreman calls me "chick."

I never complain about my back.
Lord, He knows, I need this job.
I can take the stripes they give.
Don't give my raise to Bob.

Don't the moonlight look so grand,
Shining in the sky.
Walking home from second shift,
Clean cars are wizzing by.

There's a light mist in the air
That gives me some relief.
In the crock *** waits at home
Hash and good corned beef.
This is one of my folk songs.
I wrote it this afternoon in about 15 minutes on the notepad of my phone.
I went to copy and paste and deleted it and had to quickly type it in again while it was still fresh in my mind.
I wrote it from the perspective of a single mother as an empathetic homage. I hope I did justice to single mothers everywhere.
12:24am p.s. The title was hash of good corned beef but I remembered we southern folk used to call it corned beef AND hash sometimes, instead of corned beef hash. Anyway, just now I modified the title to include the conjunction AND, replacing the former OF.
Cecil Miller Dec 2015
My heart was true,
So true, but now it's blue.
You left
Without a saying word.
It beats
All I ever heard.
You treated
Me like a clown.
Now, your gone.
So, you're gone for good.
Don't even think
About comin' back around.
No.
No. No, oh!
Don't even think
About comin' back around.

My fate was cruel,
So cruel, cause I loved you.
You lied,
When you said you'd stay.
I cried,
When you went away.
Must-a took me
For a fool.
But, you're wrong.
Yes, you're gone for good.
Don't even think
About comin' back around.
No.
No. No-oh!
Don't even think
About comin' back around.

If your thinking bout coming my way,
You'd better think again
Cause once love has strayed,
There's no way to rebuilt the past
From your wreck of lies.
I see the truth, at last.

Oh, you took me
For some kind of fool,
But, you're wrong.
Yes, you're gone for good.
Don't even think
About comin' back around.
No.
No, No-oh!
Don't even think
About comin' back around.
I wrote this one two nights ago. Mid tempo, mostly in open A and D chords.
Cecil Miller Dec 2015
It was All Hollow's Eve.  

From all around people were coming to the south eastern seaboard to pay homage to the full moon, and beseech the moon to bless them in the upcoming harvest season.

As was customary, the people brought their bongos to attract the attention of the moon. The drummers settled across the length of the beach in many little groups and began drumming their rituals. They drummed for many reasons.

To this ceremony came a young boy.
He was a quiet boy from a tribe of very meager means. He did not have with him a bongo, ornate and with a bold resounding rhythmic thump. All he had to bring to the ceremony was a single tiny bell and a sounding rod with which to strike it. The bell, when struck, would render a soft, high pitched ring.

The boy knew it was a drum circle and not a bell circle, but he wanted to be a part of the evenings events.

The sun was beginning to set and the drummers had begun.

The boy with the bell joined a group of drummers who drummed to ask the moon that the breeze would be cool and gentle, instead of savage and destructive. The boy was feeling the rhythm, and when he felt he was found the place, struck the bell with the sounding rod.

The drummers stopped drumming. One of the drummers, an older boy around the outside of the circle shooed the young boy with the bell away from the group.

The young boy felt sorry. He hoped he had not been to much of a disturbance to the circle. He walked down the beach a little way. The faintest sparkling of a few stars could begin to be noticed in the sky. The sun had nearly set.

Another circle of drummers drummed so that the moon would intercede with the vast ocean and ask that the tide be gentle instead of large and destructive to the crops in the field.

The small boy liked the rhythm made by the various hands rapping on the tight skins and the sides of the bongos. He could hear in his mind how his bell might fit in with this rhythm. He was patient. He waited. When he felt it was just the right place, the boy struck his bell with the sounding rod.

The drumming ceased. Many drummers scowled at the young boy with the bell from a far off village. One of the drummers waved for the boy to go away from this circle. He pouted a little and left.

The boy did not mean to cause a disturbance. He had only wanted to join the ceremony.

The sun had long since set. The moon and stars illuminated the sky like a silvery blanket. The boy felt the love that was on the beach deep in his chest. He began to smile.

The boy was drawn in by the rhythms of another circle of drummers who were drumming to ask the moon that the crops be plentiful with fruit, the goats to yield plenty of milk, and the chickens many eggs.

The boy thought he might try one last time to find a place for his soft, highly pitched bell tone. He was hopeful because a few of the drummers were rapping and shaking beaded pottery. Surely this circle would be open enough to allow the boy with the bell to join in and help beseech the moon.

He waited and listened. When he felt that he had found the right place in this rhythm, the young boy struck the bell with the sounding rod.

Once again, the drummers stopped. A man wearing a frown pointed sternly with an outstretched muscled arm and sent the boy further down the beach where there were no more circles of drummers.

His head hung low, and with nobody around to see, the young boy with the bell who had been sent away from all the drumming circles on the beach let heavy and hot tears roll down his face and drip from his round cheeks.

"Do not cry, Young One, " the boy heard a soft voice say.

The boy took a breath and the raised his head. Standing before him was a woman in silver robes fettered with strands of fiber shimmered like stardust. A soft mist surrounded her.

"The tone of your bell was most pleasing to me because it was possessed of a sincere gentleness and simplicity that was unique among a multitude of sounds that all bore a similarity to each other. By the time they reach the heavens, they are all the same.

Because your bell was different, it got my attention.

Because you rang your bell with the first circle of drummers, the wind will be gentle. Because you rang your bell with the second circle of drummers, the ocean will be calm. Because you rang your bell at the third circle of drummers, the crops and livestock will produce a plentitude."

The young boy could barely believe what the beautiful woman had said. She seemed to be cloudy through his lingering tears. The boy brought his palms to his face to wipe them from his eyes. When he looked back up to see her clearly, she was gone.

The round full moon was brightly shining in the midnight sky.
This is an original short story. I got the idea on my first night I moved to Miami on South Beach in 1999. There was a young adult latin male who kept going to the different circles and sounding a bell, trying to find his place in the various rhythms ,but getting scowled at by some people, so that part is mostly true. The rest is from my imagination. The bell and the sounding rod are metaphores for the boy's love and hope. It is prose, rather than verse. I wanted to capture a feel kind of like The Velveteen Rabbit, my favorite children's story. I hope you enjoy it. Many of the elements are mystical and poetic. I retain the ownership and all legal rights to this story. Written on 12-15-2015
Cecil Miller Dec 2015
No jingle bells ring around here
Since you've gone away.
White snow blankets ev'rything in sight,
But I don't wanna play.
I don't feel the merriment, the mirth, nor cheer,
It's not like Christmas at all
When you're not here.

It's not like Christmas at all,
When you're not here.
I don't feel like celebrating
When you're not near.
When you were in my life
I never did know drear.
It's not like Christmas at all
When you're not here.

A wreath adorns the cold front door,
Your somewhere on the outside,
Frolicking in the wonderland,
Your world is unfurled and wide.
You will never have to know
A life spent all alone.
You will always find somebody
You can call your own.

It's not like Christmas at all,
When you're not here.
I don't feel like celebrating
Without you, Dear.
I keep hoping by some chance
That in my door you'll reappear,
It's not like Christmas at all
Without you here.

The ornaments, tensile, and lights,
Hang on the evergreen.
The Yule log burns, and warms the harth;
The carollers, outside, they sing.
I can't face the new year
By myself, all on my own.
Things haven't been the same
Sinse you've been gone.

It's not like Christmas at all
When you're not here.
I don't feel like celebrating,
When you're not near.
Come back for the holidays,
Then stay all year.
It's not like Christmas at all,
When you're not here.

(Nobody's under my mistletoe -
I won't cuddle when the night is cold.)

It's not like Christmas at all
When you're not here.
I don't feel like celebrating,
When you're not near.
Come back for the holidays,
Then stay all year.
It's not like Christmas at all,
When you're not here.
I wrote this when I was about 23 years old. (Early 1990's 20 years ago) It was the first in a long series of Christmas inspired lyrics I've written. I reworked it just a little over the years, but it is mostly faithful to the first draft. On June 4th 2016, I added some words for backing harmony about mistletoe. O removed the revious reference that was in the second verse and restored it to an earlier rendition and extended the somg by addion of an additional choral refrain.
Cecil Miller Dec 2015
Seeds for birds, and seeds for me. 
Seeds that grow for me a tree.
Nature grows, and flows, is free;
As the way I share my seeds.
More from my poetic banterings
Cecil Miller Dec 2015
Yonder burns the vigil,  that beacon that guides me ever closer to the hearth where I once lain the burden of my  innocence with another on that faux bare skin rug. If only I could reclaim it, but only to surrender it again.
I was bantering some poetric quips with a buddy last night. I really dig when that happens. Poetry is its own beautiful language.
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