careful I was, not to step on the ants
on the trail--a red commando column, carrying crumbs
to their busy mound, on auto pilot  

feet from their hidden queen, a felled oak,
infested with termites, gorging themselves
on its dying flesh, a cellulose feast  

one day soon, when rain carries workers
off their course, these two industrious species shall meet
and their cryptic ******* will fail  

leaving them with the choice of fight or flight;
the former will prevail, for they can run but never hide,
from treachery that comes from so deep inside

gulls cawed, so loud their calls
echoed off the cliffs behind us, a ghost flock answering,
though not shrill enough to rouse us

they flew crisscross patterns
and dove into the surf, but not one landed
on the carrion strewn across the sands

not like the vultures of my youth,
ravenous black hawks that began their devouring
at the first scent of death, or a moment before

no, these creatures merely called
to one another, a curious conversing
about the carnage below

perhaps their strange song
our dirge, as they swooped to and fro, wings
slicing currents carrying our souls

Omaha Beach, June 6, 1944

raindrops dimple the pond
fishes near the surface snap at them
expecting red reward

those in the depths, bellies
barely above the silt, rest easy,
ignoring the folly above

when the heavens grow restless
and pound the pool with hail, the bottom
dwellers remain placid

unperturbed by the sky's fury
or the whipping tails of the once fanciful
who now descend to their depths

from her window she could see
the shells of buildings the bombs battered--gray concrete
ghosts, haunting in their silence

Father said his ears
hadn't stopped ringing since the attacks, though he still
could hear her playing

and he expected her practice to continue
for one day, he promised, prayers would prevail, peace
would return, and her song would be heard

play, he entreated, for ivory, black
and white, has forgotten the evil of men, their carnage;
the notes know nothing except to be played

and to give pause for hope, when
more trenchant sounds demanded one’s attention,
still the song must remain

wedded that day, on their way
to El Paso, for two nights in a grand motel
with TV, and AC

they would splurge,
for profligacy was not a sin at such times
and a fat steer was sacrificed for it

the radio filled the cab
of the pickup with Tammy "Why-not"
singing D-I-V-O-R-C-E

they sang along, changing the letters
to M-A-R-R-I-E-D, creating one cheerful
cacophony in their shared space

when the next tune started, he hit:
a greasy buzzard, wingspan wide as a fence post was tall
black as an oil slick

the old windshield was no match
for the vulture, and it was a vengeful one
that crashed through Ronny's side

glass, bone, feather and flesh
tore into his sweet face like a chainsaw
his blood blinding him

Ronny turned so ******* that wheel
the truck rolled, twice, landing them on
the passenger side in an arroyo

where he lay on top of her,
gasping, his blood dripping generously on her
"Ronny, Ronny..."

her legs were numb, and she felt a warm
liquid crawling down her back, one she knew
was from her own head

which smacked the roof
so hard she was surprised her skull
hadn't popped

or maybe it had, for she saw double:
two steering wheels; two setting suns; two mangled birds
and two crimson faced Ronny's  

who then had stopped gasping, and only
slow breaths came from him, like a warm whisper
on her cheeks--but only until the song ended

and she knew, he was gone--and old verse
came to her, from Psalms, from Matthew, and she knew,
she was sure, someone would find them

and make her whole, and resurrect Ronny
for the good Lord would not do this to them, on this
hopeful highway, before they consummated

she harbored such a notion until
her own eyes closed, and other dark birds came
to find them, still, under her God's closed eye

(1968, north of Marfa, Texas)

Will was drawn to that spot
spirits or not, something-body pulled him there
like a mystic magnet that attracts flesh

and flesh he found in that grove, between
a stubborn hackberry and twisted oak: mother and newborn,
their blood soaking the prairie grasses

he walked the hard mile to the pay phone
passing but one unfriendly ranch house on the way
a growling cur keeping him at bay

the operator connected him
with the sheriff who collected his one deputy
and was there in half an hour

Lord Almighty, Lord Almighty
the deputy kept saying, those chants hanging
in the hot air above the bodies  

while the sheriff checked for pulses,
his khaki pants painted round red at the knees
for he was too old to squat  

neither knew the girl, who couldn't
have been age of consent, but the baby looked pink,
strong, though still as stone

the ambulance couldn't make it there;
the driver and deputy carried them out
on one stretcher

both commenting how light
their fated cargo was, how it was a shame
they perished in that old copse

Will knew that was meant to be
when he found them: the little one first clinging
to a dark warm sea inside

forced out by time, her helpless heaving,
and some invisible hand that took part in all matters
of flesh, spirit and bone

the same hand that did not cradle them
but at least found them shade, a cool but cruel
reprieve from their terse time in the sun

Sweetwater, Texas, 1959

we are angels
with cathedrals,
prophets, and poems
to prove it  

other species  
are not endowed
with such gifts:

the ceiling
of the Sistine Chapel
the pyramids, loosing
the bounds of earth
to walk on a moon...
psychoanalysis
the atomic bomb
Anthrax, dioxin
and gunfire
gunfire  

we are maggots
on rotting fruit, sated now
looking for a place to hop off,
to escape before the fruit falls fast  
to the ground

before the oceans rise
and the skies fill with ash
surely we can fly away

but we are wingless
angels, killer angels  
killer angels

I have nothing to say
because nothing is new under the sun
except sunburn

from which I may get
vitamin D, cataracts, wrinkles
and maybe skin cancer

that stole the life
of my fair cousin, one fleshy slab
at a time

so she had abbreviated time
to finish her one long tome about five years
in Morocco

where she had taken
a French lover, who took his life with her pistol
and left a suicide poem

blaming her in iambic pentameter
for his demise, but leaving his small fortune
to her just the same

giving her time, she assumed,
to write her memoirs--unlike I, she had
plenty to say

but there is nothing new
under the sun, except sunburn, which gave me
a tan, and her a death sentence

so now neither of us has anything to say

the jagged edges which gashed
his bare feet on the trash trove of shore by his trailer
slashed the folds of his memory as well

he chooses to tell no tales of that
hungry, motherless time--sharp years when he prayed
his dad would be passed out when he got home

and he usually was, there
on the cat **** sofa, splayed out like some beached whale
while he scavenged for food, and old pop bottles

a lifetime now from those foul filled days
he is a continent away, yet living on the shore,
with a fat portfolio and thin wife

who both protect him from "intrusive thoughts,"
though still he hunts for treasures on the sands, not
the nickel returns that bought his daily bread

instead, he seeks more ancient relics, glass
made smooth by the round chisel of time--soft, cool, full of color,
with no recollection of the fire that forged it

you were born in Denver
during a white out blizzard

like all round babes,
you had no clue, what was in store for you
you couldn't have known...

you would be
the last nickel to ***** through
a five-cent coin phone box,
in El Paso, Texas

or that you would sleep
for a year in a piggy bank,
of a boy named Felipe, who would die
of white blood cancer, before
he could spend you

and who would have thought
you would be in the linty pocket
of a serial murderer named Ray, when
he was captured in Santa Fe, a sunny day
on the ancient square, stalking
his next victim

a jailer used you that very night
with a twin of yours he found in
another picked pocket, of a drunk drifter,
to buy a Hershey's bar, from a machine
that would have taken a dime as well

your face began to show the fingered
signs of age by the time the choppers found sky  
above the Saigon Embassy, where you had spent
an aching April night in the Ambassador's pants

when you turned a half century, you were tossed
into a gallon jug, e pluribus unum, no more special
than others a third your vintage

I finally met you today, only because chance landed you on
the top of the heap, waiting to be saved from further folly

between reality and imagination
between literal and figurative, the thin line,
is not there when I tuck my grandson in,  

all six wise years of him, and assure him
I’ll keep watch  to make sure  no dinosaurs come
and ****** him away in the night

but instead of feigned fright, he proclaims,
there are no more dinosaurs, for a meteor came,
and “****,” says he, they were all gone  

I don’t bother to tell him, some were incinerated  
in the blink of an eye, while millions of their cousins suffered
a slow, gray, choking fate in a forever winter  

still, he is content that I was there
to bid him goodnight, to turn out the light, and wage war
with whatever creatures remained to roam,

or stalk the streets outside  
his room, or any other gathering gloom  
in the spirit or in the flesh

on the rail, not far
from where a young woman jumped
to a lonely death in the cold bay
I found you, in the fog

someone's wedding ring
perhaps once cherished, intended to seal
an eternal bond, but now this band lay
alone, silent, still, on dumber steel

who left you there?
not the doomed woman, for she took her final leap
two Christmases before, and her ring was found
on her withered hand

soft rain began to fall,
like a million tears for forlorn lovers
yet I stayed on the bridge, frozen in time and place
not from the shivering shower

but by the sight of one round, gold trinket
left for fickle fate after another circle had been broken
forever, for my eyes to see, at the edge
of another promised eternity

there is silence sandwiched between silence
thanks to the sudden cessation of their croaking
as if a plague took them, but it didn't

nor were they sleeping, nor were you,
at 0300 hours--you were between guard towers,
with an M60, and a hunger for sound

though you were picky about your song;
you longed for their familiar cadence, for
their green belched reassurance

that they would lay more eggs in the mire
and tails would grow, the swimmers would
become singers of familiar verse

but you could not wait for a resurrection
you did not know would occur--your duty would end
at dawn, and by then you could be dead deaf

from their silence

in a stadium,
in the nosebleed seats,
a lemon rind moon was all the light we had
when the city lost power

the crowd murmured, impatient
for the carnage to continue, players knelt
on the turf; their coach-gods commanded,
Let their be light!

I rose to leave, when I heard them
a canine symphony from jackals who escaped
the ranchers' sights, the dumb traps,
taunting us, the light seekers

who knew not how to comport
ourselves without electric diversion, without
staged battles, while they roamed the dark,
snouts angled towards a charcoal sky

sharing song and scent, sentient though not
like we, but content to be yip yapping in the autumn night
while we lamented the lack of light, and yearned yet
for different blood

I'm there,
an old portrait hanging on the wall
in need of a good dusting--past worthy
of restoration

passers-by will now and then pause
(more then than now), and wonder what my
two grey eyes saw, what my folded hands held,
what words came from my pursed lips

then came you, all dozen years of you:
maybe you liked old oils; maybe you were bored;
but you stopped, you ate a plump pear
while gazing

you squinted to see the signature
of the one who created me, though somehow
you knew there was but one creator
who gifted all brushes

you read the brass plaque
which summed up my life--three names and
eight digits, the last four a score before you were born
then you closed your young eyes

because you knew mine were closed
despite the painting's vain attempt to keep them open  
and you imagined you were asleep, waiting for a new sun,
or for another curious soul to stroll by

one who would take the time to look
and, like you, wonder, who I was, and why I was draped on this wall,
in this quiet hall, where you stood, pear in hand, finding color,
light, in my untold story

he wept, T.S. Eliot
for he lost a poem he penned
by hand--a piece that called itself
The Waste Land

in which he declared
April was the cruelest month
but he recalled little more, while scavenging
his memory for wily words

though I did not weep with him
I placed a light palm on his shoulder
to tell him I understood, for we all
lamented the loss of verse

phrases that came to us in dreams
lines that licked clean the inside of our skulls
words that repeated themselves, coming and going,
coming and going with each breath

my actress, who
sweated blood on Broadway each night
off Broadway too

said, on a long stroll
through Central Park. she was successful
because she did not like herself

on the stage, she proclaimed,
she was never herself, and she fell in love
with every character she portrayed  

every script was a better bio
than her own, and the playwrights knew
her better than she knew herself

and when our walk
was curtailed by a downpour, she dragged me
into a crowded cafe

where she knew half the patrons
and the wait staff, and they all knew the different
personas she had owned, on the dry stage

rain now forced her to choose  
which selves to keep, and which to lose
while she sipped scalding tea

with me, on a grey wet afternoon,
only hours before she would again be under  
the spell of the hot lights,

and read verses from the pens of prophets,
poets--those who purloined her soul for the price
of admission, to a place without self loathing

on a Texas hot day,
a thrifty bird of prey, was enjoying
a red repast

his plate, endless asphalt, his meal
entrails of a cur, whose flat fate was sealed
by black Firestone rubber

the manged mutt left to be lunch
for a ravenous buzzard, with beak bent,
pecking at his fine feast, until

my mindless Michelins
gobbled him up, faster than his greased wings
could flap for flight

to a theater near you
or your flat screen: live murders, usually
mass, sometimes children

sorry, no 3D,
for you see, that might be
too graphic, for some

no actors required
for the wild world's the stage
phone cams abound

stick around, for
a double feature, without
leaving your seat

for before the blood dries,
we'll mute the cries, and show you
the next slick slaughter

blind from birth, she
could tell the difference
between the odor of chrysanthemums and tulips,
and remember her first whiff of both

she could identify
the scent of her brother
in a groping group
of sweaty brutes

she knew
her nose was her biographer
collecting memories, visions
her eyes could not

she studied biology
only to discover her compendium
of smells originated in a space infinitely
smaller than a fly's eye

a few molecules
devoted to identifying ham,
the rich smokey meat
of her first Easter

another clump to help her hold
the faint smell of perfume which lingered
in the room hours after
her mother passed

and who knew what atoms,
what cells, what curse of chemistry
forced her to recall, most of all, the sweet scent
of her newborn's hair,

the few seconds she held him,
after his heart stopped, and they took him
and placed him in a smooth, cold box, where sight,
sound and smell were locked forever

the gray grasses sang sweet songs,
without even a breeze to move them
the coyote howls were marrow yellow,
crimson, as their sour colors sifted
into the night

lightning streaked my charcoal
sky, and I could taste it, a salted butter
that tickled the throat on the way down,
the sonic booms it hatched smelled of baked bread,
and I hungered for more  

then a white owl spoke to me,
but I did not hear it call my name
no, not mine--though its hoots formed ice,
chunks which pummeled me, froze me
to the bone

the waters ring red
with the ferrous clay from these plains
brutish brown on cloud cluttered days
caramel during floods

my feet know nothing
of water moccasins, though
a rattler nipped an ankle on these banks
a million years ago

feet don't recall
they slip into the cool tickling stream
innocent, not looking for a Baptismal
though the serpents are ever present

slithering in the depths
just beyond my eyes, only a few silt filled steps
from my ten toes, waiting--wanting fallible
flesh to slip within their sights

where there will be no
original naked temptation, only the striking,
the ******* venom, and the second fall
from grace, without woman to blame

he eschewed the label,
“Native American,” for he was *****,
and he wasn't ashamed he liked his spirits
dollar wine worked as well

cirrhosis was a family trait
though he didn't learn the word until an army doc
admonished him, saying he would earn the curse
by 45, if he kept it up

and he did, even more after that crazy
Asian war, where he killed a half dozen men
they called yellow, though to Walter, they looked
to be his emaciated brown cousins

he could stand tall, straight
with a pint of rot gut in him, burning
his belly, but not causing his head to spin
though it helped him block them out:

those he did not know; those he
slaughtered like lambs with the gun they issued him;
those who inhabited a space just behind his eyes
whenever they closed, night or day

someone found him, in his pickup bed
dead from exposure, from too many years
on the bottle, too many dreams he tried to drown
and too many ghosts to haunt his nights

Gallup, New Mexico, 1999

I found a skeleton of a bus
so far into the pines, I knew it had been
dropped from the sky, to save me  

they had to be far behind,
the other side of the stream, where those hounds
lost my scent    

Jed and Tonto didn’t follow me across
the shallows, and I’d bet all the money I ever stole
those curs and the posse ate them up    

there was almost half a moon, though
inside the bus was black; outside was freezing
drizzle pattering on the roof  

the coat I filched was soaked    
my trousers too--nobody told me
Alabama got this cold  

if they had
I wouldn’t have believed them
until that night  

I curled up in a ball
behind the driver’s seat, shoved
my frozen hands in my shirt    

then I heard that hiss, and saw
those eyes--I stayed quiet, more quiet even
than when I hid from John law    

then she growled, deep, slow
but I kept watching her eyes--emerald and still, still
in the place I first saw them    

then we were both silent  
I’d  *** my drawers before I’d move
freeze outside... get ate inside  

the hours passed fast; I drifted,
dreamed a little of being back inside, and woke
when the sun hit the cracked windshield    

she was still there
with two cubs nursing, now used to my smell
I suppose, since she didn’t jump  

when I slid down the bus stairs
into the frosty grass, where I saw a doe
chewing forbs, close to the roots  

lucky the lion had her babes stuck
to her teats, lucky I was between the cat and prey,
lucky the bus was in that grove

anonymous winds
bend tall Timothy grasses,
wake rabbits napping
in the brush

they ripple the surface
of the stock tanks, tickle the haunches
of the beasts who wade there
to slurp the tepid waters

they birth red dust devils
for my eyes to follow, as they scud
through mesquite, and hopscotch over canyons
older than time

one day, soon, they will blow
over a shallow earth bed; I will not hear
their sibilant song, but my sleep will be deep,
unperturbed by their mystic music

the white coat lords,  
the army of nurses, the aides, didn't think
he understood their language

nor did they know
he had been a warrior in his homeland
and bore scars, inside, out

they paid little attention,
as he buffed lackadaisical linoleum, scrubbed porcelain *******,
making them ethereally white

though the amputees,
the hobbled, the battle burned, would wake
to the sound of his labors:

his broom swaying to and fro,
a softer metronome for their ringing ears
a cadence of condolences
for their beating hearts

a thousand miles we traveled to see
your jack-hammered giants--we arrived at dusk
just as the torrents began, bathing your
chiseled countenances

we hid in our chariot of modernity
wipers flapping in syncopated time, Bluetooth belching
out words from kin, "have a good time,"
"sorry for the storm..."  

but I wasn't, for lightning struck
a blackjack pine, and four mammoth men
came to life, their sheen now electric, their long
mute voices once again a resounding roar

I carried you
through a minefield, past ***** traps;
though the mortars lobbed their lethal loads
and the rifles spat speeding streams of death,
all was silent, until we reached the end of the field,
and I lay you on the grass

you thanked me, and asked me
to hold you--you were so cold, you said
I put my arms around you, and looked back
across the field--a stretch of fire now, blazing
the night sky, casting eternal light on you and me,
two young brothers I spied, prostrate,
still, on the other side of the field
we had crossed…still

on the other side

in the clouds, he saw
the face of god--heavy brow, two eyes, nose, mouth,
and long gray beard; then only one eye, nose,
half a mouth, as sunlight

shafts illuminating the visage,
began melting it away, until only
an eye remained, one he yet claimed
was god, watching

over us, deciding  
whether lightning would strike, or skies would clear blue,
revealing heavens he believed awaited us all
for the fall meant nothing to him

I took the only seat left, beside a dude
with an afro ten inches tall, who bongo drummed
his knees, accompanying an invisible quartet

he claimed he wanted
to create, not re-late, so he slapped paint
on canvas, and blew on his horn

his woman wanted more, more
bread, more bed, more time to rap, more,
more, plural mores he said

but he wanted singular less
and told her it would be best
if she split--and she did

though on her way out the door of his crib
she kicked a wet canvas, leaving a stiletto print
on James Baldwin's nose

"cool cat must have had his nose broke
by some ***** before, " so he left her smudge
alone, and then he was alone

when he got off the bus
and told me to be cool, he handed me a smoke
I bummed a light from another hip cat

but he didn't have a story to tell
so I smoked my Winston solo, listening to the bus's hum
and distant muffled horns

Oakland, June 1969

some claimed the paddies smelled like
fetid fishes, *****; some said like the dung of oxen, peasants
or other beasts who squatted there  

others whispered the fields reeked of death  
while I found no odor to be grander evidence
of life’s languorous longing for itself  

we marched those mired moors, as hunters
of invisible prey--ourselves too being stalked, or worse,
mocked by other hairless apes,  

who like we, sought light, but
could divine darkness far better, for we
knew little of night, its sacred riddles  

some said those places reeked  
of rotted flesh, the festering relics of our deeds
I inhaled deeply, slowly  

only rich, fecund stories
were revealed to me, ones I fear yet
this silent night

the same, again, again

I am in the bunker
the wire is crawling with them
like so many black clad snakes
spewing venom at my brothers and at me
and I am out of ammo, my M16 magazines
empty, caked with mud

everyone is looking to me
for salvation, for a salvo of rounds
at the VC, and I find a twenty two
Ruger pistol, the same one I used
to **** a buzzard for sport, one
sinful desert day; and now I aim
at the enemy, firing over
and over, hitting them
dead center, but they
keep coming

I never run out of rounds
but the impotence of my fire
burns inside me--I reach for my empty M16,
but it's still empty--they keep coming

even when I wake, even when
the morning sun has blotted out
the black dream

they keep coming
I keep reaching, reaching
for the empty gun

his dream was always of a cart, carrying
limbs like those in so many slaughter houses
dragged along by two oxen, blind, backs whipped
by a golem whose red eyes illuminated
the path, the cart's carrion, and even
the black sky

when he would awake, he would feel
ravenous, not sated by his breakfast mush
or his noon repast--only when he sat for dinner
would he be full, after he drowned himself in wine, and gorged himself on a feast of flesh, charred yet
dripping with blood

the same sanguine soup, perchance,
he saw flowing from the wagon of his dreams,
the same as the crimson ooze from the humps of
the beaten beasts who transported
the ghoulish cargo to some crypt
in the greedy earth

to someplace he longed to see and
to be, in the dream, the one from which
he would awake with such perverse
hunger for life

crags, cold and gray--tedious time
has little worn their edges

grandfather moved a thousand his four score years
in these emerald moors

father too, before the war, when he left the rocks
for others to move, the sheep for others to sheer

grandmother never forgave him for leaving;
the queen had not asked for his body or soul

in the blood red fields of the Somme, he never missed the place

nor his mum, whose heart gave out when she heard
he died in a French trench, of the Spanish flu

after that, grandfather let others tend to his flock
and moved not another stone

now thirty and five, back from my own foul war
I walk these pastures with only misty memories of them:

father, son and steed, dragging boulders
across dew drenched grass, to walls that yet stand
but now guard only the dead

Crossgates, Wales, 1946

the man in the fine suit
gave me three hard quarters--those Washingtons were smiling at me, waiting to be swallowed by the machines at Horn and Hardart's Automat, where

there was but one old lady
standing, still as a statue, in front of a machine
her reflection on the glass staring back at her,
a haunting twin, from a different

mother. I could taste those ham sandwiches
waiting, but when that first quarter chinked its way into that dispenser, the old woman and her reflection turned to me, hungry

for something I couldn't taste;
so I gave her my other quarters, and hurried
into the night, chewing my food,
still hungry when done, but far
from her tired eyes, far

the highway on which you escape
has a placard, green with destinations:
90 miles, 140

the 50 asphalt measures between the two
raw with hope, or despair, depending on who is there, flying past stubborn mesquite, doomed steers, and sagging shacks with graveyard stories

you always return,
not having found what
you never lost

the sign coming back
on the same tarred trail
tells how many there are, of you,
one hundred thousand, six hundred, forty two
though you may be only one who knew
you departed, maybe

tomorrow another you
will crank the engine and turn the wheel,
accelerate while you still can, until your gas
burns out, or the road rips a bald tire,
a ruptured reminder you can't
leave it all behind

words he could not understand
flew over his head--sparrows at first,
vultures as the hours passed; he

could see the creatures
spilling from mouths, eager fledglings
escaping the nest, white

coat wizards
birthed them, casting some spell
on the mother, on all

mothers who heard the flapping
of these wings, who saw the buzzards gather
until they swooped down upon

him, helpless, as their talons
snatched him from her arms, their wings
in frenzied dance, fluttering  

to a symphony of the ******
carrying carrion and soul to a bedeviled den
she could not see

every night, the klaxon
wailed, like a hound lost in the fog

Mum and I would be sitting down
to dinner when the beast began bellowing

she would quip, them Gerrys want me
on thin rations, and to the cellar we scuttled

Mum would bring a votive candle, a pale of water;
I would grab Tag, our shivering terrier

in our tiny circle of timid light, we would wait and wonder,
how far were they? what would the next sun reveal?

on All Saints Eve, the house shuddered; the dust
from its two centuries drifted down on us like fine rain

then all was still, until we fell asleep--maybe she was
dreaming of Father, and what field now held him

I was not--sleep had taken me but a moment before
our tired beams moaned and gave way

Tag was then barking through his tremors, and she lay
still in the rubble, her eyes slit open

though only enough to see I was there to bury
her, in green pasture

far from this gloom, her quivering pet  
and orphaned manchild

frogs "croaking"
in front of me, in the reeds
crickets "chirping"
behind me, in the brush
countless coyotes "yelping"
from across the lake
bass, carp surfacing
under a yellow moon
unaware its shimmering shaft’s
a magnet to my eye  
and more lullaby to me,
who can yet see spectral waves
but lost cherished vibrations--like birdsong,
winsome whispers--eons ago

no bison on the menu
at the Buffalo; this diner
never served it  

Big Mike, long gone
named it for the high shelf  
on the prairie behind it  

where Lakota learned
to stampede beasts over the edge, massacring
hordes without bow or sweat

the gully below,
their forgotten bone yard,
left little trace of them

save half a skull
Mike exhumed and hung on the wall
in the time of polio

before the wide whizzing interstates
when truckers still landed on his dusty lot  
their rolling behemoths content in pasture

in a new millennium, the cafe highway is but
an accidental detour; the shack guarded by thistles,
long departed the Detroit steel

the truckers now in the ground, their bones
free from pillage, but the Cyclops on the wall remains,
eyeing the vacant prairie they all once roamed

in blue depths beyond our sight
day or night, you flagellate flawlessly
as if you had not a care

dare I say you're fleeing
a predator we're not seeing?
or perhaps just at play

in a world Verne created,
a space ahead of its drudging time
perilous, yet sublime

loligo forbesii, I can only imagine
what watery waves you whipped before I had you,
deep fried calamari, on my plate

white petals pepper his ivy,
some droop casually into the monkey grass
all volunteers, their conception unplanned

after his early constitutional
he takes tea with them, and tells them
life tales--content they listen, hear

first cautious with his revelations
no lugubrious lessons he has learned,
little of loss:

his first kiss,
his summer sojourns with Uncle Elliott
his favorite hiding spot at play

then, when they've heard of joy
he praises them for their comely countenance,
their generous journey from seed

later, when he returns at eventide
he dares tell them of Sophia, his beautiful bride
who tended tulips before these interlopers came

he whispers, so he does not startle them, or perchance
wake her, as he confesses she lies beneath them, forever silent
in their bed

white winged water walker
filled my dreamy head
sliding, gliding on shimmering glass
far from my land locked bed

once a child and filled with awe
my visions shamelessly bold
a water walker I would be
and straw could turn to gold

but spinning orbs wash one with age
and weight one's wings with years
flights of endless prowess
are grounded by groundless fears

yet when blind night blocks the light
and one's mind is free to explore
childhood's chirping vision
is again allowed to soar

the clanking
of the radiator
the only sound

except her breaths
which she counts, as if
she knows the finite number
until her last

her coffee cold;
in it she sees the night
from which she came:
the blind, deaf walkers,
the fuming taxis she left
in the square streets

her eyes well
with the last drops
of the last light
of the last star
in her galaxy
of loss

only one tear falls
into her cradled cup
where it vanishes into
the indifferent sea

she sups it slowly
back inside, where night belongs
but never stays

I kept quiet as a mouse
Soppy did too; we stayed snake close
to the ground in the tall grass

we didn't hear no hounds,
but that didn't mean them dogs
weren't there

Soppy and I had done
what old lady Lucinda said--waded in the deep creek
a good hour to leave them curs nothin' to sniff

with my one clear eye
I could see them flames bobbin' up and down
like gold ghosts in the willows

the air smelled like rain
I prayed real hard it would come down
drown out them fires

that would be one mighty sign
the good Lord heard my prayers
and took pity on us

Soppy, me and whatever other souls
hid in the devil's dark, watchin' the flames,
fearin' they meant eternal damnation

many of his posts tilted
like trees tired of the wind; wires sagged,  
red rusted, but still jabbed the errant cow  
when duty called    

three quarters a century
he rode the same trail; of late,
he had gone afoot, the saddle too heavy
for him to heft  

walking, he reconnoitered  
the tracks with more care--hooves of his myriad steers,  
a few equine signs of the farrier’s labor    
still  there, fast fading    

his boot prints were  
more numerous now, and sometimes
tamped down by the few beasts left
in his herd    

across the line lay his dead
neighbor’s pastures, peppered with mesquite,
pocked by fire ant holes;  no livestock grazed, but the giant turbines whined, white whipsaws slashing not timber, but blue sky    

driven by the relentless winds,
they called to him, in chanted chorus, issuing a premonition:  
one day soon, your fence will fall, and the path you trod
will bear no new tracks for other souls to read

I drew an old man,
with beard

like mine--though his face had
more wrinkles

deep lines of age
are hard to draw  

my pencil bore down at the center
of those creases

like I was trying to leave a mark
that wouldn't fade

or trying to carve something
from nothing

piling lead upon lead,
on paper

that couldn’t protest my adding of years,
with a dull number two        

when my pencil was but a nub, there were
more years yet to add  

by then, my hands were weary
my eyes blurred

I had no blade to shave the wood    
from the shaft    

to make more eternal marks
on white space

smudges on the glass  
were wiped away each night
by a mute custodian

who found a biography
in each set of prints he made disappear
with clean cloth and vinegar

he could tell which ones
were made by children, dragged there
with promise of ice cream, later

oh, the young lovers' prints  
were unmistakable--eager tracks being led to more
and more promising carats

and the thin marks left by the frail
made him wonder, if this would be their last
precious purchase: a reckoning; a remorse

the cases held diamonds, rubies,
by the score, but the silent sentinel  
saw only the surface

that was his world,
one of transparency, and fickle
reflections

he reluctantly erased these fingered tales
the marks life left anon and anon, for he knew
it was his duty to wipe the slate clean

to allow resurrection,
renewed vision of a bejeweled
world, just below his sight